Re: (313) Throbbing Gristle Live in Berlin
Sweet feckin jesus. I didn't think p orridge could shock me any longer but that last image popped my eye. Nasty. http://www.genesisp-orridge.com/ vmax wrote: It would be nice to see them come to the states.. On Nov 24, 2005, at 10:30 AM, Martin Dust wrote: They play Barcelona in March :) On 24 Nov 2005, at 15:23, vmax wrote: I agree, it is going to be a great night for all that attend.. I would like to be there as well.. On Nov 24, 2005, at 5:33 AM, Martin Dust wrote: Looks pretty good, wish I could make it over, they're doing great stuff at the moment... m On 24 Nov 2005, at 10:31, Blaauw, Martijn de wrote: Interessting news for some of u on this list.i guess:-) Sorry of this is mentioned before.. 'UK quartet Throbbing Gristle ?q=title/Throbbing+Gristle will perform two exclusive concerts for New Year's at Volksbühne in Berlin, Germany. The two gigs will be different performances with the second being a seated event with TG ?q=title/ TG will create a new live soundtrack to Derek Jarman ?q=title/Derek+Jarman 's 1980 film In The Shadow Of The Sun. A brand new studio album Part Two is TG's first in 25 years and will be made available the Volksbühne gigs first. A major new TG / Industrial Records ?q=title/Industrial +Records exhibition INDUSTRIAL ANNUAL REPORT will be shown at Kunst-Werke Institute for Contemporary Art ?q=title/Kunst-Werke+Institute+for+Contemporary +Art , Berlin opening on 30th December through to March 2006. Dec.31 2005 Berlin,DE ~ Volksbühne (concert) Jan.01,2006 Berlin,DE ~ Volksbühne (soundtrack performance)' Martijn
(313) DJBONE track ID
Anyone know the last track on Attack 15? Reminds me of Dark Comedy Cheers
Re: (313) Downwards
So, is that one of those new fangled ableton sets? I like what you can do with ableton but it gets a bit tinny on the shells at times. Garrett McGrath wrote: and a damn good one at that! On Nov 11, 2005, at 5:06 AM, Martin Dust wrote: Oh and there's a Surgeon set here: http://spannered.org/mixes/surgeon/surgeon_emergency_oct05.mp3 Excellent use of Iron Man... On 11 Nov 2005, at 12:02, Martin Dust wrote: Seem to be stepping back up to the mark these day. Check out: http://www.downwards.info Loads of free downloads. On another note, check out Surgeons Klonk, the B-side is well harsh, he's a dirty boy :) m
Re: (313) The more things change
http://en.wikipedia.org/wiki/Baroque Jason Brunton wrote: I'm not too sure as I don't know too much about the subject matter but was Baroque a movement that defined itself over a (very) short period of time and was something which artists could easily attatch themselves too (as in the case of Electroklash) , or was it a term applied at a later date by historians? Jason On 3 Nov 2005, at 23:26, Cyclone Wehner wrote: I think we need to define what is a trend, what is a novelty? Baroque was a 'trend' once... For culture to evolve, you have cycles, and trends, then if it endures it maybe becomes a classic, as techno, or maybe a bad memory (like most 70s architecture!) and that too can change with the values of each generation... It's always been this way. Some people are moved by novelty far longer than others and can stand to hear new and interesting noises without caring if there was an ounce of emotion in it (moroder step bass anyone?). I have been guilty of this when listening to a new (insert anything sonic here). But at a point (unless you're that one track) you will change your tastes. And the one constant that I find most people wanting from their music regardless of genre is feeling. Whether it's country or techno, people want to relate their experience to something that comes from another angle. It's the same thing that Armando (I think) was saying back in the day about the acid house explosion in England. Something like, it's cool, but they heard the stuff we did and it's like they took the bleeps and carried on the tweaks, but they left the message. That was really what the music was about though, the message. But now all you hear are the blips and bleeps and there's no message to it, no feeling. Or something like that. (come to think of it, maybe that was larry too, can't remember). I think he's right on. But that's my opinion. I'll try to find that interview. Gonna be hard when I don't remember who I'm looking for. Think I smoked that memory just this morning too. Dangit. KKS
Re: (313) What you listening to?
