Re: (313) Beatport Apparel?
lol graham williams -- From: "Williams, Graham" Sent: Thursday, November 12, 2009 4:40 AM To: "list 313" <313@hyperreal.org> Subject: (313) Beatport Apparel? It's great to see Joe make another worthwhile contribution to the mailing list. G -----Original Message- From: /0 [mailto:r3dsh...@chartermi.net] Sent: 11 November 2009 02:15 To: kent williams; list 313 Subject: Re: (313) Beatport Apparel? -- From: "kent williams" Sent: Tuesday, November 10, 2009 2:24 PM To: "list 313" <313@hyperreal.org> Subject: (313) Beatport Apparel? I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really >about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not rea
Re: (313) Beatport Apparel?
-- From: "kent williams" Sent: Tuesday, November 10, 2009 2:24 PM To: "list 313" <313@hyperreal.org> Subject: (313) Beatport Apparel? I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's not really about Detroit techno. >I know it's
Re: (313) On the radio tonight - recording of me @ S üd last October
odd. richard's didn't flag here. win7/live mail -Joe -- From: "Martin Dust" Sent: Monday, September 14, 2009 5:51 PM To: "/0" Cc: ; ; "313" <313@hyperreal.org> Subject: Re: (313) On the radio tonight - recording of me @ Süd last October /0 wrote: Tristan, FYI, your emails are, for some reason, being flagged in my email client as potential phishing emails. -Joe It's all the links, Richard's also get flagged on our system. m
Re: (313) On the radio tonight - recording of me @ Süd last October
Tristan, FYI, your emails are, for some reason, being flagged in my email client as potential phishing emails. -Joe -- From: "Tristan Watkins" Sent: Monday, September 14, 2009 5:03 PM To: Cc: "313" <313@hyperreal.org> Subject: Re: (313) On the radio tonight - recording of me @ Süd last October I've posted up the archive of yesterday's radio broadcast here: http://www.phonopsia.co.uk/?p=1100. And this is the tracklist: Koss - Earth (S Point) [Mule Electronic] Inverse Cinematics - The Rise & Fall (Sam Irl remix) [Pulver Records] A Mountain Of One - Brown Piano (remake by Studio) [A Mountain Of One] Roland Appel - New Love [Sonar Kollektiv] Secondo - Solstice [Soul Jazz Records] Kadebostan - Sofia On Stage [Fenou] Reggie Dokes - Black Thoughts (Original) [Psychostasia Recordings] The Asphalt - 8 Mile Road (Juju & Jordash mix) [Deep Explorer] The Mole - I've Got My A1 [Musique Risquée] Stereociti - Dedicated JB [Deep Explorer] Mujaba - Fuelta [Four Roses Recordings] Henrik Schwarz, Âme and Dixon - DPOMB (version 2) [Innervisions] DJ Gregory - Labyrinthe [Zouk Music] Todd Terry - I Hear the Music [Sound of Ministry] Kadebostan - 5.15 am [Fenou] Kenny Larkin - Keys, Strings, Tambourines - Glob [Planet E] Johnny Fiasco - D-Drive [Distant Music] Jacek Sienkiewicz - Living in Oblivion [Smallville] Focus - Marvin in One [Versatile Records] Wam Kidz - CB's Groove [After midnight] Andre Harris - Lifted (Original) [Cajual Records] XS - Deeper [Yoshitoshi Recordings] NY Connection - Messages [Evolution] Atjazz - For Real (Version Remix) Kontext - Plumes [Immerse Records] Cheers, Tristan === phonop...@phonopsia.co.uk http://www.phonopsia.co.uk http://www.facebook.com/pages/Phonopsia/114852264163 On 13/09/2009 13:15, Tristan Watkins wrote: I’m on the radio tonight at 1900 BST. That’s 1300 CDT. Figure it out where you are here: http://www.worldtimeserver.com/convert_time_in_GB.aspx?y=2009&mo=9&d=14&h=19&mn=0. It's a recording of my performance at Süd Electronic last October, broadcast on my friend Patrick’s Eclectic Electric show on Purple Radio: http://www.purple-radio.co.uk. Tune in if you can: http://87.117.193.144:9578/listen.pls Cheers, Tristan === phonop...@phonopsia.co.uk http://www.phonopsia.co.uk
Re: (313) New Mix/Charts
honestly, all of it. he's a true master. plume is his newest full length, and there is a newish track on the modelarts Relay release (free: http://www.modelart.ie/relay/ ) and again, there is a terrific new loscil track on that dakota suite remix album -- From: "Martin Dust" Sent: Friday, September 04, 2009 5:27 AM To: "/0" ; "list 313" <313@hyperreal.org> Subject: Re: (313) New Mix/Charts On 2 Sep 2009, at 22:43, /0 wrote: martin if you like peter broderick, pick up the dakota suite remix album http://www.discogs.com/Dakota-Suite-The-Night-Just-Keeps-Coming-In/release/1751456 great tracks from peter, loscil, jacaszek, etc. Joe, what Loscil would you recommend? We have Sumbers already. m
Re: (313) New Mix/Charts + Jacaszek
here is one of teh tracks from treny... gives you an idea of what to expect from the release... http://www.youtube.com/watch?v=qLJ1SnddiUo really a great album. top 3 of 2008 for me. Martin Dust wrote: > > On 3 Sep 2009, at 10:43, Odeluga, Ken wrote: > > > You mentioned Jacaszek; I've had that Pentral LP on my iPod for > > about 3 months. > > Pentral is great piece of work. Joe recommend Treny, which I've not > picked up yet. > > m >
RE: (313) New Mix/Charts + Jacaszek
treny is one of the best albums of the past 10 years. absolutely wonderful album, and andreas did a great job with the mastering. its a giant sounding release i dont own a record player and when it was released this year on heavy vinyl as a limited pressing of 400, I bought two copies. its THAT good. "Odeluga wrote: > You mentioned Jacaszek; I've had that Pentral LP on my iPod for about 3 > months. > > I've not heard much of his other music but I really like it as an > introduction. > > It's not for the floor and takes some getting used to but is recommended. > > Read more here: > > http://www.boomkat.com/item.cfm?id=182234 > > Ken > > > -Original Message- > From: Martin Dust [mailto:mar...@dustscience.com] > Sent: Wednesday, September 02, 2009 10:54 PM > To: /0 > Cc: list 313 > Subject: Re: (313) New Mix/Charts > > /0 wrote: > > martin if you like peter broderick, pick up the dakota suite remix album > > > > http://www.discogs.com/Dakota-Suite-The-Night-Just-Keeps-Coming-In/release/1751456 > > > > > > great tracks from peter, loscil, jacaszek, etc. > Thanks for the tip, I'm a big, big fan of Peter's work, we've been > playing a lot of his and Budd's work early in the morning. > > m
Re: (313) New Mix/Charts
martin if you like peter broderick, pick up the dakota suite remix album http://www.discogs.com/Dakota-Suite-The-Night-Just-Keeps-Coming-In/release/1751456 great tracks from peter, loscil, jacaszek, etc. -- From: "Martin Dust" Sent: Wednesday, September 02, 2009 10:15 AM To: "list 313" <313@hyperreal.org> Subject: (313) New Mix/Charts The Black Dog 02. Sometimes 01. Intrusion - Under The Ocean - Echospace [detroit] 02. Intrusion - Static Waves - Echospace [detroit] 03. Louderbach - Autumn - Minus 04. Terry Riley - Poppy No Good - Rough Trade 05. Robin Rimbaud - Sans Soleil - Bine 06. Peter Broderick - Music for Falling from Trees, Pt. 3_ Pill Induced Slumber - Erased Tapes 07. Peter Broderick - Music for Falling from Trees, Pt. 6_ Electroconvulsive Shock - Erased Tapes 08. Stars Of The Lid - Hiberner Toujours - Kranky 09. Robin Rimbaud - Anna Livia Plurabelle - Bine 10. Peter Broderick - A Glacier - Erased Tapes 11. White Rainbow - April 25th 11.14PM - Kranky 12. The Black Dog - Plinth (Tones) - Soma 13. The Black Dog - Plinth (Beatless) - Soma Support the artists and buy their work. http://www.theblackdogma.com/tbd/download-manager.php?id=26 Subscribe here: http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=329489653 Other support here: http://www.theblackdogma.com/tbd/?page_id=1142 Charts http://www.theblackdogma.com/tbd/?p=1163 m
Re: (313) Netbooks; worth it for music applications?
i use my lenovo s10 with max/msp and audiomulch. obvious limitations apply. best, Andrew Duke Cognition Audioworks wrote: > On Tue, Jun 23, 2009 at 11:00 AM, Arturo Lopez > wrote: > >>> Was wondering if anyone out there had any experience running any music > >>> applications on a netbook? Seems like it might be a nice/cheap > >>> solution for running ableton/serato/whatever and quite a bit more > >>> portable than a larger laptop. Concerned a bit weather a $250 netbook > >>> has a beefy enough processor to handle these apps, but then again > >>> people were running those apps on slower laptops 3 or 4 years ago. > >>> Hmm. I'd imagine you'd have to buy an external soundcard though. > I bought my last laptop literally the day after it arrived in store and > I got the best > one I could find at the time, plus souped it up with extra RAM/etc. I > managed > to get 6 years out of it until, in a blink of an eye, my 2 year old > daughter decided > to "imitate Daddy" and "use" it (read as "bang the keyboard with her > fists and > knocked it on the hardwood floor"). The place I bought it from, who've > always > been very good to me, told me it would cost more to replace the hard drive > and keyboard than to buy a new laptop, so (to finally get to the point) > I decided > that if my next laptop might also bite the dust in such a way, I would > get a netbook. > > I was very close to buying one, but after doing some research I found > that most > said it was great for email/internet/simple non-CPU-hogging tasks (thus the > netbook name) and not at all good for CPU-intensive stuff like audio, > that is > unless you were willing to have a lot of patience. While you might be > able to > get by with patience in the studio, I figure using it for live situations > like live PAs and DJing it just won't cut the mustard and those > listening won't > care that it is on account of yer using a netbook. > > When I have some money (not in the near future with a 2.25 year old and > a 1 week old in the house!), I will buy a new portable rig, but it will be a > small *laptop*. > > Hope this helps with your decision, Arturo. Let us know what you end up > buying and how it works for you. > Take care. > Andrew
Re: (313) 15 years
if you get into EDM and have to be genre focused, choose something that is less self contradictory than detroit techno, the "future music" that does nothing but chase the past. today is never as good as yesterday in the world of detroit techno. -- From: Sent: Friday, June 05, 2009 5:01 PM To: "Garrett McGrath" Cc: "JT Stewart" ; "robin" ; "kent williams" ; "list 313" <313@hyperreal.org> Subject: Re: (313) 15 years So what's your advice to young 313 list'ers? On Fri, Jun 5, 2009 at 4:24 PM, Garrett McGrath wrote: '95 or '96 for me.. somewhere in there. too many email addys. On Jun 5, 2009, at 5:31 AM, JT Stewart wrote: 1995 here too On Fri, Jun 5, 2009 at 7:41 AM, robin wrote: I think that beats me. I've been on here since 1995 I think (as rob...@chem.leeds.ac.uk, originally). Congrats Marsel! :) robin... On 5 Jun 2009, at 12:30, kent williams wrote: It means you're eligible to be in the grizzled elder pictures from DEMF: http://tinyurl.com/pknn5s Since the list was started in 1994, you must be one of the OG 313'ers. On Fri, Jun 5, 2009 at 5:05 AM, Marsel van der Wielen wrote: i suddenly realized i'm almost 15 years subscribed to this list did i win any? 313 watch? -- kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) Re: Festival Debriefing?
benga WAS booked, but missed his flight. -- From: Sent: Friday, May 29, 2009 5:38 PM To: <313@hyperreal.org> Subject: Re: (313) Re: Festival Debriefing? Here are some pics from our crew this year: http://www.flickr.com/photos/chelseafaith/page2/ http://www.flickr.com/photos/52271...@n00/sets/72157618926534056/ some tech fest 09 highlights for me: P Maack from D.I.E. lambasting us techno geeks for not grinding with the ladies at Hump friday night Jay Denham bringing it strong! I wasnt sure what to expect after the more chill sounding last album but this is what I imagine seeing him back in the day was like. Xlent hard techno despite the shitty rig. Mills!!! Ear bleeding sound, great crowd (even greater after it thinned out a bit), and Mills bringing it cerebral style. Though technically not quite up there with the time he came out to the west coast, the selection was just want I needed. disappointments: The Real Detroit Stage. I'm sure it sounded cool after a few drinks at the bar but the island stage thing has got to be the stupidest arrangement I have ever seen in my life. so sad. Shady promoter tactics. One of the artists I was most curious to see, Benga, apparently was not even scheduled to perform. He didnt show up and then we noticed in the program a tiny little asterik next to his name and a tiny comment at the bottom saying "subject to change". this was only on Benga's name! typical Detroit tactics I suppose hooj choons: Definetely was noticing alot of anthems this year. Francois K played what seemed to me like the detroit classics version of Girl Talk, remixing on the fly etc. Unfortunately it left me and my friends a bit cold. I guess we want to hear some new music these days. heard "french kiss" a few times, of course from Derrick but he didnt indulge in the full slow down female interlude. Also heard blackwater a few places. But the runaway hit of the fest which I am sure we will hear more of this Summer was a track from a pretty unknown serbian dude, gramaphone dzie with a great jazz standard samplefest called Why Dont You. We heard this cut played by Minx, Delano Smith as well as Luciano.
Re: (313) Festival Debriefing?
But the vibe is always better when the focus is on the music, not the intoxicants. But the vibe is always better when the focus is on the music, not the intoxicants. But the vibe is always better when the focus is on the music, not the intoxicants. But the vibe is always better when the focus is on the music, not the intoxicants. But the vibe is always better when the focus is on the music, not the intoxicants. But the vibe is always better when the focus is on the music, not the intoxicants. But the vibe is always better when the focus is on the music, not the intoxicants. But the vibe is always better when the focus is on the music, not the intoxicants.
