(313) 2003 records
Some records I've enjoyed this year (in no particular order)... DJ 3000 - Drume Rolando - Aguila Red Planet - Tobacco Ties Ultradyne - Age of Discontent Theo - Natural Aspirations Meg - MGRMX Letroset - New Plastic EP Shake - Convalescence Rick Wade - Music Is.. 12 Everything on Ai Records Clone - Are we too late for the trend? comp Altered Images EP on exalt Wanexa on Panama Freak Electrique - Phaser Comtron - What we sell EP Abstract Thought - Hypothetical Situations Robert Hood - Omega (and everything else he put out-) Anything on Mahogani ..and Moods & Grooves Surgeon/Regis - British Murder Boys 3 And albums by Softland Yasume Christ Ulrich Schnauss Kraftwerk (can't wait to see them live in glasgow) Gimmik and probably loads more i can't think of at the moment-i agree that this has been a really good year for music-don't think I can afford another one like it-rub a dub and boomkat must have taken about 90% of my income this year! _ Stay in touch with absent friends - get MSN Messenger http://www.msn.co.uk/messenger
Re: (313) Detroit Technology archives
shame they don't have the final technology program. the one where carl got all drunk and talked smack for an hour. and i think he playeda little music. On Tue, 23 Dec 2003, Rc wrote: > thanks Matt > > I'm listening to the Derrick May mix on this page: > > http://www.theplayground.com/static_music/derrickmay.ram > > what the track he plays at 18mins:40seconds in. I've seen derrick play quite > a few times and he loves this one. "I wanna do anything" > > What is it? - it sounds like something Carl Craig would do in the early-mid > nineties. > > ta > rc > > on 23/12/03 6:23 AM, Matt MacQueen at [EMAIL PROTECTED] wrote: > > > Every once and awhile you stumble across some nice web archives from > > the past that didn't get rinsed out when a server crashed or a domain > > name expired or a start-up folded (R.I.P. Groovetech)... but here are > > some good Real Audio sets from the "Detroit Technology" show from 1999 > > > > http://www.theplayground.com/static_music/ > > > > currently kicking the Common Factor one.. very nice > > > > peace, > > -- > > Matt MacQueen > > http://sonicsunset.com > > > >
Re: (313) Detroit Technology archives
the recloose oneis still one of my all-time favmixes. Glad i have it on cassette so I don't have to suffer through realaudio On Tue, 23 Dec 2003, Rc wrote: > thanks Matt > > I'm listening to the Derrick May mix on this page: > > http://www.theplayground.com/static_music/derrickmay.ram > > what the track he plays at 18mins:40seconds in. I've seen derrick play quite > a few times and he loves this one. "I wanna do anything" > > What is it? - it sounds like something Carl Craig would do in the early-mid > nineties. > > ta > rc > > on 23/12/03 6:23 AM, Matt MacQueen at [EMAIL PROTECTED] wrote: > > > Every once and awhile you stumble across some nice web archives from > > the past that didn't get rinsed out when a server crashed or a domain > > name expired or a start-up folded (R.I.P. Groovetech)... but here are > > some good Real Audio sets from the "Detroit Technology" show from 1999 > > > > http://www.theplayground.com/static_music/ > > > > currently kicking the Common Factor one.. very nice > > > > peace, > > -- > > Matt MacQueen > > http://sonicsunset.com > > > >
Re: (313) Detroit Technology archives
thanks Matt I'm listening to the Derrick May mix on this page: http://www.theplayground.com/static_music/derrickmay.ram what the track he plays at 18mins:40seconds in. I've seen derrick play quite a few times and he loves this one. "I wanna do anything" What is it? - it sounds like something Carl Craig would do in the early-mid nineties. ta rc on 23/12/03 6:23 AM, Matt MacQueen at [EMAIL PROTECTED] wrote: > Every once and awhile you stumble across some nice web archives from > the past that didn't get rinsed out when a server crashed or a domain > name expired or a start-up folded (R.I.P. Groovetech)... but here are > some good Real Audio sets from the "Detroit Technology" show from 1999 > > http://www.theplayground.com/static_music/ > > currently kicking the Common Factor one.. very nice > > peace, > -- > Matt MacQueen > http://sonicsunset.com >
Re: (313) Before Techno
This compilation is basic, Ron Hardy Classics !! Secret History -- Classic 80s Electronic Dance .EMI A much-needed look at the now "secret" years of crossover electronics on the dancefloor -- featuring a range of tunes from the early 80s, both underground and popular! The set's a bit gutsier than the few others that have explored this territory -- in that it's not afraid to throw in some of the more chartbound numbers from the day, a great move, considering how striking all of these songs still sound to our ears today. By magically skirting through a world that includes both Alexander Robotnick and Paul McCartney, the package really lives up to its "secret" promise -- by delivering tunes with links that we hardly would have noticed! Titles include "Peut Etre Pas" by Liaison Dangereuses, "Problemes D'Amour" by Alexander Robotnick, "Frequency 7" by Visage, "Temporary Secretary" by Paul McCartney, "Brainwash" by Telex, "Hypnotic Tango" by My Mine, "Wonderful" by Klein & MBO, "IC Love Affair" by Gaz Nevada, and "Secret Life" by Material.
