[313] eBay records - a little this a little that
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewSellersOtherItemsuserid=bast ()rdcompleted=0sort=3since=-1include=0page=1rows=25 ID: bast()rd some stuff that would fall into the elektroclash label, some house - I also have a Bill Laswell production called Boniche Dub that I haven't put up yet so if you're interested in that email me off list. Glad everyone seemed to have a decent time at DEMF this year! Let's hope there is a next year to look forward to. MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Aux Men Finale
It must be noted that it took massive balls to consider what they were going to do - let alone pulling it off. I will get a criticism out of the way before I get to the praise. There was too much time spent on the mic. It felt to me like they wanted to hype the crowd as much as possible, and the tempo of many songs may have been too slow to make that happen given that everyone there had been going at it for at least three days already. I think this set would have gone over really, really well in an early evening slot (think: Theorem the first year), but I understand this was a deserved spot for people that have contributed so much to the Detroit scene. I'm not complaining that the music was slow to close things out b/c it was really beautiful and meaningful. I guess what I'm saying is that if the crowd seemed disinterested, it probably said more about the collective exhaustion of the audience than the collective enjoyment, and time spent hyping the crowd on the mics seemed like more of a distraction than an effective way to motivate people. But you could say this about the main stage on the whole, not just this show. All-told, that's a pretty minor criticism. To the set itself: The intro was really nice. About 5 minutes of lush pads and Detroit moods. Really pretty stuff. More-or-less seemlessly, this segued into Strings. I hope this comes out as a release somewhere, b/c it was the hilight of the set for me. Really well executed on the live keys and a great twist to a classic that many people think should never be touched. Trans Europe Express and Home Computer were excellent too. From then-on-in, most of the music was relatively slow with varying prominance of beats. I didn't know a few of the tracks, but I'd love to hear the originals now. This set was all about the beauty of funk and electronics, and I must repeat, it was extremely impressive to hear these techno standards covered so well with three live keyboards and various guests. Aux Men get huge credit for pulling this off. I hope this comes to a city near me so I can see it with a little more energy. I have to guiltily admit I left for 15 minutes in the middle to check out Derek Plaslaiko b/c I needed some tempo to re-energize me, but I don't think that would be the case had I not been on my feet, checking about 60 hours of music in the previous four days. It's also really impressive to see this SOS agenda come to a head so quickly. Well done! Tristan --- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] FA ebay
Pantytec, Herbert, Curtin, Schatrax and some rare Detroit CD comps, like Retro Techno, New Dance Sound, Detroit House Fever, etc. (some of which are in less than pristine condition - as I bought them - so please read descriptions before bidding). No reserves. Thanks. http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems[EMAIL PROTECTED]include=0since=-1sort=2rows=31rdir=0 seller id= [EMAIL PROTECTED] jeff ps no Ian, I haven't sold *everything* yet :-) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Rolando T. Sines reminder
06-01-02 - Toronto, Canada Neo Techno Series Vol. #3 featuring: DJ Rolando Todd Sines (Live) for complete details... http://www.neo-techno.com Cheers! G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Packard Building (OT, kind of)
Spastik, the first ever Plastikman live show, was there. ...get everyone in, lock the gates, GO. there's subsequently a track on Artifakts called 'Pakard'. At 5:44 PM -0400 5/29/02, :P wrote: wasnt that the venue for a couple plastikman PAs back in the 90s? (I missed those times narrowly) -Joe - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, May 29, 2002 5:10 PM Subject: [313] Packard Building (OT, kind of) Does anyone have any URL's that talk about the packard in Detroit? I am intrigued by this building and would like to know more. I couldn't find anything re: a google search. One of the rumors i heard over the weekend was that someone just bought it because they heard it was being knocked down... also if anyone has any pictures of old flyers from any UR parties they had there, that would be excellent. Thanks for any info, -Pete --- Peter Grammenos Goldman Sachs Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] All Access 2 / Control
At 4:41 PM -0400 5/29/02, scotto wrote: also around 11 am richie played this track that I would call epic techno not something you would dance to but very interesting and uplifting it lasted maybe 15 minutes and when he was done the whole place was clapping for like 3 or 4 minutes. not sure if he played it this year, but possibly Link - 'Amenity'. Link is actually the Global Communications guys, or at least one of them. it's a track from 1992, just about impossible to find. one of his favorite records. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Global Monday's date correction
