Re: "the one man storm"
Thank you very much for sharing this. El abr 22, 2016 2:57 AM, "Fred Heutte"escribió: > Prince and Mojo > > https://www.youtube.com/watch?v=NJZCoxZ5COY > > https://www.youtube.com/watch?v=ftKtWgXzMS8 > >
Re: Techno dork moment
accuradio has some decent stuff on techno and chicago house, among some other less interesting thingsL http://www.accuradio.com/electronic/ 2016-04-13 15:39 GMT-03:00 jwan allen: > When you realize so much 313 content is available from your streaming > platform of choice, in this case Tidal, thus negating the need to > waste time and memory ripping and uploading. > > Cue awkwardness when co-workers ask why you're so happy! > > Juan & Mortitz, Moodymann (including the latest mix), Robert Hood, > Model 500, Drexciya and other favorite artists like Morgan Geist, > Daniel Wang, Maurice Fulton, etc. > > Note: I know streaming nets pesos per stream, but as I already stated, > I already own this material, so I'm just bugging out over convenience. > > Jwan > -- > Technoir Audio > http://www.technoiraudio.com > "dealing with your imperfect world" >
Re: 313 related internet radio?
2014-10-12 19:13 GMT-02:00 Ivan Tomasevic to...@tesla.rcub.bg.ac.rs: 313 related techno/house internet radio station http://deeptechno.fm/
Re: (313) Chicago House Master Mix
thank you very much for this downloading it now 2014-05-01 15:19 GMT-03:00 Paul Wise placid...@gmail.com: Hi guys, not really 313, but 312..it's only a digit out and i know theres some fans of chicago house on here This is a mix I did for Dj International Radio, using records predominantly from 87/88/89. Any excuse to do a Chicago House mix ;). These records make up the spine of my collection, which has been built around the early years 86/87/88 from which so much good music was released. This mix is a shade under 2 hours of 'Music that's good for your soul' to quote the now sadly deceased Frankie knuckles. I've thrown in a few unavoidable crackles and mixes that aren't synced to within an inch of their lives make the mix a bit more organic than the usual offerings. To make ilife even more difficult, as with all my mixes, there's never any planning, I choose a first record and go from there, if I let a record for its duration it's because it's either a brilliant record which should be heard in it's entirety or I'm frantically searching for the record I want to go with it (usually a combination of both. I hope you enjoy listening to it as much as I did making it. Mix is here - https://soundcloud.com/placid_88/placid-mmix Track list (in Alphabetical Order) 3 Voices - Escape - Sound Pak Critical Digital - It's House - Critical House Da Posse - Don't Try to Fight It - Dance Mania Fast Eddie - Acid Thunder - DJ International Fingers Inc - A Path - Dj International Fred Brown - The Whop - Rockin' House Gherkin Jerks - Don't Dis The Beat - Gherkin House to House - Taste My Love - Police Jackmaster Curt - It's A Mans World - Jiszack Master Jackmaster Curt - Real Fresh House - East Joe R Lewis - Acid Falls - Target Joe R Lewis - Separate Ways - Target Jungle Wonz - The Jungle - Trax Last Generation - Feel My Love - Lower Level Records Le Melange - Tortured Journey - Precision M E - Ride - Trax Master C J - Face It - Streetside Records Maurice Joshua - I Gotta Big Dick - Trax Rio D - I Gotto Make It - Rio Records Risque Rhythm Team - More Than Just a Dance - Chicago Connection Rocko - Here's The House - Street Life Shawn Shegog - Love Traxs - No Name Steve Poindexter - Chilling With The P - Muzique Street Side Boys - I Want to be with you - Streetside Records Victor Romeo - The Art of Acid - Dance Mania William S - I'll never Let you go - Trax As you can probably tell, done in one hit, on 2 x technics - Squidged into an mp3 @320kbps.
