Re: (313) At Les
i only said that to turn the screws since Thomas for some reson seems exceptionally opposed to the track. ah- this is the 313 i know and love. On Thu, 16 Dec 2004, Renegade808 wrote: At Les is not the end all be all track for everyonesome love it and i am sure obviously some don'teveryone hears differently.just because someone does'nt agree does'nt mean they don't get it. and no one has to see Innerzone live to understand it either (maybe this is what you had to do to understand it). the original track is on wax and i would say its a good representation of the track...like i said some feel it and some don't. i like the track and other CC stuff but i would'nt go telling peeps they don't get it if they don't like the same tracks i do..geesh michael www.renegaderhythms.com what's with the undying love wow- a little overdramatic, yeah? what's with the love of anything you like? i just really like the track. i think those opening chords are as classic as anything from the genre. And so does CC as he rerecorded it with Innerzone Orchestra and repeatedly stated that he viewed the song as one of his standards On Thu, 16 Dec 2004, Thomas D. Cox, Jr. wrote: did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? tom andythepooh.com
Re: (313) At Les
i hear yahey at least this time we are all bickering about something that is very 313 related :-) michael www.renegaderhythms.com i only said that to turn the screws since Thomas for some reson seems exceptionally opposed to the track. ah- this is the 313 i know and love. On Thu, 16 Dec 2004, Renegade808 wrote: At Les is not the end all be all track for everyonesome love it and i am sure obviously some don'teveryone hears differently.just because someone does'nt agree does'nt mean they don't get it. and no one has to see Innerzone live to understand it either (maybe this is what you had to do to understand it). the original track is on wax and i would say its a good representation of the track...like i said some feel it and some don't. i like the track and other CC stuff but i would'nt go telling peeps they don't get it if they don't like the same tracks i do..geesh michael www.renegaderhythms.com what's with the undying love wow- a little overdramatic, yeah? what's with the love of anything you like? i just really like the track. i think those opening chords are as classic as anything from the genre. And so does CC as he rerecorded it with Innerzone Orchestra and repeatedly stated that he viewed the song as one of his standards On Thu, 16 Dec 2004, Thomas D. Cox, Jr. wrote: did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? tom andythepooh.com
Re: (313) At Les
-- Original Message -- From: [EMAIL PROTECTED] i only said that to turn the screws since Thomas for some reson seems exceptionally opposed to the track. im not opposed to it at all, really. i just cant see why it is considered such a classic, it just doesnt have that sound to me. im going to go give both versions a listen real quick and ill see how i feel about it this time. tom andythepooh.com
Re: (313) At Les
Date: Thu, 16 Dec 2004 18:14:57 -0500 To: 313@hyperreal.org From: Thomas D. Cox, Jr. [EMAIL PROTECTED] Message-Id: [EMAIL PROTECTED] -- Original Message -- From: M : A : T : R : I : X [EMAIL PROTECTED] just this: it instantly makes the rain go away and the sun shines brightly. day or night. which version is it that has all these magickal properties? the CC or the innerzone orchestra one? tom I'll say the original purely electronic version ... is like a song of innocence and of experience, in the same breath. k
(313) Re: 313 Digest 16 Dec 2004 23:03:15 -0000 Issue 2397
I agree that D.E.C. really hit the mark with the ambient stuff, but I'd go for the first album Soundtrack (313) (appropriately) as the real deal. Most people probably will know it already, but for sheer beauty and understated class it's hard to beat. Someone else said Kao-tic Harmony. Yeah well, that intro - wow! Pretty much impossible not to love. cheers, Dan -- Original Message -- From: [EMAIL PROTECTED] hi folks. just curious about which detroit-produced ambient trax you would consider your favorites. right now I'm hooked on gathering light, by detroit escalator company. that track just pulls me out of whatever I'm doing.
