(313) Claude Young in NYC 11/23/13
Thought I'd share this event with you all featuring Claude Young in NYC next Saturday night, November 23rd. https://www.facebook.com/events/657008684333932/ http://www.residentadvisor.net/event.aspx?537011 If you're in the area, not to be missed... Peace.
Re: (313) Rolando in Boston
Everyone from Juan to KMS to Rick Wade to Dan Bell to Darshan and Morgan to Tim Sweeney to Kim Ann Foxman to Omar S, and this past Friday, Mike Servito played Never Say Never / 12 inches of pleasure in the 617... party was more on the reg when I lived there, but we still do it sometimes. The party info is always on the interwebs (ra, fb). Other people do things too, e.g. D. Carter played last month. So yeah On Fri, Nov 30, 2012 at 2:57 PM, Gil Yaker gya...@yahoo.com wrote: Granted others have lived here a lot longer than me, and I'm not terribly clued into what's going on, but I have never seen any respectable house music in this town. As in none, zero, null, zilch. There is the occasional techno event. From: Mike Taylor disconihil...@gmail.com To: 313@hyperreal.org Sent: Friday, November 30, 2012 2:52 PM Subject: Re: (313) Rolando in Boston I am interested as well. I might come down for this. Are there any promoters in Boston who are involved with serious house or techno? m On Fri, Nov 30, 2012 at 1:26 PM, Jimmy Juricevich jjuricev...@gmail.com wrote: He's playing next week. Anyone seen him lately? The event bio mentions him working with Nic Fanciulli who ain't really my thing, but i assume he's still worth a night out.
Re: (313) Big sigh.
@Mel that's all I'm saying. On Thu, Jan 26, 2012 at 6:24 PM, Mel N mymachines...@gmail.com wrote: Yeah sometimes he just comes out with great track selection, and that's really all I ask for really. Luckily for me every time I've seen him over the past 10 years he's played some great tracks. Most recently in Sydney (last year at the Marrickville bowling club) he even mixed pretty damn well as well as having a good selection. So I think it really depends on the club, and the style. Don't write him off. On Fri, Jan 27, 2012 at 2:25 AM, ohanakin ... ohana...@gmail.com wrote: All im saying is don't sleep on Juan the DJ. He killed it last week. I think ive said all i want to say. On Thu, Jan 26, 2012 at 9:45 AM, JT Stewart etmach...@gmail.com wrote: but you are probably less perfect than Juan. Sorry. i think you meant less talented? it sounds like you are confusing him with moses or whoeverhe is not an especially talented dj...everybody knows that...and juan isn't either.. jb was rightthe mix is garbage...tepid generic clubbiness with an underwhelming sprinkle of detroit flavor here and there...not great techno...but personally i set the bar is pretty low for Juan and this isn't as awful as he can be, or kevin saunderson-level shitty...it's listenable... but there are plenty of superior dj's on the 313-list and all over the place...every couple years you hear juan is dj'ing cool stuff but this looks/sounds like a promo mix for euro-club giggin......nobody is judging juan for his dj'ing or wack taste, it's nothing new, he's a still a crazy genius for his own productions..remember this tho http://www.discogs.com/Juan-Atkins-Wax-Trax-MasterMix-Volume-1/release/3001 so it's fair to hope he'd play some higher quality stuff...like real elitist techno...thats what i want.. jt
Re: (313) Big sigh.
All im saying is don't sleep on Juan the DJ. He killed it last week. I think ive said all i want to say. On Thu, Jan 26, 2012 at 9:45 AM, JT Stewart etmach...@gmail.com wrote: but you are probably less perfect than Juan. Sorry. i think you meant less talented? it sounds like you are confusing him with moses or whoeverhe is not an especially talented dj...everybody knows that...and juan isn't either.. jb was rightthe mix is garbage...tepid generic clubbiness with an underwhelming sprinkle of detroit flavor here and there...not great techno...but personally i set the bar is pretty low for Juan and this isn't as awful as he can be, or kevin saunderson-level shitty...it's listenable... but there are plenty of superior dj's on the 313-list and all over the place...every couple years you hear juan is dj'ing cool stuff but this looks/sounds like a promo mix for euro-club giggin......nobody is judging juan for his dj'ing or wack taste, it's nothing new, he's a still a crazy genius for his own productions..remember this tho http://www.discogs.com/Juan-Atkins-Wax-Trax-MasterMix-Volume-1/release/3001 so it's fair to hope he'd play some higher quality stuff...like real elitist techno...thats what i want.. jt
Re: (313) Big sigh.
All I can say is Juan brought it deep space vintage style at his last gig in nyc, for Kimyon's metroplex release party. All the naysayers, both w/respect to Juan's djing, or the new metroplex rec, booya. No one is perfect in this world, but you are probably less perfect than Juan. Sorry. Peas. On Mon, Jan 23, 2012 at 3:09 PM, David Smith bassline...@gmail.com wrote: In an ideal world he'd be playing super 'leet white labels from up and coming Detroit producers. However it is not an ideal world, in fact it is raining right now in Detroit in the middle of Winter! I agree though, he is not known for his Dj Sets as are Claude Young and Jeff Mills. DS On 01/21/2012 09:18 AM, kent williams wrote: I didn't get very far into the mix, because real life intervened. But what I noticed mostly was what I always notice, that Juan Atkins is crap at mixing. And I kind of like Derek Plaslaiko's Raw Jam track. What do you think he should be playing aside from this stuff? I don't know most of those tracks, but none of the artists are a priori offensive to me. It is a pretty conventional selection for 2012. On Fri, Jan 20, 2012 at 2:34 PM,ja...@iridite.com ja...@iridite.com wrote: http://www.littlewhiteearbuds.com/podcast/lwe-podcast-99-juan-atkins/ Utterly terrible - I know every artist goes through peaks and troughs in their career butlook at the tracklisting on this mix. It's rubbish. Big sigh. Jason
Re: (313) One for the gramps again - Mayday @ The Music Institute, '88
its all about the unrelease kaos track imnsho !!!
On Tue, Dec 6, 2011 at 8:29 PM, darnistle darnis...@cafe-ebola.com wrote:
Yeah, having finally listened to it, the music is OK enough but the mixing
was not really what I think of as Derrick May quality.
Oh well.
{}0+|
On 12/2/2011 8:33 AM, Robin Pinning wrote:
In the comments on the first link that Ken posted
(http://soundcloud.com/technobar/derrick-may-live-music-institute-1988):
bennglazier about 2 hours ago
So, Derrick has said that this is not his mix, but his friends...
https://twitter.com/#!/derrickmayday/status/142435593908011008;
R
On 2 Dec 2011, at 13:26, trm wrote:
...and this one hasn't reached its download limit.
-j
On 12/1/2011 2:50 PM, Matt Kane's Brain wrote:
Also posted by R_co last year:
http://soundcloud.com/r_co/derrick-may-live-music-institute-1988
They posted it about the same time, so who knows who posted it first,
but R_co posts lots and lots of good mixes. And maybe some mediocre
ones.
On Thu, Dec 1, 2011 at 14:41, Odeluga, Kenken.odel...@dowjones.com
wrote:
(313) Claude Young live in NYC
at Capriccio... A fiery set and night - thanks to all who were a part of this. http://soundcloud.com/capriccio/claude-young-live-at-capriccio http://soundcloud.com/capriccio
Re: (313) New Metroplex
not something you recognize as close to detroit techno ? hmm... On Mon, Oct 31, 2011 at 3:19 PM, kent williams chaircrus...@gmail.com wrote: It doesn't sound like Detroit Techno. It's closer to some of the more experimental stuff at the fringes of dance music. It isn't bad, per se, it just doesn't have that immediate emotional hook. I try my own work, to try to find rhythms I find compelling and combine that with tonal material that has some emotional resonance for me personally. Whether or not I succeed with respect to others is an open question, but that is what I'm trying. In contrast there's a whole world of music out there that combines repetitive beats with what sounds to me like academic electro-acoustic music. That is not the way to get people runway-jacking on the New Dance Show, but I don't reject it out of hand. I like some of that stuff a lot -- Pansonic, the stuff on Taylor Dupree's 12K label, tim hecker... But it's not something I recognize as being anywhere close to Detroit Techno. On Mon, Oct 31, 2011 at 12:35 PM, Kevin Kennedy the...@gmail.com wrote: kent, you are being very nice...I am proud of you. I am reserving all comment about this recording.
Re: (313) New Metroplex
an alternative view: maybe new and model 500 seem like they shouldn't go together? while some may not love this newest metroplex, for people to say this doesn't sound like detroit techno, 1) does it matter to you what the guy whose style detroit techno is thinks ??? 2) perhaps sounds more techno to mine ear than certain of the latest transmats... in any case... all the feedback i read makes me think: womp, womp. and for anything a little more like listening music or experimental not to be detroit techno... ridiculous and retarded are words that come to mind when trying to describe that point of view. On Tue, Nov 1, 2011 at 1:51 PM, Patrick Wacher pwac...@gmail.com wrote: I was kind of hoping that Metroplex would come out strong with a new Model 500 or something? P. On Tue, Nov 1, 2011 at 9:54 AM, ohanakin ... ohana...@gmail.com wrote: not something you recognize as close to detroit techno ? hmm... On Mon, Oct 31, 2011 at 3:19 PM, kent williams chaircrus...@gmail.com wrote: It doesn't sound like Detroit Techno. It's closer to some of the more experimental stuff at the fringes of dance music. It isn't bad, per se, it just doesn't have that immediate emotional hook. I try my own work, to try to find rhythms I find compelling and combine that with tonal material that has some emotional resonance for me personally. Whether or not I succeed with respect to others is an open question, but that is what I'm trying. In contrast there's a whole world of music out there that combines repetitive beats with what sounds to me like academic electro-acoustic music. That is not the way to get people runway-jacking on the New Dance Show, but I don't reject it out of hand. I like some of that stuff a lot -- Pansonic, the stuff on Taylor Dupree's 12K label, tim hecker... But it's not something I recognize as being anywhere close to Detroit Techno. On Mon, Oct 31, 2011 at 12:35 PM, Kevin Kennedy the...@gmail.com wrote: kent, you are being very nice...I am proud of you. I am reserving all comment about this recording.
