(313) techno isn't selling

2004-10-06 Thread Michael . Elliot-Knight
I keep hearing this from people - artists, record labels, record stores,
etc. but is there any source for stats? I'd like to see some numbers
compared from year to year about the drop in sales of DJ vinyl to back up
what people are saying. Not that I do or do not believe them, I just would
like to know if any group has tracked the sales figures either in a
specific country or globally.

any DJ trade magazines cover this?

MEK



   
  /0  
   
  [EMAIL PROTECTED]To:   Cyclone Wehner 
[EMAIL PROTECTED], 313 Detroit   
  mi.net   313@hyperreal.org 
   
   cc:  
   
  10/06/2004 11:13 Subject:  Re: (313) Is this the 
new Swayzak sound?  
  AM
   

   

   




techno isnt selling how it used to.  I'd hate to have relied on selling my
music(ha) for the past few years, as I'd imagine I'd have to make the
choice
between getting a dayjob or releasing something suited a bit more for mass
consumption.

enough of me and my recently jaded opinions, sorry.
-Joe


- Original Message -
From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Sent: Wednesday, October 06, 2004 11:27 AM
Subject: Re: (313) Is this the new Swayzak sound?


 It is. I went to Japan lately for work and hung out with those guys at a
 festival I covered. They're not selling out, they're very underground in
 ethos. They didn't do the ad without thinking and were worried about
 appearing in it but deemed it a worthwhile outlet since it's hard for
them
 to get exposure elsewhere. They do have a live band type set up now and
one
 of the guys doesn't tour. They have a singer. I think with the changes
over
 the albums they just don't want to get in a stylistic box. They were
 bewildered with the electroclash tag for Dirty Dancing, saying they'd
always
 done electro. I do remember them playing here years ago and it was very
 different to what they're doing now.
 The only small thing I have is if you want to do vocal music you need a
good
 song - a hook - of some kind or the music is in limbo and they need to
 develop that. Jeff Mills once explained to me and a promoter here that
even
 a techno producer has to have a hook, all music does, and that stuck with
 me.
 Hopefully I will post the Swayzak interview soon.


  Weird - I just saw an advert on tv last night for a phone - there is a
guy
  on a bullet type train and he's walking from car to car. He flips open
his
  phone and it says 'SWAYZAK' on the screen.
 
  He then turns around and there is a full glam/garage rock band behind
him.
  Drummer, guitarist, lead singer, etc. Very fuzzed out overdriven guitar
  rock style. The band was looking quite glam in purple suits and sh*t.
Like
  a very bright version of the Hives.
 
  the music was nothing like I've heard from previous Swayzak releases.
It
  sounded nothing like the great deep dub house/techno from
  Snowbaording..., Himawari, or even the last electrocash one. It was
all
  heard-it-before garage glam rock crap.
 
  Can this be the same Swayzak?!
 
  MEK
 






Re: (313) techno isn't selling

2004-10-06 Thread Cyclone Wehner
I have heard this so often - and consistently - from such a cross section 
that it would be impossible to dispute.
The facts speak for themselves.
So many distributors have done under, for a start.
I think most if not all labels have tracked sales so if you were really
determined to verify it beyond hearsay then you would be overwhelmed with
evidence. ;)
You could chart sales of pop albums - where it's easier to ascertain and
access info from Billboard - and work your way down to vinyl and specific
genres. It would be interesting for someone to do, I guess, if they had the
patience for stats! May be depressing though!

 I keep hearing this from people - artists, record labels, record stores,
 etc. but is there any source for stats? I'd like to see some numbers
 compared from year to year about the drop in sales of DJ vinyl to back up
 what people are saying. Not that I do or do not believe them, I just would
 like to know if any group has tracked the sales figures either in a
 specific country or globally.

 any DJ trade magazines cover this?

 MEK




   /0

   [EMAIL PROTECTED]To:   Cyclone Wehner
 [EMAIL PROTECTED], 313 Detroit
   mi.net   313@hyperreal.org

cc:

   10/06/2004 11:13 Subject:  Re: (313) Is this
 the new Swayzak sound?
   AM









 techno isnt selling how it used to.  I'd hate to have relied on selling my
 music(ha) for the past few years, as I'd imagine I'd have to make the
 choice
 between getting a dayjob or releasing something suited a bit more for mass
 consumption.

 enough of me and my recently jaded opinions, sorry.
 -Joe


 - Original Message -
 From: Cyclone Wehner [EMAIL PROTECTED]
 To: 313 Detroit 313@hyperreal.org
 Sent: Wednesday, October 06, 2004 11:27 AM
 Subject: Re: (313) Is this the new Swayzak sound?


