Aux 88 millennium mix
https://soundcloud.com/radio-ur/aux-88-millennium-mix Great stuff. Old school vibe.
Labyrinthine
I found this Soundcloud page with some interesting electro, which had a Bandcamp release. It sounds a lot like something Gerald Donald might be part of... Maybe not but I just wondered if anyone knew more about it? https://soundcloud.com/user283850666 https://retape.bandcamp.com/album/ii-v It's pretty good anyway. It appeared to be released yesterday.
Re: 313 Digest 20 Mar 2015 05:02:50 -0000 Issue 4279
I suppose that shouldn't be a surprise to me, but I didn't know. That makes some sense though. It seems almost impossible for most people to make money making music these days. It would have been great to be a producer during the 90's. I bought a lot of vinyl then too. It's remarkable how limited a lot of electro vinyl releases would seem to be currently. It looks like releases of just 100-250 records for even the most well known artists. Good releases have some rarity, yet demand is not what it was either. On Fri, 20 Mar 2015, at 06:32 AM, Philip McGarva wrote: On 20/03/2015 16:02, 313-digest-h...@hyperreal.org wrote: I'd go further and offer commercial rights to remix projects. The details of that would need to be discussed but in principle I would welcome commercial remixes that were authorised by me and I would not expect a share of royalties. I've no idea if that sort of arrangement exists already, but folk in the business should be able to figure it out if there's an interest. Steve No royalties IS the business arrangement :^(
Commons music and remix projects
I am inspired mostly by a period in electronic music between 1990 and 2001. I am deeply interested in Detroit electro techno music, especially Underground Resistance, Jeff Mills, Drexciya, DJ K-1, Aux 88, as well as great British artists such as Neil Landstrumm and Aphex Twin, among many others. I started to make music a couple of years ago and I reached a point where I now feel as much lost as I feel I found my sound (I'm still at a loss to know what exactly my next track will be). I posted all what I have to share on my Soundcloud page (https://soundcloud.com/kerr-knoll) with 24-bit audio (44.1 kHz) downloads and an explicit creative commons license, to mix share non-commercially. Music to be shared freely. I'll be making completely new tracks in the future. All of these are free and I am comfortable with that. I'd go further and offer commercial rights to remix projects. The details of that would need to be discussed but in principle I would welcome commercial remixes that were authorised by me and I would not expect a share of royalties. I've no idea if that sort of arrangement exists already, but folk in the business should be able to figure it out if there's an interest. As well as the downloads available on Soundcloud I can provide additional assets on request. Please share with anyone that might be interested in either the tracks or the remix opportunity. Thanks Steve
Re: Roland article
Thanks for this Alasdair. I found it interesting. I got a SYSTEM-1 and I am interested in PLUG-OUT synths - the mix of software and hardware etc. I hope that they will continue to release them. On Wed, 18 Mar 2015, at 12:00 PM, Alasdair Lyon wrote: This is one for the nerds. It doesn't really say that much but the photos are good, including the photo of the 909 developer, Atsushi Hoshiai, with his ride cymbal that he sampled and used for the 909 sound, which has probably graced a good number of records over the years. http://www.residentadvisor.net/feature.aspx?2065
Re: (313) Defining Detroit
I've set up a Discourse site in the hope that you may find it interesting or otherwise simply for my own personal curiosity. It's been a bit quiet around here and if Facebook is now where the conversations are then I'm also missing out. Maybe I've never found a better forum for music than the 313 list, but my personal interest is more generally underground electronic music, and UR as an inspiration. https://disco.k-os.net/ (Discourse @ K-os.net) Feel free to post your SoundCloud things there (it has support for embedding players too), if you want to (anything goes). I'll keep the site up if there's enough interest to keep it going. It's all set-up with email integration and good security for passwords etc, but also allowing folk to use Twitter or Google, or even Yahoo for authentication, and Facebook if I can get that to work. Currently Facebook login is disabled. This sits on it's own virtual dedicated server, supports mobile browsers and things. Worth evaluating if you are interested in that sort of thing. I'd help out if there's interest in setting something up specifically for 313. On Wed, Jan 8, 2014 at 10:30 PM, kent williams chaircrus...@gmail.comwrote: I hear more from former and current 313 list people on Facebook than I do on 313 list. Just a sign of the times. It's been almost 30 years since I got my first e-mail address, and not long after that I got on mailing lists so...maybe a technology that has been mostly superceded. On Mon, Jan 6, 2014 at 7:12 PM, Philip McGarva philipmcga...