Re: (313) Girogio Moroder's Metropolis
I would like to hear the Moroder version. At the time, I really liked the music Mills wrote for Metropolis, but always wondered why Jeff hadn't scored the whole thing, which was disappointing. On Fri, Sep 30, 2011 at 10:38 AM, tydesign tydes...@gmail.com wrote: I'm wondering if seeing Giorgio Moroder's 1984 version of Metropolis is worth it? It's making the rounds here in Michigan later in October. I've seen the Jeff Mills' one, which was fantastic and had no idea there was a Moroder one at all. Which then makes me wonder what people think are some of the best electronic scored films?
(313) Friday 9/16: Claude Young @ Capriccio
Next Friday night in NYC, a small get together that should be big fun with Claude Young, Reade Truth (live), and some guy named Alex...and perhaps some other surprises. Info here: https://www.facebook.com/event.php?eid=191104990958130 or http://www.residentadvisor.net/event.aspx?283194
Re: (313) derrick may, facebook, and youtube
you cant read these of youre not his fbfriend ;( care to share ? On Thu, Nov 4, 2010 at 2:32 AM, Wojciech wojtek@gmail.com wrote: derrick's been spilling quite a few 313 techno trivia beans lately through his facebook account. some of the comments he's posted along with youtube videos of a few of his tracks are informative, to say the least. enjoy: http://www.facebook.com/derrick.may
Re: (313) Me in LA
You should go to club called rhonda. that where its at i hear. On Mon, Nov 8, 2010 at 10:43 PM, Denise Dalphond ddalp...@umail.iu.edu wrote: Hi all, I'm heading to LA this Wednesday through Sunday for an ethnomusicology conference. It's hosted by UCLA, but most of the conference stuff is in a hotel downtown. Homegrown Sound is this Friday, I'm thinking of checking that out. Any other recommendations for me? Music, records, food, espresso, whatever. I've never been to LA. And, if any LA folks are around, let's meet up! Denise -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University http://denisedjsdetroit.blogspot.com/
(313) KMS is in the 617 tonight
Tonight at the middlesex, in cambridge... Master Reese doesnt always grace us in such an intimate setting. Hope you can make it. http://www.facebook.com/event.php?eid=164048213606943ref=ts
Re: (313) nude photo vocal remix
What nude photo vocal remix ?!! never heard about this. Please explain ! -A On Wed, Sep 22, 2010 at 1:39 PM, Office puzzle...@optic-universe.com wrote: Hello Everyone im trying to Find the nude photo vocal remix...Who is the artist and label thanks in advance//still no luck on finding the artist who did it . Thanks for the help Puzzlebox records
(313) liveset o' me opening for omar s
http://soundcloud.com/yah-you-are-hear/alex-from-queens-omar-s-opening-set 313 fare for sure... tracks dropped from old kenny Dope to Mole People to JB to Steve Bicknell to Andres, you get the picture. Only 20 or so minutes but am glad i got this nice souvenir... a great night mr. omar s turned out like a prof'l. and thanks to yah/james for throwing this up.
(313) the face may 1988?
Anybody know where this lives on the net ? i think its the issue that broke detroit to the european masses
Re: (313) the face may 1988?
honestly i just read it was the first feature on techno, so i was curious to see/trace the root of the other world's perception of the sound. Plus its probably super rad and an awesome memory lane show my friends while we're getting our drink on before dinner throwback On Fri, Jun 11, 2010 at 5:49 PM, Jason Brunton irid...@gmail.com wrote: Heh- is that the Stuart Cosgrove feature? Think it's got some quality pictures of big Kevin Saunderson wearin the wackest acid wash denim you've ever seen! Made a big impession on me at the time though Jason Sent from my iPhonen On 11 Jun 2010, at 18:59, ohanakin ... ohana...@gmail.com wrote: Anybody know where this lives on the net ? i think its the issue that broke detroit to the european masses
Re: (313) ANOTHER Mills album (and the future of Music Formats??)
maybe they should make a mini adaptor for this format 45s stylee? On Thu, Jun 10, 2010 at 1:03 PM, ja...@iridite.com ja...@iridite.com wrote: You're not wrong at all Francis - you have to place it on the turntable spindle as close to centered as you can and yes, there's only a small usable area for the music - think it might be about 5 mins worth - the grooves seem very tight but I was suprised by how good it all sounded. You might have difficulty with a semi-automatic turntable that switches off at the end of a side. Not so good for scratching and quick cuts then! cheers Jason On 9 June 2010 11:27, fran...@thatamazingthing.com wrote: I'm a little puzzled about some of the technical details also: What size is the hole in the middle? Presumably it has to be large enough to accommodate the 15mm-ish spindle CD players use? Do you get some special adaptor for the smaller spindle on a vinyl turntable? I make a CD to be only just larger than the label area on a conventional modern record. So either it only has a few seconds playing time or (more likely) it has a playable groove extending further toward the centre of the disc? But not all tone arms will move this far, some only expect to get as far as the run out groove of conventional vinyl and their range doesn't extend beyond that. Or am I being really stupid not visualising this thing correctly? -Original Message- From: mistamuthaf...@yahoo.com [mailto:mistamuthaf...@yahoo.com] Sent: 09 June 2010 1:48 To: ja...@iridite.com; 313@hyperreal.org Subject: Re: (313) ANOTHER Mills album (and the future of Music Formats??) I'd like to think that the extra weight on the spinner in the CD player would cause the electric motor to burn up slowly...especially the older ones. Those CD players were designed to handle the weight of a CD, not a CD/record. Then again the CD/DVD combos seem to work ok in their players even though they are thicker. --Original Message-- From: ja...@iridite.com Sender: irid...@gmail.com To: 313 list Subject: (313) ANOTHER Mills album (and the future of Music Formats??) Sent: Jun 6, 2010 6:12 AM Got another Mills album in - The Occurance and I've never seen anything like it. It's a CD. But you turn it over and it's a mini-vinyl disk. With music on it. That you play on a normal record player. So that's two formats for the price of one - anyone ever seen anything like this before? Wow - he's The Man From Tomorrow alright! I've been a bit too scared to put the CD in my computer to listen to the album (it looks a wee bit thicker than a normal CD but that could be an illusion) so I can't give any reports on it yet! cheers Jason Sent via BlackBerry by ATT
Re: (313) DEMF Post-Op Thoughts
was reading what you wrote about the ndatl party, and wanted to share, everybody i brought to the 1515 broadway party agrees with you, one of the best parties of their lives. we missed larry heard's set, but kai and theo brought the heat. that party had such a good vibe. 2 out of the last 3 years ive been to that party, was one of the best nights out. On Sat, Jun 5, 2010 at 10:43 PM, Denise Dalphond ddalp...@umail.iu.edu wrote: Okay, so I've finally finished my festival reporting. http://www.denisedjsdetroit.blogspot.com/ Suzanne, I'm so glad you made it down to YaDigg!! -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University http://denisedjsdetroit.blogspot.com/
Re: (313) DEMF 2010 weekend
If u couldn't get down to what theo was playin, I wish u luck. The
holy ghost was inhabiting the room that night
On Jun 4, 2010, at 9:57 PM, darnistle darnis...@cafe-ebola.com wrote:
Damn right it isn't for everyone.
If you didn't know that already, you know it now.
{}0+|
On 6/4/2010 8:10 PM, ohana...@gmail.com wrote:
I started reading what u write, only to get to the hogwash you wrote
about theo and the ndatl party. Yawn is right. I guess an epic edit
of
jb's bodyheat isn't for everyone?
