Re: [SlimDevices: Audiophiles] AccurateRip not working with EAC

2008-01-02 Thread Mark Scanlan

benthos;253323 Wrote: 
 First of all, I don't know how to correct the problem with Accuraterip. 
 But I would recommend that you simply stop using it.  You don't need
 Accuraterip to make bit-perfect copies.  Instead, go into EAC's drive
 settings and burn a test cd to determine your drive's offset, and make
 sure that the accurate stream feature is selected (your Plextor is
 compatible).
 
 I know this is probably not the answer you're looking for, but you
 don't really need Accuraterip.  I'd let it go.

Thanks for the info. Does it matter that I can not select 'use
accuraterip with this drive'?

Cheers


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[SlimDevices: Audiophiles] Digital downloads and Red Book CDs

2008-01-02 Thread morris_minor

I've just been exploring non-DRM downloads from Linn Records and Gimell
Records (which are splendid BTW).

However, I have a question concerning Red Book Cds. The spec gives a CD
a frequency response of 20Hz to 22.05KHz. A CD quality download is
presumably a file that's been nowhere near a CD and can be expected to
have a wider frequency range.

If I produce a CDR audio version of the CD quality downloads, (for car
use, say), am I right in thinking I'll be losing the frequency
extremes?

Does the 20Hz-22.05Khz limit get applied to the data when
burning/making the disc, or is it a function of the playback device?

[This question would also apply to computer recordings of vinyl - my
Era V phono stage spec quotes 5Hz - 2.7MHz (nice for bats and
whales:o)]

Or have I got this all totally wrong, and 44.1KHz/16bit recordings are
limited to the Red Book frequency range by definition?

Some enlightenment from those who know would be most welcome!

Thanks,
Bob


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Re: [SlimDevices: Audiophiles] Digital downloads and Red Book CDs

2008-01-02 Thread inguz

The highest frequency that can be represented is half the sampling rate.
(Look up the Shannon/Nyquist sampling theorem for more on that).  So
for the red book standard (44.1kHz sampling rate) the highest
frequency is 22.05kHz.


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Re: [SlimDevices: Audiophiles] FLAC decode - server or SB?

2008-01-02 Thread Craig

Is it just me or does anyone else think the file types page could do
with some labels indicating which player you are working on?

Craig


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Re: [SlimDevices: Audiophiles] 1 CD - 1 FLAC problem

2008-01-02 Thread Andy Hawkins
Hi,

In article [EMAIL PROTECTED],
   MarioL[EMAIL PROTECTED] wrote:
 Is this tagging scheme supported by audio players?

I only use it for my Squeezebox, playing from the SlimServer software.

To play on my iPod (running Rockbox) I have a script that converts these
whole album FLACs into individual .ogg files, and tags them appropriately.

I don't see much point in using lossless audio on my portable player, as I
only listen to it in the car, so absolute quality isn't really an issue.

Andy

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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread mr_bill

GuyDebord;253086 Wrote: 
 As I posted in the other topic, I only miss it when I buy a new cd,
 because I have to wait for cd paranoia to rip it before I can listen to
 it... but apart form that, regarding sound, I am happier with the
 Transporter, and you cannot really beat the convenience of its
 interface, so I would recommend you to go for it, but I am sure it will
 force you to also upgrade your setup, the Transporter's limit will be
 your other equipment
 
 Now, saying this I dont mean that your rega setup is bad, but that the
 Transporter can play in a much higher league, up there with the
 best...
 
 Regarding your current equipment, I dont think your cursa has balanced
 inputs, (my saturn didnt have balanced outputs) so when I bought the
 transporter I was using the rca's I had (van den hul integration) and I
 liked it a lot,  but when I bought balanced cables the transporter
 became a sonic revelation. Having the transporter will for sure make
 you think about upgrading, good luck

Hi Guy,
The Rega Saturn, that you replaced for the Transporter is very well
regarded as a CD player.  From your comments, it reads that you feel
the Transporter is better than the Saturn sonically.  
I am about to buy a Transporter and I would love to hear any comments
you have sonically, regarding the Saturn and Transporter.
Thanks,
Bill


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread harmonic

The transporter  was reviewed in a norwigen  magazin a couple of months
back, and the compared it to the rega saturn.

