RE: (313) Dutch parties this weekend

2003-08-18 Thread Jongsma, K.J.


> Well there is always more than Amsterdam and Rotterdam...
> 
> Try one of the oldest possessed building of Holland this 
> friday & saturday,
> celebrating it's 20st anniversary! Located in Alkmaar though strangely
> enough no 072 resident DJ's, like it really used to be back 
> in the days...
> Also Diego at Doornroosje on saturday located in Nijmegen

Just a quick remark about Doornroosje, There are no night trains running to
Nijmegen, so if you go there you are stuck until the next morning. Also this
Diego from Kanzleramt records and not Diego from 4 Hero :(( 

> there is the
> annual Mysterland rave on saturday in Harlem with Alexander 
> Kowalski, Joris
> Voorn , Richie Hawtin, Sven Vath, etc. for a 'different' bite

As already said, Mysteryland is a big *ss rave with 10.000's of people,
dunno if this is the thing you want?

KJ

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RE: (313) Joris Voorn (was Dutch parties this weekend)

2003-08-18 Thread Jongsma, K.J.

> one more thing though,
> 
> this man here - > Joris Voorn
> 
> I have been hearing a few things about of late. Can anyone tell me his
> other productions (if he has any)?

He has released 2 records on Otto's Keynote/Groundzero records called Muted
tracks vol I en II. He also did something voor another small dutch Label
called Line Records and he has signed voor 2 records on Transmat/Fragile.
There is more stuff from him coming up, he is quit active with releasing
records lately. I have heard that the Transmat/Fragile records are quit
amazing (have not heard them myself).

Klaas-Jan Jongsma
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RE: (313) Clone Labelnight Pictures

2003-08-18 Thread Jongsma, K.J.



> >Amsterdam isn't the only city in Holland, mate.
> >That's why the Clone party was in Rotterdam :-
> 
> I'm sure, much as anywhere, but I'm visiting Amsterdam.
> 
> OK, I'll rephrase in a politically correct manner...
> 
> "are there any good parties happening in NL this weekend, within a
> reasonable train journey of Amsterdam"

Well there are always some parties going on somewhere but not anything
interesting and 313 related in night train distance from Amsterdam. August
is a bit of an easy month with all the festivals and holidays. 

The clone party was amazing indeed. Detroit In Effect blew me away, don't
miss there livesets! 

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RE: (313) herbert

2003-08-07 Thread Jongsma, K.J.

> does anyone know the name of the track herbert plays @ 10 
> days off 23min 30
> into the 1st part of the mix? (http://www.houseblogger.com/). 
> Mr oizo comes
> out of it.

I dunno what it is but i want to know what this is to! Shake is been playing
this track a lot, must have it :)


> ive heard shake play it before a couple of times also
> also the track he plays 2:50 into the 2nd part of the mix 
> (Frank sinatra??).

This is Louie Austen's Hoping on Cheap records, i think this is Herberts own
remix

KJ

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RE: (313) Big Chill

2003-08-06 Thread Jongsma, K.J.

> You should have hung around - he played a few obvious things 
> which are still techno as far as I am aware - Strings of Life 
> by Rhythim Is Rhythim, Black Water by Octave One (its still 
> techno even though he played the instrumental), that new Carl 
> Craig and Laurent Garnier one...  Maybe now they are well 
> known they are no longer techno!?! 

!?!? say what!

KJ 

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RE: (313) "Jaguar" Strings on 80s House record?

2003-08-05 Thread Jongsma, K.J.

> 
> > I mean, go dig out Jaguar again and tell me that's a sample... IMHO
> > there is no way.  Have you ever tried to sample stuff and 
> use it in a
> > track?  There's extraordinary difficulty in finding a clean enough
> > version of that string part of the track to be able to sample it and
> > make Jaguar with it.   Still, everyone's ears are 
> subjective and it's
> > something neither of us can conclusively prove one way or the other.
> > :)
> 
> 
> Exactly. If someone doesn't want to buy that it can't be a 
> sample based on
> technical or melodic considertions, the argument remains the two ships
> passing in the night that it is. However, there is
> 99.9% no way it could have been 
> sampled, either
> because of the derth of other sounds cluttering those strings 
> throughout, or
> because (to my ears), there is not a single point in the 
> original where a
> string plays 1 sustained monotone note, and if you sample the 
> chord, you
> can't reconstruct a 'normal' sounding chord out of where it 
> came from, which
> is precisely how Jaguar is constructed. This is a hard-fast technical
> limitation of sampling in my experience, unless there is 
> something huge I am
> missing. It's chords throughout, except for maybe that little 
> 5-note trill
> that everyone's sweating at the beginning of the phrase, 
> which no one is
> disputing sounds nearly identical, but that doesn't mean it's 
> a sample, for
> all the reasons above.

Also the string sound used is probably some standard preset sound, the short
riddle in the start is done by so many people more, it is not something that
is so original it is in thousands of other records, so it uses the same
chords, so what? That is just a basic musical training. The submerge people
are musically enough that they could play this string the way they did.
Assuming that this is ripped (or sampled) is just as bizzare as accusing
Derrick May from ripping some old eighties track just because he used the
lately bass


KJ

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RE: (313) red planet

2003-08-04 Thread Jongsma, K.J.


> -Oorspronkelijk bericht-
> Van: Gary Robinson [mailto:[EMAIL PROTECTED]
> Verzonden: maandag 4 augustus 2003 16:55
> Aan: 313@hyperreal.org; [EMAIL PROTECTED]
> Onderwerp: Re: (313) red planet
> 
> 
> Alex,
> It's a reference to the Battle of Little Big Horn June 25th 1876

Yup, it is a date that refers to a battle where the US Cavalry tried to
slaughter a sh*tload of Sioux and Cheyenne Indians but it turned for all the
good of the Sioux and Cheyenne Indians and the cavalry got defeated by them.
I think that this was one of the big big victories against the US Cavalry

[EMAIL PROTECTED] 



> Gary
> 
> 
> 
> - Original Message -
> From: <[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Monday, August 04, 2003 3:47 PM
> Subject: (313) red planet
> 
> 
> > >check: http://www.lbh6251876.com
> >
> > hmm, that website address is a bit obscure. I presume it has other
> meaning.
> > anyone know?
> >
> > also, talking of soundclips, did anyone get that delsin mailout this
> > morning that has those clips of a new delsin 12"?
> > artist 'unknown'. sounds well tasty to me.
> > _
> >
> > - End of message text 
> >
> > This e-mail is sent by the above named in their
> > individual, non-business capacity and is not on
> > behalf of PricewaterhouseCoopers.
> >
> > PricewaterhouseCoopers may monitor outgoing and incoming
> > e-mails and other telecommunications on its e-mail and
> > telecommunications systems. By replying to this e-mail you
> > give your consent to such monitoring
> >
> >
> >
> 

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(313) Red Planet Website launched...

2003-08-04 Thread Jongsma, K.J.
check: http://www.lbh6251876.com

Nice a new 12 is also coming up, no audiofiles yet...


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FW: (313) duplex

2003-07-31 Thread Jongsma, K.J.

> > At 11:53 31-7-2003, Peter Sundström wrote:
> > >anyone have more info about this group/artist?
> > 
> > http://www.discogs.com/artist/Duplex
 
 
There own website is:
http://duplex-music.com/

They are 2 guys from Rotterdam who make some pretty amszinf stuff. I can't
think of a less essential release actually. Most of their stuff is out on
Clone, some on Keynote/Groundzero and the John Arnold remixes from their
music is amazing btw.
 
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RE: (313) Dan Curtin on Downlow - wtf?!

2003-07-28 Thread Jongsma, K.J.
I totally agree with this, i know i said this a while ago to but this record
has been on my crapy turntable a lot! Def. one of the best records from Dan
Curtin in a long time!

kj



> -Oorspronkelijk bericht-
> Van: Jonny McIntosh [mailto:[EMAIL PROTECTED]
> Verzonden: maandag 28 juli 2003 14:11
> Aan: 313@hyperreal.org
> Onderwerp: (313) Dan Curtin on Downlow - wtf?!
> 
> 
> JT & Minto let me slap you on the back for putting this out: 
> this is f***ing
> kicking!
> 
> 

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RE: (313) UR/PE

2003-07-28 Thread Jongsma, K.J.

Hypnotech is a submerge based hip-hop label, i think they like to call it
tech-hop. They had some nice releases, check the submerge site for
soundbites:

http://www.submerge.com/shoppingcart/show_records.php?label=38&session=dade4
49831dedd521ea6528ce6db5db0

I thought that they had there own website to but i can't find the link
anymore

KJ



> 
> Once again, sorry, but... what is Hypnotech ???
> 
> Gwendal
> 
> > -Original Message-
> > From: Cyclone Wehner [mailto:[EMAIL PROTECTED]
> > Sent: Sunday, July 27, 2003 2:25 AM
> > To: 313 Detroit
> > Subject: Re: (313) UR/PE
> 
> > A lot of the hip-hop DJs are really curious about the 
> > Hypnotech stuff and
> > the theory behind it.
> 

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RE: (313) dc-16 out now

2003-07-01 Thread Jongsma, K.J.
I got a copy on white vinyl, so yes it is on coloured vinyl :)

KJ (who really likes the new IChat AV :))


> is this one on colored vinyl too?
> 
> -Original Message-
> From: logic7 [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, June 24, 2003 3:13 PM
> To: '[EMAIL PROTECTED] Org'
> Subject: RE: (313) dc-16 out now
> 
> 
> Deep Chord is my absolute favorite label. This (like 
> everything else of
> theirs) will be my "blind buy" purchace on my next trip to 
> Record Time.
> 
> -Original Message-
> From: The REAL Mxyzptlk [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, June 24, 2003 11:49 AM
> To: Michael Lees; Fabrizio Nahum
> Cc: 313@hyperreal.org
> Subject: Re: (313) dc-16 out now
> 
> 
> If you can't find it elsewhere, Record Time should have 
> these. I got mine
> from one of their bins at Movement nearly a month ago.
> 
>  jeff
> 
> 
> At 09:18 AM 6/24/2003, Michael Lees wrote:
> >Sounds exciting
> >
> >http://www.deepchord.com/index2.html
> >
> >
> >>hiit seems that deepchord 016 is out now
> >>fab
> >
> >--
> >Mike
> >
> 
> 
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RE: (313) Detroit Graphics

2003-06-17 Thread Jongsma, K.J.
Dunno... he is still alive and still works for submerge, does artwork for
their labels, makes paintings and does the odd show:

http://www.undergroundresistance.com/missions/m_006.html


[EMAIL PROTECTED]



> -Oorspronkelijk bericht-
> Van: Dave Parsons [mailto:[EMAIL PROTECTED]
> Verzonden: dinsdag 17 juni 2003 13:24
> Aan: 313@hyperreal.org
> Onderwerp: (313) Detroit Graphics
> 
> 
> Talking about label art, has anybody got any news on Abdul Haqq?  His
> cover work for Buzz Records was outstanding.
> 

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RE: (313) Los Hermanos - Tres?

2003-06-02 Thread Jongsma, K.J.


> -Oorspronkelijk bericht-
> Van: Ramon Crespo [mailto:[EMAIL PROTECTED]
> Verzonden: maandag 2 juni 2003 13:25
> Aan: 313@hyperreal.org
> Onderwerp: (313) Los Hermanos - Tres?
> 
> 
> Anyone know when this is out?

Now :))


> The site says coming soon and offers a link to side b1 of the vinyl. 
> Which sounds great but I want this on vinyl.

Well they were selling them at SID last week

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RE: (313) Tribal Gathering...

2003-06-02 Thread Jongsma, K.J.

> this looks amazing (A Guy Called Gerald acid house set almost 
> swings it
> for me alone) but is run by a guy with a slightly 
> questionable view on how
> the scene should be run club-wise here in manchester (anyone who plays
> for him is contractually obliged to not play anywhere else in the city
> amongst other things).
> 
> he's the same guy that had that Cosmic Twins thing advertised (for
> London) that was slightly misleading in that Derrick and FK didn't
> actually do the cosmic twins thingsome of you may remember

Yeah that is what i was about to say to. Isnt this TG 'not some smart guy
who bought the name TG and has nothing to do with the original parties but
just uses this name to get a quick crowd?

KJ




> > Random heads up for UK peeps ... Tribal Gathering are 
> running some kind of
> > 'warehouse party' towards the end of august ..
> > http://tribalgathering.co.uk/warehouse/
> >
> > Basically the lineup includes Jeff Mills, Laurent Garnier, 
> Derrick Carter,
> > Guy Called Gerald, DJ Sneak [w00t!] amongst others :)
> >
> > If aynones up for a 313 meet let me know !
> >
> > Peace,
> > Marc
> 

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RE: (313) new stuff

2003-05-16 Thread Jongsma, K.J.

> Hey, Robin and Alex, any of you guys heard the new 
> Renaissance stuff too?
> Know when it/they're due out? Also, is Renaissance records solely
> distributed by Submerge?

I think so... it is produced by Mr. 'De from Electrofunk. I really love
those Renaissance tracks! Can't wait to get my hands on it. That new
Suburban Knight Mix CD looks interesting as well!!!

[EMAIL PROTECTED]




> >-Original Message-
> >From: robin pinning [mailto:[EMAIL PROTECTED]
> >Sent: Friday, May 16, 2003 2:03 PM
> >To: [EMAIL PROTECTED]
> >Cc: 313@hyperreal.org
> >Subject: Re: (313) new stuff
> >
> >
> >> Good week for Detroit House Music;
> >>
> >> picked up.
> >>
> >> Amp Fiddler - Love and War (out monday)
> >> 3 Chairs EP - says on the label 'from the forthcoming LP', 
> so something
> >> there to look forward to.
> >> 2 Moodymann releases on Peacefrog
> >
> >yeah tempted by the 3 tracker tho i might wait for the lp to 
> land (does
> >anyone know a date for the lp?)
> >
> >the version of emotional content on the 12 seems different 
> from the one i
> >know, is it?
> >
> >> Rick Wade on Music Is
> >
> >ooh didn't know about that...rick's one of my fave house producers
> >
> >what's this like then?
> >
> >other 313 stuff i noticed around:
> >
> >dj3000 on motech (sounding good from the clips)
> >ef2010 (house on electrofunk...from the bits i heard it's nice)
> >two releases on wallshaker by aaron carl
> >
> >
> >robin...
> >
> 

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RE: (313) Museum of techno

2003-05-16 Thread Jongsma, K.J.

> Guys - the site is a joke - it's not a real museum!

Well i thought that was quit obvious... a steam powered drum machine???

http://www.museumoftechno.org/correspondence/steam_drum.html

and this announcement:

"The decision by the management team to limit f*cking within the Museum's
galleries has generated a degree of controversy."

http://www.museumoftechno.org/correspondence/f*cking.html

Oh replace the * with an u the URL otherwise this mail is not getting
through hyperreal :)


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> > maybe they are talking about the actual building...
> > 
> > ab
> > 
> > -Original Message-
> > From: Darren Longton (Marketing) 
> [mailto:[EMAIL PROTECTED]
> > Sent: Friday, May 16, 2003 3:01 AM
> > To: 313 Hyperreal. Org
> > Subject: RE: (313) Museum of techno
> > 
> > 
> > Yeah, come on...old skool isn't THAT old!
> > 
> > 
> > -Original Message-
> > From: Dennis Donohue [mailto:[EMAIL PROTECTED]
> > Sent: Thursday, May 15, 2003 12:47 PM
> > To: 313 Hyperreal. Org
> > Subject: RE: (313) Museum of techno
> > 
> > 
> > Martin said
> > 
> > http://www.museumoftechno.org/
> > 
> > F*cking is discouraged apparently
> > 
> > 
> > That's hilarious.  Did anyone else catch on the first page:
> > 
> > "he museum of techno exists to preserve, research and 
> celebrate our shared
> > techno heritage. The museum was founded in 1837, around 
> founder Sir James
> > Soame's unique collection of badboy kickdrums. It moved 
> from its original
> > location in Manchester to premises in London in 1863, 
> opening its doors to
> > the general public for the first time.
> > 
> > 
> > 1837 ??
> > 
> > Dennis.
> 

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RE: (313) Another surprising Movement addition

2003-05-13 Thread Jongsma, K.J.
Less of a surprise and new to the line-up is Recloose btw.