Re: (313) At Les
Instant hard-on while hugging someone? Could be construed as being overly friendly! cheers, Dan (who must go and sit down for a while after two posts to the list in one day!) -- Date: Thu, 16 Dec 2004 23:18:59 +0100 To: 313@hyperreal.org From: Ronny Pries [EMAIL PROTECTED] Subject: Re: (313) At Les Message-ID: [EMAIL PROTECTED] let me think, instant hard-on tear in the left eye urgent need to hug someone forgot something? rp Thomas D. Cox, Jr. wrote: did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? tom
(313) My Theo Buys
Ugly Edits 1-6 Eclectic Aesthetic Lights Down Low Live In Detroit Paradox That Day These Days You Forgot Baby Steps I'm having a Theo day Martin
RE: (313) My Theo Buys
Welcome to the club!! -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: Friday, December 17, 2004 5:00 PM To: 313@hyperreal.org Subject: (313) My Theo Buys Ugly Edits 1-6 Eclectic Aesthetic Lights Down Low Live In Detroit Paradox That Day These Days You Forgot Baby Steps I'm having a Theo day Martin
Re: (313) At Les
geesh ... so after your rather successful alex rant you are the new moral watchdog round here eh? let me see.. geesh yussel's opinion is not the end all be all opinion for everyone . some agree and i'm sure some obviously don't GET IT? jesus christ ... i get told all the time here in vienna that in the anglo-saxon sphere (contrary to for example continental europe), at least in academic circles, debaters are perfectly used to use sharp attacks, absolute negations, controversial statements, though arguments... tough in giving tough in taking... so please try to comply and give a fvcking straight retort (softened by irony if you wish can, hey alex i miss you, get out of your cave!) to an opinion you don't like instead of whining about it's partiality Renegade808 wrote: At Les is not the end all be all track for everyonesome love it and i am sure obviously some don'teveryone hears differently.just because someone does'nt agree does'nt mean they don't get it. and no one has to see Innerzone live to understand it either (maybe this is what you had to do to understand it). the original track is on wax and i would say its a good representation of the track...like i said some feel it and some don't. i like the track and other CC stuff but i would'nt go telling peeps they don't get it if they don't like the same tracks i do..geesh michael www.renegaderhythms.com what's with the undying love wow- a little overdramatic, yeah? what's with the "love" of anything you like? i just really like the track. i think those opening chords are as classic as anything from the genre. And so does CC as he rerecorded it with Innerzone Orchestra and repeatedly stated that he viewed the song as one of his "standards" On Thu, 16 Dec 2004, Thomas D. Cox, Jr. wrote: did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? tom andythepooh.com
Re: (313) Re: 313 Digest 16 Dec 2004 23:03:15 -0000 Issue 2397
Well if we consider Kao-tic Harmony and At Les to be detroit ambient let me throw in Tedra from Kenny Larkin deep as H3ll KJ On Friday, December 17, 2004, at 09:27AM, [EMAIL PROTECTED] wrote: I agree that D.E.C. really hit the mark with the ambient stuff, but I'd go for the first album Soundtrack (313) (appropriately) as the real deal. Most people probably will know it already, but for sheer beauty and understated class it's hard to beat. Someone else said Kao-tic Harmony. Yeah well, that intro - wow! Pretty much impossible not to love. -- Original Message -- From: [EMAIL PROTECTED] hi folks. just curious about which detroit-produced ambient trax you would consider your favorites. right now I'm hooked on gathering light, by detroit escalator company. that track just pulls me out of whatever I'm doing.
