Re: (313) my morning mischief

2005-12-09 Thread Matt MacQueen
sorry for the non-timely reply, finally got time to get back to this 
thread


On Dec 6, 2005, at 2:52 PM, /0 wrote:

not dancing isn't a fault.  if someone pays the same money you did to 
get into an event which focuses on AUDIO, is your night really 
diminished because that person doesnt want to dance?


do you require that sporting event attendees cheer and scream 
throughout the game/match?


i figured that would stir up some kind of response.  Of course it's a 
combo.  You are coming from a 100% me centric view of the party, not 
a we centric view (which i realize is basically extinct in this 
country, but it wasn't always that way).   I think the difference is in 
the things you list, it's a clear performer (rockstar)  audience 
(adoring spectators) relationship.  in a soccer game, people can't run 
from the stands onto the field and participate, whether they cheer or 
not.   If you regard a DJ like an arena rockstar, where you just watch 
them rock out, standing in place - then you're reinforcing that the 
crowd are just along for the ride, instead of being active particpants 
in a special event that THEY HELP CREATE how the event feels.  A 
reason, in fact, to attend at all, other than the person on stage. LIke 
when underground parties were ALTERNATIVES to mainstream nightclubs and 
rock concerts (where there is typically a more brutal caste system, you 
had to pay more, dress codes, velvet ropes, etc.) where in contrast 
underground discos and raves were more about inclusion and 
participation in making the night, not just spectators who paid to 
gawk at one person.


now of course some events are more tuned to participation than others, 
i was just making a statement that i think the what do you bring to 
the party element is dying/dead, unfortunately.


 at a music-based that plays music specifically designed to make people 
dance (or think, but STILL it's physical-driven music, played in 
physically-driven way), there was a time when the crowd WAS the party.  
The DJ didn't make the party, they just provided the soundtrack.  I 
went to early hawtin parties in detroit / eastern market where he and 
other DJs would play behind a screen.  This was more rare but it 
happened.   But the people controlled the vibe, the fun, the reason you 
went.   It was about what can I add , not what can I get.   THis is 
getting more about party dymanics,  (and away from a more 313 topic) 
but in the not-too-distant-past, the whole temporary autonomous zone 
that older parties had that made them more special that just typical 
nightclub live PAs.  I'm talking about an underground thing here.  A 
dark room and a feeling and all that good stuff.



if the music sucks but everyone else is dancing, are you happy?


well, probably moreso than if the music sucked and everyone just stood 
around with mouth agape.  but of course music is the reason people want 
to dance, so it's hard to have one without the other.


not picking on anyone in particular, but people complaining that xy 
and z wasnt dancing seems ridiculous to me.


and thousands of people standing around watching one of the best Djs in 
the world play dance music for people to dance to seems ridiculous to 
me.  guess we'll have to agree to disagree on that one



if it ruins your night, you're too damn sensitive


i'm probably too damn sensitive in general  ;)  but i never said it 
ruined anyone's night.  i just think parties are more fun with the 
participants who understand they are an active role in making the event 
as fun as much (or more than) the performer who is there to provide a 
sonic backdrop to their fun.  giving the party to the people, not the 
person on stage, who is just one of a thousand other party 
participants.


music appreciation is ultimately an individual choice, people will do 
what comes to them - watch or sleep or jack their body.  I just prefer 
more active participants than you that help create something more 
special than what amounts to watching a DVD.


peace
--
MM
http://sonicsunset.com



Re: (313) my morning mischief

2005-12-07 Thread Kent Williams
There will always be the stander-arounders, but since it's DANCE
music, you should at least TRY from time to time. I'm 48, fat, and I
dance, and I look like a twat doing it. So the fit young ones have no
excuse. In some respects you're not actually LISTENING until your body
is moving.

A party with a bunch of anoraks standing around is a party with no vibe.

On 12/6/05, /0 [EMAIL PROTECTED] wrote:
 not dancing isn't a fault.  if someone pays the same money you did to get 
 into an
 event which focuses on AUDIO, is your night really diminished because that
 person doesnt want to dance?



Re: (313) my morning mischief

2005-12-07 Thread skkatter
Yeah, I always thought dance music was for dancing to! :)

A friend of mine who DJed a few times in the states but is based in
the UK told me how when he played a few places in the states nobody
would dance. They all liked the music, clapped at the end or whatever,
but kept perfectly still despite the dance music he was playing.

With techno/electro/house I usually think it's the DJs job to get
people to dance.

I suppose if it's weird chin strokey musique concrete or whatever then
it's more acceptable to stand around and have a bit of a shoe gaze (I
always try to have a dance anyway, if I like what's being played).