Re: (313) Jeff Mills Homecoming
"Joining Jeff will be Techno music legend Juan Atkins as special guest. Buzz Goree, James Pennington, Traxxs, Ryan Elliot, Claus Bachor will also be performing." -- From: Sent: Saturday, May 02, 2009 9:41 PM To: "list 313" <313@hyperreal.org> Subject: (313) Jeff Mills Homecoming OMG. see u all there. *MIXWORKS Presents: JEFF MILLS HOMECOMING* Sunday, May 24th 2009 / TANGENT GALLERY 715 East Milwaukee / Detroit 10 Dollars B4 Midnight / 18+ With ID 10:00PM-LATE *BUZZ GOREE AKA CLANDESTINE* UR/MIXWORKS *JAMES PENNINGTON AKA SUBURBAN KNIGHT* UR *TRAXX* BLACK NATION/RELIEF/FRINGIO *RYAN ELLIOTT* SPECTRAL *CLAUS BACHOR* PSYCHOTHRILLA/KLOIN *SPOREPRINT* MIXWORKS PLUS: LIVE PAINTING BY *ABDUL HAQQ* UR/THIRD EARTH VISUAL ARTS
Re: (313) Carl Craig named creative director of Movement 2010
hopefully we don't end up with a festival full of boring detroit crap next year. -- From: "Matt Kane's Brain" Sent: Friday, May 22, 2009 9:13 AM To: "313 313" <313@hyperreal.org> Subject: (313) Carl Craig named creative director of Movement 2010 From Sonic Sunset's Twitter feed: http://www.residentadvisor.net/news.aspx?id=10599 Yay! -- matt kane's brain techno radio at: http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim -> mkbatwerk ; y! -> mkb218 ; gtalk -> mkb.dirtyorg
Re: (313) Soundstream interview
thanks for posting this. loved his stuff for years and his new record is great, as is the remix he did on that recent prosumer/murat record. -- From: "robin" Sent: Tuesday, May 19, 2009 1:13 PM To: "313 Org" <313@hyperreal.org> Subject: (313) Soundstream interview I know, off topic but who doesn't like Soundstream? His attitude the "editing" is often along the same lines as Theo and Ron Hardy. (are we closer to the topic now? :) ) http://www.residentadvisor.net/feature.aspx?1050 robin...
Re: (313) TB or not TB
paul, take a look at the hawtin thread. using that as context, your mix is worth at least 10 posts. :) -- From: "Placid" Sent: Saturday, May 16, 2009 6:32 PM To: "/0" ; "Three-One-Three" <313@hyperreal.org> Subject: Re: (313) TB or not TB bum.. for some reason its not showing in my inbox... not a bad mix tho.. posibly not worth 3 posts tho p /0 wrote: we got the other 3 also :) -- From: "Placid" Sent: Saturday, May 16, 2009 2:59 PM To: "Three-One-Three" <313@hyperreal.org> Subject: (313) TB or not TB Warning: contains acid Direct link - http://www.acid-house.net/TB_or_not_TB.mp3 Records Buset - Footsteps (ADJD Remix) - Kanzuru Jitterbug - No Pressure (DJ Qu Remix) - Uzuri Age - Return To The Force - Force Inc Jody "Fingers" Finch - Jack Your Big Booty (BHQ Acid Instrumental) - Let's Pet Puppies Nick Solé - Lost and FOund - Mojuba Anonym - Acid Huis - Sushitech E.R.P. - Irma - Frantic FLowers Larry heard - Inside Your Mind (This House Is Home) - Alleviated Kevin Over - Surge - Fortek Schatrax - #5 - Shatrax Roberto Rodriguez - The Days We Lost - Frisbee Tracks E.S.O.M. - Air - Emphasis Recordings Seldom Felt 3 DK7 - Slipstream - Output Alexander Robotnick - Obsession (Andy Blake's Analogue Obsession) - Dissident Quince - For My Mr (Sterac Remix) - Delsin Hienostunut Sonni - No Body (Levon Vincent Remix) - Alexi Delano Limited Burnski - Nosebonker - Dessous Jens Lodén - First One (André Lodemann Remix) - Fine Art Hienostunut Sonni - Sharped Dressed Acid Man (Remix) - Alexi Delano Limited X2 - Photon - M>O>S Recordings Cabin Fever - Acid Party - RKDS Roman IV - Altes Testament - Playhouse Analog~1 - Reduced - MCMLXV As usual.. Done in one hit on 2 technics 1210's Approx 280mb @ 320 kbps -- Playing - 30th May - Motion - Bristol - 6th June - under_score w/ Rob Hall - 13th June - Future Music Launch - Sheffield - 27th June - NYC Downlow - Glastonbury Placid on the t'interweb - http://www.acid-house.net Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid Placid's Gigs and Gigography - http://www.new.facebook.com/group.php?gid=41658902688 Live on Future-music.co.uk every other Thursday - 8pm - 10pm -- Playing - 30th May - Motion - Bristol - 6th June - under_score w/ Rob Hall - 13th June - Future Music Launch - Sheffield - 27th June - NYC Downlow - Glastonbury Placid on the t'interweb - http://www.acid-house.net Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid Placid's Gigs and Gigography - http://www.new.facebook.com/group.php?gid=41658902688 Live on Future-music.co.uk every other Thursday - 8pm - 10pm
Re: (313) TB or not TB
we got the other 3 also :) -- From: "Placid" Sent: Saturday, May 16, 2009 2:59 PM To: "Three-One-Three" <313@hyperreal.org> Subject: (313) TB or not TB Warning: contains acid Direct link - http://www.acid-house.net/TB_or_not_TB.mp3 Records Buset - Footsteps (ADJD Remix) - Kanzuru Jitterbug - No Pressure (DJ Qu Remix) - Uzuri Age - Return To The Force - Force Inc Jody "Fingers" Finch - Jack Your Big Booty (BHQ Acid Instrumental) - Let's Pet Puppies Nick Solé - Lost and FOund - Mojuba Anonym - Acid Huis - Sushitech E.R.P. - Irma - Frantic FLowers Larry heard - Inside Your Mind (This House Is Home) - Alleviated Kevin Over - Surge - Fortek Schatrax - #5 - Shatrax Roberto Rodriguez - The Days We Lost - Frisbee Tracks E.S.O.M. - Air - Emphasis Recordings Seldom Felt 3 DK7 - Slipstream - Output Alexander Robotnick - Obsession (Andy Blake's Analogue Obsession) - Dissident Quince - For My Mr (Sterac Remix) - Delsin Hienostunut Sonni - No Body (Levon Vincent Remix) - Alexi Delano Limited Burnski - Nosebonker - Dessous Jens Lodén - First One (André Lodemann Remix) - Fine Art Hienostunut Sonni - Sharped Dressed Acid Man (Remix) - Alexi Delano Limited X2 - Photon - M>O>S Recordings Cabin Fever - Acid Party - RKDS Roman IV - Altes Testament - Playhouse Analog~1 - Reduced - MCMLXV As usual.. Done in one hit on 2 technics 1210's Approx 280mb @ 320 kbps -- Playing - 30th May - Motion - Bristol - 6th June - under_score w/ Rob Hall - 13th June - Future Music Launch - Sheffield - 27th June - NYC Downlow - Glastonbury Placid on the t'interweb - http://www.acid-house.net Vinyl for Sale - http://www.discogs.com/sell/list?seller=placid Placid's Gigs and Gigography - http://www.new.facebook.com/group.php?gid=41658902688 Live on Future-music.co.uk every other Thursday - 8pm - 10pm
Re: (313) No comment.
http://i44.tinypic.com/33eq4br.jpg -- From: "Greg Earle" Sent: Tuesday, May 12, 2009 7:59 PM To: <313@hyperreal.org> Subject: Re: (313) No comment. On May 8, 2009, at 8:58 PM PDT, I wrote: http://richly.hawtin.jp/ Apparently Fact Magazine is reading (313). See item #1: http://www.factmagazine.co.uk/index.php?option=com_content&task=view&id=2523&Itemid=105 - Greg
Re: (313) No comment.
who is richie hawtin? -- From: "kent williams" Sent: Saturday, May 09, 2009 4:15 PM To: <313@hyperreal.org> Subject: Re: (313) No comment. Someone needs to buy Richie a Cheeseburger ... and a razor. On Fri, May 8, 2009 at 10:58 PM, Greg Earle wrote: http://richly.hawtin.jp/ - Greg
Re: (313) Jeff Mills Homecoming
because he trainwrecked half his mixes in typical mills-in-detroit fashion, but only after ruining the end of may's set by sitting on the floor, trying to beatmatch a 909 to mays records. not to mention the fact that mills is terrible at tap-mode 909 work. -- From: "Joel Gajewski" Sent: Friday, May 08, 2009 3:23 PM To: "ohanakin ..." ; "/0" Cc: "Michael Kuszynski" ; "Garrett McGrath" ; ; "list 313" <313@hyperreal.org> Subject: Re: (313) Jeff Mills Homecoming It's been so long, but I don't remember him trainwrecking throughout. Why do you say it was terrible? I may have just been excited that he actually showed up and didn't cancel (like the Wizard show at St. Andrews). And I thought Derrick had a good set, too. - Original Message From: ohanakin ... To: /0 Cc: Joel Gajewski ; Michael Kuszynski ; Garrett McGrath ; james.hurl...@utoronto.ca; list 313 <313@hyperreal.org> Sent: Thursday, May 7, 2009 9:12:15 PM Subject: Re: (313) Jeff Mills Homecoming it had its momentstoo much hype On Thu, May 7, 2009 at 7:02 PM, /0 wrote: yeah that was a terrible show, too. ------ From: "Joel Gajewski" Sent: Thursday, May 07, 2009 6:54 PM To: "Michael Kuszynski" ; "/0" Cc: "Garrett McGrath" ; ; "list 313" <313@hyperreal.org> Subject: Re: (313) Jeff Mills Homecoming That is the same place he played at with Derrick May back in 2000 (maybe 2001). - Original Message From: Michael Kuszynski To: /0 Cc: Garrett McGrath ; james.hurl...@utoronto.ca; list 313 <313@hyperreal.org> Sent: Sunday, May 3, 2009 2:41:14 PM Subject: Re: (313) Jeff Mills Homecoming Looks like an amazing event, but does Jeff Mills have tattoos now? On Sun, May 3, 2009 at 3:17 PM, /0 wrote: flyer http://farm4.static.flickr.com/3366/3492142010_3d37550f90_o.jpg -- From: "Garrett McGrath" Sent: Sunday, May 03, 2009 2:03 PM To: Cc: "list 313" <313@hyperreal.org> Subject: Re: (313) Jeff Mills Homecoming odd message. is jeff really playing? On May 2, 2009, at 6:41 PM, james.hurl...@utoronto.ca wrote: OMG. see u all there. *MIXWORKS Presents: JEFF MILLS HOMECOMING* Sunday, May 24th 2009 / TANGENT GALLERY 715 East Milwaukee / Detroit 10 Dollars B4 Midnight / 18+ With ID 10:00PM-LATE *BUZZ GOREE AKA CLANDESTINE* UR/MIXWORKS *JAMES PENNINGTON AKA SUBURBAN KNIGHT* UR *TRAXX* BLACK NATION/RELIEF/FRINGIO *RYAN ELLIOTT* SPECTRAL *CLAUS BACHOR* PSYCHOTHRILLA/KLOIN *SPOREPRINT* MIXWORKS PLUS: LIVE PAINTING BY *ABDUL HAQQ* UR/THIRD EARTH VISUAL ARTS -- Michael Kuszynski kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) Jeff Mills Homecoming
yeah that was a terrible show, too. -- From: "Joel Gajewski" Sent: Thursday, May 07, 2009 6:54 PM To: "Michael Kuszynski" ; "/0" Cc: "Garrett McGrath" ; ; "list 313" <313@hyperreal.org> Subject: Re: (313) Jeff Mills Homecoming That is the same place he played at with Derrick May back in 2000 (maybe 2001). ----- Original Message From: Michael Kuszynski To: /0 Cc: Garrett McGrath ; james.hurl...@utoronto.ca; list 313 <313@hyperreal.org> Sent: Sunday, May 3, 2009 2:41:14 PM Subject: Re: (313) Jeff Mills Homecoming Looks like an amazing event, but does Jeff Mills have tattoos now? On Sun, May 3, 2009 at 3:17 PM, /0 wrote: flyer http://farm4.static.flickr.com/3366/3492142010_3d37550f90_o.jpg -- From: "Garrett McGrath" Sent: Sunday, May 03, 2009 2:03 PM To: Cc: "list 313" <313@hyperreal.org> Subject: Re: (313) Jeff Mills Homecoming odd message. is jeff really playing? On May 2, 2009, at 6:41 PM, james.hurl...@utoronto.ca wrote: OMG. see u all there. *MIXWORKS Presents: JEFF MILLS HOMECOMING* Sunday, May 24th 2009 / TANGENT GALLERY 715 East Milwaukee / Detroit 10 Dollars B4 Midnight / 18+ With ID 10:00PM-LATE *BUZZ GOREE AKA CLANDESTINE* UR/MIXWORKS *JAMES PENNINGTON AKA SUBURBAN KNIGHT* UR *TRAXX* BLACK NATION/RELIEF/FRINGIO *RYAN ELLIOTT* SPECTRAL *CLAUS BACHOR* PSYCHOTHRILLA/KLOIN *SPOREPRINT* MIXWORKS PLUS: LIVE PAINTING BY *ABDUL HAQQ* UR/THIRD EARTH VISUAL ARTS -- Michael Kuszynski kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) Jeff Mills Homecoming
flyer http://farm4.static.flickr.com/3366/3492142010_3d37550f90_o.jpg -- From: "Garrett McGrath" Sent: Sunday, May 03, 2009 2:03 PM To: Cc: "list 313" <313@hyperreal.org> Subject: Re: (313) Jeff Mills Homecoming odd message. is jeff really playing? On May 2, 2009, at 6:41 PM, james.hurl...@utoronto.ca wrote: OMG. see u all there. *MIXWORKS Presents: JEFF MILLS HOMECOMING* Sunday, May 24th 2009 / TANGENT GALLERY 715 East Milwaukee / Detroit 10 Dollars B4 Midnight / 18+ With ID 10:00PM-LATE *BUZZ GOREE AKA CLANDESTINE* UR/MIXWORKS *JAMES PENNINGTON AKA SUBURBAN KNIGHT* UR *TRAXX* BLACK NATION/RELIEF/FRINGIO *RYAN ELLIOTT* SPECTRAL *CLAUS BACHOR* PSYCHOTHRILLA/KLOIN *SPOREPRINT* MIXWORKS PLUS: LIVE PAINTING BY *ABDUL HAQQ* UR/THIRD EARTH VISUAL ARTS
Re: (313) 05/24/2009:Detroit, MI: Systems Check Detroit
http://www.detroitluv.com/index.php?topic=52014.0 -- From: "Lissajou" Sent: Saturday, May 02, 2009 10:52 AM To: <313@hyperreal.org> Subject: (313) 05/24/2009:Detroit, MI: Systems Check Detroit apologies for spamming, though i thought some of you might maybe be interested in what should be one of the most eccentric and serendipitous things happening in the D over DEMF weekend: Sunday Afternoon, 05/24/2009, selectstart records presents: *SYSTEMS CHECK: DETROIT* featuring: Yatagarasu (Huntsville, TX; Brutalist hyperspeed digigrind!) http://www.myspace.com/yatagarasu Lissajou (Jacksonville, FL: Retrofuturist jacking champion!) http://www.myspace.com/lissajou Environmental Sound Collapse (Chicago, IL; Low bit zombie holocaust! ) http://www.myspace.com/enviromentalsoundcollapse Anti-Cheat (Ann Arbor, MI; Konami code reversal! ) http://www.myspace.com/anticheat Baron Knoxburry (Ann Arbor, MI;Psionic chipcore calligraphy!) http://www.myspace.com/theeaneurysm iSv (Detroit, MI;Aggrotari!) http://www.myspace.com/isv SBX 8000 (Ann Arbor, MI; mnml beeplectro!) http://selectstartrecords.com + MORE TBA!!! Open-mic at 2pm! Sunday May 24th 2pm-5pm 3$/18+ McCarthy's Pub 1600 W Fort St. Detroit
Re: (313) Detroit links
oops, just sent a blank reply. fyi, seth isn't in detroit either -- From: "Tristan Watkins" Sent: Thursday, April 23, 2009 4:34 PM To: "kent williams" ; "313" <313@hyperreal.org> Subject: Re: (313) Detroit links On 23/04/2009 20:53, kent williams wrote: NPR's Morning Edition asks Why Can't Detroit Cash In On It's Music Scene. (ironic note, the one Detroit Music phenomenon, techno, that has a major annual festival in Detroit with international reach, only rates one sentence) I'm picking holes in language, but I wish people would recognise the nearly-as-old and equally important legacy of Detroit house in the same breath, if they're only going to utter one sentence. It's not all about the fact that techno started in Detroit and that a large part of the techno canon is from there. Detroit techno has largely been replaying itself but Detroit house continues to remain fresh. See: Reggie Dokes, 3rd Ear, etc. I'd say the best techno coming from Detroit today comes from Seth Troxler, and that's arguably more house than techno. There's still good Detroit techno out there, but not much of it is coming from Detroit. Or that's my antagination towards getting some discussion going here again anyway. Tristan === phonop...@phonopsia.co.uk http://www.phonopsia.co.uk
Re: (313) 4-19-09, tribute to the electrifying mojo with rick wilhite, carl craig, marc duncan, scott grooves, marc king, and the butcher