KJ


> An act called Princess Dragonmom has been added to the Movement 2003
> line-up. Never heard of them, but this is what i found about 
> one of their
> releases:
> 
> Tracks by PRINCESS DRAGONMOM are very harsh and aggressive. 
> Many people
> have an interest to just performance (it's like RIOT by them and
> audience!!!) but sounds in this CD are really strong and 
> great. imagine
> HARDROCK spirit in Detroit, for example MC5!!!
> 
> Hans
> 
> --
> Hans Veneman
> [EMAIL PROTECTED]
> http://technotourist.org
> 

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RE: (313) Retrovert details -> Blake Baxter

2003-05-08 Thread Jongsma, K.J.
Argh! Noo... there is one track which is pure joy for me:

- When we used to play - on KMS

Love that track!


[EMAIL PROTECTED]


> My fave Blake Baxter track is 'Ride em Boy'...its on 
> one of those early Detroit Techno compilations..can't 
> remember what its called...
> 
> Quoting "m a t t [d]" <[EMAIL PROTECTED]>:
> 
> > How is Blake Baxter as a DJ?  I've only heard
> > one vinyl of his, which was
> > brilliant, it was a double set with a guy with a
> > gun on the cover I think,
> > the tunes reminded me of DJ Rush, but less
> > harsh, and some interesting
> > motown sounding samples.  Oh and the track he
> > did with Trevor Rockliffe I
> > really like too.  Anyone got any other
> > recommendations / experiences re:
> > Blake Baxter?
> > 
> > ---
> > [EMAIL PROTECTED]
> > 
> > 
> > 
> > - Original Message -
> > From: <[EMAIL PROTECTED]>
> > To: <313@hyperreal.org>
> > Sent: Thursday, May 08, 2003 2:12 PM
> > Subject: (313) Retrovert details
> > 
> > 
> > >
> > >
> > >
> > >
> > 
> 
> **
> > > Entertainment UK Limited
> > > Registered Office: 243 Blyth Road, Hayes,
> > Middlesex UB3 1DN.
> > > Registered in England Numbered 409775
> > >
> > > This e-mail is only intended for the person(s)
> > to whom it is addressed and
> > may contain confidential information.  Unless
> > stated to the contrary, any
> > > opinions or comments are personal to the
> > writer and do not represent the
> > official view of the company.  If you have
> > received this e-mail in error,
> > > please notify us immediately by reply e-mail
> > and then delete this message
> > from your system.  Please do not copy it or use
> > it for any purposes, or
> > > disclose its contents to any other person. 
> > Thank you for your
> > co-operation.
> > >
> > 
> 
> **
> > >
> > > Check this link for details on the next
> > Retrovert party on Friday 30th May
> > > ...
> > >
> > > www.retroverts.com
> > >
> > >
> > >
> > 
> > 
> 
> **
> 
> The information in this e-mail is confidential and may be 
> legally privileged.
> It is intended solely for the addressee.  Access to this 
> e-mail by anyone else
> is unauthorised.  If you are not the intended recipient, any 
> disclosure,
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> taken in reliance
> on it, is prohibited and may be unlawful.
> Please note that emails to, from and within RTÉ may be 
> subject to the Freedom
> of Information Act 1997 and may be liable to disclosure.
> **
> 
> 
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RE: (313) Retrovert details -> Blake Baxter

2003-05-08 Thread Jongsma, K.J.
I've heard him play a DJ set several times, when he plays house he is
f**king amazing. Last years set at the DEMF was realy smooth. Loved it a
lot, sunny weather & sexy house music.. yummie! I am not the biggest fun of
the techno sets i heard himplay, i bit boring IMHO. I love his old techno
tracks on that dream sequence album though

[EMAIL PROTECTED]


> How is Blake Baxter as a DJ?  I've only heard one vinyl of 
> his, which was
> brilliant, it was a double set with a guy with a gun on the 
> cover I think,
> the tunes reminded me of DJ Rush, but less harsh, and some interesting
> motown sounding samples.  Oh and the track he did with Trevor 
> Rockliffe I
> really like too.  Anyone got any other recommendations / 
> experiences re:
> Blake Baxter?

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(313) FW: A number of names interview @ technotourist.org

2003-05-08 Thread Jongsma, K.J.
Since John Osselaer e-mail is not reaching this list for some weird reason
iam posting this for him:

KJ

---
from: [EMAIL PROTECTED]

Hi folks,

We now have an interview with Paul Lesley of A Number Of Names up on the
Technotourist site: http://www.technotourist.org


This interview was done a couple of days before the DEMF 2001. It has
remained in the secret Technotourist vault until now. Although it dates
back about two years it hasn't lost much of its significance since most
questions were not really time-bound.

Here's a direct link for those pressed for time:

http://www.technotourist.org/modules.php?op=modload&name=Sections&file=index
&req=viewarticle&artid=27

Enjoy!



And errmm, oh yeah, it's great to be back on the list! I'll see some of
you in about two weeks...

[EMAIL PROTECTED]

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RE: (313) iPod pictures (that work)

2003-05-06 Thread Jongsma, K.J.
OS 1.3 supports AAC but you do need Quicktime 6.2 for it to work. Some guy
also managed to reverse engineer the ipod OS and  managed to install Linux
on it, so a lot of nice things could be possible now:

http://ipodlinux.sourceforge.net/

But hey am i off-topic or what :))

[EMAIL PROTECTED]



> yes they store wave, mp3, and an apple format.
> 
> -Original Message-
> From: spw [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, May 06, 2003 9:32 AM
> Cc: 313@hyperreal.org
> Subject: Re: (313) iPod pictures (that work)
> 
> 
> Too bad MP3 quality sucks, do they store CD quality
> audio? they do look like nifty little units.
> 
> on 5/6/03 7:37 AM, Roberto Ty at [EMAIL PROTECTED] wrote:
> 
> > I don't think iPods will replace the traditional setup, but 
> I guess it'd
> be
> > all right for 
> > novices. It's like mixing with two CD players with the 
> exception that you
> > could have two 
> > 30GB iPods hooked together and thus over 15,000 songs total 
> to access!
> Their
> > slick 
> > units.
> 

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RE: (313) Re: Jaguar

2003-05-06 Thread Jongsma, K.J.
I would like to make "some people choose to keep control over there own
music" of it...

[EMAIL PROTECTED]




> If memory serves me correctly a major label did offer to sign 
> jaguar with
> the 
> possibility of remixes but UR and DJ Rolando declined.
> That track could have easily climbed the Billboard dance charts giving
> Detroit techno more exposure in America but some people choose to stay
> underground.
> 
> on 5/5/03 3:26 PM, Sean Creen at [EMAIL PROTECTED] wrote:
> 
> > This simply isn't true. Jaguar was milked for all it was 
> worth. It got a hell
> > of a lot of publicity out of the whole Sony thing, had a 
> promo video made, and
> > Rolando got serious juice in terms of gigs (where he played 
> the track multiple
> > times, plus a lot of other much more commercial tracks than 
> had previously
> > been in his sets) out of all of this.
> > None of this is to excuse what Sony tried to do, or to dis 
> how UR dealt with
> > the situation, but to say that it could have blown up if 
> Rolando had chosen to
> > let it is pure bullshit (IMO, of course ;-).
> > 
> > Sean.
> 

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(313) Rolando live @ fluid on-line

2003-05-06 Thread Jongsma, K.J.
Hi,

Just wanted to let you know that the set Rolando played at Fluid (Eindhoven,
Holland) is now on-line at the 3voor12.nl website. 

http://pages.vpro.nl/3voor12/dj_sets/dj_set.shtml?2534202+2584688+2584508+10
731359+10731287

This is one of the very few livesets from him online. Rolando gave his
permission for this liveset (just this time) because apparently he liked the
host of the night :)

enjoy


[EMAIL PROTECTED]

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RE: (313) nights out in london

2003-04-24 Thread Jongsma, K.J.

> If you like your techno wonky, try:
> 
> http://www.uglyfunk.com/clubnight.shtml

Wonky... yeah:

2- ST.UP the war room < STAY UP FOREVER
Liberators [chris & Aaron]

scary acid-tekno :-)



> > BTW - John, when are we gonna see Dimension 5 do some live, soulful
> > Detroit-influenced techno in London - regular or irregular 
> - I'd go to that
> > too! :p
> > 
> > Peace,
> > 
> > Ken
> > 
> >> -Original Message-
> >> From: Phonopsia [mailto:[EMAIL PROTECTED]
> >> Sent: Wednesday, April 23, 2003 7:42 PM
> >> To: John Harvey; 313
> >> Subject: Re: (313) nights out in london
> >> 
> >> 
> >> - Original Message -
> >> From: "John Harvey" <[EMAIL PROTECTED]>
> >> To: "313" <313@hyperreal.org>
> >> Sent: Wednesday, April 23, 2003 1:09 PM
> >> Subject: (313) nights out in london
> >> 
> >> 
> >>> can anyone recommend any regular nights in london that 
> play soulful
> >> detroit
> >>> techno/house?
> >>> 
> >>> are there any?
> >> 
> >> 
> >> None that are regular that I can think of, but there are 
> plenty of soulful
> >> house nights (not necessarilly Detroit), and enough 
> one-offs with Detroit
> >> focus to keep you plenty happy. It does require some work to keep
> >> up with it
> >> though. I highly recommend the Overload board for such 
> activity. Many
> >> likeminded peoples from all over this island (and beyond) 
> there. Plus it is
> >> goofy! There are too many good locals DJs to name 
> one-by-one, but if you
> >> want specific recommendations for DJs or promoters to look 
> for I'll be glad
> >> to help off-list.
> >> 
> >> Tristan
> >> ===
> >> Text/Mixes: http://www.phonopsia.co.uk
> >> Music: http://www.mp313.com
> >> Contact: [EMAIL PROTECTED]
> >> 
> >> 
> > 
> 

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RE: (313) Afterparties/rant

2003-04-24 Thread Jongsma, K.J.

> 1: i just visted the technotourist afterparties fourm and 
> there are things
> posted in there that the promoters themselves havent even 
> announced yet.
> hawtin @ necto and speedy j @ envy (of all places...). im not 
> sure of the
> other things posted, if they are speculative or not, but even 
> our weekly
> "untitled" @ the shelter has been posted, and the contact is set for
> someone who isnt even part of the night! not that we dont 
> appriciate the
> promotions or anything, thanks! but it is because of everyones
> speculations mostly on this list that all this misinformation 
> is getting
> thrown around. if a moderator from detroit is needed, i 
> volunteer myself
> for the job.

Maybe we are a little bit late to react to this but anyway and we are sorry
to see people did post some rumours in our afterparty-list. We think it
doesn't help anyone to post just some rumours and/or speculations in our
database, this would decrease the reliability of the list. So unless you are
the promoter or you are absolutely 100% sure that this party is going on
please do not post. 

In the meanwhile we are working on a way to filter out the rumours and maybe
it is a bit useless to say but technotourist.org is in no way responsible
way for the listed line-up's etc.

CYou can check the list or add a party at:
http://technotourist.org/modules.php?op=modload&name=Parties&file=index

or send an e-mail to: [EMAIL PROTECTED]


[EMAIL PROTECTED]

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RE: (313) FYI robert hood in detroit soon

2003-04-23 Thread Jongsma, K.J.

> The problem with Hood is that his own standard is that high, 
> that if he just
> stands still, some are disappointed. However, I still found 
> Point Blank a
> solid collection of basic techno tracks.

Well i bought the album (Point Blank) on sight but i thought some of the
tracks are really horrible, espescially those non-dancefloor tracks were
just unstructured sounds, not my thing. To me it was not even a selection of
solid techno tracks, well just 2 of the tracks on it, maybe i expected to
much after 'who tought you math'. 




> >-Original Message-
> >From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> >Sent: Wednesday, April 23, 2003 2:38 PM
> >To: '313@hyperreal.org'
> >Subject: RE: (313) FYI robert hood in detroit soon
> >
> >
> >Just heard the new Monobox album on Logostics this weekend and it is
> >amazing, way better the his dissapointing album for Peacefrog
> >whixh just had
> >2 okay tracks on it. The new monobox is typical Hood, the 
> minimal nation is
> >back!
> >
> >KJ
> >
> >> is hood playing live?
> >>
> >> -Original Message-
> >> From: Kookie [mailto:[EMAIL PROTECTED]
> >> Sent: Tuesday, April 22, 2003 8:46 PM
> >> To: [-[-]-[]-[|]-]; 313@hyperreal.org
> >> Subject: Re: (313) FYI robert hood in detroit soon
> >>
> >>
> >> Uh, its not hype, its on the flyer.  See for yourself
> >>
> >> http://www.fusiontechnologyrecords.com/spite_inside.jpg
> >> - Original Message -
> >> From: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>
> >> To: "Kookie" <[EMAIL PROTECTED]>; <313@hyperreal.org>
> >> Sent: Tuesday, April 22, 2003 8:08 PM
> >> Subject: Re: (313) FYI robert hood in detroit soon
> >>
> >>
> >> > I'm the special guest.
> >> >
> >> > dont believe the hype.
> >> >
> >> >
> >> > - Original Message -
> >> > From: "Kookie" <[EMAIL PROTECTED]>
> >> > To: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>; 
> <313@hyperreal.org>
> >> > Sent: Tuesday, April 22, 2003 7:52 PM
> >> > Subject: Re: (313) FYI robert hood in detroit soon
> >> >
> >> >
> >> > > The special guest is Suburban Knight.  Theres a couple 
> more locals
> >> playing
> >> > > like Shawn Reeves and Bassghost too
> >> > > - Original Message -
> >> > > From: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>
> >> > > To: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>; 
> <313@hyperreal.org>
> >> > > Sent: Tuesday, April 22, 2003 7:29 PM
> >> > > Subject: Re: (313) FYI robert hood in detroit soon
> >> > >
> >> > >
> >> > > > heres the info:
> >> > > > Saturday, May 24th 2003 - TBA - Detroit
> >> > > >   SPITE
> >> > > >   Robert Hood, Special Guest, Allen Gamble, Neil V.,
> >> Jimmy Hunt, Dan
> >> > Kahn.
> >> > > > $15, 10pm.
> >> > > >
> >> > > >
> >> > > > - Original Message -
> >> > > > From: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>
> >> > > > To: <313@hyperreal.org>
> >> > > > Sent: Tuesday, April 22, 2003 5:59 PM
> >> > > > Subject: (313) FYI robert hood in detroit soon
> >> > > >
> >> > > >
> >> > > > > once I find the flyer I will post the details.  its
> >> somewhere in my
> >> > > studio
> >> > > > > -Joe
> >> > > >
> >> > > >
> >> > > >
> >> > >
> >> > >
> >> >
> >> >
> >> >
> >>
> >
> >--
> >DISCLAIMER
> >
> >De gemeente Almelo aanvaardt voor haar medewerkers geen enkele
> >aansprakelijkheid voor eventueel onjuist, onrechtmatig of
> >ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen).
> >
> >Dit e-mail bericht is door de gemeente Almelo gecontroleerd op
> >de aanwezigheid van eventuele virussen. Wij kunnen echter geen
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> >vrij zijn. Het is daarom verstandig uw binnenkomende e-mail
> >berichten zelf op de mogelijke aanwezigheid van virussen
> >te controleren.
> >--
> >
> 

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RE: (313) FYI robert hood in detroit soon

2003-04-23 Thread Jongsma, K.J.
Just heard the new Monobox album on Logostics this weekend and it is
amazing, way better the his dissapointing album for Peacefrog whixh just had
2 okay tracks on it. The new monobox is typical Hood, the minimal nation is
back!

