[313] Groovetech Gear Giveaway
Thought some of you might find this worthwhile...If you feel inclined, please spread the word. Thanks and good luck, Alex Groovetech The Groovetech Mother Lode Gear Giveaway In our biggest giveaway ever, Groovetech is offering you a chance at winning the finest DJ equipment package under the sun along with loads of free records, CDs and t-shirts from top record labels. The Mother Lode Grand Prize: One lucky bastard will win a pair of Technics SL1200 M3D turntables, Allen & Heath's Xone 464 desktop/rackmount professional club mixer, a set of Technics RP-DJ 1200A DJ headphones, a set of Shure M35X cartidges and a Groovetech DJ bag stuffed with records, CDs and t-shirts from participating labels. Retail value: over $4000. Second Prize: Three people will win Groovetech padded DJ bags filled with records, CDs and t-shirts from participating labels. Third Prize: 10 people will win Groovetech DJ shoulder bags and a selection of records, CDs and t-shirts from participating labels. Fourth Prize: 20 people will win Groovetech t-shirts. Participating labels: Compost, F-Communications, Fenetik, Finger Lickin, Hospital, Hooj, Mantra, Novamute, Solid Steel, Soma, Spymania, Warp, Wiija, XL and Zenit. To view contest details and entry form, visit: http://www.groovetech.com/contest This is no namby-pamby giveaway, this is the real deal. Win this one and you'll be set for years. Contest ends March 10th. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Sativae
Anyone know if any other Sativae besides #08 is being repressed? Trevor Wilkes inyerear.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] vinyl print question.-important.
a good friend of mine need something like 100 vinyls of his music to be pressed, anyone knows a GOOD pressing place with quality vinyl? this is very important. there`s no place to make vinyl pressing in my country. y. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Stacey Pullen
Hi all, I mentioned a while ago that Stacey Pullen has a track on the next No Categories 5 cd on Ubiquity. Well, I just a copy and I'll give you the tracklisting for the cd. Unfortunately, the Stacey Pullen track is only available on cd..I'm told. Street release date March 19th, 2002. No Categories 5: Electronic Music For Eclectic Minds [Ubiquity] CD Version 1. P'taah - Hold You Close * 2. Cuica - Trommel Monster (PH remix) * 3. Interfearence - Xtradition (Zero dB mix) ** 4. As One - Another Revolution (Stacey Pullen remix) ** 5. Dark Leaf - Contact ** 6. Nobody - White Folding Slowly * 7. John Beltran - Heaven And Earth ** 8. Jack Costanzo - Bongo Jam 9. Beatless - The Truth Part 2 (King Britts Scuba remix) ** 10. As One - If It Ain't Broke ** 11. Stacey Pullen - Liquid Letter * 12. Jack Costanzo - Calypso Blues 13. Johnny Frigo - Gazebo * Exclusive unreleased material ** Previously Unavailable on CD _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313]Applied Rhytmic Technology.
I think I have a few Art 12"S that I could consider selling. I'd have to dig for them to see which ones they are. I'm pretty sure one of them has a Red Cell track From: Yair Etziony <[EMAIL PROTECTED]> To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>, Ian <[EMAIL PROTECTED]>, any chance for some re-issues from degiorgio`s labels? ART and opART? as i see it there`s a lot of demand for that stuff. y -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, February 11, 2002 6:09 PM To: Ian; 313@hyperreal.org Subject: [313] RE: (313) broken beat/nu jazz mxes? But unfortunately impossible to get Unrelated but also worthwhile is the Kirk Degiorgio Check One mix on two CDS from 1996. I think it was released on Applied Rhythmic Technology. -- im _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] immedia2002 saturday :: a second night out (fwd)
-- Forwarded message -- Date: Thu, 14 Feb 2002 13:32:49 -0500 (EST) From: matthew clay shultz <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] Subject: immedia2002 saturday :: a second night out . immedia2002 . . a second night out . . . saturday, feb. 16th . . . . featuring: , golan levin (7-8:30) , audiovisual environment suite / scribble , interactive systems for creating abstract animation and synthetic sound in real time , developed at MIT media lab , featured at ars electronica , lecture and performance , see also: http://www.flong.com : http://http://acg.media.mit.edu/people/golan/aves/ , bill van loo (6-7 pm - come early!) , live electonic music in the digital era , exploring the possibilities of improvisation , lecture , gallery open from 12pm onward , video and animation screenings on the hour , CAVE (virtual reality) open for viewing see youthere. /// more Golan Levin: Golan Levin is interested in creating artifacts and experiences which explore supple new modes of nonverbal expression. He received undergraduate and graduate degrees from the MIT Media Laboratory, where he studied with John Maeda in the Aesthetics and Computation Group. His current project is the Telesymphony, a concert whose sounds are wholly produced through the carefully-choreographed ringing of the audience's own mobile phones. Scribble_ is a half-hour color-music concert performed live on the Audiovisual Environment Suite. Scribble revives and updates a decades-old tradition of kinetic light performance, featuring tightly-coupled sounds an dynamic visuals which are at times carefully scored, and at other times loosely improvised. Bill Van Loo: Bill Van Loo has been playing electronic music live for over 6 years, and during that period has investigated the possibilities and challanges of how to present it in a live setting. With performances ranging from the Detroit Electronic Music Festival to small, listening-oriented rooms, Van Loo has played in a variety of situations and to a range of different audiences. Van Loo has played in a variety of situations and to a range of different audiences. These experiences will serve as jumping-off points for discussion. Topics include audience expectations, hardware and software solutions and possibilities, and an overview of the past, present and future of live electronic music. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] DJ Sneak in Ann Arbor tonight.
Pls elaborate ... amongst the more housier spinners he (+ Doc Martin + MAW)
are in my nite sites as 'Must See's.
Many thanx,
K
>-Original Message-
>From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
>Sent: Thursday, February 14, 2002 10:25 PM
>To: 'Michael D Tyrer'; Sam Valenti IV
>Cc: 313@hyperreal.org
>Subject: RE: [313] DJ Sneak in Ann Arbor tonight.
>
>
>
>I saw DJ sneak at the KMS after party in Detroit and wasn't too impressed.
>That is compared to Kevin Saunderson who opened up and Derrick may who
>played after him. Man what a night ;0
>
>-Pete
>
>-Original Message-
>From: Michael D Tyrer [mailto:[EMAIL PROTECTED]
>Sent: Thursday, February 14, 2002 5:22 PM
>To: Sam Valenti IV
>Cc: 313@hyperreal.org
>Subject: Re: [313] DJ Sneak in Ann Arbor tonight.
>
>
>Can't wait to see DJ Sneak here in London, or anywhere in the UK
>Closely followed by DJ Rush, and DJ Bone is this becoming a
>fashion all
>this DJ'ing?
>
>(I believe Mr le Bone (he isn't from Duran Duran is he?) is due at the end
>of the month).
>
>
>- Original Message -
>
>From: "Sam Valenti IV" <[EMAIL PROTECTED]>
>To: <313@hyperreal.org>
>Sent: Thursday, February 14, 2002 09:15
>Subject: [313] DJ Sneak in Ann Arbor tonight.
>
>
>>
>>
>> Come to see DJ Sneak tonight at the Necto in Ann Arbor.
>>
>>
>> Ghostly International offices Valentine's Day playlist:
>>
>> The Cars - Heartbeat City
>> Bogdan R. - My Love I Love
>> Depeche Mode - Music for the Masses ("Strangelove")
>> Love - Forever Changes
>> Sam Cooke - The Rhythm and the Blues ("Nothing Can Change this Love")
>>
>> Love,
>>
>> Sam Valenti IV
>> Ghostly International
>>
>> WWW.GHOSTLY.COM
>>
>>
>> -
>> To unsubscribe, e-mail: [EMAIL PROTECTED]
>> For additional commands, e-mail: [EMAIL PROTECTED]
>>
>>
>>
>
>
>-
>To unsubscribe, e-mail: [EMAIL PROTECTED]
>For additional commands, e-mail: [EMAIL PROTECTED]
>
>-
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[313] Liberators
>> 'for those that don't know, the liberator DJs are part of London's >> "underground" rance scene. they once did a mix CD called "its not from >> Detroit and its not intelligent but its f*cking banging". >> >> i think that says it all really.' -Eric Scuccimarra Me, I actually LIKE the Liberators! They know how to rock a crowd and keep a positive vibe going. It's true, it's not brain food (mostly - I heard 'Moonraker' by the Foremost Poets first dropped by them - the original mix) but it's damned good fun! Most importantly, they've still got this idea about dance being something like a unifying and catalytic social force. (Naive, I agree, but I'm a sucker for sincere idealists and triers). And underpinning the compilations of medieval acid, is always a push to get people involved in their environments and take control of their lives - usually politically. Sound familiar, Detroit? I had a laugh recently when I read a track title on one of Chris' latest mixes 'Hackney Council Are A Bunch of C*nts'! I think the Nuclear Free Zone parties are still running at 414 (Brixton)... I'd recommend them. K >-Original Message- >From: Tim Maughan [mailto:[EMAIL PROTECTED] >Sent: Thursday, February 14, 2002 3:34 PM >To: Ploegmakers, Joost; 313@hyperreal.org >Subject: Re: [313] re- gary numan > > >yeah that was it. well spotted. > >on 14/2/02 3:11 pm, Ploegmakers, Joost at [EMAIL PROTECTED] wrote: > >> "F*cking 'avin' it" was actually the last part of the title. >> >> Well at least they're honest about themselves... >> >> >> -Original Message- >> From: Tim Maughan [mailto:[EMAIL PROTECTED] >> Sent: donderdag 14 februari 2002 16:03 >> To: Eric Scuccimarra; D.Maj. DDBB-P; 313@hyperreal.org >> Subject: Re: [313] re- gary numan >> >> >> on 14/2/02 1:37 pm, Eric Scuccimarra at [EMAIL PROTECTED] wrote: >> >>> Liberator D.J.s >> >> for those that don't know, the liberator DJs are part of London's >> "underground" rance scene. they once did a mix CD called "its not from >> Detroit and its not intelligent but its f*cking banging". >> >> i think that says it all really. >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] Origins of a Sound..
