RE: (313) Detroit Dj's/Live sets to download
What's the opening beatless track in D. May's set ? Anyone ? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 24 October 2005 18:51 To: 313@hyperreal.org Subject: (313) Detroit Dj's/Live sets to download Timeline live, Derrick May in Osaka, Carl Craig at Redzone ETC http://basicmath.jp/ _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) confused
i thought i knew what techno was but apparently it's just an effect, or mozart, or as previously alledged just a looped fragment from a jazz record. cripes was i wrong!
Re: (313) confused
it all gets a bit confusing when we loose sight of the true origins of techno. techno is just a marketing term used by a british label to sell a detroit house music compilation in the '80s. the new dance sound of detroit: techno just sounded better than the old dance sound of chicago: detroit house. james www.jbucknell.com Philip [EMAIL PROTECTED] u To 313 313@hyperreal.org 11/07/05 01:50 PM cc Subject (313) confused i thought i knew what techno was but apparently it's just an effect, or mozart, or as previously alledged just a looped fragment from a jazz record. cripes was i wrong! ForwardSourceID:NT000239BA
(313) Sunrise Mix - Deep tech and more besides
Hey all I made a mix the other week, I though I'd share it with you seeing as how 313 list turned me on to quite a few of the tracks on it. It's pretty deep $hit. http://www.highjinks.com.au/sunrise.htm Tracklisting: 1: Plastikman - Digital/Divide 2: Carl Craig - Sandstorms 3: Memo - Silverspoon (Silverspooner Remix By Luciano) 4: U-Roy François K - Rootsman 5: Dub Archanoid Trim - Children 2005 6: The Deep Space Rhythm Section - Roots Dub 7: Donnacha Costello - Pistachio 8: Sleeparchive - Track 4 (Recycled) 9: Ricardo Villalobos - Waiworinao 10: DJ Bone - Cause Of Action 11: Beat Pharmacy - Cape Town 12: Brennan Green - Plutos Retreat all feedback most welcome!
(313) DJ BONE ... ATTACKS - Week 14
http://7mzdt.com/subjectdetroit/
Re: (313) DJ BONE ... ATTACKS - Week 14
The interview at http://7mzdt.com/subjectdetroit/DEQInterview.htm is interesting too. What Bone says about Clear channel et al. is close to what we were discussing last week. robin... Garrett McGrath wrote: http://7mzdt.com/subjectdetroit/
(313) [Brixton party] TO THE BONE feat. Serge (Clone) // Saturday 12 November
the door price for this party is 7 pounds - but if you email names to [EMAIL PROTECTED] by this Friday you can get in for the usual 5 pounds. *** To us, he's the betentacled half-man in Clone's motorised throne, but to his mother he's known simply as Serge. Rumours of a genetic manipulation programme headed by the Dutch Davros have not been helped by the fact that he's recently 'fathered' twins. Possessed of intelligences far greater than our own, these two super-evolved electro simulacra are said to have developed their own language - an undecipherable code made up of sequences of handclaps and cowbells. In a rare gesture of friendship towards the outside world, Serge has offered to give south london an extended 3-hour demonstration of his unique line in electro eugenics. We tremble in grateful anticipation. TO THE BONE George 4th 144, Brixton Hill London, SW2 12.11.05 // 10pm-6am
(313) [London party] Soundslike Werk: Party #5 // Saturday 3 December
Accidental Records Werk Present SOUNDSLIKE WERK 5 Saturday December 3rd 10pm - 6am @ an unmentionable underground citadel of rave somewhere south of the river For those that haven't yet punctured their Soundslike Werk cherry, allow us to perform the deed this December. This is a party with no line-up, no address and minimal promotion. In fact, we won't even let ourselves know who's playing and where the venue is until the very last moment. What we do know is that it's a musical smorgasbord across three rooms, with the meat and two veg of house, techno and hip hop sharing a mouthwatering menu with the cheese, port and cigars of jaunty electronica, and perhaps a few lashings of jungle pie for dessert. The previous few line-ups, disclosed on arrival, have included Matthew Herbert, Four-Tet, Kode 9, Patrick Pulsinger, Modeselektor, Dani Siciliano and Anthony 'Shake' Shakir. And we have an inkling that some heavyweight presences at December's shindig will make you soil your rave-pants in sheer joy. So whether the line-up stars Jimmy Edgar, Jimi Hendrix or Jimmy Nail, we hope you'll join us and chip to the chop, frug to the frick, and generally howl with primal glee as you spend yet another sleepless night dancing in a sweaty warehouse to the sound of Soundslike Werk. Marketing information: 300 tickets ONLY. Discounts for early adopters. You must have a ticket to attend - NO PAYMENT ON THE DOOR. Tickets: The first 100 tickets cost £8 - buy now! The remaining 200 will cost £10 MORE INFO Via the mysteries of electronic mail: [EMAIL PROTECTED] On the old dog and bone: 07990 970267/07977 984805/07977 420999 £10 tickets available in Smallfish and Sounds of the Universe now. Remember, if music be the food of love, you'll be vomiting all the way home from this one. Soundslike Werk
RE: (313) What you listening to?