(313) radio playlist - 20/12/03 - Chilled Out Passion (Oxford)
Hello everyone - here's last Friday's playlist. Following recent discussions of Arcola, peeps might be interested to hear that the latest 12" (ARC004) by Brothomstates is excellent! It has that classic intense beats/warm synths sound of mid period Warp releases. Best release yet on Arcola IMHO. Best Dan. CHILLED OUT PASSION - Friday nights 1-4am GMT on PASSION 107.9FM, OXFORD Live Webcast http://www.passion1079.com 20/12/031-4am De La Soul Me Myself and I (Instrumental) Tommy Boy DJ Food Consciousness (Ashley Beedle Mix) Ninja Tune Iridite prods feat. Rei LociIctus Iridite Two Lone Swordsmen Hope We Never Surface (Kenny Hawkes Mix)Warp Brothomstates Matala Bobo Arcola Meg Kouro (Note Native Mix) Joint MIX BY DAN KEELING (NEW RELIGION) Funkmasters Love Money Siamese Rhythim Is Rhythim Move It Transmat Nightmoves Transdance (NYC Mix)GC Records Mr Flagio Take A Chance ZYX Phuture Spank Spank Trax Nitzer Ebb Shame (Derrick May Mix) Nova Mute Two of ChinaLos Ninos Del ParqueWestside Yello Bostich Vertigo Electrik Funk On A JourneyPrelude Bobby O Still Hot 4 U O Telex Moskow DiscoSire Phuture We Are Phuture Trax Doctor's CatFeel The Drive Danica END OF MIX James Brown Coldblooded Polydor MoodymanOn The Run Peacefrog DJ Trax Navigating The Nile By NightLacerba Vikter Duplaix Galaxy K7 Paul W. TeebrokeA Face At The WindowPeacefrog Oran 'Juice' Jones The RainDef Jam Jimmy Edgar City Alley Warp Jaydee It's Like That BBE RPM Sortie Des Ombres Mo Wax Dzihan & Kamien Ocean Air Couch Def HarmonicVillain Altered Vibes De La Soul Stakes Is High (DJ Spinna Mix) Tommy Boy Antikue Arched Absent Music The Psychonauts Dream Chaser International Deejay Gigolo Dreamfish School Of Fish Rising High Thievery CorporationThe Way Of The Dragon ESL Music
(313) Detroit Technology archives
Every once and awhile you stumble across some nice web archives from the past that didn't get rinsed out when a server crashed or a domain name expired or a start-up folded (R.I.P. Groovetech)... but here are some good Real Audio sets from the "Detroit Technology" show from 1999 http://www.theplayground.com/static_music/ currently kicking the Common Factor one.. very nice peace, -- Matt MacQueen http://sonicsunset.com
(313) Dan Curtin - Web of life
I find myself in the unenviable position of having an extra copy of Dan Curtin's Web Of Life LP... Email me privately if you're interested. Cheers, Sven
Re: (313) was HEY YA now EXPERIMENTAL METHODOLOGY
(ok. this is substantial drift...but i'm assuming that given the header, anyone who reads this is interested in the subject [and probably off his/her rocker but that's ok *smile*]) On Tue, 23 Dec 2003, Sven Venema wrote: > Okay, attribution wise I'm kinda lost.. but "SOMEONE" said... :) > > > > > Not in this casethe power of the experiment is that you're > able to > > > > ferrett out the causal element... > > > > > > > > Take a population of subjects and split them in two (or three, > four, etc.) > > > > such that if you compare the resulting groups to each other, > there is no > > > > substantive difference. There aren't more women than men, there > aren't > > > > significant income differences, etc. > > > > > > > > Then you expose one group to one set of stimuli, and expose the > other > > > > group to some sort of placebo. > > > > > > > > The difference in the response to the dependent variable HAS to > come from > > > > exposure to the stimuli. > > Not a flame, just a comment: > > The idea that the difference in response "HAS to come from exposure to > stimuli", and that you could find groups of people who have "no > substantive difference" seems a little simplistic to me. IMHO this > approach is probably not generally applicable to humans. It seems that > humans (from an outsider's point of view) have a penchant for acting on > impulse or whim. Even though someone's actions may be entirely > consistent within their own internal framework, those actions may seem > irrational to an outside observer. I'm not sure that it's possible to > define a 'standard' human being, let alone bring together a group of > these standard human beings against which responses can be measured. > > Sven In the aggregate it is very applicable to humans. The key here is replication. If what you're saying is correct...that humans (in the aggregate) are prone to responding on a whim, then my experimental results wouldn't be replicable. That is, the first time I do this experiment with group A then I'll get one result, then the next time I do it, I'll get another result, then the third time I'd do it I'll get yet another result. The