Basicly   the where pretty close  but the saturn was simply more
envolving and there for the liked it best.

I have had the transporter while its very good it where also very
analytical and  found myself getting having hard time connecting to the
music.

I would personaly  go with the sb3 and a good dac  '

the Transporters is slims very first atempt on a  higend player ,


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread tomjtx

Gee, it must be right if it's a norwigen magazine.

At the level of Transporter  and other top DACs the differences are
usually going to be quite subtle and , if detectable, which differences
one prefers are going to be a matter of taste.


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread mr_bill

tomjtx;253529 Wrote: 
 Gee, it must be right if it's a norwigen magazine.
 
 At the level of Transporter  and other top DACs the differences are
 usually going to be quite subtle and , if detectable, which differences
 one prefers are going to be a matter of taste.


Tom,

Your comments are very relevant as I know you've had comparison time
and experience with other top sources.

How are you using your Transporter?  Direct to amp?  xlr out?
What is your system comprised of for amps, preamp (if used) and
speakers?

Thanks,
Bill


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread seanadams

harmonic;253525 Wrote: 
 
 I have had the transporter while its very good it where also very
 analytical  , hard to describe but i finded it hard connecting to the
 music.

What exactly does it mean for something to sound analytical? 

What would you like Transporter do that would make it sound less
analytical to you?


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread amcluesent

What exactly does it mean for something to sound analytical? 

IMHO the TP ruthlessly exposes all issues with source material, so rips
of 'loudness war' afflicted CD sound grim, whereas MFSL CD are great. It
really sings with true 24/96 material from Linn etc.


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread Phil Leigh

seanadams;253534 Wrote: 
 What exactly does it mean for something to sound analytical? 
 
 What would you like Transporter do that would make it sound less
 analytical to you?

:o)
Analytical = accurate = not to everyone's taste = strap some valves
across its output = sounds more like the vinyl we grew up with =
happiness = you will never win...


-- 
Phil Leigh

You want to see the signal path BEFORE it gets onto a CD/vinyl...it
ain't what you'd call minimal...

...SB3+TACT+Altmann+MF DACXV3/Linn tri-amped Aktiv 5.1 system and some
very expensive cables ;o)

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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread harmonic

seanadams;253534 Wrote: 
 What exactly does it mean for something to sound analytical? 
 
 What would you like Transporter do that would make it sound less
 analytical to you?


Analytical  sound means that  the sound fouses on the detaljs so it
becomes harder to focus on the music itself.


Try listen to a linn source and you will  know better what i mean.


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread harmonic

seanadams;253534 Wrote: 
 What exactly does it mean for something to sound analytical? 
 
 What would you like Transporter do that would make it sound less
 analytical to you?


Analytical  sound means that  the sound is fouses in the detaljs so it
becomes harder to focus on the music itself.

Try listen to a linn source and you will  know better what i mean.




The fenomonen is very commen in hifi  and to some desireble ,  its
mostly  commen in speaker designs ,  but  amps like the digital
tact/lyngdorf amps suffer from the same thing.


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Re: [SlimDevices: Audiophiles] Setting Transporter to Slave for World Clock Input

2008-01-02 Thread achri-d

mofuv;251835 Wrote: 
 I have only tried out 44,1 kHz so far, will check others in the near
 fuutre.

I think there is a serious flaw in the Transporter clocking system - so
I assume you don't succeed.

My system is a dCS Paganini DAC and clock. When I try to syncronize the
Transporter I am not able to lock the Transporter to 48kHz. 44.1kHz
works.

Rgds


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Re: [SlimDevices: Audiophiles] Digital downloads and Red Book CDs

2008-01-02 Thread Timothy Stockman

In theory an 44.1 KHz file, whether it came from a CD or a digital
download, can contain audio from 0 Hz (DC) 22.05 KHz (to one half the
sample rate).