X-RAY Specsidentity David Axelrod Songs of experience HB Barnumit hurts too much to cry Human LeaugeHard Times Marc Moulin From Kool Keith Sex Style
Re: (313) The more things change
There's been a couple of scary threads lately, 'Who do you rate under 25?' As it turns out, there's hardly anyone of that age producing Detroit techno! And now this one 'Where is techno headed?' Well, if you want to know where techno is headed in the next 10 years the answer can be summed up in two words. 'Northern Soul'. Check out these amphetamine addled crumblies. http://www.okehsoulclub.myby.co.uk/snapper/images/darl/index.htm That's you lot in 10 years that is ;-) Don't forget the talc. Philip wrote: Funsters I’m trying to get an understanding of techno in ’05 and if it’s any different from how it’s always been, i.e. relatively marginal. It seems that the scene is quite healthy, with lots of good new music, but it also seems that it’s never going to grow beyond it’s current niche 'market', if you like. I know that once people hear proper techno house, they dig it, but I’m curious to know how where it’s being heard enjoyed and if it’s audience has changed at all in the last 20 years. Do you think that there is a greater awareness and appreciation of 313 techno over the past 5 or 6 years, i.e. post-DEMF / Movement? If you’re a label or shop owner - are you selling more records CDs? If you’re a radio or club DJ - do you play much techno and what kind of response or feedback to you get? I have noticed that there are quite a lot of new releases with relatively slow tempos, under 125 BPM or thereabouts. Does this make a difference to where and when you play these records, given the fact that they’re clearly not ‘peak time’ records for most club dancefloors? Innerested to hear what peeps have found. Thanx. Sorry for the lousy formatting. philski
Re: (313) The more things change
It is, in fact it's his website. Martin Dust wrote: Is that Dave Leedham DJing? - Original Message - From: Jamie Stewart [EMAIL PROTECTED] To: Philip [EMAIL PROTECTED] Cc: 313 313@hyperreal.org Sent: Wednesday, November 02, 2005 9:09 PM Subject: Re: (313) The more things change There's been a couple of scary threads lately, 'Who do you rate under 25?' As it turns out, there's hardly anyone of that age producing Detroit techno! And now this one 'Where is techno headed?' Well, if you want to know where techno is headed in the next 10 years the answer can be summed up in two words. 'Northern Soul'. Check out these amphetamine addled crumblies. http://www.okehsoulclub.myby.co.uk/snapper/images/darl/index.htm That's you lot in 10 years that is ;-) Don't forget the talc. Philip wrote: Funsters I’m trying to get an understanding of techno in ’05 and if it’s any different from how it’s always been, i.e. relatively marginal. It seems that the scene is quite healthy, with lots of good new music, but it also seems that it’s never going to grow beyond it’s current niche 'market', if you like. I know that once people hear proper techno house, they dig it, but I’m curious to know how where it’s being heard enjoyed and if it’s audience has changed at all in the last 20 years. Do you think that there is a greater awareness and appreciation of 313 techno over the past 5 or 6 years, i.e. post-DEMF / Movement? If you’re a label or shop owner - are you selling more records CDs? If you’re a radio or club DJ - do you play much techno and what kind of response or feedback to you get? I have noticed that there are quite a lot of new releases with relatively slow tempos, under 125 BPM or thereabouts. Does this make a difference to where and when you play these records, given the fact that they’re clearly not ‘peak time’ records for most club dancefloors? Innerested to hear what peeps have found. Thanx. Sorry for the lousy formatting. philski
Re: (313) The more things change
I agree. I'm just taking the p.iss is all. I love a bit of northern in fact my ipod contains both types of music . Northern and techno. You're right about the similarities though. The worrying one is the unwillingness to accept change, which has really been the death knell for northern. No new people coming onto the scene, not allowing modern or deep soul tracks to be played at nighters etc. On the flip though, you can take things too far. I don;t agree with letting little kids join in on the fun like this one. http://www.okehsoulclub.myby.co.uk/snapper/images/bcsc/pages/bcscjuly22_jpg.htm That's just wrong. It reminds me of growing up in southend in the 70's, I'd see all these sad old Teds with their replica Ted kids. Weird Dan Bean wrote: Funny, I was thinking of the parallels between Detroit techno and Northern Soul the other day. I think there's definitely something to it. Apart from the obvious similarity of being centered on music from Detroit, I think that there's a fair amount in common there. Looking at those pictures, I can think of worse things that ending up like that. We're all going to get old if we live long enough, and a fair number of us will put on weight etc, but that's going to happen whether we're still into music or not, so obviously I'd prefer the former. On 2 Nov 2005, at 21:09, Jamie Stewart wrote: There's been a couple of scary threads lately, 'Who do you rate under 25?' As it turns out, there's hardly anyone of that age producing Detroit techno! And now this one 'Where is techno headed?' Well, if you want to know where techno is headed in the next 10 years the answer can be summed up in two words. 