Why not. 1. Estornel/Pucher - Catalyst (Onitor) 2. Somatik - Really r (Twisted Funk) 3. Titonton - Voyeurism (Starbaby) 4. Thomas Barnett the Thrill of the Hunt/Daybreak (Audiomatique) (He's still raving...) 5. John Coltrane - Giant Steps 6. Shake - Mood Music for the Moody (Frictional) (... till I can get hold of that newer thing I heard mentioned...) 7. DJ Godfather - Via Satellite from Detroit (Intuit Solar) 8. Luciano - La Limonada de Pepe Bombilla (Mental Groove)
RE: (313) What you listening to?
1. My wife on the phone 2. Office circulation Why not. 1. Estornel/Pucher - Catalyst (Onitor) 2. Somatik - Really r (Twisted Funk) 3. Titonton - Voyeurism (Starbaby) 4. Thomas Barnett the Thrill of the Hunt/Daybreak (Audiomatique) (He's still raving...) 5. John Coltrane - Giant Steps 6. Shake - Mood Music for the Moody (Frictional) (... till I can get hold of that newer thing I heard mentioned...) 7. DJ Godfather - Via Satellite from Detroit (Intuit Solar) 8. Luciano - La Limonada de Pepe Bombilla (Mental Groove)
Re: (313) What you listening to?
Diary of a Madman - Ozzy Osbourne Gets Me Through - Ozzy Osbourne underground static www.vmax.net
Re: (313) What you listening to?
theo parish falling up...man is this a tnnn or what p vmax wrote: Diary of a Madman - Ozzy Osbourne Gets Me Through - Ozzy Osbourne underground static www.vmax.net
Re: (313) What you listening to?
today's office compilation so far: norken - our memories of winter am/pm - also dandy jack the junction sm - los siete castigos biosphere - dropsonde rod modell with kevin hanton - illuminati audio science sendex - do you really just wanna dance not in that order fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] out now: CTM001 Receptor - Moving Head ep. coming soon: CTM002 SMBP - Stars Falling ep.
Re: (313) What you listening to?
yeah! i've been enjoying the carl craig remix of falling up this morning, wicked tuuune! more: new kelley polar album on environ andi teichmann - fades album on festplatten and some deep jazz from mal waldron - black glory on enja rec. c* Placid wrote: theo parish falling up...man is this a tnnn or what p vmax wrote: Diary of a Madman - Ozzy Osbourne Gets Me Through - Ozzy Osbourne underground static www.vmax.net
Re: (313) What you listening to?
i've been enjoying the carl craig remix of falling up this morning todays thoughts are: 1) how come every f**ker apart from me can listen to music at work? 2) am I the only one without the new carl craig mix of theo parrish? booohooo. feeling sorry for myself. ha ha. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) What you listening to?
