Re: (313) how Richie does it --> how do most do it?
On 4/4/06, Alex Lugo <[EMAIL PROTECTED]> wrote: > Watching Jeremy Ellis working the MPC is the epitome > of using that piece of gear live, IMHO. I haven't seen > it done better. ill agree with that! the opening bit of his set at movement 03 when he was rocking the mpc solo was absolutely incredible. unfortunately shortly thereafter his show devolved into some show-tunes-esque "soul" stuff that made me get clowned on by anyone i mentioned how awesome the early part of his set was to. john arnold live on the midi guitar + mpc aint half bad either! to
(313) NYC! TUES. NIGHT! Hefty Turns 10 feat: Sakamoto, Prefuse & Geist
-- Forwarded Message From: Other Music <[EMAIL PROTECTED]> Date: Tue, 4 Apr 2006 15:49:21 -0400 To: <[EMAIL PROTECTED]> Subject: TONIGHT! Hefty Turns 10 feat: Sakamoto, Prefuse & Geist Dear friends, There's little doubt that APT is the place to be for electronic music fans tonight, as Hefty Records celebrates their 10 Year Anniversary with a who's who list of producers and DJs providing the soundtrack. The night is free and you'll want to arrive early for the open bar from 9 to 10PM, and then a very rare DJ set from Ryuichi Sakamoto kicking the evening into high gear with lots of great names to follow. Here are complete details and set times: TONIGHT: HEFTY RECORDS 10TH ANNIVERSARY CELEBRATION! Tuesday, April 4 Time: 9PM - 4AM Open Bar: 9PM-10PM APT: 419 W. 13th St. NYC http://www.aptwebsite.com DOWNSTAIRS: 09:00 PM - 10:00 PM: Scott Mou (Other Music) [DJ] 10:00 PM - 11:00 PM: Ryuichi Sakamoto [DJ] 11:00 PM - 12:15 AM: John Hughes (Hefty label owner/Slicker) [DJ] 12:15 AM - 01:15 AM: Eliot Lipp (Hefty) [LIVE] 01:15 AM - 04:00 AM: Prefuse 73 + Friends [DJ] UPSTAIRS: 09:00 PM - 11:00 PM: Blair Carswell (music.for-robots) 11:00 PM - 12:30 AM: Morgan Geist (Metro Area/Environ) 12:30 AM - 02:00 AM: Josh Eustis (Telefon Tel Aviv) 02:00 AM - 04:00 AM: Jeffrey Sfire (Ghostly)
(313) planet delsin / the sun god
voor de a gen d alvast: zaterdag 13 mei Planet Delsin: special guest: Jamal Moss aka The Sun God aka Hieroglyphic Being Axis/6277 - Ghostly/ Spectral - Gigolo Records Live Pa ( Drum Computer & Classic Edits ) 2 hour set more tba -- http://nomorewords.net http://www.delsin.org http://www.myspace.com/planetdelsin
Re: (313) how Richie does it --> how do most do it?
Watching Jeremy Ellis working the MPC is the epitome of using that piece of gear live, IMHO. I haven't seen it done better. Peace, Alex --- "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> wrote: > On 4/4/06, /0 <[EMAIL PROTECTED]> wrote: > > everythign is pre-written, but part-sequenced > live. > > > > basically they are using fx and muting/unmuting > tracks > > which essentially is live arranging for the most > part. although you > can use some roland drum machines (808, 909 > definitely, not sure about > the 626 or 707 or any others) in write mode with all > percussion lines > and arrangement done on the fly. and of course if > youre using actual > synths, you can tweak/program all your sounds live > too. > > tom > __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: (313) how Richie does it --> how do most do it?
if you'r;e using x0x gear in write mode, you're missing the boat. its all about tap input - Original Message - From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, April 04, 2006 4:53 PM Subject: Re: (313) how Richie does it --> how do most do it? On 4/4/06, /0 <[EMAIL PROTECTED]> wrote: everythign is pre-written, but part-sequenced live. basically they are using fx and muting/unmuting tracks which essentially is live arranging for the most part. although you can use some roland drum machines (808, 909 definitely, not sure about the 626 or 707 or any others) in write mode with all percussion lines and arrangement done on the fly. and of course if youre using actual synths, you can tweak/program all your sounds live too. tom
Re: (313) how Richie does it --> how do most do it?