Anybody? Someone has to have a copy.. CD (burned, even) or LP is fine, either will do. ~Ryan~ -Original Message- From: Pryor, Ryan N [mailto:[EMAIL PROTECTED] Sent: Friday, February 01, 2002 11:49 PM To: '313@hyperreal.org' Subject: [313] Origins of a Sound.. Submerge:1995 I'm assuming it is out of print. Anyone know where I can find a copy of this? 1. Audiotech "Phase 2" (Juan Atkins) 2. Drexciya "The countdown has begun" 3. Aux88 "Bass Magnetic" (1993) 4. Mad Mike "Twista" (1987) 5. Drexciya "Livin' on the edge" 6. Mad Mike "Base Camp Alpha 808" (1989) 7. Aux88 "Let's dance" (1991) 8. Drexciya "Wave Jumper" 9. Mad Mike "Deepspace 9" 10. Andre Holland "City of Fear" 11. The Martian "808(infinity) Surface Termperature" 12. Gigi Galaxy "Defying Gravity" 13. Aux88 "The D.J." Compiled by: Lenny Burden & Mad Mike -Ryan- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Liberators
on 15/2/02 8:33 am, Odeluga, Ken at [EMAIL PROTECTED] wrote: > Most importantly, they've still got this idea > about dance being something like a unifying and catalytic social force. > (Naive, I agree, but I'm a sucker for sincere idealists and triers). And > underpinning the compilations of medieval acid, is always a push to get > people involved in their environments and take control of their lives - > usually politically. Sure - i couldn't agree more with that. fair play to them. its just a shame most of the records they play are sh*t. at least when i've heard them. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Liberators
Yep i agrree I have played alongside Chris Liverator and he certainly keeps the crowd high and fueled on Octane gas I like his style although and he even slips the odd classic in, like the old trancey Pump Panel tune on Missile.. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 08:34 To: Tim Maughan; [EMAIL PROTECTED] Org Subject: [313] Liberators >> 'for those that don't know, the liberator DJs are part of London's >> "underground" rance scene. they once did a mix CD called "its not from >> Detroit and its not intelligent but its f*cking banging". >> >> i think that says it all really.' -Eric Scuccimarra Me, I actually LIKE the Liberators! They know how to rock a crowd and keep a positive vibe going. It's true, it's not brain food (mostly - I heard 'Moonraker' by the Foremost Poets first dropped by them - the original mix) but it's damned good fun! Most importantly, they've still got this idea about dance being something like a unifying and catalytic social force. (Naive, I agree, but I'm a sucker for sincere idealists and triers). And underpinning the compilations of medieval acid, is always a push to get people involved in their environments and take control of their lives - usually politically. Sound familiar, Detroit? I had a laugh recently when I read a track title on one of Chris' latest mixes 'Hackney Council Are A Bunch of C*nts'! I think the Nuclear Free Zone parties are still running at 414 (Brixton)... I'd recommend them. K >-Original Message- >From: Tim Maughan [mailto:[EMAIL PROTECTED] >Sent: Thursday, February 14, 2002 3:34 PM >To: Ploegmakers, Joost; 313@hyperreal.org >Subject: Re: [313] re- gary numan > > >yeah that was it. well spotted. > >on 14/2/02 3:11 pm, Ploegmakers, Joost at [EMAIL PROTECTED] wrote: > >> "F*cking 'avin' it" was actually the last part of the title. >> >> Well at least they're honest about themselves... >> >> >> -Original Message- >> From: Tim Maughan [mailto:[EMAIL PROTECTED] >> Sent: donderdag 14 februari 2002 16:03 >> To: Eric Scuccimarra; D.Maj. DDBB-P; 313@hyperreal.org >> Subject: Re: [313] re- gary numan >> >> >> on 14/2/02 1:37 pm, Eric Scuccimarra at [EMAIL PROTECTED] wrote: >> >>> Liberator D.J.s >> >> for those that don't know, the liberator DJs are part of London's >> "underground" rance scene. they once did a mix CD called "its not from >> Detroit and its not intelligent but its f*cking banging". >> >> i think that says it all really. >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Liberators
my spelling eh!! terrible! thats Liberator.. -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 09:19 To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org Subject: RE: [313] Liberators Yep i agrree I have played alongside Chris Liverator and he certainly keeps the crowd high and fueled on Octane gas I like his style although and he even slips the odd classic in, like the old trancey Pump Panel tune on Missile.. -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 08:34 To: Tim Maughan; [EMAIL PROTECTED] Org Subject: [313] Liberators >> 'for those that don't know, the liberator DJs are part of London's >> "underground" rance scene. they once did a mix CD called "its not from >> Detroit and its not intelligent but its f*cking banging". >> >> i think that says it all really.' -Eric Scuccimarra Me, I actually LIKE the Liberators! They know how to rock a crowd and keep a positive vibe going. It's true, it's not brain food (mostly - I heard 'Moonraker' by the Foremost Poets first dropped by them - the original mix) but it's damned good fun! Most importantly, they've still got this idea about dance being something like a unifying and catalytic social force. (Naive, I agree, but I'm a sucker for sincere idealists and triers). And underpinning the compilations of medieval acid, is always a push to get people involved in their environments and take control of their lives - usually politically. Sound familiar, Detroit? I had a laugh recently when I read a track title on one of Chris' latest mixes 'Hackney Council Are A Bunch of C*nts'! I think the Nuclear Free Zone parties are still running at 414 (Brixton)... I'd recommend them. K >-Original Message- >From: Tim Maughan [mailto:[EMAIL PROTECTED] >Sent: Thursday, February 14, 2002 3:34 PM >To: Ploegmakers, Joost; 313@hyperreal.org >Subject: Re: [313] re- gary numan > > >yeah that was it. well spotted. > >on 14/2/02 3:11 pm, Ploegmakers, Joost at [EMAIL PROTECTED] wrote: > >> "F*cking 'avin' it" was actually the last part of the title. >> >> Well at least they're honest about themselves... >> >> >> -Original Message- >> From: Tim Maughan [mailto:[EMAIL PROTECTED] >> Sent: donderdag 14 februari 2002 16:03 >> To: Eric Scuccimarra; D.Maj. DDBB-P; 313@hyperreal.org >> Subject: Re: [313] re- gary numan >> >> >> on 14/2/02 1:37 pm, Eric Scuccimarra at [EMAIL PROTECTED] wrote: >> >>> Liberator D.J.s >> >> for those that don't know, the liberator DJs are part of London's >> "underground" rance scene. they once did a mix CD called "its not from >> Detroit and its not intelligent but its f*cking banging". >> >> i think that says it all really. >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] surveillance recordings?
TC> I picked up a great 12" in Rubadub yesterday by DFA (Deterministic Finite > Automata), snappily titled 'Microstructural Chracterization' on Surveillance > Recordings from Detroit. 3 tracks of minimal but extremely soulful and > melodic electronic house/techno, very very nice indeed. Just wondering if > anyone had any more info on DFA or the Surveillance label, and if there's > any other recommended material worth checking out? Hey Tom, If you recall I put it in my top 10 for 2001...can't say as I know anything about the artist or label though... TC> Their website (http://www.surveillancerecordings.com/) looks great but > there's no actual content... I found http://www.surveillance.net doing a quick search but that is another label altogether...though also from Detroit, and also techno. Seems strange that there are two Techno labels in the same city with the same name! Lemme know if you find out anything! It would be nice if someone could shed some light on the subject. Ohhh and for something in a similar vein you should check out AJ Hunter's Pressure Point EP on Parotic Music, track it down and you'll find it's well worth the effort... It's probably the most interesting record I bought all of last year, seriously deep Techno/House with a Chicago feel and intriguing programming - the record has such a beautifully textured sound to it (if that makes any sense;-) Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] surveillance recordings?