'Northern Soul'. Check out these amphetamine addled crumblies. http://www.okehsoulclub.myby.co.uk/snapper/images/darl/index.htm That's you lot in 10 years that is ;-) Don't forget the talc. Philip wrote: Funsters I’m trying to get an understanding of techno in ’05 and if it’s any different from how it’s always been, i.e. relatively marginal. It seems that the scene is quite healthy, with lots of good new music, but it also seems that it’s never going to grow beyond it’s current niche 'market', if you like. I know that once people hear proper techno house, they dig it, but I’m curious to know how where it’s being heard enjoyed and if it’s audience has changed at all in the last 20 years. Do you think that there is a greater awareness and appreciation of 313 techno over the past 5 or 6 years, i.e. post-DEMF / Movement? If you’re a label or shop owner - are you selling more records CDs? If you’re a radio or club DJ - do you play much techno and what kind of response or feedback to you get? I have noticed that there are quite a lot of new releases with relatively slow tempos, under 125 BPM or thereabouts. Does this make a difference to where and when you play these records, given the fact that they’re clearly not ‘peak time’ records for most club dancefloors? Innerested to hear what peeps have found. Thanx. Sorry for the lousy formatting. philski
(313) Forums
Does anyone know of any forums wher people discuss Detroit music other than techno? i.e soul, jazz, fusion, funk. That sort of stuff. Cheers J-
Re: (313) Looking for non-beat 313 and 313 related music (playlistforfalling asleep)
Why not try Linear Accelerator by Dopplereffekt. This is mostly beatless and fun to boot. De Block, Mario wrote: but all in all this isn't all that 313. sorry. was too enthusiastic reading about 'sleep mode' music;) just neglect try modern classic music like Arvo Prt. or Monolake's 'gobi desert', 35 minutes of filmic 'stories'. good to count strange creatures by, much more exciting than just sheeps ;) or else, probably some darker intricate material like Coil's. their 'music to play in the dark' wasn't just called so by accident ! ;) Mario "fab." schreef: Biosphere - Microgravity [din arovane 004] - arovane - atol scrap [ampcdms01] pub - single gas - modern fab. - Original Message - From: "S. Weisse" [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, October 26, 2005 10:03 PM Subject: (313) Looking for non-beat 313 and 313 related music (playlist for falling asleep) Dear members, I would like to compile myself a set of tracks (ie. a so-called playlist) of tracks for falling asleep in the evening. As tracks with a strong (means almost any) beat are not properly working for that, I am looking out for chilly tracks. Hypnotic non pumpin music to find a light definition. Any recommendations ? Preferably something that I can still buy today. CD or DRM free compressed music format would be very nice, records makes things for me just more complicated but I would go for that if the tracks are worth it. kind regards, Stefan
Re: (313) (OT) Need some german translation
This is what google thinks. successor to the t1-t2?, and as all first one feels of current things of Robert hood with it would be reminded also frames outlined, in whom the whole takes place here: techno within the range around 140 bpm, which is based purely on sequences and in the long term works thus somewhat tension-poor, because the strict mini Mali mash of earlier m-plan-plates is missing than tools however useful. remix of krzik, its did not compress bassdrum much to more alexander kowalski reminded and with the sporadically interspersed frauenvocal apart from the sequence hunted by the filter really much to tear can the other one of ncw deliberates themselves upon the evenly addressed mini Mali mash with subtle note and mausert themselves thereby to my favorite, to which one gives also gladly nearly nine minutes time Benoît Pueyo wrote: no sorry it does not woakr at all just because techno review always use word that have a particular meaning in this context ill be away from the computer for some days so if somebody is interested im posting here the stuff i have no idea of what it means (i understand Rob Hood) so sont think its blatant promotion of my music (who cares?) thanks a lot nachfolger zur “t1-t2″, und als allererstes fühlt man sich an aktuelle sachen von robert hood erinnert. damit wäre auch der rahmen umrissen, in dem sich das ganze hier abspielt: techno im bereich um 140 bpm, welcher rein auf sequenzen basiert und dadurch auf dauer etwas spannungsarm wirkt, weil der strikte minimalismus früherer m-plant-platten fehlt. als tools aber brauchbar. ein remix von krzik, dessen komprimierte bassdrum sehr an alexander kowalski erinnert und mit dem sporadisch eingestreuten frauenvocal neben der durch den filter gejagten sequenz nicht wirklich viel reißen kann. der andere von ncw besinnt sich auf den eben angesprochenen minimalismus mit subtiler note und mausert sich damit zu meinem favoriten, dem man auch gerne fast neun minuten zeit gibt.