@gmail.comwrote: This article kind of depressed me, as it's mostly about the past. Sure there are a few good new tracks on the Still Music comp, but it's patchy at best and not any kind of real development of the Detroit sound. This article won't change anything. Did DEMF / Movement make any difference to how actual house or techno are perceived or enjoyed by mainstream audiences? I doubt it. Plus it's now about 25 years since techno emerged - what makes anyone think that peeps will suddenly 'get' it? Are EDM kids (I guess they're kids) into music from that era? As a teen I sure wasn't much interested in music from the mid-'50s. It's great that the artists mentioned are still playing out and making the kind of great music they always have, but that would have happened regardless of the mainstream anyway. Just my 02 - this list is pretty quiet these days... p
Re: (313) New 12
Sounds good. Thanks for the heads-up :) On Thu, Jan 9, 2014 at 1:43 AM, John Sokolowski jrsokolow...@hotmail.comwrote: It definitely has something to do with Submerge/UR. When we are at Submerge during DEMF weekend last year Roach was playing a test copy in the store. A few of us were digging it and we asked him what it was. He said he only had 6 copies at the moment and that they were for him and his friends. He also said the B1 track samples his daughter's voice and that it is his favorite cut on the record. Thought that was pretty awesome. Cheers! -- From: p...@dagmar-tara.com To: 313@hyperreal.org Date: Mon, 6 Jan 2014 10:01:50 + Subject: (313) New 12 Over Christmas I picked up this 12 which seems to be something to with Submerge / UR, Im digging it http://www.discogs.com/Dj-Roach-Nuestro-Futuro/release/5208963 You can buy it here, as well as a new hip hop thing related to Submerge as well. http://www.vinylunderground.co.uk/new-in-backcatalog/m-riot.html http://www.vinylunderground.co.uk/new-in-backcatalog/the-anti-scene-ep.html *Paul Kendrick* * Tel: 020 7628 0700 * *www.dagmar-tara.com http://www.dagmar-tara.com/* *Address:** Dagmar Tara http://www.dagmar-tara.com/ * *65 London Wall, London, EC2M *
Re: (313) Defining Detroit
I suspect mailing lists could still out-live Facebook. I hope so anyway, otherwise for something better ;) On Wed, Jan 8, 2014 at 10:30 PM, kent williams chaircrus...@gmail.comwrote: I hear more from former and current 313 list people on Facebook than I do on 313 list. Just a sign of the times. It's been almost 30 years since I got my first e-mail address, and not long after that I got on mailing lists so...maybe a technology that has been mostly superceded. On Mon, Jan 6, 2014 at 7:12 PM, Philip McGarva philipmcga...@gmail.comwrote: This article kind of depressed me, as it's mostly about the past. Sure there are a few good new tracks on the Still Music comp, but it's patchy at best and not any kind of real development of the Detroit sound. This article won't change anything. Did DEMF / Movement make any difference to how actual house or techno are perceived or enjoyed by mainstream audiences? I doubt it. Plus it's now about 25 years since techno emerged - what makes anyone think that peeps will suddenly 'get' it? Are EDM kids (I guess they're kids) into music from that era? As a teen I sure wasn't much interested in music from the mid-'50s. It's great that the artists mentioned are still playing out and making the kind of great music they always have, but that would have happened regardless of the mainstream anyway. Just my 02 - this list is pretty quiet these days... p
Re: (313) pertin-nce_046 - emmanuel buchanan - resort vacations - free DL
I've followed the list for a lot more time than I've been making music. It's an origin of some music I am very interested in. If it were just about any kind of music from Detroit-based artists (of all kinds of music I mean) I wouldn't be following it. My feeling is that this is a list with respect to those roots. People of Detroit have a privilege in having a strong localised and unique music history. I read the Techno Rebels book. I appreciate that there is a lot of house music and soulful music enthusiasts on the list too. It's not about one particular style or another. There's Detroit music in the DNA. I think luminaries from Detroit and like-minded people around the world continue to follow the list. The spirit lives on. I identify with Detroit/313. Does that count? :) On 18 December 2013 21:52, Joe Marougi jmaro...@gmail.com wrote: Question to the group, Shouldn't we stick to Detroit related artists/news only here? I vote yes. My apologies if any of the artists or label in that message are from Detroit. Joe Sent from my iPhone On Dec 18, 2013, at 1:05 PM, max tanguay maxb...@yahoo.com wrote: label : pertin-nce catalogue number : [pertin-nce_046] artist : emmanuel buchanan title : resort vacations track listing: 1- a year of weirds 2- so low 3- 67 castles 4- got no tatoos 5- so low part 2 6- a year of weirds (hemiptera remix) 7- so low (extended version) sounds like : techno, minimal stream free download on: www.pertin-nce.ca www.pertin-nce.bandcamp.com peace out! net label : pertin-nce.ca me : soundcloud.com/bleupulp