>> TC> Their website (http://www.surveillancerecordings.com/) looks great but >> there's no actual content... > Lemme know if you find out anything! It would be nice if someone could shed > some light on the subject. Gary R kindly pointed out to me that there are actually some hidden links down the left side of the web page - including MP3 versions of the tracks on the EP... > Ohhh and for something in a similar vein you should check out AJ Hunter's > Pressure Point EP on Parotic Music... Sounds great, I'll try and hunt it down... Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Missile (was:RE: (313) Liberators)
Aaaah those early Missile records. Missile 1 is still my favorite! I haven't seen a new Missile record in ages! Does the label still exist? Is Tim Taylor still running it? And, most importantly, will the Pump panel ever re-surface? W -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 09:19 To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org Subject: RE: [313] Liberators Yep i agrree I have played alongside Chris Liverator and he certainly keeps the crowd high and fueled on Octane gas I like his style although and he even slips the odd classic in, like the old trancey Pump Panel tune on Missile.. - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: Missile (was:RE: (313) Liberators)
aha , yes Missile is still around./.. Umek did a remix on missile of ,,,damm can't remember ,,but I have it at home.. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 10:38 To: Ian Cheshire; 'Odeluga; Ken'; Tim Maughan; [EMAIL PROTECTED] Org Subject: Missile (was:RE: (313) Liberators) Aaaah those early Missile records. Missile 1 is still my favorite! I haven't seen a new Missile record in ages! Does the label still exist? Is Tim Taylor still running it? And, most importantly, will the Pump panel ever re-surface? W -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 09:19 To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org Subject: RE: [313] Liberators Yep i agrree I have played alongside Chris Liverator and he certainly keeps the crowd high and fueled on Octane gas I like his style although and he even slips the odd classic in, like the old trancey Pump Panel tune on Missile.. - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Origins of a Sound..
Detroit, Michigan -Original Message- From: RC [mailto:[EMAIL PROTECTED] Sent: Friday, February 15, 2002 5:13 AM To: Pryor, Ryan N Subject: Re: [313] Origins of a Sound.. i've got cd i'm in sydney - where r u?? rc on 15/2/02 7:51 PM, Pryor, Ryan N at [EMAIL PROTECTED] wrote: > Anybody? Someone has to have a copy.. > CD (burned, even) or LP is fine, either will do. > > ~Ryan~ > > -Original Message- > From: Pryor, Ryan N [mailto:[EMAIL PROTECTED] > Sent: Friday, February 01, 2002 11:49 PM > To: '313@hyperreal.org' > Subject: [313] Origins of a Sound.. > > > Submerge:1995 > I'm assuming it is out of print. Anyone know where I can find a copy of > this? > > 1. Audiotech "Phase 2" (Juan Atkins) > 2. Drexciya "The countdown has begun" > 3. Aux88 "Bass Magnetic" (1993) > 4. Mad Mike "Twista" (1987) > 5. Drexciya "Livin' on the edge" > 6. Mad Mike "Base Camp Alpha 808" (1989) > 7. Aux88 "Let's dance" (1991) > 8. Drexciya "Wave Jumper" > 9. Mad Mike "Deepspace 9" > 10. Andre Holland "City of Fear" > 11. The Martian "808(infinity) Surface Termperature" > 12. Gigi Galaxy "Defying Gravity" > 13. Aux88 "The D.J." > > Compiled by: Lenny Burden & Mad Mike > -Ryan- > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: Missile (was:RE: (313) Liberators)
there's a new missile due any day featuring mixes from oxia + dj rok. very gigolo sounding nu wave techno. paul - Original Message - From: Ian Cheshire <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; Ian Cheshire <[EMAIL PROTECTED]>; 'Odeluga; Ken' <[EMAIL PROTECTED]>; Tim Maughan <[EMAIL PROTECTED]>; [EMAIL PROTECTED] Org <313@hyperreal.org> Sent: Friday, February 15, 2002 10:45 AM Subject: [313] RE: Missile (was:RE: (313) Liberators) > aha , yes Missile is still around./.. > Umek did a remix on missile of ,,,damm can't remember ,,but > I have it at home.. > > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: 15 February 2002 10:38 > To: Ian Cheshire; 'Odeluga; Ken'; Tim Maughan; [EMAIL PROTECTED] Org > Subject: Missile (was:RE: (313) Liberators) > > > Aaaah those early Missile records. Missile 1 is still my favorite! I haven't > seen a new Missile record in ages! Does the label still exist? Is Tim Taylor > still running it? And, most importantly, will the Pump panel ever > re-surface? > > W > > -Original Message- > From: Ian Cheshire [mailto:[EMAIL PROTECTED] > Sent: 15 February 2002 09:19 > To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org > Subject: RE: [313] Liberators > > > Yep i agrree I have played alongside Chris Liverator and he certainly keeps > the crowd high and fueled on Octane gas > > I like his style although and he even slips the odd classic in, like the old > trancey > Pump Panel tune on Missile.. > > > - > ATTENTION: > The information in this electronic mail message is private and > confidential, and only intended for the addressee. Should you > receive this message by mistake, you are hereby notified that > any disclosure, reproduction, distribution or use of this > message is strictly prohibited. Please inform the sender by > reply transmission and delete the message without copying or > opening it. > > Messages and attachments are scanned for all viruses known. > If this message contains password-protected attachments, the > files have NOT been scanned for viruses by the ING mail domain. > Always scan attachments before opening them. > - > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] surveillance recordings?
> Gary R kindly pointed out to me that there are actually some hidden links > down the left side of the web page - including MP3 versions of the tracks on > the EP... Yeah I noticed them as well...still not too heavy on info though is it? The Agents link sent me to page that couldn't be displayed*, might be some artist info on that. I did send a mail to their 'propaganda' mail address with a request for some info...we'll see if I get a reply or not. Cheers, m* *BTW...If you haven't already seen it check out http://www.thispagecannotbedisplayed.com for a laugh. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Derrick May Live at The Music Institute 1988...
I love how the copy of "House Music Anthem" he played in 1988 is just as scratchy-sounding as mine :) But seriously, this set is a real treat. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: Missile (was:RE: (313) Liberators)
The last 2 ones I did see was a split between "Thule Rec. & Missile" and "Inigo Kennedys" LP "The Bigger Picture". Prime is, or is just about to start, distributing the label. janos At 10:45 AM 2/15/2002 +, you wrote: aha , yes Missile is still around./.. Umek did a remix on missile of ,,,damm can't remember ,,but I have it at home.. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 10:38 To: Ian Cheshire; 'Odeluga; Ken'; Tim Maughan; [EMAIL PROTECTED] Org Subject: Missile (was:RE: (313) Liberators) Aaaah those early Missile records. Missile 1 is still my favorite! I haven't seen a new Missile record in ages! Does the label still exist? Is Tim Taylor still running it? And, most importantly, will the Pump panel ever re-surface? W -Original Message- From: Ian Cheshire [mailto:[EMAIL PROTECTED] Sent: 15 February 2002 09:19 To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org Subject: RE: [313] Liberators Yep i agrree I have played alongside Chris Liverator and he certainly keeps the crowd high and fueled on Octane gas I like his style although and he even slips the odd classic in, like the old trancey Pump Panel tune on Missile.. - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Missile (was:RE: (313) Liberators)
I picked up... The Hacker Nothing Lasts RMX Missile M 46.5 Not long ago and like it. There have been around 5 releases since, one by Frankie Bones if memory serves, can't say as I've heard them though. m* - Original Message - From: <[EMAIL PROTECTED]> To: "Ian Cheshire" <[EMAIL PROTECTED]>; "'Odeluga; Ken'" <[EMAIL PROTECTED]>; "Tim Maughan" <[EMAIL PROTECTED]>; "[EMAIL PROTECTED] Org" <313@hyperreal.org> Sent: Friday, February 15, 2002 5:38 AM Subject: [313] Missile (was:RE: (313) Liberators) > Aaaah those early Missile records. Missile 1 is still my favorite! I haven't > seen a new Missile record in ages! Does the label still exist? Is Tim Taylor > still running it? And, most importantly, will the Pump panel ever re-surface? > > W > > -Original Message- > From: Ian Cheshire [mailto:[EMAIL PROTECTED] > Sent: 15 February 2002 09:19 > To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org > Subject: RE: [313] Liberators > > > Yep i agrree I have played alongside Chris Liverator and he certainly keeps > the crowd high and fueled on Octane gas > > I like his style although and he even slips the odd classic in, like the old > trancey > Pump Panel tune on Missile.. > > > - > ATTENTION: > The information in this electronic mail message is private and > confidential, and only intended for the addressee. Should you > receive this message by mistake, you are hereby notified that > any disclosure, reproduction, distribution or use of this > message is strictly prohibited. Please inform the sender by > reply transmission and delete the message without copying or > opening it. > > Messages and attachments are scanned for all viruses known. > If this message contains password-protected attachments, the > files have NOT been scanned for viruses by the ING mail domain. > Always scan attachments before opening them. > - > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test
test - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: Missile (was:RE: (313) Liberators)
on 15/2/02 11:28 am, janos at [EMAIL PROTECTED] wrote: > "Inigo Kennedys" LP "The Bigger Picture". i used to hang with Inigo many years ago when we lived in Manchester, when he'd just started DJing out and producing. I havn't heard from him for a couple of years though. he used to have a pretty ruff, Mills/Surgeon style sound. how's he sounding now - anyone know? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Manika
Hi, Is Manika Aurora (who recently had a record sale on the 313 list) out there, or would anyone have an email address for her? Thanks in advance, James _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] New Larry Heard Mix Now Online