Don't worry Alex, i can listen to music at work as well but so do my colleagues and this means listening to some lousyc***ybackgroundheythissoundslikewallpaper transmiting radiostation. In my car i'm currentely listening to: Fields of the Nephilim - Mouring Sun (gothic gods from the UK back after a 15 year silence, so does the presssheet say:-) Depeche Mode - Playing the Angel (great album) Richie Hawtin live in Moscow recored somewhere in june 20053 hrs of minimaltechno stuff, allright! Fabric 23 mixed by Ivan Smaghe Dave Clarke Live at the Amsterdam Dance Event Met vriendelijke groet, Martijn de Blaauw NDC Informatieservice T (050) 584 42 40 F (050) 584 44 44 www.ndc-informatieservice.nl NDC Informatieservice maakt onderdeel uit van NDC Holding BV, uitgever van Dagblad van het Noorden en Leeuwarder Courant. Producten en diensten van NDC Informatieservice zijn: NDC Actueel, NDC Info, NDC Online, Regionale Krantenbank(r), NDC Uitservice, NDC Research, Documentatieservice en I-ditie. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: maandag 7 november 2005 14:18 Aan: 313@hyperreal.org Onderwerp: Re: (313) What you listening to? i've been enjoying the carl craig remix of falling up this morning todays thoughts are: 1) how come every f**ker apart from me can listen to music at work? 2) am I the only one without the new carl craig mix of theo parrish? booohooo. feeling sorry for myself. ha ha. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) What you listening to?
2) am I the only one without the new carl craig mix of theo parrish? booohooo. feeling sorry for myself. me tooi'm waiting until i don't have to give vinyl junkies the money tho. there's a new Theo Parrish 12 anyway to keep your ears busy until then. Levels, sounds good in clips. robin...
RE: (313) What you listening to?
1. I'm not listening at work as such Alex, it's just some of what's on my ipod today. 2. Yes! ;-). -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 07 November 2005 13:18 To: 313@hyperreal.org Subject: Re: (313) What you listening to? i've been enjoying the carl craig remix of falling up this morning todays thoughts are: 1) how come every f**ker apart from me can listen to music at work? 2) am I the only one without the new carl craig mix of theo parrish? booohooo. feeling sorry for myself. ha ha. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) New York
Hi all, I will find myself in New York at the end of November. Can anyone recommend a good area of the city to stay in? (or even better a good reasonably priced hotel :) ). Also any good record shops I should be wasting money in? thanks! robin...
Re: (313) New York
Also any good record shops I should be wasting money in? my mate always goes in 'sound library'. which appears an expensive shop, but he gets me some bits sometimes and they're half the price you'd pay off a dealer here. and they always seem to have good things in stock. also the fleamarkets are supposed to be hot but I dont know where they are. this is all for old stuff though. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) confused
techno is house and house is a feeling MEK [EMAIL PROTECTED] adersDigest.com To 11/06/05 09:30 PM cc 313 313@hyperreal.org Subject Re: (313) confused it all gets a bit confusing when we loose sight of the true origins of techno. techno is just a marketing term used by a british label to sell a detroit house music compilation in the '80s. the new dance sound of detroit: techno just sounded better than the old dance sound of chicago: detroit house. james www.jbucknell.com Philip [EMAIL PROTECTED] u To 313 313@hyperreal.org 11/07/05 01:50 PM cc Subject (313) confused i thought i knew what techno was but apparently it's just an effect, or mozart, or as previously alledged just a looped fragment from a jazz record. cripes was i wrong! ForwardSourceID:NT000239BA
Re: (313) New York