On 4/4/06, /0 <[EMAIL PROTECTED]> wrote: > everythign is pre-written, but part-sequenced live. > > basically they are using fx and muting/unmuting tracks which essentially is live arranging for the most part. although you can use some roland drum machines (808, 909 definitely, not sure about the 626 or 707 or any others) in write mode with all percussion lines and arrangement done on the fly. and of course if youre using actual synths, you can tweak/program all your sounds live too. tom
Re: (313) how Richie does it --> how do most do it?
everythign is pre-written, but part-sequenced live. basically they are using fx and muting/unmuting tracks - Original Message - From: "Jamil Ali" <[EMAIL PROTECTED]> To: "313 Detroit" <313@hyperreal.org> Sent: Tuesday, April 04, 2006 3:03 PM Subject: Re: (313) how Richie does it --> how do most do it? I'm actually very curious to know what people mean when they say they play "live". What exactly are they playing live? They only have two hands For drums, they can play some kind of pattern, but if they're playing even close to a whole beat, they'd have no hands left. Do they mostly just have some sequencer(s) going and maybe they choose which pattern or sequence of patterns will come next? That's do-able with a drum machine. I've never used a hardware sequencer, so I don't know if it works the same way. In short, just how live is "live"? And why do I get the impression live-without-a-laptop is supposed to be more live than with-a-laptop? thanks, Jamil seek wrote: http://www.derivativeinc.com/Events/15-Plastikman/ "Richie is using Ableton Live and his new CTRL controller as the front-end to Derivative's TouchMixer, which is generating live visuals for over 25 Plastikman songs. Playing a music loop in Ableton also automatically triggers and syncs a visual element in TouchMixer, while volume faders and other sliders affect details of the visual elements, like brightness or size. This setup enables Richie to experiment with visual combinations, which as a side effect, induces unique sonic combinations.."
Re: (313) how Richie does it --> how do most do it?
I'm actually very curious to know what people mean when they say they play "live". What exactly are they playing live? They only have two hands For drums, they can play some kind of pattern, but if they're playing even close to a whole beat, they'd have no hands left. Do they mostly just have some sequencer(s) going and maybe they choose which pattern or sequence of patterns will come next? That's do-able with a drum machine. I've never used a hardware sequencer, so I don't know if it works the same way. In short, just how live is "live"? And why do I get the impression live-without-a-laptop is supposed to be more live than with-a-laptop? thanks, Jamil seek wrote: http://www.derivativeinc.com/Events/15-Plastikman/ "Richie is using Ableton Live and his new CTRL controller as the front-end to Derivative's TouchMixer, which is generating live visuals for over 25 Plastikman songs. Playing a music loop in Ableton also automatically triggers and syncs a visual element in TouchMixer, while volume faders and other sliders affect details of the visual elements, like brightness or size. This setup enables Richie to experiment with visual combinations, which as a side effect, induces unique sonic combinations.."
(313) 69 - puntang EP
Just got this release at work today. I won't get to hear it for several hours... maybe even a day! I can't wait that long. Does anyone have any thoughts on this EP? Cheers, Lee R. Herrington U STORE IT Technical Support Engineer [EMAIL PROTECTED] 440-260-2245
(313) how Richie does it
http://www.derivativeinc.com/Events/15-Plastikman/ "Richie is using Ableton Live and his new CTRL controller as the front-end to Derivative's TouchMixer, which is generating live visuals for over 25 Plastikman songs. Playing a music loop in Ableton also automatically triggers and syncs a visual element in TouchMixer, while volume faders and other sliders affect details of the visual elements, like brightness or size. This setup enables Richie to experiment with visual combinations, which as a side effect, induces unique sonic combinations.."