Re: (313) drama ATTACK
You don't have my support on this at all but who really gives a fck? It's just some dude mixing two slabs of wax together. By pretending this is anything else squeezes out the small amount of joy and the fun from a scene that is , essentially, dying. You may think you're at the cutting edge but you're about 10 years too late . Stop calling yourselves artists and let the people hear the music and not the b.ullsh.it. Garrett McGrath wrote: first off, it is true that Bone's preference for these mixes is that during the given week they be available as a stream. duh. that's why we did it that way. but that decision has nothing to do with making this difficult, secretive, or anything other than fun. it was intended to create a mood, to create the 'moment in time' sense of the project. not to give anyone a hard time. However - yes, Bone has said a few times now that if you're someone who feels like they *have* be able to download it or whatever, fine, do what you must. no one over here is going to get their panties in a bunch. he's also said a bunch of times that eventually they will all be available. direct links to the first 5 or 6 have already been given out in emails to list members. there's no desire to keep the music from people. the reason it exists is so that we can enjoy it. in the case of The Archiver (Graham Williams), he's hooked up with the D1 guys in dublin. Graham is the tech guy who recorded the mix at this dublin party last weekend, and someone who apparently needs put down the computer for a few hours and go for a walk. it is true that at the time he got permission from Bone to put up a link to the set. why he feels the need to be mr. secret sarcastic hacker boy, i don't know. another however, @ Graham: after talking to Bone today he wanted me to tell you that while he did say you could put up the link, he had no idea you were going to post it from here to the end of the earth. nor was that intent. he thought you only meant on your site or maybe ie-dance. give a brother an inch... thanks for your interest and support everyone. On Oct 19, 2005, at 11:59 AM, Jamie Stewart wrote: I don't really understand what the problem is here. If Bone personally said it was ok to post the link then it's OK. End of. Why is there a need to read between the lines' of his real intention? This whole streaming mp3 thing ruined this project for me. I really enjoyed listening to the first 3 at work, which is really the only time I get to listen to a lot of music. Then the whole thing gets streamed and I'm fcked cos they will not let me use streaming at work. So bang, That's that. No more bone for me. I really lost interest after that. To the point that I can't even be arsed to download the rest of them as and when they get the green light from the techno cops. Reading the bone email, I understand it to say I would like this to happen My intention was to have this show be a weekly moment in time. Once the moment us gone, so is the mix But I know this will happen and I don't mind. I am not upset at any who downloaded or continue to download these mixes as long as you represent me and my art in true underground Could it really be any more clear? .J Garrett McGrath wrote: it's also clear from that what his real intention and preference is. On Oct 19, 2005, at 11:16 AM, gretchen anderson wrote: I just dug this up from 8/21/05 (posted by [EMAIL PROTECTED]). He says he's not upset as long as you represent [dj bone and his art] in true underground fashion. A message from DJ Bone... (from 8/21/05) First of all, I just want to thank those of you who listen to and support DJ BONE and Subject Detroit. Real recognizes real. My intention was to have this show be a weekly moment in time. Once the moment us gone, so is the mix. I am not upset at any who downloaded or continue to download these mixes as long as you represent me and my art in true underground fashion. Do what you do and I will keep doing what I do. Electronic music has forgotten it's roots but I haven't. 'Til I attack againkeepdeep Bone