results would be random and totally unpredictable. But this isn't what happens. For example, in experiment after experiment, it's been shown that white americans exposed to stories about welfare (accompanied by an image of a black woman) are far more prone to say "poverty is the individuals fault" and that "we shouldn't do anything to help the poor" than white americans exposed to stories about welfare (accompanied by an image of a white woman). If what you say is true, then we wouldn't get consistent results over time and space here. So while your general point is correct--and it is important to say that I'm talking about groups of people, not individuals--I think there is enough consistency to think about experiments as a solid research tool that can be used to explain and predict human activity. peace lks
Re: (313) was HEY YA now EXPERIMENTAL METHODOLOGY
Okay, attribution wise I'm kinda lost.. but "SOMEONE" said... :) > > > Not in this casethe power of the experiment is that you're able to > > > ferrett out the causal element... > > > > > > Take a population of subjects and split them in two (or three, four, etc.) > > > such that if you compare the resulting groups to each other, there is no > > > substantive difference. There aren't more women than men, there aren't > > > significant income differences, etc. > > > > > > Then you expose one group to one set of stimuli, and expose the other > > > group to some sort of placebo. > > > > > > The difference in the response to the dependent variable HAS to come from > > > exposure to the stimuli. Not a flame, just a comment: The idea that the difference in response "HAS to come from exposure to stimuli", and that you could find groups of people who have "no substantive difference" seems a little simplistic to me. IMHO this approach is probably not generally applicable to humans. It seems that humans (from an outsider's point of view) have a penchant for acting on impulse or whim. Even though someone's actions may be entirely consistent within their own internal framework, those actions may seem irrational to an outside observer. I'm not sure that it's possible to define a 'standard' human being, let alone bring together a group of these standard human beings against which responses can be measured. Sven
(313) montreal<->toronto techno exchange
hello all you toronto techno loving folks some of us here in our fair city of montreal have been talking about tring to put together a little exchange where a few of us come out to play in toronto for a saturday night and then we exchange the favor... so far it has been jp aka pheek and myself who have talked about this idea of where we would put together a show for some of the toronto techno folk to play here in montreal and that someone from your fair city would do the same... we are looking for some intersted parties in toronto who want to be part of this exchange and who are willing to be the organizing factor for the toronto end of things... if your interested please get in touch with me, maybe if this exchange works out we can make this a regualar happening thing where live artists and djs can get the change to showcase what they do in each others perspective cities. thanks neil -- [neil adam wiernik aka naw] [EMAIL PROTECTED] [music available on] http://www.noisefactoryrecords.com http://www.pieheadrecords.com http://www.worthyrecords.com http://www.complot.ca [artist features] http://www.clevermusic.net http://www.newmusiccanada.com http://www.cognitionaudioworks.com --
(313) was HEY YA now EXPERIMENTAL METHODOLOGY
(how many on this list ever thought they'd see that subject heading here???) On Mon, 22 Dec 2003, Brendan Nelson wrote: > > > It's a bit of a chicken'n'egg question I suppose. > > > > Not in this casethe power of the experiment is that you're able to > > ferrett out the causal element... > > > > Take a population of subjects and split them in two (or three, four, etc.) > > such that if you compare the resulting groups to each other, there is no > > substantive difference. There aren't more women than men, there aren't > > significant income differences, etc. > > > > Then you expose one group to one set of stimuli, and expose the other > > group to some sort of placebo. > > > > The difference in the response to the dependent variable HAS to come from > > exposure to the stimuli. > > There are a lot of problems with an experiment like that, though, IMHO. > First off, the test subjects would almost certainly arrive having already > developed attitudes towards both violent hip-hop and violence as a means of > conflict resolution, which I think could skew the