(313) Re:(313) My Theo Buys
the these days mixes are great check out 'dis on the baby steps ep: Lake Shore Drive Am 17.12.2004 9:59 Uhr schrieb Martin Dust unter [EMAIL PROTECTED]: Ugly Edits 1-6 Eclectic Aesthetic Lights Down Low Live In Detroit Paradox That Day These Days You Forgot Baby Steps I'm having a Theo day Martin
RE: (313) RE: detroit ambient
To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm I think Indio is John Beltran, he did 10 days of Blue on Peacefrog. Thats got its ambient moments. Great late late night listening. * For me, one of the best (and most overlooked) Detroit-related (I don't think it was made in Detroit though) ambient tracks, *ever* ;-), is 'Snowdrifts' by Indio. It's On the 'Time : Space' cd on Transmat, for those who don't know. If you're one them I'd humbly advise that you need to hear it. k
RE: (313) At Les
-Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 16 December 2004 21:44 did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? Ronny and Sean I salute you! For me it's just that it's probably my favourite piece of music ever. The original electronic piece is the one - for me the other version loses much of the appeal of the original by being played in a more 'real instrument' version. Not that (not having done so) I wouldn't love to see Innerzone O doing it live. Obviously since music's a subjective thing it's fine not to like a track that others like, that's always gonna be the case, doesn't necessarily mean you don't 'get it', maybe you 'get it' but you don't want it. It does happen on occasion though that you have a sudden epiphany with a piece of music and whole new vistas open up for you, it's happened to me many times (for example I remember it happening to me at a rave in Scotland a dozen or so years back with Speedy J 'Pullover', a track that I'd always thought boring before, when suddenly I appreciated it's repetitiveness was it's asset not it's problem, that track makes me giggle to this day). (Still waiting to have one of these moments with the whole Theo / KDJ thing.) Turn down the moral watchdog! Big up the bickering! Bring back Alex!
Re: (313) At Les
it might be needless nonsense to bug you with but actually i didn't know but since a few years that 'At Les' meant 'At Lesley's', hinting at one of Carl's former girlfriends. Then again, being asked for his main inspiration, Carl said, simply, 'sex'. M [EMAIL PROTECTED] schreef: -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 16 December 2004 21:44 did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? Ronny and Sean I salute you! For me it's just that it's probably my favourite piece of music ever. The original electronic piece is the one - for me the other version loses much of the appeal of the original by being played in a more 'real instrument' version. Not that (not having done so) I wouldn't love to see Innerzone O doing it live. Obviously since music's a subjective thing it's fine not to like a track that others like, that's always gonna be the case, doesn't necessarily mean you don't 'get it', maybe you 'get it' but you don't want it. It does happen on occasion though that you have a sudden epiphany with a piece of music and whole new vistas open up for you, it's happened to me many times (for example I remember it happening to me at a rave in Scotland a dozen or so years back with Speedy J 'Pullover', a track that I'd always thought boring before, when suddenly I appreciated it's repetitiveness was it's asset not it's problem, that track makes me giggle to this day). (Still waiting to have one of these moments with the whole Theo / KDJ thing.) Turn down the moral watchdog! Big up the bickering! Bring back Alex!
RE: (313) At Les
-Original Message- From: De Block, Mario [mailto:[EMAIL PROTECTED] it might be needless nonsense to bug you with but actually i didn't know but since a few years that 'At Les' meant 'At Lesley's' hinting at one of Carl's former girlfriends. Hey that's not bugging, it's not something I knew. And when it comes to favourite tracks no piece of trivia is too small! [EMAIL PROTECTED] schreef: Schreef (not a word I've heard before, is it a bit like) good grief! Actually there's some excuse for this, our (my crew here in stick-poking Manchester UK) night is called 'That Amazing Thing!' See www.thatamazingthing.com . Nobody's ever commented on the (admittedly very short) mixes on here. Does that mean they suck? The idea being it would make it sound good as people would have to say things like I went to that amazing thing last night. Yes, we're stupid.
