[313] monika kruse's disc
does anyone have the track listing for monika kruse's COMPLEX Y2K cd? sand. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
URL for the exchange
i'm sure some posted it before but i just plum forgot it... does anyone have a URL for The Exchange. sand. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
15% pitch control
i wonder how much faster "everything" will get in the future, because over the last few years (with the exception of a few genres) dance music has been getting faster and faster. yes? and i was wondering if the gear manufacturers are catering to/feeding this by putting ridiculous pitch adjusters on turntables and cd's... natural progression? or more of a computer related thing? what ya'll think. sand. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
walter j - "reborn"
what happened to DOW? i recently heard a single called "reborn" by walter j., when i asked the folks at submerge about it they didn't have anymore in stock... anyone know how old it is? sand. ps - about the death of vinyl thread. i can't see it dying especially when so many people are starting up labels to release material. besides there isn't much that can compare to watching the center label on a record rotate while you're listening to it. ;o) _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] Juan Atkins....
WHAT! he does, where did you hear/read this. i'm slack jawed in surprise. From: Horiatio Herbert <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] Juan Atkins Date: Sat, 9 Dec 2000 14:15:52 -0800 (PST) It's really sad to hear that one of my all-time musical heros (and I'm sure many peoples on this list), Juan Atkins, has a heroin problem. It really kills me inside thinking about it and I really wish I could help.. HH. :( ___ Send a cool gift with your E-Card - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
satellite rec. site
yo, anyone know what happened to satellite records' web site? sand. _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] (even more spam) RE: Discussion
todd, mate, just chill a bit. sand. From: "Todd Smith" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Subject: Re: [313] (even more spam) RE: Discussion Date: Tue, 21 Nov 2000 11:27:33 -0800 >From http://www.hyperreal.org/music/lists/313/ > > This list was set up by myself to be a forum for the ***discussion*** of Detroit > techno artists or artists directly influenced by Detroit techno artists. > That said, it would be no great coincidence if the list followed the same > progression as techno music has. That is, just as the works of the original > Detroiters has provided the framework on which much of techno music has been > built upon so too should the stated purpose of the list serve as the basis > for broader discussion. If you cared to **discuss** the inner workings of your tracks and how they are 313 related, then post a link to the track being **discussed** that would be a whole different ball game. Enticing people with the track title and a small blurb about the general feel of the track (while I generally believe that dubby chord stabs have relevance I do not in general see the 313 association). Since we are all going to get picky today please read K.J's post regarding 313 rules todd > > Christian Bloch > www.mp3.com/bloch > Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go > > - Original Message - > From: "Todd Smith" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Tuesday, November 21, 2000 8:00 PM > Subject: Re: [313] (even more spam) > > > > > > > > > If the tracks are 313 related then what's the problem? > > > > What makes a track 313 related? I could post a zillion tracks and make > them > > all 313 related by saying 'oh yeah well I used the same > > cymbal/sample/bassline/snarehit/effect etc. as > > Juan/Kevin/Derrick/Alton/T1000 etc. did on If the track is by a > artist > > in the 313, that's > > different because that's what the list is about. > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get more from the Web. FREE MSN Explorer download : http://explorer.msn.com
Re: [313] Jaguar Video
"tech r&b"...? what the f*** is that? i might be wrong but aren't most of those said artists (destiny's child, missy, timbaland, etc...) closer to the 2step garage thing than the techno genre.. sand. From: "Cyclone Wehner" <[EMAIL PROTECTED]> To: 313 Detroit <313@hyperreal.org> Subject: Re: [313] Jaguar Video Date: Tue, 17 Oct 2000 12:12:21 +1000 >i don't know, i know we probably don't see eye to eye on this, but this >music is called underground for a reason, and that's to keep it OFF the >mainstream channels... any kind of music that blows up generally loses its >quality. putting on flameproof suit now... >someone said on here that mainstream music searches for you, you search for >underground music. and that's exactly what happened with me, and that's >exactly what will happen to most true future fans of the underground sound. >most people who will become fans of techno will find it sooner or later... >keeps the quality high, and the fans true. A big style in Melbourne now is what they call "tech R&B" - artists like Destiny's Child, Missy Elliott, Kandi. It was overground but now it's underground, it's become camp and cool. I love that stuff. And it is really subversive if you listen to it. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
hollywood & music...