Must be a states thing, check out Cylob's rave photo page, he also
talks about how nobody in the US dances at gig:
http://www.cylob.com/rave_photos/ravephotos.html

-skkatter

On 07/12/05, Kent Williams [EMAIL PROTECTED] wrote:

 A party with a bunch of anoraks standing around is a party with no vibe.

--
http://www.skkatter.net


RE: (313) my morning mischief

2005-12-07 Thread Robert Taylor
It's fine to stand around and pontificate, just don't do it on the dancefloor! 
Go to the bar!

-Original Message-
From: skkatter [mailto:[EMAIL PROTECTED]
Sent: 07 December 2005 12:15
To: 313@hyperreal.org
Subject: Re: (313) my morning mischief


Yeah, I always thought dance music was for dancing to! :)

A friend of mine who DJed a few times in the states but is based in
the UK told me how when he played a few places in the states nobody
would dance. They all liked the music, clapped at the end or whatever,
but kept perfectly still despite the dance music he was playing.

With techno/electro/house I usually think it's the DJs job to get
people to dance.

I suppose if it's weird chin strokey musique concrete or whatever then
it's more acceptable to stand around and have a bit of a shoe gaze (I
always try to have a dance anyway, if I like what's being played).

Must be a states thing, check out Cylob's rave photo page, he also
talks about how nobody in the US dances at gig:
http://www.cylob.com/rave_photos/ravephotos.html

-skkatter

On 07/12/05, Kent Williams [EMAIL PROTECTED] wrote:

 A party with a bunch of anoraks standing around is a party with no vibe.

--
http://www.skkatter.net
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Re: (313) my morning mischief

2005-12-07 Thread robin


Interesting. I was in Seattle a few weeks ago and went to see Larry 
Heard. Hardly anyone was dancing then too (compared to how it would be 
in the UKI mean it was Larry Heard!).



robin...


Yeah, I always thought dance music was for dancing to! :)

A friend of mine who DJed a few times in the states but is based in
the UK told me how when he played a few places in the states nobody
would dance. They all liked the music, clapped at the end or whatever,
but kept perfectly still despite the dance music he was playing.

With techno/electro/house I usually think it's the DJs job to get
people to dance.

Must be a states thing, check out Cylob's rave photo page, he also
talks about how nobody in the US dances at gig:
http://www.cylob.com/rave_photos/ravephotos.html



RE: (313) my morning mischief

2005-12-07 Thread Steward, Tim
So true, why don't people dance at gigs in Detroit
A couple months ago I was at a gig in detroit and
I was dancing to the music and people looked at me
Like I didn't belong there, when I feel the music I dance.
Maybe because I'm an oldhead. 

-Original Message-
From: skkatter [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, December 07, 2005 7:15 AM
To: 313@hyperreal.org
Subject: Re: (313) my morning mischief

Yeah, I always thought dance music was for dancing to! :)

A friend of mine who DJed a few times in the states but is based in the UK
told me how when he played a few places in the states nobody would dance.
They all liked the music, clapped at the end or whatever, but kept perfectly
still despite the dance music he was playing.

With techno/electro/house I usually think it's the DJs job to get people to
dance.

I suppose if it's weird chin strokey musique concrete or whatever then it's
more acceptable to stand around and have a bit of a shoe gaze (I always try
to have a dance anyway, if I like what's being played).

Must be a states thing, check out Cylob's rave photo page, he also talks
about how nobody in the US dances at gig:
http://www.cylob.com/rave_photos/ravephotos.html

-skkatter

On 07/12/05, Kent Williams [EMAIL PROTECTED] wrote:

 A party with a bunch of anoraks standing around is a party with no vibe.

--
http://www.skkatter.net



The contents of this e-mail are intended for the named addressee only. It
contains information that may be confidential. Unless you are the named
addressee or an authorized designee, you may not copy or use it, or disclose
it to anyone else. If you received it in error please notify us immediately
and then destroy it. 



RE: (313) my morning mischief

2005-12-07 Thread James_Bucknell
plenty of dancing in new york. maybe your friend's a crap dj and they were
just clapping to be polite. ;) that's a joke.
should try australia - they won't even clap.
james
www.jbucknell.com



   
 Steward, Tim
 [EMAIL PROTECTED] 
 uware.com To 
   'skkatter' [EMAIL PROTECTED],
 12/08/05 01:08 AM '313@hyperreal.org'   
   313@hyperreal.org 
cc 
   
   Subject 
   RE: (313) my morning mischief   
   
   
   
   
   
   




So true, why don't people dance at gigs in Detroit
A couple months ago I was at a gig in detroit and
I was dancing to the music and people looked at me
Like I didn't belong there, when I feel the music I dance.
Maybe because I'm an oldhead.