 It is. I went to Japan lately for work and hung out with those guys at a
 festival I covered. They're not selling out, they're very underground in
 ethos. They didn't do the ad without thinking and were worried about
 appearing in it but deemed it a worthwhile outlet since it's hard for
 them
 to get exposure elsewhere. They do have a live band type set up now and
 one
 of the guys doesn't tour. They have a singer. I think with the changes
 over
 the albums they just don't want to get in a stylistic box. They were
 bewildered with the electroclash tag for Dirty Dancing, saying they'd
 always
 done electro. I do remember them playing here years ago and it was very
 different to what they're doing now.
 The only small thing I have is if you want to do vocal music you need a
 good
 song - a hook - of some kind or the music is in limbo and they need to
 develop that. Jeff Mills once explained to me and a promoter here that
 even
 a techno producer has to have a hook, all music does, and that stuck with
 me.
 Hopefully I will post the Swayzak interview soon.


  Weird - I just saw an advert on tv last night for a phone - there is a
 guy
  on a bullet type train and he's walking from car to car. He flips open
 his
  phone and it says 'SWAYZAK' on the screen.
 
  He then turns around and there is a full glam/garage rock band behind
 him.
  Drummer, guitarist, lead singer, etc. Very fuzzed out overdriven guitar
  rock style. The band was looking quite glam in purple suits and sh*t.
 Like
  a very bright version of the Hives.
 
  the music was nothing like I've heard from previous Swayzak releases.
 It
  sounded nothing like the great deep dub house/techno from
  Snowbaording..., Himawari, or even the last electrocash one. It was
 all
  heard-it-before garage glam rock crap.
 
  Can this be the same Swayzak?!
 
  MEK
 



 


re: (313) techno isn't selling

2004-10-06 Thread Matthew Mangold
How about the fact that Nemesis distribution has gone out of 
business? How about the fact that there's never any more than 
two people in the dance room at the record stores? How about 
the fact that the wholesale price on an import is over 8 USD? 
The stores are only doing techno orders once every three 
weeks or so (at a lot of places, I know not *all* of them) 
and allocating their funds to things like hip-hop. 

I was in the shop the other day, and strangely enough, the 
whole rap/hip-hop/rb section was booming with customers... 
something I haven't seen in the house/techno area of the 
store for QUITE some time. 

Techno definately isn't selling atm.


Matthew
http://threeonethree.com
 

Oakland University
Classroom Support and
Instructional Technical Services
Office of Presentation Development
200C Elliott Hall
Rochester, MI 48309-4401
(248) 370-4973

[EMAIL PROTECTED]


re: (313) techno isn't selling

2004-10-06 Thread Michael . Elliot-Knight
yes, as I said, it's not that I don't believe it - I'm just curious to see
if there are stats/charts/bar graphs/whatever in any trade magazines.

from what I read recently - vinyl is actually becoming popular again, very
very slowly, but still...

by the way, there's many reasons distribution companies go out of business
besides direct result of drop in sales at the retailers. Nemesis could have
been managed poorly from within on all sorts of levels. They might have
grown out of touch with the changes in the US dance music market. Not
saying that's the reason they've closed but it's just an example of things
that happen. It's not always 1+1=2. Same goes for record retailers. They
open and close more often than distributors I would guess.

MEK



   
  Matthew Mangold   
   
  [EMAIL PROTECTED]To:   313@hyperreal.org 

  .educc:  
   
   Subject:  re: (313) techno isn't 
selling
  10/06/2004 11:55  
   
  AM
   

   

   




How about the fact that Nemesis distribution has gone out of
business? How about the fact that there's never any more than
two people in the dance room at the record stores? How about
the fact that the wholesale price on an import is over 8 USD?
The stores are only doing techno orders once every three
weeks or so (at a lot of places, I know not *all* of them)
and allocating their funds to things like hip-hop.

I was in the shop the other day, and strangely enough, the
whole rap/hip-hop/rb section was booming with customers...
something I haven't seen in the house/techno area of the
store for QUITE some time.