A friend of mine stayed at a strange and fairly cheap little hotel called the Carlton Arms not too long ago. All the rooms are decorated with different themes by different artists... pretty cool idea. BUT, beware, my friend got stuck in a room with murals of winged transsexual she-beasts. so, you know, the place probably isn't everyone's cup of tea. http://www.carltonarms.com/ I've been more of an online music shopper since I moved to NYC, but I do like Etherea (Ave A btw 4th and 5th streets), A1 Records (6 St btw 1st Ave and Ave A), Other Music (4th St btw Broadway and Lafayette). Dance Tracks also usually has a decent Detroit/UR selection, but they treat me like a prick every time I go in there so I stopped giving them business. Also any good record shops I should be wasting money in? my mate always goes in 'sound library'. which appears an expensive shop, but he gets me some bits sometimes and they're half the price you'd pay off a dealer here. and they always seem to have good things in stock. also the fleamarkets are supposed to be hot but I dont know where they are. this is all for old stuff though. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) (For 313) Out now: The Moderator - Modus Operandi EP / AW-003
Hi everyone - just forwarding the details for this lovely new release, which is out today. Definitely worth checking out! More details and clips can be found at the AW Recordings section on www.arneweinberg.de THE MODERATOR - MODUS OPERANDI E.P. / AW-003 (12) RELEASE 07/11/05 REKNOWED FOR HIS BEAUTIFUL AND HIGHLY RESPECTED RELEASES ON LABELS SUCH AS EEVO LUTE, DOWN LOW MUSIC, KEYNOTE AND DJAX UP BEATS, AW-RECORDINGS IS VERY PROUD TO PRESENT A NEW FOUR TRACK E.P. FROM THE MODERATOR AKA KLAAS-JAN JONGSMA - ONE OF THE MOST TALENTED PRODUCERS COMING OUT OF THE NETHERLANDS AT THIS TIME. FROM THE PURE BEAUTY AND BLISS OF NEVER EVER ENDS WITH ITS IRRESISTIBLE FUNKY BEATS AND MELODIC SYNTH LINES AND THE DEEP EMOTIONAL ELECTROFIED STRINGLADDEN GOING DOWN ON WOODWARD TO THE STORMING AND UNCOMPROMISING DANCEFLOOR BOMB THE 909 DICE, YOU WILL FIND ALL THE ESSENTIAL AND ADDICTIVE TRADEMARKS OF THE MODERATOR AND HIS DEEP LOVE FOR SOULFUL ELECTRONIC MUSIC INFLUENCED BY THE BIRTHPLACE, THE MOTOR CITY DETROIT. CLONE DISTRIBUTION [EMAIL PROTECTED] Tel.: +31 (0) 10 4663050 NEUTON DISTRIBUTION [EMAIL PROTECTED] Tel.: +49 (0) 69 829 744 0 Virus checked by G DATA AntiVirusKit Version: AVK 16.1457 from 06.11.2005 Virus news: www.antiviruslab.com
RE: (313) New York
sound library- expensive but good. A1- wicked and well priced Etherea- wicked well price Dance tracks- ok Other music- good, hit the small second hand section.. And I think there is a cool new store just over the bridge in Brooklyn, but I don't know what its called. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 07 November 2005 16:21 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) New York A friend of mine stayed at a strange and fairly cheap little hotel called the Carlton Arms not too long ago. All the rooms are decorated with different themes by different artists... pretty cool idea. BUT, beware, my friend got stuck in a room with murals of winged transsexual she-beasts. so, you know, the place probably isn't everyone's cup of tea. http://www.carltonarms.com/ I've been more of an online music shopper since I moved to NYC, but I do like Etherea (Ave A btw 4th and 5th streets), A1 Records (6 St btw 1st Ave and Ave A), Other Music (4th St btw Broadway and Lafayette). Dance Tracks also usually has a decent Detroit/UR selection, but they treat me like a prick every time I go in there so I stopped giving them business. Also any good record shops I should be wasting money in? my mate always goes in 'sound library'. which appears an expensive shop, but he gets me some bits sometimes and they're half the price you'd pay off a dealer here. and they always seem to have good things in stock. also the fleamarkets are supposed to be hot but I dont know where they are. this is all for old stuff though. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
RE: (313) Out now: The Moderator - Modus Operandi EP / AW-003
Really beautiful stuff. AW is quickly becoming one of my favorite labels for deep techno. Great work, KJ.
