RE: (313) What does "Live" mean these days?

[Williams, Graham]

The way I see it is, when you just use Abelton and a midi controller,
it's not really live. It's just pressing play and tweaking a few knobs.

g

-Original Message-
From: Arturo Lopez [mailto:arturo.m.lo...@gmail.com] 
Sent: 16 April 2009 18:08
To: Three-One-Three
Subject: (313) What does "Live" mean these days?

This is not a snarky question, I'm just curious what that actually
means in these modern times of ableton live? Looking at the Demf
lineup I saw plenty of (live) next to some names, and I'm wondering if
that really has much meaning anymore?  As more and more people are
switching to laptops with built-in manipulation capabilities, it seems
that designation is becoming far less special.  As always it matters
what you do with what you have in front of you, but it might be a very
arbitrary term sooner rather than later.

I'm not nearly as old school as most of you but I do remember when
live meant you had a rack of gear in front of you and you were piecing
together/reshaping music on the fly. I'm not getting into the argument
about the regular vinyl DJ creating music, I believe that, too, but
you don't see "live" next to a traditional vinyl set, and I get the
feeling some of the new "live" stuff isn't very far from it, just mp3
tracks with a little laptop FX help.

Anyway, thoughts?

-Arturo

Re: (313) What does "Live" mean these days?

[Martin Dust]

Haha 313 techno list sounding like the hippy students union in the  
70's with their keep music live campaign *.*/f


 m

(313) New Music

[robin]

OK, I can't bear to see the list descend into the usual nonsense about  
formats so can we talk about music?


Some new stuff that's lighting my fire right now.

Culoe de Song - The Bright Forest - Innervisions

Wicked little debut. Two tracks (three on digital) all of high quality  
but it's the title track that kills it for me. Along the lines of the  
epic NY house sound (Sydenham/Chandler etc) but with just a little  
more UR to it. Proper awesome sound. It's hard to get an idea of what  
this sounds like from clips so check his RA podcast (with a preview of  
his upcoming Reggie Dokes remix on Boddhi Satva's label). This kid's  
still a teenager as far as I can tell - amazing.


BLM - Believe in Love - Fear of Flying
OK, rocking a 90s Detroit house style but this is done so nicely it's  
hard to resist. Arguably you could say this another UR inspired cut. I  
hanker for more house gear from the Submerge camp...


Trackleton - While My Sequencer Gently Weeps - Yore
Solid pulsating techno sounding a little like Osborne on a good day.  
OK, I'm not great shakes as a record reviewer but I love this :)


Nebraska - Satellite Variations - Rush Hour
More Nebraska awesomeness from Alistair Gibbs. These are older cuts  
that, given the style, should sound dated. They don't though, well  
worth picking up. There's also the Terrestrial Variations EP out too  
that I haven't picked up yet.


Kode 9 - Black Sun - Hyperdub
Like the 'broken' scene occasionally served up some proper techno so  
the dubstep scene does the same. Both tracks on this ep worth checking.


Martyn - All I Have is Memories - Apple Pips
OK, I'm well late but I like the airy summery vibe to this. In a slow  
mid-90s DnB way. 'Suburbia' on the flip is more on the dubstep vibe.

Martyn also does house, check his mix of Ican's 'Caminos Del Ninos'.



robin...

RE: (313) What does "Live" mean these days?

[Williams, Graham]

I think you're missing the point Martin, it was about what is and isn't
live, not about keeping it alive...

g

-Original Message-
From: Martin Dust [mailto:mar...@dustscience.com] 
Sent: 17 April 2009 09:47
To: Three-One-Three
Subject: Re: (313) What does "Live" mean these days?

Haha 313 techno list sounding like the hippy students union in the  
70's with their keep music live campaign *.*/f

  m

Re: (313) What does "Live" mean these days?

[Martin Dust]

On 17 Apr 2009, at 10:48, Williams, Graham wrote:

I think you're missing the point Martin, it was about what is and  
isn't

live, not about keeping it alive...

g


It's the same point from the 70s, their point is/was it wasn't live,  
which is your point I believe?


m

Re: (313) New Music

[robin]

On 17 Apr 2009, at 10:36, Placid wrote:


Cheers Robin...

Current faves here

Idjut boys - Droid 2
Jody Finch - Whistle Worm ad Jack your big booty on Lets Pet Puppies


Nice. Choice acid as usual P. Surprised by that Idjut Boys thing - I'd  
written them off as nu-disco :)


Marcus Intalex - Four Three Three


I like small doses of dubstep. This is an interesting take.

btw. forgot to add that Henrik Schwarz is releasing some interesting  
tracks recently. He went a bit formulaic for me but I like the recent  
treatments he's done for old vocals and his instrumentation on the  
Sunburst Band remix, that Omar/Stevie Wonder track and the Detroit  
experiment remix he did (the less techy one with the sax).


Speaking of saxes in techno tunes, Mike de Vellis' 'Alkaline  
Metal' (Moodymanc sax dub) is a killer tune. Like Garnier's  'The man  
with the red face' but with a twist. Yeah I know, Moodymanc's name is  
stoopid.


robin...

Re: (313) New Music

[robin]

On 17 Apr 2009, at 11:13, Placid wrote:

Theres a nice henrik Schwartz remix along with Andres Lodemnn on  
Fine art recordings..

liking the Lodemann cut alot.


Sweet, not seen that.

On 17 Apr 2009, at 11:06, Bérenger BLANCHER wrote:


Sebastien Tellier - Kilometer (Arpanet remix) http://clone.nl/item14744.html
Amazing remix by the Detroit legend Arpanet. Very sexy and dark  
atmosphere. Love it.



...or that. Ta.

robin...

Re: (313) New Music

[Placid]

Cheers Robin...

Current faves here

Idjut boys - Droid 2
Jody Finch - Whistle Worm ad Jack your big booty on Lets Pet Puppies
Marcus Intalex - Four Three Three


robin wrote:


OK, I can't bear to see the list descend into the usual nonsense about 
formats so can we talk about music?


Some new stuff that's lighting my fire right now.

Culoe de Song - The Bright Forest - Innervisions

Wicked little debut. Two tracks (three on digital) all of high quality 
but it's the title track that kills it for me. Along the lines of the 
epic NY house sound (Sydenham/Chandler etc) but with just a little 
more UR to it. Proper awesome sound. It's hard to get an idea of what 
this sounds like from clips so check his RA podcast (with a preview of 
his upcoming Reggie Dokes remix on Boddhi Satva's label). This kid's 
still a teenager as far as I can tell - amazing.


BLM - Believe in Love - Fear of Flying
OK, rocking a 90s Detroit house style but this is done so nicely it's 
hard to resist. Arguably you could say this another UR inspired cut. I 
hanker for more house gear from the Submerge camp...