For the low limit:  At one point, the usual policy when mastering CDs
was to feed everything through a digital high-pass filter to remove any
DC component, because it could cause mistracking with certain players. 
I don't think they worry about it anymore.  I've certainly seen
(looking at CD rips with Cool Edit 2000) several with substantial DC
offsets, so the capabilities of CDs certainly go all the way down to 0
Hz.  These days, a substantial DC offset is generally viewed as bad,
and most good AtoD converters have fairly low DC offsets.  Back at the
beginning of digital audio, the AtoD's DC offset may have actually made
an improvement, because it eliminated low level crossover distortion,
offsetting it to a bit higher audio level, but today's converters have
much lower crossover distortotion, so DC offset is currently frowned
upon.  Certainly it's a problem for hard digital edits; no matter
where one puts the edit, there will be a slight click due to the change
in DC offset.  Just about all modern editing programs do a fast
crossfade to eliminate this problem.

The high frequency limit is the result of the anti-alias filters in
the recorder and playback device.  Since a practical filter doesn't
have an infinitely steep cut-off, the maximum high frequency will be
somewhat less than 22.05 KHz, depending on the steepness of the
filter's skirt.  CD players and other devices which play 44.1 KHz
audio files usually use brickwall filters with a very steep slope so
that the passband can extend up over 20 KHa.  These days, such filters
are almost always implemented by a mathematical function that resamples
the audio to a much higher sampling rate where an analog filter with a
much shallower skirt can be used.

The point to realize is that the CD is just a data carrier, so it's
largely unimportant whether the audio data has seen a CD or not; it
should still be the same data, bit-for-bit, and will produce exactly
the same audio.  I say largely unimportant; uncorrected read errors
from the CD may cause audible differences.  That is why a sophisticated
program such as Exact Audio Copy is needed so that the data is read
correctly from the disc.  But programs such as AccurateRip can attest
to the fact that, in most cases, Exact Audio Copy is able to extract
bit-accurate data from an audio CD.

Bottom line, a file properly extracted from a CD will be identical,
bit-for-bit, with the original file that was used to make that CD, so
merely recording audio on a CD makes no difference in the audio.


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread tomjtx

harmonic;253583 Wrote: 
 The interresting part  is that somone asked if enyone had compared the
 two  and i simply pointed out that a norwegin magazin compared them.
 
 I simply quoted what the said thats all.
 
 Besides that  i trust  european  hifi magazines  a hell lot more then
 the american counterparts.
 
 Ever read a bad review in stereotimes ?
 
 Stereophile is not much better in that regard.
 
 If you read other reviews of the transporter  you will see that the
 word analytical  pops up over and over.
 
 Im not saying that it is  wrong , and for some its actualy a good thing
 .
 
 You are extremly easy to figure out  , you would simply rather eat
 horse shit then admit that just maybe not every one loves the
 transporter as much as you would like.
 
 Have uttterly pathetic

That kind of rudeness is uncalled for, harmonic, and doesn't reflect
well on you.


Please try to be civil.


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Re: [SlimDevices: Audiophiles] Digital downloads and Red Book CDs

2008-01-02 Thread Timothy Stockman

Another comment regarding CD vs digital download:  With a CD, the
problem of reading the data accurately can be a big problem.  With
digital downloads, this problem is eliminated.  CDs were designed to
operate in the enviroment of digital audio, where occasional data
errors can be fairly well conceiled.  Digital downloads are a
technology built upon computer data, where even a single erroneous bit
can cause disaster, so one can be confident that the downloading
process will not introduce any data errors.

When CD technology was extended to produce CDROM technology, additional
error correction and block addressing were added to bring the CD's data
reliability and repeatability up to the much higher level required for
computer data.  Redbook CDs do not have this additional error
correction information, and thus it's harder to get a correct read from
a CD than a CDROM.


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread tomjtx

Bill, you have a PM.