Woops...this Monday is June 3rd, not the 6th..., sorry, I must be tired from the weekend! Please come out on Monday June 3rd for Kevin and Rolando to kick off Global's new weekly party! Cheers, Barbara __ Kevin Saunderson and KMS Productions present: Global Monday's at The Works Detroit Taking flight weekly this summer... This week: June 3rd Kevin Saunderson Rolando The Works Detroit 1846 Michigan Ave. @ Rosa Parks 2 blocks west of the old Tigers Stadium 313.961.1742 18 + w/ valid photo ID doors @ 10pm www.theworksdetroit.com www.theworldofdeep.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] All Access 2 / Control
On 5/29/02 10:36 PM, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: At 4:41 PM -0400 5/29/02, scotto wrote: also around 11 am richie played this track that I would call epic techno not something you would dance to but very interesting and uplifting it lasted maybe 15 minutes and when he was done the whole place was clapping for like 3 or 4 minutes. not sure if he played it this year, but possibly Link - 'Amenity'. Link is actually the Global Communications guys, or at least one of them. it's a track from 1992, just about impossible to find. one of his favorite records. Thank you so much for this ID. I don't care if Rich played it Monday, but I've heard it at *so* many parties and always wondered what it was. Audiogalaxy is nice. (this is usually where someone points out that I already own it on a CD comp...) -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] sound proofing
does anyone know where i can get good sound proofing foam, for the best deal possible??? anyone have info they can share, i dont know the first thing about that stuff, ive never used it. thanks burns _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] fabric saturday
ah yes, so if there´s anyone who wants to listen to strings for an hour let me know. sorry that mills can´t be there but if you guys/girls are nice i´ll maybe do a humana cover? :) send me a email privately asap if you wan´t to get on the list, i´m leaving tomorrow so i can´t read my email after 17:00 today. /aril - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] DEMF 2002 (very long)
It was a pretty jam-packed weekend. A fairly large west coast posse showed up this year and while my attempt to get them into the full range of what was on offer in Detroit wasn't entirely successful, it was certainly a good time. Now I'm back in Portland nursing the leftover of a cold (aggravated to no small measure by the out of control cigarette smoke in a lot of the venues and the festival itself -- I thought I would gag at the Planet E party and at the State Theatre). But enough of the woes in my nose ! Started out Thursday night at Foran's. Mike Taylor had some equipment problems so he really didn't do a full set, but it was a good way to get going. Nice to see longtime 313er Kelli Kavanaugh again. I wandered up Woodward to Bleu a little after 1:30 hoping that TP might be finishing up, and much to my surprise the place was totally empty. I mean, totally. The lights were on, the front door was ajar, there was nobody inside, nobody at the front desk, at the bar, on the dancefloor, taking out trash -- nobody... weird! Friday I hoped to make it out to Belle Isle but never got there. Just as well because I hear traffic was pretty messed up. In any event I got sidetracked at the Camillian Cafe/ Spectacles/Beatdownsounds second annual pre-DEMF Friday afternoon thing at Harmonie Park. Again, not very many of us but I did see Norm Talley and Reggie Dokes and couple others spinning. I gotta tellya, Norm moves fast. On Sunday I got a CD of his set at a booth at the festival, fresh from the burner! Dennis Donohue and family hosted what turned out to be the big 313 list gathering out in Southfield Friday night, with a lot of people from all over -- Europe, west coast, Chicago, DC. Beer was imbibed, burgers of all varieties consumed and various people spun various things: Kent gave us the world premiere of his Cornwarning Megamix ... Some of us headed over to the UR event at the Baker to Baker cabaret. Not the best neighborhood in town, but definitely not the worst. It reminded me a lot of growing up as a kid -- we had a neighborhood folk dancing event every Friday night. Baker to Baker is a neighborhood social hall, you show up, pay your $5 or whatever, they provide cafeteria tables, a counter with setups (no alcohol for sale on premises), and of course sound system and DJs, and it's BYOBBB, bring your own brown bottle baybee!. Someone said it was a remarkable cross-cultural experience. Basically, everyone had a good time, the music was all over the map and when a good tune came along a lot of people jumped up and grooved it on the floor, even a line doing the Detroit hustle at one point. And as others have mentioned it was worth it just to see Mad Mike dressed to-the-nines. He was looking sharp! I hooked up with Gerald (Matrix) and his crew, and we stopped in at the Input party in the gallery at 715 E. Milwaukee. A big back room with a pretty thumping four-corner sound system, and Kevin Yost was playing pleasant but not particularly interesting jazzy house. They kept turning up the levels until it was unpleasant so we bailed. On arrival downtown, I wanted to pick up a couple doughnuts at Lafayette Coney Island, but it was just after 4 and the doors were locked. As I turned away, suddenly there was this whirlwind and something grabbed me in a bear hug. Dude! You missed it!! Party of the weekend!!! This was Rob Theakston who was chowing down after the Ghostly party at Alvin's -- setting a theme for the weekend, which was that I was never quite in the right place a good part of the time. Saturday our west coast crew went out to Submerge for the first panel with Juan Atkins, Duane