KJ

> is hood playing live?
> 
> -Original Message-
> From: Kookie [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, April 22, 2003 8:46 PM
> To: [-[-]-[]-[|]-]; 313@hyperreal.org
> Subject: Re: (313) FYI robert hood in detroit soon
> 
> 
> Uh, its not hype, its on the flyer.  See for yourself
> 
> http://www.fusiontechnologyrecords.com/spite_inside.jpg
> - Original Message -
> From: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>
> To: "Kookie" <[EMAIL PROTECTED]>; <313@hyperreal.org>
> Sent: Tuesday, April 22, 2003 8:08 PM
> Subject: Re: (313) FYI robert hood in detroit soon
> 
> 
> > I'm the special guest.
> >
> > dont believe the hype.
> >
> >
> > - Original Message -
> > From: "Kookie" <[EMAIL PROTECTED]>
> > To: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>; <313@hyperreal.org>
> > Sent: Tuesday, April 22, 2003 7:52 PM
> > Subject: Re: (313) FYI robert hood in detroit soon
> >
> >
> > > The special guest is Suburban Knight.  Theres a couple more locals
> playing
> > > like Shawn Reeves and Bassghost too
> > > - Original Message -
> > > From: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>
> > > To: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>; <313@hyperreal.org>
> > > Sent: Tuesday, April 22, 2003 7:29 PM
> > > Subject: Re: (313) FYI robert hood in detroit soon
> > >
> > >
> > > > heres the info:
> > > > Saturday, May 24th 2003 - TBA - Detroit
> > > >   SPITE
> > > >   Robert Hood, Special Guest, Allen Gamble, Neil V., 
> Jimmy Hunt, Dan
> > Kahn.
> > > > $15, 10pm.
> > > >
> > > >
> > > > - Original Message -
> > > > From: "[-[-]-[]-[|]-]" <[EMAIL PROTECTED]>
> > > > To: <313@hyperreal.org>
> > > > Sent: Tuesday, April 22, 2003 5:59 PM
> > > > Subject: (313) FYI robert hood in detroit soon
> > > >
> > > >
> > > > > once I find the flyer I will post the details.  its 
> somewhere in my
> > > studio
> > > > > -Joe
> > > >
> > > >
> > > >
> > >
> > >
> >
> >
> >
> 

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RE: (313) spotters Q

2003-04-23 Thread Jongsma, K.J.

> Where was it pressed??? I think the original pressings were 
> done at archers
> & the later one's at nsc. I may be wrong but that's what I thought...

NSC doesn't press records, they just do the cutting. Archers does
pressings...

kj


> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: 23 April 2003 11:54
> To: 313@hyperreal.org
> Subject: (313) spotters Q
> 
> I have a trainspotters Q.
> 
> I'm just listing some records for ebay as I'm skint and I 
> have a spare copy
> of Nude Photo - what I think is the first pressing.
> 
> It has an orange label, with black writing and credits 
> T.Barnett, D.Wynn,
> J.Atkins and D.May.
> 
> Is this the first pressing, does anyone know? Any help appreciated.
> 
> Thanks,
> 
> Alex
> _
> - End of message text 
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RE: (313) the weather

2003-04-17 Thread Jongsma, K.J.
I have this sick connection between the weather and the weather when i
bought a record, for example i bought AI 2 on Warp in the smmer so whenever
the sun shines i wanna play that album...

> -Oorspronkelijk bericht-
> Van: Kent williams [mailto:[EMAIL PROTECTED]
> Verzonden: donderdag 17 april 2003 16:51
> Aan: 313 list
> Onderwerp: RE: (313) the weather
> 
> 
> The weather inside my head is a bigger influence.
> Todays forecast: Cloudy, with a chance of anger.
> Music: Godspeed You Black Emporer.
> 

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RE: (313) Q's

2003-04-17 Thread Jongsma, K.J.


> This Local3000 label - I think I must have missed the 
> discussion. Can I
> only get this in ltd shops ala S.I.D? or is it widely available?

I think that is the idea but just as in the the past there are copies
floating around in other recordstores, i know Rushhour and Clone do have
copies of it.



> Also, what's the deal with all this Drexciya coloured vinyl 
> on Rushhour's
> list? Any new tracks...?

They were repressed in coloured vinyl after James Stinston died, now new
tracks AFAIK just fancy colours


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RE: (313) Shake in Holland _ in Paris

2003-04-14 Thread Jongsma, K.J.
 
> I'm writing an article on him for Dusted Magazine 
> (dustedmagazine.com), if
> anyone feels like sending along any thoughts.

What just rabdom thoughts? :)

Or do you wanna know why he is the best? Maybe it is because Shake does what
Shake wants? :) This results in unique records who could only be made him? I
can't remember i have ever been disapointed in a new shake 12". Hans said
last saturday that actually every record from Shake sounds like a mini album
because of the wide range of tracks on it.

Now we are talking about an album: WHEN ARE WE GOING TO SEE A FULL LENGTH
ALBUM SHAKE?

[EMAIL PROTECTED]




> On Mon, 14 Apr 2003, Kent williams wrote:
> 
> > THIS JUST IN: SHAKE IS THE BEST
> > *reporters rush for the phones*
> >
> > Shake always manages to bring tears to my eyes.
> >
> > On Mon, 14 Apr 2003, Grammenos, Peter wrote:
> > >
> > > this is the same exact reaction thomas brinkman had when he
> > > heard shake play... interesting. i'de love to hear him play.
> > >
> > > "but when he mixed in that  tune or that record from 
> > > it actually made sense."
> > >
> > > -Pete
> > >
> >
> >
> 
> 

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RE: (313) Re: New Music and Elitism

2003-04-14 Thread Jongsma, K.J.

> A good example of what I'm talking about would be Art Payne 
> who wrote for
> Streetsounds 
> magazine in the early 90's, his three or four paragraph 
> article summary
> about the new music
> and labels coming 
> out of Detroit was very informative, it put things in the proper
> perspective.
> Limited discussion about certain
> artist and labels is deceiving, this is why people who 
> observe mailing list
> such as 313 get the
> impression of elitism.
> We have a list member promoting another list members label 
> but a lot of the
> new 313 music is not
> being discussed or mentioned.

Oh no, your not going to slag-off listmembers musics and/or recordlabels? A
lot of high quality producers and labels are on this list, they use it for
the very same reason i use, to get info on detroit techno, here the latest
news about the music they love. I don't know what your problem is with the
music of listmembers, to me a lot of them make beautiful music, the stuff i
like. Lot of them are also infuential names in the techno scene, even
outside this list.

As many other people pointed out to you before, if you miss something add it
to this list. This list is made by their subscribers so the only thing that
makes it better is the subscribbers themsleves...

So if you think we miss something tell it to us as i sure wanna know about
it!


[EMAIL PROTECTED]




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RE: (313) collectors item

2003-04-14 Thread Jongsma, K.J.
Maybe just a few bucks more then the price of a normal 12". That Carl Craig
is widely avaible and not some kind of special mix. It is more like a dumb
pressing error, i got something similair thing with a Red Planet record, i
thought it was really annoying as i had to buy a 2nd copy to get what i
wanted :)

> Just out of interest guys, how much do you think one of these 
> *should* go
> for?
> 
> As for me I have no idea - of course I'd love it, but 
> $100?!?!?! (About £63
> today which feels more comfortable but is not to be spent 
> without thinking).
> 
> Thx kindly.
> 
> Ken
> 
> >-Original Message-
> >From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> >Sent: Monday, April 14, 2003 12:57 PM
> >To: 'Javier Drada'; 313@hyperreal.org
> >Subject: RE: (313) collectors item
> >
> >
> >that is probably the reason why the huge amount of 0 (that 
> is zero) people
> >have bidded to this :)
> >
> >> -Oorspronkelijk bericht-
> >> Van: Javier Drada [mailto:[EMAIL PROTECTED]
> >> Verzonden: maandag 14 april 2003 13:51
> >> Aan: 313@hyperreal.org
> >> Onderwerp: RE: (313) collectors item
> >>
> >>
> >> $100 bills Come on...
> >>
> >> -Original Message-
> >> From: Techstylism [mailto:[EMAIL PROTECTED]
> >> Sent: Sunday, April 13, 2003 9:31 AM
> >> To: 313@hyperreal.org
> >> Subject: (313) collectors item
> >>
> >>
> >> for ur & carl craig collectors:
> >>
> >> http://www.techstylism.com/the_record.html
> >>
> >>
> >
> >--
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> >
> >De gemeente Almelo aanvaardt voor haar medewerkers geen enkele
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> >te controleren.
> >--
> >
> 
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RE: (313) collectors item

2003-04-14 Thread Jongsma, K.J.
that is probably the reason why the huge amount of 0 (that is zero) people
have bidded to this :)

> -Oorspronkelijk bericht-
> Van: Javier Drada [mailto:[EMAIL PROTECTED]
> Verzonden: maandag 14 april 2003 13:51
> Aan: 313@hyperreal.org
> Onderwerp: RE: (313) collectors item
> 
> 
> $100 bills Come on...
> 
> -Original Message-
> From: Techstylism [mailto:[EMAIL PROTECTED] 
> Sent: Sunday, April 13, 2003 9:31 AM
> To: 313@hyperreal.org
> Subject: (313) collectors item
> 
> 
> for ur & carl craig collectors:
> 
> http://www.techstylism.com/the_record.html
> 
> 

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RE: (313) Shake in Holland _ in Paris

2003-04-14 Thread Jongsma, K.J.
 
> Exactly!!
> He played here in Paris, thursday 10th. He did a mix close to 
> this lineup
> you mentioned. He even played one of the last daft punk album 
> track. And
> everything goes so fine! Its not just a big melting pot which 
> has no sense,
> he knows to turn it to a real "mix". That was so fresh! Ill 
> keep a very good
> memory of him :)

Yeah, i forgot to mention that, it was not just one big pil of different
records but when he mixed in that radiohead tune or that record from The
Clash it actually made sense. 

[EMAIL PROTECTED]

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(313) Shake in Holland

2003-04-14 Thread Jongsma, K.J.
Hi,

Just a few nice words about Shake, who played a brilliant set last Saturday
here in Holland. His choice of records was amazing, he was going from one
point of the musical spectrum. He was going from Planet Patrol to Rhythm is
Rhythm, from Akufen to Radiohead's Kid A. Brilliant set, one of my best
nights out this year!


[EMAIL PROTECTED]

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RE: (313) artists vs. bootlegging

2003-04-11 Thread Jongsma, K.J.

> in the instance that you are discussing here the 'piece of 
> art' is the whole
> package, right? a bootlegged copy isn't actually the same artifact so
> someone who buys that isn't actually getting the real deal, if indeed
> releasing only a few of the actual item is part of the 
> artistic 'statement'.
> this statement isn't compromised by producing a 'fake' 
> version, the profits
> might be though.

This is only the case for some record collectors who are looking for that
very first original unside out :) Some people just want the music.

 
> it would be the same as your vase maker making only 5 vases 
> and then someone
> piling in with 500 reproductions - in years to come the 
> objects that hold
> value (monetary) will be the five originals.

Dunno what your trying to say with this? There are legal laws in the music
industry protecting your artistic creations and giving you the right to
control it. 


 
> Date: Thu, 10 Apr 2003 15:22:12 -0500
> To: "::)" <[EMAIL PROTECTED]>,
>   <[EMAIL PROTECTED]>,
>   <313@hyperreal.org>
> From: "Matthew MacQueen" <[EMAIL PROTECTED]>
> Subject: artists vs. bootlegging
> Message-ID:
> <[EMAIL PROTECTED]>
> 
> > the bootleggers would have a lot less market if the record were =
> repressed
> 
> I can't disagree with that logic.  BUT... I've been following this =
> thread for awhile and a voice I'm not hearing in this debate 
> (that is =
> kind of troubling to me, actually) is the rights of the 
> ARTIST.  Art is =
> not necessarily subject to the same demands as say, any old consumer =
> product where the goal is to sell as many as possible (say, 
> toothpaste =
> or something).  One of the benefits of owning and running 
> your own label =
> (or printshop, for example) is to control the trickle - or 
> flood - of =
> your art into an art-buyers market -- more control over your own =
> destiny.  You can still keep things limited or special if, as the =
> artist, you feel like that is a part of your 'statement' so 
> to speak, of =
> what you have created.=20
> 
> When a famous potter makes a vase, and they decide to make 5 
> of them, =
> not 500... it makes that vase unique.  You have to think the 
> artist has =
> a reason to only make 5 if that's what they choose.
> 
> Is everyone forgetting that the artist has a right to release 
> as many or =
> as few pieces of art as they feel?   Sure there are ramifications of =
> releasing few, I'm not denying that:  if demand is high 
> enough and the =
> art is scarce, it may get bootlegged.  That is a risk. =20
> 
> But an artist of any medium is certainly never OBLIGED to 
> fill the needs =
> of every consumer!  That is the artists right.  I have detected this =
> slight tone of "well if he just would have pressed up more it 
> wouldn't =
> matter, he deserved it, etc." -- but the reality is sometimes 
> an artist =
> might want LESS of something out there, not more, as part of the =
> artistic statement itself.  I respect artists who choose to release =
> less, not more... even if I can't have a copy myself.  But 
> that doesn't =
> necessarily mean I'm going to bootleg it (and profit from it) 
> if I can't =
> find my copy.=20
> 
> peace,
> Matt
> 
> 
> 

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RE: (313) artists vs. bootlegging

2003-04-11 Thread Jongsma, K.J.

> and talking about stealing ... the reason why Moodyman can't 
> repress is
> ..well you know .. ;) .. even if he did a great job

No don't know, tell me by the sound of it he told you :)


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RE: (313) artists vs. bootlegging

2003-04-11 Thread Jongsma, K.J.
I have to agree. First of all the artist who made record never gets any
money from a bootleg, the bootleggers are cashing in on money belonging to
first of all the artist and second to the original record label. The
bootleggers are getting money which does not belong to them, they are
stealing it, it is a theft.

[EMAIL PROTECTED]



> I find myself waiting for Otto to chime in here (the man has 
> a doctorate in
> issues relating to supply and demand after all).  But I don't 
> want to put
> him on the spot.  ;)  So here's my humble opinion:
> 
> Unfortunately, this may be the result of fallout from the heavyhanded
> tactics of the record industry.  Let me try to clarify.
> 
> Underground Artist X forms a label and minimizes supply as an artistic
> statement or business decision (whichever, does not matter).  
> Greedy Fan Y
> decides to cash in on higher demand by bootlegging.  Greedy Fan Y is
> breaking the law.  Y could have asked for licensing rights 
> and given a cut
> back to artist X.  
> 
> But artist X will not do business with Y, in part because of 
> a complete
> mistrust fostered by the record industry's history of ripping 
> off artists.
> 
> This is the pure (albeit ugly) nature of free markets, no?  
> Survival of the
> opportunist?  I am NOT condoning bootlegging.
> 
> The piece that's missing is the free flow of information from 
> the willing
> buyer to the copyright owner.  This is what a lot of artists 
> are trying to
> figure out lately.  Of course I am not taking into account 
> the economics of
> vinyl production and single copy distribution.
> 
> Final thoughts:  If that pre-order deepchord CD was available 
> from their
> site, I'd order now.  I am about to own a legit copy of 
> Beltran's "10 Days
> of Blue" after waiting 6 years to hear it.
> -- 
> im
> 

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RE: (313) UR

2003-04-11 Thread Jongsma, K.J.
Sorry to make you less evil here but that was a perfectly legal re-press
from Djax, there were a couple of white label re-presses of Djax around that
time. I can remember DJ Skull's Met'L'Gear floating around as white label
to. 