Re: (313) At Les
if someone told me that i don't get it because i dont like a classic track...well to me that stinks of arrogance...not everyone has to think __ track is a classic...and i was just letting yussel know my opinion of thatso why should you care did i say something to you just go back underneath your rock and let me bicker and whine just like everyone else on this dang list!!!moral watchdog??? ha ha now thats funny, i dont think so i'll leave that up to the others who feel its there role to protect the innocent michael www.renegaderhythms.com geesh ... so after your rather successful alex rant you are the new moral watchdog round here eh? let me see.. geesh yussel's opinion is not the end all be all opinion for everyone . some agree and i'm sure some obviously don't GET IT? jesus christ ... i get told all the time here in vienna that in the anglo-saxon sphere (contrary to for example continental europe), at least in academic circles, debaters are perfectly used to use sharp attacks, absolute negations, controversial statements, though arguments... tough in giving tough in taking... so please try to comply and give a fvcking straight retort (softened by irony if you wish can, hey alex i miss you, get out of your cave!) to an opinion you don't like instead of whining about it's partiality Renegade808 wrote: At Les is not the end all be all track for everyonesome love it and i am sure obviously some don'teveryone hears differently.just because someone does'nt agree does'nt mean they don't get it. and no one has to see Innerzone live to understand it either (maybe this is what you had to do to understand it). the original track is on wax and i would say its a good representation of the track...like i said some feel it and some don't. i like the track and other CC stuff but i would'nt go telling peeps they don't get it if they don't like the same tracks i do..geesh michael www.renegaderhythms.com what's with the undying love wow- a little overdramatic, yeah? what's with the love of anything you like? i just really like the track. i think those opening chords are as classic as anything from the genre. And so does CC as he rerecorded it with Innerzone Orchestra and repeatedly stated that he viewed the song as one of his standards On Thu, 16 Dec 2004, Thomas D. Cox, Jr. wrote: did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? tom andythepooh.com
RE: (313) At Les
Some people will never get it. It's what separates us from the 99.9% of commercial wanna-be it people :) I've always been a bit sceptical on the classics - either you were there or you were not. It's like watching the cartoons you did as a kid? Apart from all this, it's a dead end topic -Original Message- From: Renegade808 [mailto:[EMAIL PROTECTED] Sent: Friday, 17 December 2004 10:13 PM To: ha Cc: 313@hyperreal.org Subject: Re: (313) At Les if someone told me that i don't get it because i dont like a classic track...well to me that stinks of arrogance...not everyone has to think __ track is a classic...and i was just letting yussel know my opinion of thatso why should you care did i say something to you just go back underneath your rock and let me bicker and whine just like everyone else on this dang list!!!moral watchdog??? ha ha now thats funny, i dont think so i'll leave that up to the others who feel its there role to protect the innocent michael www.renegaderhythms.com geesh ... so after your rather successful alex rant you are the new moral watchdog round here eh? let me see.. geesh yussel's opinion is not the end all be all opinion for everyone . some agree and i'm sure some obviously don't GET IT? jesus christ ... i get told all the time here in vienna that in the anglo-saxon sphere (contrary to for example continental europe), at least in academic circles, debaters are perfectly used to use sharp attacks, absolute negations, controversial statements, though arguments... tough in giving tough in taking... so please try to comply and give a fvcking straight retort (softened by irony if you wish can, hey alex i miss you, get out of your cave!) to an opinion you don't like instead of whining about it's partiality Renegade808 wrote: At Les is not the end all be all track for everyonesome love it and i am sure obviously some don'teveryone hears differently.just because someone does'nt agree does'nt mean they don't get it. and no one has to see Innerzone live to understand it either (maybe this is what you had to do to understand it). the original track is on wax and i would say its a good representation of the track...like i said some feel it and some don't. i like the track and other CC stuff but i would'nt go telling peeps they don't get it if they don't like the same tracks i do..geesh michael www.renegaderhythms.com what's with the undying love wow- a little overdramatic, yeah? what's with the love of anything you like? i just really like the track. i think those opening chords are as classic as anything from the genre. And so does CC as he rerecorded it with Innerzone Orchestra and repeatedly stated that he viewed the song as one of his standards On Thu, 16 Dec 2004, Thomas D. Cox, Jr. wrote: did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? tom andythepooh.com
Re: (313) At Les