Re: (313) CD Mixers
- Original Message - From: "Kent Williams" <[EMAIL PROTECTED]> To: "list 313" <313@hyperreal.org> Sent: Tuesday, April 04, 2006 2:36 PM Subject: Re: (313) CD Mixers Once you learn to beat match in one medium it shouldn't be that hard to transfer the skills to a new one. IMHO. I think that hits the nail on the head. It's not that hard, but it's also a bit boring. When I've used Traktor I just got frustrated by the interface (I know there are better ones than a mouse) and Ableton was an endless temptation to play four tracks at once - i.e. I was more into making edits with it than mixing. When I used Serato, it was an instantaneous way in which I could use sound files, and with the price of mp3/wav downloads today, it's a real temptation, not to mention leveraging all my old CDs, or playing edits I could make in Ableton. The advantage over CD players is that you don't have to chose which CDs to bring or try to find the CD, and CDs can get scratched quite easily. Ultimately I just found that the process of mixing was more fun when I used decks and a mixer, and if that ain't broke I shouldn't fix it. Whereas the pain of carrying records and the price of buying them is something I can definitely see an advantage in overcoming. That said, I do like mixing on CD players, I just think Serato is one step better. It's plenty easy to switch between it and vinyl on the fly as well. Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
RE: (313) ein mix
Haven't checked it yet but judging by playlist it must be great! mislav -Original Message- From: Adam Smith [mailto:[EMAIL PROTECTED] Sent: 04 April 2006 21:33 To: [EMAIL PROTECTED]; 313 Subject: Re: (313) ein mix Enjoying this mix a lot, it made the morning train ride from Brooklyn to Midtown Manhattan less painful. Cheers, Adam On 3/25/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > mix by Peel Seamus & Hendrik > http://www.spunk.nl/articles/view_article.asp?id=1143199145783 > http://www.spunk.nl/upload/podcast-delsinmix.mp3 > > Schwarz, Dixon & Ame - Where We At Vs 3 > Laurent Garnier - Barbiturk Blues (C2 Rework) > Hendrik Schwarz - Leavy My Head Alone (Osunlade Remix) > Ame - Engoli > Todd Terje - Italian Stalion > Trentemoller - Sunstroke > Moodymann - Dem Young Sconies > K Alexi - What > Dj Yoav B. - Organ Satta > Ron Hardy - Welcome To The Club > Sound Stream - Freakin' > Secondo - It's Any Late Time > Theo Parrish - Falling Up (Carl Craig Remix) > Redshape - Coffee And Cigarettes > Rejected - For The People > Terry Brookes - City Life (Carl Craig's Caya Dub) > Kenny Larkin - Catatonic 3rd State (Carl Craig Remix) > D5 - Run > > -- > http://nomorewords.net > http://www.delsin.org > http://www.myspace.com/planetdelsin >
(313) 28-04-06 Süd Electronic With Daniel Bell , Bruno Pronsato , Portable + More
28-04-06 Süd Electronic With Daniel Bell , Bruno Pronsato , Portable + More Djs Daniel Bell ( Accelerate , 7th City , Plus 8 , Tresor , Peace Frog , Palette ,Logistic ,Telegraph, ) Lakuti( Süd ) Nick Craddock ( nickcraddock.co.uk) Marco Shuttle ( Mini Sketch , Guerilla Lime & Soda ) Milo Bragg ( Juno ) Live Bruno Pronsato ( Musique Risquée , Philpot , Telegraph , Orac , Milnormodern , Adjunct , ) Portable( Spectral , Süd , Scape , Background , Context , Karat ) Visuals By Britski & Squint Date : 28Th April 2006 Venue : Sub Club 2 Goulston Street , London E1. This a very low key but utterly charming space with high celings , pillars e.t.c. It is owned by the London Metropolitan University , so the bar prices will be affordable . Click on the link below for a map www.multimap.com/map/browse.cgi?lat=51.5154&lon=-0.0741&scale=5000&icon=x Time : 10 pm - 6 am Door Charge : £10/£8 concession to mailing list subscribers . You Must Email in your name to be on the concession List !. Subscribe to our mailing list by emailing [EMAIL PROTECTED] infoline 07865 339 311 More On The Artists Daniel Bell It is with great exciment to be having this true legend coming to play @ Süd . Without this man , there might not be minimal techno . ! Born in Sacramento California, Dan had a surprise success with his first 12" released on +8 records while still in film school near Toronto, Canada in 1990. The record was "Technarchy" co-produced by Richie Hawtin and John Aquaviva, and it spurred a move by him to the "eastside" of Detroit, Mi after graduation. After touring and recording extensively throughout 1991 and 1992, including a 38-date American tour opening for Moby and The Prodigy, Daniel left +8 to start his own company, Accelerate Communications in 1992. With Accelerate he released a small string of influential releases. Based on nearby Chicago "track" records, he reduced that sound further into funky, streamlined grooves. The formula proved to be successful and helped launch a new aesthetic in techno and house music known as "Minimal". With the overwhelming success of his "Losing Control" single (an international underground hit in 1994), Daniel set up Seventh City Distribution. For the next four years he worked to assist smaller Midwest labels to get distribution in overseas markets. He helped