Techno definately isn't selling atm.


Matthew
http://threeonethree.com


Oakland University
Classroom Support and
Instructional Technical Services
Office of Presentation Development
200C Elliott Hall
Rochester, MI 48309-4401
(248) 370-4973

[EMAIL PROTECTED]





Re: (313) techno isn't selling

2004-10-06 Thread David Bate
 I keep hearing this from people - artists, record labels, record stores,
 etc. but is there any source for stats? I'd like to see some numbers
 compared from year to year about the drop in sales of DJ vinyl to back up
 what people are saying. Not that I do or do not believe them, I just would
 like to know if any group has tracked the sales figures either in a
 specific country or globally.

 any DJ trade magazines cover this?

Hi Michael,
   I really don't think these statistics are available.  In the US,
these are kept by the RIAA (http://www.riaa.org) and internationally it is
keptby  International Federation of the Phonographic Industry 
(http://www.ifpi.org).
   But they don't break it down into Genre's.   And I'm sure that you're
average small mom and pop record store isn't reporting their sales to
the RIAA.  So you have a breakdown.
   The only people that really know in the Techno world are the
artists, record labels, distributors, and record stores that are seeing
that they aren't selling as much now as what they were.


If I'm wrong, please point me to these statistics, as I and many other
people would love to see the break down of Dance Music sales over the
last 10 years.


Cheers...

Dave


RE: (313) techno isn't selling

2004-10-06 Thread Tristan Watkins
 -Original Message-
 From: David Bate [mailto:[EMAIL PROTECTED] 
 Sent: 06 October 2004 18:24
 To: [EMAIL PROTECTED]
 Cc: /0; 313 Detroit; Cyclone Wehner
 Subject: Re: (313) techno isn't selling
 
  I keep hearing this from people - artists, record labels, record 
  stores, etc. but is there any source for stats? I'd like to 
 see some 
  numbers compared from year to year about the drop in sales 
 of DJ vinyl 
  to back up what people are saying. Not that I do or do not believe 
  them, I just would like to know if any group has tracked the sales 
  figures either in a specific country or globally.
 
  any DJ trade magazines cover this?
 
 Hi Michael,
I really don't think these statistics are available.  In 
 the US, these are kept by the RIAA (http://www.riaa.org) and 
 internationally it is keptby  International Federation of the 
 Phonographic Industry (http://www.ifpi.org).
But they don't break it down into Genre's.   And I'm sure 
 that you're
 average small mom and pop record store isn't reporting 
 their sales to the RIAA.  So you have a breakdown.
The only people that really know in the Techno world are 
 the artists, record labels, distributors, and record stores 
 that are seeing that they aren't selling as much now as what 
 they were.
 
 
 If I'm wrong, please point me to these statistics, as I and many other
 people would love to see the break down of Dance Music sales over the
 last 10 years.

We seem to be having this discussion fairly regularly. It should be pointed
out that not all stores/labels/distributors are suffering, in fact some are
growing, and some of them at a fast rate. By all means these are the
exceptions to the rule, but I think it can be too easy to focus on the
majority in these discussions. If anything, I find it difficult to find a
lot of new releases that I'm really after, and that to me spells a healthy
underground market. It's unquestionable that most techno labels are not
doing as well as they could be and that distribution choices have dwindled,
but other genres don't suffer as much. I'd be really surprised if labels
like Stones Throw, KDJ, Warp, Rephlex, Peacefrog, IIWII, JCR, Ghostly, the
Goya camp, etc are hurting at the moment, and I'd say most of that health is
attributed to their consistent quality alone. Stores like Piccadilly, Juno
and Vinyl Junkies are growing fast because of their online presence and
Rub-A-Dub is set to join them. Groovetech seems to be the counter-example to
this, but you could argue they stretched themselves a little too thin from
the moment they tried to run three stores and dominate the online listening
markets. At least in Europe, it may be that you won't be able to compete
without being online (which doesn't mean you can't have a shop as well, but
you know what I mean). 

Still, I'd like to see the stats if they existed. 
 