(313) RIP Frankie Knuckles
In case anyone is not aware, Frankie Knuckles has passed away. Very sad news. http://www.nbcchicago.com/entertainment/the-scene/Chicago-House-Music-Legend-Frankie-Knuckles-Dead-at-59-253313661.html
Re: (313) Depeche Mode - Personal Jesus remix
https://www.youtube.com/watch?v=3xLvArgSp3k 2013/6/10 edward thompson ed612...@iinet.net.au Hi guys, I went to 2 parties today (David Morales during the day and Jamie 3:26 at night and at both gigs Depeche Mode - Personal Jesus remix was played. An absolute dance floor killer of a track. Must be relatively new. Does anyone know what the remix is and who did it? Id say all the big boys would be playing it atm. Peace Ed
Re: (313) Depeche Mode - Personal Jesus remix
yes it is 2013/6/10 Daniel Bean daniel.b...@bbc.co.uk That’s pretty dire. ** ** *From:* Diego Simak [mailto:diego.si...@gmail.com] *Sent:* 10 June 2013 13:36 *To:* edward thompson *Cc:* 313@hyperreal.org *Subject:* Re: (313) Depeche Mode - Personal Jesus remix ** ** https://www.youtube.com/watch?v=3xLvArgSp3k ** ** 2013/6/10 edward thompson ed612...@iinet.net.au Hi guys, I went to 2 parties today (David Morales during the day and Jamie 3:26 at night and at both gigs Depeche Mode - Personal Jesus remix was played. An absolute dance floor killer of a track. Must be relatively new. Does anyone know what the remix is and who did it? Id say all the big boys would be playing it atm. Peace Ed ** ** http://www.bbc.co.uk This e-mail (and any attachments) is confidential and may contain personal views which are not the views of the BBC unless specifically stated. If you have received it in error, please delete it from your system. Do not use, copy or disclose the information in any way nor act in reliance on it and notify the sender immediately. Please note that the BBC monitors e-mails sent or received. Further communication will signify your consent to this. -
Re: (313) history always favours the winners
It's very interesting to note the clarity of Saunderson in his way of speaking compared with the other guy, called Skrillez or whatever it is thanks for sharing it 2013/2/19 Daniel Bean daniel.b...@bbc.co.uk: That's pretty much the most interesting thing about it. Whenever I come across stuff like this or things related to these sorts of artists I don't see it as having any bearing on anything I care about. It's utterly irrelevant. I don't really understand why people get so hot under the collar about EDM and what these people are saying. -Original Message- From: mkb.dirty...@gmail.com [mailto:mkb.dirty...@gmail.com] On Behalf Of Matt Kane's Brain Sent: 19 February 2013 20:24 To: maxphi...@gmail.com Cc: list 313 Subject: Re: (313) history always favours the winners That is the most wonderful URL slug. On Tue, Feb 19, 2013 at 3:17 PM, maxphi...@gmail.com wrote: http://www.spin.com/articles/skrillex-diplo-boys-noize-a-trak-detroit-techno-potato-kevin-saunderson-dog-blood m50 -- matt kane's brain twitter: the_real_mkb / nynexrepublic http://hydrogenproject.com - http://www.bbc.co.uk This e-mail (and any attachments) is confidential and may contain personal views which are not the views of the BBC unless specifically stated. If you have received it in error, please delete it from your system. Do not use, copy or disclose the information in any way nor act in reliance on it and notify the sender immediately. Please note that the BBC monitors e-mails sent or received. Further communication will signify your consent to this. -
Re: (313) From the mouth of babes...
2012/7/12 David Powers cybo...@gmail.com http://www.thedailyswarm.com/headlines/david-guetta-mocks-underground-resistance/ 'For [David] Guetta, dance music’s newfound popularity can only be a good thing. He won’t convince everyone, but few in the industry would deny his phenomenal success in the US has given the industry as a whole a healthy financial boost. “Listen, some people take themselves very, very seriously,” Guetta says. “I’m not a politician, you know what I mean? You remember in the old days you had people like Underground Resistance?” [a late 80s militant dance collective from Detroit]. He pauses and smiles. “I never took myself so seriously.”' WOW. ~David I'm very glad to find out that I'm in the opposite side of him. Yes, music (Detroit or wherever it is) is a serious thing to me.
Re: (313) acoustic jazz strings of life?
Hi Kent! I don't know if it is the very first jazz version of strings.. but I can say that I saw it coming from a long time. Personally speaking I liked it, but I think that some songs shouldn't be touched. I'm affraid that we will listen to this version in every venue, every lounge, everywhere, from here. Thanks for sharing it. Best, Diego 2011/12/20 kent williams chaircrus...@gmail.com Christian Prommer does dance classics as acoustic jazz Cant decide if it's great or awful: http://www.sonarkollektiv.com/tracks/DE-P96-06-00245/
(313) James Stinson - September 3rd 2002
Drexciya - Birth Of A New Life - YouTubehttp://www.youtube.com/watch?v=NFBNa2ZGeW4feature=related
Re: (313) the drexciyan immersion project (was Re: (313) Drexciya reissues)