since we're on the topic of hollywood & music... i've got a question. does anyone know what movie soundtrack did so good that it's spawned this "cookie cutter" approach to music scoring now? because for a long while record companies didn't bother much with a soundtrack, now it seems like the soundtrack can save the film if it goes "belly up" at the box office. i some how think it was the Hackers soundtrack that got record exec's attention. anyone? sand. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Re: [[313] jack's house]
i don't think it's a bootleg, then again i could be wrong. the label that version came out on eludes me, but i do know the sleeve was yellowish-brown. anyone else able to offer any input? sand. From: J.P. <[EMAIL PROTECTED]> To: Jim Grindle <[EMAIL PROTECTED]>, "313@hyperreal.org" <313@hyperreal.org> Subject: [313] Re: [[313] jack's house] Date: 16 Aug 00 23:15:22 MET DST The track you're referring to is Mr Fingers - Can You feel it on Trax records. Although it is originally an instrumental track. Later in 1988, there was also a vocal version with Robert Owens and a very rare version with the Martin Luther King - I have a dream speech on Jack Trax released as Fingers Inc. The version you are talking about is some kind of bootleg (I believe not even released with prior knowledge of Larry Heard) with the famous "in the beginning there was Jack" speech. Or am I wrong here, guys? Joost Jim Grindle <[EMAIL PROTECTED]> wrote: Believe it or not I don't have THE essential classic chicago house trak "Jack's house..I am the creator in the begginning their was house one day while throwing down on his box" ok with those vocal snippets someone has to be able to tell me the name and artist I thought it was Mr.Fingers @ Trax but I have yet to get it right help - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] The first thing Microsoft will produce that doesn't suck, will probably be a vacuum cleaner Get free email and a permanent address at http://www.netaddress.com/?N=1 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] Passion and Survival
well put. From: "Cyclone Wehner" <[EMAIL PROTECTED]> To: 313 Detroit <313@hyperreal.org> Subject: Re: [313] Passion and Survival Date: Thu, 22 Jun 2000 07:21:01 +0900 If you find a good interview with Juan Atkins I think it will answer your question. I think even the notes accompanying his recent mix CD addressed this, if I am not mistaken? Juan and co never said they invented electronic music per se, but what they did is transform European influences (and don't forget Kraftwerk cited James Brown as a huge influence) into something very radical and difererent - ie techno. What so often happens especially in America is that the media wants to credit today's electronic music - influenced by and based on techno and house - to New Order etc, effectively writing out its African American auteurs and the huge, huge transformative role they played. They turned electronic music into a culture, recontextualising it and investing it with a very different meaning. It's late and I have been harangued all day by promoters, but hopefully that makes sense. >>So do you think that the techno sound came just from Detroit? >>And that no kind of electronic music was going on in Europe at the >>same time?? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
maas
i don't know. i'm more inclined to strap timo maas stuff on the tech-house pigeon more than the trance one. sand. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
speaking of timo maas...
i got "dooms night" by azzido da bass, about 3 wks. ago, and the timo maas mix is absolutely SICK!!! sand. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
larkin track(s)...
anyone know how many singles were released from kenny's "metaphor" album? i know of just "loop" and "catatonic". did he ever release anything on his own imprint? Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
the persisting question...
i'm not about to get into some dissin' conversation with u, but the question does persist... if you DON'T LIKE TECHNO AND THINK IT'S S "stagnatic, retro, riciculous and cheesey, dead,REgressive..." why did u buy these "shitty" records in the first place? sand. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
baby ford...
a quick question: i know peter ford has released a track on perlon recently (DON'T HAVE IT IN MY GRUBBY HANDS YET) and he did something with Eon that appears on the hawtin disc, otherwise what else has he done since his acid house days? Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
paging robyn...
sorry for the spam folks. robyn, email me. i need your snail mail again. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] WARNING!!! Lost my money...