results significantly. Let's say that men are more likely to have developed attitudes in favor of violence, and women are in the opposite direction. All you have to do is control for gender (or other theoretical relationships that might cause problems) in the analysis. Unless your theory is underspecified, you should be ok. > Second off, you wouldn't be accurately recreating the way in which people > listen to music - you may end up proving, for example, that spending ten > minutes listening to violent hip-hop in a controlled environment doesn't > make you more prone to being violent, but I'd be dubious about that > conclusion applying to people who listen to violent hip-hop for years and > years in various emotional states. You can setup the environment to match a general listening one. The room doesn't have to be anti-sceptic (for example), but your long term comment is on the money. While in my case I don't think I'd be making any type of long term claim, I do think you could get around this too by specifically recruiting HEADS. Come to think of it, this type of thing could be very interesting. I've always wondered why, for example, I've NEVER seen a fight at a house music set. (Well...I've seen ONE. I was at a house party in Detroit where a couple of japanese women started to fightbut that don't count!) ;) Is it because of predispositions that house heads already have? Is it instead the "soothing nature" of the music itself? > > So if the groups are the same in the hiphop experiment I note above, then > > the only reason the one group prefers violent conflict resolution is > > because there is something about what they were exposed to that CAUSES > > them to. > > But you could well find that some in the group always preferred violent > conflict resolution and did so even before they heard violent hip-hop. > Wouldn't that screw things up a bit? Now ANOTHER way of getting around this is to have a pre and a post-test. So instead of just comparing group A to group B, you are comparing group A at time 1 to group A at time 2. so you can then see whether listening to violent music increases one's own PERSONAL preference for violence as a means of conflict resolution. > Sorry for going so off-topic! But I'm suddenly bizarrely fascinated by the > idea of this experiment :) It IS interesting to think about innit? peace lks
Re: (313) Best of 2003 / Stasis
At 09:01 am +0100 22/12/03, Maarten Baute wrote: >> Ah fantastic- i would have put the new statis at the top of my list also if i had it. How are the unrelaeased tracks? I know the old ones and the are amazing. << Tere is no bad track on that compilation, they are all fantastic! Cheers, Maarten I second that!
(313) test
RE: (313) hotness
hi tom, -> i need to hunt that down. what shop did you find it in? piccadilly records (forget the url but it's on my site in the links) vinylunderground also have copies i think...both uk shops so this may not help ya ->i just got -> that theo coming up on harmonie park. its going to be a classic, i -> can feel it. cool, i'll keep my eyes peeled for that robin...
Re: (313) UR unexploitable mix on Betoni
On Dec 21, 2003, at 9:12 PM, -Ryan wrote: http://www.adapteri.com/betoni/ thanks for posting this, these mixes are great... Check out the playlists.. dang! lots of deep and dubbed-out and detroit techno sounds. Lots of quality, dang my hard drive is gonna burst... peace, -- Matt MacQueen http://sonicsunset.com
Re: (313) hotness
-- Original Message -- From: "robin" <[EMAIL PROTECTED]> >todays hot tune (for me that is) is the DJ Genesis 12 with the Theo >Parrish mix on it. just listened in the shop but it's one of those low >slung theo affairs that i love (theo doesn't always hit the spot with me >but this is great). i need to hunt that down. what shop did you find it in? i just got that theo coming up on harmonie park. its going to be a classic, i can feel it. tom andythepooh.com
(313) hotness
todays hot tune (for me that is) is the DJ Genesis 12 with the Theo Parrish mix on it. just listened in the shop but it's one of those low slung theo affairs that i love (theo doesn't always hit the spot with me but this is great). the two mixes on the other side are great but it's the theo one that does it for me. Dynamite Soul is a great label too, i'm getting to pretty much by stuff on there on sight now... oh yeah while i'm on the Alton Miller 12 on mahogani rocks too. robin...
Re: (313) Re: hey ya?
> > Then you expose one group to one set of stimuli, and expose the other > > group to some sort of placebo. comparing hip hop to a band like placebo is a silly idea. (stupid joke)
RE: (313) Re: hey ya?
