Re: [backstage] Mail archives

2010-01-26 Thread Stephen Jolly

On 25 Jan 2010, at 14:27, Mo McRoberts wrote:
 On Mon, Jan 25, 2010 at 12:43, Ian Forrester ian.forres...@bbc.co.uk wrote:
 I agree but there was no clear idea what we should do except maybe move the 
 whole thing to Mailman?
 
 There was a consensus for Mailman, although I don't think anybody
 hates Majordomo enough to stamp feet over it!

I hate Majordomo enough to stamp feet over it. ;-)

S


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Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Stephen Jolly

On 25 Jan 2010, at 18:59, Barry Carlyon wrote:
 (have they finished the HTML 5 Spec yet?)

The definitive answer to this common question is here:

http://www.w3.org/html/wg/#sched

The short answer is no.  But that doesn't stop people from implementing bits 
of it in browsers of course, despite the associated issues for web developers 
and end users.

S


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Re: [backstage] Mail archives

2010-01-26 Thread Brian Butterworth
IMHO Majordomo is the IE6 of discussion software.  Or perhaps it should be
the MS-DOS 3.3?

2010/1/26 Stephen Jolly st...@jollys.org


 On 25 Jan 2010, at 14:27, Mo McRoberts wrote:
  On Mon, Jan 25, 2010 at 12:43, Ian Forrester ian.forres...@bbc.co.uk
 wrote:
  I agree but there was no clear idea what we should do except maybe move
 the whole thing to Mailman?
 
  There was a consensus for Mailman, although I don't think anybody
  hates Majordomo enough to stamp feet over it!

 I hate Majordomo enough to stamp feet over it. ;-)

 S


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RE: [backstage] Mail archives

2010-01-26 Thread Ian Forrester
Alright Steve and Brian I get the message :)

Secret[] Private[] Public[x]

Ian Forrester
Senior Backstage Producer

BBC RD North Lab,
1st Floor Office, OB Base,
New Broadcasting House, Oxford Road,
Manchester, M60 1SJ 

 




From: owner-backst...@lists.bbc.co.uk 
[mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of Brian Butterworth
Sent: 26 January 2010 09:35
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Mail archives


IMHO Majordomo is the IE6 of discussion software.  Or perhaps it should 
be the MS-DOS 3.3?


2010/1/26 Stephen Jolly st...@jollys.org



On 25 Jan 2010, at 14:27, Mo McRoberts wrote:
 On Mon, Jan 25, 2010 at 12:43, Ian Forrester 
ian.forres...@bbc.co.uk wrote:
 I agree but there was no clear idea what we should do except 
maybe move the whole thing to Mailman?

 There was a consensus for Mailman, although I don't think 
anybody
 hates Majordomo enough to stamp feet over it!


I hate Majordomo enough to stamp feet over it. ;-)


S


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RE: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Ian Forrester

Open source H.264 isn't pursued by MPEG-LA anyway. The issue of encoders is 
fine, you just use x264 (which is the project I work on), which is the best 
H.264 encoder in the world in the majority of use-cases. 

-

You work on the x.264 project? Tell us more...

I've always been interested how x.264 and h.264 related to each other and 
co-exist. Is its simply a case like how Divx and Xvid work together or is there 
more ?

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[backstage] MusicDNA and ItunesLP

2010-01-26 Thread Ian Forrester
http://www.wired.com/epicenter/2010/01/is-the-world-ready-for-the-successor-of-the-mp3/

This is meant to make music piricay less tempting, so they say.

I just can't understand why someone hasn't made a decent XML format to describe 
related items to a local or even remote tune/media. Yes I've looked at itunesLP 
and came away feeling a bit dirty (http://ituneslp.net/tutorials/).

Maybe I should Lazyweb this one? :)

Cheers,

Secret[] Private[] Public[x]

Ian Forrester
Senior Backstage Producer

BBC RD North Lab,
1st Floor Office, OB Base, 
New Broadcasting House, Oxford Road, 
Manchester, M60 1SJ

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Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Mo McRoberts
On Tue, Jan 26, 2010 at 12:48, Ian Forrester ian.forres...@bbc.co.uk wrote:

 I've always been interested how x.264 and h.264 related to each other and 
 co-exist. Is its simply a case like how Divx and Xvid work together or is 
 there more ?

[the question wasn't directed at me, but...]

I'm not sure I follow? x264 is an encoder, H.264 is the specification.
Just like Schroedinger/Dirac, or LAME/MP3.