I have to say that Birth Of A New Life is my favorite one. It sounds just like it was in some random way but it's incredible peacefull and enoyable. 2011/9/2 Patrick Wacher pwac...@gmail.com I have to put my vote in for Aqua Worm Hole... when those bubbling appegiated lead synth comes in, transports your mind to another level (another Drexciya ref there for the spotters)... oh and that stepped bassline carries that track all the way thru. Oh and Sighting In The Abyss is something else, almost new wave... was a great way to finish off that Aquatic Invasion ep. 8-203X out... On Fri, Sep 2, 2011 at 7:10 AM, jwan allen jwan.al...@gmail.com wrote: That record never leaves the bag! While I initially made fun of Frank for just now getting into his DIP, looks like he picked an oppurtune time since now he won't have to deal with overinflated ebay/discogs prices for wax. I'm looking forward to grabbing some doubles of some of the worn materpieces in my collection too. On Fri, Sep 2, 2011 at 9:39 AM, Frank Glazer cpe1704...@gmail.com wrote: journey home EP and black sea specifically were among the tracks i rated highest in iTunes star system during my first run through of the 350+ stinson/donald cuts i've listened to. black sea got five stars. On Fri, Sep 2, 2011 at 8:31 AM, Rob Taylor barringtonphelo...@gmail.com wrote: yes, i suspect black sea is my favourite techno track of all time On Fri, Sep 2, 2011 at 12:11 PM, ja...@iridite.com ja...@iridite.com wrote: The Journey Home EP on Warp - incredible stuff! Jason On 2 September 2011 09:19, Ronny Pries r...@rohformat.de wrote: Yeah, Wavejumper. Lost Vessel also got that something something. But for some reason i never got around to play that one, dunno why. WaveJumper is probably my favorite as well... but as far as general listening, The Other People place gets played over and over and over again. But that's easy listening. On Thu, Sep 1, 2011 at 3:34 PM, Frank Glazer cpe1704...@gmail.com wrote: Since August 1st I've been trying to concentrate entirely on devouring the oeuvre of Gerald Donald and James Stinson (R.I.P.). We're talking about 24 full hours of music over about 45-50 albums, EPs, and singles including all their various pseudonyms. The reason I am doing this is because I find their music to be relatively tricky to wrap my head around in general, while so many of my friends consider Stinson/Donald to be among the best of their contemporaries. Specifically a lot of Stinson/Donald tunes sound particularly chaotic even to my modern ears well trained in noise, avant garde, and the repetitive loops of minimal classical (Steve Reich, Philip Glass) and techno music. I wondered if completely saturating my ears with only their music would change my opinion/enlighten me to their supposed genius at all. To date I am about halfway through the project based on mostly casual subway ride listening, and I've not been as diligent in avoiding the fast forward button as I'd hoped I could be. It's really difficult to stick to one artist who produced a pretty consistent style of music without listening to anything else for such an extended period of time. I do occasionally give my ears a bit of a break and allow myself to hear some non Stinson/Donald tunage. To date Wavejumper from their 1995 Aquatic Invasion EP remains my absolute favorite Drexciya tune: http://youtu.be/imKh_TKqHt4 As a side note, the name I've given this experiment - Drexciyan Immersion Project - is a kind of funny nod to the sci-fi underwater mythology that Drexciya built around their music/built their music around. On Thu, Sep 1, 2011 at 6:24 PM, Jason Kenjar jasonk1...@gmail.com wrote: an undiscovered track or three would be nice..i can dream rite? On Sep 1, 2011, at 5:14 PM, Patrick Wacher wrote: Some interesting news on the wire: http://www.xlr8r.com/news/2011/09/drexciya-reissues-coming-soon Sadly, it's been nearly a decade since early '90s Detroit techno/electro duo Drexciya last released new music. However, we've just discovered that reissues of the pair's early material will be surfacing in the near future. Clone Classic Cuts, the reissues imprint for Dutch label Clone, announced just yesterday: We will reissue the early Drexciya catalogue on Clone. We are currently busy restoring the original master tapes, and hopefully we will have the first one ready before the end of the year! Of course, we will keep you updated on the process. No further details were shared, but the news itself is certainly exciting, to say the least. (via FACT)
Re: (313) Look busy!
As Horacio Buscaglia said and I'm sorry to confirm: Death is the best spons 2011/8/29 kent williams chaircrus...@gmail.com An odd side effect of the coverage of Dan's passing is that I'm getting lots of 313 list subscription requests. People are paying attention! Look busy!
Re: (313) Look busy!
As Horacio Buscaglia said and I'm sorry to confirm: Death is the best sponsor 2011/8/29 kent williams chaircrus...@gmail.com An odd side effect of the coverage of Dan's passing is that I'm getting lots of 313 list subscription requests. People are paying attention! Look busy!
(313) Conrad Schnitzler
Hi list, I just received an email from microsound list informing that Conrad Schnitzler passed away last 4th August. http://alteredzones.com/posts/1756/rip-conrad-schnitzler/ Conrad was a member of Tangerine Dream and Kluster. Rest in peace Conrad, play that synths from the sky.