> You know, I really don't seem to remember ever hearing anyone 
> complaining
> about the boot legging of the Set Up 707 record that Edge of 
> Motion put out
> on DJAX.  I know DJAX had a limited press run that was put on 
> clear vinyl.
> Probaby around 1,000 copies.  DJAX never pressed another copy 
> of it...yet I
> remember Record Time getting two very large shipments of this 
> in on black
> white label vinyl.  And I remember all my frineds being so 
> happy that it was
> bootlegged so they could finally have a copy.  I bought 2 
> copies of it...I
> sold one on eBay last year for $20.  How evil does that make me??
> 

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RE: (313) American Artists overseas

2003-04-10 Thread Jongsma, K.J.

> It' s not that american artists don't get booked, they still 
> get booked in
> Holland but they refuse to fly over to Europe now. A series 
> of concerts
> which was supposed to take place over here with Jay-z, Erika Baduh and
> Grandmasterflash (not techno, i know, but Baduh sounds pretty 
> relaxed at
> home:-) was cancelled because they are afraid of flying over, 
> also matchbox
> 20 and some other guitarbands refused to fly over, not sure 
> about the peeps
> in technoscene (anyone ever heard someting about that?). So i 
> don't think
> it's a question of not getting booked, i think it 's more a 
> question of
> artists willing to come over (even if they are booked), in 
> these times.

And american artists being afraid to fly and cancel gigs will result in less
bookings by European promoters because they won't take the gamble on booking
an US artists who could not show up and cancel the gig

[EMAIL PROTECTED]



> Just a thought on a lousy thursdaymorning...
> 
> Martijn
> 
> - Original Message -
> From: "Greg::Malcolm ." <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>
> Cc: <313@hyperreal.org>
> Sent: Wednesday, April 09, 2003 5:08 PM
> Subject: RE: (313) American Artists overseas
> 
> 
> > i was in holland for a festival last week, and was treated 
> very kindly by
> > the dutch ppl i met, they are very anti-bush more than they are
> > anti-american.
> >
> > ppl there referred to the US as "the empire", and when we 
> landed @ detroit
> > en route to cleveland, it really seemed like the opening 
> scene out of the
> > first star wars...ppl were getting up and getting their 
> luggage, when an
> > announcement came out that US customs agents had entered 
> the plane...they
> > were armed and had a german shepard, and removed a few 
> middle eastern men,
> > who were presumably on some kind of country threat list.  
> one was sitting
> > two chairs down from me...very scary and most of the plane, who were
> > foreingers were very anxious as well.
> >
> > GREG MALCOLM // TWINE // HTTP://TWINESOUND.COM
> >
> >
> >
> >
> >
> > >From: "Odeluga, Ken" <[EMAIL PROTECTED]>
> > >To: Kent williams <[EMAIL PROTECTED]>
> > >CC: 313 list <313@hyperreal.org>
> > >Subject: RE: (313) American Artists overseas
> > >Date: Wed, 9 Apr 2003 15:42:09 +0100
> > >
> > >Hey,
> > >
> > >*I've* been attacked by skinheads - in East Germany! (At least they
> > >attempted to attack me!)
> > >
> > >The good thing about skinheads is that they effectively don't
> discriminate!
> > >They hate everybody who disagrees with them (which is virtually
> everybody!)
> > >
> > >Ken
> > >
> > > >-Original Message-
> > > >From: Kent williams [mailto:[EMAIL PROTECTED]
> > > >Sent: Wednesday, April 09, 2003 3:33 PM
> > > >To: Odeluga, Ken
> > > >Cc: 313 list
> > > >Subject: (313) American Artists overseas
> > > >
> > > >
> > > >I hope you're right, that American artists are still 
> getting booked.
> > > >A good friend of mine who isn't a techno artist was 
> rather frightened
> > > >on his last tour in Germany, where he was harrassed by 
> skin heads and
> > > >yelled at for being Americans elsewhere.
> > > >
> > > >Here's hoping, all evidence to the contrary, that we're 
> not entering a
> > >new
> > > >dark age.
> > > >
> > > >On Wed, 9 Apr 2003, Odeluga, Ken wrote:
> > > >> >American artists are less welcome
> > > >> >in Europe given the current troubles.
> > > >>
> > > >> Current US/European political agreements aside, I can't see how
> > > >this would
> > > >> contribute to US artists of any kind being overlooked 
> for bookings
> > >here.
> > > >>
> > > >> In 'big business' (the ugly specter of which I raise, just for
> > > >the sake of a
> > > >> comparison and an example) long-term well-known relationships
> > > >are as normal
> > > >> with no question of wider considerations altering that.
> > > >>
> > > >> The only thing that's hurting everybody (inlcuding all types of
> music)
> > >is
> > > >> the global economic slowdown.
> > > >>
> > > >
> >
> >
> > _
> > Tired of spam? Get advanced junk mail protection with MSN 8.
> > http://join.msn.com/?page=features/junkmail
> >
> >
> 
> 

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RE: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)

2003-04-08 Thread Jongsma, K.J.

> > Oh and everything touched by Erik van de Broek with a 303 in it of
> > course okay i am going to stop this now :))
> 
> Was that the guy who did Shiver?

Yep...


> What's hap'nin with him now??

Well they stopped releasing on Shiver and Dap somewhere in the midninties.
Erik released some drum 'n bass as Scattah and did some pop-electro thing
which sounded okay but not anywhere on the same level as the Shiver and Dap
stuff. Rumour goes that he still has a box of about 40 DAT tapes with
material which makes the shiver and dap stuff sound like shania twain on the
techno tip. Last thing i heard is that he now tries to make some money by
doing some trance stuff...

kj

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RE: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)

2003-04-08 Thread Jongsma, K.J.

> Oh and we all forgot about his amazing one:
> System 7 - Alphawave (plastikman's acid house mix)
> 
> oh dear this list is endless :

Oh and everything touched by Erik van de Broek with a 303 in it of
course okay i am going to stop this now :))

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RE: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)

2003-04-08 Thread Jongsma, K.J.


> McBride did a lot of great acid - Rattlesnake is another great one

Now we are on the banging side of techno more good essential but banging
acid:
Beverly Hills 808303 - Six Pack (Reference)
Mundo Muzique - Evil Acid (Sinewave)
Mike Dearborn - Birds en E. (Djax)
Edge of Motion - Setup 707 (Djax)
The Shamen - Ebenezerer Goode (Richie Hawtin's south of Detroit Intrumental)
The Acid Junkies - EP#2 (Djax)
Random XS - Give Your Body (Djax)
The Stickmen - XXX (Stickmen)
UR - Acid Rain vol 1/3 (Shockwave)
Joey Beltram - It's Cold (Trax)

Oh and we all forgot about his amazing one:
System 7 - Alphawave (plastikman's acid house mix)

oh dear this list is endless :


> Treble coincidence - I was listening toWarp's  Blech! comp in bed on
> Saturday morning and the Acid mix made me get up.
> 
> 
> -Original Message-
> From: robin pinning [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, April 08, 2003 10:51 AM
> To: Andrew
> Cc: 313@hyperreal.org
> Subject: Re: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)
> 
> 
> 
> > And what about the Acid Mix of Tied Up by LFO???!!
> >
> > I'm playing it now - it intnse!!!
> 
> that's a coincidence, i was lsietning to that the other 
> nite...goes off
> the deepend halfway through :)
> 
> personally i like my acid to be deeper rather than screaming 
> and distorted
> 
> 
> no-ones mentioned "Basketball heroes" - woody mcbride yet
> 
> 
> robin...
> 
> 
> Any views or opinions are solely those of the author and do 
> not necessarily
> represent those of Channel Four Television Corporation unless 
> specifically
> stated.  This email and any files transmitted are 
> confidential and intended
> solely for the use of the individual or entity to which they 
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RE: (313) detroit music awards

2003-04-08 Thread Jongsma, K.J.
The category they are listed is electronic/dance the rock/punk/funk/soul/r&b
etc. are other names.

Techno Hippies... my god that sounds like a old dutch happy hardcore act
:)))

kj


 
> I don't think these awards are confined to electronic music, 
> so many of the
> acts are, I suspect, rock bands 
> 
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, April 08, 2003 10:04 AM
> To: 313@hyperreal.org
> Subject: (313) detroit music awards
> 
> 
> mornin'
> 
> I was just looking on the technotourist site and I noticed 
> something about
> the detroit music awards.
> 
> Of the 4 LP's up for 'outstanding LP award', I only know one, 
> and I also
> don't even know the artists who are up for the award.
> 
> Can anyone tell me a little more about them, might I like them?
> 
> They were;
> 
> 'Techno Hippies'
> 'Quaker Cage'
> 'Twilight Babies'
> 
> Thanks..
> _
> - End of message text 
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RE: (313) detroit music awards

2003-04-08 Thread Jongsma, K.J.

> I was just looking on the technotourist site and I noticed 
> something about
> the detroit music awards.
> 
> Of the 4 LP's up for 'outstanding LP award', I only know one, 
> and I also
> don't even know the artists who are up for the award.

Personally i thought it was typical they listed Drexciya, they have been
releasing albums a lot the last couple of years but they got their attention
after James Stinton died, so i wonder why they are up there now, is it
truelly for the music or just because they have been in the media a lot
lately?

 
> Can anyone tell me a little more about them, might I like them?
> 
> They were;
> 
> 'Techno Hippies'
> 'Quaker Cage'
> 'Twilight Babies'
 

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RE: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)

2003-04-08 Thread Jongsma, K.J.


> -Oorspronkelijk bericht-
> Van: Andrew [mailto:[EMAIL PROTECTED]
> Verzonden: dinsdag 8 april 2003 12:21
> Aan: 313@hyperreal.org
> Onderwerp: Re: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)
> 
> 
> > Is ther an acid mix from It is what it is never heard of that one???
> 
> 
> I was thinking of the main melody line - it opens the track? 
> Sounded like a
> 303 to me, but maybe not! Interesting - does an acid line 
> have to come from
> a 303, or can it just have that 'sound', i.e. what is acid? 
> The machine or
> the sound?
> 
> Andrew

Isn't that just the infamous lately bass out of a FM box? But i agree, Mr.
Fingers washing machine is extremely acid to me but it doesn't not sound
like a 303 but is acidic :)




> - Original Message -
> From: "Jongsma, K.J." <[EMAIL PROTECTED]>
> To: "'Andrew'" <[EMAIL PROTECTED]>; <313@hyperreal.org>
> Sent: Tuesday, April 08, 2003 10:18 AM
> Subject: RE: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)
> 
> 
> >
> > > Jupiter Jazz - UR
> >
> > And of course Hi-tech jazz from UR
> >
> > > Da Funk - Daft Punk
> > > Bitstream - Double Density
> > > Black Dog - That one off 'Spanners' (the techno-ragga-eastern one)
> > > Rhythim is Rhythim - It is what it is
> > >
> > > Can't think...please add more
> >
> > Choice - Acid Eifel
> > The first record on A13, can't remember the title but i 
> thinkit is Mark
> > Broom and some one else (Plaid?)
> > That Balil record on Rising High
> > Railway Raver on Rephlex
> >
> >
> > Is ther an acid mix from It is what it is never heard of that one???
> >
> > --
> > DISCLAIMER
> >
> > De gemeente Almelo aanvaardt voor haar medewerkers geen enkele
> > aansprakelijkheid voor eventueel onjuist, onrechtmatig of
> > ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen).
> >
> > Dit e-mail bericht is door de gemeente Almelo gecontroleerd op
> > de aanwezigheid van eventuele virussen. Wij kunnen echter geen
> > garantie afgeven dat al onze e-mail berichten volledig virus
> > vrij zijn. Het is daarom verstandig uw binnenkomende e-mail
> > berichten zelf op de mogelijke aanwezigheid van virussen
> > te controleren.
> > --
> 

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RE: (313) Acid Jazz (Best Acid Lines In The World...Ever!!)

2003-04-08 Thread Jongsma, K.J.

> Jupiter Jazz - UR

And of course Hi-tech jazz from UR

> Da Funk - Daft Punk
> Bitstream - Double Density
> Black Dog - That one off 'Spanners' (the techno-ragga-eastern one)
> Rhythim is Rhythim - It is what it is
> 
> Can't think...please add more

Choice - Acid Eifel
The first record on A13, can't remember the title but i thinkit is Mark
Broom and some one else (Plaid?)
That Balil record on Rising High
Railway Raver on Rephlex


Is ther an acid mix from It is what it is never heard of that one???

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RE: (313) Keynote

2003-03-26 Thread Jongsma, K.J.

> I guess this is a message for Otto, but I don't have his address.
> 
> Does Keynote records have a website? I did a search, but 
> couldn't find one.

There is no Keynote website...


> I got a copy of the Stinkworx ep on Keynote on Monday, and it's really
> good. There was one track on there which is just outstanding, 
> I was trying
> to find the name of it out as my copy is at home - but can't see the
> website.

it is called Drexion Caves and it is verry good indeed, defenitely one of
his best tracks on there!  



> Highly recommended btw, although I've not seen it in the 
> shops over here
> yet. Has it had a release in the UK?

Yeah i think so, otherwise you could always order it through Groovetech.
erm i mean Clone.nl :))

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RE: (313) Clone against Groovetech.com

2003-03-26 Thread Jongsma, K.J.
Mike Tyrer asked me to forward this to the list:

> -Oorspronkelijk bericht-
> Van: Mike Tyrer [mailto:[EMAIL PROTECTED] 
> Verzonden: woensdag 26 maart 2003 10:34
> Aan: Jongsma, K.J.
> Onderwerp: Re: (313) Clone against Groovetech.com
> 
> a few weeks back I was talking to a top rank UK DJ who claimed he gave
> Groovetech a lot of help and assistance when they started out and his
> opinion was they "shafted" him in no uncertain terms.  He 
> will have nothing
> to do with them now and can not say a good word about them.  
> He told me
> (gleefully) they were in trouble - a few days later they 
> closed down their
> seattle broadcasting.
> 
> I don't know the full ins and outs of this but in light of 
> the other rant
> against Groovetech maybe the smaller distributors on the list 
> may want to be
> a little more wary in their extending of long-term credit.
> 
> Regards
> 

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(313) Clone against Groovetech.com

2003-03-26 Thread Jongsma, K.J.
Send into this cyberworld by Clone.nl:


> -Oorspronkelijk bericht-
> Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] 
>
> For everyone in and around the music business (Distributors, 
> Artists, Dj's
> , Press , Music lovers and Buyers)... please read this 
> message carefully!!
> (and sorry if you get this twice!)
> 
> An important message about Groovetech.com !
>  
> For everyone who supports independant labels and artists...
> (the source where all good music comes from in the first 
> placeno matter
> wich sound or music style it is)
>  
> We feel that we have to advice people not to deal with 
> Groovetech if you
> don't want to help and destroy the independant music industry.
>  
> In our opinion this is a company who steels money from small 
> independant
> labels  in order to build their own imperium (with our money!) 
> Our advice : Don't cooperate with them in any way... you 
> don't need them! 
> 
> Groove Tech owes us money for invoices wich should have been 
> payed months
> and months ago!!  We gave them more then reasonable opportunity to pay
> us... but they don't do anything in order to handle this in a 
> good way! 
> They are lying and just being arrogant and they ignore 
> reminders, phone
> calls, emails etc. This is about amounts of money they can 
> pay without big
> problems... but small independant companies are no high 
> priority for them
> and they know that there is not much these small companies 
> can do against
> this sort of thievery by a company the size of Groovetech.
> 
> e believe there are enough other online retailers or radio 
> stations where
> you can get what you need without harming others... 
> 
> note : We are not trying to damage anyone.. but we want 
> people to know how
> Groovetech (the so called #1 online retailer) works.
> 
> We can not accept the way they treat us. They are damaging us!!  
> Its just a matter of principles and good manners! 
> 
> Offcourse we are no judge and we don't want to judge them... 
> we just tell
> our experiences and give you an advice based on these experiences.
> 
> Thanks for your attention and sorry if this is spam to you. 
> next mail out will be about music again!
> 
> peace
> 
> Clone
> www.clone.nl
> 

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RE: (313) parties in London (or near) this weekend

2003-03-25 Thread Jongsma, K.J.