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread tomjtx

It is interesting to note that I hear some similarities between my
LingoLP12 and Transporter.
The Linn has wonderful slam just like the TP. The Linn is also
wonderful at detail and prat just like the TP.

There still are some times when I think vinyl is more involving, but
those times are rarer now since I got a TP.

The TP is certainly the most enjoyable digital source I have had in my
system.

Of course that doesn't mean everyone will prefer it.


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Re: [SlimDevices: Audiophiles] Setting Transporter to Slave for World Clock Input

2008-01-02 Thread seanadams

achri-d;253579 Wrote: 
 I think there is a serious flaw in the Transporter clocking system - so
 I assume you don't succeed.
 
 My system is a dCS Paganini DAC and clock. When I try to syncronize the
 Transporter I am not able to lock the Transporter to 48kHz. 44.1kHz
 works.
 
 Rgds

I think a more likely explanation is that you are not syncing in either
case - perhaps they are both trying to be master, and it only _appears_
to work at 44.1 because the nominal clock speeds are the same. 

What happens if you disconnect the word clock during 44.1 playback?
What _should_ happen is that the Transporter and the external DAC will
immediately go out of sync and the DAC should go silent. That would be
a good test to do to make absolutely sure that the word clock is in
fact functioning at 44.1.

Incidentally, do you know how your DAC knows to output a 48KHz clock?
Is that a manual setting, or is it supposed to get it from the s/pdif
channel status information?


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread harmonic

tomjtx;253589 Wrote: 
 That kind of rudeness is uncalled for, harmonic, and doesn't reflect
 well on you.
 
 
 Please try to be civil.



No offense  , i never seem to understand the way some comnuicate in
here  and pick right up on it.
but one advice if you scream loundly into the woods it will shout back.

peace


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread GuyDebord

mr_bill;253505 Wrote: 
 Hi Guy,
 The Rega Saturn, that you replaced for the Transporter is very well
 regarded as a CD player.  From your comments, it reads that you feel
 the Transporter is better than the Saturn sonically.  
 I am about to buy a Transporter and I would love to hear any comments
 you have - sound wise, regarding the Saturn vs Transporter for your
 CD's.  I had an SB3 so I know all about the convenience and internet
 radio.
 Thanks,
 Bill

First of all, I want to clarify that the best sound in my system comes
from vinyl and the setup I have with the Michell Gyro, the liquidity,
warmth, liveliness, sound floor, rhythm and sparkle I get every-time I
lower the arm is still unequalled by any digital source Ive ever had. 
That said, the transporter is the closest (in my budget) a digital
device has come to the reference sound of vinyl. Before, the Saturn had
similar qualities, it was a very vinyl like player more analogue than
digital, perhaps a bit more than the transporter, but still, what I
look for in a digital source is the rendering of a back stage, of
depth, of deepness and darkness of what is behind the music, its
canvas, or better said the sense of the space where the music is being
reproduced, and the transporter presents it blacker, more profound and
dense than the Saturn. Unless you move to a DCS or Wadia, you will
rarely find a digital source with this rendering capacity.

If you decide for the transporter, be sure to use the balanced output
and buy the best cables you can, including the power cable. On top of
this I also use a power conditioner (probably the best investment ive
done) so it might be the setting that is making the transporter sound
so good, but apart from the XLR's the Saturn was using the same
system good luck


-- 
GuyDebord

Reference 3A Royal Master monitors biwired with van den Hul Inspiration
cables, REL Strata 5 sub. AMP: Pathos Classic One MKIII. ANALOGUE:
Michell Gyro SE, Technoarm  Lyra Helikon SL cartridge, ASR Mini Basis
SQ phono preamp linked with Audioquest Colorado’s. DIGITAL: Mac Mini,
SlimDevices Transporter linked with van den Hul The Second XLR’s.
POWER: Isotek Mini-sub GII, Isotek Elite cables (Mini-Sub, Rel 
Transporter) van den Hul Mainstream cable (Pathos)  van den Hul
Mainserver cable (ASR).