hah, oops I already posted this. nm, long couple of weeks. -- From: "/0" Sent: Tuesday, April 14, 2009 9:10 PM To: <313@hyperreal.org> Subject: (313) 4-19-09, tribute to the electrifying mojo with rick wilhite, carl craig, marc duncan, scott grooves, marc king, and the butcher TRIBUTE TO ELECTRIFYING MOJO (part 3) Sunday, April 19, 2009 7:00 pm to 7:00 am LINE-UP Rick "The Godson" Wilhite Marc Duncan Scott Grooves aka Natural Midi Marc King The Butcher from Detroit Fight Club 313 and special guest Carl Craig @ burt's, detroit flyer: http://tinyurl.com/dccfv2
(313) 4-19-09, tribute to the electrifying mojo with rick wilhite, carl craig, marc duncan, scott grooves, marc king, and the butcher
TRIBUTE TO ELECTRIFYING MOJO (part 3) Sunday, April 19, 2009 7:00 pm to 7:00 am LINE-UP Rick "The Godson" Wilhite Marc Duncan Scott Grooves aka Natural Midi Marc King The Butcher from Detroit Fight Club 313 and special guest Carl Craig @ burt's, detroit flyer: http://tinyurl.com/dccfv2
(313) tonight on the www: carl craig
Carl Craig 7-9pm EST. www.paxahau.com
(313) TRIBUTE TO ELECTRIFYING MOJO (part 3)
flyer: http://tinyurl.com/cnh7jb TRIBUTE TO ELECTRIFYING MOJO (part 3) Sunday, April 19, 2009 7:00 pm to 7:00 am LINE-UP Rick "The Godson" Wilhite Marc Duncan Scott Grooves aka Natural Midi Marc King The Butcher from Detroit Fight Club 313 and special guest Carl Craig
(313) 4-8-09: carl craig(dj)francesco tristano(live)&monty luke(dj) FREE - DETROIT
http://www.mltronik.com/assets/040809sm_HIRES.gif
Re: (313) love for forthcoming Planet E/etc
andrew, this reminds me if you havent, pick up a copy of Prosumer and Murat Tepeli - Serenity (soundstream remix) the soundstream remix is terrific imo. -- From: "Andrew Duke" Sent: Friday, March 27, 2009 12:36 PM To: "list 313" <313@hyperreal.org> Subject: (313) love for forthcoming Planet E/etc Reade Truth--Crimen Excepta EP forthcoming on Planet E AWESOME! Deeep with lotsa spoken male vocals and quirkiness. Love it! On repeat play here @ Cognition HQ. Played one of these tracks at the start of this week's mixshow (see below in case you missed it; each show is only online for 2 weeks, btw, so get 'em while they're hot) so check that out if you want a good taste; and, yes I do play a lot of songs in my mixes (this has been mentioned to me a few times), but don't be scared: I try to play as much of each song as possible so listeners can get a good taste of everything in the tracklist, so please don't think "he plays a lot of tracks for the sake of it so I'll never hear which is which". Not true. I feel I'm respectful with the way I'm playing the tracks in the mix and it is about sharing forthcoming and new tracks (plus a couple of classics) that I love, not about how many tracks I can cram into one show, so please don't think that. If there's a lot of tracks in the latest show, it is only cos I've got a ton of new tracks I want to share since the last show (and nope, I don't play everything, I'm perty darn selective): Remember: It's all about the music I'm diggin', bab! Have a good weekend, everybody. Andrew "can't believe his daughter will be 2 years old in exactly 12 hours; trying to get many things done while sleep-deprived" Duke Cognition Audioworks presents Andrew Duke In The Mix (est. 1987) show #2310 recorded March 24, 2009 http://cognitionaudioworks.com/AndrewDukeInTheMix24Mar09.mp3 http://cognitionaudioworks.com/AndrewDukeInTheMix24Mar09vbr.mp3 previous 2 shows: http://cognitionaudioworks.com/AndrewDukeInTheMix13Mar09.mp3 http://cognitionaudioworks.com/AndrewDukeInTheMix13Mar09vbr.mp3 http://cognitionaudioworks.com/AndrewDukeInTheMix22Feb09.mp3 http://cognitionaudioworks.com/AndrewDukeInTheMix22Feb09vbr.mp3 promos for show consideration & remix requests are welcome; email remix requests & download links to WAV (preferred)/AIFF/MP3 promos on and...@andrew-duke.com Andrew Duke remixes out now: --Eight Minus Eight--Mad Hatter (Andrew Duke's Wonderland mix) (Dublin Xpress DXR018) on Phonomonkey; Beatport et al soon --Tomi Chair--Lullaby For A Nightmare (Andrew Duke's Crispy Creepy Crawly Alien Funk mix) (Nice & Nasty NANO52) on Beatport et al 01. Tokyo Black Star--Powder Dreams from Black Ships (Innervisions IVCD03) 30Mar09 02. Ramadanman--Humber (Sven Weisemann remix) from Humber (Apple Pips PIPS005) 03. Reade Truth--Another Dilemma from Crimen Excepta (Planet E PLE5306-1) out soon 04. Sian--Red Cloud (Minilogue remix) from Red Cloud (Aus0918) 05. Eight Minus Eight--8-8 (Andrew Duke's Old School mix) (Dublin Xpress DXR022) 30Mar09 06. Michel Cleis--La Mezcla (dub) from La Mezcla (Cadenza CAD34) 07. M-16--Armati from Black Corner (After The Beat Sessions) (Persistencebit BIT028) 16Apr09 08. Exercise One--1994 from In Cars We Rust (Mobilee CD08) 25May09 09. Mick Chillage--Pure Blue (Andrew Duke's Mutant Jazz mix) (Nice & Nasty) out soon 10. Raph Dumas--Multi-Electronics from Multi-Electronics (Lace010) 11. Jeff Samuel--Rout 1999 from The Chester Field 1999-2003 (Archipel ARCH060) 12. M Rahn--Retrogram 01 from Retrogram (6ONE6 EP22) 13. Martin Mueller--Alien Key (Mike Dearborn remix) from Connected (Home001) 14. Kleinschmager Audio--Audio 2 (album edit) from Audiology (Rrygular RRY30CD) 15. Beatpusher--Alkaline from PDXTECH The Sounds Of The City Vol 1 comp (Subsensory SSR014) 16. Chris Fortier--Losing Wait (John Selway's Lightwave Version Two) from Losing Wait remixes (Fade FDX5) 17. Peter Van Hoesen--Attribute One (MLZ remix) from Attribute One (Time To Express T2X05) 18. Educution--Dohnce from Makeup Tips For The Elephant Man (D1 Done047) 19. Dusty Kid--The Underground Resistance from A Raver's Diary (Boxer070) 20Apr09 20. Fritz Zander--Keep Focused from Keep Focused (Bpitch Control BPC192) 21. Ben Klock--Check For Pulse from One (Ostgut Ton CD07) 22. Blatta & Inesha--Revolution from Revolution (Hell Yeah HYR7028) 01Apr09 23. Tassilo--Smack from Pulp/Smack (Lan018) 24. Gui Boratto--Take My Breath Away from Take My Breath Away (Kompakt) 25. Patrick Lindsey--Tanz Bei Nacht (Terminal M TERM063-6) 26. Newworldaquarium--Trespassers (Redshape's Trespassed mix) from Remix2.0 EP1 comp (Delsin 74DSR) 16Apr09 27. Giuseppe Ielasi--track3of9 from Aix (12k1051) Andrew Duke's Tribute edit 28. Itokim--One & Two from No One Else (Nice & Nasty NANO54) 30Mar09 29. Garnica--St Pauli (Cosmic Cowboys remix) from St Pauli (Trenton030) 30. Faze Action--Good Lovin' from Stratus Energy (Faze Action FAR008) 18
(313) more demf performers announced
pass.
Re: (313) mysticism, artists & DEMF pre-lineup
maybe something could be worked out with fred giannelli for a PTV reunion LOL /me waits for fred's response...
Re: (313) DEMF Pre-Lineup
except that this festival isn't about detroit artists, and 10 years in, if you don't get that by now, you're in denial -- From: "Frank Glazer" Sent: Wednesday, March 18, 2009 12:29 PM To: "Mann, Ravinder" Cc: "PB" ; "robin" ; "313 313" <313@hyperreal.org> Subject: Re: (313) DEMF Pre-Lineup except that neither are from detroit. ;) On Wed, Mar 18, 2009 at 12:24 PM, Mann, Ravinder wrote: It's a different Scuba. Im assuming this is the dubstep Scuba outa Berlin, but there's no reason why it shouldn't be King Britt. Rav. -Original Message- From: PB [mailto:textur...@gmail.com] Sent: 18 March 2009 16:20 To: robin Cc: 313 313 Subject: Re: (313) DEMF Pre-Lineup I thought Scuba was an alias for King Britt? On Wed, Mar 18, 2009 at 7:19 AM, robin wrote: But considering they're probably going to be paying bushel baskets of hundred dollar bills to Benny Benassi and Carl Cox, they could have booked some Detroit guys who would be big draws, and don't play in Detroit much. There's a bunch of Berlin DJs/acts they could have got too (Dettman, Shed, Scuba etc etc). To view the terms under which this email is distributed, please go to http://disclaimer.leedsmet.ac.uk/email.htm -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) DEMF Pre-Lineup
www.movement.it -- From: "John Sokolowski" Sent: Wednesday, March 18, 2009 9:41 AM To: <313@hyperreal.org> Subject: (313) DEMF Pre-Lineup http://www.detroitnews.com/apps/pbcs.dll/article?AID=/20090318/ENT04/903180308 Acts announced for the fest so far: • Adultnapper • Ellen Allien • Afrika Bambaataa • Bad Boy Bill • Bassnectar • Benny Benassi • Adam Beyer • Steve Bug • Marco Carola • Carl Cox • Carl Craig • Dennis Ferrer • Flying Lotus • Buzz Goree • Chloe Harris • Damian Lazarus • Derrick May • Francois K • Guy Gerber • Heidi • Kero • Kevin Saunderson • Loco Dice vs. Luciano • Los Hermanos • Luke Hess • Mike Huckaby • Onur Ozer • Osunlade • RJD2 • Seoul vs. Linder 2X4 • Tiefschwarz • Tiga • Rick Wade • Wighnomy Bros. • Z-Trip _ Windows Live™: Life without walls. http://windowslive.com/explore?ocid=TXT_TAGLM_WL_allup_1a_explore_032009=
Re: (313) Innovative youtube sampling work
http://www.thru-you.com/ -- From: "Thor Teague" Sent: Sunday, March 15, 2009 8:19 PM To: <313@hyperreal.org> Subject: (313) Innovative youtube sampling work Take a look at this, it's really incredible! http://www.youtube.com/watch?v=tprMEs-zfQA
Re: (313) Andrew Duke is really f*cking p*ssed off
spw is an idiot. he's well known in electronic music circles for just this sort of thing -- From: "Andrew Duke" Sent: Sunday, January 18, 2009 11:34 PM To: "list 313" <313@hyperreal.org> Subject: (313) Andrew Duke is really f*cking p*ssed off Some arse named spw appears to be questioning my dedication to the music I love and it has me really f*cking p*ssed off; if you're interested in reading me in a rare pissed-off rant, head on over to http://www.discogs.com/groups/topic/177552 -- Andrew Duke In The Mix weekly mixshow (est. 1987), excl. DJ mixes, PAs, interviews: http://cognitionaudioworks.com/AndrewDukeInTheMix.html sound design and music content provider: http://cognitionaudioworks.com/sounddesignandmusic.html http://myspace.com/andrewduke http://www.facebook.com/profile.php?id=1614666166 Andrew Duke Cognition Audioworks 57 Hastings Drive Dartmouth NS Canada B2Y 2C7
(313) Kem - "Without You" - Moodymann Remix
http://www.youtube.com/watch?v=3eTjRLPvHTM
Re: (313) Mills in Chicago this Friday (12-12)
http://www.datavibe.net/~pwn/Jeff_Mills___Smart_Bar__Chicago_12.12.08.mp3 I'll leave it up for a week - Original Message - From: "Michael Kuszynski" To: "Martijn de Blaauw" Cc: "Joel Gajewski" ; "313" <313@hyperreal.org> Sent: Thursday, December 18, 2008 6:39 AM Subject: Re: (313) Mills in Chicago this Friday (12-12) Same files, no rapidshare here: http://www.void-shanghai.com/ unless I am not supposed to direct link On Thu, Dec 18, 2008 at 2:16 AM, Martijn de Blaauw wrote: DJ Bone live @ void, Shanghai, 06-12-2008 http://rapidshare.com/users/9BKP4Q 3 hrs and 35 minutes! -Oorspronkelijk bericht- Van: Joel Gajewski [mailto:lupikitty0...@sbcglobal.net] Verzonden: dinsdag 16 december 2008 17:11 Aan: Martijn de Blaauw; 313 Onderwerp: Re: (313) Mills in Chicago this Friday (12-12) Sounds decent so far, but my speakers at work are terrible. Plus, it is hard to solely focus on it, while being interrupted by co-workers. Like I have some sort of job to do. Shesh. :) I really want that DJ Bone Shanghai mix from the other week, but I have exceeded my downloads. - Original Message From: Martijn de Blaauw To: 313 <313@hyperreal.org> Sent: Tuesday, December 16, 2008 1:19:38 AM Subject: RE: (313) Mills in Chicago this Friday (12-12) Found a link of Mills in Chicago on the web, dunno if the quality is good and the lenght as i haven't heard it myself (yet) http://rapidshare.com/files/173671089/Jeff_Mills___Smart_Bar__Chicago_12 .12.08.mp3 -Oorspronkelijk bericht- Van: anth...@technoiraudio.com [mailto:anth...@technoiraudio.com] Verzonden: maandag 15 december 2008 18:09 Aan: 313 Onderwerp: Re: (313) Mills in Chicago this Friday (12-12) When Mills plays the whole spectrum, theres nothing better. I heard him mix james brown with rob hood into taana gardner with moodymann. Seamless! I go nuts when the Wiz shows up. A On Mon, December 15, 2008 11:45 am, Arturo Lopez wrote: Mills starting off early with some Rob Hood "minus", seemed like a good start ;) I likes my techno with a little bit of melody so Meier's set wasn't quite for me; seemed most of his material was of that stripped down "drum-as-melody" variety. Every once and a while I'd catch something I was really into but then it was back to the drum drum drums. Opinions vary though, I'm sure. I'll have to check out more of his work. -Arturo -- Wow Mills was really on point, great show! Sounded awesome on the Funktion One system in SmartBar... ~David Woningcorporatie Woonconcept zorgt voor veilige woonruimte van goede kwaliteit voor mensen, die daar zelfstandig niet in kunnen voorzien. En wij doen meer dan bouwen, zorgvuldig beheren en verhuren. We zetten ons in voor de leefbaarheid in de breedste zin van het woord. Woningcorporatie Woonconcept zorgt voor veilige woonruimte van goede kwaliteit voor mensen, die daar zelfstandig niet in kunnen voorzien. En wij doen méér dan bouwen, zorgvuldig beheren en verhuren. We zetten ons in voor de leefbaarheid in de breedste zin van het woord. -- --- Michael Kuszynski kuszyn...@gmail.com i...@planerecordings.com http://www.planerecordings.com New York, NY
Re: (313) move d + benjamin "songs from the beehive"
move d is in detroit soon. check your usual resources for info - Original Message - From: "kent williams" To: "list 313" <313@hyperreal.org> Sent: Monday, December 15, 2008 4:10 PM Subject: (313) move d + benjamin "songs from the beehive" This CD strikes me as stupid good. where by 'stupid' I mean intelligent, warm, subtle, varied, funky. In particular the track "Honey" is a long form masterpiece -- the sort of thing I wish Carl Craig was still doing. It starts out with a looped, syncopated 4 bar loop that is instantly memorable, and slowly builds up into an elegant dancefloor burner. Towards the middle an offbeat one-note acid squawk starts that roughs things up in just the right way. But the star of the show is that one loop, which sounds like it's run through 10 different filters and effects, that all get tweaked constantly to keep it fresh. The other tracks are all over the place, from dubby to beatless ambient, but always there's a ton of fine detail work to keep things interesting and the sort of undefinable warmth I'd kill to be able to put into tracks.