> -Oorspronkelijk bericht-
> Van: Toby Frith [mailto:[EMAIL PROTECTED]
> Verzonden: dinsdag 25 maart 2003 10:11
> Aan: Rc; 313
> Onderwerp: Re: (313) parties in London (or near) this weekend
> 
> 
> Clone are doing a party at 93 Feet East on friday I think.

Just the 80's retro from Legowelt and Banglok Impact:

Legowelt & Bangkok Impact 
28-03-03 London - UK - more info soon. Bangkok Impact UK album release! 

check clone.nl


[EMAIL PROTECTED]



> - Original Message - 
> From: "Rc" <[EMAIL PROTECTED]>
> To: "313" <313@hyperreal.org>
> Sent: 25 March 2003 08:29
> Subject: (313) parties in London (or near) this weekend
> 
> 
> > I was wondering if anyone could suggest any promising 
> looking parties or
> > club nights in or around London this weekend - for a friend 
> that's into
> > deeper house, disco, italo etc.
> > 
> > thanks for any help
> > rc
> > 
> > 
> 

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RE: (313) handbags

2003-03-24 Thread Jongsma, K.J.
Nice to see another private message pop-up on this list, how nice of you

look better next time will you!


> -Original Message-
> From: rob [mailto:[EMAIL PROTECTED]
> Sent: Monday, March 24, 2003 5:08 PM
> To: Jongsma, K.J.
> Cc: 313@hyperreal.org
> Subject: RE: (313) handbags
> 
> 
> I'm sorry you feel this way KJ. Music is a sound and can't 
> been seen, so
> hence has no colour you can like it or not.
> 
> As for "Race is always an issue..." I don't know what colour 
> you are? It
> makes no difference to me either it's what you've got to 
> say and do that
> interests me, not the colour of your skin.
> 
> If you have a problem with colour then I can understand why 
> "race is always
> an issue" to you in your world, however, please don't accuse 
> the rest of us
> of being the same as you!
> 
> It is however your right to voice your own opinion, I will 
> choose not to
> listen to it next time, as I feel you have been misguided in life.
> 
> I hope you have a nice day though :O)
> 
> Peace.
> 
> 
> 
> 
> 
> 
> 
> 
> 
> -Original Message-
> From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> Sent: 24 March 2003 15:36
> To: 'rob'
> Subject: RE: (313) handbags
> 
> 
> 
> > I hope colour does not come into it again, music has no colour!
> 
> bullshit, music HAS colour, like it or not.
> 
> 
> Race is always an issue
> 
> --
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> 
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RE: (313) Subject: RE: (313) Records Stores In London

2003-03-21 Thread Jongsma, K.J.
Kewl! have to remind that always good for a laugh!


> There's one bloke in Koobla, I think he's in charge sort of, 
> a lot thinner
> and 'squarer' then the rest. Whatever you do, don't ask him 
> about Basic
> Channel! I think his dog or something, might died whilst 
> listening to one of
> their records 'cause he just goes red and extremely agitated 
> if you ask him
> the most seemingly innocuous question about them!
> 
> >-Original Message-
> >From: Alex Bates [mailto:[EMAIL PROTECTED]
> >Sent: Friday, March 21, 2003 1:38 PM
> >To: David Hampson; 313@hyperreal.org
> >Subject: RE: (313) Subject: RE: (313) Records Stores In London
> >
> >
> >i thought MVE in soho were fine, but the guys in the notting hill
> >one - they
> >act like you want to start a fight with them. obviously 
> their filing and
> >talking to each other and listening to the football is more 
> important than
> >the customers :)
> >
> >that said the staff in koobla, angel basement and reckless 
> berwick st have
> >always been particularly friendly, and i dont ask any questions!
> >
> >ab
> >
> >-Original Message-
> >From: David Hampson [mailto:[EMAIL PROTECTED]
> >Sent: Saturday, March 22, 2003 12:09 AM
> >To: 313@hyperreal.org
> >Subject: (313) Subject: RE: (313) Records Stores In London
> >
> >
> >Some of the staff at the Music and Video Exchange shops in London
> >are by far
> >the most moody staff in the world - once one of them threw records
> >at me and
> >stormed off, and another time one got really pissed off as I 
> questioned
> >whether he had correctly added up a pile of records  (he was 
> right but only
> >because some of the prices were wrote on incoherently).  If 
> you do end up
> >there, the cyclist guy with the teeth is always friendly and
> >polite, and the
> >chef guy is never rude.
> >
> >The award for moodiest record store staff of all time goes to
> >Kenny at Spinn
> >Inn in Manchester back in the late 80s, early 90s - I 
> figured they closed
> >down because people couldn't take being in the presence of 
> the moody c***!
> >
> >David
> >
> >---
> >Incoming mail is certified Virus Free.
> >Checked by AVG anti-virus system (http://www.grisoft.com).
> >Version: 6.0.449 / Virus Database: 251 - Release Date: 1/27/2003
> >
> >---
> >Outgoing mail is certified Virus Free.
> >Checked by AVG anti-virus system (http://www.grisoft.com).
> >Version: 6.0.449 / Virus Database: 251 - Release Date: 1/27/2003
> >
> 

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RE: (313) Subject: RE: (313) Records Stores In London

2003-03-21 Thread Jongsma, K.J.
hoorah! for Jonny Mcintosh! :)))

kj



> -Original Message-
> From: David Hampson [mailto:[EMAIL PROTECTED]
> Sent: Friday, March 21, 2003 2:39 PM
> To: 313@hyperreal.org
> Subject: (313) Subject: RE: (313) Records Stores In London
> 
> 
> Some of the staff at the Music and Video Exchange shops in 
> London are by far the most moody staff in the world - once 
> one of them threw records at me and stormed off, and another 
> time one got really pissed off as I questioned whether he had 
> correctly added up a pile of records  (he was right but only 
> because some of the prices were wrote on incoherently).  If 
> you do end up there, the cyclist guy with the teeth is always 
> friendly and polite, and the chef guy is never rude.
> 
> The award for moodiest record store staff of all time goes to 
> Kenny at Spinn Inn in Manchester back in the late 80s, early 
> 90s - I figured they closed down because people couldn't take 
> being in the presence of the moody c***!
> 
> David
> 

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(313) SCAN 7's Stay Below The Radar Tour and special gallery

2003-02-26 Thread Jongsma, K.J.
Taken from technotourist.org:

---
SCAN 7's Stay Below The Radar Tour and special gallery 
Posted by: TTBelgium

As Detroit underground outfit are gearing up for a new tour
Technotourist.org has prepared a special gallery to support these true
warriors of the underground. This unique gallery includes exclusive images
from previous tours and some special pictures. Read on for more details
about SCAN 7's upcoming operations and don't forget to check out the
interview with Trackmasta Lou and One of Seven on this site. 

SCAN 7 has built up a more than solid live reputation. Their energetic live
shows have never failed to blow the roof of every venue they play. So they
get asked back and as a result they are now ready to embark upon the 'Stay
Below The Radar Tour'. Make sure to hook up The Unknown Force aka Trackmasta
Lou and One Of Seven at the following locations:

March 8: 013, Tilburg, Holland, together with Robert Hood.
March 14: Nemo's Underground Adventures, Brussels, Belgium: Brussels to
Detroit by boat!
March 15: Club Tresor's 12th Birthday Party!, Tresor, Berlin, Germany.
March 19: Radio Nova, Paris, France, SCAN 7 delivers a message to the
people.
March 21: Nouveau Casino, Paris, France, with Serge Nicolas (Paradise
Massage).
March 22: Rub-A-Dub/Club 69, Glasgow, Scotland. 

Click the links below for more info: 
---

Direct link to the SCAN 7 special gallery:
http://technotourist.org/modules.php?set_albumName=album14&op=modload&name=G
allery&file=index&include=view_album.php

Direct link to the SCAN 7 interview:
http://technotourist.org/modules.php?op=modload&name=Sections&file=index&req
=viewarticle&artid=24

Or just check technotourist.org :)


[EMAIL PROTECTED]


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RE: (313) re: [313] New Techno Night - London

2003-02-25 Thread Jongsma, K.J.
 
> Not sure what sparked this...but, I second that.  If I don't 
> agree with someone's view on somethingI simply don't 
> reply.  Why give them the fire they're looking for?

Hmm then you would ned up with a really boring list actually. Just don't
reply to obvious flame bait... 

[EMAIL PROTECTED]




> -Original Message-
> From: Rob Jarvis. Victoria Music Ltd. [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, February 25, 2003 10:40 AM
> To: Darren Longton (Marketing); 313@hyperreal.org;
> [EMAIL PROTECTED]; [EMAIL PROTECTED];
> [EMAIL PROTECTED]; [EMAIL PROTECTED]
> Cc: 313 Mailing List
> Subject: Re: (313) re: [313] New Techno Night - London
> 
> 
> I believe strongly in freedom of speech: you should be allowed to say
> whatever you want.
> 
> However, I have no obligation to help you say what you want using my
> resources.
> 
> But, just as I have an obligation not to try to stop you from 
> saying what
> you want, other people have an obligation not to try to strip 
> you of the
> right of doing as you will with your mind and body.
> 
> Further, none of these topics must be taboo.
> If it makes you uptight to talk about them, then it's probably a very
> healthy thing to explore them, gingerly if necessarily.
> 
> "Freedom of speech" is one of the core principles of the 
> United States'
> charter. 
> 
> Speech can be a threatening thing.
> Some belief systems have a hard time withstanding free communication.
> Some flourish. 
> The basic guarantee of freedom of speech in the US is 
> frequently ignored and
> often fought against by people who feel threatened by it.
> 
> 
> For those who take the freedoms of our society for granted, 
> wake up and
> smell the coffee.  
> Free speech is one of the key reasons we have a free society.
> 
> I'm not looking for a fight, it just makes me sick to constantly hear:
> 
> don't' say this...
> don't say that...
> don't have an opinion...
> blah blah blah...
> 
> if someone sends and e-mail on 313 and i don't agree or i 
> dislike his/her
> views, i for one will NEVER tell them not to say this or 
> that, it's there
> right to express themselves.
> I mean who do you really think you are...?
> 
> Censorship sucks.
> 
> Rob Jarvis
> 
> Victoria Music Ltd.
> Unit 215 old gramaphone works
> 326 Kensal Road
> London
> W10 5BZ
> + 44 (0)20 7565 8193 voice
> + 44 (0)20 8960 3834 fax
> 
> http://www.victoria-music.com
> [EMAIL PROTECTED]
> [EMAIL PROTECTED] (MSN messenger)
> 
> pro-jex + killa bite + inform + subvoice + room tone + 
> housedust + nepenta +
> u7 + kne' deep + rodeo meat + response audio + sounds unique 
> + hypercubic +
> radio sonic + neon + feedback
> 
> > From: "Darren Longton (Marketing)" <[EMAIL PROTECTED]>
> > Date: Tue, 25 Feb 2003 08:59:55 -0500
> > To: <313@hyperreal.org>
> > Subject: RE: (313) re: [313] New Techno Night - London
> > 
> > 313 police...that IS funnyalthough the REAL Detroit 
> police would probably
> > beat you up, take your $$ and give you a ticket for 
> standing there bleeding.
> > hahaha
> > 
> > well at least, beat you up, take your drugs and give 
> you a ticket for
> > dancingbeen there.  (can someone say...Whirly Gig)
> > 
> > -Original Message-
> > From: Rob Jarvis. Victoria Music Ltd. 
> [mailto:[EMAIL PROTECTED]
> > Sent: Tuesday, February 25, 2003 5:15 AM
> > To: MM; ian cheshire
> > Cc: seth redmond; [EMAIL PROTECTED]; 313@hyperreal.org
> > Subject: Re: (313) re: [313] New Techno Night - London
> > 
> > 
> > Phew!   
> > 
> > 313 Police...i like that one, thnx Ian.
> > 
> > 
> > 
> > Rob Jarvis (speaking his mind)
> > 
> > Victoria Music Ltd.
> > Unit 215 old gramaphone works
> > 326 Kensal Road
> > London
> > W10 5BZ
> > + 44 (0)20 7565 8193 voice
> > + 44 (0)20 8960 3834 fax
> > 
> > http://www.victoria-music.com
> > [EMAIL PROTECTED]
> > [EMAIL PROTECTED] (MSN messenger)
> > 
> > pro-jex + killa bite + inform + subvoice + room tone + 
> housedust + nepenta +
> > u7 + kne' deep + rodeo meat + response audio + sounds 
> unique + hypercubic +
> > radio sonic + neon + feedback
> > 
> >> From: MM <[EMAIL PROTECTED]>
> >> Date: Fri, 21 Feb 2003 11:32:40 -0700
> >> To: ian cheshire <[EMAIL PROTECTED]>
> >> Cc: "Rob Jarvis. Victoria Music Ltd." 
> <[EMAIL PROTECTED]>, seth redmond
> >> <[EMAIL PROTECTED]>, [EMAIL PROTECTED], 
> 313@hyperreal.org
> >> Subject: Re: (313) re: [313] New Techno Night - London
> >> 
> >> its kinda funny someone speaks there mind and everyone 
> gets there panties in
> >> a
> >> bunchi think the key word here is RESPECT.rob is 
> intitled to his
> >> opinions and so is everyone elsenot everyone see's 
> everything the same
> >> wayso who cares if comments are madeif you don't 
> like it don't
> >> reply..i am tired of the 313 police ..sorry but 
> this just makes me
> >> laugh
> >> 
> >> ian cheshire wrote:   aren't you the guy that stole 
> Killabite of Ben Sims and
> >> yet now
> >> your hinting that if you like that sort of techno
> >> 
> >>

RE: (313) [313] the Interface Records story.

2003-02-25 Thread Jongsma, K.J.
It was a short lived sublabel from Metroplex, i just have seen a few
releases around. I have not seen any old recrds recently so i asume they are
pretty rare nowadays.

[EMAIL PROTECTED]



>  hi folks.  speaking of Interface Records...  what is the 
> story behind this short-lived label?  who ran it?  was it a 
> subsidiary of a larger label?  why such a brief existence?  
> any info would be appreciated.
> 
>  cheers
>  lrh
> 

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RE: (313) Theo Parrish

2003-02-24 Thread Jongsma, K.J.
and for the dutchies among us, Theo will be playing in Amsterdam @ Paradiso
on friday the 7th of March

[EMAIL PROTECTED]



> 8th March, Plastic People, London
> http://www.plasticpeople.co.uk
> 
> ... and I have my ticket already. Yay! : )
> 
> Anya
> 
> > From: Ryan  Snowden <[EMAIL PROTECTED]>
> > Date: Mon 24/Feb/2003 12:25 GMT
> > To: "'Mann, Ravinder   [CCS]'" <[EMAIL PROTECTED]>,  
> 'Toby Frith'
> >  <[EMAIL PROTECTED]>,  313 <313@hyperreal.org>
> > Subject: RE: (313) Theo Parrish
> > 
> > Will have to check that out.  Didn't manage to go - is 
> electric chair
> > tickets hard to come by? Theo delivers on and off the 
> court, even for a
> > techno man like myself.  Is he playing other gigs in the uk?

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RE: (313) lost talent

2003-02-10 Thread Jongsma, K.J.
Anyone here who still has a working link to the website of Irdial? I had one
but it looks like it is no longer there...

kj

> > last i spoke lee grainge two years ago
> > he seemed to be pretty busy running the fat cat label (or 
> do i confuse
> > things?)
> 
> Lee worked in Smallfish for a while, but is currently doing a sound
> engineering/multimedia college course I think, as Rob mentioned...
> 
> I don't think he's involved with the Fat Cat label - are you 
> thinking of
> Alex Knight maybe?
> 
> > i read somewhere derrick may, has some kenny larkin 
> material coming. but
> > there has been more promised in the past - there still 
> should be the seven
> > nights album?
> 
> There is a new Kenny Larkin double album ready to go (which 
> is excellent -
> I've been lucky enough to hear it!). He's currently looking 
> for the right
> label to release it I believe...
> 

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RE: (313)recordshops (was reckless)

2003-02-10 Thread Jongsma, K.J.