Trackleton - While My Sequencer Gently Weeps - Yore
Solid pulsating techno sounding a little like Osborne on a good day. 
OK, I'm not great shakes as a record reviewer but I love this :)


Nebraska - Satellite Variations - Rush Hour
More Nebraska awesomeness from Alistair Gibbs. These are older cuts 
that, given the style, should sound dated. They don't though, well 
worth picking up. There's also the Terrestrial Variations EP out too 
that I haven't picked up yet.


Kode 9 - Black Sun - Hyperdub
Like the 'broken' scene occasionally served up some proper techno so 
the dubstep scene does the same. Both tracks on this ep worth checking.


Martyn - All I Have is Memories - Apple Pips
OK, I'm well late but I like the airy summery vibe to this. In a slow 
mid-90s DnB way. 'Suburbia' on the flip is more on the dubstep vibe.

Martyn also does house, check his mix of Ican's 'Caminos Del Ninos'.



robin...










--
Playing

- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography - 
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk every other Thursday - 8pm - 10pm

Re: (313) New Music

[gavin morrissey]

wow that Arpanet remix is nice, seems to be sold out most places already!

some records I'm enjoying atm

Shake - Levitate Venice
Black Jazz Consortium - New Horizons
Chicago Skyway - Bells
Moody - Anotha Black Sunday
Juju & Jordash - Juju Music Sampler

also looking forward to new stuff

Reggie Dokes EP on Clone
Andres album for Mahogani


On Fri, Apr 17, 2009 at 11:21 AM, robin  wrote:
>
> On 17 Apr 2009, at 11:13, Placid wrote:
>
>> Theres a nice henrik Schwartz remix along with Andres Lodemnn on Fine art
>> recordings..
>> liking the Lodemann cut alot.
>
> Sweet, not seen that.
>
> On 17 Apr 2009, at 11:06, Bérenger BLANCHER wrote:
>
>> Sebastien Tellier - Kilometer (Arpanet remix)
>> http://clone.nl/item14744.html
>> Amazing remix by the Detroit legend Arpanet. Very sexy and dark
>> atmosphere. Love it.
>
>
> ...or that. Ta.
>
> robin...
>
>

Re: (313) Octave One Test Pattern

[Matt Kane's Brain]

The recorded interview is now up at
http://hydrogenproject.com/2009/04/16/octave-one-interview/

On Thu, Mar 19, 2009 at 13:12, Matt Kane's Brain
 wrote:
> Tomorrow night I am hosting a one hour program of Octave One, plus an
> interview with Lawrence Burden in which he talks about his live
> experiences; the history of his label, 430 West; his band's new album;
> and his favorite remix project.

-- 
matt kane's brain
techno radio at: http://hydrogenproject.com
capoeira in boston http://capoeirageraisboston.com
aim -> mkbatwerk ; y! -> mkb218 ; gtalk -> mkb.dirtyorg

RE: (313) What does "Live" mean these days?

[Williams, Graham]

No it's not the same point from the 70's, you said " like the hippy
students union in the 70's with their keep music live campaign"

I never said anything about keeping it live.

g

-Original Message-
From: Martin Dust [mailto:mar...@dustscience.com] 
Sent: 17 April 2009 10:56
To: Williams, Graham
Cc: Three-One-Three
Subject: Re: (313) What does "Live" mean these days?


On 17 Apr 2009, at 10:48, Williams, Graham wrote:

> I think you're missing the point Martin, it was about what is and  
> isn't
> live, not about keeping it alive...
>
> g

It's the same point from the 70s, their point is/was it wasn't live,  
which is your point I believe?

m

Re: (313) New Music

[Marsel van der Wielen]

also keep an eye out for the limited Chicago Skyway EP to be released on 
MOS next month



gavin morrissey schreef:

wow that Arpanet remix is nice, seems to be sold out most places already!

some records I'm enjoying atm

Shake - Levitate Venice
Black Jazz Consortium - New Horizons
Chicago Skyway - Bells
Moody - Anotha Black Sunday
Juju & Jordash - Juju Music Sampler

also looking forward to new stuff

Reggie Dokes EP on Clone
Andres album for Mahogani


On Fri, Apr 17, 2009 at 11:21 AM, robin  wrote:
  

On 17 Apr 2009, at 11:13, Placid wrote:



Theres a nice henrik Schwartz remix along with Andres Lodemnn on Fine art
recordings..
liking the Lodemann cut alot.
  

Sweet, not seen that.

On 17 Apr 2009, at 11:06, Bérenger BLANCHER wrote:



Sebastien Tellier - Kilometer (Arpanet remix)
http://clone.nl/item14744.html
Amazing remix by the Detroit legend Arpanet. Very sexy and dark
atmosphere. Love it.
  

...or that. Ta.

robin...

RE: (313) What does "Live" mean these days?

[Williams, Graham]

Never mind. Next!

g


-Original Message-
From: Martin Dust [mailto:mar...@dustscience.com] 
Sent: 17 April 2009 11:21
To: Williams, Graham
Cc: Three-One-Three
Subject: Re: (313) What does "Live" mean these days?


On 17 Apr 2009, at 11:18, Williams, Graham wrote:

> No it's not the same point from the 70's, you said " like the hippy
> students union in the 70's with their keep music live campaign"
>
> I never said anything about keeping it live.

But you are saying it's not live, right?

m

Re: (313) New Music

[Placid]

Theres a nice henrik Schwartz remix along with Andres Lodemnn on Fine 
art recordings..

liking the Lodemann cut alot.
p

robin wrote:


On 17 Apr 2009, at 10:36, Placid wrote:


Cheers Robin...

Current faves here

Idjut boys - Droid 2
Jody Finch - Whistle Worm ad Jack your big booty on Lets Pet Puppies


Nice. Choice acid as usual P. Surprised by that Idjut Boys thing - I'd 
written them off as nu-disco :)


Marcus Intalex - Four Three Three


I like small doses of dubstep. This is an interesting take.

btw. forgot to add that Henrik Schwarz is releasing some interesting 
tracks recently. He went a bit formulaic for me but I like the recent 
treatments he's done for old vocals and his instrumentation on the 
Sunburst Band remix, that Omar/Stevie Wonder track and the Detroit 
experiment remix he did (the less techy one with the sax).


Speaking of saxes in techno tunes, Mike de Vellis' 'Alkaline Metal' 
(Moodymanc sax dub) is a killer tune. Like Garnier's  'The man with 
the red face' but with a twist. Yeah I know, Moodymanc's name is stoopid.


robin...