finance the start-ups of several labels including Anthony Shakir's "Frictional" and Dopplereffekt?s "Dataphysix". He also created three new labels - 7th City, which to this day releases cutting-edge techno music, Elevate (with then unknown house producer Theo Parrish) and Harmonie Park (originally with Rich Wade). Daniel also co-owned "Rotate", a record store across the river from Detroit in Windsor Canada for two years. Because of the workload of owning and operating many ventures his music production ceased for a few years. In 2000 he released his first mix c.d. with Tresor Records entitled "The Button Down Mind of Daniel Bell" and in a surprise move relocated to Berlin, Germany. In Berlin he has developed and promoted new talent for his 7th City label and has quietly restarted his recording career with a series of remixes for a diverse range of artists including, John Tejada, Pantytec, Akufen, and Anthony Shakir. In February 2003 he released his second mix cd "The Button-Down Mind Strikes Back" on the Paris-based label Logistic. Klang Elektronik , also dived into his back catalogue . Daniel Bell is credited with creating a new vocabulary in electronic music, composed of acid sounds and streamlined repetitive rhythms, with an approach based on refinement and economy in the use of effects.his original and innovative style has influenced a whole generation of producers and has shaped the minimal house sound . This will be a reall treat . Do Not Miss .! Click on the Link Below For Dan Bell's Discography as well as under his other many alliases . http://www.discogs.com/artist/Dan+Bell http://www.discogs.com/artist/Daniel+Bell http://www.discogs.com/artist/DB-X http://www.discogs.com/artist/DBX Bruno Pronsato i must say , that we are really excited to be the first promoters in the UK , to be flying Bruno Prosanto , Over . I have been trully impressed by his output , so much so , that he has been assigned remix duties for one of our forthcoming releases . the remix he has done for us is brilliant ! . Hailing from Seattle USA Bruno Pronsato has released an album and a staggering number of eps over the past year all to glittering acclaim in the press, most notably the celebrated 'Ape Masquerade' on Akufen's Musique Risque labelas well the ep on Philpot . Pronsato's music combines advanced sound design, robust mashed electronics and crisp DSP cutups with toughened crunchy 4/4 beats. His sound takes techno to the outermost regions of weirdness but still gets the dancefloor bumping and grinding. With a rare panache, Pronsato's productions freeze your blood as much as they heat a fire under your
Re: (313) CD Mixers
If one does not own a laptop that could be an extra cost to consider. That is not the case for myself, but after staring at a computer screen for 9 hours a day typing code, and then spending countless hours working in ableton and surfing the web on my own time, it's nice to not have to look at a computer screen while DJing, it's my oasis and escape, and let's my eyes rest and ears work for a change. I recently heard a friend of a friend dj with traktor and he still couldn't mix :) (nothing to do with the software mind you) On 4/4/06, Kent Williams <[EMAIL PROTECTED]> wrote: > Given what these things cost, I'm not sure why one wouldn't just get > Traktor on a laptop -- it's a much more flexible, easier to way to > mix. > > That being said, I love mixing on the old Denon DN 2000s, because they > were really simple. Find your cue point once, instead of over and over > like with records, then drop the track in and tweak tempo. I also > liked picking up the controller in one arm and tweaking with the other > hand. People would ask me what instrument I was playing. > > Both Final Scratch and the fancy CD players with platters seem to me > to be trying to preserve a paradigm for mixing and beat matching > that's inappropriate to the technology. Traktor is really easy to > beat match in, even if you ignore the 'automatic' beat matching. > And if you can't give up the wikki-wikki you can get Traktor with Final > Scratch. > > Of course, for me, the idea of paying hundreds of dollars for > something that REQUIRES you to have turntables in order to mix is > kind of crazy. That only makes sense in Ubercoolische world, where > the DJ equipment is something you specify in a rider, not something > you haul up and down stairs. > > Once you learn to beat match in one medium it shouldn't be that hard > to transfer the skills to a new one. IMHO. > > On 4/3/06, Adam Smith <[EMAIL PROTECTED]> wrote: > > Sup List, > > > > anyone own a cd mixer that they enjoy playing 313 music related CDs > > on? Or dislike a CD mixer that you own? > > > > I'm considering buying one and saw a couple models in my price range. > > The Pioneer CDJ-200 Mixer and the Denon DN-S1000, both around $400 US > > each. Wondering if there are any thoughts on either of these and if > > they're decent, or if I should hold out for the Pioneer CDJ-800 > > (around $600US) (can't bring myself to spend $1000 US on the > > CDJ-1000). > > > > Thanks for any tips or info, > > > > Adam > > >