sounds like johanna "messed up" everyone but me. i bought one record from her and things went smoothly. sand. From: marsel <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: Re: [313] WARNING!!! Lost my money... Date: Wed, 31 May 2000 21:11:08 +0200 just to add my experience i did a deal for about $350 and received everything (i'm still wondering if what she sold was mr sherwood-walker's collection..) i got an (her) adress, if anyone needs that one, contact me but will post it privately only At 31-5-00 -0500 12:00, you wrote: i got jacked by johanna thompson also. if any one has any info on who or where about he is let me know. anyone else get jacked??? From: "jim proffit" <[EMAIL PROTECTED]> A while ago 313 subscriber Johanna Thompson announced that she had a Detroit-record collection for sale. Featured was a site-add where all her sale-records were catalogued. I ordered records from her and I never got them. I lost 250.00 because of this "deal" (approx. $362.00)... I've sent numerous e-mails to her without a reply. Now, before I make a final judgement on this matter, I need assistance from all english subscribers: Please, contact me privately, so that further actions can be taken to sort this out. If anyone is thinking about ordering from her, my advice to you is: DON'T!!! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] industrial vs. hip hop
i know adrian sherwood did production on the "twitch" album. i'm not sure if he was involved in the "land of rape & honey" sessions. all this industrial nostalgia will have me sorting through my records to see what i've still got to listen to. what happened to A SPLIT SECOND? nettwerk put out a comp with a really minimal sort of house, very electronic, remix of "addiction" that rocked... and that's saying alot because the original was mint. anyway, does anyone know if this ever saw a vinyl single release somewhere else on this planet? or was it strictly a compilation thing? From: "e&a rinon" <[EMAIL PROTECTED]> To: "FC3 Richards" <[EMAIL PROTECTED]>,"'Sanderson Dear'" <[EMAIL PROTECTED]>, <313@hyperreal.org> Subject: Re: [313] industrial vs. hip hop Date: Sat, 27 May 2000 14:43:45 +1000 -Original Message- From: FC3 Richards <[EMAIL PROTECTED]> To: 'Sanderson Dear' <[EMAIL PROTECTED]>; '313@hyperreal.org' <313@hyperreal.org> Date: Saturday, 27 May 2000 11:48 Subject: RE: [313] industrial vs. hip hop >if i remember right Ministry's land of rape and honey album had a >industrial/hip-hop song on it...it wasn't bad either. > sounds like the one Adrian Sherwood did for them! the intresting thing about them was that the album "The Mind is A Terrible Thing To Taste" was recorded in Chicago Trax Studio - "were it's not just a studio ,it's a way of life" - A J Another industrial - house conection in Chicago was that one of the bands on Wax Trax (Die Warzau ?) had a few records on chicago trax(Samurai Sam,Xipotec etc) e,r - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
Re: [313] industrial vs. hip hop
best mutation of hip-hop IMO is "dig it" by skinny puppy. i confess i've been a fan since the remission ep... if i'm asked i'll totally disavow any knowledge of this admission. ;) sanderson Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
industrial..
speaking of steven r gilmore. anyone know what he's been up to since wayback in the nettwerk 80's days? Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
microworld - signals... misprint.
i remember this was mentioned some time ago, so excuse me asking it again because i wasn't paying attention at the time. but someone on this list said there's a misprint on the time:space transmat compilation: the track that's listed as "signals" by microworld. what is the name of that track and who does it? i really like it, and would like to get a vinyl copy if its available. if anyone can help me out i'd greatly appreciate it. thanx. sand. Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
brikha album...
alan, you've asked the MILLION DOLLAR question mate. i've been wondering what's up with transmat, they seem to be dragging their collective feet on this on. andrew, any info? sand. From: "O'Cairbre, Alan " <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: (313) ArilBrikha album Date: Fri, 31 Mar 2000 13:34:05 + Did Aril Brikha's album on transmat ever come out on vinyl?? If so, does anybody know where I can get it? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Get Your Private, Free Email at http://www.hotmail.com
Re: (313) DJs DJs DJs! :)
i hear ya... the flashbacks are now: really bad house parties in basements. people making the "ugliest" requests, thinkin you've got everything ever released on the planet in the booth with ya. OH THE MEMORIES... someone get me a shooter please. ;) sanderson. From: [EMAIL PROTECTED] (Andrew Duke) Reply-To: Andrew Duke Cognition/In The Mix <[EMAIL PROTECTED]> To: Diana Potts <[EMAIL PROTECTED]>, "...313 list" <313@hyperreal.org> Subject: Re: (313) DJs DJs DJs! :) Date: Thu, 09 Mar 2000 10:44:52 -0400 personally, i see it like this: there are those who dj because they love the music and want to share it. some have the skills, some don't but are trying. in the end, they're sharing the love for the music. then there are others who buy into the "dj as rock star" culture and get into DJing, not because they want to share their love for the music, but for a variety of *other* reasons. yes, we always need new djs coming up, but we also have to have new djs coming up that are djing for the right reasons. i can remember back in 1987 when the dj was the last thing anyone would want to be; you were lower than the bartender and had drunks screaming at ya for this and that; could get beaten up for playing a song people didn't like; there were no flyers with your name in big letters, etc, etc, etc; nowadays, though, with the way "dj culture" has grown, kids