RE: (313) New York
if you are up for some serious diggin for old disco, freestyle, house etc, head to the thing in williamsburg...everything is $2, and there's about 100,000 records at any given time to dig thru...and they have high turnover...i forget the exact address but it's related to A1 i think so you can ask there if you cant find it.. -Original Message- From: Paul Kendrick [EMAIL PROTECTED] Sent: Nov 7, 2005 11:24 AM To: [EMAIL PROTECTED], [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) New York sound library- expensive but good. A1- wicked and well priced Etherea- wicked well price Dance tracks- ok Other music- good, hit the small second hand section.. And I think there is a cool new store just over the bridge in Brooklyn, but I don't know what its called. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 07 November 2005 16:21 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) New York A friend of mine stayed at a strange and fairly cheap little hotel called the Carlton Arms not too long ago. All the rooms are decorated with different themes by different artists... pretty cool idea. BUT, beware, my friend got stuck in a room with murals of winged transsexual she-beasts. so, you know, the place probably isn't everyone's cup of tea. http://www.carltonarms.com/ I've been more of an online music shopper since I moved to NYC, but I do like Etherea (Ave A btw 4th and 5th streets), A1 Records (6 St btw 1st Ave and Ave A), Other Music (4th St btw Broadway and Lafayette). Dance Tracks also usually has a decent Detroit/UR selection, but they treat me like a prick every time I go in there so I stopped giving them business. Also any good record shops I should be wasting money in? my mate always goes in 'sound library'. which appears an expensive shop, but he gets me some bits sometimes and they're half the price you'd pay off a dealer here. and they always seem to have good things in stock. also the fleamarkets are supposed to be hot but I dont know where they are. this is all for old stuff though. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) New York
i think vinyl market is still open. 241 E 10th St i've also heard good things about this place: http://www.halcyonline.com/ On Nov 7, 2005, at 9:34, robin wrote: Hi all, I will find myself in New York at the end of November. Can anyone recommend a good area of the city to stay in? (or even better a good reasonably priced hotel :) ). Also any good record shops I should be wasting money in? thanks! robin... -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk || mkbwriu [EMAIL PROTECTED]
RE: (313) What you listening to?
1) how come every f**ker apart from me can listen to music at work? but i thought we all agreed ambient sound was music?.. or did i nod off and miss a couple of posts?..
(313) Frank De Wulf
hi guys just if you're having a chance to see him, like next month in Leeds (don't know where his guest appearance will be), or any other rare set he'll do later on: Frank De Wulf is still sooh great! He played at Brussels airport last weekend and was as sharp as you expect a true legend to be not to be missed ! M
Re: (313) Frank De Wulf
I spoke to him about 4 years ago now and he was running a video production company and had no plans to get back into making or playing electronic music so its good to hear hes out and about again. Is he actually putting any new stuff out, would be interesting to hear what hes doing these days because his late 80s/early 90s stuff was pretty legendary. - Original Message - From: De Block, Mario [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, November 07, 2005 5:01 PM Subject: (313) Frank De Wulf hi guys just if you're having a chance to see him, like next month in Leeds (don't know where his guest appearance will be), or any other rare set he'll do later on: Frank De Wulf is still sooh great! He played at Brussels airport last weekend and was as sharp as you expect a true legend to be not to be missed ! M
Re: (313) Frank De Wulf
he's still running his quite large video production company, involved with productions even in America he said on a radio interview last friday, but as i asked him where he'll play further on, he said he just plays three or four times a year. it's just that people having him invited to play at Amsterdam and Frabic recently, and seeing people really enjoyed so much, that he felt reassured to do a mix set around where the idea of a Party is still in sync with his. Umm.. did I say in-sync? Their 'Storm' passed by in his saturday night set. What a track! M Stewart Caig schreef: I spoke to him about 4 years ago now and he was running a video production company and had no plans to get back into making or playing electronic music so its good to hear hes out and about again. Is he actually putting any new stuff out, would be interesting to hear what hes doing these days because his late 80s/early 90s stuff was pretty legendary. - Original Message - From: De Block, Mario [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, November 07, 2005 5:01 PM Subject: (313) Frank De Wulf hi guys just if you're having a chance to see him, like next month in Leeds (don't know where his guest appearance will be), or any other rare set he'll do later on: Frank De Wulf is still sooh great! He played at Brussels airport last weekend and was as sharp as you expect a true legend to be not to be missed ! M
(313) when in rome...