Re: (313) Mills in Chicago this Friday (12-12)
there may be something in the Off-Site section of The Loop on dluv: http://www.detroitluv.com/index.php?board=25.0 speaking of chicago, the giannelli (the kooky scientist) is playing NYE in chicago: http://www.detroitluv.com/index.php?topic=50214.0 - Original Message - From: "Arturo Lopez" To: "Three-One-Three" <313@hyperreal.org> Sent: Thursday, December 11, 2008 5:23 PM Subject: Re: (313) Mills in Chicago this Friday (12-12) I'll def check out Karl, I've heard good things but am not familiar with his music. On a side note, any of you other Chicago locals know of any good weekly/monthly nights going on lately? I don't mean anything too clubby, but a local bar that has a good recurring music night would be nice. One of those situations where they let someone come in once every few weeks and play good records at a lounge or something, let me know if you know of anything, por favor. -Arturo
Re: (313) Mills in Chicago this Friday (12-12)
co-signed. nice guy, good dj - Original Message - From: "atomly" To: "313" <313@hyperreal.org> Sent: Thursday, December 11, 2008 1:55 PM Subject: Re: (313) Mills in Chicago this Friday (12-12) Karl "The Fire" Meier is the man. Make sure to check him out. [Arturo Lopez ] FYI, Mr. Mills will be playing at Smart Bar this Friday. Should be good times. -Arturo JEFF MILLS (axis) KARL P. MEIER (subsystence, img, remnant) TYREL WILLIAMS (gramaphone) $15 before midnight -- :: atomly :: [ ato...@atomly.com : www.atomly.com ... [ atomiq records : new york city : +1.917.442.9450 ... [ e-mail atomly-news-subscr...@atomly.com for atomly info and updates ...
Re: (313) Louis Haiman IS THE DUBULATOR
me too - at least the first 3 tracks. it cracks me up, all the maurizio/basic channel ripoffs that have come out since ableton live added the resonator - Original Message - From: "Michael Bramwell" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: "313" <313@hyperreal.org> Sent: Wednesday, December 10, 2008 11:06 PM Subject: Re: (313) Louis Haiman IS THE DUBULATOR I've been diggin this for a while, pity my car speakers can't take the low end :) On Thu, Dec 11, 2008 at 3:41 AM, <[EMAIL PROTECTED]> wrote: So good. Man oh man! A On Tue, December 9, 2008 8:55 pm, /0 wrote: http://fwdthought.com/music/dubulator.zip - Original Message - From: "kent williams" <[EMAIL PROTECTED]> To: "list 313" <313@hyperreal.org> Sent: Tuesday, December 09, 2008 8:25 PM Subject: (313) Louis Haiman IS THE DUBULATOR http://fwdthought.blogspot.com/ Download the Dubulator EP. So deep it's infrared.
Re: (313) Louis Haiman IS THE DUBULATOR
http://fwdthought.com/music/dubulator.zip - Original Message - From: "kent williams" <[EMAIL PROTECTED]> To: "list 313" <313@hyperreal.org> Sent: Tuesday, December 09, 2008 8:25 PM Subject: (313) Louis Haiman IS THE DUBULATOR http://fwdthought.blogspot.com/ Download the Dubulator EP. So deep it's infrared.
Re: (313) Waxpoetics vs In The Basement magazines
techno is dead. - Original Message - From: "Denise Dalphond" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: "313" <313@hyperreal.org> Sent: Friday, November 07, 2008 4:29 PM Subject: Re: (313) Waxpoetics vs In The Basement magazines Ethnomusicology!! I think a full on, comprehensive article about major well known Detroit artists and lots of the lesser known artists from the 1970s to the present would be great to see - I know, crazy high expectations. Maybe that's why I'm writing my dissertation on this... Denise On Fri, Nov 7, 2008 at 3:49 PM, " <[EMAIL PROTECTED]> wrote: I totally have been wanting to see or write myself an article that isnt a summary of whats out there, thats got new interviews with key players of the early 313, and that almost looks at it from an ethnomusiclogical perspective as well as one that goes through records, records broken by mojo, radio shows, and the like.. The glaring omission of a realdeal article about 313 has much in my opinion to do with the fact that its still undercover...i mean, a 313 dj will get booked in nyc and i dont see any of the people from the other techno parties there. also, many of the people who read waxpoetics intently for the other kinds of articles, at least in nyc, partially think that those early 313 names play mostly ibiza stuff, imho, even if they have, you know, c2 remix x or dmay or cybotron record y. and the vast majority of those people havent seen any of the first wave 313ers kill it. maybe i'm off, but i dont think so. Alex -- Denise Dalphond Ph.D. Candidate Department of Folklore & Ethnomusicology Indiana University www.denisedjsdetroit.blogspot.com
Re: (313) Los Angeles 313ers
/me np: afx - powerpill pacman - Original Message - From: <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Saturday, October 11, 2008 1:02 PM Subject: Re: (313) Los Angeles 313ers http://www.yelp.com/biz/miss-ts-barcade-los-angeles http://www.calendarlive.com/nightlife/cl-wk-mixer1feb01,0,5099080.story info on the venue. apparently there's no sign just a pacman ghost light in the window! On Sat, October 11, 2008 11:59 pm, [EMAIL PROTECTED] wrote: Hi all, ill be playing some tunes in the L.A. area tonight at a fun place called "BARCADE". The only reason i mention (not self promotion) is if anyone would like to meet and b.s. i'd be delighted. WE could drink a Pabst and play some pacman or somethin. The bar has an extensive arcade retro arcade and seams to ignore any hollywood shite connotation. ill play actual records!!Yay! Anthony
Re: (313) OT'ish: MTV AMP
there are rips available all over the internet. not hard to find at all - Original Message - From: "J.C." <[EMAIL PROTECTED]> To: "list 313" <313@hyperreal.org> Sent: Tuesday, October 07, 2008 1:11 PM Subject: Re: (313) OT'ish: MTV AMP Stay tuned. We may have some headway in regards to episodes -- San Francisco Bay Guardian's Readers Choice Award Winner: Best Radio DJ: http://www.sfbg.com/promo/pollpositions.php AIM: jckzsu (or kzsudj during my show.) "Opinions are my own only, and do not necessarily represent those of KZSU Radio or Stanford University." (or words to that effect.)
Re: (313) Both mp3 and wav???
it stands to reason that larger filesize = more money. anyone that claims they can tell the difference between a high bitrate mp3 on a club system is full of shxt - Original Message - From: "Tristan Watkins" <[EMAIL PROTECTED]> To: "'Mike'" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Monday, October 06, 2008 8:41 PM Subject: RE: (313) Both mp3 and wav??? -Original Message- From: Mike [mailto:[EMAIL PROTECTED] Sent: 07 October 2008 01:17 To: 313@hyperreal.org Subject: Re: (313) Both mp3 and wav??? I only buy wavs. Not sure if i can really tell the difference but if i'm going to pay money for something i want the best. I can certainly hear the difference if i edit an mp3 and re-encode it as an mp3 again. Almost like cassette. Yeah, I'm sure that would probably be audible. But I'm pretty sure I can't tell the difference between a good encoding at 320 CBR mp3 vs 16 bit 44KHz wav when I'm listening at home. And I don't particularly want to increase my storage requirements to four-five times what they would be with high quality mp3. One thing that may not have been clear in my original post is that when shopping at Juno, for instance, .wav or flac costs more money. They are generally about £.50 more than 320 kbps mp3. So if the average cost of a track in 320 kbps mp3 is £1.49 or £1.99 for wav, and I buy 100 tracks, if I then decide I only want to play 20 of them out I save money overall on the purchase price, despite having paid for twenty of the tracks twice. When you factor in storage costs too, I reckon it's pretty compelling. But like I say, I'm interested in finding out if anyone else has ways of dealing with this other than just buying uncompressed audio. I think there's got to be a better way, and this is just the first way I've come up with. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Both mp3 and wav???
flac done. - Original Message - From: "Mike" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, October 06, 2008 8:16 PM Subject: Re: (313) Both mp3 and wav??? I only buy wavs. Not sure if i can really tell the difference but if i'm going to pay money for something i want the best. I can certainly hear the difference if i edit an mp3 and re-encode it as an mp3 again. Almost like cassette. m On Tue, Oct 7, 2008 at 11:08 AM, Tristan Watkins <[EMAIL PROTECTED]> wrote: So I bought a bunch of stuff on mp3 recently, thinking, "oh it won't matter if I play mp3 out". Then this debate went on and I half-persuaded myself it matters. The one thing that I didn't see mentioned is that DJs often play vinyl in various states of chewedness, and I bet some of that sounds worse than mp3, but whatever - that debate has been and gone. Anyway... the point of my post was going to be that I decided I wanted .wav files for the weekend, so I just downloaded the tracks that I planned on playing. The thing is, I reckon I've still saved money paying for some of the files twice versus buying everything as .wav the first time through. I only need wav files for the tracks that I'm definitely going to play out, which is a minority of what I buy. This also saves on storage. And if I ever just want a .wav for some reason I can buy it, knowing that this strategy pays for itself in the long run. Anyone else going about things in a similar (or better) way? I'm still new to this digital shopping stuff. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) PLEASE SEND PLAIN TEXT PLEASE
stop requesting read receipts for list email - Original Message - From: "Williams, Graham" <[EMAIL PROTECTED]> To: "kent williams" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Friday, September 26, 2008 10:39 AM Subject: RE: (313) PLEASE SEND PLAIN TEXT PLEASE Kent, Just enable HTML, and save yourself the Heartache... :-) G -Original Message- From: kent williams [mailto:[EMAIL PROTECTED] Sent: 26 September 2008 14:17 To: list 313 Subject: (313) PLEASE SEND PLAIN TEXT PLEASE There was a blizzard of bounces in my inbox this morning because of people sending rich text/html/multipart mime messages. Usually I email everyone individually to remind them to send messages plain text. Not up for it today. SET YOUR MAIL CLIENT TO PLAIN TEXT FOR 313 EMAILS. Don't know how? Google the name of your mail program and 'plain text.' Don't know what "plain text" means? Send e-mail to [EMAIL PROTECTED] for an explanation.
Re: (313) Morgan Geist interview
that can only be a good thing if you like innovative music - Original Message - From: "Martin Dust" <[EMAIL PROTECTED]> To: "robin" <[EMAIL PROTECTED]> Cc: "313 Org" <313@hyperreal.org> Sent: Friday, September 26, 2008 6:03 AM Subject: Re: (313) Morgan Geist interview Oh yeah. I agree. Don't get me wrong, the honesty in there is refreshing. The problem, as I see it, for people making a living from music is that it's hard to take that break unless you're very (financially) successful. I guess they are going to have to accept that it's no longer a business and back to a hobby. m
Re: (313) New things.
Environ mailout tells me that the Morgan Geist album's now on iTunes. I mentioned the c2 mixes a while back. terrible album.