> -Original Message- > From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED] > Sent: 22 December 2003 04:07 > > > > It's a bit of a chicken'n'egg question I suppose. > > Not in this casethe power of the experiment is that you're able to > ferrett out the causal element... > > Take a population of subjects and split them in two (or three, four, etc.) > such that if you compare the resulting groups to each other, there is no > substantive difference. There aren't more women than men, there aren't > significant income differences, etc. > > Then you expose one group to one set of stimuli, and expose the other > group to some sort of placebo. > > The difference in the response to the dependent variable HAS to come from > exposure to the stimuli. There are a lot of problems with an experiment like that, though, IMHO. First off, the test subjects would almost certainly arrive having already developed attitudes towards both violent hip-hop and violence as a means of conflict resolution, which I think could skew the results significantly. Second off, you wouldn't be accurately recreating the way in which people listen to music - you may end up proving, for example, that spending ten minutes listening to violent hip-hop in a controlled environment doesn't make you more prone to being violent, but I'd be dubious about that conclusion applying to people who listen to violent hip-hop for years and years in various emotional states. > So if the groups are the same in the hiphop experiment I note above, then > the only reason the one group prefers violent conflict resolution is > because there is something about what they were exposed to that CAUSES > them to. But you could well find that some in the group always preferred violent conflict resolution and did so even before they heard violent hip-hop. Wouldn't that screw things up a bit? Sorry for going so off-topic! But I'm suddenly bizarrely fascinated by the idea of this experiment :) Brendan
RE: (313) Best of 2003
the alex bond mix listed below can stil be found (with tracklisting) at www.emotionelectric.com. agreed on the radio show...now dowloadable yes! robin... -> -Original Message- -> From: -> [EMAIL PROTECTED] -> [mailto:[EMAIL PROTECTED] -> org] On Behalf Of Maarten Baute -> Sent: 21 December 2003 21:21 -> To: 313@hyperreal.org -> Subject: Re: (313) Best of 2003 -> -> -> *** Maarten Baute Awards 2003 *** ;) -> -> best upcoming artist: aroy dee -> -> best new label: ann aimee -> -> best radio show: matt macQueen and dave siska - clinically -> inclined Radio -> Show - http://sonicsunset.com/ -> -> best mixes: alex bond "the salford house association" / theo -> parrish "live @ -> culture club, ghent" -> -> best jokes (we got at least one person laughing with these): -> 1. jeffrey van moortel - (in dutch) "hoe oud moet je zijn om -> in frankrijk -> een tatou te mogen laten zetten? -> tatou-age" -> 2. maarten baute - (in dutch) - "wat staat er op het -> antwoordapparaat van -> bert (van bert & ernie). -> ik ben er-nie" -> 3. jeffrey van moortel - (in dutch) "hoe noemt men de -> stuurman van een -> schip? -> de boter" -> 4. jeffrey van moortel - (in dutch) "ober, er groeit klimop -> in mijn haar." -> (tested in the lunch garden in ghent) -> 5. steve mareyt - (in dutch) "wat kreeg het blinde meisje -> voor haar 18de -> verjaardag? -> kanker" -> -> records of the year (more or less in order): -> 01. stasis - past movements [ peacefrog pfg046lp ] (3x12") -> 02. aroy dee - goddess [ m>o>s 0001 ] -> 03. as one - so far (so good) ... twelve years of electronic -> soul [ ubiquity -> urlp133 ] (3x12") -> 04. 3 chairs - all over [ 3 chairs 04 ] -> 05. larry heard - loosefingers ep [ alleviated ml2221 ] -> 06. cim - do not multiply models [ ann aimee ann-cd2 ] (cd) -> 07. larry heard - where life begins [ trackmode tmlp046 ] (2x12") -> 08. aroy dee - kiss / the planets ep [ nwaq 03 ] -> 09. yesterdays new quintet - stevie vol.1 [ ibo001 (white) ] (lp) -> 10. pitch black city featuring roberta sweed - runaway [ -> mahogany 003 ] -> 11. the detroit experiment - s/t [ planet e pe65272 ] (2x12") -> 12. nu era - some think electronic version 1.0 [ twisted -> funk tf1203 ] -> (2x10") -> 13. esther phillips - anthology [ soul brother ] (2x12") -> 14. pub - surgery [ ampoule 