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Re: [SlimDevices: Audiophiles] Digital downloads and Red Book CDs

2008-01-02 Thread morris_minor

Timothy - thank you for your detailed reply!

Bob


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Re: [SlimDevices: Audiophiles] AccurateRip not working with EAC

2008-01-02 Thread DCtoDaylight

Hi there,
I'm wondering if maybe there was simply a problem with the Accurate Rip
server at the time you tried to connect to it?  I notice that on their
web site, there's a mention of a new server being installed earlier in
December

I'm assuming you understand what Accurate Rip is, but just in case... 
When you rip a track, it's check sum value is compared to the value
others have ripped and reported to the Accurate Rip database.  The idea
is that if everybody's check sums are the same, then everyone has read
the track properly.  This can help speed up extraction, while ensuring
bit perfect copies.
Cheers,   Dave


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Re: [SlimDevices: Audiophiles] Setting Transporter to Slave for World Clock Input

2008-01-02 Thread achri-d

seanadams;253597 Wrote: 
 I think a more likely explanation is that you are not syncing in either
 case - perhaps they are both trying to be master, and it only _appears_
 to work at 44.1 because the nominal clock speeds are the same.

No.

seanadams;253597 Wrote: 
 
 What happens if you disconnect the word clock during 44.1 playback?
 What _should_ happen is that the Transporter and the external DAC will
 immediately go out of sync and the DAC should go silent. That would be
 a good test to do to make absolutely sure that the word clock is in
 fact functioning at 44.1.

It goes silent.

seanadams;253597 Wrote: 
 
 Incidentally, do you know how your DAC knows to output a 48KHz clock?
 Is that a manual setting, or is it supposed to get it from the s/pdif
 channel status information?

Yes it is a manual setting. Please, notice that I use a DAC and en
external clock, i.e. two units.

The clock (square waves) is fed to the Transporter using a standard 75
Ohms cable with BNC connectors. No- not S/PDIF format. That is, one
cable feed the clock TO the Transporter, and another (S/PDIF) sends the
signal FROM the TRansporter to the DAC.

Rgds.


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Re: [SlimDevices: Audiophiles] Setting Transporter to Slave for World Clock Input

2008-01-02 Thread seanadams

achri-d;253632 Wrote: 
 
 It goes silent.
 

OK good... next thing to test is to try listening to Transporter's
_analog_ outputs while it is being fed by the 48KHz word clock. They
should operate both in 44.1 and in 48KHz mode. Then if you disconnect
the word clock while playing, the analog outputs should either go
silent or speed way up or down.

Also, try playing both 44.1 and 48 KHz tracks while in 48KHz mode. The
44.1 tracks should sound sped-up.

 
 Yes it is a manual setting. Please, notice that I use a DAC and en
 external clock, i.e. two units.

?!? Why? 

Such a configuration should only be used if you have some requirement
to synchronize multiple _source_ components, perhaps for editing
purposes.

It is the MCLK (eg 11.2896MHZ) signal that actually drives the internal
operation of a modern DAC chip, and the whole point of word clocking
(for the purpose of reducing jitter) is to put that clock as close as
possible to the DAC chip itself.

A PLL is absolutely _terrible_ at generating a master clock from a word
clock, compared to generating it directly with a crystal. But that is
not even the only source of jitter - you are also accumulating it in
all the connections between this equipment, and in the clock source
device itself, as it has to divide a crystal-generated clock internally
to produce that low word clock frequency. 

I am not aware of any situation where a word clock would be advisable
for driving a DAC.  You will get jitter much worse than anything you'd
get even from traditional s/pdif master-slave clocking i.e. this
is not only defeating the jitter eliminating mechanism of the word
clock interface, but is actually making the jitter far worse even than
plain s/pdif. You are probably running your DAC on a few hundred
picoseconds of jitter, as opposed to the 30ps or less that would come
from a good quality internal oscillator.