--
Playing

- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography - 
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk every other Thursday - 8pm - 10pm

(313) Placid presentrs - The Smorgasbord

[Placid]

Me again..  this bi-weeks offering consist entirely of everything that 
was within a grabbable distance from my decks. There's always a couple 
of piles of records next to the decks no matter how many times I clear up.


Anyway  enjoy

You can get it from my site - http://www.acid-house.net.  Go to the 
mixes section and click on the link, it will automatically download it, 
as you can't right-click


from the pile...

3 Generations Walking - Midnight Fanfare - Spiritual Life
2Loop - Deeper Shade Of Blue - Altered Moods
Beat Pharmacy - Club Dread - Deep Space Media
Herbert - Part Four - Phono
Still Going - Still Going Theme
Jine - Take It To The House - Supertronics
Wamdue Kids - Therse Branching Moments - Peacefrog
Pollon - Lonely Planet - Scopex
Maetrik - Envy - Dumb-unit
Pulshar - Dub By The River (Soultourist Re-Dub) - Phonobox
Force Of Nature - Transmute (Still Going Remix) - Mule Musiq
Idjut Boys - Droid 2 - Droid
New Sound Of Soul - Lower Egypt - Magnet
Jitterbug - Dream Memory - Uzuri
Jody Finch - Jack Your Big Booty - Let's Pet Puppies
Ten City - All Loved Out - Spiritual Life
M.T. aka Bayaka - Spherical - Life Line
Liz Torres - Touch Of Love - Black Market
Lerosa - Clique - Real Soon
Charles Webster - I understand you - Peacefrog
Motorcitysoul - Hatohay (Move D Remix) - Simple

One hit, 2 technics Apporx 270mb @ 320kbps

--
Playing

- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography - 
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk every other Thursday - 8pm - 10pm

Re: (313) What does "Live" mean these days?

[Martin Dust]

On 17 Apr 2009, at 11:18, Williams, Graham wrote:


No it's not the same point from the 70's, you said " like the hippy
students union in the 70's with their keep music live campaign"

I never said anything about keeping it live.


But you are saying it's not live, right?

m

Re: (313) What does "Live" mean these days?

[Kevin Kennedy]

I guess that I'll add my .002 cents.

 If I am playing music that you'd never hear otherwise
(djing/mixing my own tracks that aren't out and available), I don't
think it is live.  If I am creating pattens and sounds on the
fly...well maybe it is live.  Shawn Rudiman is a great example of a
live performance.  He uses the old machines that techno was built on
to do his performances.  Anything can (and usually does) happen.

I used to do a live P.A. in the 90's when I had gear.  Now I use a
computer for all of this stuff (with bits of things thrown in for
extra fun(k).  However, many performers/artists nowadays want to have
so much control over their sets that they are canned.  At the end of
the day (or night), does it really matter?  If it moves you then it
moves you.  If not, what is the point?

On Fri, Apr 17, 2009 at 6:25 AM, Williams, Graham  wrote:
> Never mind. Next!
>
> g
>
>
> -Original Message-
> From: Martin Dust [mailto:mar...@dustscience.com]
> Sent: 17 April 2009 11:21
> To: Williams, Graham
> Cc: Three-One-Three
> Subject: Re: (313) What does "Live" mean these days?
>
>
> On 17 Apr 2009, at 11:18, Williams, Graham wrote:
>
>> No it's not the same point from the 70's, you said " like the hippy
>> students union in the 70's with their keep music live campaign"
>>
>> I never said anything about keeping it live.
>
> But you are saying it's not live, right?
>
> m
>



-- 
fbk

sleepengineering/absoloop US

Re: (313) What does "Live" mean these days?

[JT Stewart]

On Fri, Apr 17, 2009 at 4:43 AM, Williams, Graham  wrote:
> The way I see it is, when you just use Abelton and a midi controller,
> it's not really live. It's just pressing play and tweaking a few knobs.

That's overly arbitrary and quite unfair. There are many ways to use Ableton.

As far as I know, most people use Ableton in a live situation in "Clip
Mode", where each "clip" is a separate percussion loop, synth part,
etc. Starting and stopping the clips is really no different than
starting and stopping tracks on an MMT-8. You push a button or turn a
knob on a controller instead of pushing one of the track buttons on an
MMT-8 in order to "arrange" a track on-the-fly.

Yes, you can just push play in Ableton and tweak a few knobs. But
that's nothing new. You could load entire song sequences into an
MMT-8, or any other sequencer, and push play and tweak a few knobs as
well. There's really no reason to accuse Ableton of allowing some sort
of cheating/simple performance that wasn't possible before. Anybody
who wants to perform a canned set has been able to perform a canned
set for a couple decades now.

The truth is that Ableton is a great performance tool with many more
possibilities than any old hardware sequencer + sampler combo. I think
what you guys are criticizing is endemic to laptop performances in
general and not Ableton per se. Yes laptops homogenize performances,
and don't provide much in the way of appreciable performance for most
audiences, what's going on back there is usually a mystery. The easy
availability of Ableton, to anybody and their mom who wants to do a
"liveset", perhaps makes it seem like anybody can do it. Personally I
think using an MMT-8 was easier (the instructions are in the lid FFS!)
and provided considerable oppurtunity to "cheat" as well, that's
sequenced music for ya.

Re: (313) What does "Live" mean these days?

[kent williams]

On Fri, Apr 17, 2009 at 8:17 AM, Kevin Kennedy  wrote:
>  At the end of
> the day (or night), does it really matter?  If it moves you then it
> moves you.  If not, what is the point?
>

I think that the distinction between 'Live' and 'Not Live' is blurred
at this point to where it's meaningless.  I've had the privilege of
watching the two performers who have put the most effort into their
'live' performances up close: Shawn Rudiman and Stewart Walker.   They
both have put a huge effort into making their performance mean
something more than pressing 'play.'

And they both build their sets out of preprogrammed patterns.  Shawn
works his drum machines in write mode, but any time I've seen him play
he has an MMT8 full of patterns to drive his synths.  Stewart will
even occasionally drop a complete track into his set, but only if it's
one of his tracks that's so old he doesn't have separate parts for it.
 For both guys, they're making dozens of decisions every minute about
how to shape their music, and their goal is to engage their audience.

What makes their performances 'live' isn't how much of the music
they're playing in real time, it's how they make the music interactive
with the audience, and it's whether or not their music is engaging and
enjoyable.

If people want to be pure about live performances, they need to give
up techno and go back to watching live bands.   I enjoy both, myself,
but I've been bored to tears at shows where every note was played by a
musician with their hands.  When it comes right down to it, playing a
song on a guitar is every bit as much a pre-programmed experience as
playing loops on a computer.  What makes it good or bad is in the
realm of intangibles.  Does the performer react to and shape the
energy of the room? Does the performer project charisma?