Re: (313) Need help--online promotions of music
Hi David, I wonder if your release is available for listening in beatbort. If it is available can you post here the link? Thank you Diego 2011/7/19 David Powers cybo...@gmail.com Okay, I think you all misunderstood my question. I'm not trying to get SALES... I'm just trying to get BUZZ / conversations started. I just want people to listen to the music! There is so much music out, even getting someone to spend 5 minutes listening to your stuff is almost impossible now. What I'm really looking for are INTERACTIONS, which I measure two ways: forum post views, and actual responses via forums, email, and social networks. I do know that de:bug will be reviewing the release, so that should be good. Getting sales is the label's job... honestly, even vinyl that I released that I know did sell, never made me a dollar, as most vinyl releases seem to have expenses equal to the cost of creation. ___ By the way get your music to more djs is obvious... but HOW? I've sent emails / fb messages with little success. I will say Akbal Music did a great job, getting the release to DJ Sneak, Loco Dice, Hawtin, etc... But I would like to make some direct connections and not only have my connections only exist through the label. As far as releasing more, I have a lot of music but my past releases haven't done much for me so I'm not sure that in itself, releasing does much good. I have come to the conclusion that releases need to fit into some bigger plan to be of much benefit. ~David On Tue, Jul 19, 2011 at 10:38 AM, Minto George mintogeo...@yahoo.com wrote: Get your music to more djs and release more music. That is primarily how you generate interest in the digital market. Combine digital releases with vinyl (even limited runs). As long as you have music people are genuinely interested in, it will sell. good luck, minto@dL On Jul 19, 2011, at 10:20 AM, David Powers cybo...@gmail.com wrote: Has anyone had any luck promoting digital releases online? I've got a new release on beatport, but as if this point in time, all the usual channels (email lists, facebook, forum posts) seem to generate very low interest. I'm very proud of this release and think it's as good as anything out there right now! But getting noticed in 2011 appears to be impossible as far as I can tell... So do you simply have to be rich and spend huge wads of cash to get noticed? (that's my theory--it's all a rich kids game!) Anyone who wants to weigh in, online or offline, please give me your thoughts!!! I do have an upcoming net release on a major website that should generate some thousands of downloads, which I hope may generate some new listeners. But I'm not sure what else to try at this point. From my point of view, it feels like the internet has turned into a giant crappy stripmall and I've got a storefront in some horrible, out of the way location!!! Oh, I will admit that there are some things that I still haven't gotten to that are in the works, like finishing my own site with good SEO content, that should at least drive a little bit of google traffic. Also, I may have mentioned this, but I will be starting a music blog in the next month, that will PRIMARILY be covering deep house from Chicago, Detroit, and NYC/east coast... So stay on the lookout for that!!! ~David
Re: (313) Need help--online promotions of music
Thanks, sorry but I have a lot of 313 emails to read (I'm observing your email as unread.) I understand your frustration when I asked you about this link Will hear it and let you know. Thanks again Diego 2011/7/19 David Powers cybo...@gmail.com Yes, it is... here is the same info I posted yesterday! ;-) [Akbal051] - Max Jacobson Dave Powers: K-Oates New release on Akbal Music out of Playa del Carmen, Mexico! Release date, July 18, 2011. http://www.beatport.com/release/k-oates/394476 K-Oates / 120 BPM. Deep House. Sheila Don't Love Me / 118 BPM. Tech House. ___ What the so called Disc Jockeys are saying... DJ Sneak: i likes very much. nice oates redo. Solomun: top ! :) full support ! Bloody Mary: will play for sure Loco Dice: Coool one WAV please D Matt Star: nice ep on akbal music Wink: Some fun summer time boot-legish tools! Love bizarre- fun! Franck Roger: I THINK I GO FOR THAT On Tue, Jul 19, 2011 at 10:56 AM, Diego Simak diego.si...@gmail.com wrote: Hi David, I wonder if your release is available for listening in beatbort. If it is available can you post here the link? Thank you Diego 2011/7/19 David Powers cybo...@gmail.com Okay, I think you all misunderstood my question. I'm not trying to get SALES... I'm just trying to get BUZZ / conversations started. I just want people to listen to the music! There is so much music out, even getting someone to spend 5 minutes listening to your stuff is almost impossible now. What I'm really looking for are INTERACTIONS, which I measure two ways: forum post views, and actual responses via forums, email, and social networks. I do know that de:bug will be reviewing the release, so that should be good. Getting sales is the label's job... honestly, even vinyl that I released that I know did sell, never made me a dollar, as most vinyl releases seem to have expenses equal to the cost of creation. ___ By the way get your music to more djs is obvious... but HOW? I've sent emails / fb messages with little success. I will say Akbal Music did a great job, getting the release to DJ Sneak, Loco Dice, Hawtin, etc... But I would like to make some direct connections and not only have my connections only exist through the label. As far as releasing more, I have a lot of music but my past releases haven't done much for me so I'm not sure that in itself, releasing does much good. I have come to the conclusion that releases need to fit into some bigger plan to be of much benefit. ~David On Tue, Jul 19, 2011 at 10:38 AM, Minto George mintogeo...@yahoo.com wrote: Get your music to more djs and release more music. That is primarily how you generate interest in the digital market. Combine digital releases with vinyl (even limited runs). As long as you have music people are genuinely interested in, it will sell. good luck, minto@dL On Jul 19, 2011, at 10:20 AM, David Powers cybo...