M.
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RE: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Ian Forrester
OH I see :) hummm, for reason I thought there was also a codec based on H.264 
call x.264 


Secret[] Private[x] Public[]

Ian Forrester
Senior Backstage Producer

BBC RD North Lab,
1st Floor Office, OB Base, 
New Broadcasting House, Oxford Road, 
Manchester, M60 1SJ
-Original Message-
From: owner-backst...@lists.bbc.co.uk [mailto:owner-backst...@lists.bbc.co.uk] 
On Behalf Of Mo McRoberts
Sent: 26 January 2010 12:55
To: backstage@lists.bbc.co.uk
Subject: Re: [backstage] Users just want video to work. You Mozilla people are 
such idealists?

On Tue, Jan 26, 2010 at 12:48, Ian Forrester ian.forres...@bbc.co.uk wrote:

 I've always been interested how x.264 and h.264 related to each other and 
 co-exist. Is its simply a case like how Divx and Xvid work together or is 
 there more ?

[the question wasn't directed at me, but...]

I'm not sure I follow? x264 is an encoder, H.264 is the specification.
Just like Schroedinger/Dirac, or LAME/MP3.

M.
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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Mo McRoberts
On Tue, Jan 26, 2010 at 13:01, Ian Forrester ian.forres...@bbc.co.uk wrote:
 http://www.wired.com/epicenter/2010/01/is-the-world-ready-for-the-successor-of-the-mp3/

 This is meant to make music piricay less tempting, so they say.

Yes, cut off your remaining source of revenue for people who don't buy
the stuff by making it harder for them to get up-to-date gig listings
and such.

 I just can't understand why someone hasn't made a decent XML format to 
 describe related items to a local or even remote tune/media. Yes I've looked 
 at itunesLP and came away feeling a bit dirty 
 (http://ituneslp.net/tutorials/).

iTunes LP is really just a variant of iTunes Extras, whose aim was to
bring DVD-like content to iTunes movies - LP was a convenient
re-purposing of it...

The answer is probably 'what's the point?' -- the number of people who
need to support it in order for it to be in any way successful is
staggering, which is what's likely to kill MusicDNA.

I'm not really sure why they're calling it the successor the MP3.
AFAICT, it's a bit of metadata tacked onto an otherwise normal MP3,
not dissimilar to an ID3 tag.

Last I looked, AAC was the successor to MP3 :)

M.
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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Brian Butterworth
It seemed like one of those next generation internet stories that appear
from time to time, viz http://ow.ly/10zCj

User benefits = zero, adoption likelihood = zero

2010/1/26 Mo McRoberts m...@nevali.net

 On Tue, Jan 26, 2010 at 13:01, Ian Forrester ian.forres...@bbc.co.uk
 wrote:
 
 http://www.wired.com/epicenter/2010/01/is-the-world-ready-for-the-successor-of-the-mp3/
 
  This is meant to make music piricay less tempting, so they say.

 Yes, cut off your remaining source of revenue for people who don't buy
 the stuff by making it harder for them to get up-to-date gig listings
 and such.

  I just can't understand why someone hasn't made a decent XML format to
 describe related items to a local or even remote tune/media. Yes I've looked
 at itunesLP and came away feeling a bit dirty (
 http://ituneslp.net/tutorials/).

 iTunes LP is really just a variant of iTunes Extras, whose aim was to
 bring DVD-like content to iTunes movies - LP was a convenient
 re-purposing of it...

 The answer is probably 'what's the point?' -- the number of people who
 need to support it in order for it to be in any way successful is
 staggering, which is what's likely to kill MusicDNA.

 I'm not really sure why they're calling it the successor the MP3.
 AFAICT, it's a bit of metadata tacked onto an otherwise normal MP3,
 not dissimilar to an ID3 tag.

 Last I looked, AAC was the successor to MP3 :)

 M.
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Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Brian Butterworth
The H comes from the CCITT (now ITU-T) subcommittee that defined the
standard.  The H committee was for multimedia, as I recall.

They also had the X standards (X400, X500), Q standards like ISDN, E
for telephone plans, the PSTN cloud is Signalling System number 7, named
after the  Q.7 committees, JPEG was from the T committee and so on.

Aside from this XVID is DIVX backwards.  This is because all the ITU-T
standards are DECODING standards, not encoding ones.  This is to allow
commercial operators to create their own encoders, with the decoding being
in the public domain.