Patterson and Mark Taylor. This was my first look at the new Submerge 3000 and they really have done a great job rehabbing the old Laundry Workers local. The panel was kind of self-conscious at first, with an MC who just didn't know how to manage the situation or ask effective leading questions. Once the QA started things loosened up and we even got Mad Mike in the mix on the issue of how to recycle Detroit's solid waste into auto fuel. If we ever break the unholy alliance between Detroit and Houston you can point to the Model 600 as the bellwether of the new age: http://www.submerge.com/model600/metrp.html Actually Duane Patterson's design is very reminiscent of the work Amory Lovins and his hypercar team have been working on for years: http://www.hypercar.com/pages/what1.html We all trundled down to the new S.I.D. store in the basement, where I scarfed up the Shari Vari remix doublepack and all of the Electrofunk releases. At the counter, I saw a stack of mix CDs by Franki Juncaj, who I mentioned here last week because of his excellent Groovetech set. So I say to my friend, I really liked that Groovetech thing but I don't know how to pronounce his name. Guy at the counter says, That's me! I'm still not sure if I can pronounce that name, but Franki rang up my order! OK, so we're all done with
RE: [313] sound proofing
The foam itself won't help. It will absorb high and mid frequencies, but won't stop the bass. To stop the bass you need mass. There's a great page about acoustics @ www.acoustics101.com. Jernej SoundOfLJ.com -Original Message- From: ryan burns [mailto:[EMAIL PROTECTED] Sent: Thursday, May 30, 2002 12:08 AM To: 313@hyperreal.org Subject: [313] sound proofing does anyone know where i can get good sound proofing foam, for the best deal possible??? anyone have info they can share, i dont know the first thing about that stuff, ive never used it. thanks burns _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
As for the afterparties, they were completely uneven, with some of the most hyped ones (Trackmode, Planet E, Minus) completely overpacked, and some that deserved more attention getting little. Planet E's party didn't seem that overpacked to me ... esp. in contrast to what I've heard of the Minus party this year and last. We got there at 11:30 (we planned to see Clinton, but we got in too late to squeeze into the mass of people). There was a line around the building for Control and no line whatsoever for All Access 2. Granted that changed over time ... I got to see everyone's set (or a piece of it) that night, and it was definitely the highlight of the weekend for me (ok, that and seeing Alan on the jumbotron). Shake was in Jedi mode that night, mixing all kinds of records seamlessly and to great emotional effect ... Carl was ripping up the classics and Mike Clark was incredible as well -- he was just on too early for most to catch. The Radioboy set was impressive, but Todd Sines' live PA is still resonating with me. He played a host of new material (some of which will be released this summer on Planet E) with Toronto vocalist Natacha Labelle. Her very beautiful and comparatively fragile jazz style played well with Todd's warmer sounding dug/glitch/techno/whathaveyou. Sort of like the Herbert+Siciliano project if it had been hatched under the ~scape umbrella. Maybe PE could have opened up the top floor like they did last year, but then I think the crowd would have been too stretched out. It was kind of weird seeing 10-12 people dance to Recloose and Orin Walters up there last year. -d - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
- Original Message - From: Fred Heutte [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, May 30, 2002 5:08 AM Subject: [313] DEMF 2002 (very long) OK, so we're all done with Submerge and now at the festival. Missed out on Jay Langa and Mad Professor (who i've seen several times doing the mixing desk thing for Lee Perry's live shows), but we arrived in time to start with part of Deepchord's excellent live show. I also caught some of Heather Heart, Steve Rachmad and Mike Dearborn, but Mike Grant stole the show on the first day in my opinion. A really gutty, full-fledged set that didn't skimp on musicality and kept moving. I did miss John Tejada who got very high marks from many people. Mad Professor's show was really nice, but not on the same level as seeing him with Lee Scratch Perry. I only caught a bit of Tejada, and I was surprised that there wasn't much turntablism involved, but Pepe Bradock into KDJ is a hard combo to beet. :) Rachmad played a surprisingly hard set, but I hear he was the star of the Tronic party the next night - many people described it as psychadelic. Tristan --- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] new website up
hells yeah! http://www.environrecords.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Packard Building (OT, kind of)
I have SO many good memories from that place. I heard that it was closed or torn down or something sometime after I left the midwest (1997). I remember going there in the middle of winter with those big space heater cannons... Waiting outside in the rain to get in while Carl Craig was playing live inside. Richie's parties, the Poorboys... What a place... At 07:32 PM 5/29/2002 -0700, [EMAIL PROTECTED] wrote: Spastik, the first ever Plastikman live show, was there. ...get everyone in, lock the gates, GO. there's subsequently a track on Artifakts called 'Pakard'. At 5:44 PM -0400 5/29/02, :P wrote: wasnt that the venue for a couple plastikman PAs back in the 90s? (I missed those times narrowly) -Joe - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, May 29, 2002 5:10 PM Subject: [313] Packard Building (OT, kind of) Does anyone have any URL's that talk about the packard in Detroit? I am intrigued by this building and would like to know more. I couldn't find anything re: a google search. One of the rumors i heard over the weekend was that someone just bought it because they heard it was being knocked down... also if anyone has any pictures of old flyers from any UR parties they had there, that would be excellent. Thanks for any info, -Pete --- Peter Grammenos Goldman Sachs Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] subsource nu:s 0802