Re: (313) OT: earbud recommendations?
hate the little rubber earpieces that pop off and disappear at the worst times. - Original Message - From: "Kowalsky" <[EMAIL PROTECTED]> To: "[313]" <313@hyperreal.org> Sent: Monday, September 22, 2008 9:59 AM Subject: Re: (313) OT: earbud recommendations? Sennheiser CX-300 will do the job very properly – although they're not very solid built. And, when you compare them with any Shure or M- audio, you'll see that they sound much better even though they're much cheaper! Kw On Sep 14, 2008, at 8:51 PM, Frank Glazer wrote: I'm in the market for some new earbuds for ipod listening on the train. It's been about a year since this subject was last mentioned on list, I checked the archives but thought an update wouldn't hurt. I want something very loud with strong, clear defined bass response. They need to block a significant amount of outside sound so that i don't have to hear chatter or rail noise. So what's everybody using for earbuds these days? I'm considering one of the following: http://www.amazon.com/Shure-E2c-n-Sound-Isolating-Earphones/dp/B000E5GKW8/ref=sr_1_1?ie=UTF8&s=electronics&qid=1221435680&sr=1-1 http://www.amazon.com/V-MODA-Vibe-Earbuds-Gunmetal-Black/dp/B000V5L5MG/ref=sr_1_1?ie=UTF8&s=electronics&qid=1221436093&sr=1-1 http://www.amazon.com/Etymotic-Research-ER4S-Reference-Earphones/dp/B000300Y9O/ref=wl_it_dp?ie=UTF8&coliid=I3TBZ27N3IMN3O&colid=2ZPLTMQTI9YUX http://www.amazon.com/Etymotic-Research-Portable-Earphones-Black/dp/B000XPG2QI/ref=pd_bbs_sr_1?ie=UTF8&s=electronics&qid=1221434596&sr=8-1 http://www.amazon.com/M-Audio-IE-10-Professional-Reference-Monitors/dp/B000JNNNBQ/ref=sr_1_1?ie=UTF8&s=musical-instruments&qid=1221436137&sr=1-1 http://www.amazon.com/Philips-SHE9850-Headphones-Advanced-Acoustics/dp/B00176TEGM/ref=sr_1_1?ie=UTF8&s=electronics&qid=1221435109&sr=1-1 or your recommendation under $175 Thanks in advance! -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) Holy Placid!
reopened with new owners and a slight re-design - Original Message - From: "Christian Hewstone" <[EMAIL PROTECTED]> To: "Denise Dalphond" <[EMAIL PROTECTED]> Cc: "313" <313@hyperreal.org> Sent: Monday, September 22, 2008 3:29 PM Subject: Re: (313) Holy Placid! I thought Oslo closed down or On Mon, Sep 22, 2008 at 7:01 PM, Denise Dalphond <[EMAIL PROTECTED]> wrote: Placid in Detroit at Oslo Thursday night - freaking fantastic! It was such a fun night - I danced almost straight through til a bit past 2 even though I had to get up for work the next morning. Caught the end of Kevin Reynolds' set too. He had me dancing almost as soon as I walked downstairs into the club. Sound was good - if you stand toward the back in Oslo near the back pillar, the sound is usually great. At one point, someone loosened all the red light bulbs to make the dance area almost completely dark - crazy white kids! :) It was pretty fun. Anyway, as some of you maybe remember, I'm one of those student-types trying to bring electronic music into the academy. And I am living in Detroit for the year doing my dissertation research on Detroit techno and house music. If anyone on this list in Detroit would like to meet and talk sometime, I would love to do an interview with you. You don't have to be a DJ or even be really knowledgeable. If you are a fan and part of this community, then it would be cool to meet and talk. And, if there's a group of y'all out there, then we could do a group interview too. People's Art Festival at the Russell Industrial Center was yesterday. My husband was selling photographs, it was a pretty interesting event. There was also some good Detroit electronic music - Billeebob and others. I missed most of it because I was pretty busy all day.:( -- Denise Dalphond Ph.D. Candidate Department of Folklore & Ethnomusicology Indiana University www.denisedjsdetroit.blogspot.com
Re: (313) moodymann freeki mf
forgot the link http://tinyurl.com/6h384b - Original Message - From: "/0" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Monday, September 15, 2008 7:16 PM Subject: (313) moodymann freeki mf fyi this record is out, so you all can quit freaking out about it ;)
(313) moodymann freeki mf
fyi this record is out, so you all can quit freaking out about it ;)
Re: (313) Placid invades NYC - Thursday, September 11th, 2008
unless paul says otherwise, it wont be his last time in detroit, trust - Original Message - From: "David Beattie" <[EMAIL PROTECTED]> To: "313" <313@hyperreal.org> Sent: Wednesday, September 10, 2008 3:31 AM Subject: Re: (313) Placid invades NYC - Thursday, September 11th, 2008 Nice one Placid Detroit and NYC I anyone deserves to get a couple of nice gig's its yourself for the constant flow of mixes you put our way, must take some amount of effort to keep that up at the frequence you do. Cheers BT --- On Tue, 9/9/08, Derek Plaslaiko. <[EMAIL PROTECTED]> wrote: From: Derek Plaslaiko. <[EMAIL PROTECTED]> Subject: (313) Placid invades NYC - Thursday, September 11th, 2008 To: "313" <313@hyperreal.org> Date: Tuesday, 9 September, 2008, 5:54 PM Yep, I'm still around, lurking in the shadows. Figured you guys might want to know of a certain longtime 313 listmember playing in the NYC area this thursday night. Hope you can make it. - GO!!! featuring PLACID (acid-house.net / under_score) Placid first came on my radar around 8 years ago, I think. He would post his mixes to the [EMAIL PROTECTED] mailing list, and as a huge fan of classic Detroit sounds, as well as acid house from any region, I naturally fell in love with his style. With every mix he posted, I saw more diversity among the styles he would include on his mixes. Wether it was Acid House, Italo Disco, or Minimal techno, he played the best of any genre he dared to play. I could tell that this guy was "the real deal". He holds down 2 radio shows, as well as a residency at The Tube in Bristol, where he plays along side Emptyset mastermind, Paul Purgas. He also has been running his acid-house.net site for many years, keeping tabs on all things new and old relating to the wonderful world of the TB-303. I would email him from time to time to see if he was coming to the states to play, and it never seemed to work out. When I started my GO!!! parties, I was absolutely sure I was going to book him. It will be the first time I get to hear him play in person, as well as formally meet him, so needless to say this night will be very special to me. Some in my position might be worried that he won't deliver, but I am not nervous one bit. Guys like Mike Huckaby, Marcel Dettmann, Shed, Kevin Reynolds & I-F sing his praises well enough to keep me even more excited! So, join me for my 5th installment of my GO!!! parties, and welcome Placid into your list of favorite DJ's. GO!!! happens on the 2nd Thursday of every month with resident Derek Plaslaiko (Bunker / Spectral) @ APT 419 w 13th st 11 - 4 $10 / 21+
(313) this thread sucks.
look, I observed good netiquette! :( bring back the woomp - Original Message - From: "1-11" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, September 09, 2008 11:45 AM Subject: Re: (313) new zealand's podcast laws (was Re: Fw: Re: (313) Mad Mike interview) Bigger problems in the world than 'netiquette'?! Gedouttahere! - Original Message - From: "Odeluga, Ken" <[EMAIL PROTECTED]> To: "Frank Glazer" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, September 09, 2008 12:41 PM Subject: RE: (313) new zealand's podcast laws (was Re: Fw: Re: (313) Mad Mike interview) LOL! You don't have to read it mate! Chill. There are bigger problems in this world aren't there? :) -Original Message- From: Frank Glazer [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 09, 2008 12:40 PM To: Odeluga, Ken Cc: 313@hyperreal.org Subject: Re: (313) new zealand's podcast laws (was Re: Fw: Re: (313) Mad Mike interview) I disagree. I don't have any interest in reading about podcast laws and regulations. The original post was about a specific detroit related thing that I wanted to keep track of for later, but now i have to read a new email that has nothing to do with the op every time somebody replies. A subject change would easily fix this, and it's just good netiquette. On Tue, Sep 9, 2008 at 7:35 AM, Odeluga, Ken <[EMAIL PROTECTED]> wrote: No big deal really - it's still related to the event, which was in itself pretty unusual, as the post below points out. -Original Message- From: Frank Glazer [mailto:[EMAIL PROTECTED] Sent: Tuesday, September 09, 2008 12:32 PM To: 313@hyperreal.org Subject: (313) new zealand's podcast laws (was Re: Fw: Re: (313) Mad Mike interview) people on this list need to learn how to change the subject lines accordingly when the original intent of the post is lost. On Tue, Sep 9, 2008 at 4:55 AM, pauley <[EMAIL PROTECTED]> wrote: BBC do exactly the same thing for podcasts of previously recorded radio shows. A podcast is a download, not listened to live, it's not a performance licence that's required by Radio NZ. UR needs to be able to collect for the use of their material from the listener, from the downloader. And as RNZ aren't in the business of selling music, and UR aren't giving it away, all they can do is make available for downlaod the material that they own the copyright to, which is the chat, not the music. I think it's it's amazing he was interviewed at all by the state broadcaster...I can't see BBC1 giving him 30 minutes during any given day. essentially it's the listener who needs to > This proves once again how NZ takes America's most trumped-up regulations and makes them worse. I know there are geeks in the house who will enjoy Peter Gutmann's classic story about NZ regulation in the 1990s of "digital munitions," otherwise known as cryptographic keys, or, "my life as a Kiwi arms courier." http://www.cs.auckland.ac.nz/~pgut001/policy/courier.html http://www.cs.auckland.ac.nz/~pgut001/policy/wass99.html fh -- mail forwarded, original message follows -- To: 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) Mad Mike interview Date: Tue, 9 Sep 2008 10:20:16 +1200 (NZST) They won't let you waiver - music is music to mcps/prs etc and they do close people down for it. This is a New Zealand site remember, so it's controlled by local organisation RIANZ not any American organisation. I'm guessing their fees are equally prohibitive though, because *no-one* offers podcasts or even streaming archived shows here unless they consist purely of talk. So I did some snooping and the local situation is this (turned out it was an organisation called Phonographic Performances New Zealand who control broadcast licenses here): PPNZ does not have an existing assignment to blanket licence podcasts at the present time. Any broadcaster seeking to make available music on demand is required to seek the permission of the individual copyright owners concerned. So it's more or less impossible to archive music radio online from here!Madness... -- peace, frank dj mix archive: http://www.deejaycountzero.com -- peace, frank dj mix archive: http://www.deejaycountzero.com
(313) placid storms detroit :D
for detroit area listmembers, placid will be making his first detroit appearance on the 18th at oslo along with kevin reynolds (live) and patrick russell. $5, 10pm, 21+ oslo, detroit
Re: (313) Talking Of Techno and Technology
hmm, second time today I've discussed or referenced this paper: Astrophysical implications of hypothetical stable TeV-scale black holes http://lsag.web.cern.ch/lsag/CERN-PH-TH_2008-025.pdf Steven B. Giddingsa,1 and Michelangelo L. Manganob,2 a Department of Physics, University of California, Santa Barbara, CA 93106 b PH-TH, CERN, Geneva, Switzerland - Original Message - From: "Frank Glazer" <[EMAIL PROTECTED]> To: "Martin Dust" <[EMAIL PROTECTED]> Cc: "313 Mailing List" <313@hyperreal.org> Sent: Monday, September 08, 2008 6:26 PM Subject: Re: (313) Talking Of Techno and Technology If a catastrophic event does take place it's probable that we'll never feel a thing, just poof. On Mon, Sep 8, 2008 at 4:17 PM, Martin Dust <[EMAIL PROTECTED]> wrote: This thing blows on Wednesday - hope to see you Thursday :) http://www.boston.com/bigpicture/2008/08/the_large_hadron_collider.html http://www.lhc.ac.uk/ m -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) Richie Hawtin's Traktor setup
within this context, I don't think that things benefit from micro-loop sampling, or production decisions made with DJing in mind. DJ sets just don't seem to be the series of little trips that they used to be. maybe I'm just used to it all. - Original Message - From: "Kowalsky" <[EMAIL PROTECTED]> To: "[313]" <313@hyperreal.org> Sent: Sunday, September 07, 2008 9:55 PM Subject: Re: (313) Richie Hawtin's Traktor setup Certainly, there's a way out of this so called BS. Wich compulsive knob twister is doing something creative these days, in this list opinion? On Sep 7, 2008, at 10:28 PM, /0 wrote: its just that they've defeated the song structure through all of this micro-DJing BS. 30 seconds into the set, your journey is over. - Original Message - From: "Kowalsky" <[EMAIL PROTECTED]> To: "[313]" <313@hyperreal.org> Sent: Sunday, September 07, 2008 9:23 PM Subject: Re: (313) Richie Hawtin's Traktor setup Saw him playing in my city last wednesday. His set was pretty tasteless, flavourless. My impression was just like that: a bunch of loops scrambled over and over, with a crescendo to make the crowd scream from time to time. It seems that a lot of djs, or producers, are showing up in the stage the capabilities of digital blending, the knob thrill just for the sake of it. Well, techno always had a thing about the process, not focusing on a begining or an end, but this tasteless knob thrill usually turns into a kid play, something like "i'm having fun playing with my lego blocks, aren't you?". Well, it's not really that fun just watch someone else playing lego, cause there's no space for you to get in – the expression of the music was suposed to do that, bring the people into the playing. Kw On Sep 5, 2008, at 10:13 AM, Odeluga, Ken wrote: Whilst admiring how clever he is - and I genuinely think Hawtin shows a profound intelligence about how he applies the new opportunities which these latest technologies offer - I found myself drifting. I think I can only take so much technological advancement at a time. Then I kind of withdraw, hoping to hear some actual music. Perhaps something which completes rather than loops over another loop or even four fragments looped at the same time. The day when these genuinely impressive techniques add up to something equally as genuinely impressive coming out of the speakers will be the day when many luddites just using one laptop [ha, I'm not even going to mention the pre-historic relics, like me, who use that black plastic stuff!) won't be allowed to DJ anymore due to being seen as a comedy act. Till then - and it could happen soon: perhaps 3 years? - I think there are few more gigs to come. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, September 05, 2008 12:39 PM To: 313@hyperreal.org Subject: RE: (313) Richie Hawtin's Traktor setup Although i have different midi controllers it's the way i'm playing as well and exactly due to the same reasons. --- Interesting little video: http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_musi c m
Re: (313) Richie Hawtin's Traktor setup
its just that they've defeated the song structure through all of this micro-DJing BS. 30 seconds into the set, your journey is over. - Original Message - From: "Kowalsky" <[EMAIL PROTECTED]> To: "[313]" <313@hyperreal.org> Sent: Sunday, September 07, 2008 9:23 PM Subject: Re: (313) Richie Hawtin's Traktor setup Saw him playing in my city last wednesday. His set was pretty tasteless, flavourless. My impression was just like that: a bunch of loops scrambled over and over, with a crescendo to make the crowd scream from time to time. It seems that a lot of djs, or producers, are showing up in the stage the capabilities of digital blending, the knob thrill just for the sake of it. Well, techno always had a thing about the process, not focusing on a begining or an end, but this tasteless knob thrill usually turns into a kid play, something like "i'm having fun playing with my lego blocks, aren't you?". Well, it's not really that fun just watch someone else playing lego, cause there's no space for you to get in – the expression of the music was suposed to do that, bring the people into the playing. Kw On Sep 5, 2008, at 10:13 AM, Odeluga, Ken wrote: Whilst admiring how clever he is - and I genuinely think Hawtin shows a profound intelligence about how he applies the new opportunities which these latest technologies offer - I found myself drifting. I think I can only take so much technological advancement at a time. Then I kind of withdraw, hoping to hear some actual music. Perhaps something which completes rather than loops over another loop or even four fragments looped at the same time. The day when these genuinely impressive techniques add up to something equally as genuinely impressive coming out of the speakers will be the day when many luddites just using one laptop [ha, I'm not even going to mention the pre-historic relics, like me, who use that black plastic stuff!) won't be allowed to DJ anymore due to being seen as a comedy act. Till then - and it could happen soon: perhaps 3 years? - I think there are few more gigs to come. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, September 05, 2008 12:39 PM To: 313@hyperreal.org Subject: RE: (313) Richie Hawtin's Traktor setup Although i have different midi controllers it's the way i'm playing as well and exactly due to the same reasons. --- Interesting little video: http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_musi c m
(313) tonight in detroit: KDJ, Andrés, R E L A X E R - $5
Saturday September 6, 2008 100 Limousines Presents: SUPERNATURE A Mahogani Music Showcase Featuring: KDJ (Mahogani Music, Peacefrog, Planet E, etc.) Andrés aka DJ Dez (Mahogani Music, Slum Village) R E L A X E R (Soft-Curls, Disco.Secret) Elements Gallery 2125 Michigan Ave. Detroit Five Dollars - Adults Only *Sound provided by Klipsch Audio Technologies
Re: (313) Richie Hawtin's Traktor setup
interesting, but I couldn't help but think, over and over, "wow, this has been done for at least 5 years, by people with a lot less of a reputation for pushing the envelope than you." oh well, he does his thing and does it well - Original Message - From: "Martin Dust" <[EMAIL PROTECTED]> To: "313 Mailing List" <313@hyperreal.org> Sent: Friday, September 05, 2008 7:18 AM Subject: (313) Richie Hawtin's Traktor setup Interesting little video: http://www.dailymotion.com/video/x6n4cy_richie-hawtin-traktor-setup_music m
Re: (313) Lost tapes of the Dr Who composer
dunno if anyone cares but rephlex released a 4x12" set of BBC radiophonic workshop music a few years ago... also, I have a documentary about the workshop and the amazing work they did over the years. if there is any interest, I'll upload and share it. - Original Message - From: "Placid" <[EMAIL PROTECTED] ouse.net> To: "Martin Dust" <[EMAIL PROTECTED]>; "Three-One-Three" <313@hyperreal.org> Sent: Friday, July 18, 2008 6:46 AM Subject: Re: (313) Lost tapes of the Dr Who composer hehe im just listening to the bonkers dancey squelch one now Martin Dust wrote: http://news.bbc.co.uk/1/hi/entertainment/7512072.stm Rather interesting article and sound files on Delia Derbyshire m -- Playing - 2nd August - Under_score - The Tube - Bristol -30th August - I Love Acid - Ginglik - Shepherds Bush New Blog - Full MP3s of rare, wierd and wonderful acidic nonsense - http://blog.acid-house.net Placid on the t'interweb - http://www.acid-house.net Placid's Muzik Jamboree - http://www.facebook.com/group.php?gid=12854449841 Live on Future-music.co.uk every other Thursday - 8pm - 10pm Live on purple-radio.co.uk every other Thursday - 6pm - 8pm
Re: (313) Great T-Shirt Design
for god's sake people, its a T-SHIRT! are you really that upset about it? :)
(313) stupid
http://blog.myspace.com/index.cfm?fuseaction=blog.view&friendID=28973101&blogID=415290964
Re: (313) Kenny Larkin once more.