Re: (313) DEMF 2010 weekend
I started reading what u write, only to get to the hogwash you wrote about theo and the ndatl party. Yawn is right. I guess an epic edit of jb's bodyheat isn't for everyone? On Jun 4, 2010, at 11:40 AM, darnistle darnis...@cafe-ebola.com wrote: D We arrived in Detroit late Friday morning and made our way to Submerge before checking into the hotel. For such a small store, it felt like there was a lot to delve into. I only made my way through half the stacks before I had to leave, but I found lots and lots of treats nonetheless. We also checked out the Detroit techno exhibit upstairs. I'm glad Cliff (I think that was his name) brought it to our attention. I also made a trip to Ya Digg records. I was truly surprised when I pulled up to the address and saw the building it is in. I thought I'd written down the wrong information. That was completely NOT was I was expecting. The store itself was a bit hard to find, which was a good thing because I had an opportunity to see the variety of other businesses within the building. I guess that is a perfect example of adaptive reuse. I wonder how many other factories have been similarly reutilized? Gotta luv Detroit! Ya Digg itself is a small store and still needs to settle into the space. It apparently opened just recently. I didn't have enough energy to dig through the stacks, so I limited myself to two small sections and managed to spot a number of interesting items in no time. Cha-ching Local heads may want to check it out, though you may want to come ready to rummage. Friday evening I went to the film fest at Detroit Music Hall, primarily to see Metropolis. I've had Jeff Mills' soundtrack for years and I've seen the original movie, but never in conjunction. I thought his music worked for the most part, though the ambient sections seemed to work better and more often than the beat-driven sections. Seeing the film while in Detroit seemed gave a whole new relevance to the storyline... The 'Timeless Suite for Ma Dukes' was curious. I don't know J Dilla's music at all, so I had no point of reference. The orchestrations did sound interesting. However, I noticed that at least two Erik Satie pieces were performed in their original and then orchestrated forms yet Satie wasn't mentioned, only the song titles. If I didn't know any better, I might assume those were J Dilla songs. I had to leave the theatre to put more $$$ in the parking meter, so I missed the final credits. Hopefully, Satie was given due credit. I still don't understand why Satie pieces were being performed during that concert and what connection Satie and J Dilla have. If anyone can explain, I'd appreciate it... The Drive Home was fun to watch. The audience reactions were very funny. I had to leave early, so I couldn't stay to hear Timeline perform, unfortunately. After resting a while at the hotel, I decided to check out the Dub Science party. Never found it. I guess it would have helped if I'd been in the right part of town... :) Eventually, I gave up and went to the Black Nation party at The Works. Did Jay Denham and/or Scan7 play at all? If so, when?Granted, I got there pretty late, but by 4am I gave up and went back to the hotel. I will say up front that Paxahau should be commended for having improved the sound quality in the underground stage. After trying different configurations, they actually found a setup that alleviated some of the aural problems that have plagued that space. Standing on the sidelines, the increased clarity was obvious but it became even more obvious once I went into the pit for the full aural experience. Deep, chest-rattling bass and sufficient representation in the mids and highs to make it somewhat easier to discern what was actually going on in the tracks. Of all the stages, the music at the underground stage was most often in tune with what I wanted to hear at the festival so I gravitated towards it. Patrice Scott's set was nice warm-up music. Since I'd managed to tire myself out before the festival even began, I just sat and listened. It was a good way to ease into the weekend. I really enjoyed Nico Marks' set too. I'd never heard of him before, so it was pleasant treat. I liked what I heard so much I picked up one of his CDs (he obviously has quite a number) at Record Time and have been enjoying it.Wouldn't mind hearing more of his work. Mark Ernestus and Scion's sets were good, but it was much too quiet. Not that I was expecting the sound system to be cranked up all the way, but it really wasn't loud enough to fill the space sufficiently. What I did hear was good but I was more interested in staying out of the sun/heat so I never lingered at the main stage for very long. Onur Ozer's set was kinda interesting and was the only thing I heard at the Beatport stage all weekend
Re: (313) DEMF prediction
lol... the old one's french kiss was number 1. On Wed, May 19, 2010 at 2:46 PM, Robin Pinning robin.pinn...@me.com wrote: So Placid and David think not. Just my prediction init ;) The other one would be Christian Prommer's Jaguar remix (Part2). http://www.youtube.com/watch?v=S2d9iqIqg6w robin... On 19 May 2010, at 19:21, David Powers wrote: Wow, I really hope not... On Wed, May 19, 2010 at 1:11 PM, Robin Pinning robin.pinn...@me.com wrote: Ok, we're a week off but my prediction for most played tune at DEMF is Greg Gow's 'The Bridge'. Any others? robin... Ps. I know this goes contrary to my previous posts on this Transmat release but I've heard Kenny Larkin play this out recently :)
Re: (313) Metroplex 25 during DEMF...
I dont want to start shit...i thought i saw something. I guess we'll find out soon enough... in any case, last yr i went after mills/atkins, and was a blast On Fri, May 14, 2010 at 10:04 AM, Denise Dalphond ddalp...@umail.iu.edu wrote: I am missing something, when's No Way Back?? Can't find anything yet. -- Denise Dalphond Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University http://denisedjsdetroit.blogspot.com/
Re: (313) Metroplex 25 during DEMF...
amen... i think there's also no way back that day. so id head there after ! On Wed, May 12, 2010 at 11:22 PM, mistamuthaf...@yahoo.com wrote: Isn't that the Juan, Derrick, Kevin, and Eddie party? THAT would be the only thing I would go to if I was in the area. --Original Message-- From: Jacob Arnold To: David Powers Cc: 313 Subject: Re: (313) Metroplex 25 during DEMF... Sent: May 12, 2010 7:24 PM Oddly enough, this is the first I've heard of it! J On May 12, 2010, at 8:19 PM, David Powers wrote: So, any list members going to the Metroplex 25 party in Detroit? ~David Sent via BlackBerry by ATT
Re: (313) New Robert Hood Interview on Gridface
Great job. On Mon, May 10, 2010 at 8:20 AM, Jacob Arnold ja...@gridface.com wrote: I had a wonderful phone conversation with Robert Hood the other night. He was quite open about his vision of the future and the spiritual side of his music. He also discusses brief flirtations with reggae and hip-hop as a youth and what it was like growing up in Detroit: http://www.gridface.com/features/robert_hood.html Cheers, Jacob
Re: (313) New YoavB and Redshape
i forgot which track it is of his I have, but that jammy totally remains the sickest of Yoav B's recs in any case ;) On Tue, Apr 6, 2010 at 2:07 PM, Robin Pinning robin.pinn...@me.com wrote: Apologies for being off-topic but blimey these new Delsins are killer (New Yoav B!! and Redshape who I'd stopped paying attention to tbh) http://www.delsinrecords.com/release.php?idxRelease=2347 http://www.delsinrecords.com/release.php?idxRelease=2351 robin...
Re: (313) Techno Rebels 2nd Ed.
I really hope theres nothing about brooklyn minimal. we're talkin about rebels right? On Thu, Apr 1, 2010 at 1:19 PM, mistamuthaf...@yahoo.com wrote: Dan has a blog out on the www somewhere, and he mostly mentioned adding some stuff from the last 10 years. The small discography at the back was to be updated as well. I haven't seen the 2nd edition, so I am not sure what it looks like though. Jeff --Original Message-- From: jwan allen To: 313 List Subject: Re: (313) Techno Rebels 2nd Ed. Sent: Apr 1, 2010 9:58 AM Either way I'm looking forward to the updates Mr. Sicko included in this 2nd Edition. It's hard to believe its been ten years since the first go round, just getting old I guess. The comment on Amazon are quite hilarious, as they are a few ppl that have issues that he didn't include the crappier forms of electronic music in his opus, needless to say those readers are missing the point. jw On Thu, Apr 1, 2010 at 12:45 PM, Matt Kane's Brain mkb.dirty...@gmail.com wrote: I guess there is a chapter about Ghostly. On Thu, Apr 1, 2010 at 03:26, robin ro...@fivetones.org wrote: If you've not read Dan's book then it's a good time to change that. I wonder what's new? http://theghostlystore.com/products/techno-rebels robin... -- matt kane's brain http://hydrogenproject.com capoeira in boston http://capoeirageraisboston.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg I need your sounds! http://nynex.hydrogenproject.com -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world Sent via BlackBerry by ATT
Re: (313) Did 'Alleys Of Your Mind' Pre-Date 'Shari Vari'?
exactly. and the second link was on here just a lil while ago... On Tue, Mar 9, 2010 at 11:18 PM, Mike Brown m...@hyperreal.org wrote: [sorry for dredging up a week-old thread; I don't read my 313 box as often as I should] kent williams wrote: I pulled down Dan Sicko's Techno Rebels and what he writes about Shari Vari and is that there's some debate as to which record hit the streets first. You'd think someone would have some definitive memory -- heck, Mojo is still alive, why doesn't someone ask him? The debate over which came first doesn't even seem to be between the musicians themselves. Juan Atkins and Paul Lesley both agree Alleys of Your Mind came out before Sharevari: http://music.hyperreal.org/lists/313/12.html (our own FAQ!) http://www.bleep43.com/bleep43/2009/10/4/juan-atkins-interview-part-two.html So do we really need to bug Mojo about this?
Re: (313) Did 'Alleys Of Your Mind' Pre-Date 'Shari Vari'?
i recall reading an interview, where juan said the 45 of alleys came out before On Tue, Mar 2, 2010 at 11:15 AM, kent williams chaircrus...@gmail.com wrote: Sharivari is always cited as the first Detroit Techno record, but given that it's a matter of weeks between when Sharivari was cut and when Alleys was pressed, it is probably better to award a tie. This also happened years before Juan talked to the UK music press and the term 'techno' was coined. So neither one was 'techno' at the time because there was no 'techno.' It's a bit like the earliest Hip Hop, before it was 'hip hop' -- the guys doing it thought they were making their own version of disco. It should also be noted that if Sharivari Test Presses were cut before Alleys, everyone in Detroit who was interested had heard Sharivari before Alleys. On Tue, Mar 2, 2010 at 8:33 AM, Martin Dust mar...@dustscience.com wrote: http://trembleunderboomlights.blogspot.com/2009/12/archer-record-pressing-master-numbers.html Ken Interesting, I guess it depends how many TPs they had done, I remember Warp doing 100 TPs and promoting off them for a couple of months back in the day.
Re: (313) The Long Arm Of DJ Rolando
ok then, what synths does mills use ? On Tue, Feb 23, 2010 at 5:51 AM, cheater cheater cheate...@gmail.com wrote: Hey, I can go on about synths all day. D. On Tue, Feb 23, 2010 at 02:09, kuszyn...@gmail.com kuszyn...@gmail.com wrote: Mailing lists are an incredibly important part of my communication ritual, and since my job blocks facebook and all other communication websites, i just do my mailing lists on my iphone. Furthermore, as already stated above, it let's me talk to all you old people who actually have something interesting to say about detroit techno and the things that people who like detroit techno like (except for synthesizers, not many of you other than kent talk about synthesizers). On Mon, Feb 22, 2010 at 7:51 PM, kent williams chaircrus...@gmail.com wrote: Honestly, I don't think that lack of detailed Otaku-style knowledge is or should be a barrier to entering discussion. Everyone has their own personal reactions and tastes, and as long as they are expressed respectfully I think they'll be treated respectfully. And if not, welcome to the Internet. 313 is too low traffic to be of much use to trolls at this point, though. On Mon, Feb 22, 2010 at 6:33 PM, poivren...@aim.com wrote: It might be low traffic, permanently, but that's OK by me. I get enough traffic as it is. I have over 8000 emails in my Inbox, want to guess how much of a percentage the 313 list makes up of those? I rarely post on here because too often I am dwarfed by the monsters of to no-end of details posters, where I little me, enjoy Detroit techno, grew up going to parties when I think they were first ones that took place in the D, but I have no idea who composed Taxi Driver, how many seasons there were of the New Dance Show, and whose DAT deck Derrick May swiped a copy of a classic Detroit track to call it his own(Or one of those other guys). And when I do post I am normally stomped on for my total and offensive ignorous of the purity of the love of this music. But I watch on the sidelines anyways. I think if there were something to kill this list it is that. If you don't have all the facts, you can't join in the conversation. And this is truely one of the most anal discussion lists out there in regards to talking about a music; an art form. No offence meant. Steve -Original Message- From: kent williams chaircrus...@gmail.com To: Odeluga, Ken ken.odel...@dowjones.com Cc: Matt Kane's Brain mkb.dirty...@gmail.com; cheater cheater cheate...@gmail.com; Frank Glazer cpe1704...@gmail.com; list 313 313@hyperreal.org Sent: Mon, Feb 22, 2010 4:50 pm Subject: Re: (313) The Long Arm Of DJ Rolando On Mon, Feb 22, 2010 at 9:45 AM, Odeluga, Ken ken.odel...@dowjones.com wrote: I'm just suggesting that the non-music trivia seems to make up the bulk of what gets discussed nowadays, that's all. I think my original post that started this thread was very much on topic and music-focused for what it's worth. I think it's exciting to hear cool music from ZA that has obvious Detroit Techno influence. Africans taking techno and house and making their own thing out of it is a 600 year circle completed. I hope it's not going to stay like this, but I fear what with twitterfacebookbuzz etc, the days of the e-mail list might be numbered. Well the list will be here, as long as Brian Behlendorf keeps Hyperreal.org alive. It might be low traffic, permanently, but that's OK by me. I get enough traffic as it is.