::submix010 [in]anace - fast forward saturday webmusic-only instant dj set idm ambient and in between - sometimes more moving, sometimes more noisy 72 min. hifi stream www.subsource.de/mix/mix010.m3u 72 mb download ftp.se.scene.org/pub/demos/scene.org/music/groups/subsource/mix/[in]anace-fa st_foward_saturday.mp3 setlist.txt www.subsource.de/mix/[in]anace-fast_foward_saturday.txt :: www.subsource.de ___ ___ __/ / ___ __ _ if the worst case has happened and you see no way to stay in this mailinglist then move to http://www.subsource.de and wipe out your email-address. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] NPR goes techno again
just for the sake of clarification, is timespace Continuum someone other than jonah or is this a typo of sorts? I speak of jonah sharp of spacetime continuum, but I suppose there could be a timespace continuum too. -Joe - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, May 30, 2002 9:39 AM Subject: [313] NPR goes techno again Someone at NPR has been listening to Timespace Continuum and Aphex Twin again. Just heard it this morning in the background busic. Nice way to start the day. MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Rolando interview
The article is from this week's edition of Eye Magazine in Toronto (same kinda thing as Metro Times). http://www.eye.net/eye/issue/issue_05.30.02/thebeat/extended.html Cheers! G http://www.neo-techno.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Packard Building (OT, kind of)
as a matter of fact, the whole artifakts album reminds me of the packard plant. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, May 29, 2002 8:32 PM To: :P; Grammenos, Peter; 313@hyperreal.org Subject: Re: [313] Packard Building (OT, kind of) Spastik, the first ever Plastikman live show, was there. ...get everyone in, lock the gates, GO. there's subsequently a track on Artifakts called 'Pakard'. At 5:44 PM -0400 5/29/02, :P wrote: wasnt that the venue for a couple plastikman PAs back in the 90s? (I missed those times narrowly) -Joe - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, May 29, 2002 5:10 PM Subject: [313] Packard Building (OT, kind of) Does anyone have any URL's that talk about the packard in Detroit? I am intrigued by this building and would like to know more. I couldn't find anything re: a google search. One of the rumors i heard over the weekend was that someone just bought it because they heard it was being knocked down... also if anyone has any pictures of old flyers from any UR parties they had there, that would be excellent. Thanks for any info, -Pete --- Peter Grammenos Goldman Sachs Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Rolando interview
cool - quite an interesting i/view :) -Original Message- From: Gerald [mailto:[EMAIL PROTECTED] Sent: Thursday, May 30, 2002 3:11 PM To: 313@hyperreal.org Subject: [313] Rolando interview The article is from this week's edition of Eye Magazine in Toronto (same kinda thing as Metro Times). http://www.eye.net/eye/issue/issue_05.30.02/thebeat/extended.html Cheers! G http://www.neo-techno.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] NPR goes techno again
yeah, i'd love to know who does their music clips... they have great ones... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, May 30, 2002 7:40 AM To: 313@hyperreal.org Subject: [313] NPR goes techno again Someone at NPR has been listening to Timespace Continuum and Aphex Twin again. Just heard it this morning in the background busic. Nice way to start the day. MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Rolando interview
ok just read thatwhen's Los Hermanos 002 out then? :) cheers robin... The article is from this week's edition of Eye Magazine in Toronto (same kinda thing as Metro Times). http://www.eye.net/eye/issue/issue_05.30.02/thebeat/extended.html Cheers! G http://www.neo-techno.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] robin... -- Dr. Robin Pinning | E: [EMAIL PROTECTED] Manchester Computing, University of Manchester, | T: +44 161 275 7028 Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 --www.mrccs.man.ac.uk- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] NPR goes techno again
h yeah, it's early. Spacetime and music not busic - sorry 'bout that. :P [EMAIL PROTECTED]To: [EMAIL PROTECTED], 313@hyperreal.org mi.net cc: Subject: Re: [313] NPR goes techno again 05/30/02 08:51 AM just for the sake of clarification, is timespace Continuum someone other than jonah or is this a typo of sorts? I speak of jonah sharp of spacetime continuum, but I suppose there could be a timespace continuum too. -Joe - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, May 30, 2002 9:39 AM Subject: [313] NPR goes techno again Someone at NPR has been listening to Timespace Continuum and Aphex Twin again. Just heard it this morning in the background busic. Nice way to start the day. MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Jeff Mills in Blackbook?