Underground Committee proudly presents Larry Heard Session 9.0... Now Streaming in Real Audio ::Larry Heard Session 9.0:: - Daniel Diamond - Lulu Lover - Theo Parrish - You Forgot - Space Jam - Stop - Cultural Vibe - Ma Foom Bey - Kai Alce - Power Thru - Bayaka - Spanish Storm - Grand Phabao & De Pompidou - John Has A Phoot - Be Be Winans - Thank You - Harmony Funk - Funky Dance Gruve - Jon Secada - Just Another Day Without You - Jody Watley - Saturday Night Experience - Blueboy - Sandman - Herbert - Suddenly - Madrid De Los Austrias - Ole j.d. http://www.undergroundcommittee.com 504.837.4783 tel 504.553.5637 tel 504.553.5627 fax Keepin' it real, keepin' it UNDERGROUND..Underground Committee.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Construction - The Album
On Construct Rhythm I have K.D.Smith's Absorb, World FX, Pictures of Soul and Winners Run.. alas I fear I only have sides C and D which is a shame 'cos it's one of the prettiest records I have. Assuming there was a side A and B can anyone tell me if I stand the slightest chance in hell of finding it's other half? George http://www.dropshift.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Missile (was:RE: (313) Liberators)
I picked up Missile 45 (2x12") not too long ago... Indigo Kennedy (The Gauntlet) it's a nice little number, if a little samey throughout. Good solid techno on Missile but the one's I have are just collecting dust... My pile of old FORM and Pounding Grooves get a regular airing though m Pounding Grooves 23 (*It's a magic number you know*) George http://www.dropshift.org Warehouse - Impackt N Disskonneckt 03 - Original Message - From: "Mark S Flintoft" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Friday, February 15, 2002 11:30 AM Subject: Re: [313] Missile (was:RE: (313) Liberators) > I picked up... > > The Hacker Nothing Lasts RMX Missile M 46.5 > > Not long ago and like it. There have been around 5 releases since, one by > Frankie Bones if memory serves, can't say as I've heard them though. > > m* > - Original Message - > From: <[EMAIL PROTECTED]> > To: "Ian Cheshire" <[EMAIL PROTECTED]>; "'Odeluga; Ken'" > <[EMAIL PROTECTED]>; "Tim Maughan" <[EMAIL PROTECTED]>; > "[EMAIL PROTECTED] Org" <313@hyperreal.org> > Sent: Friday, February 15, 2002 5:38 AM > Subject: [313] Missile (was:RE: (313) Liberators) > > > > Aaaah those early Missile records. Missile 1 is still my favorite! I > haven't > > seen a new Missile record in ages! Does the label still exist? Is Tim > Taylor > > still running it? And, most importantly, will the Pump panel ever > re-surface? > > > > W > > > > -Original Message- > > From: Ian Cheshire [mailto:[EMAIL PROTECTED] > > Sent: 15 February 2002 09:19 > > To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org > > Subject: RE: [313] Liberators > > > > > > Yep i agrree I have played alongside Chris Liverator and he certainly > keeps > > the crowd high and fueled on Octane gas > > > > I like his style although and he even slips the odd classic in, like the > old > > trancey > > Pump Panel tune on Missile.. > > > > > > - > > ATTENTION: > > The information in this electronic mail message is private and > > confidential, and only intended for the addressee. Should you > > receive this message by mistake, you are hereby notified that > > any disclosure, reproduction, distribution or use of this > > message is strictly prohibited. Please inform the sender by > > reply transmission and delete the message without copying or > > opening it. > > > > Messages and attachments are scanned for all viruses known. > > If this message contains password-protected attachments, the > > files have NOT been scanned for viruses by the ING mail domain. > > Always scan attachments before opening them. > > - > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Bit of a 'do'
Memo from Alex Bond of PricewaterhouseCoopers Start of message text A friend of mine is throwing a party. Please support if you can or want to. Apologies to those who live miles away. Rainy City Music & Spiritual Life present; JOE CLAUSSELL (NYC) IRFAN (Rainy City Music) CHRIS JAM TOMLIN CHAMALONGO MUSICIANS SATURDAY MARCH 9TH 10pm-4am The Music Box, Oxford St, Manchester. £8 door tax, limited advance tickets from Piccadilly Records. - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: Missile (was:RE: (313) Liberators)
Last I heard of his stuff was on one of the Morpheus Production Compilations...1 track and yeah i guess you could call it a rough acidic surgeon-esque type thing...good if that's what your into. Trevor Wilkes inyerear.com - Original Message - From: "Tim Maughan" <[EMAIL PROTECTED]> To: "janos" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, February 15, 2002 7:49 AM Subject: Re: [313] RE: Missile (was:RE: (313) Liberators) > on 15/2/02 11:28 am, janos at [EMAIL PROTECTED] wrote: > > > "Inigo Kennedys" LP "The Bigger Picture". > > i used to hang with Inigo many years ago when we lived in Manchester, when > he'd just started DJing out and producing. I havn't heard from him for a > couple of years though. he used to have a pretty ruff, Mills/Surgeon style > sound. how's he sounding now - anyone know? > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Missile (was:RE: (313) Liberators)
BEST missile in my own opinion.. that 2x12" compilation "Launches 2" oh so sweet, you got you claude younge rmx of Bang the acid, you have some kit clayton, some angel alanis Christina vogel and Neil Landstrummit's all you need for a night of fun all by yourself. Trevor Wilkes inyerear.com - Original Message - From: "George Todd" <[EMAIL PROTECTED]> To: "Mark S Flintoft" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Friday, February 15, 2002 7:37 AM Subject: Re: [313] Missile (was:RE: (313) Liberators) > I picked up Missile 45 (2x12") not too long ago... Indigo Kennedy (The > Gauntlet) it's a nice little number, if a little samey throughout. Good > solid techno on Missile but the one's I have are just collecting dust... > > My pile of old FORM and Pounding Grooves get a regular airing though > m Pounding Grooves 23 (*It's a magic number you know*) > > George > http://www.dropshift.org > > Warehouse - Impackt N Disskonneckt 03 > > > - Original Message - > From: "Mark S Flintoft" <[EMAIL PROTECTED]> > To: <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> > Sent: Friday, February 15, 2002 11:30 AM > Subject: Re: [313] Missile (was:RE: (313) Liberators) > > > > I picked up... > > > > The Hacker Nothing Lasts RMX Missile M 46.5 > > > > Not long ago and like it. There have been around 5 releases since, one by > > Frankie Bones if memory serves, can't say as I've heard them though. > > > > m* > > - Original Message - > > From: <[EMAIL PROTECTED]> > > To: "Ian Cheshire" <[EMAIL PROTECTED]>; "'Odeluga; Ken'" > > <[EMAIL PROTECTED]>; "Tim Maughan" <[EMAIL PROTECTED]>; > > "[EMAIL PROTECTED] Org" <313@hyperreal.org> > > Sent: Friday, February 15, 2002 5:38 AM > > Subject: [313] Missile (was:RE: (313) Liberators) > > > > > > > Aaaah those early Missile records. Missile 1 is still my favorite! I > > haven't > > > seen a new Missile record in ages! Does the label still exist? Is Tim > > Taylor > > > still running it? And, most importantly, will the Pump panel ever > > re-surface? > > > > > > W > > > > > > -Original Message- > > > From: Ian Cheshire [mailto:[EMAIL PROTECTED] > > > Sent: 15 February 2002 09:19 > > > To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org > > > Subject: RE: [313] Liberators > > > > > > > > > Yep i agrree I have played alongside Chris Liverator and he certainly > > keeps > > > the crowd high and fueled on Octane gas > > > > > > I like his style although and he even slips the odd classic in, like the > > old > > > trancey > > > Pump Panel tune on Missile.. > > > > > > > > > - > > > ATTENTION: > > > The information in this electronic mail message is private and > > > confidential, and only intended for the addressee. Should you > > > receive this message by mistake, you are hereby notified that > > > any disclosure, reproduction, distribution or use of this > > > message is strictly prohibited. Please inform the sender by > > > reply transmission and delete the message without copying or > > > opening it. > > > > > > Messages and attachments are scanned for all viruses known. > > > If this message contains password-protected attachments, the > > > files have NOT been scanned for viruses by the ING mail domain. > > > Always scan attachments before opening them. > > > - > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] New Deepchord CD
Just got this from DC this morning. deepchord DC 15 Limited Edition CD: Now available to our patrons only though the deepchord website. A collection of unreleased music and reconstructions from Von Schommer. This CD release is not available at wholesale prices. Edition will be limited to preorder amount. details/ordering at http://www.deepchord.com George Jones Technical Services Administrator PentaMark Worldwide (248) 293-4780
Re: [313] just a little bit more..
Debut album? What about Dark Energy - Is that not an album? At 07:58 PM 2/14/2002 +0100, marsel wrote: " SUBURBAN KNIGHT - 'DARK HORIZONS' James Pennington's long awaited debut album will come forth from the shadows Spring 2002.There will be an album tour taking place from mid February till the end of April 2002. " .. . :: http://nomorewords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] just a little bit more..
I think Dark Energy would generally be considered more of a double EP, like a few of the Red Planet releases etc... Although where the line between double EP and Album is drawn I couldn't really say. Anyone out there with a suggestion? > > From: Eric Scuccimarra <[EMAIL PROTECTED]> > Date: Fri 15/Feb/2002 15:09 CET > To: marsel <[EMAIL PROTECTED]>, 313@hyperreal.org > Subject: Re: [313] just a little bit more.. > > Debut album? What about Dark Energy - Is that not an album? > > At 07:58 PM 2/14/2002 +0100, marsel wrote: > > >" > >SUBURBAN KNIGHT - 'DARK HORIZONS' > >James Pennington's long awaited debut album will come forth from the > >shadows Spring 2002.There will be an album tour taking place from mid > >February till the end of April 2002. > >" > > > >.. . :: http://nomorewords.net > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] just a little bit more..