Re: (313) Vinyl Shops in Manhattan?
the best store for new techno is simply dopejams. its in brooklyn. it is a place vinyl lovers can feel at home. if you like trendy perhaps wanky minimal there is also halcyon. but for 313 and related stuff, dopejams rules. On Thu, Feb 11, 2010 at 11:06 AM, bluegreeng...@hushmail.com wrote: I don't know if If I agree with the brooklyn hipster rock comment. The Manhattan stores' greatest strength is in their used collections that come out of circulation from the people in the neighborhoods. Diversity and rare cool records is more the style, and the in/out flow is strong. It's true that there aren't many Detroit focused vinyl stores in Manhattan, but there are tons of generally great record stores, there is especially a high density of them in the East Village/LES The best bet for new techno, is Vinyl Market at 10th St just west of 1st Ave on the uptown side. It was closed for a while, but had reopened last I checked (a few months ago). Academy on E 12th is just a few blocks away and is excellent for it's all around selection. Maybe they don't carry much from detroit producers, but they do have a great disco selection, and even an italo section. There is another vinyl shop a few blocks east on 12th, I can't remember the name. I think maybe between A and B. It is smaller and caters towards rare breaks records/funk etc. It's smaller but a cool selection. Again unlikely to find much detroit records, but I did get a Sadistic Mika Band album there the other day which is cool no matter what. Gimme Gimme Records in 5th street east of 1st Ave has a good general selection. Sound Library (I thought it was on Orchard below Houston) is also cool for old disco/electro/80s dance. It may have moved to Ave A like discogs says, but I doubt it. I haven't been in a while. Also check out A-1 on e 6th between 1st and A. ... .- .-. . -.-. .- ... ... . - - . ... bluegreengold cassettes ]3 |_ |_| [- (_, /? [- [- |\| (_, () |_ |).|\| [- ~|~ now available: the real perfections C60 kanovanik C60, acoustical cave band C60, hanayo Frog Garden C30, upcoming releases with cj kool mu aka sendust, firehorse, robert burton... www.bluegreengold.net
Re: (313) Traxx contact info?
Thanks everyone, I got in touch ! Peace On Wed, Jan 27, 2010 at 4:55 PM, ohanakin ... ohana...@gmail.com wrote: Traxx contact info, anyone ? Want to book him...would be much appreciated ! thanks, A
(313) Traxx contact info?
Traxx contact info, anyone ? Want to book him...would be much appreciated ! thanks, A
Re: (313) what he said: Little White Earbuds review of Shake's Frictionalism compilation
Seriously, any review of shake's with a piece of ice that uses the word execrable is a joke on the writer. All these fancy words and he cant understand that record? maybe he/she needs some more time w the ttables, at a good party, or listening to claude young's dj kicks. Also, juan atkins isn;t making good music? Anybody heard his new track, work for money??!! Let me put in this way: fancy words on a hyped blog good writing don't make, yoda might say. Still, I'm thrilled that shake is getting attention because he deserves it and then some. -Alex On Fri, Jan 22, 2010 at 7:55 PM, Denise Dalphond ddalp...@umail.iu.edu wrote: I was just reading this this afternoon. Really great writing, and fantastic music. I'm loving all the Shake love lately! Denise -- Denise Dalphondhttps://mail.google.com/mail/?shva=1#label/313/1265785af005b331 Ph.D. Candidate Department of Folklore Ethnomusicology Indiana University http://denisedjsdetroit.blogspot.com/ On Fri, Jan 22, 2010 at 4:30 PM, Ravinder S Mann rav.m...@gmail.com wrote: Im so happy this material came out, Its been on heavy rotation since Ive got my hands on it. And as the article suggests some of the younger dj/listeners in the UK are really feeling it. Timeless technofunk. Ravi. 2010/1/22 kent williams chaircrus...@gmail.com: Maybe the best meditation on Shake's music I've read. http://www.littlewhiteearbuds.com/anthony-shake-shakir-frictionalism/
Re: (313) Track ID
i havent heard original but the record dreamscape is really just a straight up sampling rip of candido 1000 finger man the disco classic. On Sat, Jan 9, 2010 at 1:39 AM, Joe Marougi jmaro...@gmail.com wrote: Thanks guys, I found it. It's Dreamscape by Sweetreat Joe On Fri, Jan 8, 2010 at 6:37 PM, Frank Glazer cpe1704...@gmail.com wrote: man, it sounds like rick wade, but i can't be certain. On Fri, Jan 8, 2010 at 5:27 PM, Joe Marougi jmaro...@gmail.com wrote: Hi guys, Anyone know this track? http://djreneh.com/joe/Track%20Sample.mp3 Thanks in advance! Joe -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) Cosmic Twins Mix
http://www.discogs.com/Various-Frequencies/release/879734 been wanting to get this for a while On Tue, Dec 22, 2009 at 9:45 AM, Tristan Watkins phonop...@googlemail.com wrote: Has anyone heard if Solare Flare is ever going to get a release anywhere other than the Frequency mix? http://www.wavemusic.com/wave-artist/178 On 22/12/2009 14:09, robin wrote: Derrick and Francios K in the mix: http://www.residentadvisor.net/podcast-episode.aspx?id=186 robin...
Re: (313) Cosmic Twins Mix
right you are On Wed, Dec 23, 2009 at 5:13 PM, kuszyn...@gmail.com kuszyn...@gmail.com wrote: Given that it's available for $9 from this guy, I don't see you why you don't just get it. http://www.discogs.com/sell/item/16979123?ev=bp_titl On Wed, Dec 23, 2009 at 3:25 PM, ohanakin ... ohana...@gmail.com wrote: http://www.discogs.com/Various-Frequencies/release/879734 been wanting to get this for a while On Tue, Dec 22, 2009 at 9:45 AM, Tristan Watkins phonop...@googlemail.com wrote: Has anyone heard if Solare Flare is ever going to get a release anywhere other than the Frequency mix? http://www.wavemusic.com/wave-artist/178 On 22/12/2009 14:09, robin wrote: Derrick and Francios K in the mix: http://www.residentadvisor.net/podcast-episode.aspx?id=186 robin...
(313) detroit techno/dance music filmography
Greetings all, As I start to prepare my own project, I am trying first to assemble a filmography of Detroit, Detroit techno, club music, electronic music, etc... If anyone has some extra time on his hands, email me about any films that were cool, or why they were not, whatever, I'd be grateful... I've already seen, Maestro, Intellect, High Tech Soul, and a few others. What am I missing ? Any music docs that you think are awesome or worth checking, let me know about. I havent yet seen the Artur Russell bio, nor the Chip E, ;) they're both supposed to be worth checking out for very diff. reasons... Thanks, A PS Jeff Mills is on some other sh*t. He blew up New York City last night. He literally played 5 hours of music that's mostly all his own and unreleased. And he was on point from minute 0. Anyone who wasnt working or didnt have some other commitment truly slept. I dont know anybody who's pushed themselves, changed and grown as much as he has.
Re: (313) new transmat
ease on up cowboys, have you guys heard dvs1's stuff? gonna be out on transmat (check his myspace for the tracks) On Thu, Oct 15, 2009 at 2:38 AM, JT Stewart etmach...@gmail.com wrote: I agree, but they're both super duper wack club sh*t-turds. So, so tired. I could give a f about 'innovation' but for crissakes Derrick! Bring on Arne's record. On Thu, Oct 15, 2009 at 2:08 AM, Joe Marougi jmaro...@gmail.com wrote: Black Sun The Bridge
Re: (313) The Indefatigable Mr. Atkins
Clearly the best interview of him yet, I think. A coup. -A On Tue, Oct 6, 2009 at 4:18 AM, Martin Dust mar...@dustscience.com wrote: Great interview, linked up on LD - good work lads. m Odeluga, Ken wrote: Hi, Dan Bean has posted perhaps the deepest and most thorough interview of Juan Atkins I've read. It's b*y brilliant. But don't take my word for it. Read it for yourself here: http://www.bleep43.com/bleep43/2009/10/4/juan-atkins-interview-part-one.html http://www.bleep43.com/bleep43/2009/10/4/juan-atkins-interview-part-two.html Enjoy, Ken No virus found in this incoming message. Checked by AVG - www.avg.com Version: 8.5.409 / Virus Database: 270.14.4/2416 - Release Date: 10/05/09 18:23:00
(313) mojo//when doves cry w bird calls
Anybody have the version of when doves cry w bird calls mojo played ??? This would be quite special to hear...