Re: (313) pertin-nce_046 - emmanuel buchanan - resort vacations - free DL
Me too! The dub techno influence is also associated with Detroit, isn't it? I was thinking of Deepchord anyway. On 19 December 2013 11:48, maxphi...@gmail.com wrote: I welcome Pertin-nce's posts and announcements ^___^ m50 At 2013-12-19 05:40, Steve wrote: I've followed the list for a lot more time than I've been making music. It's an origin of some music I am very interested in. If it were just about any kind of music from Detroit-based artists (of all kinds of music I mean) I wouldn't be following it. My feeling is that this is a list with respect to those roots. People of Detroit have a privilege in having a strong localised and unique music history. I read the Techno Rebels book. I appreciate that there is a lot of house music and soulful music enthusiasts on the list too. It's not about one particular style or another. There's Detroit music in the DNA. I think luminaries from Detroit and like-minded people around the world continue to follow the list. The spirit lives on. I identify with Detroit/313. Does that count? :) On 18 December 2013 21:52, Joe Marougi mailto:jmaro...@gmail.comjm aro...@gmail.com wrote: Question to the group, Shouldn't we stick to Detroit related artists/news only here? I vote yes. My apologies if any of the artists or label in that message are from Detroit. Joe Sent from my iPhone On Dec 18, 2013, at 1:05 PM, max tanguay mailto:maxb...@yahoo.commax b...@yahoo.com wrote: label : pertin-nce catalogue number : [pertin-nce_046] artist : emmanuel buchanan title : resort vacations track listing: 1- a year of weirds 2- so low 3- 67 castles 4- got no tatoos 5- so low part 2 6- a year of weirds (hemiptera remix) 7- so low (extended version) sounds like : techno, minimal stream free download on: http://www.pertin-nce.cawww.pertin-nce.ca www.pertin-nce.bandcamp.com peace out! net label : http://pertin-nce.capertin-nce.ca me : http://soundcloud.com/bleupulpsoundcloud.com/bleupulp
(313) Orbiter EP + more music
Hello A little earlier in the year I made this 3-track EP with mastering by someone recommended by a friend. I think there's some analog gear there which I like. I was holding out in case I could get it released on a label but I'm sharing it for free on my SoundCloud page now. It's my best work and I've got some other interesting things in the pipeline. I like making music but I don't think I could do it all the time or business-like. Feel free to share. https://soundcloud.com/kerr-knoll/sets/orbiter-ep If it's not there right now (as has happened before) then it's just rolling out via the SoundCloud content-delivery-network so please try again later. I've made all my music on SoundCloud available to download as CD-quality 44.1kHz 16-bit .wav files. Couldn't settle for either FLAC or ALAC (and mp3 just unsuitable for transcoding). Two tracks from my recent mix, Aquatic Experiments and Moon Base also uploaded today. Cheers Steve
Re: (313) Terrence Parker's online mix
Hi Listmembers, I´m proud to announce, that the Terrence Parker Web Radio Mix is now also available for download in 128kb/s on www.dj-mixes.com including the playlist. greets, steve -- Steve Nails www.dj-mixes.com audio engineer, producer, DJ Strøm Recordings | Amsterdam www.stromrecordings.com indeed records | vienna polarized records | NYC --
Re: (313) Terrence Parker's online mix
can anyone please tell me, where I can find this mix ? thanks, steve -- Steve Nails www.dj-mixes.com audio engineer, producer, DJ Strøm Recordings | Amsterdam www.stromrecordings.com indeed records | vienna polarized records | NYC -- - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, March 23, 2005 2:45 AM Subject: (313) Terrence Parker's online mix rocking this late at work - just me a few other people here right now a - great way to cap off the last two days that have been rather stressful. great mix TP! MEK
RE: (313) downloading, peer-to-peer, etc
Free the Weed! Just had a quick look. It's certainly nothing new and you're point about recording it is clear. Reminds me also of a comment regarding the Napster subscription. With that it was/is possible to take a subscription for a month and extract all the music using some sort of script following the stream all to playlist (after several days of course). Besides, the biggest disappointment about the idea is it's a windows exe installer so a definite non-starter IMHO. Steve -Original Message- From: john harvey [mailto:[EMAIL PROTECTED] Sent: 03 November 2003 19:39 To: 313 Subject: Re: (313) downloading, peer-to-peer, etc if you get to hear the track for free three times, you could cheat by recording, to say, a stand alone cd recorder through the analogue input whilst you're auditioning the track. of course the use of d/a a/d converters would reduce sound quality a miniscule amount, but you wouldn't be able to tell. john
(313) Movement Festival Website
Quick question: Is there a website for the Movement festival? Cheers!