I think Dark Energy would generally be considered more of a double EP, like a few of the Red Planet releases etc... Although where the line between double EP and Album is drawn I couldn't really say. Anyone out there with a suggestion? > > From: Eric Scuccimarra <[EMAIL PROTECTED]> > Date: Fri 15/Feb/2002 15:09 CET > To: marsel <[EMAIL PROTECTED]>, 313@hyperreal.org > Subject: Re: [313] just a little bit more.. > > Debut album? What about Dark Energy - Is that not an album? > > At 07:58 PM 2/14/2002 +0100, marsel wrote: > > >" > >SUBURBAN KNIGHT - 'DARK HORIZONS' > >James Pennington's long awaited debut album will come forth from the > >shadows Spring 2002.There will be an album tour taking place from mid > >February till the end of April 2002. > >" > > > >.. . :: http://nomorewords.net > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Dark Energy
Only the second EP is from Suburban Knight, the other one is a Martian record [EMAIL PROTECTED] > -Oorspronkelijk bericht- > Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Verzonden: vrijdag 15 februari 2002 15:34 > Aan: Eric Scuccimarra > > I think Dark Energy would generally be considered more of a > double EP, like a few of the Red Planet releases etc... > Although where the line between double EP and Album is drawn > I couldn't really say. Anyone out there with a suggestion? > > > > From: Eric Scuccimarra <[EMAIL PROTECTED]> > > Date: Fri 15/Feb/2002 15:09 CET > > To: marsel <[EMAIL PROTECTED]>, 313@hyperreal.org > > Subject: Re: [313] just a little bit more.. > > > > Debut album? What about Dark Energy - Is that not an album? > > > > At 07:58 PM 2/14/2002 +0100, marsel wrote: > > > > >" > > >SUBURBAN KNIGHT - 'DARK HORIZONS' > > >James Pennington's long awaited debut album will come > forth from the > > >shadows Spring 2002.There will be an album tour taking > place from mid > > >February till the end of April 2002. > > >" -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) RE: Missile (was:RE: (313) Liberators)
My best of memories with missile are those early ones, I am talking Missile 1-20 here. Pump Panel "To The Sky", DJ Hyperactive Missile 15, Cari Lekebusch "Fred 2" Missile 1. Damn that "To The Sky" still rocks!!! W -Original Message- From: "Trevor Wilkes" <[EMAIL PROTECTED]> at INET-1 Sent: Friday, February 15, 2002 8:33 AM To: "Tim Maughan" <[EMAIL PROTECTED]> at INET-1 Cc: <313@hyperreal.org> at INET-1 Subject: RE: [313] RE: Missile (was:RE: (313) Liberators) Last I heard of his stuff was on one of the Morpheus Production Compilations...1 track and yeah i guess you could call it a rough acidic surgeon-esque type thing...good if that's what your into. Trevor Wilkes inyerear.com - Original Message - From: "Tim Maughan" <[EMAIL PROTECTED]> To: "janos" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, February 15, 2002 7:49 AM Subject: Re: [313] RE: Missile (was:RE: (313) Liberators) > on 15/2/02 11:28 am, janos at [EMAIL PROTECTED] wrote: > > > "Inigo Kennedys" LP "The Bigger Picture". > > i used to hang with Inigo many years ago when we lived in Manchester, when > he'd just started DJing out and producing. I havn't heard from him for a > couple of years though. he used to have a pretty ruff, Mills/Surgeon style > sound. how's he sounding now - anyone know? > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] FA: ebay spam - Shades of Jae
KDJ 21A - Shades of Jae http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1514988603 I know a few of you were looking for it, and I ran across one this week. Start bid at cost, so I dont want any flames about profiteering. Bid if you like, or dont. Only posting this auction here on 313. Have fun. m - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: Missile (was:RE: (313) Liberators)
Hyperactive on any label is usually pretty cool. Even his rmx on Cytrax was dope. Trevor Wilkes inyerear.com - Original Message - From: <[EMAIL PROTECTED]> To: "Trevor Wilkes" <[EMAIL PROTECTED]>; "Tim Maughan" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Friday, February 15, 2002 9:50 AM Subject: [313] RE: (313) RE: Missile (was:RE: (313) Liberators) > My best of memories with missile are those early ones, I am talking Missile 1-20 > here. Pump Panel "To The Sky", DJ Hyperactive Missile 15, Cari Lekebusch "Fred > 2" Missile 1. Damn that "To The Sky" still rocks!!! > > W > > -Original Message- > From: "Trevor Wilkes" <[EMAIL PROTECTED]> at INET-1 > Sent: Friday, February 15, 2002 8:33 AM > To: "Tim Maughan" <[EMAIL PROTECTED]> at INET-1 > Cc: <313@hyperreal.org> at INET-1 > Subject: RE: [313] RE: Missile (was:RE: (313) Liberators) > > > Last I heard of his stuff was on one of the Morpheus Production > Compilations...1 track and yeah i guess you could call it a rough acidic > surgeon-esque type thing...good if that's what your into. > > Trevor Wilkes > inyerear.com > - Original Message - > From: "Tim Maughan" <[EMAIL PROTECTED]> > To: "janos" <[EMAIL PROTECTED]>; <313@hyperreal.org> > Sent: Friday, February 15, 2002 7:49 AM > Subject: Re: [313] RE: Missile (was:RE: (313) Liberators) > > > > on 15/2/02 11:28 am, janos at [EMAIL PROTECTED] wrote: > > > > > "Inigo Kennedys" LP "The Bigger Picture". > > > > i used to hang with Inigo many years ago when we lived in Manchester, when > > he'd just started DJing out and producing. I havn't heard from him for a > > couple of years though. he used to have a pretty ruff, Mills/Surgeon style > > sound. how's he sounding now - anyone know? > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - > ATTENTION: > The information in this electronic mail message is private and > confidential, and only intended for the addressee. Should you > receive this message by mistake, you are hereby notified that > any disclosure, reproduction, distribution or use of this > message is strictly prohibited. Please inform the sender by > reply transmission and delete the message without copying or > opening it. > > Messages and attachments are scanned for all viruses known. > If this message contains password-protected attachments, the > files have NOT been scanned for viruses by the ING mail domain. > Always scan attachments before opening them. > - > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: Missile (was:RE: (313) Liberators)
[EMAIL PROTECTED] wrote on Fri, 15 Feb 2002 about following: > 2" Missile 1. Damn that "To The Sky" still rocks!!! hehe, had to go through the shelves and listen to it many times. i recently got to play it to somebody who hadn't heard it before and the guy was asking, "where did you get this? i want one too!". he was so disappointed when i told him that its quite old one and probably quite hard to find nowadays. TO THE SKY! sakke - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: Re: (313) just a little bit more..
roughly: if a double pack has more than 8 tracks and/or has more than 2 discs? And has a decent sleeve with info etc etc? W -Original Message- From: <[EMAIL PROTECTED]> at INET-1 To: Eric Scuccimarra <[EMAIL PROTECTED]> at INET-1 Cc: 313@hyperreal.org at INET-1 Subject: RE: Re: [313] just a little bit more.. I think Dark Energy would generally be considered more of a double EP, like a few of the Red Planet releases etc... Although where the line between double EP and Album is drawn I couldn't really say. Anyone out there with a suggestion? - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] DJ Sneak in Ann Arbor tonight.
He didn't change up his set up enough for me, continuously banging away, and
i don't know about you but at 5am I like it when a dj tones it down, even if
only for a few songs. Both Kevin and Derrick did this flawlessly, playing
nice diverse sets ... i didn't sit once for kevin's set.
As for MAW (Does Kenny even spin anymore?) , if you ever get the chance
don't miss a little louie vega set, he's still doing his sunset ritual party
here in nyc . Plays a little too many vocal house tracks for my taste
but when he gets to playing his tribal house, there's no stopping him.
I've not seen Doc Martin.
-Pete
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Friday, February 15, 2002 1:58 AM
To: Grammenos, Peter; [EMAIL PROTECTED] Org
Subject: RE: [313] DJ Sneak in Ann Arbor tonight.
Pls elaborate ... amongst the more housier spinners he (+ Doc Martin + MAW)
are in my nite sites as 'Must See's.
Many thanx,
K
>-Original Message-
>From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
>Sent: Thursday, February 14, 2002 10:25 PM
>To: 'Michael D Tyrer'; Sam Valenti IV
>Cc: 313@hyperreal.org
>Subject: RE: [313] DJ Sneak in Ann Arbor tonight.
>
>
>
>I saw DJ sneak at the KMS after party in Detroit and wasn't too impressed.
>That is compared to Kevin Saunderson who opened up and Derrick may who
>played after him. Man what a night ;0
>
>-Pete
>
>-Original Message-
>From: Michael D Tyrer [mailto:[EMAIL PROTECTED]
>Sent: Thursday, February 14, 2002 5:22 PM
>To: Sam Valenti IV
>Cc: 313@hyperreal.org
>Subject: Re: [313] DJ Sneak in Ann Arbor tonight.