Re: (313) friday
The transmat restart will probably feature Greg Gow's the bridge I hear, as well as a certain sick producer from the non Detroit/chitown Midwest Too bad il maestro ain't composing no more. On Jul 31, 2009, at 5:57 AM, Klaas-Jan Jongsma grand...@mac.com wrote: Yeah i heard those rumors about a Transmat restart too ;-) GPR? They have released some great music but also i heard why Black Dog called there last album Temple of Transparent Balls the way they did ;-) On 31 jul 2009, at 10:40, Marsel van der Wielen wrote: possible transmat restart? gpr restart? http://www.myspace.com/gpronline 69 box prices? these shirts? http://www.carhartt-streetwear.com/products/fw09/mens/tshirts/O444223 http://www.carhartt-streetwear.com/products/fw09/mens/tshirts/U359223
Re: (313) DM on 6Mix
http://rapidshare.com/files/260125692/6_Mix_-_2009-07-25_-_Derrick_May--www.qrip.org.mp3 Enjoy On Jul 29, 2009, at 2:21 PM, robin ro...@fivetones.org wrote: Just checking you're still reading Wibo :) I've heard better DM mixes btw. robin... On 29 Jul 2009, at 17:44, Wibo Lammerts wrote: not dutch at all ;) 2009/7/28 robin ro...@fivetones.org: A quick google gives me: http://alldj.org/index.php?name=Newsop=Articlesid=27504 I'm still a sucker for Derrick's djing. How Dutch does he sound when he speaks these days? :)
Re: (313) Forthcoming Purpose Maker
I should be clearer: I mean that honoring Billy Cobham should make sense for fans of Tony Williams... I'd love to hear bring out the 808 instead of the 909 ! On Jul 14, 2009, at 6:26 PM, ohana...@gmail.com wrote: Mills was like a Tony Williams, Return to Forever loving jazz fusion drummer in high school I hear, so it makes sense to me... On Jul 14, 2009, at 3:00 PM, David Powers cybo...@gmail.com wrote: And proud of it... The assembly-line character of the culture industry, the synthetic, planned method of turning out its products (factory-like not only in the studio but, more or less, in the compilation of cheap biographies, pseudo-documentary novels, and hit songs) is very suited to advertising: the important individual points, by becoming detachable, interchangeable, and even technically alienated from any connected meaning, lend themselves to ends external to the work. The effect, the trick, the isolated repeatable device, have always been used to exhibit goods for advertising purposes, and today every monster close-up of a star is an advertisement for her name, and every hit song a plug for its tune. Advertising and the culture industry merge technically as well as economically. In both cases the same thing can be seen in innumerable places, and the mechanical repetition of the same culture product has come to be the same as that of the propaganda slogan. In both cases the insistent demand for effectiveness makes technology into psycho-technology, into a procedure for manipulating men. In both cases the standards are the striking yet familiar, the easy yet catchy, the skilful yet simple; the object is to overpower the customer, who is conceived as absent-minded or resistant. Adorno and Horkheimer, The Culture Industry ~DP On Tue, Jul 14, 2009 at 1:49 PM, kent williamschaircrus...@gmail.com wrote: Elitist. On Tue, Jul 14, 2009 at 1:37 PM, David Powerscybo...@gmail.com wrote: RE the track names: Terrible choice of drummers to honor... What happened to Max Roach, Art Blakey, Elvin Jones, and Tony Williams? ~DP On Tue, Jul 14, 2009 at 10:51 AM, kent williamschaircrus...@gmail.com wrote: Vergel twitted this one: http://www.crosstalkchicago.com/newfeatures/featured/pages/PMK022_Jeff_Mills.htm As far as I can tell from sound samples these are all pretty much live programming of an 808 without any effects. Since I've spent many hours of my life listening to this sort of thing when working on my own tracks, it's hard for me to hear the Mills in them, but maybe over the course of a whole track they'll be more compelling. Track titles are kinda hilarious. Who knew Mills was a Rush fan?
Re: (313) Forthcoming Purpose Maker
Mills was like a Tony Williams, Return to Forever loving jazz fusion drummer in high school I hear, so it makes sense to me... On Jul 14, 2009, at 3:00 PM, David Powers cybo...@gmail.com wrote: And proud of it... The assembly-line character of the culture industry, the synthetic, planned method of turning out its products (factory-like not only in the studio but, more or less, in the compilation of cheap biographies, pseudo-documentary novels, and hit songs) is very suited to advertising: the important individual points, by becoming detachable, interchangeable, and even technically alienated from any connected meaning, lend themselves to ends external to the work. The effect, the trick, the isolated repeatable device, have always been used to exhibit goods for advertising purposes, and today every monster close-up of a star is an advertisement for her name, and every hit song a plug for its tune. Advertising and the culture industry merge technically as well as economically. In both cases the same thing can be seen in innumerable places, and the mechanical repetition of the same culture product has come to be the same as that of the propaganda slogan. In both cases the insistent demand for effectiveness makes technology into psycho-technology, into a procedure for manipulating men. In both cases the standards are the striking yet familiar, the easy yet catchy, the skilful yet simple; the object is to overpower the customer, who is conceived as absent-minded or resistant. Adorno and Horkheimer, The Culture Industry ~DP On Tue, Jul 14, 2009 at 1:49 PM, kent williamschaircrus...@gmail.com wrote: Elitist. On Tue, Jul 14, 2009 at 1:37 PM, David Powerscybo...@gmail.com wrote: RE the track names: Terrible choice of drummers to honor... What happened to Max Roach, Art Blakey, Elvin Jones, and Tony Williams? ~DP On Tue, Jul 14, 2009 at 10:51 AM, kent williamschaircrus...@gmail.com wrote: Vergel twitted this one: http://www.crosstalkchicago.com/newfeatures/featured/pages/PMK022_Jeff_Mills.htm As far as I can tell from sound samples these are all pretty much live programming of an 808 without any effects. Since I've spent many hours of my life listening to this sort of thing when working on my own tracks, it's hard for me to hear the Mills in them, but maybe over the course of a whole track they'll be more compelling. Track titles are kinda hilarious. Who knew Mills was a Rush fan?
(313) invite: Tim Sweeney and mice elf in Boston tonight.
Hey All, Doing the second installment of my 313 loving party, this time with Tim Sweeneyshould be a great night, I am opening, will be playing stuff this list would approve of, and then will give up the ttables to Tim, who did so good in Detroit on the Friday of the fest wknd at the bohemian club, which I was compelled to return to for one of my fave parties, No Way Back. In any case, do come by if you're in the area, its at the Good Life. Hit me up and I'll put you on the list. -A check us out at 12inchesofpleasure.com
(313) the RZA invented final skratch ?
http://ulmann.blogspot.com/2007/11/did-rza-invent-final-scratch-technology.html
Re: (313) DJ mix CDs - good ones
Fumiya Tanaka's mix up is up there with the d-may and mills...tanaka doesn't get the renown he deserves. he's so nasty, uncompromising, and a fine producer to boot. an elite dj and an elite producer. His productions don't really reach n. american shores too much - there's a whole world of music that he's created or had a hand in that's amazing On Wed, May 27, 2009 at 8:05 PM, Filip Sneppe filip.sne...@gmail.com wrote: I quite like the Jeff Mills - Exhibitionist mix CD he put out a couple of years ago: http://www.discogs.com/Jeff-Mills-Exhibitionist-A-Jeff-Mills-Mix/master/25759 Very smooth mixing. Also available as a DVD with a couple of other mixes on it by Jeff. Regards, Filip On Wed, May 27, 2009 at 7:50 PM, Ivan Tomasevic to...@tesla.rcub.bg.ac.yu wrote: Claude Young's DJ Kicks and Welcome to Central second CD are quite nice, Dan Bell's Globus Mix vol 4 also. On Wed, 27 May 2009, Michael Elliot-Knight wrote: I know most commercially available DJ mix CDs are crap but I'd like to find some more good ones Flipping through what I have already I realized that most of mine are at least 10 years old I've got a good portion of the X-Mix series (Saunderson, Ishii, Dj Hell, Acquaviva/Hawtin, Garnier), the Aux 88 Electro Boogie mix (one of my faves), Carl Craig Stacey Pullen's DJ Kicks mixes, Matthew Herbert's Globus Mix Vol. 5, DJ T-1000 Live Sabotage: Live In Belgium, and a few Subject:Detroit Submerge mixes. Looking for more thumping techno things - suggestions or your faves? MEK Disclaimer The information in this email and any attachments may contain proprietary and confidential information that is intended for the addressee(s) only. If you are not the intended recipient, you are hereby notified that any disclosure, copying, distribution, retention or use of the contents of this information is prohibited. When addressed to our clients or vendors, any information contained in this e-mail or any attachments is subject to the terms and conditions in any governing contract. If you have received this e-mail in error, please immediately contact the sender and delete the e-mail. --
(313) Demf: Jeff Mills Homecoming vs Boat party w c2 and stacey pullen others !!??
c2 and stacey and mk and a bunch of others are playing on a boat the same night as mills. what to do ? anybody know when jeff mills will get on the decks? the boat comes in at 330 am. thoughts?