My father is a Symphony Conductor, and the same questions pertain.  A
bad conductor is, in essence, pressing 'play' and the orchestra just
goes off and does their thing.  Having played myself in orchestras for
crappy conductors,  I know for a fact that they're little more than
human metronomes or worse -- they're unreliable human metronomes, and
the orchestra has to ignore them and listen to each other or
everything goes wrong.  A great conductor has established rapport with
his orchestra, and knows how to coax or bully a meaningful performance
out of them, sometimes with little more than eye contact and a tiny
gesture.

So that's what it comes down to -- does it signify? Does it affect you
emotionally? Is it pleasurable?  There's no absolute measure of the
methods behind the performance that determines whether it's good or
not.  It's fashionable in some circles to look down on laptops, no
matter who is using them. I think that's a load of crap.

Re: (313) New Music

[JT Stewart]

> Nebraska - Satellite Variations - Rush Hour
> More Nebraska awesomeness from Alistair Gibbs. These are older cuts that,
> given the style, should sound dated. They don't though, well worth picking
> up. There's also the Terrestrial Variations EP out too that I haven't picked
> up yet.

I don't understand. Why should they sound dated?

Satellite Variations is the one that's a few years old. Terrestrial
Variations is the one that's about 10 years old and is far superior
IMO.

Buy the album on Down Low Music please !

Re: (313) What does "Live" mean these days?

[kent williams]

Good ol MMT8s.  When Shawn Rudiman played here, one of the things we
did in my studio is record the tape dump from his MMT8 to the computer
and burn it to an audio CD, so that when his crashed he could reload
it.  He had the pattern memory so full that the OS would crash if he
made the wrong move. Don't know if he ever reloaded it from the CD
during the show, but he could have ;-)

On Fri, Apr 17, 2009 at 9:17 AM, JT Stewart  wrote:
> Personally I think using an MMT-8 was easier (the instructions are in the lid 
> FFS!)
> and provided considerable oppurtunity to "cheat" as well, that's
> sequenced music for ya.
>

Re: (313) What does "Live" mean these days?

[Denise Dalphond]

>  For both guys, they're making dozens of decisions every minute about
> how to shape their music, and their goal is to engage their audience.
>
> What makes their performances 'live' isn't how much of the music
> they're playing in real time, it's how they make the music interactive
> with the audience, and it's whether or not their music is engaging and
> enjoyable.

What makes it good or bad is in the
> realm of intangibles.  Does the performer react to and shape the
> energy of the room? Does the performer project charisma?

Yes, love how you explained this, Kent.  Clearly there's no hard and
fast answer, and that's what I love about listening to music, seeing
it performed, and talking/writing about it.  Everyone could
potentially have completely unique experiences and ideas and feel
passionately about them.  And that's how I feel about all these types
of debates - format, performance, the importance of identity and
background - there are so many possible interpretations.  I've written
about this on my blog :) plug plug.

http://denisedjsdetroit.blogspot.com/2009/04/aaron-carl-vinyl-bileebob.html

http://denisedjsdetroit.blogspot.com/2009/03/boundaries.html

-- 
Denise Dalphond
Ph.D. Candidate
Department of Folklore & Ethnomusicology
Indiana University
http://denisedjsdetroit.blogspot.com

Re: (313) What does "Live" mean these days?

[Andrew Duke]

kent williams wrote:

Good ol MMT8s.  When Shawn Rudiman played here, one of the things we
did in my studio is record the tape dump from his MMT8 to the computer
and burn it to an audio CD, so that when his crashed he could reload
it.  He had the pattern memory so full that the OS would crash if he
made the wrong move. Don't know if he ever reloaded it from the CD
during the show, but he could have ;-)

On Fri, Apr 17, 2009 at 9:17 AM, JT Stewart  wrote:

Personally I think using an MMT-8 was easier (the instructions are in the lid 
FFS!)
and provided considerable oppurtunity to "cheat" as well, that's
sequenced music for ya.


I remember with fondness the days when I used 2 MMT-8s for sequencing.
Mind, one of the last all-hardware live gigs I did was f*cked up by having
the MIDI cable fall out of one of the MMT-8s!

--
Andrew Duke In The Mix weekly mixshow (est. 1987), excl. DJ mixes, PAs, 
interviews:

http://cognitionaudioworks.com/AndrewDukeInTheMix.html
sound design and music content provider:
http://cognitionaudioworks.com/sounddesignandmusic.html
sound design, music, production, DJ courses:
http://andrew-duke.com/course.html
http://myspace.com/andrewduke
http://www.facebook.com/profile.php?id=1614666166
http://www.discogs.com/artist/Andrew+Duke
http://www.residentadvisor.net/dj-page.aspx?id=5947

Andrew Duke Cognition Audioworks
57 Hastings Drive Dartmouth NS Canada B2Y 2C7

Re: (313) New Music

[robin]

On 17 Apr 2009, at 15:24, JT Stewart wrote:


Nebraska - Satellite Variations - Rush Hour
More Nebraska awesomeness from Alistair Gibbs. These are older cuts  
that,
given the style, should sound dated. They don't though, well worth  
picking
up. There's also the Terrestrial Variations EP out too that I  
haven't picked

up yet.


I don't understand. Why should they sound dated?


I had in mind the remix of My Father and Flourescent Door. Looped,  
disco influenced tracks, could even be in the French style but as I  
say he pulls it off.



Satellite Variations is the one that's a few years old. Terrestrial
Variations is the one that's about 10 years old and is far superior
IMO.


Ah OK. Y'know from the clips it's the Terrestrial 12 that I wanted the  
most.



Buy the album on Down Low Music please !


Done. Those Soul223 mixes don't mess about either. Ace.

robin

(313) The Wire - 303

[Placid]

Just about to get stuck into a nice looking article about the TB 303.

Nice looking choice of tracks.. but what the hell are the Dust brother 
doing in there..


--
Playing

- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography - 
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk every other Thursday - 8pm - 10pm




--
Playing

- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography - 
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk every other Thursday - 8pm - 10pm

Re: (313) The Wire - 303

[Martin Dust]

On 17 Apr 2009, at 16:52, Placid wrote:


- 11th June - Sheffield


Where fella?

m

Re: (313) The Wire - 303

[Placid]

oookk  I did know they were the Chemical Brothers, i Just dont think 
they really have a place in the history of the 303. considering there is 
only a double page spread


good article tho.

Bérenger BLANCHER wrote:
The Dust Brothers is the old moniker of The Chemical Brothers, and 
they do a lot of tracks with the TB303. Or you talk about those who do 
the ost of Fight Club.