>
>
>Can't wait to see DJ Sneak here in London, or anywhere in the UK
>Closely followed by DJ Rush, and DJ Bone is this becoming a
>fashion all
>this DJ'ing?
>
>(I believe Mr le Bone (he isn't from Duran Duran is he?) is due at the end
>of the month).
>
>
>- Original Message -
>
>From: "Sam Valenti IV" <[EMAIL PROTECTED]>
>To: <313@hyperreal.org>
>Sent: Thursday, February 14, 2002 09:15
>Subject: [313] DJ Sneak in Ann Arbor tonight.
>
>
>>
>>
>> Come to see DJ Sneak tonight at the Necto in Ann Arbor.
>>
>>
>> Ghostly International offices Valentine's Day playlist:
>>
>> The Cars - Heartbeat City
>> Bogdan R. - My Love I Love
>> Depeche Mode - Music for the Masses ("Strangelove")
>> Love - Forever Changes
>> Sam Cooke - The Rhythm and the Blues ("Nothing Can Change this Love")
>>
>> Love,
>>
>> Sam Valenti IV
>> Ghostly International
>>
>> WWW.GHOSTLY.COM
>>
>>
>> -
>> To unsubscribe, e-mail: [EMAIL PROTECTED]
>> For additional commands, e-mail: [EMAIL PROTECTED]
>>
>>
>>
>
>
>-
>To unsubscribe, e-mail: [EMAIL PROTECTED]
>For additional commands, e-mail: [EMAIL PROTECTED]
>
>-
>To unsubscribe, e-mail: [EMAIL PROTECTED]
>For additional commands, e-mail: [EMAIL PROTECTED]
>
-
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RE: [313] gear for sale?
Thanks everbody. Found what I was looking for:) ja _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] track-id's
hi listmembers, once again i've been listening [EMAIL PROTECTED] club from rushhour.nl (http://www.heitlager.com/antal/wmfpeel1-280901.ram). so i'm wondering if somewhere can identify the following three tracks from the peel seamus pt.1 set: a: starts around 29:00 b: comes in at ca: 47:00 and contains the sample "i don't know which way to go" and then there is another track whit a sample "chicago , chicago, watcha gonna do in chicago..." i realy must to know... thanks in advance rasputin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] can't we all just get along?
In the USA, racial injustice (esp. in terms of black/white) does NOT simply stem from an awareness of superficial differences in skin color. It stems from our history of slavery and institutionalized racism that have conditioned people over many years (and even outside the USA, the history of colonization of the OTHER must be considered as a historical reality). People's mental attitudes reflect a historical reality that has conditioned them (in Mad Mike's words "programmed") them to respond to race in certain ways. More generally, the "WHITE MALE" actually has historically been (and continues to be) in control economically and politically; therefore, when people internalize an attitude that the white male is superior, they are simply building a mental image that conforms to what already exists as historical/material reality. Those who command and control are respected, their ideas are accepted as being true and naturally by virtue of their real position of power in a system of hierarchies; that is what allows the programmers to so easily instill their set of values within the masses. So dealing with racism means confronting history and really existing power structures, not simply confronting "irrational" prejudices and attempting to be color blind. This would mean you would need to approach the question of race in techno from a completely different perspective than the one you are bringing. /cyborg k Original Message Follows From: "Rusty Blasco" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] can't we all just get along? Date: Wed, 13 Feb 2002 12:01:15 -0500 Racial injustice stems from an awareness of the differences in superficial physical characteristics (i.e. skin color) and the subsequent exploitation and oppression of persons exhibiting such differences. In order to address racial matters as they relate to music, one must raise an awareness of the same physical traits which precede the problem in the first place. Now I know that racism stems from the mind, and prejudice isn't necessarily an inborn quality. Yet it seems to perpetuate, even among the open minded in our world, through sheer repetition of the issue at stake. In other words, I may not see a black person as any lesser a man than a white person, but I'll damn well be forced to ponder the thought the more incessantly I'm faced with the question. Suggestion is a very valuable tool (as proven by numerous examples in history and especially by the work of many modern psychologists). When reinforced over time, it solidifies into an implicit belief until it eventually establishes itself as a hardline value. Paul Virilio: "Resistance is always possible! But we must engage in resistance first of all by developing the idea of a technological culture. However, at the present time, this idea is grossly underdeveloped. For example, we have developed an artistic and a literary culture. Nevertheless, the ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy. This is also why society as a whole has no control over technological developments. And this is one of the gravest threats to democracy in the near future. " _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) RE: Missile (was:RE: (313) Liberators)
the UMEK remix was, christopher just-house fucker. i like the original myself. i don't care for any of the remixes. - Original Message - From: "Sakari Karipuro" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: "Trevor Wilkes" <[EMAIL PROTECTED]>; "Tim Maughan" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, February 15, 2002 10:51 AM Subject: Re: [313] RE: (313) RE: Missile (was:RE: (313) Liberators) > [EMAIL PROTECTED] wrote on Fri, 15 Feb 2002 about following: > > > 2" Missile 1. Damn that "To The Sky" still rocks!!! > > hehe, had to go through the shelves and listen to it many times. i > recently got to play it to somebody who hadn't heard it before and the > guy was asking, "where did you get this? i want one too!". he was so > disappointed when i told him that its quite old one and probably quite > hard to find nowadays. > > TO THE SKY! > > sakke > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] track-id's
At 15-2-2002 +0100 18:01, you wrote: hi listmembers, once again i've been listening [EMAIL PROTECTED] club from rushhour.nl (http://www.heitlager.com/antal/wmfpeel1-280901.ram). so i'm wondering if somewhere can identify the following three tracks from the peel seamus pt.1 set: a: starts around 29:00 b: comes in at ca: 47:00 and contains the sample "i don't know which way to go" and then there is another track whit a sample "chicago , chicago, watcha gonna do in chicago..." i realy must to know... hmm - someone should know.. :) a- terry brooks, track from deepart #6 (2001) b- juan atkins - mind changes track from true techno ep (1991) c- roy ayers - chigago chigago (way back..) .. . :: http://nomorewords.net
Re: [313] Derrick May Live at The Music Institute 1988...
is it after this track that R=R 'Martin' comes in? At 15-2-2002 -0800 03:24, you wrote: I love how the copy of "House Music Anthem" he played in 1988 is just as scratchy-sounding as mine :) But seriously, this set is a real treat. .. . :: http://nomorewords.net
[313] tod sines and charles noel.
i really like both artists as producers but never got any chance to hear them spin\i have a chance to see them both, dj\live set. r they any good? i really like noel as a producer i have most of his style. BTW - his last EP sure is kicking! should i stay or should i go? y - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
i've known todd for a number of years, but come to think of it i have never heard him DJ...although i saw a post recently where he is going to be doing a webcast DJ session, can't remember all the info on it, but might be worth checking around for. his live sets are great though...we will be having him and geoff white among others at an event that i'm part of: http://www.headroomdigital.com/tempo01.jpg if anyone is in the area come check it out...titonton will be in town that night too @ shift and carl cox will be @ metropolis...good night for dance music in cleveland. GM/Twine From: "Super Coffee Beans" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Subject: [313] tod sines and charles noel. Date: Fri, 15 Feb 2002 20:32:26 +0200 i really like both artists as producers but never got any chance to hear them spin\i have a chance to see them both, dj\live set. r they any good? i really like noel as a producer i have most of his style. BTW - his last EP sure is kicking! should i stay or should i go? y - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ebay detroit goodies
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=toedawg&include=0&since=-1&sort=2&rows=25 a few hours left on some Rob Hood albums I am letting go of. more on the way including tons of Cajual, Relief and Chicago stuff. also letting go of most of the early Ifach 12"s minto __ Do You Yahoo!? Got something to say? Say it better with Yahoo! Video Mail http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] tod sines and charles noel.
todd played a dj set for us over at this little club in nyc called drinkland. i picked him up after his live set over at tonic. i was dually impressed with his mixing skills/choice of tunes as i was with his live set. a real treat... played lots of detroit goodies and also a lot of 'micro house' type tracks from perlon, force, etc... -Original Message- From: Super Coffee Beans [mailto:[EMAIL PROTECTED] Sent: Friday, February 15, 2002 1:32 PM To: 313@hyperreal.org Subject: [313] tod sines and charles noel. i really like both artists as producers but never got any chance to hear them spin\i have a chance to see them both, dj\live set. r they any good? i really like noel as a producer i have most of his style. BTW - his last EP sure is kicking! should i stay or should i go? y - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Derrick May Live at The Music Institute 1988...
maybe I haven't gotten there yet ... where is "House Music Anthem" in the stream? At 7:26 PM +0100 2/15/2002, marsel wrote: is it after this track that R=R 'Martin' comes in? At 15-2-2002 -0800 03:24, you wrote: I love how the copy of "House Music Anthem" he played in 1988 is just as scratchy-sounding as mine :) But seriously, this set is a real treat. .. . :: http://nomorewords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ebay detroit goodies
Some 313-related records in my current auctions... http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=escuccim&include=0&since=-1&sort=2&rows=25 A little bit of everything actually. Will be adding records as I go through my collection so check back every day or so. Eric - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] trainspotters
The track starts with a woman's voice "well ... before i go , i just want to make it hot". then some really nice floating piano lines come in and a v. cool clave line. If anyone can decipher that , please let me know ;) It appears on the bonito house mix from 7/2/02 @ 4:24:50 on http://www.klubradio.de Thanks in advance, -Pete --- Peter Grammenos Goldman Sachs & Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] can't we all just get along?