Re: (313) DJ BONE.. ATTACKS - Week 11 - Live in Dublin 15 Oct 05]
Well fck me. There's MORE than one DJ Bone! Perhaps a visit to a shrink is the order of the day. Schizophrenia can get messy. The Archiver wrote: "re #2: there's more than 1 of us and none of us told you it was ok. it's not." You may have said it wasn't ok to post the link, but I had a conversation withowner of the mixeson Friday evening,he personally told me that it was cool to post the links. I would not have posted the link if it wasn't the case. Regards The Archiver Original Message Subject: Re: (313) DJ BONE.. ATTACKS - Week 11 - Live in Dublin 15 Oct 05] From: Garrett McGrath [EMAIL PROTECTED] Date: Wed, October 19, 2005 9:24 am To: The Archiver [EMAIL PROTECTED] Cc: 313@hyperreal.org re #2: there's more than 1 of us and none of us told you it was ok. it's not. On Oct 19, 2005, at 5:20 AM, The Archiver wrote: Easy there now Dan 1. No. 2. It is ok to make it available, I know that for fact. Remeber only one person could have told me it was ok! Thanks The Archiver PS: Dan. Consider yourself Archived! Original Message Subject: Re: (313) DJ BONE.. ATTACKS - Week 11 - Live in Dublin 15 Oct 05] From: Dan Bean [EMAIL PROTECTED] Date: Wed, October 19, 2005 4:32 am To: The Archiver [EMAIL PROTECTED] Cc: 313@hyperreal.org 1. Am I correct in thinking that this is ripped from the streaming- only file posted by Garrett? 2. Am I also correct in thinking that Bone specifically requested that people do not rip the files and make them available as mp3s? Apologies if I've got the wrong end of the stick here, but if 1. and 2. above are correct, why are you doing this? On 19 Oct 2005, at 11:55, The Archiver wrote: For Those That DONT know. http://tinyurl.com/dcxau The Archiver
Re: (313) DJ BONE.. ATTACKS - Week 11 - Live in Dublin 15 Oct 05]
I don't really understand what the problem is here. If Bone personally said it was ok to post the link then it's OK. End of. Why is there a need to "read between the lines' of his real intention? This whole streaming mp3 thing ruined this project for me. I really enjoyed listening to the first 3 at work, which is really the only time I get to listen to a lot of music. Then the whole thing gets streamed and I'm fcked cos they will not let me use streaming at work. So bang, That's that. No more bone for me. I really lost interest after that. To the point that I can't even be arsed to download the rest of them as and when they get the green light from the techno cops. Reading the bone email, I understand it to say I would like this to happen "My intention was to have this show be a weekly moment in time. Once the moment us gone, so is the mix" But I know this will happen and I don't mind. "I am not upset at any who downloaded or continue to download these mixes as long as you represent me and my art in true underground" Could it really be any more clear? .J Garrett McGrath wrote: it's also clear from that what his real intention and preference is. On Oct 19, 2005, at 11:16 AM, gretchen anderson wrote: I just dug this up from 8/21/05 (posted by [EMAIL PROTECTED]). He says he's not upset as long as " you represent [dj bone and his art] in true underground fashion." A message from DJ Bone... (from 8/21/05) First of all, I just want to thank those of you who listen to and support DJ BONE and Subject Detroit. Real recognizes real. My intention was to have this show be a weekly moment in time. Once the moment us gone, so is the mix. I am not upset at any who downloaded or continue to download these mixes as long as you represent me and my art in true underground fashion. Do what you do and I will keep doing what I do. Electronic music has forgotten it's roots but I haven't. 'Til I attack againkeepdeep Bone
Re: (313) Future Jazz going on?