 The clock (square waves) is fed to the Transporter using a standard 75
 Ohms cable with BNC connectors. No- not S/PDIF format. That is, one
 cable feed the clock TO the Transporter, and another (S/PDIF) sends the
 data FROM the TRansporter to the DAC.
 
 Rgds.

That's fine... but driving the DAC from a word clock signal is not OK.
The problem could in fact be that the jitter is so high that the system
is on the borderline of being able to operate at all. 

Have you tried hooking things up in the usual word clock configuration
where the DAC (not a separate box) is the clock master?

Also, have you talked to dcs about this issue? I'm not just trying to
point fingers here, but without having the equipment on-hand this is
very hard for me to diagnose. They may be able to provide some
additional insight here.


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Re: [SlimDevices: Audiophiles] Setting Transporter to Slave for World Clock Input

2008-01-02 Thread achri-d

seanadams;253647 Wrote: 
 OK good... next thing to test is to try listening to Transporter's
 _analog_ outputs while it is being fed by the 48KHz word clock. They
 should operate both in 44.1 and in 48KHz mode. Then if you disconnect
 the word clock while playing, the analog outputs should either go
 silent or speed way up or down.

The Transporter, when using the internal DAC, works just fine. It
produces analogue output for 44.1, 48 and 96 (which I have tried) and
sounds good.

seanadams;253647 Wrote: 
 Also, try playing both 44.1 and 48 KHz tracks while in 48KHz mode. The
 44.1 tracks should sound sped-up.

Yes, when I used a dCS Delius as external clock to Transporter this
works as well. Indeed, the 44.1 sounds speed up. I also tried to run 96
like this. And then of course slows down. Notice, I still use the
analogue outputs.

seanadams;253647 Wrote: 
 ?!? Why? 
 
 Such a configuration should only be used if you have some requirement
 to synchronize multiple _source_ components, perhaps for editing
 purposes.
 
 It is the MCLK (eg 11.2896MHZ) signal that actually drives the internal
 operation of a modern DAC chip, and the whole point of word clocking
 (for the purpose of reducing jitter) is to put that clock as close as
 possible to the DAC chip itself.
 
 A PLL is absolutely _terrible_ at generating a master clock from a word
 clock, compared to generating it directly with a crystal. But that is
 not even the only source of jitter - you are also accumulating it in
 all the connections between this equipment, and in the clock source
 device itself, as it has to divide a crystal-generated clock internally
 to produce that low word clock frequency.

Well, I use a system where the dCS Paginini clock is used to syncronize
the Transporter and a dCS Paganini DAC. The DAC receives S/PDIF data
from the Transporter and does not need to decode the clock from the
data - as is also the situation in master mode.


seanadams;253647 Wrote: 
 I am not aware of any situation where a word clock would be advisable
 for driving a DAC.  You will get jitter much worse than anything you'd
 get even from traditional s/pdif master-slave clocking i.e. this
 is not only defeating the jitter eliminating mechanism of the word
 clock interface, but is actually making the jitter far worse even than
 plain s/pdif. You are probably running your DAC on a few hundred
 picoseconds of jitter, as opposed to the 30ps or less that would come
 from a good quality internal oscillator.

1) You may use a DAC in master mode to feed clock to the Transporter. I
used to do this with a dCS Delius, and have tried the same with the dCS
Paganini DAC.

2) Even better is to syncronize both the DAC and the Transporter to an
external clock - if this clock is of higher precision than the one in
the DAC.


seanadams;253647 Wrote: 
 That's fine... but driving the DAC from a word clock signal is not OK.
 The problem could in fact be that the jitter is so high that the system
 is on the borderline of being able to operate at all.

Sorry, your statement is wrong - at least as I see this issue and as I
understand your statement. I use a dCS Paganini clock that syncronizes
a dCS Paganini DAC and the Transporter.

seanadams;253647 Wrote: 
 Have you tried hooking things up in the usual word clock configuration
 where the DAC (not a separate box) is the clock master?