2010/1/26 Ian Forrester ian.forres...@bbc.co.uk

 OH I see :) hummm, for reason I thought there was also a codec based on
 H.264 call x.264


 Secret[] Private[x] Public[]

 Ian Forrester
 Senior Backstage Producer

 BBC RD North Lab,
 1st Floor Office, OB Base,
 New Broadcasting House, Oxford Road,
 Manchester, M60 1SJ
 -Original Message-
 From: owner-backst...@lists.bbc.co.uk [mailto:
 owner-backst...@lists.bbc.co.uk] On Behalf Of Mo McRoberts
 Sent: 26 January 2010 12:55
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] Users just want video to work. You Mozilla people
 are such idealists?

 On Tue, Jan 26, 2010 at 12:48, Ian Forrester ian.forres...@bbc.co.uk
 wrote:

  I've always been interested how x.264 and h.264 related to each other and
 co-exist. Is its simply a case like how Divx and Xvid work together or is
 there more ?

 [the question wasn't directed at me, but...]

 I'm not sure I follow? x264 is an encoder, H.264 is the specification.
 Just like Schroedinger/Dirac, or LAME/MP3.

 M.
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 Sent via the backstage.bbc.co.uk discussion group.  To unsubscribe, please
 visit http://backstage.bbc.co.uk/archives/2005/01/mailing_list.html.
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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Frank Wales

Ian Forrester wrote:

http://www.wired.com/epicenter/2010/01/is-the-world-ready-for-the-successor-of-the-mp3/

This is meant to make music piricay less tempting, so they say.


There's an off-putting quote in this report about it:

  http://news.bbc.co.uk/1/hi/entertainment/8478310.stm

We can deliver a file that is extremely searchable and can carry 

 up to 32GB of extra information in the file itself. And it will be
 dynamically updatable so that every time the user is connected,
 his file will be updated.

Uh-oh.  There goes my bandwidth if I start iTunes and it decides
to check and update my 12,000 tracks.

Never mind the potential for more Kindle-1984 scenarios.
--
Frank Wales [fr...@limov.com]
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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Stephen Jolly

On 26 Jan 2010, at 13:15, Mo McRoberts wrote:
 Last I looked, AAC was the successor to MP3 :)

Yeah, or MP3Pro.  There are no shortage of wannabe successors...

S

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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Brian Butterworth
Storage and bandwidth is almost getting to the point where we could use raw
PCM...

2010/1/26 Stephen Jolly st...@jollys.org


 On 26 Jan 2010, at 13:15, Mo McRoberts wrote:
  Last I looked, AAC was the successor to MP3 :)

 Yeah, or MP3Pro.  There are no shortage of wannabe successors...

 S

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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Mo McRoberts
On Tue, Jan 26, 2010 at 15:41, Brian Butterworth briant...@freeview.tv wrote:
 Storage and bandwidth is almost getting to the point where we could use raw
 PCM...

Well, there's not a lot of point when there's lossless compression
which can contain metadata (FLAC[0], ALAC, etc) :)

M.


[0] I *think* FLAC supports embedded metadata? haven't used it in
years, to be honest.
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Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Paul Webster
On Tue, 26 Jan 2010 15:17:34 +, Brian wrote:

snip

Aside from this XVID is DIVX backwards.  This is because all the ITU-T
standards are DECODING standards, not encoding ones.  This is to allow
commercial operators to create their own encoders, with the decoding being
in the public domain.

Re DivX and Xvid ... while it is true that the spelling is reversed ... my 
recollection is that this is not because
decoding is the reverse of encoding. I thought it was a joke name because of 
the open source community unhappiness with
DivX Inc (used to be DivXNetworks Inc) withdrawing source code from the 
OpenDivX project that they started.

Paul

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Re: [backstage] Freeview HD Content Management

2010-01-26 Thread Tim Dobson

People might be interested that in the ORG perspective:

 Original Message 
Subject: Re: [ORG-discuss] ofcom drm bbc consultation - redux
Date: Fri, 22 Jan 2010 15:14:47 +
From: Jim Killock j...@openrightsgroup.org
Reply-To: Open Rights Group open discussion list 
org-disc...@lists.openrightsgroup.org
To: Open Rights Group open discussion list 
org-disc...@lists.openrightsgroup.org

References: 117182.75425...@web52707.mail.re2.yahoo.com

Just to say, Cory, myself and others met with Ofcom to discuss this.

I don't think they had a full idea of the likely impacts, or the game 
playing that is going on.