@gmail.com wrote: Has anyone had any luck promoting digital releases online? I've got a new release on beatport, but as if this point in time, all the usual channels (email lists, facebook, forum posts) seem to generate very low interest. I'm very proud of this release and think it's as good as anything out there right now! But getting noticed in 2011 appears to be impossible as far as I can tell... So do you simply have to be rich and spend huge wads of cash to get noticed? (that's my theory--it's all a rich kids game!) Anyone who wants to weigh in, online or offline, please give me your thoughts!!! I do have an upcoming net release on a major website that should generate some thousands of downloads, which I hope may generate some new listeners. But I'm not sure what else to try at this point. From my point of view, it feels like the internet has turned into a giant crappy stripmall and I've got a storefront in some horrible, out of the way location!!! Oh, I will admit that there are some things that I still haven't gotten to that are in the works, like finishing my own site with good SEO content, that should at least drive a little bit of google traffic. Also, I may have mentioned this, but I will be starting a music blog in the next month, that will PRIMARILY be covering deep house from Chicago, Detroit, and NYC/east coast... So stay on the lookout for that!!! ~David
Re: (313) OK Kent, I see your point
2011/7/6 Thor Teague thor.tea...@gmail.com Music is its own meaning... there is no need for it to be this or be that, if you choose to let it simply be. Nobody dances to a destination. The point of the dance is the dance. I know what you mean, in fact it was over the table when I had the discussion. It is just DANCE music, so just dance it But somehow, It has some meaning the other point of view. Yes you just dance this song or another, It has some groove and other things, but are you aware of the meaining and the reasons of that song? Maybe i'm getting some complicated with this point but I feel nowdays that all the things should be done with a sense of responsibility and therefore be honest with your cultural legacy. I don't think you can understand the SOCIO-POLITICS behind it without at least living there for a few years, if not being from there. I agree with that. But that only has as much meaning as you choose to attach to it. ~T On Wed, Jul 6, 2011 at 9:04 PM, Diego Simak diego.si...@gmail.com wrote: What do you guys think about this? Is possible for a person that had born outside Detroit and US, correctly understand the real meaning of Detroit Techno?
Re: (313) OK Kent, I see your point
I would be very important to me visit there you guys but it is not possible at this time really thank you very much for your invitation! I know that this list is about Detroit Techno, understanding this style as a dance floor music since the beginning, I don't want to name other styles here but I'm not sure if somebody from other country than Uruguay (and Argentinaalso) can truly understand the essence of Tango for example, to be honest. Tango music is a style that I think represents the sadness of the city for example, among other things that represent the people that lives in this part of the world, the melancholy and hard life, the love appointment's, the fight's between men to show who is more brave, just to name a few. I think that this happens also with other styles like Candombe. Well, maybe is just to deep just you said, and it's nothing more that dance music, so just dance it. Thank you Diego 2011/7/7 kent williams chaircrus...@gmail.com On Wed, Jul 6, 2011 at 8:04 PM, Diego Simak diego.si...@gmail.com wrote: My question is: how a city and all the environment that surrounds it can influence the creation of art and more specific, the music creation? Please correct me, but from all that I had read seems that Detroit City had a primary influence in the techno style creation. Detroit Techno grew out of a particular and peculiar musical and cultural environment as it existed in the 1980s. Since then, it has influenced musicians all over the world, and in turn the musicians of Detroit have absorbed influences from all over the world. I have a great affection for the city itself as I have visited and made friends there, and it is lovely and terrible and unique as all American cities are. As no doubt Montevideo is. More important to this question is how a person that lives outside this city can correctly understand this style. I don't think there's any barrier to entry. As (mostly) instrumental music it is purely abstract. Having eaten at a Coney Island or shopped at Submerge, or danced at The Works really doesn't inform the music per se. It isn't like trying to appreciate Pygmy chants where you don't know the language or culture that made it -- the cultural context at this point is global. Is this possible? Is possible for me, and for others that live outside Detroit understand techno as it was in that city? Sure. Why not? You might not know all the records or the background of the producers, but in the end it isn't so much what you understand about it but how it makes you feel. A very friend of mine that is musician told me that we can reach some of the aspects of this music, in a asymptotically way, but never understanding the real origin of this style and therefore have an incomplete picture of techno, since we live outside the city that was created. That's too deep for me. That's like the joke where when someone asks you a question about X, you say but how can you ever really know about X? We're at the mercy of our senses and our brains' ability to interpret it. You can't share anyone else's context 100% but that doesn't you can't reach a useful understanding of them. I don't know if you understand what I'm saying. Si comprende! What do you guys think about this? Is possible for a person that had born outside Detroit and US, correctly understand the real meaning of Detroit Techno? It means it's good music. I think if you have the chance you should visit, and there are people on this list who will make you feel welcome and show you a good time. But don't worry about it. Enjoy!