Re: [313] mp3 top ten
Hi ! you can also grab some high quality mp3 sets from www.corridor-productions.com u will find some really good techno, tech-house and house mixes. check it, greets Steve mashu recordings physical soul rec. www.mp3.com/stevenails - Original Message - From: Lester Kenyatta Spence [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, July 30, 2002 9:53 AM Subject: [313] mp3 top ten just got a portable mp3 player (less than $90...damn i love technology). if you were to choose 2 or 3 mp3 sets you'd HAVE to place on disk what would you put on there? i ask because while i've heard several phat phat phat dj real audio dj sets, i haven't heard that many good mp3 sets peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] An amazing twisted melodic tune I heard...
Oops! I mean discordant =) Still the tune eludes me. It was sort of the last track (before one more tune) but I'm pretty sure I've heard it before. Possibly when Richie Hawtin played in Brighton sometime late last year. - Original Message - From: jonathan morse [EMAIL PROTECTED] To: Steve Robertson [EMAIL PROTECTED] Cc: 313 list 313@hyperreal.org Sent: Thursday, May 09, 2002 9:44 PM Subject: Re: [313] An amazing twisted melodic tune I heard... On Thursday, May 9, 2002, at 08:59 AM, Steve Robertson wrote: it had a kind of disocrdian sound fnord? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] An amazing twisted melodic tune I heard...
A couple of weeks ago I was out in Aberdeen (Scotland) to the Richie Hawtin vs. Luke Slater night and I just have to try and find out what that 2nd last track Richie Hawtin used is. If you've heard it I hope you can guess what I'm talking about here - it had a kind of disocrdian sound that starts out of tune and drifts in to be quite melodic in it's own twisted way. I absolutely loved it and would love to know what it is any ideas anyone? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 2nd-hand electro/techno vinyl sources?
I'm currently looking for sources of 2nd-hand vinyl. I'm sure something was suggested further down this list but I can't find it now, any suggestions (other than ebay) ? Of particular interest would be online searchable catalogues. Thanks in advance! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fw: Niko Marks The Auxmen DEMF 2002
The Auxmen will proudly close out this year's DEMF 2002 from the main stage at 10:00pm on the 27th of May for a 2 hour live techno show, with some Alien live PA maneuvers in advance of this at various locations in Detroit via S.O.S. (Saving Our Sounds). They have assembled together with cosmic soldier Niko Marks to complete the mission, and tour to follow. 2002 IS A VERY BUSY YEAR INDEED AND WE PLAN TO KEEP IT THAT WAY TOO! - Original Message - From: K-os.net :: MUSIC [EMAIL PROTECTED] To: [EMAIL PROTECTED] Sent: Sunday, April 21, 2002 5:50 PM Subject: NEW exclusive mp3 DETROIT TECHNOSOUL, ELECTRO, DRUM BASS www.K-os.net supporting the Generals, not the majors Follow the link below to K-os.net new music information: www.K-os.net/email/MN-04-2002.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] detroit in london
I remember the first time I went to Fabric being really impressed with it, that was probably around 2yrs ago now. Stacy Pullen and Dave Angel were playing and it was wonderful. Such a large venue, bright, fresh I don't really like going to Fabric now! The management really let it go a bit. It's ok if you get into the VIP area upstairs but that never used to be so exclusive. I think it started with great aspirations. Running the joint for profit was a challenge and there's a lot of people involved all wanting their slice of cake. In reply to your message: The End has the best sound system in London. - Original Message - From: Toby Frith [EMAIL PROTECTED] To: Langsman, Marc [EMAIL PROTECTED]; 'Nicole Slavin' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, April 15, 2002 12:56 PM Subject: Re: [313] detroit in london I'd agree that the place was too packed, imagine when Mills rolls into town on 1 June; but I think that the sound at Fabric was top - probably the best you will hear, in London anyway. Claude was good, but never really got going IMHO, Sub's live set was top-notch though. - Original Message - From: Langsman, Marc [EMAIL PROTECTED] To: 'Nicole Slavin' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Monday, April 15, 2002 12:54 PM Subject: RE: [313] detroit in london I went to see suburban knight + claude young at Fabric Calude Young was excellent, but I hated the venue - poor sound, overcrowded , filled with far too much smoke so you cant see more than a few people in front of you at the best ot times, bad atmosphere - basically *very* oppressive . Didnt hang around for suburban night as he wasnt scheduled to play until 4am *bumdeal* Marc -Original Message- From: Nicole Slavin [mailto:[EMAIL PROTECTED] Sent: Friday, April 12, 2002 7:43 PM To: 313@hyperreal.org Subject: [313] detroit in london i've just got back from a few weeks out the country. while i was gone suburban knight, claude young, derrick may, juan atkins and kevin saunderson ALL came to town :( curious to know how these nights were as i haven't been to a good night out in londn in ages, including lost; and of course i'd like to eat myself with envy. N - sorry if you got this thrice, having some trouble. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Contact Info for Background Records