What is needed now is a wide coalition including potentially affected 
device manufacturers and software engineers to show the impacts on them.


If anyone has contacts like these, please let me know.

On 22 Jan 2010, at 12:19, Glyn Wintle wrote:

 Ofcom, following the great idea of asking the same question enough 
times till you get the answer you want, have published a new consultation.


 http://www.ofcom.org.uk/consult/condocs/content_mngt/condoc.pdf

 
http://www.bbc.co.uk/blogs/bbcinternet/2010/01/freeview_hd_content_management.html





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 org-disc...@lists.openrightsgroup.org
 http://lists.openrightsgroup.org/mailman/listinfo/org-discuss
 To unsubscribe, send a blank email to 
org-discuss-le...@lists.openrightsgroup.org


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Open Rights Group
+44 (0) 7894 498 127
Skype: jimkillock
http://twitter.com/jimkillock
http://www.openrightsgroup.org/






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Nick Reynolds-FMT wrote:

People on the list may be interested in this:
 
http://www.bbc.co.uk/blogs/bbcinternet/2010/01/freeview_hd_content_manag

ement.html






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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Brian Butterworth
Surely there is a point, because Moore's Law is exponential where it just
becomes too much hassle to do the encoding and decoding because storing and
carrying the data raw will have reached free.

2010/1/26 Mo McRoberts m...@nevali.net

 On Tue, Jan 26, 2010 at 15:41, Brian Butterworth briant...@freeview.tv
 wrote:
  Storage and bandwidth is almost getting to the point where we could use
 raw
  PCM...

 Well, there's not a lot of point when there's lossless compression
 which can contain metadata (FLAC[0], ALAC, etc) :)

 M.


 [0] I *think* FLAC supports embedded metadata? haven't used it in
 years, to be honest.
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Re: [backstage] Freeview HD Content Management

2010-01-26 Thread Mo McRoberts
On Tue, Jan 26, 2010 at 15:58, Tim Dobson li...@tdobson.net wrote:
 People might be interested that in the ORG perspective:

For what it's worth, I was in discussions with Jim prior to that
meeting, and put together a document for him outlining the situation
and the issues that I'd turned up (obviously quite a bit of it had
come up discussions here and on the bbcinternet blog). I hope it went
some way in helping.

If I remember later, I'll dig it out and post it to this thread. It
made for a reasonable semi-executive summary, even if it wasn't quite
as diplomatic as it might be if it were addressed to BBC senior
management, for example ;)

M.
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Re: [backstage] Freeview HD Content Management

2010-01-26 Thread Brian Butterworth
Out of interest, has anyone done a proper legal search on the proposals?

I'm under the impression that the mandate that puts all public service
content out without any form of proection is in primary legislation, various
Broadcasting Acts and Wireless Telegraphy Acts.

Ofcom's powers are limited to those provided to it under the Communications
Act 2003 and the set-up act Office of *Communications Act* 2002.

Ofcom only has power to issue licences that are legal, it does not have the
power to change the primary legislation.

Or have I missed something obvious here?

2010/1/26 Tim Dobson li...@tdobson.net

 People might be interested that in the ORG perspective:

  Original Message 
 Subject: Re: [ORG-discuss] ofcom drm bbc consultation - redux
 Date: Fri, 22 Jan 2010 15:14:47 +
 From: Jim Killock j...@openrightsgroup.org
 Reply-To: Open Rights Group open discussion list 
 org-disc...@lists.openrightsgroup.org
 To: Open Rights Group open discussion list 
 org-disc...@lists.openrightsgroup.org
 References: 117182.75425...@web52707.mail.re2.yahoo.com

 Just to say, Cory, myself and others met with Ofcom to discuss this.

 I don't think they had a full idea of the likely impacts, or the game
 playing that is going on.

 What is needed now is a wide coalition including potentially affected
 device manufacturers and software engineers to show the impacts on them.

 If anyone has contacts like these, please let me know.