Re: (313) OK Kent, I see your point
I think that this is what I'm talking about Some DJ/Producers/artists can produce a song having the right elements and the rights sequence and other things, but then results that this song does not produce any sound... I don't say that's a necessary condition but I think that's important to be honest with your culture, just to be in the same direction and therefore produce that sound Bye Diego 2011/7/7 David Powers cybo...@gmail.com Just to complicate things... even the producers may not understand the meanings behind their own songs! Because things have a history, they may use elements but not understand the history or the roots behind them. Sound and Rhythms also have a spiritual power, different sounds are conducive to different states of consciousness for listeners and dancers. Not many DJ's or producers have a clue about this! You have to understand the link between music and shamanism to understand this part of the sound... But it is extremely important. When used properly music is a tool for healing and spiritual evolution. ~DP On Thu, Jul 7, 2011 at 12:14 PM, Diego Simak diego.si...@gmail.comwrote: 2011/7/6 Thor Teague thor.tea...@gmail.com Music is its own meaning... there is no need for it to be this or be that, if you choose to let it simply be. Nobody dances to a destination. The point of the dance is the dance. I know what you mean, in fact it was over the table when I had the discussion. It is just DANCE music, so just dance it But somehow, It has some meaning the other point of view. Yes you just dance this song or another, It has some groove and other things, but are you aware of the meaining and the reasons of that song? Maybe i'm getting some complicated with this point but I feel nowdays that all the things should be done with a sense of responsibility and therefore be honest with your cultural legacy. I don't think you can understand the SOCIO-POLITICS behind it without at least living there for a few years, if not being from there. I agree with that. But that only has as much meaning as you choose to attach to it. ~T On Wed, Jul 6, 2011 at 9:04 PM, Diego Simak diego.si...@gmail.com wrote: What do you guys think about this? Is possible for a person that had born outside Detroit and US, correctly understand the real meaning of Detroit Techno?
(313) OK Kent, I see your point
I'm subcribed to the 313 list a while back ago. One thing that is important to note here is that I live outside Detroit in fact I live in Montevideo, Uruguay. Since the beginning I think that I've learned a lot about Detroit Techno and all of the related stuff that had emerged from this style. I've polish the rough sides of my knowledge, reading all the things written on this list, I had a lot of pleasures times listening to all the mixes posted here, where I consider some of them as jewels of dance music. But since the beginning I have a doubt and this has reached some point of no return. Maybe this is the time to write it to the list. Here it is: My question is: how a city and all the environment that surrounds it can influence the creation of art and more specific, the music creation? Please correct me, but from all that I had read seems that Detroit City had a primary influence in the techno style creation. More important to this question is how a person that lives outside this city can correctly understand this style. Is this possible? Is possible for me, and for others that live outside Detroit understand techno as it was in that city? A very friend of mine that is musician told me that we can reach some of the aspects of this music, in a asymptotically way, but never understanding the real origin of this style and therefore have an incomplete picture of techno, since we live outside the city that was created. I don't know if you understand what I'm saying. Personally I think that I agree in the last comment, I will never reach the whole picture, the essence of techno since I live in another city and more important in another culture. What do you guys think about this? Is possible for a person that had born outside Detroit and US, correctly understand the real meaning of Detroit Techno?