Hi ! it´s: andy vaz = b a c k g r o u n d r e c o r d s subdevision: a TOUCH of CLASS rec. write: ++49.211.7885417 [EMAIL PROTECTED] Steve Nails www.corridor-productions.com www.besonic.com/stevenails - Original Message - From: Phonopsia [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, February 26, 2002 7:32 AM Subject: [313] Contact Info for Background Records Does anyone have contact info for Background records? Sorry about two posts in a row. I didn't realize Background Records would have such a legal twist on Google. All I got that was close was the forced exposure site. Tristan -- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jak
That was the first time I ever had fear of setting foot on a dance floor. People were wall to wall, and it looked like some depiction of purgatory. The room was painted black with a ceiling maybe three stories tall. A strobe from the ceiling was pretty much the only light, and he'd cut that off every so often sending the whole place into darkness. When the bass hit it blew your hair back. In the DJ booth he was bathed in red light, with a Sisters of Mercy poster behind him. One interesting moment was when a CD started skipping creating a Kid606 effect, then followed by the system emitting a horrible tone. The crowd went nuts, while Richie looked a little less than thrilled. Steve __ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] MP3 to CD?
Cakewalk Pyro It does everything. -Original Message- From: Dan Kurzius [mailto:[EMAIL PROTECTED] Sent: Thursday, May 24, 2001 4:11 PM To: Dennis Donohue; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: [313] MP3 to CD? Sean, So to not confuse .cda is an indexing configuration file, note they always have a file weight of less then 1k = no audio content. Big companies do this to hide the wave files, makes copying commercial audio CDs not so easy with proper software. You won't need to worry about this, follow Kevin's directions to handle the conversion from MP3 to Wave and then jump into Adaptec easy CD 4.0+ or Nero as Dennis suggests to rip the CD. dK -Original Message- From: Dennis Donohue [mailto:[EMAIL PROTECTED] Sent: Thursday, May 24, 2001 4:10 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: [313] MP3 to CD? .cda is the file-extension for a cd playable wave file. Most Audio CD burning software will create a CD from .mp3 though. I know for a fact that Adaptec easy CD 4.0+ and Nero both do. If you need help finding these programs shoot me a mail. Dennis From: Sean Deason [EMAIL PROTECTED] To: '313@hyperreal.org' 313@hyperreal.org Subject: [313] MP3 to CD? Date: Thu, 24 May 2001 15:16:22 -0400 Off topic but I thought I'd ask the masters: i want to convert a file from MP3 format and burn it onto an audio CD that will play in a standard CD player (home, car ect) . what format do I need to make the file in order for it to be read and played back by a CD player? sean - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] this weekend
Das why he da man. Me -Original Message- From: Dave Clark [mailto:[EMAIL PROTECTED] Sent: Wednesday, May 23, 2001 8:38 PM To: 313@hyperreal.org Subject: Re: [313] this weekend --- Geoffrey Richards [EMAIL PROTECTED] wrote: hey all, a couple a things, ... 2nd, i've been burning cds, many cds (well, 33 to be precise) of my music. kind of a 'best of' (imo) of my work over the last ~3 years. Holy crap, you've produced 33 cd's worth of music in three years?! I've spent the last 6 months on one track! -Dave __ Do You Yahoo!? Yahoo! Auctions - buy the things you want at great prices http://auctions.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
early synthpop records
does anyone know any places where i can find obscure synthpop bands on record such as telex,d.a.f. y.m.o. etc,
Re: [313] i'm pissed