Does anyone know if Moonstarr plays out in Toronto? I'd like to hear him whilst I'm still living here. Thomas D. Cox, Jr. wrote: On Mon, October 3, 2005 5:25 pm, [EMAIL PROTECTED] wrote: Outside of Plastic People/Co-Op and the Jazz Cafe in London what is going on around the world as far as Future Jazz/broken beats? any good "scenes" in your neck of the woods? any US DJs working it stateside like the way they are @ Co-Op? btw - just heard a sample of Steve Spacek's new 12" that's about to drop - channeling the spirit of Marvin Gaye for sure it seems like things went kinda bland in the broken beat scene around the middle of 04. aside from recloose and moonstarr whom are buy on sight for me, ive only bought maybe 4 tunes since that time on 12". ive heard some new titonton remixes that are sounding superhot, he's getting even better with his beat programming. this recent jazzanova remix: http://www.discogs.com/release/494969 is pretty much on a deep detroit house/techno vibe, its one of the most interesting things ive heard from their camp in a little while. tom
Re: (313) made in sheffield dvd
I rented this the other night and was well impressed. I lived in Sheffield for a few years whilst I studied at Psalter lane art school in the early 90's. There was still a healthy amount of electronic pop expermintation going on even then and warp was still there. I'd be interested in what's going on up there now as I haven't visited in an age. Jim [EMAIL PROTECTED] wrote: Have you seen it? It's a good film. Was quite informative about the beginnings of Sheffield's most famous of bands (yeah even Def Leppard!) It's available through Netflix for anyone in the US. I think it's worth owning. The interviews are good but it does leave you wanting more - which I think is a good thing really. MEK [EMAIL PROTECTED] com To 09/23/05 03:57 AM 313@hyperreal.org cc Subject (313) made in sheffield dvd interesting looking dvd - relating to the simon reynolds book I suppose which we talked about the other day http://www.boomkat.com/item.cfm?id=18906 _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Dopplereffekt promo mix 2001
Almost UR free . :-) http://www.discogs.com/release/196646 Pryor, Ryan N wrote: Can anyone confirm whether or not this is really Dopplereffekt? I don't believe it. The last fifteen minutes? DB? I don't recall hearing a single Dataphysix track on their, either. That'd be like a Rolando mix completely void of UR tracks.
(313) track ID
Morning all. Anyone know the last track on the Djbone Attack3 set. I must have that track. Cheers me dears J
Re: (313) track ID
Thanks for that. I'll look into the Mark Williams stuff at the weekend. Benoît Pueyo wrote: OK my try for tracklisting. Sorry i am not really cultured on the old school stuff ... trolley route aka oscar mulero - a ochi cusi (pure plastic) sls - psyche ep (sls) sls - nocturnal (sls) fix - flash ((kms, electrofunk, gigolo ... whatever u waant) ben sims - tribe (hardgroove ltd) ? ? ? (probably some user stuff but id check the 00A label at it seems not to be on user... i have tried 1 to 9 and its not on them) jeff mills - alarms ben sims remix (axis) deetron - you dont know why remix (intec) ? (probably bone himself) ? ? (house of god ???) ? mark williams - unknown definitely the last track is mark williams but hes been doing the same sounds for years so now its almost impossible to pick the release where the track is... check some of his promate or dark house stuff... actually i would recommend the ingoma LP which is excellent but does not have the track you are looking for too many people ignore htat so i guess its worth mentionning it ! =)
(313) test
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(313) more tests
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Re: (313) I-F in london tonight
Was Richard X in Add N to X? I remember getting through the door, soaking wet at the UR gainsborough studios knees up, and that whitny/werk thing being the first thing I heard. Class. Robert Taylor wrote: Yep - wouldn't miss it for the world even though it's in a w*nky bar. Some cat called Richard X is also playing - I think he's a cheesy pop producer who's worked with P Diddy but he made his rep as a mashup bootlegger - but his first release was a 7 of Whitney's I Wanna Dance With Somebody over the top of Numbers and No Scrubs over the top of Being Boiled which was class, but I've no idea what he'll play tonight. Anyone else heard him? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 18 August 2005 11:33 To: 313@hyperreal.org Subject: (313) I-F in london tonight Hey Folks. You off to the party were I-F is dj'ing in london tonight? Looking forward to it? Wish I could go. Think a couple of my mates are going. Send us some reports tomorrow if you get time! Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. # Note: Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Thank You. #
(313) Dj Bone Part2
Been on the headphones a couple of times now and I have to say, that's the best treatment of Final Frontier I've ever heard. Keep 'em coming Bone.