Yes, with a dCS Delius - 44.1 works but 48kHz does not work. The dCS
Paganini works well at 44.1 but does not output 48 so this I can not
try (that's why I have the Paganini clock - which outputs also 48).

seanadams;253647 Wrote: 
 Also, have you talked to dcs about this issue? I'm not just trying to
 point fingers here, but without having the equipment on-hand this is
 very hard for me to diagnose. They may be able to provide some
 additional insight here.

I have the user's manual of my dCS units and they explain the issue in
details.

Further, I have tried to contact the support at slimdevices - may be I
did not succeed to post it properly(?) - and they haven't provided any
technical answer yet.

Rgds.


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Re: [SlimDevices: Audiophiles] transporter or SB question

2008-01-02 Thread NewBuyer

tomjtx;253529 Wrote: 
 ...At the level of Transporter  and other top DACs the differences are
 usually going to be quite subtle and , if detectable, which differences
 one prefers are going to be a matter of taste.

harmonic;253583 Wrote: 
 ...i trust  european  hifi magazines  a hell lot more then the american
 counterparts... You are extremly easy to figure out  , you would simply
 rather eat horse shit then admit that just maybe not every one loves the
 transporter as much as you would like...Have uttterly pathetic

harmonic I'm just wondering please, why are you posting this kind of
stuff here?


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Re: [SlimDevices: Audiophiles] Setting Transporter to Slave for World Clock Input

2008-01-02 Thread seanadams

achri-d;253654 Wrote: 
 Yes, when I used a dCS Delius as external clock to Transporter this
 works as well. Indeed, the 44.1 sounds speed up. I also tried to run 96
 like this. And then of course slows down. Notice, in this case I used
 the analogue outputs. If I turn
 off the clock the Transporter goes silent (in my system).

If that is the case then it means your transporter is definitely
recovering the 48KHz signal from the word clock input correctly. 

A further test you could do would be to put the DAC into slave (normal
s/pdif clock) mode, and verify that it is able to play the s/pdif
signal coming from the Transporter while the Transporter is being fed
by the 48KHz external clock.

If this works, then you have now verified all of the following:

1. The external clock is generating an acceptable 48KHz word clock
2. Transporter's word clock input circuitry is able to electrically
receive this clock
3. Transporter's s/pdif output is indeed being derived from the word
clock input, and not it's internal clock.
4. All of Transporter's internal clcok paths are functioning 
correctly (otherwise the DAC and/or s/pdif would not work).
5. The s/pdif connection (which is being used here only as a data
connection) is working correctly, and there is sufficient signal
integrity for the DAC's s/pdif receiver to be able to recover a data
stream from it.

This means the only possible explanation, given all the information at
hand, is that your DAC does not function when given a 48KHz word clock
input and a s/pdif signal synchronized to that clock. (A bizarre
configuration anyway, as I've noted).

 Well, I use a system where the dCS Paginini clock is used to syncronize
 the Transporter and a dCS Paganini DAC. The DAC receives S/PDIF data
 from the Transporter and does not need to decode the clock from the
 data - as is also the situation in master mode.

Yes I am aware that the clock is coming from the word clock input and
not the s/pdif. The point is that doing the former is definitely far
worse than using an internal oscillator directly, and probably even
worse than recovering the clock from s/pdif.

 
 1) You may use a DAC in master mode to feed clock to the Transporter. I
 used to do this with a dCS Delius, and have tried the same with the dCS
 Paganini DAC.
 

And this also works at 48KHz, right?

 
 2) Even better is to syncronize both the DAC and the Transporter to an
 external clock - if this clock is of higher precision than the one in
 the DAC.
 

No, this is where you are very wrong. I have already explained why from
a theoretical standpoint, but to put it another way, which do you expect
will have more jitter:

- A crystal oscillator running at 12.2880 MH, directly driving the DAC

Or 

- A crystal oscillator running at 12.2880 MHz
- driving either a synchronous counter or a series of flip-flops, to
divide that signal down to 48 KHz
- then feeding this signal through some transmission circuit to a BNC
connector
- coupling that signal into a cable
- feeding it down the cable
- getting it into another connector at the other end of that cable
- driving that signal into a PLL circuit which multiplies the word
clock signal back up to 12.2880 Mhz
- feeding the output of that PLL into the DAC chip.