... where to stay? ... what to do? i'm going to visit rome for the first time from december 30 to january 6. anyone know of good (not too expensive) hotels, nice restaurants, recordstores, etc.? i would also love to know of any events NYE worth visiting while i'm there. not necessarily techno, preferably more house/hiphop/soul as i'm going with my girl who prefers to hear different musical styles rather than some loop that goes on for 4 hours and hardly changes (her words). jurren
(313) Berlin
Hi Peeps Off to Berlin this weekend, can any in the know 313 members tell me if there is something good going on? Doesn't have to be 313... would like to catch some sonar kollektiv if there is any on. All apart from Hardwax, what good record shops would you recommend and/or shops in general. Thanks in advance! Max www.amp-art.com [EMAIL PROTECTED]
RE: (313) Berlin
Info on Berlin happenings http://www.energylab.de Martijn -Oorspronkelijk bericht- Van: max [mailto:[EMAIL PROTECTED] Verzonden: maandag 7 november 2005 18:49 Aan: 313@hyperreal.org Onderwerp: (313) Berlin Hi Peeps Off to Berlin this weekend, can any in the know 313 members tell me if there is something good going on? Doesn't have to be 313... would like to catch some sonar kollektiv if there is any on. All apart from Hardwax, what good record shops would you recommend and/or shops in general. Thanks in advance! Max www.amp-art.com [EMAIL PROTECTED]
(313) Re: In-Sync (was Frank De Wulf)
he's still running his quite large video production company, involved with productions even in America he said on a radio interview last friday, but as i asked him where he'll play further on, he said he just plays three or four times a year. it's just that people having him invited to play at Amsterdam and Frabic recently, and seeing people really enjoyed so much, that he felt reassured to do a mix set around where the idea of a Party is still in sync with his. Umm.. did I say in-sync? Their 'Storm' passed by in his saturday night set. What a track! Oh my yes... the builds on Storm are epic. I'm a big fan of In-sync, aka Lee Purkis', productions. Back in the early 90s he ran a great label called 10th Planet which featured a half-dozen or so releases all In-sync related with the best being the Android Architecture album. Lee also released a nice record on the Plink Plonk label under the name MASP and was co-producer for the excellent Joe Louis End of the Beginning album on Fragmented and Back to the Beginning 12 on Relief. Rumor has it (according to discogs.com) that the music on those Joe Louis releases was taken from a DAT given to Joe Lewis when he was in the UK in 1995 by Jamie Read. The DAT contained music made during a period when Read was recording at the studios of 10th Planet with Lee Purkis, Chris Hartley and David Manuel (the 3 of whom ran 10th Planet and recorded as Insync vs. Mysteron). Read was keen to have his music released on Relief, a label with cult status in the underground UK scene. He gave the DAT, which contained music that had been worked on by all four aforementioned artists, to Joe Lewis for the purpose of giving to Relief as potential material for the label. Some time later these tracks appeared on Relief as a Joe Louis release, with no credit to the people who actually produced them. 10 years later (2005) Peacefrog Records in the UK inadvertently released a further batch of tracks from the DAT on a 12 entitled He's Back and an album entitled The Return Of Joe Lewis, which was released on both vinyl and CD. Anybody know what Lee Purkis is up to these days? Also, any comments on the recent Joe Lewis releases on Peacefrog? are they like the Jamie Reid or Insync releases? it's surprising to hear that Peacefrog and/or Joe Lewis is releasing another artists work and not giving any credit to the original producers. For some Frank De Wulf relevance, just last week i took for a spin the Frank De Wulf remixes of The Orb's Blue Room, The Shamen's L.S.I., and Model500's The Flow. Nice, nice, nice... ---Lance 6099 Creekside Lane North Ridgeville, OH 44039 United States
RE: (313) mark gage
On Mon, October 24, 2005 2:33 pm, Pryor, Ryan N wrote: Vapourspace - Gravitational Arch Of 10 thats actually supposed to be IO, like the moon. at least thats what i heard, and it makes much more sense that way. interesting. i did not know that... i love that vapourspace stuff. brings back nice memories of first seeing vapourspace opening up for aphex twin, orbital, and moby at the Industry in Detroit back in 93-94. speaking of vapourspace/mark gage, what is he up to these days? i havent heard anything from him since his Sweep 3xlp on Knob 5-6 yrs ago... -Lance- 6099 Creekside Lane North Ridgeville, OH 44039 United States