 On 22 Jan 2010, at 12:19, Glyn Wintle wrote:

  Ofcom, following the great idea of asking the same question enough times
 till you get the answer you want, have published a new consultation.
 
  http://www.ofcom.org.uk/consult/condocs/content_mngt/condoc.pdf

 
 
 http://www.bbc.co.uk/blogs/bbcinternet/2010/01/freeview_hd_content_management.html
 
 
 
 
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  http://lists.openrightsgroup.org/mailman/listinfo/org-discuss
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 org-discuss-le...@lists.openrightsgroup.org

 Jim Killock
 Executive Director
 Open Rights Group
 +44 (0) 7894 498 127
 Skype: jimkillock
 http://twitter.com/jimkillock
 http://www.openrightsgroup.org/






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 org-disc...@lists.openrightsgroup.org
 http://lists.openrightsgroup.org/mailman/listinfo/org-discuss
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 Nick Reynolds-FMT wrote:

 People on the list may be interested in this:
  http://www.bbc.co.uk/blogs/bbcinternet/2010/01/freeview_hd_content_manag
 ement.html




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advice, since 2002


Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Brian Butterworth
There should have been another sentence in my post, sorry.  Yes, xvid being
divx backwards is a geeky joke.


2010/1/26 Paul Webster p...@dabdig.com

 On Tue, 26 Jan 2010 15:17:34 +, Brian wrote:

 snip

 Aside from this XVID is DIVX backwards.  This is because all the ITU-T
 standards are DECODING standards, not encoding ones.  This is to allow
 commercial operators to create their own encoders, with the decoding being
 in the public domain.

 Re DivX and Xvid ... while it is true that the spelling is reversed ... my
 recollection is that this is not because
 decoding is the reverse of encoding. I thought it was a joke name because
 of the open source community unhappiness with
 DivX Inc (used to be DivXNetworks Inc) withdrawing source code from the
 OpenDivX project that they started.

 Paul

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Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Stephen Jolly
On 26 Jan 2010, at 16:22, Brian Butterworth wrote:
 Surely there is a point, because Moore's Law is exponential where it just 
 becomes too much hassle to do the encoding and decoding because storing and 
 carrying the data raw will have reached free.

Yeah, but OTOH the processing power to do the encoding and decoding is also 
free.

S


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Re: [backstage] Freeview HD Content Management

2010-01-26 Thread Mo McRoberts
On Tue, Jan 26, 2010 at 16:26, Brian Butterworth briant...@freeview.tv wrote:
 Out of interest, has anyone done a proper legal search on the proposals?
 I'm under the impression that the mandate that puts all public service
 content out without any form of proection is in primary legislation, various
 Broadcasting Acts and Wireless Telegraphy Acts.
 Ofcom's powers are limited to those provided to it under the Communications
 Act 2003 and the set-up act Office of Communications Act 2002.
 Ofcom only has power to issue licences that are legal, it does not have the
 power to change the primary legislation.
 Or have I missed something obvious here?

I did do some digging, though IANAL and it was only a cursory
high-level search (and it was a while ago)

From memory, though, and this is just my skim-understanding: primary
legislation covers EPG services as well as TV channels themselves and
in much the same way to one another. Ofcom issues licenses for both,
and both are bound by similar (and in many cases identical) rules. So,
even if you accept that the programmes will be broadcast in the
clear, this doesn't change the fact that EPG data isn't unregulated.

Now, what I don't know is:

a) whether the fact that the EPG data is broadcast by a wholly-owned
subsidiary rather than the Corporation makes any difference
b) whether the PSB obligation applies to the EPG data in the first
place (I'd guess yes, but would prefer confirmation of this)
c) whether you'd need to mount a legal challenge in court to prove any
of it if it turned out that Ofcom didn't, in fact, have the authority

M.

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RE: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Christopher Woods
 


There should have been another sentence in my post, sorry.  Yes, xvid being
divx backwards is a geeky joke.

Of course DivX ;-) in itself was a sly homage to a doomed-to-fail industry
attempt :D And before XviD, once upon a time its parent was called Project
Mayo...  Remember that heady time of multiple competing codecs, MS-MPEG4
ASP, DivX ;-), XviD, 3ivX... How did we all manage before ffdshow? ;)


Re: [backstage] MusicDNA and ItunesLP

2010-01-26 Thread Brian Butterworth
True.  However it would remove any legal problems with the file format, as
it is not covered by any patent.  There must be some point in the
not-distant future that raw-WAV would just emerge again for simplicity.

2010/1/26 Stephen Jolly st...@jollys.org

 On 26 Jan 2010, at 16:22, Brian Butterworth wrote:
  Surely there is a point, because Moore's Law is exponential where it just
 becomes too much hassle to do the encoding and decoding because storing and
 carrying the data raw will have reached free.

 Yeah, but OTOH the processing power to do the encoding and decoding is also
 free.

 S


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Re: [backstage] Freeview HD Content Management

2010-01-26 Thread Brian Butterworth
Interesting.

