RE: [313] AMG Criteria

2002-02-08 Thread Josh Landau

At 06:22 PM 2/7/2002 -0500, you wrote:

 It is entirely up to the editor, who is
 influenced by the publisher and their
 concerns about the market they are targeting.

I'd never presume about your experiences, so *please* don't presume about
ours.  AMG has never received any type of suggestion, concerning direction
or inclusions, from any outside source (including our publisher), and would
refuse to accept any given.  Our publisher accepts exactly what we give
them -- which of course means that any and all complaints about inclusions
or treatment can be laid at our feet.


As John is a full-timer, or much closer to it than my freelancing self, let 
me clarify a few things.


The bulk of AMG's writers do not receive assignments.  We request articles 
- a review of this record, a bio of this artists - and they approve/deny.


I have never had a request denied, even if it was a request to write an 
article on a limited run noise record of 1000 or 2000 copies (i.e. for a 
limited interest/audience.)  They give their writers a lot of freedom, and 
I've never received a Re-write that article or Don't write about  
request.


Given that, I was not involved in the editing of AMG's Electronica guide, 
so I have no say about what was included there.  However, as John said, it 
isn't a guide to techno.  It's a guide to electronica.  For better or 
worse, that term includes people like Moby, Fluke, The Chemical Brothers, 
and other popular electronica acts.  Since the writers tend to be techno 
fans, a lot of these electronica acts get grudging or negative reviews, but 
in order for the book to complete its purported purpose, these reviews have 
to be included.


Josh Landau


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[313] AMG Criteria

2002-02-07 Thread Wibo . Lammerts
Was flipping through my copy of the All Music Guide to Electronica last
night, hoping to find something on Vince Watson, Brian Zentz, DJ Skull,
Mundo Muzique...

But there is no info on these people in the book. If your are looking for
info Richie Hawtin, Derrick May or f*cking Moby, it's all in there,
obviously, but also names you (me) wouldn't expect like Michael James, Frank
de Groodt  Astralasia.

So I began to wonder what the criteria are to put an asrtist/DJ/group in a
book like this one? Does he/she have to be famous? Sold at least 20.000
copies of a single/album? Major impact on the development of the dance scene
in general?

But apparently you have a major influence on the development of dance music
when you have a mixed CD out Boxed /  Global Underground.

Any thoughts? Ideas?

W



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Re: [313] AMG Criteria

2002-02-07 Thread seth redmond
You might want to try the Rough Guide to Techno. It's got a pretty good, and 
relevant selection, one of those books which you can flick endlessly back an 
forth between artists. Problem is I keep looking at it before I leave for 
work. So just as I'm about to leave on time it's ... ah! Sunrise 
Society...



Was flipping through my copy of the All Music Guide to Electronica last
night, hoping to find something on Vince Watson, Brian Zentz, DJ Skull,
Mundo Muzique...


_
Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp.


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RE: [313] AMG Criteria

2002-02-07 Thread John Bush
 If your are looking for info Richie Hawtin,
 Derrick May or f*cking Moby, it's all in there,
 obviously, but also names you (me) wouldn't expect
 like Michael James, Frank de Groodt  Astralasia.

Yes, there's a reason we didn't call it the All Music Guide to Techno... ;
There *are* hundreds of 313 names in there (many who aren't in the Rough
Guide) and we're probably heaviest on techno, but we did have to scrimp to
fit all the other people out there, ones who've either done something we
judged fits under the electronica umbrella, or had an earlier impact on the
sound.  AMG is a listeners guide, so we don't leave artists out just because
they're popular or we don't like their music -- though we definitely take
bad music to task.


 But apparently you have a major influence on
 the development of dance music when you have
 a mixed CD out Boxed /  Global Underground.

Well of course not, but for the people who don't know anything about dance
music and want to figure out what Digweed or Sasha or maybe even (heaven
forbid) Danny Tenaglia is doing, we'll tell them what's it all about and if
it's any cop.

John


NP: Flying Burrito Brothers
(briefly considered but later dropped for AMG to Electronica)


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Re: [313] AMG Criteria

2002-02-07 Thread Mike Brown
 So I began to wonder what the criteria are to put an asrtist/DJ/group in a
 book like this one? Does he/she have to be famous? Sold at least 20.000
 copies of a single/album? Major impact on the development of the dance scene
 in general?

It is entirely up to the editor, who is influenced by the publisher and their
concerns about the market they are targeting.

A few years ago I was asked by the editor of one of those books to compile a
list of essential/important electronic artists, and either write their bios
myself or find people who could help out.

I put a lot of work into narrowing down a list of 120 or so, but before I
could see how many of those I could get good bios and discographies for, the
editor insisted that I include only bands that had domestic releases that were
currently in-print on CD. Then he returned my list with about 3/4 of the
artists removed and with another 30 or so added. The adds included bands like
Aquarhythms and Fluke, which, while not horrible artists, were certainly not
in my top 120. I blew off the project and never took another one like it
again.

   - Mike

  mike j. brown, fourthought.com  |  xml/xslt: http://skew.org/xml/
  denver/boulder, colorado, usa   |  personal: http://hyperreal.org/~mike/

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RE: [313] AMG Criteria

2002-02-07 Thread John Bush
 It is entirely up to the editor, who is
 influenced by the publisher and their
 concerns about the market they are targeting.

I'd never presume about your experiences, so *please* don't presume about
ours.  AMG has never received any type of suggestion, concerning direction
or inclusions, from any outside source (including our publisher), and would
refuse to accept any given.  Our publisher accepts exactly what we give
them -- which of course means that any and all complaints about inclusions
or treatment can be laid at our feet.


 A few years ago I was asked by the editor
 of one of those books to compile a list of
 essential/important electronic artists,
 and either write their bios myself
 or find people who could help out.

Which one of those books??  Since I've been here six years, I'm safe in
assuming you meant one of those types of books, not AMG specifically.


 I put a lot of work into narrowing down a list of
 120 or so, but before I could see how many of
 those I could get good bios and discographies for,
 the editor insisted that I include only bands that had
 domestic releases that were currently in-print on CD.

Yikes, that *is* a horror story...sorry your experience was so negative --
obviously the guy was a hack who didn't know a thing about the scene.  AMG's
always been given complete freedom (and wouldn't accept less) to write
anything we want about everything we want.

Just clearing up what may have been a few mistaken assumptions...


John


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