(313) Metro Area djing in Boston tonight
Metro Area has been known to play lots of 313 stuff, eg m dubs, rhyhthim is rhythim recs like the kaos juice bar mix of strings, etc., so i feel i am not doing the wrong thing by inviting...;) Both of 'em are at the Good life tonight for my new party... 12inchesofpleasure.com. rsvp me for reduced. i am opening. check my man scott bliss's blog for a mix from me at loudmanquietman.blogspot.com that goes from Adonis to Gino Soccio to Virgo to Kramer Dashwood's dub of let no man put asunder to Blake Baxter's sexuality rmx by sims to Ron Hardy isht to that jacking tribal ugly edit to Jeannette Thomas and much more ;) rsvp me for list, 313ers -Alex
(313) Re: Metro Area djing in Boston tonight
i mean mk dubs, of course ;) and am psyched to see he's playing detroit at the fest On Sat, May 9, 2009 at 6:06 PM, ohanakin ... ohana...@gmail.com wrote: Metro Area has been known to play lots of 313 stuff, eg m dubs, rhyhthim is rhythim recs like the kaos juice bar mix of strings, etc., so i feel i am not doing the wrong thing by inviting...;) Both of 'em are at the Good life tonight for my new party... 12inchesofpleasure.com. rsvp me for reduced. i am opening. check my man scott bliss's blog for a mix from me at loudmanquietman.blogspot.com that goes from Adonis to Gino Soccio to Virgo to Kramer Dashwood's dub of let no man put asunder to Blake Baxter's sexuality rmx by sims to Ron Hardy isht to that jacking tribal ugly edit to Jeannette Thomas and much more ;) rsvp me for list, 313ers -Alex
Re: (313) Jeff Mills Homecoming
it had its momentstoo much hype On Thu, May 7, 2009 at 7:02 PM, /0 r3dsh...@chartermi.net wrote: yeah that was a terrible show, too. -- From: Joel Gajewski lupikitty0...@sbcglobal.net Sent: Thursday, May 07, 2009 6:54 PM To: Michael Kuszynski kuszyn...@gmail.com; /0 r3dsh...@chartermi.net Cc: Garrett McGrath g...@7mzdt.com; james.hurl...@utoronto.ca; list 313 313@hyperreal.org Subject: Re: (313) Jeff Mills Homecoming That is the same place he played at with Derrick May back in 2000 (maybe 2001). - Original Message From: Michael Kuszynski kuszyn...@gmail.com To: /0 r3dsh...@chartermi.net Cc: Garrett McGrath g...@7mzdt.com; james.hurl...@utoronto.ca; list 313 313@hyperreal.org Sent: Sunday, May 3, 2009 2:41:14 PM Subject: Re: (313) Jeff Mills Homecoming Looks like an amazing event, but does Jeff Mills have tattoos now? On Sun, May 3, 2009 at 3:17 PM, /0 r3dsh...@chartermi.net wrote: flyer http://farm4.static.flickr.com/3366/3492142010_3d37550f90_o.jpg -- From: Garrett McGrath g...@7mzdt.com Sent: Sunday, May 03, 2009 2:03 PM To: james.hurl...@utoronto.ca Cc: list 313 313@hyperreal.org Subject: Re: (313) Jeff Mills Homecoming odd message. is jeff really playing? On May 2, 2009, at 6:41 PM, james.hurl...@utoronto.ca wrote: OMG. see u all there. *MIXWORKS Presents: JEFF MILLS HOMECOMING* Sunday, May 24th 2009 / TANGENT GALLERY 715 East Milwaukee / Detroit 10 Dollars B4 Midnight / 18+ With ID 10:00PM-LATE *BUZZ GOREE AKA CLANDESTINE* UR/MIXWORKS *JAMES PENNINGTON AKA SUBURBAN KNIGHT* UR *TRAXX* BLACK NATION/RELIEF/FRINGIO *RYAN ELLIOTT* SPECTRAL *CLAUS BACHOR* PSYCHOTHRILLA/KLOIN *SPOREPRINT* MIXWORKS PLUS: LIVE PAINTING BY *ABDUL HAQQ* UR/THIRD EARTH VISUAL ARTS -- Michael Kuszynski kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) DEMF statistics revealed
Programming of the fest has never been as good as in the first 2 years, and those that don't realize that, i don't know. i say this with all due respect to all involved this and recent years. Comparing a detroit fest that headlines marco carola, and had benny benassi, to one in which the last poets's Umar Bin Hassan recited poetry with Kenny Dixon and Derrick May is nuts. One highlight for me was Mills' first time playing, when he got slightly wizard on the decks. (and when the mixer blew up, and dmay got on the mic - drama is good sometimes). And finally, a big mistake is the absence of DJ Hell. He merits a place on the lineup. Maybe even a whole night or stage devoted to his sound, from his punkier days to now, curated by him. There's a reason jeff mills is the international dj gigolo on gigolo 2, and its annoying that that connection hasnt been brought to bear on the world stage that the demf sometimes is when the music stands for itself. I mean last year was a great year, but in my ears only because of a few choice, hot moments at the fest, and a couple of parties that stood out, like the friday night party at the works, and the matchless Music Institute party. A few of those moments and connecting with friends is all i need. -Alex ps just remembered, whats up with omar s not playing (or is he?) On Sun, Apr 19, 2009 at 7:54 PM, Tristan Watkins phonop...@googlemail.com wrote: Nuff respect to Michael Geiger. I think he's an excellent DJ - but it's mad to see him on that list, given that as soon as I saw Carola at 4x I was thinking WTF. Does anyone outside of Detroit or people who have visited Detroit know who Michael Geiger is? I'm not trying to make too big of a deal about this, but I'd expect to see Derrick May there before him. That said, there's little rhyme or reason to this across multiple festivals and multiple sets of political pressures. Tristan
Re: (313) more demf performers announced
After last year, and apart from closing the festival, which is great news, I hope theres another MI afterhours w May and friends And also I wonder when is Hell going to play the fest ? Hell just turned out new york city like no one's business last week at the best warehouse party in years, he needs to play the demf already way over due ! On Thu, Mar 26, 2009 at 11:58 AM, KiDD*e 3...@qui-design.fr wrote: He will be at the Djoon in Paris FR, with Franck Roger. Tomorrow March 27th 2009 : http://www.djoon.com/myspace/img/flyer/2009_mar/confused.gif House expected :) - K* Le 26/03/2009 17:12, Fred Heutte a écrit : And Derrick May too.. He's closing the festival Monday night -- I know this because he told me so this morning (!) as I was going through Heathrow Terminal 2 to catch a flight to Bonn, Germany for the next two weeks for UN climate meetings. He's playing various gigs in Europe right now -- he never goes to Miami, he says, which is also happening this week. And Saturday he's back in London with Octave One and Stacey Pullen at Ministry of Sound. I'm almost tempted to do a quick trip back for that but unfortunately I have all day meetings on Saturday and Sunday. Derrick was very upbeat, definitely a cool coincidence to see him. cheers fh -- mail forwarded, original message follows -- To: grand...@mac.com,r3dsh...@chartermi.net CC: 313@hyperreal.org From: ken.odel...@dowjones.com Odeluga, Ken Subject: RE: (313) more demf performers announced Date: Thu, 26 Mar 2009 11:19:00 - Is a *finally* due for Octave One or did I miss something? At least I can say that they've not been at DEMF often. MK live could be a big bomb, potentially Didn't think he was still doing the kind of music we liked! :-) -Original Message- From: Klaas-Jan Jongsma [mailto:grand...@mac.com] Sent: Thursday, March 26, 2009 7:35 AM To: /0 Cc: 313@hyperreal.org Subject: Re: (313) more demf performers announced Woahaa! This is my WTF moment of this morning: Marc MK Kinchen Scotty Deep - live! More interesting names: Octave One, Kevin Reynolds, Francois K., Will Webb, Pereception: http://www.paxahau.com/p4x4hau/index.php Oh yeah and lil carl coxie and prodigy... blahaabla... On 26 mrt 2009, at 01:27, /0 wrote: pass.