Re: SV: (313) UR - Amazon
I picked up nocturbulous behavior, Metroplex Timeless, DJ3000 True Colours and the loss Hermanos CD with 6 extra tracks and a Quick Time movie interview with Ron Murphy for $5!!! All of them great. Nik Stoltzman wrote: I seem to have slept on some of the CD releases that Submerge have put out over the last few years. Back in the days before I had a record player (GASP!) I used to live on the likes of the Depth Charge series, the Red Planet compilation, Octave One's 'Collective' album... Does anyone have any recommendations? Looking at the Submerge site there seems to be quite a crop of CDs that have passed me by. Sometimes it is nice to have a CD collection because you can put it on and not have to bother with getting up and changing sides every 15 minutes or so. N P.S: And, no please don't take this as the start of some sort of vinyl vs CD debate! -Original Message- From: Güclüer, Hansi [mailto:[EMAIL PROTECTED] Sent: 29 June 2005 16:55 To: DB; 313@hyperreal.org Subject: SV: SV: (313) UR - Amazon That's the one! And that's probably the cd I was thinking of. Maybe it's not that Japanese..? -Ursprungligt meddelande- Från: DB [mailto:[EMAIL PROTECTED] Skickat: on 2005-06-29 17:15 Till: 313@hyperreal.org Kopia: Ämne: Re: SV: (313) UR - Amazon Güclüer, Hansi wrote: Er, I don't know. I don't have it myself. There was a track called Minimoogs-something that may have been new(?) On the Galaxy to Galaxy album that I picked up at the Submerge booth during Fuse-In, there's a song called Minimoogs, Arps and Afros. Is that what you are referring to? Cheers, Dave __ This email has been scanned by the MessageLabs Email Security System. For more information please visit http://www.messagelabs.com/email __ ** This email and any files transmitted with it are confidential and intended solely for the use of the individual or entity to whom they are addressed. If you have received this email in error please notify the system manager. This footnote also confirms that this email message has been swept by MIMEsweeper for the presence of computer viruses. www.mimesweeper.com ** __ This email has been scanned by the MessageLabs Email Security System. For more information please visit http://www.messagelabs.com/email __
Re: (313) Now Playing
Glen Underground: House music will never die.
(313) Toronto’s only free outdoor electroni c music festival returns.....
Looks quite promising July 8th 10th These are a few of the names I recognized, also, check out the film section. There's a screening of Moog http://www.harbourfrontcentre.com/summerfestivals/bbc.php Scan 7 / Posatronix (Detroit) Platinum Pied Pipers (Detroit) DJ Sara Scruton (Detroit) Jeff Milligan aka Algorithm (Toronto)
(313) Detroit Burns
Sad. http://www.flickr.com/photos/toybreaker/page15/
RE: (313) Hello 313, I am....
name. Jamie Stewart age 36 live in Toronto/LondonUK/Nottingham Born South east UK Into techno since Street sounds electro vol 1(13th birthday present) but had been listening to my brothers kraftwerk, tangerine dream and Klaus schultz for years before. Brother number 2 was into hip hop and electro so I had a classic education. Best live UR/kraftwerk/Husker Du. best club Early Atomic Jam and Orbit. Saw Mills at both of these places and had too have teeth removed afterwards. Also Venus in Nottingham. Best ever. UR at Gainsborough studios London. Apocalyptic or what. Totally twisted. Got in to Detroit via MC5 and then techno and my wifes love of northern soul. A lot of music I've been into has come from the D but waveform transmissions vol 3 brought them all together. Reading The Purple Gang : Detroit prohibition gangs. Best record UR Final Frontier. Jamie
(313) WTF
Just wondering why most of my posts don't make it to the list? Seems to happen when i reply all and the 313 address is 'CC' Any ideas Cheers J
Re: (313) WTF
I'm guessing that this post will make it to you but not the list and I hit reply all. I could be wrong. theREALmxyzptlk wrote: Jamie Stewart wrote: Just wondering why most of my posts don't make it to the list? Seems to happen when i reply all and the 313 address is 'CC' Any ideas Cheers J It happens to 80% of my posts no matter if 313 is the main or cc-ed address. For the most part I have given up trying. jeff
Re: (313) WTF
Now I'm confused. Jamie Stewart wrote: I'm guessing that this post will make it to you but not the list and I hit reply all. I could be wrong. theREALmxyzptlk wrote: Jamie Stewart wrote: Just wondering why most of my posts don't make it to the list? Seems to happen when i reply all and the 313 address is 'CC' Any ideas Cheers J It happens to 80% of my posts no matter if 313 is the main or cc-ed address. For the most part I have given up trying. jeff
(313) WTF
I've just composed a new email, copied and pasted some text from a previous email that didn't arrive at 313 and it still didn't get there. So something in the body of the email is messed up???