Re: (313) Traktorized podcast june 2011
I really enjoyed it great beginning, I didn't expect that coming Thanks for sharing 2011/6/21 Ronny Pries r...@rohformat.de: Hello list, got the first Traktorized podcast online now. It's an hour with 22 more or less fresh tracks, some netaudio tunes amongst them. Stream download through http://official.fm/tracks/258735 Tracklist as follows: 01 Samuli Kemppi – Expand 02 Surgeon – The power of doubt 03 Instra:Mental – 8 04 Max Cavalerra – Hellboys rising 05 Jolka – Five (Silent Servant Remix) 06 HxdB – Mustard (Cure Rerub) 07 Scuba – Feel It 08 Skudge – Ontic (Rolando Understands Remix) 09 Mike Dehnert – Teilfolge 10 Octave One – I Believe (Sandwell District Remix) 11 Instra:Mental – Delta Zone (Advance) 12 The Advent – Visualize 13 Boddika – Spray 14 Peverelist – Dance Til The Police Come 15 Conforce – Vulcan 16 Speedy J – Trails (Edit Select Tool 01) 17 Incyde – Axis 18 Cosmin TRG – Separat 19 Samuli Kemppi – Crunch 20 Kink – Shockwaves 21 Sigha – HF029A1 22 Buck UK – Once Further info like links to the downloadable tracks or discogs releases can be found here http://www.ronnypries.de/studio/mixes/traktorized-june-2011/ Cheers Ronny
(313) Fwd: Movement Detroit 2011 - Day 3
Check it out -- Forwarded message -- From: RA Photos ra...@residentadvisor.net Date: 2011/6/3 Subject: Movement Detroit 2011 - Day 3 To: diego.si...@gmail.com Hey diegosimak, The photo gallery from Movement Detroit 2011 - Day 3 is now online. Click below to view the gallery; http://www.residentadvisor.net/photo-gallery.aspx?set=17357
Re: (313) Fwd: Movement Detroit 2011 - Day 3
I'm outside US I never went to DEMF/Movement but I have the same feeling that you expressed below I don't know if somebody (thats been there) can put some comments about this? 2011/6/3 kent williams chaircrus...@gmail.com: lookit the white people! I'm sorry i missed the festival but man, when did it turn into candy raver/shirtless meathead heaven? On Fri, Jun 3, 2011 at 12:45 PM, Diego Simak diego.si...@gmail.com wrote: Check it out -- Forwarded message -- From: RA Photos ra...@residentadvisor.net Date: 2011/6/3 Subject: Movement Detroit 2011 - Day 3 To: diego.si...@gmail.com Hey diegosimak, The photo gallery from Movement Detroit 2011 - Day 3 is now online. Click below to view the gallery; http://www.residentadvisor.net/photo-gallery.aspx?set=17357
Re: (313) list admin test
I suggest to add the following words to the filter list: viagra rolex loan 2011/5/16 Jonathan Morse jn...@rochester.rr.com: trance On May 16, 2011, at 9:32 AM, kent williams wrote: beezlebub If you're curious, the EZMLM software on hypereal has been updated, and I'm checking on the operation of the naughty words filter.
Re: (313) New mix
Hi Patrick the direct download link doesn't work I'm getting a 404 error i'm downloading the soundcloud version now thank you Diego 2011/3/28 Patrick Wacher pwac...@gmail.com: Heya all, Just put up a new mix for darkenergyradio.com just a bunch of newish and oldish tracks floating around there. Tracklist === Summer Rain - Marcello Napoletano Innocense of Pleasure - Marco Bernardi World Is Changed - Marcello Napoletano I.F.M. Late Drive - A Made Up Sound Direct Drive - Delano Smith Corp Stelar (Bearweasel Lazy Dub) - Aeromaschine remixed by Bearweasel Deep N Raw - Rootstrax Sonnenberg - Soulphiction Behind These Walls - Sui Generis Seventy Four (Redshape Mix) - Martyn remixed by Redshape Harlequin (Original Mix) - Rootstrax Hudson Square - Homework Freedom (A Mix) - Alex Agore I'm Into This - Homework Insecure - Conforce Soundcloud: http://snd.sc/eBzmDM Direct MP3: http://www.darkenergyradio.com/episodes/de-22.mp3 Enjoy. Patrick.
Re: (313) The Dub Techno Sound of Berlin
I've downloaded the mix this morning loaded it into my phone I was jogging along the coast with this mixture in my ears Now I feel a little happier thank you 2010/12/10 John Sokolowski jrsokolow...@hotmail.com: Here, here! I don't usually break out the dub until winter time. This makes the grey, cold day feel warm and sunny ;) CC: pla...@acid-house.net; 313@hyperreal.org From: jmaro...@gmail.com Date: Fri, 10 Dec 2010 13:23:42 -0800 To: l...@geeandel.com Subject: Re: (313) The Dub Techno Sound of Berlin I'm enjoying it too. Thanks! Sent from my iPhone On Dec 10, 2010, at 12:23 PM, Lara Terrell l...@geeandel.com wrote: Gorgeous mix! On Dec 10, 2010, at 5:35 AM, Placid pla...