> best store in the world maybee?
> 
> I didn´t found a better one yet..

Clone in Rotterdam and what is the name of that store in NYC, A1 i think?
that was impressive to!

Of course legendary shops include I-F's Hotmix store in The Hague, Fat Cat

 
> I want to london for record shopping and found 35 records of 
> my wantlist in
> reckless.. and most of the items were very rare...
> 
> Oh man... Reckless is great..
 
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RE: (313) [313] reckless

2003-02-10 Thread Jongsma, K.J.
well that's business friend :)

> -Oorspronkelijk bericht-
> Van: Robert Taylor [mailto:[EMAIL PROTECTED]
> Verzonden: maandag 10 februari 2003 12:23
> Aan: 'Alex Bates'; Odeluga, Ken; Rc; Lee Herrington IV; 313
> Onderwerp: RE: (313) [313] reckless
> 
> 
> Not so great if you're selling - I sold loads of records there in my
> cash-strapped student days (the stupidest thing I've ever 
> done) and a couple
> of times saw records that I had sold for a couple of quid up 
> on the wall for
> £40!
> -Original Message-
> From: Alex Bates [mailto:[EMAIL PROTECTED]
> Sent: Monday, February 10, 2003 11:14 AM
> To: Odeluga, Ken; Rc; Lee Herrington IV; 313
> Subject: Re: (313) [313] reckless
> 
> 
> IMO the best record store in all of london (and the angel soul/dance
> basement)
> 
> ab
> 
> 
> - Original Message -
> From: "Odeluga, Ken" <[EMAIL PROTECTED]>
> To: "Rc" <[EMAIL PROTECTED]>; "Lee Herrington IV"
> <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>
> Sent: Monday, February 10, 2003 9:43 PM
> Subject: RE: (313) [313] a g. underground<>d. may association.
> 
> 
> > Once in Reckless Records in Berwick St, London, I saw a 2nd 
> hand copy of a
> > GU record with his name on the label followed by, in brackets 'Alan
> Oldham'.
> > Is this correct?
> >
> > (Sorry - doesn't ansa yr q Marsel, it just reminded me I 
> wanted to ask
> > this.)
> > k
> >
> > >-Original Message-
> > >From: Rc [mailto:[EMAIL PROTECTED]
> > >Sent: Sunday, February 09, 2003 11:49 AM
> > >To: Lee Herrington IV; 313
> > >Subject: Re: (313) [313] a g. underground<>d. may association.
> > >
> > >
> > >If I remember correctly - the strings in the track are 
> very May-esque
> > >
> > >on 9/2/03 11:01 AM, Lee Herrington IV at 
> [EMAIL PROTECTED] wrote:
> > >
> > >>
> > >> hi folks.  i just acquired a pristine 2X12" copy of 
> PF043 "atmosfear",
> > >> glenn underground.  i noticed that there is a track titled "may
> > >datroit"...
> > >> is this a tip-o-the hat to mr. may or have glenn and 
> derrick actually
> > >> collaborated at some time?
> > >>
> > >> peace,
> > >> lrh
> > >>
> > >
> >
> 
> 
> Any views or opinions are solely those of the author and do 
> not necessarily
> represent those of Channel Four Television Corporation unless 
> specifically
> stated.  This email and any files transmitted are 
> confidential and intended
> solely for the use of the individual or entity to which they 
> are addressed.
> If you have received this email in error, please notify
> [EMAIL PROTECTED]
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RE: (313) production and mastering

2003-02-06 Thread Jongsma, K.J.
Protools 6 runs fine on OSX and so does Logic 5.x, Cubase SX, Reason 2.0
etc. we just have to wait for people like Native Instruments to convert the
VST apps to Audio Units and then i am really happy :)

[EMAIL PROTECTED]


> Yee haa! I'd love run a Unix based music system - there's a 
> great article in
> Sound on Sound this month (you've probably seen it), about 
> Linux for music.
> Somehow I think there's something inherently techno-y about 
> using Unix to do
> music!! Call it the geek quotient...;-)
> 
> 
> - Original Message -
> From: "House of Suki" <[EMAIL PROTECTED]>
> To: "Sakari Karipuro" <[EMAIL PROTECTED]>; "313"
> <313@hyperreal.org>
> Sent: Thursday, February 06, 2003 2:48 PM
> Subject: RE: (313) production and mastering
> 
> 
> > The protools that comes with the digi001 (not the free one) 
> supports XP
> (and
> > better yet, digi released WDM drivers so you can use any 
> windows prog with
> > the hardware) and PT 6 will also run on XP.  I am not a big fan of
> protools
> > since the midi support  still seems a little awkward 
> (compared to logic or
> > cubase anyway) but I cannot really talk smack about their 
> hardware which
> is
> > the best by a long shot. However, I think in a couple years 
> the idea of
> > using protools as a "Techno" production platform will not 
> even come into
> > play since PCs are outpacing Macs both in price and 
> performance and the
> > improvements in affordable sound interfaces will soon make the $50k,
> > $300/hour studio obsolete for dance music producers.  Once 
> Windows is
> taken
> > out of the picture and companies get a little initiative 
> (how about a
> custom
> > Linux distro for Cubase ala final scratch?) we will see the 
> true advent of
> > the home studio.
> >
> > -raph
> >
> >
> > -Original Message-
> > From: Sakari Karipuro [mailto:[EMAIL PROTECTED]
> > Sent: Thursday, February 06, 2003 8:30 AM
> > To: 313
> > Subject: Re: (313) production and mastering
> >
> >
> > spw wrote on Thu, 6 Feb 2003 about following:
> >
> > > No offence, but it sounds like you have never used Pro Tools.
> > > There is the free version at digidesign's web site if you 
> want to become
> > > more familiarized with the software. http://www.digidesign.com/
> >
> > seems that it still is win98/me only on windows platform, 
> and i'm sure
> > pretty much nobody uses win98/me anymore.
> >
> > yes, i've tried it in win2k + xp, and it doesn't work. i don't
> > actually need it for anything, but i would have wanted to try.
> >
> > sakke
> > --
> >  - * remixes out now * -
> > http://www.arabuusimiehet.com/sakke/music.html
> >
> >
> >
> 

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RE: (313) steve rachmad

2003-02-06 Thread Jongsma, K.J.
Yeah there where 5 or 6 Tons of Tones records on USofA and i compilation CD
i think. But i still prefer his work for ESP and 100% Pure


[EMAIL PROTECTED]

 
> Weren't there a few on Urban Sound Of Amsterdam?
> I have a beautiful track called Smooth Touches on a Rumour comp called
> TechnoFunk that was on that label.
> 
> -Original Message-
> From: Neil Wallace [mailto:[EMAIL PROTECTED]
> Sent: Thursday, February 06, 2003 12:25 PM
> To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: RE: (313) steve rachmad
> 
> 
> 
> Yeah - I have tons of tones 2 but its not as good as the 
> first imo - dunno
> if there were more than this.
> 
> :-Original Message-
> :From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> :Sent: Thursday, February 06, 2003 11:59 AM
> :To: [EMAIL PROTECTED]
> :Cc: 313@hyperreal.org
> :Subject: Re: (313) steve rachmad
> :
> :Hi,
> :Further to my Tons of Tones inquiry...Am I right to
> :believe there were a number of Tons of Tones releases?
> :The track I'm looking for in particular
> :is "Shehezerade -Reprise" Does anyone know which
> :release this features on?
> :
> :
> :Quoting [EMAIL PROTECTED]:
> :
> :>
> :> Yep, the peacefrog release had sonar 123 on it,
> :> and the white label
> :> 'Metroplex Sampler' has the awesome ruffed up
> :> dirty mix of 'Sunlight'? from
> :> the ULR ep instead of sonar 123.
> :>
> :
> :_
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RE: (313) Fw: Jeff Mills Crate Diggin'

2003-02-06 Thread Jongsma, K.J.
Oh right, yeah that is the same guy, brilliant compilation... with one of
Stefan Robbers best tracks on it besides 'At les' and Icon

> Was he the guy who did the Neuropolitique track on Virtual Sex?
> 
> -Original Message-----
> From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> Sent: Thursday, February 06, 2003 11:42 AM
> To: 313@hyperreal.org
> Subject: RE: (313) Fw: Jeff Mills Crate Diggin'
> 
> 
> 
> > I've got this, it was a Metroplex sampler and was then 
> > licensed to Peacefrog i think, but was never fully released 
> > on either, though correct me if thats wrong. I think only one 
> > of the cuts was by Atkins, it also had Mind you Don't trip by 
> > Neuropolotique (amazing track!), Sonar 123 by Shake and 
> > Starlight by Infiniti (Atkins). The Surkit track was by 
> Reel By Reel.
> 
> That whole compilation was pretty brilliant actually! What 
> happened to Matt
> Cogger i got some  records of him on Irdial (i love that 
> 'Menage a Trois'
> record) and the Mind You don't trip. Has he done anything else worth
> listening to? 
> 
> --
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RE: (313) Fw: Jeff Mills Crate Diggin'

2003-02-06 Thread Jongsma, K.J.

> I've got this, it was a Metroplex sampler and was then 
> licensed to Peacefrog i think, but was never fully released 
> on either, though correct me if thats wrong. I think only one 
> of the cuts was by Atkins, it also had Mind you Don't trip by 
> Neuropolotique (amazing track!), Sonar 123 by Shake and 
> Starlight by Infiniti (Atkins). The Surkit track was by Reel By Reel.

That whole compilation was pretty brilliant actually! What happened to Matt
Cogger i got some  records of him on Irdial (i love that 'Menage a Trois'
record) and the Mind You don't trip. Has he done anything else worth
listening to? 

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RE: (313) Fw: Jeff Mills Crate Diggin'

2003-02-06 Thread Jongsma, K.J.
 
> Another rare Atkins one I'm after is the Interface Records 
> Sampler Vol. 1.
> It has a track called 'Sirkut' which appeared on a few compilations
> (discogs.com has the scoop), but it's a mutha to find.

Are you sure that is a Juan Atkins track? I have a record from Reel by Real
on Interface but that is Martin Bonds and Juan Atkins

[EMAIL PROTECTED]

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RE: (313) ULR/Juan Atkins

2003-02-06 Thread Jongsma, K.J.
Well i don't know how many records there are on URL (i thought my copy said
ULRT btw.) but i have one called 'Future Sound EP' and it is really
beautiful.

Who or what is ULR and is the same label as ULRT?


[EMAIL PROTECTED]



> Well, the one on GEMM is called Future Sound EP - I hope it's 
> the right one,
> I've just f*ing bought it!
> If you could check though, that would be really helpful - 
> thanks a lot,
> 
> Andrew
> 
> 
> - Original Message -
> From: "Wibo Lammerts" <[EMAIL PROTECTED]>
> To: "'Andrew'" <[EMAIL PROTECTED]>
> Sent: Thursday, February 06, 2003 10:44 AM
> Subject: RE: (313) Fw: Jeff Mills Crate Diggin'
> 
> 
> I know the atkins record you are talking about. On ULR right? 
> Something with
> "Vision" in the name i think. I'll have to look it up back at 
> home tongiht
> 
> -Original Message-
> From: Andrew [mailto:[EMAIL PROTECTED]
> Sent: donderdag 6 februari 2003 11:29
> To: Tom Robbins/Magic Feet; 313 mailing list
> Subject: Re: (313) Fw: Jeff Mills Crate Diggin'
> 
> 
> Oh, and the Sujects on is -
> 
> The Subjects VS Jeff Mills - Dark Matter - Underground Level 
> Recordings (or
> just ULR)
> 
> I desperately want this record, and a Juan Atkins on the same 
> label. Hard to
> find.
> 
> 
> - Original Message -
> From: "Tom Robbins/Magic Feet" <[EMAIL PROTECTED]>
> To: "313 mailing list" <313@hyperreal.org>
> Sent: Thursday, February 06, 2003 10:21 AM
> Subject: Re: (313) Fw: Jeff Mills Crate Diggin'
> 
> 
> > Thanks to all those who contributed suggestions, very much 
> appreciated!
> > Here's the final list I collated:
> >
> > Rarities
> >
> > - Final Cut: Deep Into The Cut LP
> > - Code Assault: Action! [Wizard mix] (Technika)
> > - Jeff Mills: Mosainga (React) £250!
> > - Axis 009A and 009B (with the original gold labels)
> > - Every Dog Has Its Day Parts 1 & 2 (Axis) [esp. Pt 1 vinyl]
> > - Jeff Mills: (forget the title) EP (International DeeJay 
> Gigolos) -with
> the
> > original Arnold Schwarzenegger sleeve artwork, not later 
> reprints with Sid
> > Vicious
> > - An unreleased EP on Essence Records - 100 copies, goes for £250+
> > - Rob Hood: Minimal nation dblepack (Axis) - some 
> mispressed copies have
> > unreleased Mills tracks - sells for £200+
> > - Servo Unique: Servo Unique (Luxury Records) - a house 
> label he set up
> that
> > only lasted one release - £30 - £50
> > - Lionrock: Packet Of Peace [Mills remix] (Deconstruction)
> > - Jeff Mills & Rob Hood (Axis X) includes 'Sleep Cycles', 
> later featured
> on
> > the M-Plant reissue of 'Minimal Nation'
> > - 'Psychosis (Axis, AX-20)
> > - 'Time Machine' (Axis 800)
> > - Laurent Garnier: Crispy Bacon [Mills remix] (F Communications)
> > - H&M: Tranquiliser EP (Axis)
> > - H&M: Drama EP (Axis) [H&M = Hood & Mills]
> > - Final Cut w/ True Faith: Take Me Away (US Paragon, UK Network)
> > - The Subject: Dark Matter [Mills remix] (can't remember label -
> Underground
> > something, not Resistance) [picture disc]
> >
> >
> > Biggest tracks/records
> >
> > Alarms (from Steam Pit EP) (Axis)
> > IF EP (Axis)
> > Step To Enchantment (Stringent) (Axis)
> > Man From Tomorrow, The Extremist, The Hacker, Manlike, DNA, 
> Reverting, The
> > Bells, At First Sight (on various Axis EPs mostly)
> > Millsart: Gammaplayer [on Humana EP] (Axis)
> > DJ Hell: Allerseelen [Jeff Mills Mix] (Disko B)
> > Waveform Transmission vol 1. (Tresor) [esp. the mad piano 
> track - can't
> > remember title]
> > X-102: Discovers The Rings Of Saturn (Axis? or Tresor?)
> >
> >
> >
> 
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RE: Re[2]: (313) production and mastering

2003-02-06 Thread Jongsma, K.J.
2 weeks ago Buzz Goreewas spinning over here, some guy booked him with 2
other DJ's who where playing banging looptechno, Buzz was playing the middle
of them. All the looptechno records where extremely compressed, it was just
one solid wall of sound pushing out of the speakers while the records Buzz
was playing used a way more subtile compression giving these records lots
more dynamics. 

I prefer to use compression in a more subtile way to, just to keep the
dynamics and to keep the track alive

Personally i think that the biggest advantage of digital systems like
protools are for producers. No way you can hear in a club if it is mixed on
an analog desk or a digital one. For producers it works faster and easier,
sure it gives a cleaner sound but to be honest, that is almost not hearable
on a soundsystem.

