[SlimDevices: Audiophiles] Re: sound stage width

2007-01-04 Thread P Floding

For enveloping sound effects coming out of only two speakers you could
try (text pasted from the SlimServer page):

6. Speedway (Theme From Fastlane) from Music For The Jilted Generation
by Prodigy

Caveat: Since I don't listen in an anechoic room I can't say for sure
that the effects will remain in such an environmet, although it seems
likely.

Rgds


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-03 Thread tyler_durden

I have a DFI Lan Party nF4 Ultra D mother board that uses something
called a Karajan audio module.  It has a Realtek ALC850 chip set. 
Looking here:
http://www.realtek.com.tw/products/productsView.aspx?Langid=1PFid=31Level=5Conn=4ProdID=59
indicates that it does indeed run at 48 ksps.  

Further digging led me to this review:
http://www.techpowerup.com/reviews/DFI/LPNF4UD/13

It looks like the freq response sucks at both the high and low end of
the spectrum, which correlates with some of what I am hearing.

I'll keep messing with it to see if I can get a decent recording.

TD


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-03 Thread Wombat

Regarding soundstage width i was talking about a sample that has
something special in another thread. 
I uploaded a 14sec. sample here.
http://rapidshare.com/files/10059048/06.__T_aint_No_Sin_-_Sample.zip.html
It should be enough to judge it and should be on the total legal side
to offer.


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-02 Thread Skunk

There is a little trick for identifying early reflection points using a
mirror. If the mirror is between the listening seat and the speakers on
the wall/floor/ceiling, and you can see the speaker in the mirror while
in the seat, that is an early reflection point and a place you should
put treatments.


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-02 Thread inguz

The Ambiophonics site has some apps  filters you can play with to
create a very wide soundstage.  If you like moving speakers and
experimenting, it's well worth a try. 
(http://ambiophonics.org/Ambiofiles.htm)


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-02 Thread tyler_durden

I've got the loop-through on my sound card working.  I play a .flac file
in foobar, send it through the C9, then record the result with Audacity.
I export the result as a .wav file then run flac to compress it.  I
play back using my SB3 and it doesn't sound right.  I think there is
some problem with Audacity.  Right now I am running under windoze. 
I'll try running audacity under linux and see if the result improves. 
If that doesn't fix the problem, I'll dig out a CD player and dump it's
analog out into the C9 and see where that gets me.  Maybe simultaneous
playback and record are too much to ask of my sound card...

TD


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Re: [SlimDevices: Audiophiles] Re: sound stage width

2007-01-02 Thread Pat Farrell
tyler_durden wrote:
 I've got the loop-through on my sound card working.  I play a .flac file
 in foobar, send it through the C9, then record the result with Audacity.
 I export the result as a .wav file then run flac to compress it.  I
 play back using my SB3 and it doesn't sound right.  I think there is
 some problem with Audacity.  Right now I am running under windoze. 
 I'll try running audacity under linux and see if the result improves. 
 If that doesn't fix the problem, I'll dig out a CD player and dump it's
 analog out into the C9 and see where that gets me.  Maybe simultaneous
 playback and record are too much to ask of my sound card...

Some sound cards, especially many from Creative Labs silently run at
48kHZ rather than 44.1kHz.
You may want to verify that it is really running straight, rather than
sample rate converting.

Are the two FLAC files identical? That should give you a hint, or
skip one Flac to wave conversion, flac the file to WAV/PCM
play that, and record it back as a wave. In theory, it should be the
same. I would not expect it to be. If you send it out as 24 bit expanded
from 16 (all zero in low order bits), capture as 24 bit, and throw away
the low order bits, there is a chance it will be identical. You'd
probably have to do nice dithering to get it close.





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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-01 Thread tyler_durden

The effect of using a speaker cross-talk canceller is critically
dependent on room reflections, and the way the audio is recorded/mixed,
but so is normal stereo listening.  That is why speakers and the room
make up 9X% of the sound you get from your stereo, and the source, amp,
and cables make up such a small part of it.  

Few realize this simple fact and spend vast sums of money trying to
find cables, wood pucks, magic stones, vibration dampers, and etc., to
correct problems that could be fixed by a few simple and cheap-to-make
absorbers judiciously placed in the listening room, or even simple
movement of the speakers by a few inches.

Someone posted a photo of their system with a large screen TV between
the speakers and a hard floor under them.  Try the live-end/dead-end
approach- get that big reflector (the TV) out from between the
speakers, hang some carpet on the wall behind the speakers and carpet
the floor and see how much better things sound.  There is nothing you
can do with cables, or CD players, or vibration dampers that will come
close to the results you'll get by proper room treatment and speaker
placement.