By The Way, The Wire has done a very good article about Jeff Mills for 
the 300 issue.


2009/4/17 Placid mailto:pla...@acid-house.net>>


Just about to get stuck into a nice looking article about the TB 303.

Nice looking choice of tracks.. but what the hell are the Dust
brother doing in there..

-- 
Playing


- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography -
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk  every other
Thursday - 8pm - 10pm




-- 
Playing


- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography -
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk  every other
Thursday - 8pm - 10pm






--
Playing

- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography - 
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk every other Thursday - 8pm - 10pm

Re: (313) The Wire - 303

[kent williams]

"The Dust Brothers" meaning the Chemical Brothers, who had to change
names when they signed in the US because of the US Dust Brothers, who
worked with Beastie Boys.  You may already have known that but
consider the kids -- some 313'er were in diapers in 1994.

And "Chemical Beats" from the "14th Century Sky" EP is a fantastic
track featuring distorted 303.  The first couple of EPs by those guys
were pretty great actually, too bad about them churning out all the
BLOCK ROCKING sh1t that followed.


On Fri, Apr 17, 2009 at 10:52 AM, Placid  wrote:
>
> Just about to get stuck into a nice looking article about the TB 303.
>
> Nice looking choice of tracks.. but what the hell are the Dust brother doing
> in there..
>

Re: (313) New Music

[ja...@iridite.com]

Yeah, that Droid thing is floating my boat too - the 1st release on
this off-shoot was pretty good too and in a similar vein.  New Martyn
album is good (Great Lengths on his 3024 label).  There some nice raw
early Chicago action on Let's Pet Puppies (Jody Finch - not heard of
him/her before) and what's peoples' thoughts on the Henrich
Muller-Rice mix of the new Rustie thing on Wireblock?

cheers

Jason

2009/4/17 robin :
>
> On 17 Apr 2009, at 10:36, Placid wrote:
>
>> Cheers Robin...
>>
>> Current faves here
>>
>> Idjut boys - Droid 2
>> Jody Finch - Whistle Worm ad Jack your big booty on Lets Pet Puppies
>
> Nice. Choice acid as usual P. Surprised by that Idjut Boys thing - I'd
> written them off as nu-disco :)
>>
>> Marcus Intalex - Four Three Three
>
> I like small doses of dubstep. This is an interesting take.
>
> btw. forgot to add that Henrik Schwarz is releasing some interesting tracks
> recently. He went a bit formulaic for me but I like the recent treatments
> he's done for old vocals and his instrumentation on the Sunburst Band remix,
> that Omar/Stevie Wonder track and the Detroit experiment remix he did (the
> less techy one with the sax).
>
> Speaking of saxes in techno tunes, Mike de Vellis' 'Alkaline Metal'
> (Moodymanc sax dub) is a killer tune. Like Garnier's  'The man with the red
> face' but with a twist. Yeah I know, Moodymanc's name is stoopid.
>
> robin...
>

Re: (313) New Music

[ja...@iridite.com]

We've still got it in stock after selling precisely, er, no copies
(record selling is a weird game sometimes!)

cheers

Jason

Rubadub

2009/4/17 gavin morrissey :
> wow that Arpanet remix is nice, seems to be sold out most places already!
>
> some records I'm enjoying atm
>
> Shake - Levitate Venice
> Black Jazz Consortium - New Horizons
> Chicago Skyway - Bells
> Moody - Anotha Black Sunday
> Juju & Jordash - Juju Music Sampler
>
> also looking forward to new stuff
>
> Reggie Dokes EP on Clone
> Andres album for Mahogani
>
>
> On Fri, Apr 17, 2009 at 11:21 AM, robin  wrote:
>>
>> On 17 Apr 2009, at 11:13, Placid wrote:
>>
>>> Theres a nice henrik Schwartz remix along with Andres Lodemnn on Fine art
>>> recordings..
>>> liking the Lodemann cut alot.
>>
>> Sweet, not seen that.
>>
>> On 17 Apr 2009, at 11:06, Bérenger BLANCHER wrote:
>>
>>> Sebastien Tellier - Kilometer (Arpanet remix)
>>> http://clone.nl/item14744.html
>>> Amazing remix by the Detroit legend Arpanet. Very sexy and dark
>>> atmosphere. Love it.
>>
>>
>> ...or that. Ta.
>>
>> robin...
>>
>>
>

Re: (313) New Music

[ja...@iridite.com]

Just out today I think- CD version is v. cheap for some reason too.
Sound clips on our home page



2009/4/17 Klaas-Jan Jongsma :
> Woahaa! There is a Martyn album out? I missed that, thanks Jason...
>
> KJ
>
>
> On 17 apr 2009, at 20:44, ja...@iridite.com wrote:
>
>> Yeah, that Droid thing is floating my boat too - the 1st release on
>> this off-shoot was pretty good too and in a similar vein.  New Martyn
>> album is good (Great Lengths on his 3024 label).  There some nice raw
>> early Chicago action on Let's Pet Puppies (Jody Finch - not heard of
>> him/her before) and what's peoples' thoughts on the Henrich
>> Muller-Rice mix of the new Rustie thing on Wireblock?
>>
>> cheers
>>
>> Jason
>>
>> 2009/4/17 robin :
>>>
>>> On 17 Apr 2009, at 10:36, Placid wrote:
>>>
 Cheers Robin...

 Current faves here

 Idjut boys - Droid 2
 Jody Finch - Whistle Worm ad Jack your big booty on Lets Pet Puppies
>>>
>>> Nice. Choice acid as usual P. Surprised by that Idjut Boys thing - I'd
>>> written them off as nu-disco :)

 Marcus Intalex - Four Three Three
>>>
>>> I like small doses of dubstep. This is an interesting take.
>>>
>>> btw. forgot to add that Henrik Schwarz is releasing some interesting
>>> tracks
>>> recently. He went a bit formulaic for me but I like the recent treatments
>>> he's done for old vocals and his instrumentation on the Sunburst Band
>>> remix,
>>> that Omar/Stevie Wonder track and the Detroit experiment remix he did
>>> (the
>>> less techy one with the sax).
>>>
>>> Speaking of saxes in techno tunes, Mike de Vellis' 'Alkaline Metal'
>>> (Moodymanc sax dub) is a killer tune. Like Garnier's  'The man with the
>>> red
>>> face' but with a twist. Yeah I know, Moodymanc's name is stoopid.
>>>
>>> robin...
>>>
>
>

Re: (313) New Music

[Klaas-Jan Jongsma]

Woahaa! There is a Martyn album out? I missed that, thanks Jason...