To : Tim, Rusty, Gerald, Nicole, Phonopsia, Arne, Berislav, Gerald, Alexandre, SCB, Armin, ... IF you want to have a better understanding about What,Why,When, you should take it at the roots, they've come from a long way, and they have still miles to go before "IT" ended up. You don’t have to be an academic to know that the civil-rights movement of the 1950s and ’60s is one of the most deeply complicated chapters in American history. Likewise, you need only a passing knowledge of this chapter to know that black music provided a crucial "ROLE" blocked by the governement, the establishment, the institutional economy, the media, and so on since then. But to take on the daunting task of definitively contextualizing the relationship between these two movements, you’d likely have to be an academic and sadist. If you want to know more just grab : Just My Soul Responding : Rhythm and Blues, Black Consciousness, and Race Relations by Brian Ward What the Music Said : Black Popular Music and Black Public Culture by Mark Anthony Neal A Change Is Gonna Come : Music, Race & the Soul of America by Craig Hansen Werner The Power of Black Music : Interpreting Its History from Africa to the United States by Samuel A., Jr. Floyd And if you don't like reading, listen Mahalia Jackson " I've heard of a city called heaven" , if you got soul, you'll get the MESSAGE. From: "Cyborg K" <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: [313] can't we all just get along? Date: Fri, 15 Feb 2002 17:23:52 + In the USA, racial injustice (esp. in terms of black/white) does NOT simply stem from an awareness of superficial differences in skin color. It stems from our history of slavery and institutionalized racism that have conditioned people over many years (and even outside the USA, the history of colonization of the OTHER must be considered as a historical reality). People's mental attitudes reflect a historical reality that has conditioned them (in Mad Mike's words "programmed") them to respond to race in certain ways. More generally, the "WHITE MALE" actually has historically been (and continues to be) in control economically and politically; therefore, when people internalize an attitude that the white male is superior, they are simply building a mental image that conforms to what already exists as historical/material reality. Those who command and control are respected, their ideas are accepted as being true and naturally by virtue of their real position of power in a system of hierarchies; that is what allows the programmers to so easily instill their set of values within the masses. So dealing with racism means confronting history and really existing power structures, not simply confronting "irrational" prejudices and attempting to be color blind. This would mean you would need to approach the question of race in techno from a completely different perspective than the one you are bringing. /cyborg k Original Message Follows From: "Rusty Blasco" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] can't we all just get along? Date: Wed, 13 Feb 2002 12:01:15 -0500 Racial injustice stems from an awareness of the differences in superficial physical characteristics (i.e. skin color) and the subsequent exploitation and oppression of persons exhibiting such differences. In order to address racial matters as they relate to music, one must raise an awareness of the same physical traits which precede the problem in the first place. Now I know that racism stems from the mind, and prejudice isn't necessarily an inborn quality. Yet it seems to perpetuate, even among the open minded in our world, through sheer repetition of the issue at stake. In other words, I may not see a black person as any lesser a man than a white person, but I'll damn well be forced to ponder the thought the more incessantly I'm faced with the question. Suggestion is a very valuable tool (as proven by numerous examples in history and especially by the work of many modern psychologists). When reinforced over time, it solidifies into an implicit belief until it eventually establishes itself as a hardline value. Paul Virilio: "Resistance is always possible! But we must engage in resistance first of all by developing the idea of a technological culture. However, at the present time, this idea is grossly underdeveloped. For example, we have developed an artistic and a literary culture. Nevertheless, the ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy. This is also why society as a whole has no control over technological developments. And this is one of the gravest threats to democracy in the near future. " _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx
RE: [313] transllusion
To Holly, All REAL artist has a mental health disorder not recognized by professional psychology organizations, but this illness affect all artists. Although there is no statistical evidence per se, it is fair to assume the illness is widespread. The illness is called CMPD: Creative Multiple Personality Disorder. Songwriters and bands suffer from a variation of this illness called MCS: Multiple Category Syndrome. Listen this : Psychologist: So what kind of music do you write? Band member: "Well, we got this tune, it's not really metal, even though all the guys in the band have a lot of hair. It sorta has a Muddy Waters undertone but I wouldn't say blues 'cause of the synth parts, which sorta add a Euro-techno feel. The guitar player wears cowboy boots and comes from Texas, so you can hear the country twang influence. But then when the lead singer decided to sing it in Spanish and play maracas at the same time, well, then obviously the piece is Latin dance...(long pause) I'm not sure, really" Avoid general assumptions, and assuming too much. You get it ? Do you ? |-Original Message- |From: Holly MacDonald-Korth [mailto:[EMAIL PROTECTED] |Sent: Thursday, February 14, 2002 11:17 AM |To: '[EMAIL PROTECTED]'; 313; IDM |Subject: RE: [313] transllusion | | |probably nazi's, porn and water. | |-Original Message- |From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] |Sent: Thursday, February 14, 2002 3:57 AM |To: 313; IDM |Subject: [313] transllusion | | |can someone translate this drexciya related interview for us... | |http://www.technoidz.de/transllusion.htm | |or just in say what it is all about | |thanks |bye |rob | | |- |To unsubscribe, e-mail: [EMAIL PROTECTED] |For additional commands, e-mail: [EMAIL PROTECTED] | |- _ Discutez en ligne avec vos amis, essayez MSN Messenger : http://messenger.msn.fr/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] transllusion
it was a f*cking joke. -Original Message- From: xx xx [mailto:[EMAIL PROTECTED] Sent: Friday, February 15, 2002 1:19 PM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: [313] transllusion To Holly, All REAL artist has a mental health disorder not recognized by professional psychology organizations, but this illness affect all artists. Although there is no statistical evidence per se, it is fair to assume the illness is widespread. The illness is called CMPD: Creative Multiple Personality Disorder. Songwriters and bands suffer from a variation of this illness called MCS: Multiple Category Syndrome. Listen this : Psychologist: So what kind of music do you write? Band member: "Well, we got this tune, it's not really metal, even though all the guys in the band have a lot of hair. It sorta has a Muddy Waters undertone but I wouldn't say blues 'cause of the synth parts, which sorta add a Euro-techno feel. The guitar player wears cowboy boots and comes from Texas, so you can hear the country twang influence. But then when the lead singer decided to sing it in Spanish and play maracas at the same time, well, then obviously the piece is Latin dance...(long pause) I'm not sure, really" Avoid general assumptions, and assuming too much. You get it ? Do you ? |-Original Message- |From: Holly MacDonald-Korth [mailto:[EMAIL PROTECTED] |Sent: Thursday, February 14, 2002 11:17 AM |To: '[EMAIL PROTECTED]'; 313; IDM |Subject: RE: [313] transllusion | | |probably nazi's, porn and water. | |-Original Message- |From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] |Sent: Thursday, February 14, 2002 3:57 AM |To: 313; IDM |Subject: [313] transllusion | | |can someone translate this drexciya related interview for us... | |http://www.technoidz.de/transllusion.htm | |or just in say what it is all about | |thanks |bye |rob | | |- |To unsubscribe, e-mail: [EMAIL PROTECTED] |For additional commands, e-mail: [EMAIL PROTECTED] | |- _ Discutez en ligne avec vos amis, essayez MSN Messenger : http://messenger.msn.fr/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] DJ Sneak in Ann Arbor tonight.
no one mentioned the local boys. what styles were they spinning?
From: "Grammenos, Peter" <[EMAIL PROTECTED]>
To: "'Odeluga, Ken'" <[EMAIL PROTECTED]>, "[EMAIL PROTECTED] Org"
<313@hyperreal.org>
Subject: RE: [313] DJ Sneak in Ann Arbor tonight.
Date: Fri, 15 Feb 2002 11:33:36 -0500
He didn't change up his set up enough for me, continuously banging away,
and
i don't know about you but at 5am I like it when a dj tones it down, even
if
only for a few songs. Both Kevin and Derrick did this flawlessly, playing
nice diverse sets ... i didn't sit once for kevin's set.
As for MAW (Does Kenny even spin anymore?) , if you ever get the chance
don't miss a little louie vega set, he's still doing his sunset ritual
party
here in nyc . Plays a little too many vocal house tracks for my taste
but when he gets to playing his tribal house, there's no stopping him.
I've not seen Doc Martin.
-Pete
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: Friday, February 15, 2002 1:58 AM
To: Grammenos, Peter; [EMAIL PROTECTED] Org
Subject: RE: [313] DJ Sneak in Ann Arbor tonight.
Pls elaborate ... amongst the more housier spinners he (+ Doc Martin + MAW)
are in my nite sites as 'Must See's.
Many thanx,
K
>-Original Message-
>From: Grammenos, Peter [mailto:[EMAIL PROTECTED]
>Sent: Thursday, February 14, 2002 10:25 PM
>To: 'Michael D Tyrer'; Sam Valenti IV
>Cc: 313@hyperreal.org
>Subject: RE: [313] DJ Sneak in Ann Arbor tonight.
>
>
>
>I saw DJ sneak at the KMS after party in Detroit and wasn't too
impressed.