I just saw the cover of Blackbook magazine this morning and at the bottom it says Jeff Mills - haven't had a chance to look at it yet - anyone else see this? (although it might be an advance promo copy and not on the stands as of yet) MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Spotters question
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Can anyone tell me if KDJ8 ever got a repress? My friend has a spare and I'm just trying to suss out how much I should be paying him. Tracks are; Get on up (Theo's late dub) What do you see (Ricky's groove mix) What do you see (MM mix) Or did this come out on Filth/Music is or something? (I'm sure I've got it but not on KDJ, but my records are at home) Thanks. Alex - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Institute of Chartered Accountants in England and Wales to carry on investment business. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. Visit our website http://www.pwcglobal.com The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Spotters question
Or did this come out on Filth/Music is or something? (I'm sure I've got it but not on KDJ, but my records are at home) Some mixes of What Do You See definitely came out on Filth, but I'm not sure if they're the same... Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] All Access 2 / Control
not sure if he played it this year, but possibly Link - 'Amenity'. Link is actually the Global Communications guys, or at least one of them. it's a track from 1992, just about impossible to find. one of his favorite records. i could've swore this track was done by reload. or maybe are they the same people? _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] All Access 2 / Control
not sure if he played it this year, but possibly Link - 'Amenity'. Link is actually the Global Communications guys, or at least one of them. it's a track from 1992, just about impossible to find. one of his favorite records. i could've swore this track was done by reload. or maybe are they the same people? yep, same people robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Packard Building (OT, kind of)
I remember going there in the middle of winter with those big space heater cannons... Waiting outside in the rain to get in while Carl Craig was Yeah- I was there one time in subzero weather, but it was like 80+ degrees on the dancefloor- I stepped outside to get some air and got an instant nosebleed from the temperature drop- ouch! lots of great memories too though :) p playing live inside. Richie's parties, the Poorboys... What a place... At 07:32 PM 5/29/2002 -0700, [EMAIL PROTECTED] wrote: Spastik, the first ever Plastikman live show, was there. ...get everyone in, lock the gates, GO. there's subsequently a track on Artifakts called 'Pakard'. At 5:44 PM -0400 5/29/02, :P wrote: wasnt that the venue for a couple plastikman PAs back in the 90s? (I missed those times narrowly) -Joe - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, May 29, 2002 5:10 PM Subject: [313] Packard Building (OT, kind of) Does anyone have any URL's that talk about the packard in Detroit? I am intrigued by this building and would like to know more. I couldn't find anything re: a google search. One of the rumors i heard over the weekend was that someone just bought it because they heard it was being knocked down... also if anyone has any pictures of old flyers from any UR parties they had there, that would be excellent. Thanks for any info, -Pete --- Peter Grammenos Goldman Sachs Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
Planet E's party didn't seem that overpacked to me ... esp. in contrast to what I've heard of the Minus party this year and last. i said it last year and i'll say it again this year. I understand that richie likes smaller venues (unless anyone closer wants to confirm otherwise), but when you throw an event on a weekend where hundreds of thousands of people will be in town and practically all of them have heard how legendary your parties are, a BIGGER VENUE might in order. Getting to the party at 3:30 am and seeing a still huge line, is very upsetting. I'm not even going to try to bother going to another richie event on demf weekend ever again. and i'm sure i'll hate it everytime because i'll find out that it was more amazing than the last. but there's just no way i can justify standing in line at 9:30 to get in at 1. thank god for labor day weekend. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Record store opinion
Wally's Groove World? How are they for mail order over the web? Any US people use them? thanks for your time MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
i said it last year and i'll say it again this year. I understand that richie likes smaller venues (unless anyone closer wants to confirm otherwise), but when you throw an event on a weekend where hundreds of thousands of people will be in town and practically all of them have heard how legendary your parties are, a BIGGER VENUE might in order. Getting to the party at 3:30 am and seeing a still huge line, is very upsetting. I'm not even going to try to bother going to another richie event on demf weekend ever again. and i'm sure i'll hate it everytime because i'll find out that it was more amazing than the last. but there's just no way i can justify standing in line at 9:30 to get in at 1. I've been unsubbed of 313 during the DEMF so if i am sorry if i do dome double posting here. I must say that the KMS Afterparty was really good! That was the work of just one man: Ron Trent! He started at 1 and when we left at 5:30 he was still playing! I was amazed to see that some people actually could dance for 4 hours straight without a break. Trent did not drop a bad track or did a bad mix, respect! -- [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