[EMAIL PROTECTED]



> > The only production technique that consistently annoys me is the
> > over-use of compression.  Many producers will say they do it to get
> >
> > An over-compressed track is like a black and white photograph that's
> > 90% flat white and 10% flat black black, with no grey in between.
> 
> many people try to hide the fact that they cannot mix without 
> compressors; mixing the sounds of tune is more important than 
> compressing the sh*t out of it. mixing is art, it takes time 
> to master 
> it.
> 
> i tend to use compressors a bit; i try not to overuse them; 
> and yes, i 
> know, my mixing skills suck. (no, i'm not referring to 
> playing records)

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RE: (313) Joe Louis - Netherlands EP (Basement 282)

2003-02-05 Thread Jongsma, K.J.
He released a couple of records on Relief in the 90's most of them where in
Relief janking style techno but there is an EP called 'Back To The
Beginning' which is a beautifull EP, a bit like the one you described below
(i think, have not heard the Netherlands EP). Sounds like a mix between
Rhythm is Rhythm and Mr. Fingers

[EMAIL PROTECTED]




> I've had this record for years now, and it occurred to me to 
> ask if anyone
> here had it, or had heard it? It's an amazing Detroit-style 
> techno record,
> but it's on this London label, and it seems to be from Joe Louis from
> Chicago (it says on the label ''Licensed from Target 
> Records''). I just
> thought he was more well-known for his Relief releases, or 
> music in that
> style - does anyone know if he's done stuff that's as good as 
> this EP? Or in
> the same kind of style?
> 
> Thanks,
> Andrew
> 

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RE: (313) Over-production (WAS - Re: (313) Suburban Knight)

2003-02-04 Thread Jongsma, K.J.

> well techno isn't known for having a sense of humour sadly.

crap... If you want humor go to a comedy club :)

Just tell me one type of music that has humor, keeping in mind that most
techno records don't have lyrics...

 
> I think this is very true!
> 
> I think this is the reason a lot of techno purists can't 
> accept records
> such as 'Zombie Nation'

That has nothing to do with humor, that is just a question of taste


> Personally, I thought it was alright (Not a classic mind, but 
> acceptable.)

I rather hear that then some new euro-trance record for sure :)

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RE: (313) Over-production (WAS - Re: (313) Suburban Knight)

2003-02-04 Thread Jongsma, K.J.

> I always thought it would be cool to throw in something like 2
> Unlimited or James Brown Is Dead with that Knights Of The
> Jaguar Sony rip off like in middle of a deep techno set just to watch
> peoples reaction.
> music is only sound waves

Music is only soundwaves? Well that can not be true, if that is true then me
farting would be music??? Hmm i feel a new hit record coming up :)


[EMAIL PROTECTED]

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RE: (313) Over-production (WAS - Re: (313) Suburban Knight)

2003-02-04 Thread Jongsma, K.J.
Your taking a piss out of us, right?

I really did mu best not to respond to this but i am really wondering of you
have ever been into a club on planet earth at all? 

also i am really depressed now because 2 of the 3 records mentioned are
dutch :)


kj

> -Oorspronkelijk bericht-
> Van: spw [mailto:[EMAIL PROTECTED]
> Verzonden: dinsdag 4 februari 2003 14:49
> Aan: 313@hyperreal.org
> Onderwerp: Re: (313) Over-production (WAS - Re: (313) Suburban Knight)
> 
> 
> I always thought it would be cool to throw in something like 2
> Unlimited or James Brown Is Dead with that Knights Of The
> Jaguar Sony rip off like in middle of a deep techno set just to watch
> peoples reaction.
> music is only sound waves i think it's funny how people get 
> angry when they
> hear something that is considered out of style.
> If you can mix 2 Unlimited or that Cher dance tune with UR and
> it's sounds kind of interesting why not do it?
> 
> on 2/4/03 7:56 AM, Jongsma, K.J. at [EMAIL PROTECTED] wrote:
> 
> > Agreed, not even Rolando could get away with playing Final 
> Frontier, then
> > mixing in Hi-Tech Jazz end following that with the 
> brilliant No Limits from
> > 2 Unlimited
> 

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RE: (313) Over-production (WAS - Re: (313) Suburban Knight)

2003-02-04 Thread Jongsma, K.J.
This really funny, i have never heard of a DJ who wants to mix sh*t records
just because of the challenge! If you mean to play something else then just
one style okay, i like that a lot but not a dj who plays a sh*t track

[EMAIL PROTECTED]



> What's the challenge in mixing only "good" records?
> Mix anything that works, if you can be clever and mix a cheesy
> trance track with a techno track why not do it just to throw people
> off?
> 
> 
> on 2/4/03 7:45 AM, Robert Taylor at [EMAIL PROTECTED] wrote:
> 
> > Why would somebody want do that in the first place? ie mix 
> a crap record
> > with a good record.
> > I prefer to hear a good DJ mix a good record with another 
> good record and
> > make them sound even better.
> > Surely that's the whole point of mixing?
> > 
> > -Original Message-
> > From: Jongsma, K.J. [mailto:[EMAIL PROTECTED]
> > Sent: Tuesday, February 04, 2003 1:44 PM
> > To: 'spw'; 313@hyperreal.org
> > Subject: RE: (313) Over-production (WAS - Re: (313) Suburban Knight)
> > 
> > 
> > a good dj can 
> >> mix a Paul
> >> Okenfold record or some pop dance record with an underground
> >> techno record
> >> and make it sound cool.
> > 
> > No he can't :)
> 

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RE: (313) Over-production (WAS - Re: (313) Suburban Knight)

2003-02-04 Thread Jongsma, K.J.

> Why would somebody want do that in the first place? ie mix a 
> crap record
> with a good record.
> I prefer to hear a good DJ mix a good record with another 
> good record and
> make them sound even better.
> Surely that's the whole point of mixing?

Agreed, not even Rolando could get away with playing Final Frontier, then
mixing in Hi-Tech Jazz end following that with the brilliant No Limits from
2 Unlimited

[EMAIL PROTECTED]



>  a good dj can 
> > mix a Paul
> > Okenfold record or some pop dance record with an underground 
> > techno record
> > and make it sound cool.
> 
> No he can't :)
> 
> 
> [EMAIL PROTECTED]
> 
> --
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> 
> Any views or opinions are solely those of the author and do 
> not necessarily
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RE: (313) Over-production (WAS - Re: (313) Suburban Knight)

2003-02-04 Thread Jongsma, K.J.
 a good dj can 
> mix a Paul
> Okenfold record or some pop dance record with an underground 
> techno record
> and make it sound cool.

No he can't :)


[EMAIL PROTECTED]

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RE: (313) Fw: Jeff Mills Crate Diggin'

2003-02-03 Thread Jongsma, K.J.

> Are they very collectable though? You see pretty much all of the Axis
> back catalogue around in quite a few shops.

Axis 800, Time Machine on vinyl is pretty collectable! 

Oh yeah 'If' is essential to, love that cat vocal on that track!!!

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RE: (313) Fw: Jeff Mills Crate Diggin'

2003-02-03 Thread Jongsma, K.J.
Personal favorite Mills track, miles ahead off the rest:

- Gammaplayer on the Humana EP!!! (as millsart)


Good runner up's:
- Waveform Transmission vol 1.
- DJ Hell Allerseelen (Jeff Mills Mix)
- Every Dog has his day vol. 1
- At first sight
- X-102

Just wondering but wasn't Mills also behind World Power Alliance reocrds on
UR? Belgian Resistance and Seawolf are serious to!

> Would any 313ers care to suggest any Mills trax for this 
> list? (see below)
> Please send to me & I'll forward them on to the guy.
> 
> TOM
> 
> > Hi Tom, hope you are well.
> >
> > I was just hoping that I could pick your brains regarding 
> Jeff Mills, as
> he is the subject for Crate Diggin' in the March magazine. I need to
> spotlight his ten biggest/most collectable tracks and 
> remixes, so am asking
> people to let me know which tracks they think should 
> definitely be included.
> I also need to recommend books etc where fans & collectors 
> can find out
> more, so if you can think of any good suggestions, they would be much
> appreciated too.
> >
> > Cheers for your assistance,
> >
> > Many thanks and kind regards,
> >
> >
> > Darren.
> >
> >
> >
> 

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RE: (313) Suburban Knight

2003-01-31 Thread Jongsma, K.J.

> What's the use of making an album that contains 10 year old 
> music? Why not
> produce a few tracks more and make an album that is entirely 
> based on new
> material?

Maybe because these tracks are timless and deserve to be put on a full
length album? Personally i  always thought that Midnite Sunshine never got
the exposure i deserved, that track is definitely one of his best pieces of
music. It sounds like it is mastered from an old cassette tape btw. :)

kj


> -Original Message-
> From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED]
> Sent: donderdag 30 januari 2003 17:50
> To: 313 mailing list
> Subject: (313) Suburban Knight
> 
> 
> Just found out that his debut album (!) will be released 
> April 14th. It
> includes 'The Art Of Stalking', 'Nocturbulous Behaviour' & 'Midnite
> Sunshine' (from the Dark Energy doublepack), plus new material.
> 
> That's all I know.
> 
> TOM
> 

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RE: (313) DJ Skull - Stomping Grounds

2003-01-31 Thread Jongsma, K.J.
Is that the one with Graveyard Orchestra on it? love that track!

> -Oorspronkelijk bericht-
> Van: Andrew [mailto:[EMAIL PROTECTED]
> Verzonden: vrijdag 31 januari 2003 4:35
> Aan: 313@hyperreal.org
> Onderwerp: Re: (313) DJ Skull - Stomping Grounds
> 
> 
> Sorry, extreme lameness took over - DJAX-UP-186
> - Original Message -
> From: "Andrew" <[EMAIL PROTECTED]>
> To: <313@hyperreal.org>
> Sent: Friday, January 31, 2003 3:31 AM
> Subject: (313) DJ Skull - Stomping Grounds
> 
> 
> > Can anyone tell me which vinyl release this track appeared 
> on? As far as I
> > can see, it's only on the Dj Hell X-Mix 5 ('Wildstyle') - 
> any help is much
> > appreciated.
> >
> >
> http://www.groovetech.com/PhoenixData/SilverStream/Pages/srvlt
RecMed?Recorde
> dMediaID=19551
>
>
>

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RE: (313) more demf stuff...

2003-01-28 Thread Jongsma, K.J.


> All this stuff from Carol Marvin really boils down to a demand to pay 
> her off so she'll go away.  The Hearns thing is particularly 
> cynical.  
> It's all about lawyers from now on, so if I were Derrick May and Carl 
> Craig I'd say, "see you in court -- if you dare."
> 
> And if the new festival can't use the DEMF name, I'm sure another
> can be found, and maybe not such a bad idea anyway since it would
> allow rebuilding the "brand" in a direction more true to the real
> meaning and history of electronic music in Detroit.

Metrotimes also has an article about this:
http://www.metrotimes.com/editorial/story.asp?id=4518 

A spokesman of Kilpatrick says:

"If necessary, Dickens says, the name will change to the Detroit
International Electronic Music Festival, or some such variation."

and the DEMF is just a name indeed. I wondered how we would think of this if
PCM got the festival and Derrick May said he was doing a 3 day party to
because he thinks he must do the festival.. just a thought


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RE: (313) Amsterdam/313 related info needed

2003-01-27 Thread Jongsma, K.J.

> Could that be Club Paradiso? I have a Bad Brains live album recorded 
> there. Pretty amazing gig by the sound of it, though it has been a 
> few years since I listened to it (ahem).

Paradiso is great, if you don't mind some quality house, deep house, broken
beats etc. You have to check if there is a Club Paradiso going on that night
(most of them are on Friday). The Rushhour people are some of the guys who
throw some great parties there. 2002 brought some great DJ's to paradiso,
Kerri Chandler, Theo Parrish, Moodymann, Brett Dancer, Larry Heard, Lil
Louis, Recloose etc... 

[EMAIL PROTECTED]

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RE: (313) NWAQ album on Peacefrog

2003-01-24 Thread Jongsma, K.J.
The Planet E. NWAQ will be a re-relase from the delsin record and the
peacefrog one will be a new record? 

[EMAIL PROTECTED]



> next week is the second Newworldaquarium 12" coming on 
> Peacefrog, called 
> Heavy Metal - together with the Newworldaquarium 12" release 
> on Planet E a 
> week later

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RE: (313) Track ID (Should be easy for you guys & gals!)

2003-01-23 Thread Jongsma, K.J.
Yeah that is really easy,

Lil Louis - Black Out! 


[EMAIL PROTECTED]


> Can anyone ID the following vocal? I'm pretty sure it's easy, 
> and I probably
> should know, but anyway, it goes a little something like this:
> 
> The lights in the universe are all on. And at the flick of 
> God's switch, all
> the lights in the world are out. Yeah, you can run, but you 
> can't hide.
> Cause if we don't change quick, it's coming, a world eclipse 
> - BLACKOUT.
> 
> thanks
> 
> nath
> 

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RE: (313) booty track id please

2003-01-23 Thread Jongsma, K.J.

> I like the DJ Funk version whichgoes summit like 'feel my m/f 
> d1ck in your
> mouth'  :)

Great fun talking about booty and the reading this in the disclaimer: 


> This 
> communication is for information purposes only and should not 
> be regarded as an offer to sell or as a solicitation of an 
> offer


:))

[EMAIL PROTECTED]

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RE: (313) booty track id please

2003-01-23 Thread Jongsma, K.J.
If it is a banging track with loud snares and a vocal "do you want some
bass? Do you want some bass in your mtf face" then it is probably DJ Rush
with 'Bass in your face', dunno the name of the label.

[EMAIL PROTECTED]



> -Oorspronkelijk bericht-
> Van: Slow_me [mailto:[EMAIL PROTECTED]
>
> theres this booty house anthem that goes like this:
> "bass in your face",anyone knows what is it?
> thanx in advance,
> shlomi

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RE: (313) plink plonk - Ksomic Messenger

2003-01-21 Thread Jongsma, K.J.


> I never cared much for the Shamen either.

I always liked Boss Drum from The Shamen a lot. I think i prefer The Shamen
above most of the stuff Mr. C. produced alone. Oh and Richie Hatwin's the
South of Detroit Instrumental mix of Ebeneezer Goode... yummie! banging
acid, not really a remix at all, more like a new track but it is great
anyway!


[EMAIL PROTECTED]

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(313) Scan 7 interview online @ technotourist.org

2003-01-16 Thread Jongsma, K.J.
I wanted to let you know that we an interview with Scan 7 online at our
website. You can read it directly here:

http://technotourist.org/modules.php?op=modload&name=Sections&file=index&req
=viewarticle&artid=24

Or go to out website at http://technotourist.org and click on 'interviews'
on the left site and in the next screen select 'Scan 7'.

Enjoy!


[EMAIL PROTECTED]


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RE: FW: (313) Robert Hood imitations?

2003-01-16 Thread Jongsma, K.J.
Yes they are the same people. They do a great liveset btw. If you have a
change to check them out, please do so. I saw them play live a few times
here in holland, the things they do live as the memory foundation is really,
really good!