KJ


On 17 apr 2009, at 20:44, ja...@iridite.com wrote:


Yeah, that Droid thing is floating my boat too - the 1st release on
this off-shoot was pretty good too and in a similar vein.  New Martyn
album is good (Great Lengths on his 3024 label).  There some nice raw
early Chicago action on Let's Pet Puppies (Jody Finch - not heard of
him/her before) and what's peoples' thoughts on the Henrich
Muller-Rice mix of the new Rustie thing on Wireblock?

cheers

Jason

2009/4/17 robin :


On 17 Apr 2009, at 10:36, Placid wrote:


Cheers Robin...

Current faves here

Idjut boys - Droid 2
Jody Finch - Whistle Worm ad Jack your big booty on Lets Pet Puppies


Nice. Choice acid as usual P. Surprised by that Idjut Boys thing -  
I'd

written them off as nu-disco :)


Marcus Intalex - Four Three Three


I like small doses of dubstep. This is an interesting take.

btw. forgot to add that Henrik Schwarz is releasing some  
interesting tracks
recently. He went a bit formulaic for me but I like the recent  
treatments
he's done for old vocals and his instrumentation on the Sunburst  
Band remix,
that Omar/Stevie Wonder track and the Detroit experiment remix he  
did (the

less techy one with the sax).

Speaking of saxes in techno tunes, Mike de Vellis' 'Alkaline Metal'
(Moodymanc sax dub) is a killer tune. Like Garnier's  'The man with  
the red

face' but with a twist. Yeah I know, Moodymanc's name is stoopid.

robin...

Re: (313) chart for ten years ago

[ja...@iridite.com]

> Wow - 10 years since Tracks For My Father!  OK, here's my list for
> this month so I can look back in 10 years and say the same thing!
>
> 1- Nick Sole - Simple Things  (Morjuba)
> 2- Mush - Test 66 EP (Chez Damier and Orlando Voorn Mixes) (Night Vision)
> 3 -Jitterbug - Raw Winter EP [DJ Qu Remix]  Uzuri
> 4 -Educution - Make Up Tips For The Elephant Man Part 1 (d1 recordings)
> 5- AEOD - Untitled EP (d1 recordings)
> 6- Various - Prime Numbers 7 (Prime Numbers)
> 7- Quantec - The Landing (Elliot Dodge Mix) (Snapshot Records)
> 8- Blake Baxter- F**k You Up (Incognito)
> 9- Unit Mobium- The Golden Years (Clone)
> 10- Photonz - No Fear (Dissident)
>
> cheers
>
> Jason
>
>
>
> 2009/4/15 Andrew Duke :
>> According to column archives for 1997-2000--
>> http://cognitionaudioworks.com/columnarchives.html
>> --here's what I was diggin' this time ten years ago
>> (scary how time flies, but great that so many of the following
>> are still makin' me smile--especially as I recover from my
>> 2 year old daughter having just attempted to make yet another
>> assault on my vinyl collection; I truly hope my son, scheduled for
>> birth in June, likes listening to vinyl more than throwing it
>> around and dancing it!):
>>
>> 01. Cristian Vogel--"Busca Invisibles" 2 X LP (DM Tresor test)
>> 02. Anthony Shakir--"Tracks For My Father" EP (US Seventh City test)
>> 03. Dan Curtin--"Spatial Relationships" EP (US Metamorphic test)
>> 04. The Hacker--"Le Danseur Parfait" EP (UK Magic Trax)
>> 05. Unspecified Enemies--"Multi-Ordinal Tracking Unit" EP (UK Counterattack)
>> 06. DJ Jasper and Kit Clayton--"Detention" EP (US Cytrax test)
>> 07. Todd Sines--"Null" EP (DM Background test)
>> 08. Stewart S. Walker--"Jet Fuel And Longing" EP (US Belief Systems test)
>> 09. Merrick Brown--"Crime Of Stealth" EP (US Tektite advance cassette)
>> 10. Donnell Knox--"Mystical Illusions" EP (US Sonic Mind test)
>> 11. DJ Godfather--"Aliens Got My 808" EP (US Twilight 76 test)
>> 12. The Parallax Corporation--"Lift Off" 12" (NL Viewlexx)
>> 13. Wolfgang Voigt--"Orange Red" EP (DM Freiland)
>> 14. Various--"United Efforts Volume One - Interference Invention" EP (SE
>> G-Force test)
>> 15. Tim Baker--"Underground Authority" EP (US Elephanthaus test)
>> 16. Various--"The Men You'll Never See" EP (NL Clone/C2)
>> 17. Tekonivel (Mika Vainio of Pan Sonic)--"Gulab Jamoon" EP (US Tension
>> test)
>> 18. Steve Stoll--"Observer" EP (US Proper)
>> 19. I-F--"Playstation #2" (DM Disko B test)
>> 20. DJ Future Shock--"The Third Wave" 12" (UK SouthWest 20 test)
>> --
>> Andrew Duke In The Mix weekly mixshow (est. 1987), excl. DJ mixes, PAs,
>> interviews:
>> http://cognitionaudioworks.com/AndrewDukeInTheMix.html
>> sound design and music content provider:
>> http://cognitionaudioworks.com/sounddesignandmusic.html
>> sound design, music, production, DJ courses:
>> http://andrew-duke.com/course.html
>> http://myspace.com/andrewduke
>> http://www.facebook.com/profile.php?id=1614666166
>> http://www.discogs.com/artist/Andrew+Duke
>> http://www.residentadvisor.net/dj-page.aspx?id=5947
>>
>> Andrew Duke Cognition Audioworks
>> 57 Hastings Drive Dartmouth NS Canada B2Y 2C7
>>
>

Re: (313) What does "Live" mean these days?

[Benoît Pueyo]

Actually most the big rock bands do pre-programmed sets during their 'live'.
The order of the tracks, their lengths etc. Its everything but 
spontaneaous. The good proof for that is that all the lights and visuals 
are pre-programmed (just go next to the light jockey in a rock live, he 
has next to his setup the full line up of the live with timed comments 
showing what he has to do at this or that moment).


This can sound disppointing but there's still he interest of 
seeing/hearing your favourite band playing different versions of their 
own tracks and interacting with a crowd.


When it comes to techno its all about the same to me : wether the 
performer plays the instruments live or does something more 
pre-programmed is not important. And its not linked to the gear used 
(both ableton and regular gear can be used live or pre-programmed). What 
is important is the charisma and the visuals, which are a good part 
(except the music and how it interacts with the people) of the crowd 
satisfaction.


Its not nostalgic to say that ableton sets are less charismatic than 
good old gear lives. That can end to this digital/vinyl DJ discussion, 
but the difference is that 'live' is most of the time promoted as 
'better' of 'more exceptional' that the regular DJ set.