-Original Message-
From: skkatter [mailto:[EMAIL PROTECTED]
Sent: Wednesday, December 07, 2005 7:15 AM
To: 313@hyperreal.org
Subject: Re: (313) my morning mischief

Yeah, I always thought dance music was for dancing to! :)

A friend of mine who DJed a few times in the states but is based in the UK
told me how when he played a few places in the states nobody would dance.
They all liked the music, clapped at the end or whatever, but kept
perfectly
still despite the dance music he was playing.

With techno/electro/house I usually think it's the DJs job to get people to
dance.

I suppose if it's weird chin strokey musique concrete or whatever then it's
more acceptable to stand around and have a bit of a shoe gaze (I always try
to have a dance anyway, if I like what's being played).

Must be a states thing, check out Cylob's rave photo page, he also talks
about how nobody in the US dances at gig:
http://www.cylob.com/rave_photos/ravephotos.html

-skkatter

On 07/12/05, Kent Williams [EMAIL PROTECTED] wrote:

 A party with a bunch of anoraks standing around is a party with no vibe.

--
http://www.skkatter.net



The contents of this e-mail are intended for the named addressee only. It
contains information that may be confidential. Unless you are the named
addressee or an authorized designee, you may not copy or use it, or
disclose
it to anyone else. If you received it in error please notify us immediately
and then destroy it.


ForwardSourceID:NT000245B6



RE: (313) my morning mischief

2005-12-06 Thread Kristian P Heggem
Yeah about that issue. I have read many interwievs of mr walker, and he is
very hard on the on artists using just a laptop when they are playing live.
So when some friends on mine booked him to play a livepa set here in oslo
norway, I was really looking forward to see lots of nice gear and how he was
going to interact with them. I was rather sad when I saw him with just a
laptop later that night. And I also felt a littlebit tricked since he has
been so hard on the laptop users. Well anyways the set rocked so the night
was not totally bad hehe

Kristian . oslo norway


-Original Message-
From: Garrett McGrath [mailto:[EMAIL PROTECTED] 
Sent: 5. desember 2005 21:00
To: Kent Williams
Cc: list 313
Subject: Re: (313) my morning mischief

when you say Stewart Walker live set do you mean where he's standing behind
an MPC flying his No Laptops t-shirt, or more recently when he is clearly
standing in front of a Powerbook and midi controller, with a rather sheepish
look on his face?

enjoy them both Stewart, if you are listening.  =)


On Dec 5, 2005, at 7:06 AM, Kent Williams wrote:

 Richie Hawtin's DE9:Transitions A) sounds like a hair salon. Maybe the 
 one where Richie is getting his Misfits haircut from. B) sounds like a 
 Stewart Walker live set. Discuss

 ;-)
 ;-)



Re: (313) my morning mischief

2005-12-06 Thread Kent Williams
I wouldn't be too hard on Stewart for switching to computer.  When he
formulated his no laptops idea, the software and hardware wasn't
near as stable and capable, and a lot of people were doing sets that
weren't very engaging.

I think that he found that with his move to Europe that hauling around
his MPC and sampler was a real drag, and that Ableton Live had all the
features he needed to bring an engaging, flexible set in a much
smaller package.

Believe me, having a few punters call him out on the 'no laptops'
thing is nothing compared to the teasing he gets from other producers!

On 12/5/05, Kristian P Heggem [EMAIL PROTECTED] wrote:
 Yeah about that issue. I have read many interwievs of mr walker, and he is
 very hard on the on artists using just a laptop when they are playing live.
 So when some friends on mine booked him to play a livepa set here in oslo
 norway, I was really looking forward to see lots of nice gear and how he was
 going to interact with them. I was rather sad when I saw him with just a
 laptop later that night. And I also felt a littlebit tricked since he has
 been so hard on the laptop users. Well anyways the set rocked so the night
 was not totally bad hehe

 Kristian . oslo norway



Re: (313) my morning mischief

2005-12-06 Thread /0
not dancing isn't a fault.  if someone pays the same money you did to get into 
an event which focuses on AUDIO, is your night really diminished because that 
person doesnt want to dance?  

do you require that sporting event attendees cheer and scream throughout the 
game/match?

if the music sucks but everyone else is dancing, are you happy?