its edits/remixes of "riders on the storm" by the doors. he should have left that song alone, because its perfect in its original form. - Original Message - From: "Wibo Lammerts" <[EMAIL PROTECTED]> To: "313 Mailing List" <313@hyperreal.org> Sent: Friday, June 06, 2008 6:40 AM Subject: (313) Kenny Larkin once more. Does anyone know a Kenny Larkin track called "Ryder's Return"??? Derrick May handed (no, almost threw! :) ) me a 2-track CD-R, with his (Derrick's) handwriting on it. "Kenny Larkin" and "Phased" was written on it. The first track is "Ryders Return", an 138 bpm techno track. really cool, although not very Kenny-sounding. I know it's this title because my CD-player displays the tracktitles, if it got burned on them. the 2nd track is a lot more Kenny-ish, although those vibes really annoy me. any clues? Cheers, W
Re: (313) juan and kraftwerk (was Re: (313) 313 - T)
co-signed. I see techno as an extension of disco and kw/td-style stuff. there was nothing to be invented, we just (d)evolved - Original Message - From: "Kowalsky" <[EMAIL PROTECTED]> To: "Fred Heutte" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Monday, June 02, 2008 4:41 PM Subject: Re: (313) juan and kraftwerk (was Re: (313) 313 - T) That's exactly what i was saying to Frank. I didn't understand what you're asking. But, i agree with you. This argument is pointless. And more pointless is to imagine a world where techno exists and kraftwerk doesn't. The kraftwerk sound signature can be heard, clearly, in many detroit tunes. That's an undeniable fact. Kw On 02/06/2008, at 17:47, Fred Heutte wrote: The whole argument is pointless. Trans Europe Express and Autobahn were huge hits on black radio. I know because I heard them a lot on the major DC stations (WOL and WOOK) at the time. Same in Detroit I'm sure. Whether Juan was influenced directly or not is for him to say. "Influence" could mean "I heard it on the radio" or it could mean "I had the album and studied how they were making the sounds." For our purposes here, what does it matter, Kowalsky? For what it's worth, the first electronic pop hit I recall was Dick Hyman's "Minotaur." That was 1968. He's a pretty remarkable guy, by the way -- had an illustrious career as a jazz player, composer and researcher and is still alive. He has recordings released in every medium from 78s to MP3s. fh
Re: Re: (313) Festival IX
shoulda got the early pre-sales :) still though, i'd imagine most people on this list have run up a 50 dollar bar bill in a single night, so 50 for 3 days of great music is pretty reasonable - Original Message - From: "Michael Kuszynski" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Frank Glazer" <[EMAIL PROTECTED]>; "313 Mailing List" <313@hyperreal.org> Sent: Saturday, May 31, 2008 6:53 AM Subject: Re: Re: (313) Festival IX I paid 50 at the door. On Sat, May 31, 2008 at 12:05 AM, /0 <[EMAIL PROTECTED]> wrote: i agree with Greg. all those acts on terrific sound systems for 3 days in downtown detroit? forget about it; 40 dollars is a steal - Original Message - From: "Frank Glazer" <[EMAIL PROTECTED]> To: "313 Mailing List" <313@hyperreal.org> Sent: Friday, May 30, 2008 11:57 PM Subject: Re: Re: (313) Festival IX End of story. It just happened to be a "free festival" at the start until someone realized, "Hey, we're losing our shirts here without people paying something." That's Reality, kids. Whining about the price at this point and how it was a "free festival" just makes you sound like a g0dd&mned Hippie. :) - Greg sure, it's cheap for privileged white people from outside the inner city, but the original intention of the festival (for detroit people, by detroit people) is entirely lost when you charge more than $5-10. what i don't get is why they need to charge at all when there is so much sponsorship money being thrown at it by beatport, pioneer, red bull, vitamin water, etc. those sponsorships should pay for everything if you ask me. granted, the production values (sound, lights, staging, backstaging) have gone up dramatically, but so what? to what end? so that "Paxahau really looked after the artists, press and workers behind the scenes by offering top quality catering and free drinks for all. Even the cops got buffet lunch and dinners." Great. Charge $50 so you can cater, literally, to the superstar djs. What bullpucky!! Still, I'd have gone if I had had the $$. :P -- peace, frank dj mix archive: http://www.deejaycountzero.com -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
Re: Re: (313) Festival IX
i agree with Greg. all those acts on terrific sound systems for 3 days in downtown detroit? forget about it; 40 dollars is a steal - Original Message - From: "Frank Glazer" <[EMAIL PROTECTED]> To: "313 Mailing List" <313@hyperreal.org> Sent: Friday, May 30, 2008 11:57 PM Subject: Re: Re: (313) Festival IX End of story. It just happened to be a "free festival" at the start until someone realized, "Hey, we're losing our shirts here without people paying something." That's Reality, kids. Whining about the price at this point and how it was a "free festival" just makes you sound like a g0dd&mned Hippie. :) - Greg sure, it's cheap for privileged white people from outside the inner city, but the original intention of the festival (for detroit people, by detroit people) is entirely lost when you charge more than $5-10. what i don't get is why they need to charge at all when there is so much sponsorship money being thrown at it by beatport, pioneer, red bull, vitamin water, etc. those sponsorships should pay for everything if you ask me. granted, the production values (sound, lights, staging, backstaging) have gone up dramatically, but so what? to what end? so that "Paxahau really looked after the artists, press and workers behind the scenes by offering top quality catering and free drinks for all. Even the cops got buffet lunch and dinners." Great. Charge $50 so you can cater, literally, to the superstar djs. What bullpucky!! Still, I'd have gone if I had had the $$. :P -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) Festival IX
-Beatport Stage was a complete waste of time, I couldn't tell the difference between a single performer any of the times I was over there. hah, every review I read of the festival, this is the one constant.
Re: (313) broken polysix
in other news... I just received a refreshing email from [EMAIL PROTECTED] that leaves me rethinking things. I'll make less of a spectacle of myself or I'll unsub. Jason, thanks for providing a good example besides, if i'm the king, the only way to go is down :p - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, May 27, 2008 6:29 PM Subject: Re: (313) broken polysix heads up everyone, Joe is king of the 313 list this week :-S out of here MEK "/0" <[EMAIL PROTECTED]> wrote on 05/27/2008 05:14:20 PM: then it's one thing AND another. 2 for 1, you should be happy - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; "Odeluga, Ken" <[EMAIL PROTECTED]>; "Scotto" <[EMAIL PROTECTED]> Sent: Tuesday, May 27, 2008 6:04 PM Subject: Re: (313) broken polysix > it's one thing to suggest taking the question to another forum that might > result in an answer > > it's another to, for no apparent reason, insult the guy who keep the list > running fairly smoothly (save for your rude and inappropriate comments > aimed at him) > > MEK > > "/0" <[EMAIL PROTECTED]> wrote on 05/27/2008 04:57:29 PM: > >> your "me too!" shirt is in the mail, goosestepper. >> >> >> to those of you up in arms about my suggestion: don't let the comfort > found >> in kneejerk stupidity cloud your already questionable application of > logic. >> >> - Original Message - >> From: <[EMAIL PROTECTED]> >> To: "/0" <[EMAIL PROTECTED]> >> Cc: <313@hyperreal.org>; "Odeluga, Ken" <[EMAIL PROTECTED]>; > "Scotto" >> <[EMAIL PROTECTED]> >> Sent: Tuesday, May 27, 2008 10:56 AM >> Subject: Re: (313) broken polysix >> >> >> > >> > >> > "/0" <[EMAIL PROTECTED]> wrote on 05/27/2008 05:14:32 AM: >> > >> >> regardless, there is another hyperreal list, analogue heaven, which is >> >> absolutely made for the kind of thing scotto is asking about. and AH > is >> >> nicely moderated to prevent the kind of garbage that hits this list on > a >> >> regular basis >> > >> > like your posts >> > >> > boot this a-hole Kent >> > >> > MEK >> > >> > >> > >
Re: (313) broken polysix
then it's one thing AND another. 2 for 1, you should be happy - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; "Odeluga, Ken" <[EMAIL PROTECTED]>; "Scotto" <[EMAIL PROTECTED]> Sent: Tuesday, May 27, 2008 6:04 PM Subject: Re: (313) broken polysix it's one thing to suggest taking the question to another forum that might result in an answer it's another to, for no apparent reason, insult the guy who keep the list running fairly smoothly (save for your rude and inappropriate comments aimed at him) MEK "/0" <[EMAIL PROTECTED]> wrote on 05/27/2008 04:57:29 PM: your "me too!" shirt is in the mail, goosestepper. to those of you up in arms about my suggestion: don't let the comfort found in kneejerk stupidity cloud your already questionable application of logic. - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; "Odeluga, Ken" <[EMAIL PROTECTED]>; "Scotto" <[EMAIL PROTECTED]> Sent: Tuesday, May 27, 2008 10:56 AM Subject: Re: (313) broken polysix > > > "/0" <[EMAIL PROTECTED]> wrote on 05/27/2008 05:14:32 AM: > >> regardless, there is another hyperreal list, analogue heaven, which is >> absolutely made for the kind of thing scotto is asking about. and AH is >> nicely moderated to prevent the kind of garbage that hits this list on a >> regular basis > > like your posts > > boot this a-hole Kent > > MEK > >
Re: (313) broken polysix
kent, lets f*ck - Original Message - From: "kent williams" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "Odeluga, Ken" <[EMAIL PROTECTED]>; "Scotto" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, May 27, 2008 10:13 AM Subject: Re: (313) broken polysix F*ck off Joe. On Tue, May 27, 2008 at 5:14 AM, /0 <[EMAIL PROTECTED]> wrote: regardless, there is another hyperreal list, analogue heaven, which is absolutely made for the kind of thing scotto is asking about. and AH is nicely moderated to prevent the kind of garbage that hits this list on a regular basis http://machines.hyperreal.org/Analogue-Heaven/
Re: (313) broken polysix
your "me too!" shirt is in the mail, goosestepper. to those of you up in arms about my suggestion: don't let the comfort found in kneejerk stupidity cloud your already questionable application of logic. - Original Message - From: <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; "Odeluga, Ken" <[EMAIL PROTECTED]>; "Scotto" <[EMAIL PROTECTED]> Sent: Tuesday, May 27, 2008 10:56 AM Subject: Re: (313) broken polysix "/0" <[EMAIL PROTECTED]> wrote on 05/27/2008 05:14:32 AM: regardless, there is another hyperreal list, analogue heaven, which is absolutely made for the kind of thing scotto is asking about. and AH is nicely moderated to prevent the kind of garbage that hits this list on a regular basis like your posts boot this a-hole Kent MEK
Re: (313) festival hits?