Re: (313) Re: In-Sync (was Frank De Wulf)
Hey Lance - this thread on LD may be of interest it starts with a post from Lee and mentions a new In-Sync records due in a couple of weeks. http://www.littledetroit.net/forums/viewtopic.php?t=12965 Also the Elektrik Bugg 12's (there are 2 of them and Covert records http://www.covert.uk.com/ is the only place to stock them as far as I know) are well worth picking up. Im sure I heard somewhere that Lee had something to do with them too Cheers BT --- Lance @ Inaudible [EMAIL PROTECTED] wrote: he's still running his quite large video production company, involved with productions even in America he said on a radio interview last friday, but as i asked him where he'll play further on, he said he just plays three or four times a year. it's just that people having him invited to play at Amsterdam and Frabic recently, and seeing people really enjoyed so much, that he felt reassured to do a mix set around where the idea of a Party is still in sync with his. Umm.. did I say in-sync? Their 'Storm' passed by in his saturday night set. What a track! Oh my yes... the builds on Storm are epic. I'm a big fan of In-sync, aka Lee Purkis', productions. Back in the early 90s he ran a great label called 10th Planet which featured a half-dozen or so releases all In-sync related with the best being the Android Architecture album. Lee also released a nice record on the Plink Plonk label under the name MASP and was co-producer for the excellent Joe Louis End of the Beginning album on Fragmented and Back to the Beginning 12 on Relief. Rumor has it (according to discogs.com) that the music on those Joe Louis releases was taken from a DAT given to Joe Lewis when he was in the UK in 1995 by Jamie Read. The DAT contained music made during a period when Read was recording at the studios of 10th Planet with Lee Purkis, Chris Hartley and David Manuel (the 3 of whom ran 10th Planet and recorded as Insync vs. Mysteron). Read was keen to have his music released on Relief, a label with cult status in the underground UK scene. He gave the DAT, which contained music that had been worked on by all four aforementioned artists, to Joe Lewis for the purpose of giving to Relief as potential material for the label. Some time later these tracks appeared on Relief as a Joe Louis release, with no credit to the people who actually produced them. 10 years later (2005) Peacefrog Records in the UK inadvertently released a further batch of tracks from the DAT on a 12 entitled He's Back and an album entitled The Return Of Joe Lewis, which was released on both vinyl and CD. Anybody know what Lee Purkis is up to these days? Also, any comments on the recent Joe Lewis releases on Peacefrog? are they like the Jamie Reid or Insync releases? it's surprising to hear that Peacefrog and/or Joe Lewis is releasing another artists work and not giving any credit to the original producers. For some Frank De Wulf relevance, just last week i took for a spin the Frank De Wulf remixes of The Orb's Blue Room, The Shamen's L.S.I., and Model500's The Flow. Nice, nice, nice... ---Lance 6099 Creekside Lane North Ridgeville, OH 44039 United States
Re: (313) Arnold und Ayro in SF + Konoko #1
On Mon, November 7, 2005 6:55 pm, dave cronin wrote: So I obviously didn't catch Recloose, but did see Konoko No. 1 at the Jazz Fest last night, and they were totally incredible and quite techno-relevant, actually. There was a drummer on a kit, a guy on big hand-drums playing the bass pulse, 3 guys on the crazy home-made electric thumb pianos (into Fender amps, with distortion), a cow-bell/clave and a couple vocalist/dancers. The beats were in a very minimal polyrhythmic afro style-- stripped-down and repetitive (in a good way), with a lot of nuance in the timing and phasing. A couple of the songs were over 30 minutes. The thumb-piano sounds reminded me a lot of the the afro side of Heiroglypic Being and the whole thing was totally rockin. Check them if you can-- underground sounds from the Congo. sounds hot. theyre coming to pittsburgh later on this month or early december i think, ill be going for sure as will a couple other pgh based subscribers to this list. tom
Re: (313) Re: In-Sync (was Frank De Wulf)