007 ] -> 15. alex cortex - inwards [ ann aimee lp001 ] (2x12") -> 16. arne weinberg - romantic machinery [ headspace 014 ] -> 17. rusty waters - rotating assembly [ sound signature 017 ] -> 18. larry heard - space jungle [ track mode 045 ] -> 19. cim - noki bay ep [ ann aimee 002 ] -> 20. moodymann - silence in the secret garden [ peacefrog -> pfg036 ] (2x12") -> 21. arne weinberg - cupola ep [ keynote gz010 ] -> 22. n´dambi - tunin up & cosignin [ soul brother lpsbpj15 ] (2x12") -> 23. yotoko - wet ink [ delsin 42dsr/ytklp1 ] (2x12") -> 24. charles webster - remixed on the 24th of july [ -> peacefrog pfg037lp ] -> (2x12") -> 25. dan curtin - distort.archive.desire [ down low 010 ] -> 26. n´dambi - call me (yam who reworks) [ dam1 (promo) ] -> 27. $tinkworx - los gatos lloros [ delsin 43dsr/$tw2 ] -> 28. aztec mystic - aguila [ underground resistance 059 ] -> 29. further details - volume one [ real soon 001 ] -> 30. low res - 5 [ aim records 100-5 ] (7") -> 31. pepe bradock feat. michelle weeks - distorted echoes [ -> kif sa 032 ] -> 32. roy ayers - searching (the africa 70 version) [ rapster -> rr0026ep ] -> 33. moodymann - silence in the secret garden (album sampler) -> [ peacefrog -> pfg032 ] -> 34. madlib - shades of blue [ blue note 7243 5 36447 1 0 ] (2x12") -> 35. georg levin - in your car [ sonar kollektiv 007 ] -> 36. amp fiddler - love & war ep [ genuine 016t ] -> 37. theo parrish - friendly childeren [ sound signature 018 ] -> 38. $tinkworx - drexion caves [ keynote 008 ] -> 39. kemit sources - play [ versatile 028 ] -> 40. hugh masekela - mama (metro area mix) [ verve ] -> 41. erykah badu - worldwide underground [ motown motb739lp ] (lp) -> 42. andrés - lp [ mahogani 5lp ] (lp) -> 43. the congos - congoman (carl craig edit) [ honest jon´s p5 ] -> 44. basic bastard - cruising / shortcut 2 [ ignitor 02-7 ] -> 45. robert hood - omega [ peacefrog pfg043 ] -> 46. rhythm & sound feat. jah batta - music hit you [ burial -> mix 013 ] (10") -> 47. john arnold with amp fiddler - get yourself togheter [ ubiquity -> ur12137 ] -> 48. moodymann - shattered dreams (private pressing) [ -> peacefrog pfg041 ] -> 49. manmade science - times and senses [ philpot 003 ] -> 50. tread - 3 [ third ear 3elp6 ] (2x12") -> 51. reggie dokes - a piece of afro ep [ psychostasia 005 ] -> 52. various - sjors pik n kut ep [ rockwell lp001 ] (lp) -> 53. the matthew herbert big band - goodbye swingtime [ -> accidental 05lp ] -> (2x12") -> 54. iz & diz - unnnhhh [ classic cmc31 ] -> 55. pepe bradock - 4 / intrusion [ atavisme 004 ] -> 56. madlib - shades of blue (album sampler) [ blue note 877987 ] -> 57. jaylib - the official / the red [ st
(313) More mixes on emotionelectric
To help you while away those hours while you pretend to work on the run up to Xmas, Emotion Electric (www.emotionelectric.com) is proud to present a great house mix by 313's own Chris Anglesey. Enjoy! CHRIS ANGLESEY 12.2003 HOUSE MIX 1. Sole Fusion - Basstone (Strictly Rhythm) 2. Basement Jaxx - Get Down Get Horny (AtlanticJaxx) 3. Next Evidence - Dance On (Capitol) 4. Trevor Loveys - Elevate Your Mind (Freerange) 5. Aaron Carl - Sky (New Icon) 6. DJ Gregory - Attend 1 (Kitsune) 7. DJ Gregory - Attend 2 (Kitsune) 8. Kramer Dashwood - Ron Hardy's Ghost (PGH) 9. DJ Q - 2 Bad Acid (Cordless) 10. D'Menace - Ya-Yahoo (Deep Vision) 11. Dirty Gringo - Circus Freak (Honchos) 12. The Housier Daddy - Jazz Kitchen (After School) 13. The Housier Daddy - Bassie's Loaded (AfterSchool) 14. Lil Louis - French Kiss (Epic) 15. Roy Davis Jnr - Funk-O-Matic (Modulate) 16. Cajmere - Nasty (Live 4) 17. Mystic Bill - Classics from the Vault #4 (CR-01) 18. 7 Grand Housing Authority - Love Got Me High (Intangible)
(313) coming saturday Fabrice Lig, Aroy Dee & Shinedoe
Aroy Dee, Fabrice Lig & Shinedoe @ In:Motion >> Coming saturday december 27th, a very soulful techno night at Club Amuse (Amsterdam, NL), with Fabrice Lig, Aroy Dee & Shinedoe." Saturday 27th December, Club Amuse, Amsterdam M>O>S feat. Aroy Dee (Delsin, M>O>S Recordings, NL) Fabrice Lig (Soul Designer, F-COM, BE) Shinedoe (In:Motion, NL) Janus (AmbientJazzfunk, NL) location: Club Amuse, Lijnbaansgracht 238 (opposite Melkweg) Time 23h-5h Price before 00:00 hr 7.50 euro, after 12,50 euro. Extra: chill out room!
