RE: (313) georgio moroder
yeah, the original score from Scarface -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Saturday, September 21, 2002 10:46 PM To: 313@hyperreal.org Subject: (313) georgio moroder so ive got some stuff from the man, including the son of my father lp, but ive not got much electronic stuff, just a few mp3s and cheesy neverending story and flashdance soundtracks. is there a comp with his essential electronic productions? and if theres not, can someone recommend some for me? thanks, tom andythepooh.com
(313) georgio moroder
so ive got some stuff from the man, including the son of my father lp, but ive not got much electronic stuff, just a few mp3s and cheesy neverending story and flashdance soundtracks. is there a comp with his essential electronic productions? and if theres not, can someone recommend some for me? thanks, tom andythepooh.com
[313] georgio moroder
Hi people, I want to get a clear vision on the impact that georgio moroder had in the late 70´s and later on house and techno.. Does anyone know a good text about this guy? And more important - can I find some sound previews of what he has produced? Sorry for my bad english today.. but it has been a hectic day! Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] georgio moroder
Hey Maarten Moroder´s E=MC2 was one of the all-time favourite albums of Derrick May !!! http://www.disco-disco.com/tributes/giorgio.html http://www.geocities.com/HotSprings/1392/GiorgioMoroder.html Cheers Mario Maarten Baute [EMAIL PROTECTED] escribió: Hi people, I want to get a clear vision on the impact that georgio moroder had in the late 70´s and later on house and techno.. Does anyone know a good text about this guy? And more important - can I find some sound previews of what he has produced? Sorry for my bad english today.. but it has been a hectic day! Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - Do You Yahoo!? Yahoo! Messenger! Comunicación instantánea gratis con tu gente.
Re: [313] georgio moroder
I don't know if any of this is helpful (and I'm sure there ARE texts, but I don't know of them), Giorgio's signature is that arpeggiated bassline you hear in Donna Summer's I Feel Love which he tends to repeat in *many* productions. When the band Japan transitioned from a yowling rock outfit dressed in pilfered items from their sisters' closets to Roxy Music clones (no offense - I love Japan :-), it was Giorgio behind the knobs with the Life in Tokyo single which did it. Sparks used him to produce No.1 in Heaven and (I think) Terminal Jive, which feature that 'sound' prominently. He did the Midnight Express sndtrk and several others. Without him there wouldn't have been any Bronski Beat as we know them. Giorgio was instrumental in shaping disco and, considering Blondie (Heart of Glass) and Berlin's use of him, he had a strong hand in another feeder line of today's scene via a vis (ugh. I hate the nomenclature) new wave. If you go here http://www.cdnow.com/ and do a search for Giorgio Moroder, it should provide you with some items which will be linked to .ra samples. Hope this helps. jeff At 10:44 AM 2/5/2002, you wrote: Hi people, I want to get a clear vision on the impact that georgio moroder had in the late 70´s and later on house and techno.. Does anyone know a good text about this guy? And more important - can I find some sound previews of what he has produced? Sorry for my bad english today.. but it has been a hectic day! Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] georgio moroder
Mxyzptlk wrote: Giorgio was instrumental in shaping disco and, considering Blondie (Heart of Glass) Slight correction. Heart of Glass was produced by Mike Chapman. Moroder produced Call Me... Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] georgio moroder
Right you are. That's what happens when you get old and your memory is so bad that you forget that you're old and can't trust it anymore :-) ' jeff At 11:36 AM 2/5/2002, you wrote: Mxyzptlk wrote: Giorgio was instrumental in shaping disco and, considering Blondie (Heart of Glass) Slight correction. Heart of Glass was produced by Mike Chapman. Moroder produced Call Me... Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: [313] georgio moroder
the number of Gerorgio moroder responses prompted me to share what i had sent Maarten off board. There was a huge gang of us who went 'clubbing' if you could call it that during 1974/76 and we had a fixed routine - the only chemical was amyl nitrate bought illegally from a chemist in picadilly circus: Monday - Busbys : Charing Cross Road - was a gay club open till about 3.00 in wots now the mean fiddler Tuesdays - Crystal Palace Hotel, right on the round-about at Crystal Palace (Does anyone remember the this? Thursdays - Ripples (It was somewhere around the avenue where the Sounshaft now is). I always remember Jonathan Richman Modern Lovers Egyptian Reggae from this club - whenever i hear the tune thats my memory. Fridays - Was Louises Poland Street - Normally a lesbian club but taken over by SexPistols Friends and surprisingly a huge legion of people from Radio Luxembourg Saturdays - Global Village: (I remember Boy George about 15!) Huh! Sundays - Crystal Palace Hotel Again. sorry ... all very un-313 but reminisces .. yeah, i'm that old and still out two to three times a week (couldnt do 6 nights anymore). luv-it! - Original Message - From: Michael D Tyrer [EMAIL PROTECTED] To: Maarten Baute [EMAIL PROTECTED] Sent: Tuesday, February 05, 2002 04:59 Subject: Re: [313] georgio moroder Hi Maarten i can only tell you huge sorry not to be able to point you at any text i have the original donna summer 'i feel love' from 1976 sitting here and can tell you that around the time this first came out the whole impact of clubbing changed massively here in the UK. It was predomiantly in the gay-clubs that this was being heard and i'm sure there were earlier