oh change the record michael. no, really, lets talk about records. tssk robin... On 17 Dec 2004, at 11:13, Renegade808 wrote: if someone told me that i don't get it because i dont like a classic track...well to me that stinks of arrogance...not everyone has to think __ track is a classic...and i was just letting yussel know my opinion of thatso why should you care did i say something to you just go back underneath your rock and let me bicker and whine just like everyone else on this dang list!!!moral watchdog??? ha ha now thats funny, i dont think so i'll leave that up to the others who feel its there role to protect the innocent
(313) New mixes Carl Craig interview
http://www.cypher-music.net Mixes from Chris Rooney (D1), Joe Mc Hugh (Invisible Armies) and Philip Ryan (cypher-music.net) (old) Interview with Carl Craig Lots more DJ mixes and interviews to follow Phil
(313) Re: Aphex Twin ££££
Supposedly, there's an Analord track in this mix, which also has a lot of Detroit flava: http://www.magnetize.biz/Mixes/Magnetize.Mix_05.12.2004%20.mp3 Maurice Joshua - This Is Acid (Trax) The Party Boy - The Twilight Zone (Urban) Phortune - Can You Feel The Bass (Public) Daniel Bell - Phreak Yo Body (Logistic) Donnacha Costello - Grape B (Minimise) Robert Calvin - Azid Life (Turbo) 808 State - Automatic (RePHLeX) Mathew Jonson - Ultraviolet Dream (M_nus) Der Zyklus - Elektronisches Zeitecho (IDG) Thomas Brinkmann - Ulla 1 (Ernst) Americhord - Midnight (D1) Surgeon - Krautrock III (Tresor) Analog Fingerprints - Battle 101 (Plasmek) The Hacker - Nothing Lasts (Missile) Wild Planet - Fuel (430 West) Arcon - Element Exposure (Stripe) Metroneem - Skip Code (Satamile) Spinks vs. Kalbata - Contact Jerusalem (Buffalo Frequency) Mike Dred - Oxycute (RS) Psylocity - Pump it (PSI49net) Phased Energy Rectification - Phased Energy Rectification (Roulette) Dirty Hospital - Stobhill (Rottenrow) The Advent - Innerstate (IDG) Autechre - Rsdio (Warp) I can't make out what the Analord track is, however. Surely not the 808 State?!? - Greg
Re: (313) At Les
i never thought saying i like a carl craig record would cause this sort of meltdown this list sucks now. \ On Fri, 17 Dec 2004, robin wrote: oh change the record michael. no, really, lets talk about records. tssk robin... On 17 Dec 2004, at 11:13, Renegade808 wrote: if someone told me that i don't get it because i dont like a classic track...well to me that stinks of arrogance...not everyone has to think __ track is a classic...and i was just letting yussel know my opinion of thatso why should you care did i say something to you just go back underneath your rock and let me bicker and whine just like everyone else on this dang list!!!moral watchdog??? ha ha now thats funny, i dont think so i'll leave that up to the others who feel its there role to protect the innocent
(313) lookin' to get my brink on
wise list, i've been a fan of thomas brinkmann for a while, yet i don't own much of his material. so i've got a couple questions: which Soul Center album should i pick up if i can only afford one of them? and what's that album called where all the track titles are names of women? (karin on the dan bell mix cd is fantastic) thanks tom -- [EMAIL PROTECTED] http://www.synthetictom.com
Re: (313) lookin' to get my brink on
For my money, Soul Center 2 is the best one. Lots of great preacher man style samples (though not bombastic like Green Velvet, if that's what your thinking). Actually the first track on the new Dark Comedy CD reminded me of Soul Center 2 a great deal. And here's the other album you're asking about: http://www.discogs.com/release/1142 On Fri, 17 Dec 2004, thomas ironside ainslie wrote: wise list, i've been a fan of thomas brinkmann for a while, yet i don't own much of his material. so i've got a couple questions: which Soul Center album should i pick up if i can only afford one of them? and what's that album called where all the track titles are names of women? (karin on the dan bell mix cd is fantastic) thanks tom -- [EMAIL PROTECTED] http://www.synthetictom.com
(313) Submerge Parteeee
http://www.submerge.com/2004/party.gif
Re: (313) At Les
Man, that sex must have been the bomb. ;) Ronny De Block, Mario wrote: it might be needless nonsense to bug you with but actually i didn't know but since a few years that 'At Les' meant 'At Lesley's', hinting at one of Carl's former girlfriends. Then again, being asked for his main inspiration, Carl said, simply, 'sex'. M [EMAIL PROTECTED] schreef: -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 16 December 2004 21:44 did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? Ronny and Sean I salute you! For me it's just that it's probably my favourite piece of music ever. The original electronic piece is the one - for me the other version loses much of the appeal of the original by being played in a more 'real instrument' version. Not that (not having done so) I wouldn't love to see Innerzone O doing it live. Obviously since music's a subjective thing it's fine not to like a track that others like, that's always gonna be the case, doesn't necessarily mean you don't 'get it', maybe you 'get it' but you don't want it. It does happen on occasion though that you have a sudden epiphany with a piece of music and whole new vistas open up for you, it's happened to me many times (for example I remember it happening to me at a rave in Scotland a dozen or so years back with Speedy J 'Pullover', a track that I'd always thought boring before, when suddenly I appreciated it's repetitiveness was it's asset not it's problem, that track makes me giggle to this day). (Still waiting to have one of these moments with the whole Theo / KDJ thing.) Turn down the moral watchdog! Big up the bickering! Bring back Alex!