If people are interested I can record a few songs looped through my
C-9, switching it on and off and post it to a web page for DL so you
can play it back and try it out.  It will have to be digitized by my
sound card which isn't top of the line, but you'll still get the flavor
of what crosstalk cancellation can do.

TD


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-01 Thread NewBuyer

tyler_durden;166390 Wrote: 
 ...If people are interested I can record a few songs looped through my
 C-9, switching it on and off and post it to a web page for DL so you
 can play it back and try it out.  It will have to be digitized by my
 sound card which isn't top of the line, but you'll still get the flavor
 of what crosstalk cancellation can do.
 
 TD


Tyler this is really interesting stuff. I would certainly be interested
in downloading and listening to the recordings you are proposing...


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-01 Thread tyler_durden

NewBuyer;166426 Wrote: 
 Tyler this is really interesting stuff. The thing I believe that keeps
 most people from trying the absorbers idea, is a complete lack of
 knowledge of what they are, what product specifically to buy, where to
 place them, etc (speaking only from my own experience here). I would
 certainly also be interested in downloading and listening to the
 recordings you are proposing

I've been messing with the recording process.  Under Linux, for some
reason, I can only get audio through 1 channel in record mode.  Under
windoze I can only record for 1 minute using the windoze sound
recorder.  I'll look for and DL some better recording software and get
to work on it.

Sound absorption isn't rocket science.  Cover that back wall with a
piece of carpet hung a few inches off the wall.  It will kill almost
all reflections that make a difference.  Same with the floor.  You
don't have to go out and buy special sound absorbing materials. 
Tapestries have high WAF and work fine.  Carpet remnants and scraps can
be bought for $1 per yard.

Get hard surfaces like TVs and coffee tables away from the center of
the speakers.  Move that stuff elsewhere.

The special sound absorbing stuff is usually foam and polyester batting
that you can make yourself a lot cheaper than you can buy it.  If you
want to go nuts with it, make a wood frame.  Staple some burlap on the
back side.  Fill it with foam/polyester, then staple some nice looking
cloth on the front side.  Hang it or lean it against the wall.

Killing early reflections (from hard surfaces near the speakers) is the
main thing to do.  Look at the room, if the side walls are close to the
speakers, put some carpet there, too.  At the listening position end of
the room, you let the reflections happen, however, you don't want your
head too close to a reflecting wall.  Try to get the listener into the
middle of the room, away from the walls.

You can do all this stuff a little at a time, and move furniture around
until you're satisfied.  Cost is low.  Result is large.  Much larger
than anything you'll get by changing a cable, an amplifier, or even
upgrading your CD player.

TD


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[SlimDevices: Audiophiles] Re: sound stage width

2007-01-01 Thread NewBuyer

Thank you Tyler! This is great information, I will try it all, and I
really appreciate it. 

P.S. Happy New Year!


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread lafayette

This is all interesting.  However, the picture I'm getting here is that
these kinds of recordings are the exception, not the rule.  Moreover,
it has to do with a perceptual trick and not the actual physics of how
point source sound waves hit your ears.

Still, I was unaware of these recording techniques and will seek out
some of the recommendations.  Again, in my experience, and from what i
have learned, the rule and not the exception is that good stereo
imaging pretty much happens between the speakers.  The stuff you beyond
that is artifice (as above) or reflection.

This leads to one obvious question: how to judge, given specs, how a
particular speaker, in a particular (generic) room will handle such
recordings.  I would imagine that the speaker and not the electronics
is paramount is achieving the effect.

Happy New Year from way down south!


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread snarlydwarf

lafayette;166146 Wrote: 
 This is all interesting.  However, the picture I'm getting here is that
 these kinds of recordings are the exception, not the rule.  Moreover,
 it has to do with a perceptual trick and not the actual physics of how
 point source sound waves hit your ears.

But Stereo itself is a perceptual trick.


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Re: [SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread Pat Farrell
lafayette wrote:
 This is all interesting.  However, the picture I'm getting here is that
 these kinds of recordings are the exception, not the rule.  Moreover,
 it has to do with a perceptual trick and not the actual physics of how
 point source sound waves hit your ears.

Snarly beat me to it, all stereo is a perceptual trick.

And there are nearly no point sources in the world. Look at an acoustic
guitar. You get sound from the fingerboard, body, strings themselves,
sound hole, etc. The body radiates different sounds from the front,
sides, and back.

Phase is how humans hear. It is critical to identifying location, it is
how we knew where the lion was.

Phase is not talked about a lot because it is hard to get right

 This leads to one obvious question: how to judge, given specs, how a
 particular speaker, in a particular (generic) room will handle such
 recordings.  I would imagine that the speaker and not the electronics
 is paramount is achieving the effect.