productions from about 1975 of his. I remember there being a huge change from disco to club sound in 1976 and have always felt that this and the diana ross epics of the time were part of the main influence. There was a huge up-change in tempo and mixing started to happen The only straight club i remember picking up with all around the same time (75) was Global Village and a club on the back Ripples or something. Funnily enough, Punk Rock, also had its part to play in a non-stop mix sound. It was in the punk clubs that mixed sound also started to happen. I remember around the same time as Global Village was happening a punk night which started in a club in Poland Street called Louises (normally a lesbian club)frequented by sex pistols, billy idol just some reminisces regards - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 05, 2002 04:44 Subject: [313] georgio moroder Hi people, I want to get a clear vision on the impact that georgio moroder had in the late 70´s and later on house and techno.. Does anyone know a good text about this guy? And more important - can I find some sound previews of what he has produced? Sorry for my bad english today.. but it has been a hectic day! Cheers, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Georgio Moroder
a whole site dedicated to the guy http://www.dj-empire.com/morobe.htm his biog : Born in 1940 in Ortisei, Italy, Giorgio Moroder played guitar in small night clubs and theatres across half of Europe at the age of 19 before settling down in Berlin in 1967 to start his great career as a producer and composer in a somewhat unorthodox way: he wrote German schlager songs, and landed his first hit after just 6 months. He worked with singers like Michael Holm and Ricky Shayne and was soon an established composer on the schlager scene. Having shown at an early stage that he had an extraordinary instinct for mass audience appeal, Moroder started work as a producer after a spell at the Musicland Studios in Munich; by this time, it was clear that Giorgio Moroder did not crank out hits to a formula, but always let his intuition guide him. It was not long before he had mastered and integrated all the new studio technology. Moroder, who always dreamed of an American sound in Motown style, chose the bubblegum wave of 1969 as his launch-pad onto the international stage for a song he had not only composed and produced himself, but which for the first time featured English lyrics: the single Lookie Lookie was well received in Holland, Spain and France. Then the album with Pete Bellote, who has been his permanent partner since 1970, Chicory Tip - Son of my Father became a smash hit in England. His really big breakthrough, however, came with Donna Summer, who had initially auditioned as a background singer for Moroder and Bellote at the end of 1975: just 6 months later her interpretation of The Hostage climbed to the top of the Dutch and French charts. After the album Lady of the Night the trio recorded a not entirely serious track inspired by Serge Gainsbourg and Jane Birkin's steamy hit Je t'aime, adding more than a pinch of sex themselves. Love to love you Baby was initially a flop as a single, but when Moroder had the brilliant idea of extending the track into a 17-minute disco symphony and releasing it as an album, the whole world wanted to make love with Donna. Love to love you Baby was the first worldwide disco hit - the decisive breakthrough for disco music in general and one of the most frequently copied and sampled pieces of dance music ever recorded. As a result of this enormous success, Moroder, Bellote and Summer reached their creative climax in the mid-70s and released one record after another in a very short space of time: after the concept albums A Love Triology and Four Seasons Of Love (both 1976), the I Remember Yesterday LP was released in 1977 featuring the unbelievable I Feel Love with its famous galloping bass line, fiery electronic percussion and futuristically polished production, all of which contributed to giving the track the status of an unforgettable disco anthem. The Moroder/Bellote/Summer team released two more albums, one of them Bad Girls with its chart single Hot Stuff. However, with an Oscar to his credit for the soundtrack to the Alan Parker Film Midnight Express in 1978, Moroder increasingly turned, at the beginning of the 1980s, to composing and producing film music. In addition to Flashdance - whose title song What A Feeling gained him another Oscar in 1983 - the best-known of his 40 soundtracks are those for American Gigolo, Scarface, Top Gun and his exciting and daring electro-pop re-setting of Fritz Lang's silent movie classic Metropolis. Moroder has also written the official songs for two Olympic Games and the soccer World Cup. In the 1980s he produced bands like Sigue Sigue Sputnik and went into the remixing business with the Eurythmics' Sweet Dreams. As if that was not enough, Moroder has exhibited his sculptures at numerous exhibitions and has designed a sports car which has won several awards. - Original Message - From: Benn Glazier [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, February 05, 2002 09:31 Subject: [313] Re: Georgio Moroder At 21:30 05/02/2002 +, you wrote: From: Maarten Baute [EMAIL PROTECTED] Subject: georgio moroder | I want to get a clear vision on the impact that georgio moroder | had in the late 70´s and later on house and techno.. Does anyone | know a good text about this guy? And more important - can I find | some sound previews of what he has produced? Have you ever listened/watched the movie Scarface? A prime example of Moroder's scoring... I haven't seen 'Midnight Express' mentioned yet... -- royal:one: - benn glazier http://www.royaltech.net - http://dj.royaltech.net [EMAIL PROTECTED] - 61 (0) 413 316 618 r720 royal exchange nsw 1225 australia - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