Benoît.


kent williams a écrit :

On Fri, Apr 17, 2009 at 8:17 AM, Kevin Kennedy  wrote:

 At the end of
the day (or night), does it really matter?  If it moves you then it
moves you.  If not, what is the point?



I think that the distinction between 'Live' and 'Not Live' is blurred
at this point to where it's meaningless.  I've had the privilege of
watching the two performers who have put the most effort into their
'live' performances up close: Shawn Rudiman and Stewart Walker.   They
both have put a huge effort into making their performance mean
something more than pressing 'play.'

And they both build their sets out of preprogrammed patterns.  Shawn
works his drum machines in write mode, but any time I've seen him play
he has an MMT8 full of patterns to drive his synths.  Stewart will
even occasionally drop a complete track into his set, but only if it's
one of his tracks that's so old he doesn't have separate parts for it.
 For both guys, they're making dozens of decisions every minute about
how to shape their music, and their goal is to engage their audience.

What makes their performances 'live' isn't how much of the music
they're playing in real time, it's how they make the music interactive
with the audience, and it's whether or not their music is engaging and
enjoyable.

If people want to be pure about live performances, they need to give
up techno and go back to watching live bands.   I enjoy both, myself,
but I've been bored to tears at shows where every note was played by a
musician with their hands.  When it comes right down to it, playing a
song on a guitar is every bit as much a pre-programmed experience as
playing loops on a computer.  What makes it good or bad is in the
realm of intangibles.  Does the performer react to and shape the
energy of the room? Does the performer project charisma?

My father is a Symphony Conductor, and the same questions pertain.  A
bad conductor is, in essence, pressing 'play' and the orchestra just
goes off and does their thing.  Having played myself in orchestras for
crappy conductors,  I know for a fact that they're little more than
human metronomes or worse -- they're unreliable human metronomes, and
the orchestra has to ignore them and listen to each other or
everything goes wrong.  A great conductor has established rapport with
his orchestra, and knows how to coax or bully a meaningful performance
out of them, sometimes with little more than eye contact and a tiny
gesture.

So that's what it comes down to -- does it signify? Does it affect you
emotionally? Is it pleasurable?  There's no absolute measure of the
methods behind the performance that determines whether it's good or
not.  It's fashionable in some circles to look down on laptops, no
matter who is using them. I think that's a load of crap.

(313) Some AW news

[Klaas-Jan Jongsma]

Some news from Arne Weinberg some of you might like:
---
Another thing to look forward to: I am happy to announce a new 12" by  
Optic Nerve aka Keith Tucker, one half of the famous electro group AUX  
88. I can assure you that the tracks he delivered are pure funky and  
hot Detroit techno stuff, great for the dancefloor.
Also in progress is the return of mighty techno don Gerard Hanson aka  
Convextion. I hope to be able to tell more about that soon. I think we  
can expect more spaced out dub styled futuristic techno from him.



Regarding the author of this newsletter, I am working on my liveact  
finally. Yes, I did it, and I am happy to tell you that I will be  
available for livegigs after the summer. I am planning to offer a Arne  
Weinberg live set and also a liveact under my alias Onmutu Mechanicks  
(new 12" on Echocord Colour just released) that will focus more on the  
dubby side of things.
If you're interested in booking me or know someone who is, please  
don't hesitate to contact me under

book...@aw-recordings.com.

(313) Mike Grant mixes- back in the day

[ja...@iridite.com]

Hey Ho- don't know where else these are available but we've got a
really nice slice of Detroit history for sale at the moment courtesy
of Mr Mike Grant and although I often don't post about items we're
specifically selling in case it's a conflict of interest, I doubt
there's a 313 list subscriber that wouldn't be interested in hearing
these:

"These are direct from Mike Grant himself and they are uber limited!!
This mix CD is taken from a tape of Mike Grant spinning at the
University of Detroit in 1985. Part 2 has some freestyle from John
Rocca plus early Model 500 and heaps of 80's electro. Read on for a
few words from Mike himself.

"I just finished some mixed CDs which are a little "special" in that
they are reflective of the climate of Detroit around 1985. Two are
from cassettes recorded at The University of Detroit right before I
went into the Army"

 "As it was 45 mins a side I looked to do something different and
added some dialogue to fill the empty space and setup the mix. The
other two mixes are reflective of the different classes we associated
ourselves with back then: Jits (from the East side, a little rougher
stuff like Egyptian Lover, Model 500, some LA techno-hop, Twilight 22,
and some Miami freestyle) and Preps (from the West side, more
alternative, New Order, Viscous Pink, Ian Dury, The Pet Shop Boys, and
The Clash."

 "As I was recording old cassettes I thought It'd be cool to present a
live look at one of the parties from back in the day. The U of D gig
was one I did before leaving for the U.S. Army in 1985. I was near the
top of the DJ pyramid at the time being a member of WJLB's Street Beat
mix show but had already made the commitment. I also thought back on
how the city seemed divided East and West by Woodward Ave. In high
school then you were normal or associated yourself with the preppy or
jit crowd. Preps were into fashion and jits seemed to be into trouble.
Each had a different type of music associated with it (progressive or
urban). As there is a fascination with Detroit's history this is just
a taste of what can be found in my archives, look for more of the past
in the future..."

http://rubadub.co.uk/?node_id=1.3&id=24783


These CD's are realy.excellent - I enjoyed hearing music that I
knew from that period and being assured that it was also influencing
the guys in Detroit that would go on to influence me (and countless
others) in their music making journeys.

cheers

Jason

(313) The Wire - 303

[Placid]

Just about to get stuck into a nice looking article about the TB 303.

Nice looking choice of tracks.. but what the hell are the Dust brother 
doing in there..


--
Playing

- 6th June - under_score w/ Rob Hall
- 11th June - Sheffield
- 27th June - NYC Downlow - Glastonbury

Placid on the t'interweb - http://www.acid-house.net

Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid

Placid's Gigs and Gigography - 
http://www.new.facebook.com/group.php?gid=41658902688

Live on Future-music.co.uk every other Thursday - 8pm - 10pm

(313) 17April mixshow w/ Nebraska,Shake,BlackDog,ReggieDokes,Osborne,Rudiman,Broom,Florence,Alce...