(313) track id
Hi all, my boy mundi has been bugging me about this track id from a recent juan atkins set in romania, and i thought id ask the experts ! so who knows what this is ?? thanks so much https://www.yousendit.com/transfer.php?action=batch_downloadsend_id=654152918email=2693900fc326c0b0ea38f7df9484a673
Re: (313) DJing the visual aspect (was Mills interview/Wire mag)
My take on all this is theres no excuse for a serato dj not to have 20-30 recs on him just in case A dj can do damage for at least a good lil while with that number of records anyways, i still think vinyl always sounds better, unless youre carl craig and you use a radar hard recording system to burn your vinyl with expensive converters... http://www.soundonsound.com/sos/Aug01/articles/izradar.asp?print=yes he outfits that with crazy converters being c2 anyway, whats the point of playing an amazing system w mp3s and such? do you think the paradise garage, music box, or MI could have gone down with serato ? the time and effort required to acquire a sick record collection and then to know how to play it out in a set and tell a story used to help ensure that only those djs knew how to dj would get to djthey were the ones who had already made a huge sacrifice. now with the democratization of djing, everyone knows how to dj supposedly the printing press was indeed an innovation, but the quality of literary output is surely down in a world where literacy is epidemic and books are published every day only to be thrown out the next, where writing has devolved into txting and blogging. just as it is with the written word, so too with electronic music in my book. -alex ps. having said all that, i am a futurist, and innovation is where its at. but i think being judicious about how you go about it is key. and in a world full of amazing dollar records (think of how many copies of vanity 6 are out there), it still makes $ense to own vinyl On Tue, Feb 17, 2009 at 1:16 PM, Andrew Duke and...@andrew-duke.com wrote: On 17 February 2009, kent williams wrote: I've seen loads of DJs play boring sets with no consideration for their audience, using good ol vinyl and turntables. To paraphrase the NRA, Technology doesn't bore a crowd, DJs bore a crowd. Exactly! I think the important thing to remember is not process, but results. So much of this turntables vs software talk has nothing to do with ears, it is all eyes, to be honest. I've often wondered about this scenario: 2 friends who love the same music attend a party together; one is sighted, the other has 100% loss of vision in her/his eyes; after the party, both want to talk about the music they listened and danced to that night; while the non-sighted person ends up talking about the music, chances are pretty darn high the sighted person is going to have been influenced in his talk by having seen who used tables vs who used tables and/or software, who was the flashy DJ vs who was low-key, perhaps also by what sex DJs were (many listen to a female DJ differently for some reason), age, skin color, fashion sense or lack thereof, interaction with the crowd, etc, etc, etc; so many many things that don't have any affect on the music heard. Like does Strings Of Life played by a woman who is 23, uses only turntables and wears baggy trousers sound different than the same song played on the same sound system via turntable via Traktor Scratch by a man of different age, clothing, etc, etc. Of course not! With the sighted person, s/he is likely going to talk about the music seen/heard, not simply heard whereas the non-sighted person won't talk about the music seen, just heard. (I'm not going to get into that non-sighted people use their ears in a more heightened manner because of not having visual sight; I'm just using this drastic juxtaposition to try to do a proper contrast to make the point). Personally, I don't give a darn what kind of set-up the DJs uses (ie what my eyes see in a DJ), I care about what my ears hear from that DJ in question. I don't like to watch music videos, I want to hear the darn music not see it, unless we're talking about a live PA, and that's a whole different story; we're talking DJs, not live acts here. I tell my sound design and music production students over and over again to turn the screen off or look away from it when listening to their work. That visual BS that Windows Media Player defaults to play? That's turned off in my classes because it affects, even if subliminally, how you're experiencing the music. This past Sunday, a student, instead of playing his homework in an audio player (Mac students in this case, so whatever the Mac player is called), wanted to play it in an audio editor to SHOW us the waveform version of his homework and blab on about this section vs that section, pointing to the screen and the like; I said No way, we're listening to your homework, not watching it. We want to hear you song with no visuals, not watch the waveform scrolling by in an audio editor. If you play this music for other people in future, they're going to judge it with their ears; they're not going to demand to see a visual representation of it before judging whether they dig it or not! So many people don't get this aspect of music--listen to it and
Re: (313) DJing the visual aspect (was Mills interview/Wire mag)
Due, you missed my point. I wasnt saying the printing press killed all culture. it begat so much of it. i was making an analogy. i'm against mediocrity. With everyone and their mother getting in on djing, everyone and their mother cant be that good at it, that musical, or devoted. Between democracy and art/culture there are trade-offs. sometimes i dont like whats being traded. take the whole thing of everyone thinking they need to go to college in the us, for example. that doesnt go down in europe, and the youth there dont get f'ed in the ess with student loans. Finally, i dont know what the hell .microsound is. sounds pretentious and honestly i dont care to find out, no offense. i'm hip to non-street, non-dancey higher-brow sh*t like pierre henry, or whats labelled new music by certain people. but really, i like vinyl, dust (not too much), and nasty djs... And to be clear i dont think ableton or serato are the printing press--they are actually more related to oprahs book of the month club, harry potter, and other least common denominators. rather for 313, the printing press would be more like the vinyl cutting machine, the synthesizer, or roland drummachines. -a PS anyways how awesome is that Mills piece ?! On Tue, Feb 17, 2009 at 5:45 PM, David Powers cybo...@gmail.com wrote: This would be better discussed on the .microsound mailing list, but suffice it to say that without the printing press we probably wouldn't have Franz Kafka and Italo Calvino, not to mention the Age of Enlightenment and the American Revolution. I don't believe in democracy per se, but surely access to the means of production also means access for geniuses no matter how many imbeciles may also have their say. The problem is lack of education, not excess of democracy in the means of cultural production. ~David On Tue, Feb 17, 2009 at 1:13 PM, Andrew Beddow andrew.bed...@gmail.com wrote: now with the democratization of djing, everyone knows how to dj supposedly the printing press was indeed an innovation, but the quality of literary output is surely down in a world where literacy is epidemic and books are published every day only to be thrown out the next, where writing has devolved into txting and blogging. just as it is with the written word, so too with electronic music in my book. oh my god, incredible analogy. sorry, have nothing to contribute to this discussion, but amazing! text speak is the fault of the printing press! andrew
(313) record stores in montreal?
I shopped here like 9 yrs ago but, alas, its been 9 yrsany suggestions would be welocmed Thanks , a
Re: (313) Demf 2009?
i hope i get to go to another music institute partyafter last year's, i didnt need to hear another thing all weekend. =) -a On Sat, Feb 14, 2009 at 3:17 PM, Michael Kuszynski kuszyn...@gmail.com wrote: Tough times for all, and some dimensions of demf in the last two years have been less than stellar. I am, however, deeply thankful for any chance to experience a music gathering in detroit. What are your overall thoughts on memorial day weekend 2009? -- Michael Kuszynski kuszyn...@gmail.com www.planerecordings.com New York, NY
Re: (313) Omar-s in NYC
Omar S killed it at Santos, didnt see any of the usual suspects, what a shame On Mon, Feb 9, 2009 at 3:10 AM, atomly ato...@atomly.com wrote: [Todd Sines sines...@scale.gs] Y'all should have been at the Bunker for Jon Mendez, john Tejada, Jus Ed and Anthony Parasole ( the rest) last night. Yeah... Great party! -- :: atomly :: [ ato...@atomly.com : www.atomly.com ... [ atomiq records : new york city : +1.917.442.9450 ... [ e-mail atomly-news-subscr...@atomly.com for atomly info and updates ...
(313) piece on 313 cars and music by bbc
not groundbreaking or anything, but it is what it is http://news.bbc.co.uk/2/hi/in_depth/7831164.stm
Re: (313) NYC stores
the best three of all of these is dopejams, a-1, and turntablelab (which hasnt been mentioned yet)halcyon is picked through and gets 5 copies of the same minimal recs that everyone jumps on the bandwagon of... On Thu, Jan 29, 2009 at 12:40 PM, Frank Glazer cpe1704...@gmail.com wrote: other music = no listening stations = THE WACKNESS On Thu, Jan 29, 2009 at 12:10 PM, JD Harrington jerome.harring...@gmail.com wrote: There's also Halcyon in DUMBO - http://halcyonline.com/ - and Other Music - http://othermusic.com/ -JD On Thu, Jan 29, 2009 at 11:58 AM, bluegreeng...@hushmail.com wrote: I haven't walked past in the past few weeks but I believe Vinyl Market is still there. Dance tracks on 3rd St did close a while ago. In the east village/LES you've got Etherea, Academy, Good Records, A-1, Gimme Gimme, Sound Library, and Deadly Dragon Sound (reggae). Plus tonnes more in the neighborhood but I don't have enough time to shop at them! -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: Re: (313) NYC stores
no theyre used but any digger should check it On Thu, Jan 29, 2009 at 2:46 PM, cpe1704...@gmail.com wrote: I always forget about A1. They stock new techno and house? I thought they were all used. I never have much luck at Turntable Lab. Dope Jams has by far the best selection. On Jan 29, 2009 12:43pm, ohanakin ... ohana...@gmail.com wrote: the best three of all of these is dopejams, a-1, and turntablelab (which hasnt been mentioned yet)halcyon is picked through and gets 5 copies of the same minimal recs that everyone jumps on the bandwagon of... On Thu, Jan 29, 2009 at 12:40 PM, Frank Glazer cpe1704...@gmail.com wrote: other music = no listening stations = THE WACKNESS On Thu, Jan 29, 2009 at 12:10 PM, JD Harrington jerome.harring...@gmail.com wrote: There's also Halcyon in DUMBO - http://halcyonline.com/ - and Other Music - http://othermusic.com/ -JD On Thu, Jan 29, 2009 at 11:58 AM, bluegreeng...@hushmail.com wrote: I haven't walked past in the past few weeks but I believe Vinyl Market is still there. Dance tracks on 3rd St did close a while ago. In the east village/LES you've got Etherea, Academy, Good Records, A-1, Gimme Gimme, Sound Library, and Deadly Dragon Sound (reggae). Plus tonnes more in the neighborhood but I don't have enough time to shop at them! -- peace, frank dj mix archive: http://www.deejaycountzero.com
Re: (313) what's new with REAL Detroit releases?
i second that about the reviewespecially when half their shtick is to press records that they compile??? just call it bootlegging, and stop trying to elevate that to creating... i think avowed bootleggers have no place dissing mr kenny larkin. and then they diss MM too. I forgot how hard it is to press up tracks available digitally. on the other hand, their store is awesome, and one of my favorites in new york, maybe after A-1. anyways, dissing planet e is wackif buttrich is too euro, how about ican, too latino or hispano ?, the how about list goes on and on.. i think we owe some thanks to c2 for all the stuff from tres dmented on... that said, the Poussez Dark Comedy records take the cake. -A On Wed, Jan 28, 2009 at 2:24 PM, michael.elliot-kni...@fallon.com wrote: Hilarious? I think the Dope Jams review is petulant and devoid of thought. Pretty lame of them to give Kenny such a juvenile review and then try to make money off his work. MEK On Wed, Jan 28, 2009 at 9:33 AM, JT Stewart etmach...@gmail.com wrote: That K Larkin album was really bad too. Dope Jams has a hilarious description of it on their site.
Re: (313) what's new with REAL Detroit releases?
of ocurse its refreshing that they have balls, but sometimes, they should take their shizz out on more deserving suspects finally, have a sense of humor about this, i do...all these words mean nothing On Wed, Jan 28, 2009 at 4:46 PM, JT Stewart etmach...@gmail.com wrote: just call it bootlegging, and stop trying to elevate that to creating... In case no one bothers to look, they almost exclusively bootleg stuff like Nirvana and Devo songs on 12 singles and sometimes do simple edits of the stuff. They're not bootlegging records in the sense that they are making counterfeits (such as HTFR et al). They're also quite obviously bootlegs/promos -- plain white labels with block text. Big whoop. i think avowed bootleggers have no place dissing mr kenny larkin. and then they diss MM too. I forgot how hard it is to press up tracks Everybody has an opinion, and for a record store to actually be honest about theirs instead of copying the promo sheet or typing up the typical hype is extremely refreshing. Obviously they won't be selling as many of those Larkin albums as they would without that review, so there is no self-interest in it. I thought it was funny, but I'm not a huge Larkin fan... anyways, dissing planet e is wackif buttrich is too euro, how about ican, too latino or hispano ?, the how about list goes on and on.. I've been listening to Planet E records and have been friends with Planet E artists and staff for long enough to be entitled to my opinion, thank you. I think the recent records are weak and sound like fodder for European clubs (Larkin's aside). They do not affect me emotionally in any appreciable way. I have the first Buttrich and the Ican so I'm only talking about 2 or 3 releases. American techno is in shambles but what else is new.