Re: (313) CD Mixers
Given what these things cost, I'm not sure why one wouldn't just get Traktor on a laptop -- it's a much more flexible, easier to way to mix. That being said, I love mixing on the old Denon DN 2000s, because they were really simple. Find your cue point once, instead of over and over like with records, then drop the track in and tweak tempo. I also liked picking up the controller in one arm and tweaking with the other hand. People would ask me what instrument I was playing. Both Final Scratch and the fancy CD players with platters seem to me to be trying to preserve a paradigm for mixing and beat matching that's inappropriate to the technology. Traktor is really easy to beat match in, even if you ignore the 'automatic' beat matching. And if you can't give up the wikki-wikki you can get Traktor with Final Scratch. Of course, for me, the idea of paying hundreds of dollars for something that REQUIRES you to have turntables in order to mix is kind of crazy. That only makes sense in Ubercoolische world, where the DJ equipment is something you specify in a rider, not something you haul up and down stairs. Once you learn to beat match in one medium it shouldn't be that hard to transfer the skills to a new one. IMHO. On 4/3/06, Adam Smith <[EMAIL PROTECTED]> wrote: > Sup List, > > anyone own a cd mixer that they enjoy playing 313 music related CDs > on? Or dislike a CD mixer that you own? > > I'm considering buying one and saw a couple models in my price range. > The Pioneer CDJ-200 Mixer and the Denon DN-S1000, both around $400 US > each. Wondering if there are any thoughts on either of these and if > they're decent, or if I should hold out for the Pioneer CDJ-800 > (around $600US) (can't bring myself to spend $1000 US on the > CDJ-1000). > > Thanks for any tips or info, > > Adam >
Re: (313) ein mix
Enjoying this mix a lot, it made the morning train ride from Brooklyn to Midtown Manhattan less painful. Cheers, Adam On 3/25/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote: > mix by Peel Seamus & Hendrik > http://www.spunk.nl/articles/view_article.asp?id=1143199145783 > http://www.spunk.nl/upload/podcast-delsinmix.mp3 > > Schwarz, Dixon & Ame - Where We At Vs 3 > Laurent Garnier - Barbiturk Blues (C2 Rework) > Hendrik Schwarz - Leavy My Head Alone (Osunlade Remix) > Ame - Engoli > Todd Terje - Italian Stalion > Trentemoller - Sunstroke > Moodymann - Dem Young Sconies > K Alexi - What > Dj Yoav B. - Organ Satta > Ron Hardy - Welcome To The Club > Sound Stream - Freakin' > Secondo - It's Any Late Time > Theo Parrish - Falling Up (Carl Craig Remix) > Redshape - Coffee And Cigarettes > Rejected - For The People > Terry Brookes - City Life (Carl Craig's Caya Dub) > Kenny Larkin - Catatonic 3rd State (Carl Craig Remix) > D5 - Run > > -- > http://nomorewords.net > http://www.delsin.org > http://www.myspace.com/planetdelsin >
Re: (313) CD Mixers
I was looking for a CDJ with loops, to use with turntable mixing. Found the pioneer 200, bought one. I'm really happy. They're solid, reliable, got good looping system and play MP3. Even mora than i wanted. Kw On 04/04/2006, at 00:35, Adam Smith wrote: Sup List, anyone own a cd mixer that they enjoy playing 313 music related CDs on? Or dislike a CD mixer that you own? I'm considering buying one and saw a couple models in my price range. The Pioneer CDJ-200 Mixer and the Denon DN-S1000, both around $400 US each. Wondering if there are any thoughts on either of these and if they're decent, or if I should hold out for the Pioneer CDJ-800 (around $600US) (can't bring myself to spend $1000 US on the CDJ-1000). Thanks for any tips or info, Adam
RE: (313) teaching techno
Actually, that's what the last week is about. Praising music that doesn't confine itself to categories. And I think along the way they get to see how it's all connected. But I definitely hear you, not to be too serious about these boxes. thanks Rex First I think kids have the most basic, purest and undiluted of musical knowledge. They know "what they like" and do not feel compelled to translate their waveform fascinations into words. Second, I personally think it would serve the kids and the world at large better to teach them about the common analogues that run through all the different genres and give 'em a real understanding of what genres (basically creations of spin media) are used for (to squeeze more dollars from those that don't know via magazines and commodities that cater to the "genre niche". Gotta dress, talk, read, and listen the part). Man for real, don't teach kids that ish. That's the devils work kid. Kks Mwnb
(313) CD Mixers
Sup List, anyone own a cd mixer that they enjoy playing 313 music related CDs on? Or dislike a CD mixer that you own? I'm considering buying one and saw a couple models in my price range. The Pioneer CDJ-200 Mixer and the Denon DN-S1000, both around $400 US each. Wondering if there are any thoughts on either of these and if they're decent, or if I should hold out for the Pioneer CDJ-800 (around $600US) (can't bring myself to spend $1000 US on the CDJ-1000). Thanks for any tips or info, Adam