Re: (313) Puzzlebox Records 10 year party
That's an incredible Friday night for $5. It' enough to make you move to Detroit. [EMAIL PROTECTED] wrote: Didn't see this yet - what a line-up! FRIDAY - JUNE 10 $5.00 COVER CHARGE PUZZLEBOX RECORDS 10 YEAR ANNIVERSARY ANTHONY SHAKE SHAKIR dj (frictional) KEITH TUCKER dj (puzzlebox), POSATRONIX live (puzzlebox), DJ DIJITAL (UR) BLAK TONY live (dark audio), B.Bonds Dj (hardbonder) JAN D Dj (metro[transit]) 10pm SHARP .
Re: (313) whats on ur (car)stereo at moment (was: who woke everyone up?)
Dmay Innovator
DJ3000 true colours
Metroplex Timeless
DJ3000 S.I.D vol1
Jeremy Ellis Lotus Blooms
Cliff Martinez Solaris Soundtrack
Public Image LTD Pop Tones
Qbert Wave Twister
Kent cellar of soul.
Cliff Martinez Solaris Soundtrack comes highly recommended.
J
z66 wrote:
..
i've got a hold of new Maetrik album 'casi profundo' at last, and
there is something warm and quite summer-ish about it! i love and hate
it at the same time, just like some of his previous releases;D for me,
there constantly tend to be some tiny bit or two, ruining the whole
listening/groovin' experience.. like this superannoying bassline on
'almost deep', how could one possibly find it fitting? original? --
not that much, apart from weird rhythmics generated.. which are
totally out of key imho. experimental? electrotrash influence?:D
now, i want an edit. ofcourse i only niggle like this when i actually
damn love the track. if it didn't hit so close, i'd most likely find
that jerky bassline amusing.
anyway, Maetrik rocks. great flow, tight beats, polished sound and
[sometimes] very well integrated vocals.
///Z
Blaauw, Martijn de wrote:
Since everybody is awake and it seems that summer has finally arrived in
the lowlands so i made a cd for in my car with some tunes which are
currently rocking it for me...not al of them are technolectro but i'd
thought i'd let u know which tunez rock it for me:
Tiefschwarz feat. Eric D' Clarke- Blow
DJ Hell - i am Amanda la Pore
Richard Bartz - To Hot to stop
David Guetta - World is Mine (blackstrobe mix)
Mathew Johnson - Gemini EP
Terence Fixmer - Danse avec les ombres
Front 242 - Catch the men Live concert in Belgium 2004
Hell Heil - P.D.D. (J. Heil Ltd. Remix)
Alter Ego - Satanic Circus
T-Raumschmiere - Querstromzerspaner (LFO RMX)
New Order - Krafty ('Glimmer 12 extended mix' and 'phones reality mix')
Necro Facilty - Black Paintings (Skinny Puppy is alive and they are from
scandinavia!!!)
The tears - Refugees (former suede singer with his new band)
What's doing the trick for you?? Let it know...
Martijn
-Oorspronkelijk bericht-
Van: Jari Tolkkinen [mailto:[EMAIL PROTECTED] Verzonden:
donderdag 9 juni 2005 14:34
Aan: David Beattie
CC: 313
Onderwerp: Re: (313) who woke everyone up?
Yes something has definetly happened :) Maybe it's the spring/summer sun
luring moody underground techno heads out of their lairs ...
Kompakt: I've bought many records, Speicher 10, speicher 28, both rex
the dogs on kompakt extra, both orbs (gonna buy the third one aswell)
and many others.
New records: Nothing special, dj t's new 12 which was nice
techhouse, couple of mathew jonhson records waiting in the post
office. Oh and that
new dj Gregory's Head talking is also waiting for me at the Oulu
post office. Realy looking forward to that.
Busy weekend coming up, gonna play one club gig, one
reclaim-the-street gig and one techno party gig :) Can't remember
when I had so many gigs
in one weekend :D
How is the Reclaim-the-Street movement in other countries?
Cheers,
--
Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
--
(313) Quality pics.....
Of Mills and RNG. Might be old news but they're good anyway http://www.higher-frequency.com/j_party_report/october04/15womb/ Check out the photographers site goto .DJ's http://web.sca.usyd.edu.au/~moxley/ J