don't know about the history of the dj, haven't worked their way up and gained experience via weddings, parties for friends, school, radio, etc, etc. they go out, buy two technics 1200s and a mixer, buy the top records they see in the mags, hook up with a promoter friend, get a booking, and suddenly they're a "DJ!" now i'm not saying all new djs are like that (thankfully, there are always some new people to the scene who have love in their hearts for the music), but i've personally seen it happen more and more frequently, and i'm sure many would agree. check the interviews with terrence parker, alan oldham, john acquaviva, and others who've *paid their dues* to be where they are in today's dj scene (cognition: http://techno.ca/cognition) and there's a commentary about this on the same site. yes, we need new djs, but it would be best for them to take it a bit slower, not suddenly get obsessed with this "be a DJ! be a DJ!" thing. personally, i've seen at least 3 or 4 young kids here in halifax spend tons of $ on tables, mixer and records, and then a couple of months later they've sold it all and are very disillusioned. though i don't know what all of the reasons are for them (personally ie for each of them), i *do* know from observation that they get a gig via a promoter friend and then you never see them booked again. why? well, a) there are so many kids desperate to "be a dj!!!" and, at least here in halifax, they're almost beating each other up and crawling over each other to get gigs, and b) they just haven't laid the proper foundation; they think that if they buy the gear and the records, they are almost *owed* gigs now, as if that's all there is to it. (an i've had most of these kids on my local radio show to try and help them out, see what they're up to, etc, but, though some are skilled, the majority are just jumping into the "DJ DJ DJ" thing too soon; they haven't practiced, have to write their set down on a piece of paper, have everything planned to the max, etc, etc ie the urge to "be a dj" has thrown them into it, er, they're thrown themselves into it, so fast and so *too early* that they're just *not ready*; some of them go on to get gigs and skills, but most you never hear from again; if they took the time to set the stage, they might be still doing it, but rushing into it thinking they'll be stars the day after tomorrow, hurts their self esteem and wastes their $ and effort) but talk to parker, oldham, acquaviva et al and these guys (there's girls too, of course) spent many many nights practicing at home, doing radio, playing for small parties, etc, etc; they didn't just suddenly become big dj names that people know, it took years to get where they are. but the kids staring out (againn, not *all* of them, but many) don't understand that it's not like you wake up one day with the $ to buy the gear and the next day you'll be on flyers every week. ok, enough rant from me. AND it wasn't Beck who sang "two turntables and a microphone", that was a sample from Mantronix' "Needle To The Groove"! np terrence dixon--from the far future (dm tresor) it's out later this month and damn awesome. i'll have it online in full in RA soon. Diana Potts wrote: > well its informative-to some thirty something yuppie in the burbs who has > no clue. But it is kinda entertaining how the writer takes on this identity > like they have discovered something, like the lost caveman. I like how the > writer highlighted mostly female djs though ;) > > diana > > >From: "lil' robbie" <[EMAIL PROTECTED]> > >To: 313@hyperreal.org > >Subject: Re: (313) latechno > >Date: Thu, 09
(313) any good mills tracks...
bought my first jeff mills track a couple of weeks ago. has he done anything else released in the vein of "IF"? cheers. sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) skirting detroit...
if anyone is interested, you can check out one of my mixes at the following site: http://members.xoom.com/mikeacid/ on my name - sanderson dear cheers. sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) sony and food on the table...
maybe, but by "f**cking" with the whole "chain of command" (musically speaking) bypassing the whole licensing thing, dirk & others like him open up the door for some really ugly situations. and in light of the mp3 fiasco and mixedtapes crackdown, i'm honestly surprised to hear and see sony & bmg, like you said, "biting the hand that feeds them" namely independent artists and labels. he eventually might not have a job, just based on the situation he's created. food for thought. sand. From: Bailey Paul P <[EMAIL PROTECTED]> To: "'Sanderson Dear'" <[EMAIL PROTECTED]> CC: "'313 list'" <313@hyperreal.org> Subject: RE: (313) what's with [EMAIL PROTECTED] Date: Mon, 7 Feb 2000 14:40:09 - I dont know, I guess the guy might like to keep putting food on the table and retain his job. you dont bite the hand that feeds you... Paul -Original Message- From: Sanderson Dear [mailto:[EMAIL PROTECTED] Sent: 07 February 2000 14:04 To: 313@hyperreal.org Subject: (313) what's with [EMAIL PROTECTED] what is with the people at sony (ger.), they seem to think they're free and clear of any liability in this whole UR thing. at least that's the impression i get after firing off an email to the man responsible for this whole fiasco. has anyone else got the same smugness? curious. sand. __ Get Your Private, Free Email at http://www.hotmail.com __ Get Your Private, Free Email at http://www.hotmail.com
(313) what's with [EMAIL PROTECTED]
what is with the people at sony (ger.), they seem to think they're free and clear of any liability in this whole UR thing. at least that's the impression i get after firing off an email to the man responsible for this whole fiasco. has anyone else got the same smugness? curious. sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) 'deepartures in time' - vinyl...