pullens been lame for years, with a few exceptions. ...maybe when he plays outside of detroit its a different story, as is often the case. I've only seen heard him in detroit - Original Message - From: "Michael Kuszynski" <[EMAIL PROTECTED]> To: "Frank Glazer" <[EMAIL PROTECTED]>; "313 Org" <313@hyperreal.org> Sent: Sunday, May 25, 2008 2:46 AM Subject: Re: (313) festival hits? and stacey pullen played pretty boring house techno ish. On 5/25/08, Michael Kuszynski <[EMAIL PROTECTED]> wrote: moby playing dirty pop techno. he got a little more rave than i thought. On 5/25/08, Frank Glazer <[EMAIL PROTECTED]> wrote: so, i remember in 2006 the track everybody was playing at demf was "erotic discourse". what are some of this year's repeat performers/big hits? -- peace, frank dj mix archive: http://www.deejaycountzero.com -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY -- --- Michael Kuszynski [EMAIL PROTECTED] [EMAIL PROTECTED] http://www.planerecordings.com New York, NY
Re: (313) 313 - T
so whats the verdict? did you guys figure it out this time? :)
(313) sunday, may 25, detroit
http://tinyurl.com/6rqdwx
Re: (313) Robot conductor debuts in Detroit
congrats on the birth of your child. good news on a rainy day... - Original Message - From: <[EMAIL PROTECTED]> To: "313 list" <313@hyperreal.org> Sent: Wednesday, May 14, 2008 10:41 AM Subject: (313) Robot conductor debuts in Detroit Haven't got much time to contribute at the moment due to early arrival of my first baby girl (Laurel Brunton, 1 week old) but had to point out this story!! "When does the conductor answer to the semiconductor? When a robot is leading the symphony. Last night a 4ft-tall automaton with a baton called Asimo conducted the Detroit Symphony Orchestra in a performance of Mitch Leigh's The Impossible Dream from the Man from La Mancha. Asimo (Advanced Step in Innovative Mobility) greeted the audience with the words "hello, everyone," before waving to the orchestra. Asimo is the latest robot designed by Honda, which has been developing walking robots since 1986. It can run, walk on uneven slopes and respond to simple voice commands. It can also recognise faces with its camera eyes. Honda eventually intends its robots to be companions for the elderly or to assist schoolchildren at road crossings. But Asimo's musical repertoire is limited. Unable to respond to the musicians, last night's performance was a case of elaborate "baton-synching", mimicking the actions of a conductor who had been videotaped before. During the first rehearsal, the orchestra lost its place when Asimo began to slow the tempo, something a human conductor would have sensed and corrected. "It's not a communicative device. It simply is programmed to do a sense of gestures," said Leonard Slatkin, the orchestra's musical director. "If the orchestra decides to go faster, there's nothing the robot can do about it. Hopefully, I keep that under control." Nevertheless, Asimo wowed the audience and even impressed some of the musicians. "The movements are still a little stiff, but very humanlike, much more fluid than I thought," said bassist Larry Hutchinson." http://www.guardian.co.uk/technology/2008/may/14/usa cheers Jason
Re: Re: (313) demf interactive map
anyone that knows whats missing doesn't need the map. and all of this "the map is missing this and that" talk is worthless here, because I didn't make the map, and the guy that did probably isn't on 313. find the thread on dluv, join up, and post your suggestions if you have any. - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, May 14, 2008 4:14 AM Subject: Fw: Re: (313) demf interactive map Not only. What about McCarthy's, Lafayette Coney Island, S.I.D., Xochimilco, the Tangent, Niki's, White Castle, Spectacles, Fishbones, R.T. (despite loss of dance room), the Stick, Johansen Charles (still open?), Melodies & Memories. fh -- mail forwarded, original message follows -- To: 313@hyperreal.org From: [EMAIL PROTECTED] Subject: Re: (313) demf interactive map Date: Tue, 13 May 2008 10:15:44 -0500 For shame not having the shorecest on there. On Tue, May 13, 2008 at 6:23 AM, Tristan Watkins <[EMAIL PROTECTED]> wrote: - Original Message - From: "Matt Chester" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "[313] List" <313@hyperreal.org> Sent: Tuesday, May 13, 2008 11:28 AM Subject: Re: (313) demf interactive map > that's very handy, thanks for sharing :) > so where are the good places to eat on here? any recommendations > anyone? (for places that are walking distance downtown, we won't have a car unfortunately...) > > > /0 wrote: > > > someone on dluv made this and since it seems handy for > > out-of-towners > > > > http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid73741362938485816.00044c9cf260cd02516f8&ll=42.329933,-83.042339&spn=0.004577,0.011759&z=17 > > > Wow, that's really useful! Two things I'd add near the festival are The Sweetwater Tavern near St. Andrews and the Loco Bar and Grill in Greek Town. Both are very close by. Tristan ==> [EMAIL PROTECTED] http://www.phonopsia.co.uk
Re: (313) demf interactive map
it re-opened under new mgmt - Original Message - From: "Lori Draper" <[EMAIL PROTECTED]> To: "313 Mailing List" <313@hyperreal.org> Sent: Tuesday, May 13, 2008 12:13 PM Subject: Re: (313) demf interactive map I was under the impression Oslo closed. Am I wrong about that? Someone give me the scoop, as that was always my first stop in town. On Tue, May 13, 2008 at 10:15 AM, Dan Labovitch <[EMAIL PROTECTED]> wrote: For shame not having the shorecest on there. On Tue, May 13, 2008 at 6:23 AM, Tristan Watkins <[EMAIL PROTECTED]> wrote: > > - Original Message - From: "Matt Chester" > <[EMAIL PROTECTED]> > To: "/0" <[EMAIL PROTECTED]> > Cc: "[313] List" <313@hyperreal.org> > Sent: Tuesday, May 13, 2008 11:28 AM > > Subject: Re: (313) demf interactive map > > > > > > > > that's very handy, thanks for sharing :) > > so where are the good places to eat on here? any recommendations > > anyone? (for places that are walking distance downtown, we won't have > > a car unfortunately...) > > > > > > /0 wrote: > > > > > someone on dluv made this and since it seems handy for > > > out-of-towners > > > > > > http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=73741362938485816.00044c9cf260cd02516f8&ll=42.329933,-83.042339&spn=0.004577,0.011759&z=17 > > > > > > > Wow, that's really useful! > > Two things I'd add near the festival are The Sweetwater Tavern near St. > Andrews and the Loco Bar and Grill in Greek Town. Both are very close > by. > > Tristan > === > [EMAIL PROTECTED] > http://www.phonopsia.co.uk >
Re: (313) demf interactive map
mudgies - Original Message - From: "Matt Chester" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: "[313] List" <313@hyperreal.org> Sent: Tuesday, May 13, 2008 6:28 AM Subject: Re: (313) demf interactive map that's very handy, thanks for sharing :) so where are the good places to eat on here? any recommendations anyone? (for places that are walking distance downtown, we won't have a car unfortunately...) /0 wrote: someone on dluv made this and since it seems handy for out-of-towners http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=73741362938485816.00044c9cf260cd02516f8&ll=42.329933,-83.042339&spn=0.004577,0.011759&z=17 or http://tinyurl.com/5mh84g
(313) demf interactive map
someone on dluv made this and since it seems handy for out-of-towners http://maps.google.com/maps/ms?ie=UTF8&hl=en&msa=0&msid=73741362938485816.00044c9cf260cd02516f8&ll=42.329933,-83.042339&spn=0.004577,0.011759&z=17 or http://tinyurl.com/5mh84g
Re: (313) DEMF Preview -- My 2004 Movement Photos
are you talking about this? cardsz69 says: you're the stupidist white person I've ever had the displeasure of meeting - 'white girls with gang signs!' uhhh no I'm an ex promoter of the festival - it's obvious only that you are quite ignorant in both the title you chose for your work, what is going on in the photo you claim to have taken and in trying to attatch 'street' to your work of a bunch of white people from the suburbs. this year - stay in the suburbs -you are an idiot. Posted 4 hours ago. ( permalink ) - Original Message - From: "Kelly B. Delaney" <[EMAIL PROTECTED]> To: "[mark ]" <[EMAIL PROTECTED]> Cc: "kent williams" <[EMAIL PROTECTED]>; "list 313" <313@hyperreal.org> Sent: Monday, May 12, 2008 4:28 PM Subject: Re: (313) DEMF Preview -- My 2004 Movement Photos An "ex-promoter" called my street cred into question: http://www.flickr.com/photos/kdiddy/520742680/ Part of me really really hopes that this troll is actually Carl Craig. On Mon, May 12, 2008 at 4:21 PM, [mark ] <[EMAIL PROTECTED]> wrote: Here's my shots from 2006 - http://www.flickr.com/photos/hypnotyza/sets/72157594185373365/ Lots of 412 heads making cameos. m On Sat, May 10, 2008 at 5:12 PM, kent williams <[EMAIL PROTECTED]> wrote: > http://www.flickr.com/photos/chaircrusher/sets/72157604984143845/ > > 800-odd photos -- a fair percentage comprise way too many pictures of > break dancers and jit contests, but also a veritable who's who of > techno and house artists, and a who's who of 313 list people. That was > the year that I had a press pass which was all access, so I was able > to get some very close pics of Amp Fiddler on the main stage, Kenny > Larkin from right by the stage monitors, Sean Deason and Kelli Hand > behind the main stage, etc. > > I found these today on my studio machine, where I'd forgotten I had > them. They were briefly on a server from my work, but they've been > hidden away for nearly 4 years. > -- "Play more things that make me dance around and less things that make me sit and look miserable in a plastic chair" - Brian Eno Blind faith in bad leadership is not "Patriotism". -- http://www.mamapop.com http://kdiddy.org
Re: (313) FW: listening to wendy carlos/clockworck orange soundtrack...incredible...
I think email between AH and 313 is getting crossed, as this was the subject of a thread on AH yesterday or so. - Original Message - From: "Matthew Kane" <[EMAIL PROTECTED]> To: "ralph gill" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, May 08, 2008 6:43 AM Subject: Re: (313) FW: listening to wendy carlos/clockworck orange soundtrack...incredible... On May 9, 2008, at 0:19, ralph gill wrote: http://www.flickr.com/photos/[EMAIL PROTECTED]/150684246/in/ photostream/_ ___ much as I enjoy scantily clad women in high heels and modular synths, can't find anything to with wendy carlos in that link. matt kane's brain http://hydrogenproject.com
Re: (313) Anyone heard the new Shawn Rudiman?
says the guy that cant figure out how to turn read receipts off half the time. good one, genius - Original Message - From: "Williams, Graham" <[EMAIL PROTECTED]> To: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, May 08, 2008 5:58 AM Subject: RE: (313) Anyone heard the new Shawn Rudiman? I think Redshit/Joe also needs to learn how to use email, if his recent behaviour is anything to go on... G -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 08 May 2008 10:51 To: 313@hyperreal.org Subject: RE: (313) Anyone heard the new Shawn Rudiman? Eh? I neither understand the post being commented on here (as John Dale seems to be replying to a post by Shawn which I didn't see?) Nor the response Or are you thinking he got a mail directly off Shawn and then replied to the list by mistake? -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: 08 May 2008 04:10 http://www.google.com/search?hl=en&q=how+to+use+email :p - Original Message - From: "john dale" <[EMAIL PROTECTED]> To: <313@hyperreal.org> > Hey Shawn! > > Nice to see you here in person! > People seem to agree on your live set! Can't wait to see it in action!
Re: (313) Anyone heard the new Shawn Rudiman?
http://www.google.com/search?hl=en&q=how+to+use+email :p - Original Message - From: "john dale" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, May 07, 2008 9:39 PM Subject: (313) Anyone heard the new Shawn Rudiman? Hey Shawn! Nice to see you here in person! People seem to agree on your live set! Can't wait to see it in action! Dream Divide is one hell of a big track for peaking dancefloors! This is the DEMF Anthem of 2008!!! If you don't play the festival... just go there and dance! :) Approach is constantly growing with me... seriously... this is the kind of track turs your head inside out Three dimentional techno!!! Keep up the good work!
Re: (313) foxx
'hiroshima mon amour' is the bomb, insanely cool drum machines. pun?
Re: (313) Anyone heard the new Shawn Rudiman?
lol - Original Message - From: "Kelly B. Delaney" <[EMAIL PROTECTED]> To: "Frank Glazer" <[EMAIL PROTECTED]> Cc: "john dale" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, May 07, 2008 1:05 PM Subject: Re: (313) Anyone heard the new Shawn Rudiman? dude's been on my sh*t list since he RSVPed to my wedding and then just didn't show up. On Wed, May 7, 2008 at 1:03 PM, Frank Glazer <[EMAIL PROTECTED]> wrote: he does in fact program everything on the fly when he plays live, i've seen him live on many occasions. you're right, he's quite underrated, but he does little to nothing to promote himself. he spends all his time and energy in the studio and at his very strenuous day job. there's an unrelesed cut of his on disc one of "universal serial beats" available in the mixes section of my site... peace, frank dj mix archive: http://www.deejaycountzero.com On Wed, May 7, 2008 at 12:59 PM, john dale <[EMAIL PROTECTED]> wrote: > I haven´t heard about Shawn Rudiman sincet his 12" on Dust Science, > but I got totally blown away by his new 2x12 called Machine Soul > Terminal on Finest Blend. > > To me this man seem to be one of the most underrated talants in the > world of techno. Has anyone seen him live? > I read an interesting interview with him, where he is speaking about > his live set! He claim to program almost everything on the fly!!! > He says "The more chance of failure or bad human performance, the more > live it is". > > Read the interview here: > http://www.electronicdir.jp/2008/05/shawn-rudiman-interview/ -- http://www.mamapop.com http://kdiddy.org
Re: (313) Magda's Recordbag Stolen at CENTRUM, Erfurt, Germany
what does saving your data have to do with how lame it is to steal someones data? everywhere this is being talked about on the net, it seems about half the people miss the point that regardless of what you do with your stuff, people shouldn't steal, and that alone make it lame as hell - Original Message - From: "Benoît Pueyo" <[EMAIL PROTECTED]> To: "[313] List" <313@hyperreal.org> Sent: Tuesday, May 06, 2008 1:56 PM Subject: Re: (313) Magda's Recordbag Stolen at CENTRUM, Erfurt, Germany No offense to Mrs. Magda. I would have thrown myself out of a window if i were victim of such and idiot behaviour, specially in the dj booth, but : at the very cheap prices of portable hard drives today, isnt it recommended to save your whole work every day on that device when your hobby, your job, your passion, your love, everything in your life is stored in a simple laptop? IMO easier and cheaper that having every vinyl (when youre a dj) and your hardware (when youre a producer) in double. Only have to keep it safe at the hotel while giggin' -- Benoît. New email : [EMAIL PROTECTED] Nouvel email : [EMAIL PROTECTED]
Re: (313) DEMF pre-party... have a feeling you'll like this one
lol if concepts sounded as good as they "sound" - Original Message - From: "David Armin-Parcells" <[EMAIL PROTECTED]> To: "U&I Design" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Sunday, May 04, 2008 7:29 PM Subject: Re: (313) DEMF pre-party... have a feeling you'll like this one reminds me of a party in the early to mid 90's at the science center. great idea lousy space for a party and I believe there were like 20 dj's there at the time including many of the founding fathers count me out anyone else remember that party? David U&I Design wrote: Hey everyone, Just got this news through about a wicked party at the Science Center in Detroit... have a feeling this party will be a sell-out... Friday May 23rd, 6pm-12am... I heard all the techno founders will be there, Juan, Eddie, Derrick, and Kevin, to accept awards from local, state, and national officials with Q&A sessions from each, autograph signings, and live performances Also heard there will be a total of 17 DJs... all of whom have seriously influenced the Detroit scene. Just imagine... techno music in the Science Museum's IMAX theater and Planetarium... The event coordinator CDN Communications has access to the entire building except the 4th floor. I heard tickets will be available starting May 5 and can be purchased on pay pal. As soon as I find out how, who and where, I'll let you guys know... As I said, I have a feeling this event will be sold out for sure...