Tristan 
===
http://www.phonopsia.co.uk 
[EMAIL PROTECTED] 



re: (313) techno isn't selling

2004-10-06 Thread Ken Odeluga

[EMAIL PROTECTED]

said in response to Matthew Mangold:


yes, as I said, it's not that I don't believe it - I'm just curious to 
see

if there are stats/charts/bar graphs/whatever in any trade magazines.

from what I read recently - vinyl is actually becoming popular again, 
very

very slowly, but still...

by the way, there's many reasons distribution companies go out of 
business
besides direct result of drop in sales at the retailers. Nemesis could 
have

been managed poorly from within on all sorts of levels. They might have
grown out of touch with the changes in the US dance music market. Not
saying that's the reason they've closed but it's just an example of 
things

that happen. It's not always 1+1=2. Same goes for record retailers. They
open and close more often than distributors I would guess.

MEK

*

Michael, I sense that your difficulty in accepting easily that what 
Matthew Mangold and others are reporting is a widespread thing, might 
have something to do with the fact that you've recently returned from 
travelling to Europe (and other regions) where 'techno' and all related 
styles of music (and 'dance music in general) is stubbornly selling 
quite well, if not exactly having a renaissance.
To me, this underscores the notion that non-traditional forms of 
expression in general, seem able to make marked progress everywhere but 
in early 21st century America.  Am I wrong about this? Seriously, it's 
not a rhetorical question. I'd like to know what people think.


k



RE: (313) techno isn't selling

2004-10-06 Thread Redmond, Ja'Maul
 To me, this underscores the notion that non-traditional forms of
expression in general, seem able to make marked progress everywhere but
in early 21st century America.  Am I wrong about this? Seriously, it's
not a rhetorical question. I'd like to know what people think.

K

A-side

I think the music industry in general is hurting in america. And to me
it deserves it. Not the Artist, but those that really control the
business aspect of it. Although Electronic music in general is
everywhere; advertising adds, movies, games, etc, there is noone brave
enough to market it. The reason it shows up in these other forms of art
is  because the people that are in control of the creative aspects of
these markets are a part of a very creative generation. The  selling,
releasing, and marketing of music is still controlled by non creative
bandwagon jumping business men. Marketing and promoting is everything
and the powers that be, could care less to market non-traditional forms
of art, unless of course it somehow makes it's way into america's
vernacular on it's own. Which is what I think happened in Europe.


B-side
What kind of marketing or promotion does True techno music have here in
america???  The answer is ,,,CLUBS , small indiscreet record stores and
guess what more clubs.  How can a record or a c.d. from a techno d.j.
get sold if NO ONE knows about them. 
I'm in an office of about 40 people, 30 of them are 35 and under. Of
those 30 I would say only 5 knows any electronic artist and only one
(ME) knows about true techno artist.What's wrong with this picture. I
know a lot of people who enjoy this music when they hear it, but the
only place they can hear it, is in a smokey nightclub that's open
between 10:00 and 4:00 a.m.  O.k I'm generalizing here but I think most
of you get my point.  This has been techno music's major problem,
especially hear in america. It's so tied to the dance club industry that
it's alienated itself from a large buying market. And we are definitely
NOT going to get any help from a MAJOR. 


-Original Message-
From: Ken Odeluga [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, October 06, 2004 3:42 PM
To: 313@hyperreal.org
Subject: re: (313) techno isn't selling

[EMAIL PROTECTED]

said in response to Matthew Mangold:


yes, as I said, it's not that I don't believe it - I'm just curious to
see if there are stats/charts/bar graphs/whatever in any trade
magazines.

from what I read recently - vinyl is actually becoming popular again,
very very slowly, but still...

by the way, there's many reasons distribution companies go out of
business besides direct result of drop in sales at the retailers.
Nemesis could have been managed poorly from within on all sorts of
levels. They might have grown out of touch with the changes in the US
dance music market. Not saying that's the reason they've closed but it's
just an example of things that happen. It's not always 1+1=2. Same goes
for record retailers. They open and close more often than distributors I
would guess.

MEK

*

Michael, I sense that your difficulty in accepting easily that what
Matthew Mangold and others are reporting is a widespread thing, might
have something to do with the fact that you've recently returned from
travelling to Europe (and other regions) where 'techno' and all related
styles of music (and 'dance music in general) is stubbornly selling
quite well, if not exactly having a renaissance.
To me, this underscores the notion that non-traditional forms of
expression in general, seem able to make marked progress everywhere but
in early 21st century America.  Am I wrong about this? Seriously, it's
not a rhetorical question. I'd like to know what people think.

k