[EMAIL PROTECTED]



> i think it´s hi-lo from vienna, central fame...
> 
> (samu)
> 
> 
> > I shd add tht it's on M-Plant.
> > 
> > -Original Message-
> > From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
> > Sent: Thursday, January 16, 2003 7:36 AM
> > To: Mark S. Krüx; henrique casanova; 313
> > Subject: RE: (313) Robert Hood imitations?
> > 
> > 
> > The Memory Foundation - MP303, I think 1995. I really know 
> very little abt
> > it. Could even be Hood, but I do know it has a strong Austria link.
> > 
> > >-Original Message-
> > >From: Mark S. Krüx [mailto:[EMAIL PROTECTED]
> > >Sent: Thursday, January 16, 2003 3:52 AM
> > >To: henrique casanova; 313
> > >Subject: Re: (313) Robert Hood imitations?
> > >
> > >
> > >Henrique is right...
> > >
> > >There is also his Téchnè LP on Cocoon.
> > >
> > >Dunno how I missed that one.
> > >
> > >Laters,
> > >
> > >m*
> > >- Original Message -
> > >From: "henrique casanova" <[EMAIL PROTECTED]>
> > >To: "Mark S. Krüx" <[EMAIL PROTECTED]>
> > >Sent: Wednesday, January 15, 2003 10:19 PM
> > >Subject: Re: (313) Robert Hood imitations?
> > >
> > >
> > >> hi mark!
> > >>  man he have a vinyl LP on Cocoom Recordings. i think it is the
> > >same jacek
> > >>
> > >>  take care
> > >>
> > >> henrique
> > >> - Original Message -
> > >> From: "Mark S. Krüx" <[EMAIL PROTECTED]>
> > >> To: "spw" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>
> > >> Sent: Thursday, January 16, 2003 12:57 AM
> > >> Subject: Re: (313) Robert Hood imitations?
> > >>
> > >>
> > >> > Here's a very rough Discography...
> > >> >
> > >> > Vinyl:
> > >> > Jacek Sienkiewicz - Slope Ep. - Klang [Klang 64]  2002
> > >> >
> > >> > Jacek Sienkiewicz - The Truth EP - Recognition - [REP 
> 004]  2001
> > >> >
> > >> > Jacek Sienkiewicz - Pocket Control EP - Trapez [Trapez 
> 04]  2001
> > >> >
> > >> > Jacek Sienkiewicz - The Real Link - Recognition [REP 005]  2001
> > >> >
> > >> > Jacek Sienkiewicz - Item - De:Bug Hartwaren [DBHW 002]  2000
> > >> >
> > >> > Jacek Sienkiewicz - Recognition EP - Recognition [REP 
> 001]  2000
> > >> >
> > >> > Jacek Sienkiewicz - Directions - Recognition [REP 002]  2000
> > >> >
> > >> > Jacek Sienkiewicz - Meaning - Recognition [REP 003]  2000
> > >> >
> > >> > Remixes appear on:
> > >> > Sven Vath Strahlemnann - Und Sohne RMX - Virgin 
> [7242389781465]  2001
> > >> >
> > >> > T. Raumschmiere - Ravemusick - WMF Rec [WMF 005]  2001
> > >> >
> > >> > CD:
> > >> > Jacek Sienkiewicz - Recognition - Recognition [R-CD 001]  2001
> > >> >
> > >> > Laters,
> > >> >
> > >> > m*
> > >> >
> > >> > - Original Message -
> > >> > From: "spw" <[EMAIL PROTECTED]>
> > >> > To: <313@hyperreal.org>
> > >> > Sent: Wednesday, January 15, 2003 8:40 PM
> > >> > Subject: Re: (313) Robert Hood imitations?
> > >> >
> > >> >
> > >> > > on 1/15/03 3:48 PM, Mark S. Krüx at [EMAIL PROTECTED] wrote:
> > >> > >
> > >> > > > NP - Jacek Sienkiewicz - The Slope EP - Klang
> > >> > >
> > >> > > So he has one on Klang, I did not know that.
> > >> > >
> > >> > > Also a record I passed on recently but may be of 313 
> interest:
> > >> > >
> > >> > > Christopher Benjamin Buddha Plink Plonk PLK 047
> > >> > >
> > >> > > ART Balil type strings over loopy tribal techno percussion.
> > >> > >
> > >> > >
> > >> > > =
> > >> > > Adonis vrs. Panansonic (Vakio Blast First)
> > >> > >
> > >> > > http://pages.prodigy.net/stevepwats/adonis-panasonic.mp3
> > >> >
> > >> >
> > >>
> > >
> > 
> 
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RE: (313) New Daniel Bell mix cd

2003-01-15 Thread Jongsma, K.J.
That's because he is living in Berlin, well he used to dunno if he moved
back really

[EMAIL PROTECTED]



> -Oorspronkelijk bericht-
> Van: robin pinning [mailto:[EMAIL PROTECTED]
> Verzonden: woensdag 15 januari 2003 16:32
> Aan: 313@hyperreal.org
> Onderwerp: RE: (313) New Daniel Bell mix cd 
> 
> 
> 
> > Everytime he flies he "loses control"!
> 
> :)
> 
> from http://home.earthlink.net/~seventhcity/news.html
> 
> it seems he's played in germany, france and norway so he can't be that
> afraid of flying
> 
> robin...
> 

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RE: (313) Re: Maestro and 313 doco/dvd's..

2003-01-15 Thread Jongsma, K.J.
A friend of mine is working on a VJ-tool that can be hooked up to a MIDI
enviroment. I saw a rough working version of it, it can be sync-ed with MIDI
Clock pulse and/or with other MIDI data like noe-on/off or any other kind of
MIDI message. For now it is Mac only...

I saw a rough working version and it i thought it was pretty impressive but
it still needed some work.

[EMAIL PROTECTED]




> I second that on the deep chord video, especially the one
> of the people mover. Does anyone know if they did any midi
> synchronization to it? Seemed to have been bliping and hopping
> to the music. If not them, has anyone done this?
> 
> -Pete
 

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RE: (313) UR Catalog numbers

2003-01-15 Thread Jongsma, K.J.
There has never been any logic in the UR cataolog numbers... they would make
big leaps from for example releasing 43, then 50, then doing 45,46, 47 etc.
it keeps the fun in record hunting :)

[EMAIL PROTECTED]


> -Oorspronkelijk bericht-
> Van: Martin Aedla [mailto:[EMAIL PROTECTED]
> Verzonden: woensdag 15 januari 2003 14:45
> Aan: '313@hyperreal.org'
> Onderwerp: RE: (313) UR Catalog numbers
> 
> 
> you forgot UR018 M.I.A. (3 records under the same catalog 
> #!!!) and UR021
> Interstellar fugitives sampler
> 
> it seems they stopped at 50th release and started to 
> duplicate catalog # and
> release really big numbers like 2000 and 3000
> 
> martin
> 
> 
> 
> > -Original Message-
> > From: Wibo Lammerts [mailto:[EMAIL PROTECTED]
> > Sent: Wednesday, January 15, 2003 2:55 PM
> > To: '313@hyperreal.org'
> > Subject: (313) UR Catalog numbers
> > 
> > 
> > hi all,
> > 
> > I was just checking the submerge site, and to my surprise 
> UR has 4 new
> > records out, 2 of which are represses(?)
> > 
> > UR-031 Dark Paradise
> > UR-027 Venomous
> > UR-018 Members of the house
> > UR-016 Davina
> > 
> > What's  confusing me, is that all of these 4 records are 
> > released using
> > catalognumber that are already in use by other records? 
> > 
> > UR016 UR + Yolanda - Living For The Night (remix)
> > UR018 UR - The Fury (1991)
> > UR027 Scan 7 - Black Moon Rising
> > UR031 Scan 7 - Undetectable 
> > 
> > So what's the deal? Does this mean that these old titles are 
> > deleted now? Is
> > UR afraid to go beyond the 100 releases marker, and is that 
> > the reason they
> > are re-using catalog numbers?
> > 
> > Confused,
> > 
> > W
> > 
> 

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RE: (313) Exploring Drum and Bass

2003-01-13 Thread Jongsma, K.J.
I lost track on Drum & Bass years ago but there was an era that it produced
some amazing records. I forgot most of the titles but i loved almost all the
PFM stuff, Certificate 18, Source Direct did some really beautiful things as
well! The first Logical Progression from LTJ Bukem is an essential D&B
compilation IMHO. 

Nowadays most of it is the same as loop techno for me... getting on my
nerves :)


[EMAIL PROTECTED]



>   i still pop on "paralell universe", [4hero]  from time to 
> time.  and that
> "in order to dance 6" comp on r&s has some great 
> ,"detroit-inspired" d&b
> works...  check out "jazz juice - deroit".
> 
>   peace,
>   lrh
> 
> -Original Message-
> From: m a t t [d] [mailto:[EMAIL PROTECTED]
> Sent: Monday, January 13, 2003 3:48 AM
> To: 313@hyperreal.org
> Subject: Re: (313) Exploring Drum and Bass
> 
> 
> > of, dare I say it, soulful drum n bass.
> 
> I've been thinking about this a lot myself lately.  Back in 
> 95 I read an
> interview with Alex Reece who said how much he was inspired 
> by UR and their
> melodies.  Last week I went back to some of my favourite d+b 
> records from
> 94 -99.  While mixing some of my favourite examples of what 
> would later be
> given the kiss of death by the label 'inteligent'.  If you 
> listen to some of
> the early reece, pim, wax doctor, the d+b that was put out on 
> R&S (esp the
> model 500 remixes), hidden agenda, creative source stuff etc 
> there are IMHO
> a lot of at least superficial similarities to the detroit sound -  the
> momentum of the beats, the use of strings, new sounds, eq 
> levels in the
> production, use of dissonance, the funk in the spaces between 
> the beats.
> Mixing them to maximise the beat and bass switches and 
> absolutely minimise
> breakdowns I find it quite close in feeling and emotion to 
> the feeling and
> emotion of dancing to a long deep soulful techno mix - with a 
> big smile on
> my face :)
> 
> It was these tunes that started making me want to find out 
> more about this
> detroit sound I was hearing about.
> 
> The mix I refer to isn't 100% perfect, but if anyone is 
> interested I can
> host it for others to hear what I'm talking about.
> 
> Maybe it's just nostalgia (already!) :))  -- has anyone else 
> experienced or
> thought about something similar along these themes?
> 
> Matt
> -
> [EMAIL PROTECTED]
> 

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RE: (313) final scratch on mac!

2003-01-13 Thread Jongsma, K.J.

> About FS and Traktor...John Tejada told me today that now 
> Tracktor has 
> merged with final scratch and are combining the two in a new 
> concept to be 
> presented this week at Namm (L.A)
> I think It will be the next big thing !
> ...I suppose it will work on Mac too...
> ...but don't wait for me to sold my vinyls ;-) !

Even better it will run on OSX :) John Tejada is doing a liveset for NI
during the NAMM using Traktor.:

http://www.nativeinstruments.de/index.php?id=namm03_us


[EMAIL PROTECTED]

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RE: (313) recomended latin/salsa techno

2003-01-08 Thread Jongsma, K.J.
The Goodmen - Give it up :)

> -Oorspronkelijk bericht-
> Van: Odeluga, Ken [mailto:[EMAIL PROTECTED]
> Verzonden: woensdag 8 januari 2003 9:11
> Aan: Slow_me; [EMAIL PROTECTED] Org
> Onderwerp: RE: (313) recomended latin/salsa techno
> 
> 
> *Well, you could start with Casa - Purpose Maker - AX-011. 
> But really a lot
> of Mills material around that time had a Latin feel. For less stylized
> Latin-like techno, check out the Sonido Denso label of Spain 
> - "So Dens" -
> which doesn't appear to have its own website.
> 
> Instead go to:
> http://www.loudmusic.dk/records_labels.asp?function=letter&letter=s
> 
> and select So Dens.
> 
> *People say Jamie Anderson's releases are quite Latin-inged - 
> if you know
> Latin music at all, you'd be ambivalent about that at least. 
> He has an LP:
> 'Blue Music' (NRK)
> 
> Also the 'Abstract Latinism' series of 12"s (Artform)
> 
> Don't forget 'Techno Por Favor' - Infiniti on the 'Techno 2': The Next
> Generation, (10 Records).
> 
> On the whole however, I feel it's too self-restricting to 
> limit oneself to a
> phrase like 'Latin/Salsa techno'. Nowadays, the whole range 
> of 'Latin' be it
> house, or even traditional Salsa styles, will have elements 
> of techno within
> them which weren't there maybe even 5 years ago. But are now, 
> because each
> has learned from the other.
> 
> Explore.
> 
> k
> 
> 
> 
> 
> 
> >-Original Message-
> >From: Slow_me [mailto:[EMAIL PROTECTED]
> >Sent: Tuesday, January 07, 2003 10:58 PM
> >To: [EMAIL PROTECTED] Org
> >Subject: (313) recomended latin/salsa techno
> >
> >
> >hi everyone,
> >i'm looking for some good latin/salsa techno records.
> >thanks
> >
> >
> >
> >
> >
> >
> >
> >
> >
> >
> 

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RE: (313) don't frighten the horses...

2003-01-08 Thread Jongsma, K.J.
looks like some company from Switzerland bought the domain-name after the
record expired.

[EMAIL PROTECTED]


 
> erm, has anyone been to the sound signature website recently?
> 
> http://www.soundsignature.net
> 
> I was kind of expecting theo parrish related info
> 
> what's that all about?
> 
> Dan
> 

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(313) More techno in Holland

2003-01-07 Thread Jongsma, K.J.
A little bit early but:

8 March, 013 Tilburg:
Robert Hood (M.Plant detroit) + live: Scan 7 (U.R. Detroit) + Steve Rachmad
+ Noes 

yes please...




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(313) Namowan in Holland

2003-01-06 Thread Jongsma, K.J.
For dutch people and german people close to Nijmegen:

Namowan (Red Planet) is scheduled to play in Doornroosje on the 25th of Jan,
together with Spaze Djz... (?) the week before that Surggeon will drop
records Roornroosje, see you there :)

[EMAIL PROTECTED]



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RE: (313) What! Nothing about Lost? (rant)

2003-01-06 Thread Jongsma, K.J.

No pun intented... yeah right...

it is always euhm.. 'interesting' to read your e-mails mr. Watts, please
don't leave this list


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> The nostalgia trend is getting old. (no pun intended)
> Mojo, Larry Levan, Ron Hardy, italo-disco, deephousepage, ect.. ect..
> All you people that used to be into minimal techno, landstrum 
> that type of
> stuff in the mid 90's and didn't grow up listening to black music and
> now you think you know everything about "soul" or your Mr. 
> "deep house".
> 
> YOU SUCK.
> 
> fake trendy ass superficial people.
> 
> on 1/6/03 5:39 AM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
> 
> > Sorry to be the party pooper, but I thought that the LOST christmas
> > party was a bit disappointing, certainly not unique musically. I
> > recently got hold of a mix by Mills taped from his 'Wizard' radio
> > show. The mix was incredible, a full on fusion of go-go, early house
> > and hip hop mixed at lightning speed complete with mad scratching
> > skills. I had hoped for some more of this action at LOST so I was  a
> > bit disappointed by the rather pedestrian mix of funk and disco that
> > didn't seem at all fresh. This might just be because I'm very
> > familiar with that music and am quite jaded towards it, but I wasn't
> > feeling it that night. The fact that Mills and Slater 
> (rather than an
> > unknown DJ in practically any semi-trendy bar you might visit on a
> > weekday evening in London these days) were putting the needle on the
> > records wasn't enough. I also think that B&T was a poor venue - the
> > long thin shape of the upstairs room is a natural obastacle to
> > generating a good vibe. Where was Steve Stasis?
> > 
> > Nonetheless, nice one to LOST for breaking away from the huge party
> > route and doing  something a bit different, however, for small
> > parties, SLICES still wins hands down.
> > 
> > Dan
> > 
> >> Quit surprised that nobody of the London area 313-ers did not post
> >> anything about the last Lost party... I thought it was an amazing
> >> and unique party. How often can you hear in a 300 people 
> venue Steve
> >> Bicknell, Luke Slater and Jeff Mills play back to back (kinda) with
> >> just soul, funk, disco and 80's house music? The most modern record
> >> that Jeff Mills dropped was Move Your Body from Marshal Jefferson!
> >> The rest of his records where stuff like Loose Joints, Dan Hartman,
> >> O'Jays, Sylvester JD's etc. It was maybe a little bit to full to
> >> dance nicely (well there was not really a dancefloor anyway) but
> >> still i thought it was one of the best parties i have been to in a
> >> long while
> >> 
> >> 
> >> ... and it is a bit of old news but the Bleep43 New years eve party
> >> was brilliant, never had so much fun on NY eve! Bleep43 for
> >> president! :) and more boring news, Tristan, you rock!
> >> 
> >> --
> >> [EMAIL PROTECTED]
> 

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