RE: (313) At Les
To my humble opinion At Les is one very good example of CCs many techno masterpieces Nuff said... -Oorspronkelijk bericht- Van: Ronny Pries [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 17 december 2004 21:17 Aan: 313@hyperreal.org Onderwerp: Re: (313) At Les Man, that sex must have been the bomb. ;) Ronny De Block, Mario wrote: it might be needless nonsense to bug you with but actually i didn't know but since a few years that 'At Les' meant 'At Lesley's', hinting at one of Carl's former girlfriends. Then again, being asked for his main inspiration, Carl said, simply, 'sex'. M [EMAIL PROTECTED] schreef: -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: 16 December 2004 21:44 did i miss the memo? ive never thought at les was all that remarkable really, especially compared to other things CC has done. whats with the undying love for this track? Ronny and Sean I salute you! For me it's just that it's probably my favourite piece of music ever. The original electronic piece is the one - for me the other version loses much of the appeal of the original by being played in a more 'real instrument' version. Not that (not having done so) I wouldn't love to see Innerzone O doing it live. Obviously since music's a subjective thing it's fine not to like a track that others like, that's always gonna be the case, doesn't necessarily mean you don't 'get it', maybe you 'get it' but you don't want it. It does happen on occasion though that you have a sudden epiphany with a piece of music and whole new vistas open up for you, it's happened to me many times (for example I remember it happening to me at a rave in Scotland a dozen or so years back with Speedy J 'Pullover', a track that I'd always thought boring before, when suddenly I appreciated it's repetitiveness was it's asset not it's problem, that track makes me giggle to this day). (Still waiting to have one of these moments with the whole Theo / KDJ thing.) Turn down the moral watchdog! Big up the bickering! Bring back Alex!
(313) Movement promo CD
my fellow soldiers That movement 2004 CD transmat released, is that strictly (CD) promo material or has any of it ever been released on vinyl? So much sweet stuff on that album! Paz aka Son Rev
(313) OT: TB-303 and TR-606 fonts!
http://createdigitalmusic.com/index.php? option=com_contenttask=viewid=106Itemid=44 Which in turn links to http://www.fonts.com/findfonts/detail.asp?pid=402096 and http://www.fonts.com/findfonts/detail.asp?pid=402098 - Greg (Tastes Great! At Les! Tastes Great! At Les!)
RE: (313) OT: TB-303 and TR-606 fonts!
Damn! Why couldn't you have posted this a week ago! ...before I had the flyer designed and printed for an upcoming Acid House event. ;) G -- website: www.gerald-matrix.com event organiser writer - www.kickmagazine.ca host of 'equinox radio' on l'electrique @ www.netmusique.com member - P U SHER www.pusher.foundationmusic.com -Original Message- From: Greg Earle [mailto:[EMAIL PROTECTED] Sent: Friday, December 17, 2004 5:12 PM To: 313@hyperreal.org Subject: (313) OT: TB-303 and TR-606 fonts! http://createdigitalmusic.com/index.php? option=com_contenttask=viewid=106Itemid=44 Which in turn links to http://www.fonts.com/findfonts/detail.asp?pid=402096 and http://www.fonts.com/findfonts/detail.asp?pid=402098 - Greg (Tastes Great! At Les! Tastes Great! At Les!)