Re: (313) 2of2 re: sharing music vs. DJ ego re: Hypersampling (was re: RA100podcast)
to me, its close to ripping people off you remove a piece of audio from its context, and you've divested the creator from the sound with almost 100% efficiency - Original Message - From: "Andrew Duke" <[EMAIL PROTECTED]> To: "[313]" <313@hyperreal.org> Sent: Sunday, May 04, 2008 1:50 PM Subject: (313) 2of2 re: sharing music vs. DJ ego re: Hypersampling (was re: RA100podcast) part 2 re: sharing music vs. DJ ego was re: Hypersampling (was re: Hawtin's "mix" for RA's 100th podcast): Perhaps Hawtin DJs for a different reason that to share music he loves. Perhaps it is purely an ego thing or perhaps his ego as a DJ and/or person is now over-riding his urge to share (cos I'm sure he had this urge to share at one time) music he loves. If so, that is his prerogative. Obviously there are DJs who DJ purely for ego, so if that is now the case with Hawtin, he certainly isn't the only one. Personally, it would have spared me an hour of my time (plus all the time I have spent re-typing and re-posting my response to Arturo's post) to just have someone direct me to the sound clip for Dan Berkson & James What's Reflections featuring Robert Owens on Pokerflat. (You can find it at http://clone.nl/item11837.html by the way. Cos that was the song in Hawtin's tracklist that I wanted to hear and check out. Unlike the way it is "featured" in the Hawtin "mix", on the Clone site you can actually hear Owens singing and hear the music from Berkson & What! :) Don't get me wrong, I've been to parties (4, perhaps 5) where Hawtin was DJing, and I was right up front and enjoying his in-person mixing, but these chop-the-heck-out-of-tracks-and-present-them-like that "mixes" don't please me as a listener, a dancer (dancing with my daughter as I re-type this to a mix from a DJ that is obviously sharing the music she loves vs. DJing for ego--Hannah Holland; far from Detroit-related, but lots of fun to listen and dance to), or as someone looking to appreciate the music that a DJ has chosen to SHARE. They might be promoting Hawtin's name and get him bookings, equipment, and software endorsements, and the like, but I certainly don't think (writing now from an artist's standpoint) that it would help promote my music if, say, one of my tracks got featured this way in a Hawtin "mix"--heck, I might not be even able to identify it if one of my songs was featured in a presentation like that! And, as an artist, that is a scary thing to me. I'm not Hawtin-bashing here, mind. I'm just trying to explain in detail why I strongly dislike this type of "mix"--whether it be from Hawtin or anyone for that matter, though luckily Hawtin seems to be the only one--at least with a "name"--that is bastardizing music and re-presenting it this way. And Resident Advisor are complicit in this whole thing in that this isn't just a podcast from them--this is the 100th podcast and they make a big deal over it. I love a well-done mashup, edit, or remix of a song/songs. I still fondly remember how BMG (where he lately?) used Ableton Live to DJ and re-present songs. So I'm certainly not anti-technology. Heck, I teach a class called The Digital DJ that focuses on mashups, editing, remixing, and programs like Traktor. And 2 others re: making music with computers. But, and this is a huge but, I agree with those who have said this style of "mix" sucks the soul from the songs being used. And I focus on the word "used" here, because the songs are not being presented with love, they're not being shared, they're serving merely as tools for the person who is presenting this style of "mix": Hawtin in this case re: RA100 podcast. So, to sum up, I enjoy the majority of the mixes on Resident Advisor, but I feel that there was not a lot of positivity (re: music itself) in the RA100 podcast from Hawtin. I almost took it personally/emotionally (thus the long rant from me) because for me I've always looked at music as a positive thing with great potential--so to see it bastardized in this RA100 podcast, well, it was somewhat heartbreaking. This presentiation comes off as a sad PR stunt for RA and Hawtin; it, in my opinion, again, treats the music in the "mix" as dirt. Shame on RA and Hawtin for this, I say; Shame. I'll continue to check out RA and Hawtin, but I sure hope that Hawtin uses technology, especially now he's apparently dropped vinyl and endorses NI's Traktor soley as his DJ-software of choice (I find Ableton Live great for remixing, production, mashups, and the like, but not so great for DJing), for sharing music, not dissecting the soul out of it and presenting the result as a "mix". I shudder to think what will happen to the future of DJing and "mixing" if other DJs listen to and look at what Hawtin has done in this case and try to emulate it. And yes, I realize Hawtin has done this sort of thing before; I was just hoping that that was a one or two-time thing; this April 2008 "mix" and the accompanying
Re: (313) Hypersampling (was latest Hawtin thread)
apparently he's not using turntables anymore. - Original Message - From: "Benoît Pueyo" <[EMAIL PROTECTED]> To: "313 Mailing List" <313@hyperreal.org> Sent: Sunday, May 04, 2008 5:25 AM Subject: Re: (313) Hypersampling (was latest Hawtin thread) I would actually make a difference between Hawtin mix CDs and live performances. His 'mix CDs' are made in the purpose of providing a new experience to the listener. They are quite unconventional. It clearly appears that the last two de9 episodes could not be done 'live', and that explains Hawtin purpose was to make something 'new' rather than the traditionnal DJ set. Keeping in mind he wanted to make a brand new piece of music makes a small matter the fact he uses pre-existing music for that IMO. Hawtin live performances are actually very basic DJ sets with tons of effects above the tracks (which I find boring). The use of the computer is actually just related to the use of Final Scratch, that allows him to play a lot of unreleased music and some edits. So well there is no big concept around that thing, except the concept behind any DJ 'rock the floor wich the music you play'. Benoît. Arturo Lopez a écrit : What do you people think about Hawtin's approach to music? I'm calling it hypersampling. So we're on the same page, I'm talking about taking snippets and loops from a wide library of pre-existing music, and then inserting those little snippets into a dj set via the current software of choice. I think it brings up a number of supposed pros and cons. On the one hand, it seems to give the artist a incredibly wide range of possibilities, taking just those parts of tracks that you like and putting them together in any way/shape/form that you like, hopefully coming up with something interesting as a result. On the other hand though, I feel like there's no "soul" left, for lack of a better term, with what you end up with. If you gut a track to just take the little part that you like, you are still gutting a track, something that was part of a cohesive sound that the producer of said track was going for. You end up with a hundred little pieces that might sound like very interesting little loops, but string them together for an hour and I frankly get a little bored with the results. Hawtin's mixes sound like flipping the channel on your TV every 3 seconds. There's no hook, it's just loop after loop after loop, even if put together in interesting combinations. This is very different from mixing records or even using regular samplers for the occasional insert or loop. You still come up with interesting new sounds when you've got two records playing at the same time, but I feel like it's more of an additive process, with both parts still intact and forming that nice third record, you know? The listener can follow what is going on, and take part/enjoy the new sounds being added, with a clear reference to what is changing and what is being dropped in. With this hypersampling stuff, everything is so completely stripped of its original source that it becomes irrelevant where it came from. I get a great feeling from hearing two or three distinct tracks put together in interesting ways to form new sounds, not two or three drum loops and five high-hats and some random sound effect from 20 different tracks. "...perhaps that one of the last remaining walls (or most of it) between the Studio and the Club has come down." That's Hawtin's quote from that RA link the other day. I personally think that wall can be very important, and shouldn't be knocked down. Beethoven didn't write a great symphony on the fly during a show, he wrote them in the studio. This isn't to discredit the awesome amount of talent and exciting things that live P.A. work brings about, some stuff is certainly better on the fly, but Hawtin's approach seems to discount and not really care about the sources of what he is extracting. One of the earlier posts described this mix as sonic wallpaper and I would agree, although I think the 2nd half does pick up a bit. There's no "there" there. As for Hawtin, I think he's a far better producer than performer. He's written some very, very good tracks, especially most of the plastikman stuff, I just don't care for the new approach to performing. -Arturo
Re: (313) OT: Acquaviva?
john is italian, if the surname doesn't give it away - Original Message - From: "kent williams" <[EMAIL PROTECTED]> To: "list 313" <313@hyperreal.org> Sent: Sunday, May 04, 2008 10:00 AM Subject: Re: (313) OT: Acquaviva? John is listed as being from Windsor. He's also, not to put too fine a point on it, white. Mike Aquaviva's story of being an addict in Detroit would suggest he is African American -- not because black==junkie, but because inner-city Detroit is almost entirely black. So any connection between John and Mike would be pretty tenuous. On Sun, May 4, 2008 at 8:12 AM, Jeffrey Richards <[EMAIL PROTECTED]> wrote: Does anyone know if the guy from this story is related to John? Acquaviva isn't exactly a common name, but I suppose it could be in the Detroit area. Anyway...the guy in this story is doing some good things. http://www.baltimoresun.com/news/nation/bal-te.chess04may04,0,7949447.story Jeff Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now. http://mobile.yahoo.com/;_ylt=Ahu06i62sR8HDtDypao8Wcj9tAcJ
Re: (313) Most unlikely pairing of the week......
Im curious about this. I've liked a lot of pepe's stuff but I guess Namlook and I are on different wavelengths - Original Message - From: "Frank Glazer" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: "313 list" <313@hyperreal.org> Sent: Saturday, May 03, 2008 11:14 AM Subject: Re: (313) Most unlikely pairing of the week.. NICE. jason you really need to do a better job of sharing where you're finding this stuff! ;) What's the detroit connection? Well Pete Namlook worked with Ritchie Hawtin and he's from Detroi...oh, wait a minute, no he's not :) Well, Jeff Mills get's a mention so hopefully that makes it relevant! i'd say pepe braddock and pete namlook are definitely ON TOPIC for this list. now paul van dyk and princess superstar, not so much. -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) Easiest way to start a (313) argument - the Richie Hawtin RA Podcast
777 - alpha wave (plastikmans acid house mix) <3 - Original Message - From: "Tristan Watkins" <[EMAIL PROTECTED]> To: "'Matthew Dickinson'" <[EMAIL PROTECTED]>; "'Joel Gajewski'" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Friday, May 02, 2008 12:57 PM Subject: RE: (313) Easiest way to start a (313) argument - the Richie Hawtin RA Podcast -Original Message- From: Matthew Dickinson [mailto:[EMAIL PROTECTED] Sent: 02 May 2008 16:22 To: 'Joel Gajewski'; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) Easiest way to start a (313) argument - the Richie Hawtin RA Podcast No more Richie Hawtin hate! LOL, good idea. Anyway, I've never been a big fan so there's probably some gems I haven't heard. But that said, I've always loved 'Plasticine' from Sheet One. 11 minutes acidic trip goodness. Or is it 'Plasticity'? Damn, can't remember. Oh well, the track in question is awesome. They're two very similar tracks. Distinct versions of the same song maybe. I always get them confused. Wicked, whichever one is the better of the two though. ;) Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Meanwhile, back in Detroit......
whats where's from got to do with it? - Original Message - From: "Frank Glazer" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: "313 313" <313@hyperreal.org> Sent: Wednesday, April 30, 2008 6:48 PM Subject: Re: (313) Meanwhile, back in Detroit.. Dj Jus-Ed- don't remember much discussion about this guy on the list before...he's got some new material coming soon...what's peoples' thoughts on him? The next Omar S? :) Omar S is the next Omar S. Jus-Ed is quite good but 1) he's from connecticut, not detroit and 2) he's got a bit of a different style than omar, a bit more delano smith / mike grant / moods and grooves than that real lo-fi omar aesthetic. peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) Administrativa: Plain Text Reminders etc
kent, if using outlook or the like, prepare a standard "sig" with the info you wish to convey. then its a matter of hitting crtl-f, insert sig, send. hth, a - Original Message - From: "kent williams" <[EMAIL PROTECTED]> To: "list 313" <313@hyperreal.org> Sent: Wednesday, April 30, 2008 10:44 AM Subject: (313) Administrativa: Plain Text Reminders etc First off, I've tried to inform anyone who has had a message bounce. Given how EZMLM works, this amounts to me going through a folder and manually forwarding messages back to the sender, after scanning the header for the 'From:' address. Since this is a repetitive task that is nevertheless exacting, I don't relish doing it a lot. The 30 seconds it takes me to forward each bounce adds up, and it's a part of my life I can never get back. So the last thing you should do before pressing 'send' (right after you scan your message for comments that will needlessly start a pointless sh*tstorm) is check to make sure you're sending a plain text message. This saves me the 30 seconds it takes me to find your e-mail address in the message headers and forward the bounced message to you. I've had people complain about the plain text policy, but it isn't going to change. Being on this mailing list means you have to learn how to take basic control of your mail client, and not depend on yellow on white italic strikethrough text to make your point. It's not that high a bar to get over, and you'll be the better person for it. Second off, there is some policy about self-promotional spam on the hyperreal 313 page, which hasn't been updated in several years, so let me summarize: Do what thou wilt shall be the whole of the law, as long as you can avoid being annoying. This isn't something I've had to do anything about since I became the active admin, so keep up the good work. The rule of thumb should be: post an announcement once, and if you're hyping your music, figure out a way to let people hear at least a sample of it. Just announcing a vinyl release that will probably be difficult to acquire for most of the people on the list won't really net you the sort of attention you desire. If you're announcing an event that is directly relevant to Detroit techno it's OK to post a notice well in advance, and then a reminder when the event is imminent. Third: After the recent unpleasantness I think it is the better part of valor for me not to try and intervene in food fights, unless they get really bad. That means that self-policing should be the rule. If someone annoys you consistently, put them in your killfile. Now that a certain Steeler fan has left the list, no doubt things will be more peaceful, but just be on notice, I no longer wish to be a referee. I will be reading everything, and in extreme cases may have a word. But in general, y'all on your own, and so long as everyone behaves with a modicum of civility things should be fine.
Re: (313) And now, back to Detroit.......
thanks mkb. you learn something every day... - Original Message - From: "Matt Kane's Brain" <[EMAIL PROTECTED]> To: "/0" <[EMAIL PROTECTED]> Cc: <[EMAIL PROTECTED]>; "313 313" <313@hyperreal.org> Sent: Monday, April 28, 2008 6:17 PM Subject: Re: (313) And now, back to Detroit... On Apr 28, 2008, at 6:15 PM, /0 wrote: what does scat-ish mean? scat singing. http://en.wikipedia.org/wiki/Scat_singing -- matt kane's brain http://hydrogenproject.com aim -> mkbatwerk [EMAIL PROTECTED]
Re: (313) And now, back to Detroit.......
what does scat-ish mean? surely not what I think it means(?) - Original Message - From: <[EMAIL PROTECTED]> To: "313 313" <313@hyperreal.org> Sent: Monday, April 28, 2008 12:56 PM Subject: (313) And now, back to Detroit... Got the new UR mixes of Nublu Orchestra- Sketches Of NYC thing in todayhm, very in-ter-es-ting. It's a bit disingenuous to call it a UR mix as it's Nomadico on one mix and Tunnel 7 on the other (Ray Werriweathers) but it's good stuff- the Nomadico mix wins it for me- spaced out jazz samples with a chuging off kilter beat and a throbing bassline combines with a scat-ish vocal makes it one for the more discerning dancefoor only- it's a strange release but growing on me slowly. There's more detroit-ness that I haven't seen any discussion of on the list but I'll save it until tomorrow! cheers Jason