 Sorry, your statement is wrong - at least as I see this issue and as I
 understand your statement. I use a dCS Paganini clock that syncronizes
 a dCS Paganini DAC and the Transporter.

Well, one of us clearly is wrong. I have explained why I am right.
Could you point out the flaw in my reasoning?

Otherwise if you will not accept the theory, we would have to settle
the question empirically. That would require us to meet up in my lab
and you will need to bring all your equipment. :)

Also, again, have you contacted dcs? They have a technical paper about
jitter on their site so it is clear that someone there has an
understanding of these issues. I have no doubt that the author of that
paper would agree with me on this point. Their marketing person, on the
other hand, might tell you that you additionally need the external
$$$ clock in order to get the best sound.

 
 Yes, with a dCS Delius - 44.1 works but 48kHz does not work. The dCS
 Paganini works well at 44.1 but does not output 48 so this I can not
 try (that's why I have the Paganini clock - which outputs also 48).

Well, that is odd but given that the Transporter clearly is being
clocked by the 48KHz word clock (because the analog outputs are
working) it still points to an issue with the dcs.

 
 I have the user's manual of my dCS units and they explain the issue in
 details.

OK... so is there anything I'm missing? I looked on their web site and
they do not have the manuals posted for current products.

 Further, I have tried to contact the support at slimdevices - may be I
 did not succeed to post it properly(?) - and they haven't provided any
 technical answer yet.

They would just forward the question to me.


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Re: [SlimDevices: Audiophiles] Lite Audio DAC-60 thinking about getting one..

2008-01-02 Thread Tum

I was also interested in DAC-68 before I bought DAC-60.  As its
specification available in English, I think that it has digital volume
control (remote is not mentioned). It also uses different D/A chip
(AD1853).  Moreover, it has Balance I/P and O/P.  I try to discuss with
some one in HK who tested this model, but it was written in Chinese.  He
kindly answered me some questions, and he recommended that it was a good
DAC if you need Balance O/P.  If unbalance O/P was used, he said about
70% quality acheived(his comments). It price is about 100 USD more than
DAC-60.  

For me, I do not have Balance I/P pre-amplifier.  So, I bought DAC-60,
then I changed O/P cap. to Moundoff Supreme and tube to NOS PCC88
Telefunken.  Addition cost was around 170 USD.  I think that it is
better to use money to upgrade DAC-60 than buy DAC-68.  Anyway, if you
go for DAC-68, I recommend you to change tube to NOS tube.  You will be
happier with NOS tube than Sovek.


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Re: [SlimDevices: Audiophiles] Setting Transporter to Slave for World Clock Input

2008-01-02 Thread seanadams

achri-d,

I have been doing some testing just now with version 33 firmware and I
am able to sync with any word clock frequency from 1KHz to 100KHz. I
can also vary the frequency, unplug and re-plug the cable, or even set
it to rapidly sweep a wide range of frequencies (that sounds really
weird!) but it always stays synced.

There are a number of documented bugs that I am currently working on
related to the audio logic, but I don't think any of them are related
to the symptoms you are describing. I really think you have some issue
on the DAC side, because Transporter doesn't know or care what
frequency is coming into its word clock input... it will just run at
whatever rate it is fed and doesn't do anything different for 44.1 vs
48. Of course it is possible for a bug to manifest at one clock
frequency and not another, but I am not seeing that behavior on our
end.

Where to go next depends on the result of the test I mentioned in the
previous post:

 A further test you could do would be to put the DAC into slave (normal
 s/pdif clock) mode, and verify that it is able to play the s/pdif
 signal coming from the Transporter while the Transporter is being fed
 by the 48KHz external clock.

But I am running out of ideas...


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