Re: (313) what's new with REAL Detroit releases?
I used to work with one of the the guys at said store at another shop where i was techno buyer, so AMEN, and so anyways, we should move on to the next kosher topic, like how many techno fashionistas does it take to outdress kanye On Wed, Jan 28, 2009 at 5:11 PM, JT Stewart etmach...@gmail.com wrote: On Wed, Jan 28, 2009 at 4:06 PM, michael.elliot-kni...@fallon.com wrote: I think it's unethical to give as superficial a review as that and yet try to profit from it. Larkin put some time and effort into making the record. The best they could do is put some time and effort into writing a proper review. You guys are making a big deal out of some very inconsequential nonsense and trying to conflate it into deep ethical issues. COme onnn...I don't have the energy for this... Obviously they're not trying to profit from it if they're giving it a bad review. They are discouraging people from buying it. They're a record store and they can't just not carry it because they don't like it. FFS. Can I get some amens from people who actually work at/run record stores?! It's not unethical to sell work they think is weak - but to give a review that reveals less than nothing of the musical work AND try to profit from it, that's weak. Well, it's music, so you listen to it...And if you're familiar with the taste of the store, then it says more than it seems to I guess. Every online store, aside from the rare exception like Boomkat, just writes a sentence or two describing the style of the music and says Tip! or not. Hardwax says complete nonsense half of the time, I don't know who's writing their stuff these days. Otherwise most every store just copies the promo sheet, which makes me barf. When did words start mattering so much? I just listen to it. Or I go to Boomkat and read what they have to say. If they don't have anything to say about it (and it sucks beyond belief isn't saying anything) then they should not review it. I disagree. It made me laugh and it made me respect them for being honest. I only tell customers that records suck over the phone...
Re: (313) what's new with REAL Detroit releases?
a ton of arrogance, just check their list of rules..they have a list of rules. BUT, as arrogant as they are, and to my new york ears words written uttered by bostonians (they hail from ny's largest suburb) other than guru (the rapper) more often than not do sound arrogant, and as unfounded as that arrogance is, they are a brick and mortar store that carries the latest parte hardy, the latest planet e, the latest harvey black cock repress, and the latest deutsche club trackand for that i am ever so grateful. last week when i went there and returned with goodies to my crib, i was so happy to have records i bought after listening to firsti know for a lot of people buying vinyl is weird, but for me, it was a welcome respite from mail ordering, and a nice change from getting my knuckles dusty from digging in musty basement kinda places--when i do mail orders, not every track i get ends up being the shti, coz often the segment played is right next to a segment that sounds awful...and furthermore, every once in a while i get a track with a skip, like my copy of jackmaster hater has a skip on the inside mlk cut. On Wed, Jan 28, 2009 at 6:18 PM, michael.elliot-kni...@fallon.com wrote: Ha! I get it Martin However, I look at it this way though - two guys running a record store and record labels that profit from other people's hard work their record store sells other people's records their record labels sell other people's music that they have never paid a dime for (it's all pirated) these guys are thieves - I don't care how anyone reformulates the excuses for them to make it o.k. in their mind/soul so for _them_ to write that review for an original music work shows arrogance, not honesty MEK Martin Dust mar...@dustscience.com wrote on 01/28/2009 04:57:46 PM: Hey you guys ;) http://imgs.xkcd.com/comics/duty_calls.png m
Re: (313) what's new with REAL Detroit releases?
I am feeling the new Patrice Scott record Far Away, really nice, expansive and lush, great beginning of the night music, the last Levon Vincent on a white label i just got, and also enjoying the hell out of Runaway's Alberg 30 on Chinatown that aint 313 per se, but is hot. Also, some chestnuts (what i call tracks that everybody acclaims and are easy to see why) : the last mdr, and of course, the new c2 remix of buttrich --its really rich ;) Also also, theres a repress of Phortune's Hot Mix 5 jam,Can you feel the Bass, and the lil louis on mathematics that has a more flanged out version of nyce and slo,i like the original more i still think ( when played at 45 very 313) A On Tue, Jan 27, 2009 at 12:42 PM, Matthew Kane mkb.dirty...@gmail.com wrote: On Tue, Jan 27, 2009 at 12:19, kent williams chaircrus...@gmail.com wrote: So if you're doing something, speak up! If you just bought a killer Detroit record, let me know. If you know of some crazy kids doing something interesting ... I just got a copy of the new Octave One album which I quite dig. I guess it's not that new, but I didn't see it get much attention last month. I know of one very intriguing project in the works but I don't have the artists' permission to blabber about it. Aren't you special :P -- matt kane's brain techno radio at: http://hydrogenproject.com http://wzbc.org capoeira in boston http://capoeirageraisusa.com aim - mkbatwerk ; y! - mkb218 ; gtalk - mkb.dirtyorg
Re: (313) what's new with REAL Detroit releases?
big room techno is one thing, exceedingly mediocre is another, and there is nothing exceedingly mediocre about planet e or c2 for that matter... but indeed, shake always takes the cake for authentic 313 flava..whered you snag that rec? says it aint out yet On Tue, Jan 27, 2009 at 1:48 PM, jwan allen jwan.al...@gmail.com wrote: Shake (313 superhero) has a forthcoming 12 on Morphine Records called Levitate Venice. This title can be heard in some of more recent Andrew Duke in the Mix sessions. I may be a bit biased, but its another fantastic record from Mr. Shakir. A more detailed review will be posted on infinitestatemachine.com, after the Steelers win the Super Bowl.:) Maybe its just me, but the past few Planet E releases haven't been worth mentioning, since I'm not the target audience for exceedingly mediocre dance music. I would much rather here more Tribe tracks, than jona/buttrich/wackness that's been pressed lately. jw On Tue, Jan 27, 2009 at 12:40 PM, Andrew Duke and...@andrew-duke.com wrote: kent williams wrote: I don't want to write a thumbsucker about the 313 list, but one thing that seems to be lacking these days on the list is real information about new music actually originating from Detroit or Detroit native expats elsewhere. So if you're doing something, speak up! If you just bought a killer Detroit record, let me know. If you know of some crazy kids doing something interesting ... I'm diggin' quite a few new Detroit-related things (scant on info, cos I hear my daughter starting to wake up upstairs and she's at the age where she likes to tear her room apart soon as she wakes): Acacia102_Kelli Hand_Silent Answer_house for those who dig Theo and KDJ Ghostly InternationalGI78_The Sight Below_Glider_if Basic Channel were to add guitar textures KeroHand001_K_Hand and Kero_Dat Roit_new techno label MotechMTD015_Subotika_nice D techno PersistenceBit024_FrancoCangelli_not from the D, but deep like the D Subtrak017_ChristianBloch_AccessByInode_reverb (used well) for days/daze Chaircrusher (who he? :))_Sargeant Ridiculous RushHourRH-N1_Nebraska_SatelliteVariations_house for those who dig Theo and KDJ and not at all D-related, but got the Antony and The Johnsons new album the day it came out and have been playing it nonstop since Andrew np Ilmar Kerm's Inspired By Theo mix -- Andrew Duke In The Mix weekly mixshow (est. 1987), excl. DJ mixes, PAs, interviews: http://cognitionaudioworks.com/AndrewDukeInTheMix.html sound design and music content provider: http://cognitionaudioworks.com/sounddesignandmusic.html http://myspace.com/andrewduke http://www.facebook.com/profile.php?id=1614666166 Andrew Duke Cognition Audioworks 57 Hastings Drive Dartmouth NS Canada B2Y 2C7 -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world -- Technoir Audio http://www.technoiraudio.com dealing with your imperfect world
Re: (313) what's new with REAL Detroit releases?
songs for my mother, revisionist's theory, and club scam II are faves of mine... and of course, systematic advancing on gigolo... maybe youll need more than one comp. =) A On Tue, Jan 27, 2009 at 2:13 PM, robin ro...@fivetones.org wrote: On 27 Jan 2009, at 19:09, Christiaan Macdonald wrote: speaking of shake.. we are working on a compilation of his stuff as some of his music hasnt been available for a while. actually working on it as we speak.. should be available before the summer period.. will keep you in the loop. any favorite tracks that need to be included anybody? :) That's so hard. So many! :) robin...
(313) stoney question
Hi all , I wanted to find out who Stoney is from the first transmat If its obvious call me out, but do tell what you know either way Thanks
Re: (313) stoney question
Thanks, Ken...ok, lets take it from there ?? ;) On Thu, Jan 22, 2009 at 10:53 AM, Odeluga, Ken ken.odel...@dowjones.com wrote: We could start by saying it's not well known - the way your question is phrased, suggests you think it's a well-known fact. It isn't, so don't worry about that. Ken -Original Message- From: ohanakin ... [mailto:ohana...@gmail.com] Sent: Thursday, January 22, 2009 3:37 PM To: 313 Subject: (313) stoney question Hi all , I wanted to find out who Stoney is from the first transmat If its obvious call me out, but do tell what you know either way Thanks
Re: (313) New Derrick May Release was Re: (313) Rob Hood in da Grey Area Mix and other new tunes!
Dmay is like Rimbaud - crazy output for a few amazing years that is eons ahead of anyone else, but, who you can still hear kill it, if the party's real right. Alex On Dec 11, 2008, at 11:20 PM, kent williams chaircrus...@gmail.com wrote: I prefer he release nothing than release something disappointing. Maybe he's just until he has some tracks that are good enough to make us forget the classics. Maybe he found out he could make a living without putting his reputation on the line. Oh wait, he did! On Thu, Dec 11, 2008 at 7:30 PM, Michael Kuszynski kuszyn...@gmail.com wrote: So has derrick may just refused to record anything new? Is the best he can do is release something from 1993? /me(hides behind chair)