@acid-house.net wrote: Pioneered by Berlin Duo Moritz Von Oswald and Mark Ernusutus, and for me, still unparalleled, the sound of what became pigeonholed as Dub Techno has taken many twists and turns since the fist Maurizio 12's. Some of it bland, some of it extremely good.. Unfortunately I had Deepchord down as just imitating Maurizio for years and neglected to buy any of their records when they came out, hence their aren't any of their original 12's on this mix as they all cost a fortune to get hold of now….. anyway… Here's a 2 hour mix of my currrent favourite DT, of which some emanates from Berlin and some doesn't and some might be inspired Mr Von Oswald and Mr Ernestus or may not be and could, if you like pigeonholing music, be called Dub Techno. Mix is here - http://www.acid-house.net/The_DT_Sound_Of_Berlin.mp3 DeepChord - Coldest Season 3 - Modern Love JS-01 - JS-01 T++ - Allied - Erosion Rhauder Feat. Paul St. Hilaire - No News - Ornaments Pelon - No Stunts - Chain Reaction Maurizio - M5 - M Lawrence - Shipwrecked - Styrax Convextion - Convextion - Matrix Morphosis - Dirty Matter (NWAQ's Via Mezzacapo Dub) - MOS Recordings Marko Fürstenberg - Counter Mode - a.r.t.less Model 500 - Starlight - Metroplex Fluxion - Atlos - Chain Reaction DeepChord - Electromagnetic Dowsing (The Final Step) - S Y N T H Backroom (Salz Dub Mix) - Telrae Tony Allen - Ole - Honest Jon's Knowone 004 D5 - Floatation Tank - Delsin The Peresuader - Mosebacke - Svek Vainqueur - Ranges - Scion Versions Knowone 004 Maurizio - M4 - M Recorded in one hit on 2 x 1210's Approx 290mb @320 knbps Enjoy
Re: (313) New Track
I liked a lot! I felt that the drum was mixed on a different plane than the rest of the instruments, was it? I wont be surprised to hear this song with a little high BPMs in the future Good music! Diego 2010/4/22 Joe Marougi jmaro...@gmail.com: Hello all, Here's something new (deep house) I'd like to share with you guys. As always, your feedback would be most appreciated! Joe http://soundcloud.com/joe-babylon/how-ecentric
RE: (313) Drunken mix - Through the Bone
The DNS can not resolve the www.phonopsia.co.uk name. It is alright? Diego -- Mensaje original -- Date: Sun, 31 Jul 2005 10:42:03 - From: Robert Taylor [EMAIL PROTECTED] To: [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: (313) Drunken mix - Through the Bone That's timing me out? :( -Original Message- From: Tristan Watkins [mailto:[EMAIL PROTECTED] Sent: 28 July 2005 13:26 To: 313@hyperreal.org Subject: RE: (313) Drunken mix - Through the Bone Err... make that: http://www.phonopsia.co.uk/mixes/TristanWatkinsThroughTheBone24-07-05.mp3 - Original Message - From: Tristan Watkins [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, July 28, 2005 2:16 PM Subject: (313) Drunken mix - Through the Bone I recorded a mix on Sunday. It's a product of the aftermath following To the Bone, Chaz 'n Dave's party where Alex was spinning at George IV in Brixton last Saturday. The afterparty wound up back at mine, so I had to escape ~15 of London's most fiendish afterwards, taking refuge with the subwoofer, randomly recording this mix. It's certainly not my best mixing, but there's some nice tracks that didn't make it onto other mixes I've recorded, has some Summery parts, and some newer stuff I rather like. Encoded at 192 Kbps. Enjoy! STOP PRESS!!! This is an exclusive preview to [313] at the moment because my blog is acting up and Little Detroit is down. Consider yourselves priveleged. ;) Oh, and I just randomly pressed record after a few songs, and accidentally killed it at 90 minutes in, if you're wondering about the fade in at the beginning and the abrupt ending. It will fit on an 80 minute CD though. http://www.phonopsia.com/mixes/TristanWatkinsThroughTheBone24-07-05.mp3 Tracklist: DJ Gregory - Attend 1 [Kitsune] Julien Jabre - Paixao [Elias] DJ Minx - A Walk in the Park (Wink's Run Through the Park Interpretation) [Minus] Kai Alce - M-7 [Mahogani] Silvio Manuel - La Mente Oscura que es Carlo Marx [Ferrispark] Aardvarck - Cult Copy Pt 3 (Mix 2) [Rush Hour] KLF vs. Ricardo Villalobos - What Time is Love? (Veto Retro Mix #2) [Blaou] Henrik Schwarz - Jeff [Zeppelin Recordings] Just One - Soul Revolution [Neroli] Kahil El'Zabar The Kemit Sources - Our Time is Now (Kemit Sources Mix) [Deeper Soul] Iz Diz - Mouth (Brad Peep's Remix for Friends [Classic] Inner City - Do Ya (Carl Craig Build Up Remix) [Network] Deep Dish - Won't Stop [Yoshi Toshi] Dusk - Honcho Sex God [Peacefrog] Soulphiction - Scattered Brains [Philpot] Moodymann - Shades of Jae [KDJ] # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
Re: (313) Hello my name is...
Name : Diego Simak Age : 29 Live : Montevideo, Uruguay Born : Montevideo, Uruguay Job : Wireless network controller Into Electronic Music: In 1988 when I visited Kool Kat discoteque here in Montevideo, hosted by DJ Marcelo Castelli. Into Techno Music: In 1997 during Zona de Baile Radio Auditions, hosted by Javier Puignau and Neil Criscio. Favorite Techno Club : m, no favourite. One of my favourites was Locomotive and Milenio.