Re: (313) Best of 2003 / Stasis
>> Ah fantastic- i would have put the new statis at the top of my list also if i had it. How are the unrelaeased tracks? I know the old ones and the are amazing. << Tere is no bad track on that compilation, they are all fantastic! Cheers, Maarten
Re: (313) dying business? [was: RE: Nu Era on Twisted Funk]
i don't know if its pimping as much as it is just not having the infrastructure to handle such things. i have no idea what the business operation of peacefrog is like. but if there's no one there specically handling promotion, than i guarantee you that stuff falls through the crack. Then again- if the artists know that going into the deal, which they obviously do, then they know they have to hire a publicist themselves, which is fair. On Mon, 22 Dec 2003, Cyclone Wehner wrote: > Yeah everyone is being very sensitive about everything, incl. me... ;) > I guess it's that time of year. ;) > > I really wish Peacefrog would liase more with media - I think the artists > want it. It could well be lack of interest on the part of the Australian/NZ > distributor (who are just pushing breaks these days) but I would love to do > more interviews in credible mags here - at my expense - and a friend of mine > who is a longtime fan wanted to do a launch for Moodymann's CD at a good > club and no one wanted to support them. > If there's free publicity going you should take it. ;) > > I guess they don't want to pimp themselves out. > > > > -- > >From: [EMAIL PROTECTED] > >To: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> > >Subject: Re: (313) dying business? [was: RE: Nu Era on Twisted Funk] > >Date: Mon, 22 Dec 2003 12:25 PM > > > > > -sigh- > > > > i knew somebody would get upset about this. > > i wasn't implying that the music that peacefrog puts out isn't good. nore > > am i stating that some of these veteran producers (hood, dixon, larkin) > > don't deserve a solid label to release their music- particualarly at a > > time when other labels are straight up lowballing them. > > > > But my point was, if there's no promotion behind it, or any real attempt > > to find new artists, or styles of music, or a wider audience- than their > > not doing everything they could do to 'progress' the music. > > > > i don't have any beef with peacefrog (except maybe that they never send me > > anything to review). but i have far more respect for labels like kompakt > > and perlon and ghostly... > > > > places that are trying new things and exerting the energy and cost to take > > chances. > > > > > > > > > > > > On Sun, 21 Dec 2003, Thomas D. Cox, Jr. wrote: > > > >> -- Original Message -- > >> From: [EMAIL PROTECTED] > >> > >> >DOn't see anythign new and exciting coming from Peacefrog. Just > >> the old > >> >stand-bys. Notgood for the long run. > >> > >> youve got to be kidding. peacefrog does the nearly impossible: > >> they stay relevant and release mostly timelessly good music. how > >> is this not good for the long run? not good for the long run is > >> trend hopping and putting out garbage tunes to be "different". > >> good music is the most exciting thing you can release. > >> > >> tom > >> > >> > >> andythepooh.com > >> > >> > >> > >> > >> >
RE: (313) Re: hey ya?
On Sun, 21 Dec 2003, Brendan Nelson wrote: > > -Original Message- > > From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED] > > Sent: 21 December 2003 06:50 > > > > There's been some attempt to actually test this empiricallyto see > > whether exposure to rap music (or other "aggressive art forms" like heavy > > metal) has an impact on how people think and behave. there's some > > tentative support for the relationship. people listening to violent hip > > hop are more likely to support violence as a means of conflict resolution > > than people listening to non-violent hiphop. > > The question is, though, does their tendency to support violence as a means > of conflict resolution influence their musical tastes towards violent > hip-hop, or has that tendency only come about as a result of their exposure > to violent hip-hop? It's a bit of a chicken'n'egg question I suppose. Not in this casethe power of the experiment is that you're able to ferrett out the causal element. This is the way it works. Take a population of subjects and split them in two (or three, four, etc.) such that if you compare the resulting groups to each other, there is no substantive difference. There aren't more women than men, there aren't significant income differences, etc. Then you expose one group to one set of stimuli, and expose the other group to some sort of placebo. The difference in the response to the dependent variable HAS to come from exposure to the stimuli. So if the groups are the same in the hiphop experiment I note above, then the only reason the one group prefers violent conflict resolution is because there is something about what they were exposed to that CAUSES them to. peace lks
(313) To any and all LA 313 peeps....