10 years later (2005) Peacefrog Records in the UK inadvertently released a further batch of tracks from the DAT on a 12 entitled He's Back and an album entitled The Return Of Joe Lewis, which was released on both vinyl and CD. How do you inadvertently release a bunch of tracks? That sounds like BS to me. Either that or someone seriously f'cked up. Anybody know what Lee Purkis is up to these days? I bought a bunch of In-sync records directly from Lee a while back (via eBay). I asked if he had anything new and he said he did but he was waiting for the right time. MEK
(313) Carl Craig in XLR8R this month
talking technology and stuff MEK
Re: (313) Arnold und Ayro in SF + Konoko #1
I agree--a very fun show Sat night. Prob the most fun I've had at a show in SF. (Which isn't really saying a whole lot, since my wife and I haven't gone out a whole lot since moving here a couple years ago.) Seemed like it took some time for Arnold and Ayro to warm up, and for the crowd to warm up to them. Unfort there were only a handful of people really dancing. But everyone seemed into what they were doing. Got the impression that they impressed everyone. Esp Ayro on the MPC. I was wondering how the crowd was feeling the Prince and Wham covers. I certainly was. Wham into time space transmat was memorable. As was my detroit players pitched up and looped. It was def a shame that a different set of promoters brought Recloose for the same night, but across town! I mentioned this to John and Jeremy, and they agreed that they all should have been at the same party. They didn't know Recloose was also booked in town until that day. I was hoping to make it across town to catch some of Recloose's set, but John and Jeremy took their set until almost 2am, and my crew didn't have the energy for more. Was there any sort of afterhours get-together? The bit about the bouncer threatening Ayro--and Ayro showing him up--was also memorable. Seemed almost too ridiculous to be true. Esp since isn't it the case that the promoters manage that whole club? All in all, a very good night of music and dancing. No coincidence that the best nights out we've had in SF have been this one, John Arnold doing a DJ set at Milk last summer, and Amp Fiddler's show @ Cafe du nord, also last summer. well, also the spinna/bobbito wonder-full party last Dec. we need more 313 in the bay! does seem like the Fresco/Massive Selector people are into it from the broken beat/soul perspective (http://www.massiveselector.com/ , http://fresco-style.com/events/index.php) actually, MS is doing a 2nd installment of wonder-full in early Dec. --suman PS: I also had Konoko on my to-do list for the weekend, but didn't have the energy. Plus, the SFJazz tickets are so dam expensive. --- dave cronin [EMAIL PROTECTED] wrote: Yeah, Misters Ellis and Arnold certainly were a hoot. I would have liked a little more of the Ayro keyboard action, but that was some crazy science on the MPC (their fingers looked kinda sore at the end of all that). Once again, respect to Fresco for bringing in some great talent for a fun night. So I obviously didn't catch Recloose, but did see Konoko No. 1 at the Jazz Fest last night, and they were totally incredible and quite techno-relevant, actually. There was a drummer on a kit, a guy on big hand-drums playing the bass pulse, 3 guys on the crazy home-made electric thumb pianos (into Fender amps, with distortion), a cow-bell/clave and a couple vocalist/dancers. The beats were in a very minimal polyrhythmic afro style-- stripped-down and repetitive (in a good way), with a lot of nuance in the timing and phasing. A couple of the songs were over 30 minutes. The thumb-piano sounds reminded me a lot of the the afro side of Heiroglypic Being and the whole thing was totally rockin. Check them if you can-- underground sounds from the Congo. -d --- James Hurlbut [EMAIL PROTECTED] wrote: Fun show by Jeremy Ellis and John Arnold last night in san francisco despite an insecure bouncer pulling the plug in the middle of a jam to announce last call and then physically threatening Ayro! Some of the covers were a bit cheeky for my tastes like Ayro's take on Erotic City but others were blended beatifully like Wham and a nice little nod to 313 with bits of Night Drive through Babylon. Funny to hear Ayro croon John Beltran's big club hit Kissed by the Sun. Overall, I would say to me it was a digestable detroit sound, whatever that means. Some great mpc jams rearranging salsa tunes and james brown cuts to maximum effect. Wholelottatalentonthestage. Thanks John! Any bodies in the bay make it out to Recloose? bad timing with those two shows being the same night.