Re: (313) Movement promo CD
Well, at least the Matthew Dear and Jeff Mills tracks have been released on vinyl (on Leave Luck to Heaven and Axis 9c+d respectively) On Dec 17, 2004, at 17:02, Pascal Louwes wrote: my fellow soldiers That movement 2004 CD transmat released, is that strictly (CD) promo material or has any of it ever been released on vinyl? So much sweet stuff on that album! Paz aka Son Rev -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk || mkbwriu [EMAIL PROTECTED]
Re: (313) OT: TB-303 and TR-606 fonts!
cool fontsnice to have a 303 font :-) never know when you might need them.do they have anymore classic synth fonts on this site? kinda looked but not sure... i'm looking for a Sequential Circuits fontand maybe and Arp one. michael www.renegaderhythms.com http://createdigitalmusic.com/index.php? option=com_contenttask=viewid=106Itemid=44 Which in turn links to http://www.fonts.com/findfonts/detail.asp?pid=402096 and http://www.fonts.com/findfonts/detail.asp?pid=402098 - Greg (Tastes Great! At Les! Tastes Great! At Les!)
(313) S7g remixed by IONIC!
Organoise - Sector 7g / ionic! RMX http://www.ionic.com.ar/organoise-sector7g_remixed_by_ionic.mp3 www.ionic.com.ar
Re: (313) Huge discography (was too quiet? too pac!)
[EMAIL PROTECTED] what other dance/electronic labels are up around there (and still in operation)? Tresor? Strictly Rhythm? Tresor has around the same as Djax-Up-Beats (Tresor proper has just under 220). Dance Mania has 284 and is no longer in business. Strictly Rhythm has ___WAY___ more (~700) than either, but they're not longer in business. By far the most releases I know of on any electronic label, though, is ZYX. They completely blow anybody else I can think of out of the water: http://www.discogs.com/label/ZYX+Music -- :: atomly :: [ [EMAIL PROTECTED] : www.atomly.com ... [ atomiq records : po box 805319 chicago il 60680 : 312.804.5389 ... [ e-mail [EMAIL PROTECTED] for atomly info and updates ...
Re: (313) Huge discography (was too quiet? too pac!)
zyx doesn't count much as it didn't had any specific direction, it was (or still is?) just a license dump. ronny atomly wrote: [EMAIL PROTECTED] what other dance/electronic labels are up around there (and still in operation)? Tresor? Strictly Rhythm? Tresor has around the same as Djax-Up-Beats (Tresor proper has just under 220). Dance Mania has 284 and is no longer in business. Strictly Rhythm has ___WAY___ more (~700) than either, but they're not longer in business. By far the most releases I know of on any electronic label, though, is ZYX. They completely blow anybody else I can think of out of the water: http://www.discogs.com/label/ZYX+Music
Re: (313) Huge discography (was too quiet? too pac!)
Aren't a majority of their releases licensed from other labels though? Should have made it clearer that I was talking about labels that have *original* releases. There's tons of labels that have made their entire business out of licensing. It's easier to release music that way - all the artist development is done for you. Let someone else do the AR part. But you're right ZYX's discog is massively huge and they've covered the spectrum of electronic music too MEK atomly [EMAIL PROTECTED] m To 313@hyperreal.org 12/17/2004 04:49 cc PM Subject Re: (313) Huge discography (was too quiet? too pac!) [EMAIL PROTECTED] what other dance/electronic labels are up around there (and still in operation)? Tresor? Strictly Rhythm? Tresor has around the same as Djax-Up-Beats (Tresor proper has just under 220). Dance Mania has 284 and is no longer in business. Strictly Rhythm has ___WAY___ more (~700) than either, but they're not longer in business. By far the most releases I know of on any electronic label, though, is ZYX. They completely blow anybody else I can think of out of the water: http://www.discogs.com/label/ZYX+Music -- :: atomly :: [ [EMAIL PROTECTED] : www.atomly.com ... [ atomiq records : po box 805319 chicago il 60680 : 312.804.5389 ... [ e-mail [EMAIL PROTECTED] for atomly info and updates ...