[Andrew Duke]

Cognition Audioworks presents Andrew Duke In The Mix (est. 1987) show 
#2312 recorded April 17, 2009


http://cognitionaudioworks.com/AndrewDukeInTheMix17Apr09.mp3
http://andrew-duke.com/AndrewDukeInTheMix17Apr09vbr.mp3

previous 4 shows:
http://cognitionaudioworks.com/AndrewDukeInTheMix09Apr09.mp3
http://andrew-duke.com/AndrewDukeInTheMix09Apr09vbr.mp3
http://cognitionaudioworks.com/AndrewDukeInTheMix24Mar09.mp3
http://andrew-duke.com/AndrewDukeInTheMix24Mar09vbr.mp3
http://cognitionaudioworks.com/AndrewDukeInTheMix13Mar09.mp3
http://andrew-duke.com/AndrewDukeInTheMix13Mar09vbr.mp3
http://cognitionaudioworks.com/AndrewDukeInTheMix22Feb09.mp3
http://andrew-duke.com/AndrewDukeInTheMix22Feb09vbr.mp3

promos for show consideration & remix requests are welcome;
email remix requests & download links to WAV (preferred)/AIFF/MP3 promos 
on and...@andrew-duke.com


Andrew Duke remixes out now on Beatport et al:
_Eight Minus Eight--Mad Hatter (Andrew Duke's Wonderland mix) (Dublin 
Xpress DXR018)
_Tomi Chair--Lullaby For A Nightmare (Andrew Duke's Crispy Creepy Crawly 
Alien Funk mix) (Nice&Nasty NAN052)


0:00:00  The Black Dog--Biomantric L-if_E from Further Vexations 
(SomaCD077) 04May09

0:02:51  Florence--The Vineyard (Convexion remix) (Eevonext NEXT10) 19May09
0:05:41  Anthony Shakir--Space Probes (Urban Tribe mix) from Levitate 
Venice (Morphine doser010) 20Apr09
0:08:33  Solar Chrome--Cellular Automaton from Controlled Reality 
(Maschinen Musik MM13)

0:11:10  Aux 88--Mad Scientist from Mad Scientist (Puzzlebox PBX-14)
0:14:16  Nebraska--Vicarious Disco (Soul 223 mix) from Vicarious Disco 
(Down Low DL014)

0:16:56  Brooks--Iwanchu from All Night Long EP3 (AUS0921) 01Jun09
0:20:10  Trackleton--Traditional Folk Song from Jump (Yore014)
0:22:58  Kai Alce--Ooohhh! (Dubbyman remix) from Alpha Revisited (Deep 
Explorer DEEPEX015)
0:27:04  Manuel Tur ft. Alexander East--Will Be Mine from 0201 
(Freerange) 22Jun09
0:31:15  Reggie Dokes--Back 2 Afrika (solo version) from Let Me Go 
(Offering OR008)
0:34:13  Sheharzad--Yalla Yalla (Henrik Schwarz remix) from FAR Sampler 
II (Fine Art FA14)
0:37:21  Rick Wade--Wave Heart from Melancholy Of Rick Wade (Harmonie 
Park012)

0:41:14  Richie Farnes--Purple Kush (Black & White Orange BWO020)
0:44:35  Reade Truth--Frequency Sex from Crimen Excepta (Planet E 
PLE65306-1) 20Apr09

0:50:00  Anton Zap--Spain from Outside (Uzuri007)
0:53:21  Ada--Lovestoned from Adaptations (Kompakt KOM188)
0:56:42  Genetikal Twins--Ebano (Andrew Duke's Unresponsive Script mix) 
(Dialtone DT045) 07Jul09

1:01:13  Osborne--The Count from Hovercrafting (Spectral Sound SPC-68)
1:04:03  Francesco Pierguidi--Little Fog from EP003 (Cannibald EP003)
1:07:40  Philip Sherburne--Milk & Honey (Lan 14)
1:10:31  GummiHz--Desire from Mind Games (Mobilee 022)
1:14:00  Silencefiction--Darkling (Untitled & After UA04)
1:15:56  Shawn Rudiman--Synthetic Aesthetics from Blue Collar Futurist 
(unreleased white label)
1:20:03  Cosmic Cowboys--Luce (Reynold remix) from Goodnight (Trenton 
TREN032) 25May09

1:22:26  Maxime Miville--Endorphine from Runner's High (Archipel ARCH061)
1:26:36  Carlos Laporta--Now It (Gabriel Ferreira reinterpretation) from 
Now/This (Shufflemood SHFLMD018)

1:29:24  Remute--Joking About Death (Shooting Elvis SE004)
1:32:01  Mark Broom--This Town (VIP mix) from Deal Or No Deal (D1 Done046)
1:34:32  Davor O.--Transitional Objects (Joolka's remake)
1:37:40  Terrence Fixmer--Machine (Speedy J rez) (Electric Deluxe 
EDLX.004) 21Apr09

1:40:10  Martin Woerner--Full Tilt (Paso 015) Apr09
1:42:35  Catalepsia--The Idea Of Losing from Football Factory (Synewave 
SW79)
1:44:28  Monty Luke & Tasho--Paranoid (Todd Bodine remix) (Mothership 
MSHIP002)
1:48:58  Espion--Petrol Bomb The F*ckers from Petrol Bomb (Bass 4 Bots 
B4B-02)

1:51:28  Ian Pooley--Difference (Eight mix) from Nightscape (Simple0936)
1:53:16  Russian Linesman--Annexia (Applescal remix) from Amsterdam 
Story (Manual MANDIG020)
1:57:32  Louderbach--Shine (Thrill Cosby aka Seth Troxler's Broken Door 
Vox. Dilo mix) (Minus75)
2:00:30  Max Cavalerra--In Memory Of Violett from The Bigger, The Better 
(Broque BRQ50)

2:03:05  Legowelt--Loverstory from Slompy Jitt (MOS011) 21May09
2:04:31  DJ Lennon--Huge Warm from Latencias (Dialtone DT037)
2:06:43  Dirt Crew--Redux from Redux (Moodmusic MOOD-071) 20Apr09
2:08:31  Jeff Bennett--Ridzo from Evasive Sampler #4 (Evasive EVA025) Jun09
2:12:08  Untold--I Can't Stop This Feeling (Hessle HES008) 18May09
2:13:33  Julien Piacento--Akuarelle (Dualism's Wetpet mix) (Miniatura 
MINIA026)
2:17:33  Modern Heads--System Overload from Raise The Gain (Radiance 
RCLTD004)

2:19:23  Pirahnahead--Con-Science from NGTVNG: Stage 1 (Whasdat)
2:22:42  Le Loup--Sistaaa from See Line (Wolf + Lamb WL054)
2:24:15  Dubbyman--Good For Me (Deep Explorer mix) from Tales From The 
Deep (Signs Of Authority SOA005)

2:26:50  Kai Alce ft. Kemi--Feeding from The Floating (NDATL Muzik 001)

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Andrew Duke In The Mix weekly mixshow