>That is compared to Kevin Saunderson who opened up and Derrick may who
>played after him. Man what a night ;0
>
>-Pete
>
>-Original Message-
>From: Michael D Tyrer [mailto:[EMAIL PROTECTED]
>Sent: Thursday, February 14, 2002 5:22 PM
>To: Sam Valenti IV
>Cc: 313@hyperreal.org
>Subject: Re: [313] DJ Sneak in Ann Arbor tonight.
>
>
>Can't wait to see DJ Sneak here in London, or anywhere in the UK
>Closely followed by DJ Rush, and DJ Bone is this becoming a
>fashion all
>this DJ'ing?
>
>(I believe Mr le Bone (he isn't from Duran Duran is he?) is due at the
end
>of the month).
>
>
>- Original Message -
>
>From: "Sam Valenti IV" <[EMAIL PROTECTED]>
>To: <313@hyperreal.org>
>Sent: Thursday, February 14, 2002 09:15
>Subject: [313] DJ Sneak in Ann Arbor tonight.
>
>
>>
>>
>> Come to see DJ Sneak tonight at the Necto in Ann Arbor.
>>
>>
>> Ghostly International offices Valentine's Day playlist:
>>
>> The Cars - Heartbeat City
>> Bogdan R. - My Love I Love
>> Depeche Mode - Music for the Masses ("Strangelove")
>> Love - Forever Changes
>> Sam Cooke - The Rhythm and the Blues ("Nothing Can Change this Love")
>>
>> Love,
>>
>> Sam Valenti IV
>> Ghostly International
>>
>> WWW.GHOSTLY.COM
>>
>>
>> -
>> To unsubscribe, e-mail: [EMAIL PROTECTED]
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>>
>>
>>
>
>
>-
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dj revolver
www.mp3.com/djrevolver
www.enjoyproductions.8k.com
_
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Re: [313] track-id's
thank you all for the fast responds. > hmm - someone should know.. > :) > > a- terry brooks, track from deepart #6 (2001) ^ i thought #5 is the current deepart release??? confused - rasputin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
Todd is not only a really nice guy his live PAs are very interesting and his DJ sets eclectic... Dunno about Charles though. Go I say! =) Cheers, m* - Original Message - From: "Super Coffee Beans" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, February 15, 2002 1:32 PM Subject: [313] tod sines and charles noel. > i really like both artists as producers but never got any chance to hear > them spin\i have a chance to see them both, dj\live set. r they any good? > i really like noel as a producer i have most of his style. > BTW - his last EP sure is kicking! > should i stay or should i go? > y > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] trainspotters
JT Donaldson -- Make You High -- Pacific Coast records this is off my head though, my partner has this record. So there may be a chance I'm wrong. Check it on groovetech. Peace Paul V From: "Grammenos, Peter" <[EMAIL PROTECTED]> To: "'313@hyperreal.org'" <313@hyperreal.org> Subject: [313] trainspotters Date: Fri, 15 Feb 2002 15:11:50 -0500 The track starts with a woman's voice "well ... before i go , i just want to make it hot". then some really nice floating piano lines come in and a v. cool clave line. If anyone can decipher that , please let me know ;) It appears on the bonito house mix from 7/2/02 @ 4:24:50 on http://www.klubradio.de Thanks in advance, -Pete --- Peter Grammenos Goldman Sachs & Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
Mark S Flintoft wrote: > Todd is not only a really nice guy his live PAs are very interesting and his > DJ sets eclectic... > > Dunno about Charles though. For the record, Todd Sines, Charles Noel, and Titonton Duvante were roommates many years ago while in college. They are all very nice, very talented guys who enjoy all kinds of music. They are good people to know. - Mike mike j. brown, fourthought.com | xml/xslt: http://skew.org/xml/ denver/boulder, colorado, usa | personal: http://hyperreal.org/~mike/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
On Fri, 2002-02-15 at 21:49, Mike Brown wrote: > Mark S Flintoft wrote: > > Todd is not only a really nice guy his live PAs are very interesting and his > > DJ sets eclectic... > > > > Dunno about Charles though. > > For the record, Todd Sines, Charles Noel, and Titonton Duvante were roommates > many years ago while in college. They are all very nice, very talented guys > who enjoy all kinds of music. They are good people to know. > has it really been "many" years? in some ways, it seem like just yesterday...no reason to go to Columbus except for those fellas and the reast of the eleMental crew. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] fortina recordings.
did any one knows anything about them? klaus nomi? y. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
i would most definitely say go... definitely a couple of live pas worth catching, especially sines. i was a tad bit disappointed in the live performance at times by noel, but what it was lacking was just bass...i dunno. i'm a bass fanatic and there was just an element missing to the live sets that his actual production has... todd sines...all i have to say is go see him any opportunity you have...his live pa is phenomenal in my personal opinion. i haven't heard him play in over six months but the last time was definitely great. he topped stewart walker's set by a longshot at that particular show. lauryn.
[313] Timeblind
Anyone interested in a brand new copy of Timeblind's Bloatware Ep on Kit Clayton's Orthlorng Musork label? I don't need two of em...I'll take almost any offer. Trevor Wilkes inyerear.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Timeblind
no, but i need a copy of 1976timeblind if anyone has one. - Original Message - From: "Trevor Wilkes" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Friday, February 15, 2002 5:44 PM Subject: [313] Timeblind > Anyone interested in a brand new copy of Timeblind's Bloatware Ep on Kit > Clayton's Orthlorng Musork label? I don't need two of em...I'll take almost > any offer. > > Trevor Wilkes > inyerear.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
on 2/15/02 5:14 PM, [EMAIL PROTECTED] wrote: > todd sines...all i have to say is go see him any opportunity you have...his > live pa is phenomenal in my personal opinion. I seem to recall that paxahau.com has live and dj sets by Mr. Sines from October 2000. Check the archives. And I've enjoyed every set I've heard by Charles--great guys. -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
"Greg::Malcolm ." wrote: > > i've known todd for a number of years, but come to think of it i have never > heard him DJ...although i saw a post recently where he is going to be doing > a webcast DJ session, can't remember all the info on it, but might be worth > checking around for. Todd's set starts around 1hr into the show - nice mix of tech & house styles. http://www.1groove.com/show.php?s=equinox You have to login to the site. I've set up a login for everyone to use - login name: tekno password: 909808 Cheers! G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] fortina recordings.
on 2/15/02 5:11 PM, [EMAIL PROTECTED] wrote: > did any one knows anything about them? klaus nomi? > y. I know nothing about Fortina. Berlin label maybe? Klaus Nomi gets name checked quite a bit by the Euro-Disco and Italo aware. He was a pretty out there German performance artist in NY in the early eighties. Great operatic falsetto take on some cover tunes. I think he may have recorded a version of "I Feel Love". http://www.allmusic.com/cg/amg.dll?p=amg&sql=B9hpsa9lgb23k -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Timeblind
aaah Chris Sattinger! what's he up to these days? Wasn't he a listmember in the early days as well? W - Original Message - From: "danito" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Friday, February 15, 2002 11:58 PM Subject: Re: [313] Timeblind > no, but i need a copy of 1976timeblind if anyone has one. > > - Original Message - > From: "Trevor Wilkes" <[EMAIL PROTECTED]> > To: "313" <313@hyperreal.org> > Sent: Friday, February 15, 2002 5:44 PM > Subject: [313] Timeblind > > > > Anyone interested in a brand new copy of Timeblind's Bloatware Ep on Kit > > Clayton's Orthlorng Musork label? I don't need two of em...I'll take > almost > > any offer. > > > > Trevor Wilkes > > inyerear.com > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > Deze e-mail is door E-mail VirusScanner van Planet Internet gecontroleerd op virussen. > Op http://www.planet.nl/evs staat een verwijzing naar de actuele lijst waar op wordt gecontroleerd. > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] fortina recordings.
He was also one of the first fairly well known artists to die from AIDS related illness. Ian <[EMAIL PROTECTED]>To: <313@hyperreal.org> cc: 02/15/02 04:54 PMSubject: Re: [313] fortina recordings. on 2/15/02 5:11 PM, [EMAIL PROTECTED] wrote: > did any one knows anything about them? klaus nomi? > y. I know nothing about Fortina. Berlin label maybe? Klaus Nomi gets name checked quite a bit by the Euro-Disco and Italo aware. He was a pretty out there German performance artist in NY in the early eighties. Great operatic falsetto take on some cover tunes. I think he may have recorded a version of "I Feel Love". http://www.allmusic.com/cg/amg.dll?p=amg&sql=B9hpsa9lgb23k -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
Todd has two sets on betalunge for those who haven't heard him at all, in both he spins, but i think its only the most recent one with a live part to it...I could be wrong though trevor Wilkes inyerear.com - Original Message - From: "Gerald" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Cc: "Greg::Malcolm ." <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Sent: Friday, February 15, 2002 6:04 PM Subject: Re: [313] tod sines and charles noel. > > "Greg::Malcolm ." wrote: > > > > i've known todd for a number of years, but come to think of it i have never > > heard him DJ...although i saw a post recently where he is going to be doing > > a webcast DJ session, can't remember all the info on it, but might be worth > > checking around for. > > Todd's set starts around 1hr into the show - nice mix of tech & house > styles. > http://www.1groove.com/show.php?s=equinox > > You have to login to the site. > I've set up a login for everyone to use - > login name: tekno > password: 909808 > > Cheers! > > G > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