I think we should sack the offices of Urb, burning and pillaging all before us. --- diana potts [EMAIL PROTECTED] wrote: well aren't we just spunky today...though you are the same person who finds it necessary to yell his name (JEFF!) with each post.;) I think before yelling at the magazine and leading an uprising it might be wise to calmly contact the editors and find out the deal. It could be a number of factors like the _writer_ didn't identify Alan when submitting the picts as part of the caption, or editorial or a number of possibilities. I don't think it has much with detroit getting its due, if anything most of these mags now have at least ONE detroit feature,event review of record review per issue. OR *gasp* perhaps Alan (with all due respect of course) just didn't make that big of an impression on the _writer_ that night-who knows. Detroit doesn't need to be worshipped all the time and its not the focus of every one's music world (i know..its hard to concieve:)) that's not what it's about though...simmah down now and think before you push send on that email to URB. all the best, diana --- FC3 Richards [EMAIL PROTECTED] wrote: I was looking throught the new URB magazine last night and i saw something that really pissed me off. They were reviewing parties that were thrown to ring in 2001 and they did a party called Together As One that was thrown in LA at the Colessium. as i was reading through the article they talked about just about every DJ that was there except for DJ T-1000. now obviously he made a good impression on the promoter because it was the second year in a row he was booked. I know he was there because in the pictures that went along with the article he was right smack dab in the middle of the picture with a big ass smile on his face. but the caption that identified the person in the picture said it was Sandra Collins. upon closer inspection, sure enough she was there. Standing next to him with her arms in the air not even looking at the camera. can't even see her face. infact i think she was checking him out. so whats up with this caption. i think this is just another fine example of Detroit not getting the respect it deserves. And i also think that it is a good showing of where the scene is going. too bad its to trance. i am suggesting that everyone on this list contact URB and tell them what a bunch of a$$holes they are. infact i am doing that now... peace JEFF! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/
Re: [313] The Rhythm of Vision
It was originally released as a track called Rhythm on his Minimal Nation album put out on Axis, and re-released on Mplant a few months ago. I'd try for the Mplant one, the original is hard to find. --- Jongsma, K.J. [EMAIL PROTECTED] wrote: Hi, Was Rob Hood's Rhythm of Vision ever released on another label besides the Tresor III compilation? Someone said to me he had a copy on M-plant but i can not find a copy of this. [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/
kim rapatti
can anyone recommend good kim rapatti records they've heard (specifically ones not on his own DUM label). thanks! steve __ Do You Yahoo!? Get email at your own domain with Yahoo! Mail. http://personal.mail.yahoo.com/
Keoki in Detroit
Anyone know where Keoki is going to be on the 24th of Nov.?? I know he's coming here, I just don't know where. Thanks.
Trying....
here's a question... at what point has the music of one scene become so copied that the original soul and unique spirit of those first pioneers become diluted with 1/2 arsed knock-offs and misguided interpretations? simply put, how long doest take for the bandwagon to run over the pioneers? cybotron is seen as the foundation of the detroit sound. 10 years later the sound had been refined and the banner picked up by a larger crowd. 10 more years have pasted. what is left of the original voice? i have been around in this scene for the better part of 10 years. i have seen the rise of UK breakbeat and it's tranfiguration into the various drum and bass camps. techno has gone from minimal concrete and steel to organic and then full circle again and again, each time picking up more and more bits of other influences. i am certain that a large section of this mailing list would not enjoy listening to the early techno records. they lack much of the movement that exists today. a large portion of the listening audience has come to techno thru the remains of the rave scene and the mega parties. i have people tell me all the time that they love techno, but when i break out some minimal techno stuff that ca. 1984, they look at me very confused. if i play early electro, they seem to know what that is, but the early techno is lost on them. to tell you honestly, the early techno takes some serious patience to listen to until it clicks in your mind. it took a few years for that to happen with me. so all this talk of trance and techno seems rather pointless. if you must confine your mind to a narrow defination of techno, then i feel sorry for you and at the sametime i have no time for you. there are many great works out there hiding on the b sides of many records filed under other banners than techno. -steve