2010/1/26 Mo McRoberts m...@nevali.net


 I did do some digging, though IANAL and it was only a cursory
 high-level search (and it was a while ago)

 From memory, though, and this is just my skim-understanding: primary
 legislation covers EPG services as well as TV channels themselves and
 in much the same way to one another. Ofcom issues licenses for both,
 and both are bound by similar (and in many cases identical) rules. So,
 even if you accept that the programmes will be broadcast in the
 clear, this doesn't change the fact that EPG data isn't unregulated.


The Ofcom document states:

5.9.2  A commitment to establishing an “appeals” process whereby viewers who
 believe their lawful usage is being impinged by the BBC’s use of  content
 management  can raise their concerns to the BBC, rather than having to
 write to the Secretary of State, which is the current legal requirement;

10.1  These raised a number of potentially significant questions
regarding compliance with  copyright law and competition issues that were
not addressed in our original letter.

3.16.1  An undertaking to respect current user protections enshrined in
copyright law and any future extension of these protections, such as
those recommended by the Gower’s Review of Intellectual Property;

5.9.1  An undertaking  that the BBC will  respect current usage protections
under copyright law and any future extension of these protections, such as
thoserecommended by the Gower’s Review of Intellectual Property18

and

A.2.3  The signalling of content management states by broadcasters in
respect of any  programme does not indicate any form of entitlement to copy
or distribute  this content.The responsibility resides with citizens and
consumers to  respect all rights associated with video and audio works.

It should be noted that the content management approach implemented for
Freeview HD will frequently enable far more extensive copying and
 distribution of broadcast content than is likely to be considered
acceptable to  the majority of rights-holders or is legitimate under current
UK law.




 Now, what I don't know is:

 a) whether the fact that the EPG data is broadcast by a wholly-owned
 subsidiary rather than the Corporation makes any difference


I'm quite sure that's not the case as the company is wholly owned by the
BBC.


 b) whether the PSB obligation applies to the EPG data in the first
 place (I'd guess yes, but would prefer confirmation of this)


Both the BBC and Ofcom would think so, because they would not have had to
consult.  The BBC could have just done it if the corporation's lawyers had
said it was just OK.


 c) whether you'd need to mount a legal challenge in court to prove any
 of it if it turned out that Ofcom didn't, in fact, have the authority


I'm sure at the very least you would need a proper solicitor's letter,
rather than the word of a blogger.

But the BBC seems to be arguing that the BBC *must* have the ability to
protect the output of Freeview HD devices to comply with the law.

I have a Rumpole voice in my head asking the Director General ...but you
have run the Freeview service for over a decade without this protection, are
you telling the court that you were not complying with the law then, sir?



 M.

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Re: [backstage] Freeview HD Content Management

2010-01-26 Thread Mo McRoberts

On 26-Jan-2010, at 17:20, Brian Butterworth wrote:

 It should be noted that the content management approach implemented for 
 Freeview HD will frequently enable far more extensive copying and  
 distribution of broadcast content than is likely to be considered acceptable 
 to  the majority of rights-holders or is legitimate under current UK law.  

That’s a slightly dubious interpretation (well, apart from the “considered 
acceptable to the majority of rights-holders”).

Time-shifting (which is only permitted for HD content under a relatively narrow 
set of circumstances, including you having purchased the “right” kit) is 
specifically “not an offence”.

While there aren’t specific exemptions written into law allowing for 
space-shifting, its practice is so widespread for other media that it would be 
impossible to enforce now without there being massive backlash from both 
consumers and CE manufacturers alike: to do so would outlaw ripping of 
[non-DRM’d] CDs, for a start, and theoretically mean you’d have to purchase a 
separate copy of each media item for each device you wanted it on, even if you 
never consumed them simultaneously (e.g., one copy for your laptop, one for 
your iPod…).

Given the above, and Ofcom’s wording, it still doesn’t open things up any 
(§A.2.3); according to commonplace and to date uncontested practice, on the 
other hand, it’s far more restrictive, and it certainly doesn't give anybody 
any *rights* to distribute.

Of course, all of that’s aside from the things unrelated to the content itself, 
such as the licensing regime and non-disclosure terms attached to it all.

One thing I have noticed about the official position is that it always talks 
about what the system would _permit_ you to do in glowing terms and skims over 
what it prevents you from doing. The reality is, we’re permitted (insofar as 
the hardware and broadcast chain is concerned) to do all of those things if the 
BBC does nothing at all. I noted with interest the publications which repeated 
Graham Plumb’s list of things we’d [still] be able to do if it went ahead.