You can't judge speakers by specs. You have to listen to them. You
should listen to them in your room. Or at least a room like where you
will be listening. You need to listen to music that you know and like.

Getting the phase right is what Quad ESLs and Maggies do right.
Getting it nearly right is what mini-monitors do much better than full
range speakers. But neither mini-monitors nor flat panels can deliver
much bass, or have the bass be seamless with the mid-bass on up.


I think one or two of the uber expensive speakers, like the $50,000
PipeDreams are reviewed to have both imaging and continuousness, but
they are way out of my budget and flunk WAF too much for me to even find
a dealer to listen to them.

You pays your money and you makes your choices.

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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread geraint smith

lafayette;166146 Wrote: 
 ..in my experience, and from what i have learned, the rule and not
 the exception is that good stereo imaging pretty much happens between
 the speakers.  The stuff you beyond that is artifice (as above) or
 reflection.

But (to augment SnarlyDwarf's and Pat Farell's responses still
further), it is all artifice - every bit of it, the whole shebang, from
musician to speakers. What is music, if not artifice? And that's before
you go anywhere near the Black Stereophonic Arts. This is no more
artifice than any of the other tricks practised in the attempt to
create perfection in an imperfect world, to restore Nature to what it
was as somebody wrote 400 years ago. If we all wanted to eschew
artifice, we'd be sitting in fields and listening to blackbirds, not in
padded cells to loud amplified noises. (Although one might be drawn
while there to reflect that even that isn't such certain advice as
would have been thought a few years ago, given all we've found out in
the last few years about the individuality and practiced skills
inherent in birdsong).

Anyway, enough of the metaphysical ramblings. A Happy and prosperous
New Year to all!


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread The Smokester

lafayette,
This phenomena requires the preservation of phase coherence. You are
quite right that the reflections coming from objects in and walls of
the room will diminish or destroy the regular stereo, as well as this
interesting phase, effect.

Air's Carmel Prisoner on the album 10,000 Hz Legend is another
great example with a tone near the end that sounds like it circles your
head.


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread Mike Anderson

Pat Farrell;165528 Wrote: 
 Pot, hemp, weed, MJ, Acapulco Gold, etc.

OH.  You mean...  (looks around furtively)...  -Mary Jane!-


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-29 Thread Phil Leigh

Behringer made a 1U rack box called the Edison that let you manipulate
width and depth - it was fun...with practice you could whirl a track
(within a mix) around the listener


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-29 Thread tyler_durden

Here's some good stuff on 3D sound fields.  There is some good stuff on
loudspeaker crosstalk cancellation.

http://www.jvrb.org/3.2006/589

TD


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-28 Thread JJZolx

grasshead?


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-28 Thread snarlydwarf

pothead, i think he means

Though for fun stereo abuse, The Residents' High Horses (a simulation
of taking LSD in Golden Gate Park by the Carousel) takes the cake. 
Though it isnt technically correct: they were trying to get the sound
of going -around- the carousel mechanism, but it is more like the
carousel mechanism goes around the listener...

But a fun album for abusing the stereo auditory illusion.

(Shameless plug: High Horses will be rereleased on Best Left Unspoken
Volume 2 due out any day now from Ralph America.)

I'll shut up now.


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-28 Thread snarlydwarf

JJZolx;165525 Wrote: 
 Too funny.

I wasnt kidding. :P

http://residents.com/C1016472556/E20061214071458/index.html
http://residents.com/bh/HIGHH.htm


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Re: [SlimDevices: Audiophiles] Re: sound stage width

2006-12-28 Thread Pat Farrell
JJZolx wrote:
 grasshead?

Pot, hemp, weed, MJ, Acapulco Gold, etc.
Not that I'd know anything about that kinda stuff.

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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-28 Thread tyler_durden

I think Pink Floyd's A Momentary Lapse of Reason is recorded in Q
sound.

You can get a similar effect from nearly any stereo source by using a
speaker cross-talk canceller such as the Carver C-9 sonic hologram
generator, or any of a number of similar devices that you can build
yourself with a few opamps.

You invert the phase and mix some of the left channel into the right
and vice-versa.  It is also best to add a little delay to the phase
inverted signals to compensate for the difference in path lengths
between the ears and the speakers (the left speaker sound path to the
left ear is shorter than the path to the right ear, etc.).  The idea is
that the right channel crossfeed signal from the left speaker arrives at
your left ear at exactly the same time but opposite phase as the true
right channel speaker signal.  The two cancel so the left ear mainly
hears the sound from the left speaker and the right ear mainly hears
the sound from the right speaker.  The timing is critical, so there is
a very small sweetspot and position of the speakers and listener in the
room are critical, but it is really mind-blowing when it works.

TD


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