its not an issue of venue size. its an issue of availible venues. if anyone knows of another place in detroit where richie can legally throw that sort of party, and have a bar, i'm sure he'd love to hear about it. On Thu, 30 May 2002, Jayson B. wrote: Planet E's party didn't seem that overpacked to me ... esp. in contrast to what I've heard of the Minus party this year and last. i said it last year and i'll say it again this year. I understand that richie likes smaller venues (unless anyone closer wants to confirm otherwise), but when you throw an event on a weekend where hundreds of thousands of people will be in town and practically all of them have heard how legendary your parties are, a BIGGER VENUE might in order. Getting to the party at 3:30 am and seeing a still huge line, is very upsetting. I'm not even going to try to bother going to another richie event on demf weekend ever again. and i'm sure i'll hate it everytime because i'll find out that it was more amazing than the last. but there's just no way i can justify standing in line at 9:30 to get in at 1. thank god for labor day weekend. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
its not an issue of venue size. its an issue of availible venues. if anyone knows of another place in detroit where richie can legally throw that sort of party, and have a bar, i'm sure he'd love to hear about it. completely understandable. then do what he's done with other parties in the past: presales only, no tickets at the door. maybe i'm just cranky i didn't get in ;-) _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Packard Building (OT, kind of)
I know that theres at leat 1 photo of Packard somewhere on www.detroityes.com, but you'll have to find it . Heres a couple more for ya that I foun on another detroit buildings website... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
Hi all - I heard from a friend that Dave Clarke absolutely rocked it ... did anyone get a chance to see him _Kered_ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Drexciya interview mp3
The interview that aired on WDET-FM over a week ago is available for those who missed it. It's a lo-fi mp3 edit of just the conversation that Liz Copeland had with Drexciya. It runs just over 27 minutes and the file size is about 11.2 meg. http://www.bryanbickel.com/drex_crop.mp3 I agree with what Phred said about radio in Detroit. It's a damn shame that commercial stations that helped to sponsor the DEMF never play the type of music heard at the festival. Thank goodness we still have a public radio outlet like WDET, and people like Liz that are willing to be adventurous. Enjoy. -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] good life
It's the Thomas Schumacher remix and featered on Electric Avenue (LP) It's great track indeed Last saterday Tom Middleton played it and got me down big time. MadR now if only my name was removed from the 313blacklist :-( --- qwerty [EMAIL PROTECTED] wrote: awile ago i was at this rave where a heard a really great remix of inner city's good life. it was a bit nu jazz / broken beat stayla... does anyone know any remix that might sound like that? p.s. the highlight of the track is when it stops... and then a really great piano sounds boom out and the voice starts singing : good life goodlife... :-) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! - Official partner of 2002 FIFA World Cup http://fifaworldcup.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Spotters question
Rick Wilhite - What do you see - Soul Edge Records - (KDJ 008 is cut into the groove). Filth Music released the exact same mixes as the original KDJ/SoulEdge. Also , while I was at Record Time this weekend, they had another label that just released it. It was Apricot Records , from what I remember. Exact same mixes as the KDJ/SoulEdge Filth. They had plenty of this new release in stock. Here's the mixes: Get on up (Theo's late dub) What do you see (Ricky's groove mix) What do you see (MM mix) If you don't have a copy, I'd buy any of the version on sight. Enjoy Dave Sean Creen wrote: Or did this come out on Filth/Music is or something? (I'm sure I've got it but not on KDJ, but my records are at home) Some mixes of What Do You See definitely came out on Filth, but I'm not sure if they're the same... Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Infinit 12?
Just saw this listed under the latest releases section on www.juno.co.uk: Infiniti v Keith Mackenzie - Shadow (Part 1) on Funk Wax I can't hear the MP3 on my computer. Just wondering if this is Juan Atkins' Infiniti project.Anyone? _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 (very long)
On Thu, 30 May 2002, Klaas-Jan Jongsma wrote: I must say that the KMS Afterparty was really good! That was the work of just one man: Ron Trent! He started at 1 and when we left at 5:30 he was still playing! I was amazed to see that some people actually could dance for 4 hours straight without a break. Trent did not drop a bad track or did a bad mix, respect! I hit the wall hard about 3:30 -- sat down on a chair, and did the chair-head-nod dance until we left about 4:30 ... I got into this weird beyond-tired state where I was on the cusp of falling asleep without falling asleep, and Ron just piled on the wicked tracks. I wish he'd come play me to sleep every night! Oh, and thanks for the beer KJ! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] All Access 2 / Control
I d/l the song and it was not this track. I got the impression that it was live or a new track or something because it was not mixed in or out and at the end he stopped and everyone clapped. it was more an epic peice of material like steven riech or can, it's hard to describe I was pretty drunk by 11 am. scotto - Original Message - From: [EMAIL PROTECTED] To: scotto [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, May 29, 2002 10:36 PM Subject: Re: [313] All Access 2 / Control At 4:41 PM -0400 5/29/02, scotto wrote: also around 11 am richie played this track that I would call epic techno not something you would dance to but very interesting and uplifting it lasted maybe 15 minutes and when he was done the whole place was clapping for like 3 or 4 minutes. not sure if he played it this year, but possibly Link - 'Amenity'. Link is actually the Global Communications guys, or at least one of them. it's a track from 1992, just about impossible to find. one of his favorite records. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] should I continue...