M.


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Re: [backstage] Freeview HD Content Management

2010-01-26 Thread Mo McRoberts

On 26-Jan-2010, at 16:20, Mo McRoberts wrote:
 If I remember later, I'll dig it out and post it to this thread. It
 made for a reasonable semi-executive summary, even if it wasn't quite
 as diplomatic as it might be if it were addressed to BBC senior
 management, for example ;)

And without further ado, here it is.

Bear in mind this was written in December, so a few things have come to light 
since (and some more questions raised!). No idea if this is at all helpful to 
anybody, but enjoy :)

Nick:— you get a namecheck in this, though I just want to state, for the 
record, that I do very much appreciate your efforts in trying to be the 
middle-man on a fairly complex technical issue!

M.



Background
--

On the 27th August, Alix Pryde, controller of BBC Distribution, wrote
to Greg Bensberg at Ofcom outlining two alternative mechanisms of
implementing “Content management” for high-definition content
broadcast on BBC HD (and, presumably, other HD channels, though this
is unspecified) as carried by the then-upcoming Freeview HD service,
designed to be the ultimate successor to both the analogue terrestrial
and standard-definition Freeview television services.

Of the two proposals, the first was centred around a licensing regime
that would be adhered to by consumer electronics manufacturers: those
wishing to brand their equipment as being Freeview HD-compliant would
sign a non-disclosure agreement and implement certain decoding
routines for scrambled EPG data. As part of the agreement,
manufacturers would restrict the ability of their consumer electronics
to interface along so-called “untrusted paths”. In effect, a
simplistic digital rights management (DRM) system would be created,
albeit one maintained solely by licensing agreements, rather than
technical challenge.

The key facets of this first proposal are that:

* The actual high definition audio, video, subtitle and “Red Button”
application content streams would be broadcast “in the clear”
(unencrypted)
* Some metadata carried with the HD signal (the Event Information
Table, or EIT) would be compressed, with decoding tables “The Huffman
Look-Up Tables” required for decompression
* Although these decoding tables are trivial to reverse-engineer,
doing so could fall afoul of the provisions of the European Copyright
Directive (EUCD), and would also run counter to the Freeview HD
licensing regime

Thus, although a skilled individual—whatever their intent—would be
able to bypass the restrictions, a CE manufacturer would have no
option but to enter into the licensing agreement with the BBC in order
to legitimately obtain a copy of the decoding table, and in doing so
commit to implementing copy-restrictions in their device.

The second proposal was to implement a much stronger form of Digital
Rights Management whereby ostensibly “free to air” content would
itself be encrypted, rather than simply the EIT. This clearly runs
counter to the BBC’s public service principles, as indicated by
original inquiry letter which includes the phrase “…a move from
free-to-air to free-to-view…” in relation to this proposal.

It has been made reasonably clear that the BBC has no desire to
attempt to seek implementation of this second proposal, and it’s
relatively apparent that it would have little success in doing so
(especially given that the Freeview HD service has now launched, aside
from public policy concerns).


Publicity on the proposals
--

On the 3rd September, Greg Bensberg issued a letter to “Stakeholders
in the UK DTT industry”, published on Ofcom’s website. This was not
issued in the form of a public consultation, nor clearly announced on
the high-traffic areas of the site.

After the letters were published, both Tom Watson MP and Cory Doctorow
published blog articles online and in the MediaGuardian regarding the
issue. The articles contained some factual inaccuracies, brought about
largely thanks to the lack of a proper consultation including an
explanation of the issues and the proposed remedies. Despite this, the
publicity which resulted from Tom and Cory’s posts was sufficient to
cause the BBC to begin dialogue with the public on the issue.

In a BBC Internet Blog post,
http://www.bbc.co.uk/blogs/bbcinternet/2009/09/freeview_hd_copy_protection_up.html,
Graham Plumb responded initially to Tom Watson’s piece (followed up
later by 
http://www.bbc.co.uk/blogs/bbcinternet/2009/10/freeview_hd_copy_protection_a.html
in response to Cory’s MediaGuardian article).

It became clear after these posts were published that the Graham
Plumb, although author of the text of the posts, was not directly
engaging those asking questions and submitting other comments. For the
most part, Nick Reynolds
(http://www.bbc.co.uk/blogs/profile/?userid=11648404) co-editor of the
BBC Internet Blog, did a reasonable job of fielding the questions, but
was limited in his ability to gain answers from Graham Plumb (or
anybody else with the ability to give them). 

Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Kieran Kunhya
 What I don't understand is that of the three main desktop
 platforms
 Firefox gets installed on - Windows and Mac - both have
 H.264 decoders
 *on the machine already* in the form of Windows Media and
 QuickTime
 APIs. Microsoft and Apple have presumably solved whatever
 licensing
 problems exist for H.264 decoding.

Only Windows 7 has native H.264 (which isn't actually compliant in a few places 
last time I checked). XP/Vista don't however.

Older macs without H.264 hardware acceleration also have a very basic version 
of the spec through Quicktime because Apple don't seem to fix any bugs with it.

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Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Mo McRoberts

On 26-Jan-2010, at 20:19, Kieran Kunhya wrote:

 Older macs without H.264 hardware acceleration also have a very basic version 
 of the spec through Quicktime because Apple don't seem to fix any bugs with 
 it.

It’s not just older Macs. Basically, if you don’t restrict yourself to Baseline 
you’re asking for trouble at the moment.

Now, for a lot of web video, Baseline is absolutely fine, though for 
higher-resolution stuff a different profile would probably be preferable.

QuickTime X, shipping with Snow Leopard, and providing the accelerated H.264 
abstraction and video / support works well in all of my tests. That’s the 
easy part.

iTunes links against QuickTime 7, which is what Leopard and Tiger users 
(anybody on a PPC Mac, or the rapidly shrinking proportion of people who 
*won’t* upgrade anyway), and this has noticeable issues with Main content.

The Apple TV, which technically runs Tiger, also has problems, to the point 
that I can reproducibly cause mine to reboot by feeding it iPlayer content 
retrieved via RTMP and swapped out from its FLV container to ISO media (and 
I’ve jumped through enough transcoding runs to be pretty sure that it’s Main 
which trips it up, rather than some container oddities).

That said, most PPC Macs will struggle with HD content whatever the profile and 
decoder, so there’s a limit to the woes in a roundabout way.

I haven’t experimented with Win7’s decoder yet, but I suspect that for the time 
being the answer is to stick with Baseline.

[For what it’s worth, all of my encoding tests have been with ffmpeg+x264].

Having said all that, my entirely subjective conclusions at the moment are that 
the 720p video I get out of ffmpeg+x264 when encoded as Baseline at around 
3Mbps[0] compares extremely favourably to the iPlayer HD content (which is High 
profile, if memory serves) at the same bitrate. I don’t know whether this is 
down to me not being able to spot the difference from 10 inches away from the 
screen, whether it’s that x264 is a better encoder than whatever Red Bee uses, 
or whether it’s simply the case that High Profile is used because Flash can 
decode it more efficiently[1] than if it were Baseline. Also, noting that at 
720p25, 3Mbps ought to be enough!

M.

[0] Combined audio+video. 160Kbps audio in my tests. Can’t recall what iPlayer 
HD uses.
[1] I’d dread to see Flash decoding that video less efficiently…


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Re: [backstage] Users just want video to work. You Mozilla people are such idealists?

2010-01-26 Thread Kieran Kunhya
 Having said all that, my entirely subjective conclusions at
 the moment are that the 720p video I get out of ffmpeg+x264
 when encoded as Baseline at around 3Mbps[0] compares
 extremely favourably to the iPlayer HD content (which is
 High profile, if memory serves) at the same bitrate. I
 don’t know whether this is down to me not being able to
 spot the difference from 10 inches away from the screen,
 whether it’s that x264 is a better encoder than whatever
 Red Bee uses, or whether it’s simply the case that High
 Profile is used because Flash can decode it more
 efficiently[1] than if it were Baseline. Also, noting that
 at 720p25, 3Mbps ought to be enough!

x264 is almost certainly better than whatever Red Bee use though I think the 
keyframe interval in iPlayer is lower than the x264 defaults. (and the ffmpeg 
presets aren't very good) In theory High and Baseline should have approximately 
the same decode complexity since the High Profile features should reduce 
bitrate. The overhead of High Profile should then be cancelled out by this 
lower bitrate. iPlayer does disable CABAC which is an easy way of reducing 
Flash performance.

For 720p25 you might need more than 3.5Mbps for more demanding scenes. (Except 
increasing the bitrate or using a better encoder will make iPlayer look better 
than the broadcast...)

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