not picking on anyone in particular, but people complaining that xy and z wasnt 
dancing seems ridiculous to me.  let them trainspot, let them stand and LISTEN, 
why should you care?  if it ruins your night, you're too damn sensitive (maybe 
YOU should be busy dancing and not auditing the behavior of others who have 
paid to gain entry to the event? :)

love,

 Matt MacQueen [EMAIL PROTECTED] wrote: 
 
 On Dec 6, 2005, at 8:40 AM, Kent Williams wrote:
 
  I wouldn't be too hard on Stewart for switching to computer.  When he
  formulated his no laptops idea, the software and hardware wasn't
  near as stable and capable, and a lot of people were doing sets that
  weren't very engaging.
 
 oh true...  but that's partially the audience's fault for standing and 
 staring at a performer doing dance music rather than facing the middle 
 of the room and GETTIN DOWN instead  ;)   which has been happening for 
 the last 10 years.  Ever seen Mills DJ a blistering techno mix in the 
 US?  There's 1000 guys staring like they're watching a hula hoop 
 contest, not a foot moving.  A few of the extra funky types might do a 
 head bob here and there.  The party really goes bezerk when someone 
 pumps a lone fist into the air. ahem   SO it's not just laptops 
 causing party lameness, it's lame partiers too.  :)
 
  Believe me, having a few punters call him out on the 'no laptops'
  thing is nothing compared to the teasing he gets from other producers!
 
 It sort of reminded me how early rock bands used to diss (and print on 
 their albums) NO SYNTHESIZERS were used in the making of our album... 
 because that would be synthesis which is Fake music... hah.
 
 anyway, I think despite Stewart's good intent anyone who postulates 
 that kind of attitude is well-deserving of any good hearted ribbing.  
 It's the price you pay for being a loudmouth on the issue, no ill will 
 intended.  He realized like everyone else it's mostly what comes out of 
 the speakers (and a side-order of portable practicality) that matters.  
 If it kick it kick, period.
 
 peace
 --
 MM
 http://sonicsunset.com


Re: (313) my morning mischief

2005-12-05 Thread fab.
well Kent, if it sounds like a Stewart Walker live set, then i suppose it's 
good then innit! ;)

(i haven't heard it yet...)

this month's Groove mag has an interesting-looking article on Hawtin's 
studio and hardware - i said looking because its all in german :(


fab.

- Original Message - 
From: Kent Williams [EMAIL PROTECTED]

To: list 313 313@hyperreal.org
Sent: Monday, December 05, 2005 4:06 PM
Subject: (313) my morning mischief


Richie Hawtin's DE9:Transitions A) sounds like a hair salon. Maybe the
one where Richie is getting his Misfits haircut from. B) sounds like a
Stewart Walker live set. Discuss

;-)





Re: (313) my morning mischief

2005-12-05 Thread Garrett McGrath
when you say Stewart Walker live set do you mean where he's standing  
behind an MPC flying his No Laptops t-shirt, or more recently when  
he is clearly standing in front of a Powerbook and midi controller,  
with a rather sheepish look on his face?


enjoy them both Stewart, if you are listening.  =)


On Dec 5, 2005, at 7:06 AM, Kent Williams wrote:


Richie Hawtin's DE9:Transitions A) sounds like a hair salon. Maybe the
one where Richie is getting his Misfits haircut from. B) sounds like a
Stewart Walker live set. Discuss

;-)




Re: (313) my morning mischief

2005-12-05 Thread Kent Williams
Well I've not seen him since his MPC days.  Maybe he's had a herniated
disc from hauling around an MPC2000 and K2000R, so he's switched to a
powerbook.

I kinda like his new beard though. He looks like The Dude from The Big Lebowski.

I imagine his live sets have evolved with respect to source material,
but what he was doing with the MPC2000 is nothing you can't do with
Ableton Live.

I think Stewart should perform, with his Powerbook AND wearing a NO
LAPTOPS T shirt.
I mean that's obvious, innit?

On 12/5/05, Garrett McGrath [EMAIL PROTECTED] wrote:
 when you say Stewart Walker live set do you mean where he's standing
 behind an MPC flying his No Laptops t-shirt, or more recently when
 he is clearly standing in front of a Powerbook and midi controller,
 with a rather sheepish look on his face?

 enjoy them both Stewart, if you are listening.  =)


 On Dec 5, 2005, at 7:06 AM, Kent Williams wrote:

  Richie Hawtin's DE9:Transitions A) sounds like a hair salon. Maybe the
  one where Richie is getting his Misfits haircut from. B) sounds like a
  Stewart Walker live set. Discuss
 
  ;-)