I have this track that I layed down a melody for, but I cant tell if its deranged or what. I lose perspective on music because I have it and I am of course biased in one way or the other, depending on the track. http://www.emmrecords.com/~fux/should_I.mp3 its 3.x megs, and very very early. I will probably layer something else in there, quiet, around 8-9khz and replace the drums with something even more delicate and minimal. Please listen and provide any kind of feedback you want. (bad feedback is the most useful) http://www.emmrecords.com/~fux/should_I.mp3 -Joe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] DEMF Letter
I wrote a letter to the city of Detroit about what I think should happen between DEMF and their contract w. PCM and the city. Here it is, for some reason it wouldn't let me attach it, so sorry it isn't aesthetically pleasing. I know it's not perfect it but whatevah... I hope all of you consider doing the same, the more voices, the more likely things are to change. [EMAIL PROTECTED] [EMAIL PROTECTED] - pres of city council [EMAIL PROTECTED] detroit cultural affairs [EMAIL PROTECTED] - culture and economic affairs. [EMAIL PROTECTED] detroit culture and entertainment To Whom It May Concern, Many living in and around the Detroit, as well as all over the world, feel that DEMF should continue on and progress. The three year contract between the city of Detroit and Pop Culture Media is now at its end. DEMF should be rejuvenated, its contract renewed, but with a different source for promotion behind the festival than Pop Culture Media for a multitude of reasons. Pop Culture Media has done a tolerable job maintaining the festival, but DEMF unquestionably is not at its best. The first year of DEMF was the most remarkable year, with an integral cultural selection of musicians, as well as audience. The second, just as appealing; yet, two weeks prior, the creative director, Carl Craig, was fired from his position. The people of Detroit area spoke out against this and supported Carl Craig, and the city of Detroit rewarded him for his efforts. The firing came as a stifle for the festival and festival goers, as many realized that DEMF would be in for some turbulence. It put a damper on many artists and attendants' time spent at the festival. The third year, with its repetitive adds, poor sound, lack of sponsors and diversity came as no surprise to many of those who attended all three years of the festival; consequently, myself and others can only rely on an open ear and faith that the city of Detroit will listen to what many are speaking. The DEMF is in desperate need of a transformation. Furthermore, a recent article in the publication: Metro Times, reads a justifiable display of some major issues about DEMF that should not have occurred (http://metrotimes.com/ May 22-28, 2002). While DEMF has potential to thrive, it is being subdued by so much political game and power-hungry people. If Carl Craig can be fired from his position for not getting contracts signed by artists on time, as Carol Marvin stated, next Pop Culture Media should be fired from their position as the business promoters of DEMF for a multitude of reasons: 1) Their bad reputation for firing Carl Craig has caused many professionaltalented Detroit artists to deny working and playing at the festival- as a result stifling a flow of new performers and fresh experiences to captivate the audience. 2) PCM has been caught red handed embezzling money, and making none to extremely overdue payments to artists and workers hired out in benefit of the festival. 3) Previous musicians and DEMF workers paid for a multitude of things, ranging from hotel rooms to website bills, in which they should not have paid for, this has given Detroit and DEMF a poor reputation. 4) This year the festival failed in establishing the same sponsors, thus creating an unsatisfactory atmosphere. For example advertisements were repeated onmassive screens between each set, lasting up to 30 minutes, instead ofvisuals pertaining to art and the education of Detroit electronic music and electronic music artists. 5) Many of the workers for DEMF have expressed the president of PCM- CarolMarvin, very short-tempered and difficult to work with. Consequently, the list above is enough to provide thought and thorough analysis as to who should rightfully fulfill the future of DEMF's promotional occupancy. There are many other candidates who would do more than an equal job as Pop Culture Media, these include a multitude of artists, labels and promoters who could form a committee, in particular Carl Craig and his label Planet E, who has already demonstrated approval and capability of running the festival. The DEMF has brought together a strong community, a substantial peaceful gathering, a culture that belongs to Detroit. It has brought an amazing musical experience right to Detroit, where the music is made. I ask you kindly to please look carefully over the past three years and decide justly what is right for the DEMF. Sincerely, Catherine Eberhardt [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT - location in the Metro area?