So my LA trip is shaping up pretty well...I hit the Tejada party with Yussel last night and we had a ball I'm wondering though, any other parties coming up I should know about? Any good record shops I should check out (Beat Non Stop is the only one I know)? I'm out here until the 9th of January and I brought my box, so if anyone is looking for a DJ I'd be more than happy to come play;) Lates, m* _ Mark S. Krüx Mobile - 917.817.3989 DJ / PhotographerFax - 877.485.3477 [EMAIL PROTECTED] [EMAIL PROTECTED] _
Re: (313) UR unexploitable mix on Betoni
- Original Message - From: <[EMAIL PROTECTED]> > i went http://betoni.aivo.com/ to see what other mixes were up, but just > got a parent page with a list mp3 filemanes (eg. betoni50.mp3). > is there a page that describes what these mixes are/who they are by? http://www.adapteri.com/betoni/ --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.552 / Virus Database: 344 - Release Date: 12/20/2003
Re: (313) dying business? [was: RE: Nu Era on Twisted Funk]
Yeah everyone is being very sensitive about everything, incl. me... ;) I guess it's that time of year. ;) I really wish Peacefrog would liase more with media - I think the artists want it. It could well be lack of interest on the part of the Australian/NZ distributor (who are just pushing breaks these days) but I would love to do more interviews in credible mags here - at my expense - and a friend of mine who is a longtime fan wanted to do a launch for Moodymann's CD at a good club and no one wanted to support them. If there's free publicity going you should take it. ;) I guess they don't want to pimp themselves out. -- >From: [EMAIL PROTECTED] >To: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> >Subject: Re: (313) dying business? [was: RE: Nu Era on Twisted Funk] >Date: Mon, 22 Dec 2003 12:25 PM > > -sigh- > > i knew somebody would get upset about this. > i wasn't implying that the music that peacefrog puts out isn't good. nore > am i stating that some of these veteran producers (hood, dixon, larkin) > don't deserve a solid label to release their music- particualarly at a > time when other labels are straight up lowballing them. > > But my point was, if there's no promotion behind it, or any real attempt > to find new artists, or styles of music, or a wider audience- than their > not doing everything they could do to 'progress' the music. > > i don't have any beef with peacefrog (except maybe that they never send me > anything to review). but i have far more respect for labels like kompakt > and perlon and ghostly... > > places that are trying new things and exerting the energy and cost to take > chances. > > > > > > On Sun, 21 Dec 2003, Thomas D. Cox, Jr. wrote: > >> -- Original Message -- >> From: [EMAIL PROTECTED] >> >> >DOn't see anythign new and exciting coming from Peacefrog. Just >> the old >> >stand-bys. Notgood for the long run. >> >> youve got to be kidding. peacefrog does the nearly impossible: >> they stay relevant and release mostly timelessly good music. how >> is this not good for the long run? not good for the long run is >> trend hopping and putting out garbage tunes to be "different". >> good music is the most exciting thing you can release. >> >> tom >> >> >> andythepooh.com >> >> >> >> >>
Re: (313) dying business? [was: RE: Nu Era on Twisted Funk]
-sigh- i knew somebody would get upset about this. i wasn't implying that the music that peacefrog puts out isn't good. nore am i stating that some of these veteran producers (hood, dixon, larkin) don't deserve a solid label to release their music- particualarly at a time when other labels are straight up lowballing them. But my point was, if there's no promotion behind it, or any real attempt to find new artists, or styles of music, or a wider audience- than their not doing everything they could do to 'progress' the music. i don't have any beef with peacefrog (except maybe that they never send me anything to review). but i have far more respect for labels like kompakt and perlon and ghostly... places that are trying new things and exerting the energy and cost to take chances. On Sun, 21 Dec 2003, Thomas D. Cox, Jr. wrote: > -- Original Message -- > From: [EMAIL PROTECTED] > > >DOn't see anythign new and exciting coming from Peacefrog. Just > the old > >stand-bys. Notgood for the long run. > > youve got to be kidding. peacefrog does the nearly impossible: > they stay relevant and release mostly timelessly good music. how > is this not good for the long run? not good for the long run is > trend hopping and putting out garbage tunes to be "different". > good music is the most exciting thing you can release. > > tom > > > andythepooh.com > > > > >