anyone got news on "deepartures in time" on vinyl? if this has been posted or asked & answered already. forgive my spam. sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) wuz up...
hey folks, i've been off the list for a couple of months. so can someone bring me up to speed with what's been going on. sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) theorem singles...
just heard the theorem album for the first time. SWEET. anyone know if there are any singles available from it? sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) chill already people...
let's take a chill pill already. we've discussed the jeff mills pro's and con's too many times to mention. let's all leave it at: everyone has their opinion. respect it, and move on. sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) vestax vinyl cutter...
sounds too good to be true. what's the catch? i read on the site below that vestax is making their own plates to be used with this machine. does that mean, a person can't like go to NSC and buy up some acetates and press them him/her self at home? http://www.sapphires.co.uk/plasa99.htm the market will dictate if this "new" invention survives, at $4000 british pounds, it's a pretty expensive toy. anyone got anymore info... sand. __ Get Your Private, Free Email at http://www.hotmail.com
(313) understand, but...
ok, i know and understand all that. but my question still isn't answered. you're talking about dj's/producers who can do live p.a.'s, but from a punters point of view, why would i want to see someone like voiteck, hmc, richie hawtin, etc... dj, unless they was using their pressed tracks, because then they'd be no different then me. do you see what i'm getting at... From: "Cyclone Wehner" <[EMAIL PROTECTED]> To: Sanderson Dear <[EMAIL PROTECTED]> Subject: Re: (313) making tracks & dj'ing. Date: Sun, 05 Sep 1999 01:22:11 +0800 Hey! You've posed a good question. This issue often comes up in my line as a journalist. I will give you a case of how it works. The reason a lot of reputable local DJs in Melbourne decide to make tracks is so they can gradually build up a profile overseas where they are otherwise unknown. The key word is "gradually" since obviously if they are releasing shit tracks nothing will happen and it is rare that even one dope track alone will do the business. If a record builds up a buzz overseas then promoters are obviously more interested in capitalising on this and bringing someone from Australia to their country. Australians like HMC and Voiteck have broken into the international market this way and both have recently headed overseas to tour. Voiteck started his own label, Truck Muzik, then he sent out promos of his records to various distributors, media, DJs, etc, and built up a vibe. He got press, so a wider band of people started to know his name. That has made him a more viable prospect for promoters. It's also easier for them to hype him up when they do tour him. Had Voiteck just stuck to DJing and live sets in Australia he wouldn't have gone overseas. There are lots of DJs but DJs who put out records have a better chance of getting work on the international circuit. In addition, the local media is more interested in covering them when they come to town. C -- >From: "Sanderson Dear" <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: (313) making tracks & dj'ing. >Date: Sat, Sep 4, 1999, 1:05 PM > >i have a question, if anyone can answer this for me i'd greatly appreciate >it. > >i'm trying to understand how making a track allows you to go on "tour" >around the world dj'ing. i can understand if you have a bunch of dubplates >made and a promoter is interested in booking you because you have a >particular sound no one else has, or you have a live act with a back >catalogue of material. but why would a promoter want to book a dj after >he/she has made a track to come and play a party on the other side of the >planet. what would set he/she aside from a local person. > >everyone excuse me if i'm to "dense" to see the answer, but my mind is >completely boggled from this one. > >sand. > >__ >Get Your Private, Free Email at http://www.hotmail.com > __ Get Your Private, Free Email at http://www.hotmail.com
(313) making tracks & dj'ing.
i have a question, if anyone can answer this for me i'd greatly appreciate it. i'm trying to understand how making a track allows you to go on "tour" around the world dj'ing. i can understand if you have a bunch of dubplates made and a promoter is interested in booking you because you have a particular sound no one else has, or you have a live act with a back catalogue of material. but why would a promoter want to book a dj after he/she has made a track to come and play a party on the other side of the planet. what would set he/she aside from a local person. everyone excuse me if i'm to "dense" to see the answer, but my mind is completely boggled from this one. sand. __ Get Your Private, Free Email at http://www.hotmail.com