http://home.earthlink.net/~magicmk/floormat.jpg Wings fans will like this one. Had to do a little work, but using the reflection of a sign in the window that says Doug's Auto Parts, I located it with Lycos in Royal Oak... closest sports shop is a block over, a place called Strictly Varsity (note the MSU logo in the window). Is that where this picture was taken? A friend sent me the photo and would like to know. Reply off-list if you'd like, thanks. :) Matt E-mail: [EMAIL PROTECTED] Web Site: http://www.magicmattkelly.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Control ID
did anyone catch the first acid house track rich played of his mini acid set? curious as to who it was. I kept saying the vocal in my head so I would not for get but I did. so I have so vocal id but it had a sweet 303 line in it. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] marmoset-demf
did anyone see dave walker this year? ian? anyone? i didn't see him and i usually do and i'll be sad to find out he wasn't there .i at least knew ian was there by his post *waves from ann arbor* -k mail2web - Check your email from the web at http://mail2web.com/ . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] DEMF03 (not too long)
Well, here are my thoughts on this year's DEMF It is terribly obvious that the festival has been loosing its luster over the last 2 years. In previous year's I really had to make tough decisions about whom I wanted to see, while this year I would be hard pressed to fit everyone I really wanted to see on a single stage in a single day. I've been trying not to compare this year to 2000, since that was such a 'point in time' moment and feeling that will never happen again. Nevertheless, there was still great music to be heard this year, and that is the reason I went. Yes, you had to hear about all the chemicals the ravers digested whenever you went to the bathroom, yes, the commercials between the performances were the pits, and blah, blah, blah. But, this post is about the dope beats we heard and that is it My crew and myself arrived in Detroit late Friday night. First stop, Mexicantown. We filled our stomachs to the brim with pollo ranchero, Corona, and Tequila. I live in one of Chicago's largest Hispanic neighborhoods and have been to Texas numerous times and the eats I've had there simply don't compare to what you can get in Detroit's Mexicantown (particularly Los Galanes). Afterwards, we stopped at that nice little liquor store on Fort, near the Post Office, got our bottle, and headed to the UR cabaret. As soon as we entered, the first track I heard was the Birth of 3000. Nice. The music that night was somewhere between Ass-n-Titties, Planet Rock, and Sonic Destroyer at +8, if you can picture that. It was nice to hang out with friends new and old who we don't get to see very often. Yes, Mad Mike was all dressed up and looking sharp. Later in the evening he was going from table to table inviting people to their Saturday night party personally, class act. I even heard he was dancing later in the evening!! Got up early Saturday and caught bits and pieces of Sundiata, Jay Langda, and Electric Indigo. All of which were sounding good. Caught most of Mad Professor, which really didn't do it for me. I gave it my best, but I couldn't get into it. My personal highlight on Saturday at the festival was Deep Chord, which most here have talked about. After dinner we came back to see Steve Rachmand, who I thoroughly enjoyed. Up until then, it was the best DJing I heard all weekend. Caught a bit of Marco Carola, which was OK, just a bit too banging without end for my tastes. Caught all of Juan's set, who as always played great tracks. If anyone can ID the spacey techno track he played about 40mins into his set, it would be much appreciated. His mixing was not as good as I know it can be, but I think seeing him close out the first night on the main stage, in front of the RenCen is more about paying respect to THE man. The UR party on Saturday was phenomenal, it was the highlight of the weekend for me. Buzz Goree was fabulous and Rolando was even more fabulous. The turnout was much larger than the first For Those Who Know party and a lot more people we getting down this year, me thinks. I only wish Sub Night had played live, as indicated on the flyer. I think his live set in-between Buzz and Rolando would have been the icing on the cake. Afterwards, it was Coney Dogs at 5am. I was hoping to see Art Payne and Stewart Walker on Sunday, but 4 straight hours for dancing at the UR party wiped me out. Did anyone catch Art Payne? Reviews? We did arrive in time to see Chaos, Bone, and Dave Clarke in the underground stage. Chaos played a good set with Gerald Mitchell on keyboards. It was mostly Chaos MCing over UR beats. Good stuff. Bone was awesome. I guess the airlines had lost his records and he was playing with stuff picked up from Recordtime and SID. You would have never known. During the last 30mins of his set, Bone proclaimed that the underground stage was now 'Cabaret Bone' and played some old, old school stuff. I got good looks at the record jackets he was pulling from. If I ever see any of them, I'll report back ;) Next up was Dave Clarke, who absolutely rocked it. I've never seen the underground stage go as berserk as it did that night. He was playing a lot of hard stuff, but what he can do with a mixer is mind-blowing. He is a bad motha. At one point, out of nowhere, the crowd started to chat, Detroit Detroit Detroit Then Clarke dropped beats in-between the chant so you heard, Detroit, boom-boom, Detroit, boom-boom. He also played Techno City, complete class. We literally had to 'climb' out of the underground stage to catch the end of George Clinton. I've seen him a few times and what I saw didn't seem any different than times before. It looked like most people had left to go to whatever party by then. Got to CPOP/the Majestic in time to see KDJ live, which as many people here have said was a sexy set to put it lightly. I was kinda bummed we missed Larry Heard, I don't know why they would put him on so early! :( Later, one of
Re: [313] Packard Building (OT, kind of)
I have a 750 KB set of photos I pulled off various sites if anyone wants to see 'em mail me privately... Lates, m* - Original Message - From: P Jenvey [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, May 30, 2002 1:29 PM Subject: [313] Packard Building (OT, kind of) I know that theres at leat 1 photo of Packard somewhere on www.detroityes.com, but you'll have to find it . Heres a couple more for ya that I foun on another detroit buildings website... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 / Dave Clarke...
I heard the same thing, and I hear he's just finished a Fisherspooner remix that is the proverbial sh*t. m* - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, May 30, 2002 1:59 PM Subject: Re: [313] DEMF 2002 (very long) Hi all - I heard from a friend that Dave Clarke absolutely rocked it ... did anyone get a chance to see him _Kered_ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
