svn commit: r379730 - /struts/action/trunk/xdocs/userGuide/configuration.xml
Author: niallp Date: Wed Feb 22 00:21:18 2006 New Revision: 379730 URL: http://svn.apache.org/viewcvs?rev=379730view=rev Log: Doc correction, Bug 37538 - SwitchAction is now in struts-extras and remove duplicated example - patch submitted by Christian Meder Modified: struts/action/trunk/xdocs/userGuide/configuration.xml Modified: struts/action/trunk/xdocs/userGuide/configuration.xml URL: http://svn.apache.org/viewcvs/struts/action/trunk/xdocs/userGuide/configuration.xml?rev=379730r1=379729r2=379730view=diff == --- struts/action/trunk/xdocs/userGuide/configuration.xml (original) +++ struts/action/trunk/xdocs/userGuide/configuration.xml Wed Feb 22 00:21:18 2006 @@ -637,9 +637,9 @@ p There are three approaches for switching from one module to another. -You can use the built-in +You can use the codeorg.apache.struts.actions.SwitchAction/code -, +from the Struts Extras subproject, you can use a codelt;forwardgt;/code (global or local) and specify the contextRelative @@ -715,28 +715,6 @@ ... /action-mappings ]]/source - -p -Or, you can use -codeorg.apache.struts.actions.SwitchAction/code -: -/p - -source![CDATA[ - action-mappings - action path=/toModule - type=org.apache.struts.actions.SwitchAction/ - ... - /action-mappings - ]]/source - -p -Now, to change to ModuleB, we would use a URI like this: -/p - -source - http://localhost:8080/toModule.do?prefix=/moduleBamp;page=/index.do -/source p Using the module parameter with a hyperlink tag is even - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 37538] - SwitchAction is now in struts-extras and remove duplicated example
DO NOT REPLY TO THIS EMAIL, BUT PLEASE POST YOUR BUG· RELATED COMMENTS THROUGH THE WEB INTERFACE AVAILABLE AT http://issues.apache.org/bugzilla/show_bug.cgi?id=37538. ANY REPLY MADE TO THIS MESSAGE WILL NOT BE COLLECTED AND· INSERTED IN THE BUG DATABASE. http://issues.apache.org/bugzilla/show_bug.cgi?id=37538 [EMAIL PROTECTED] changed: What|Removed |Added Status|REOPENED|RESOLVED Resolution||FIXED --- Additional Comments From [EMAIL PROTECTED] 2006-02-22 09:22 --- Apologies, my mistake. Patch applied thanks: http://svn.apache.org/viewcvs?rev=379730view=rev -- Configure bugmail: http://issues.apache.org/bugzilla/userprefs.cgi?tab=email --- You are receiving this mail because: --- You are the assignee for the bug, or are watching the assignee. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38388] - The div added by html:form should have a modifiable style
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--- Additional Comments From [EMAIL PROTECTED] 2006-02-22 09:42 ---
I'm not great at CSS, but can't you do this already using just CSS? For example
if you define a class for your form...
html:form styleClass=fooClass ...
...then in your CSS style sheet you could do something like:
form.fooClass div {display: inline; }
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DO NOT REPLY [Bug 37826] - Useless NullPointerException in TagUtils, Due To Installation Problem
DO NOT REPLY TO THIS EMAIL, BUT PLEASE POST YOUR BUG· RELATED COMMENTS THROUGH THE WEB INTERFACE AVAILABLE AT http://issues.apache.org/bugzilla/show_bug.cgi?id=37826. ANY REPLY MADE TO THIS MESSAGE WILL NOT BE COLLECTED AND· INSERTED IN THE BUG DATABASE. http://issues.apache.org/bugzilla/show_bug.cgi?id=37826 [EMAIL PROTECTED] changed: What|Removed |Added Status|NEW |RESOLVED Resolution||FIXED --- Additional Comments From [EMAIL PROTECTED] 2006-02-22 10:09 --- This is fixed in Struts 1.3.0. -- Configure bugmail: http://issues.apache.org/bugzilla/userprefs.cgi?tab=email --- You are receiving this mail because: --- You are the assignee for the bug, or are watching the assignee. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38749] New: - XSS vulnerability in LookupDispatchAction
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Summary: XSS vulnerability in LookupDispatchAction
Product: Struts
Version: 1.2.8
Platform: All
OS/Version: All
Status: NEW
Severity: normal
Priority: P2
Component: Extras
AssignedTo: dev@struts.apache.org
ReportedBy: [EMAIL PROTECTED]
If the user supplies a parameter value which does not correspond to an entry in
the lookupMap, then the supplied value is included in the resulting message
passed back to the user.
// Find the key for the resource
String key = (String) lookupMap.get(keyName);
if (key == null) {
String message = messages.getMessage(
dispatch.resource, mapping.getPath(), keyName);
throw new ServletException(message);
}
And the message template is:
Servlet error: Action[{0}] missing resource '{1}' in key method map
At this point, the path is safe (as it must correspond with a path from the
Action), but the keyName is arbitrary user input.
In the specific case we've got,
http://localhost:8988/EDM-ViewController-context-root/browse.do?act=%3CSCRIPT%
3Ealert(%22XSS%22);%3C/SCRIPT%3Eamp;select=1177281
produces the HTML:
HTMLHEADTITLE500 Internal Server Error/TITLE/HEADBODYH1500
Internal Server Error/H1PREServlet error: Action[/browse] missing resource
'SCRIPTalert(XSS);/SCRIPT' in key method map/PRE/BODY/HTML
(Browsing the source code for 1.3, I think that DispatchAction and
LookupDispatchAction in that version have the same problem.)
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[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text New page: pbr /br / font size=4[ /font What could be the problem with our encounter on a text?br /It could be too fix; it could be exactly what we don#8217;t want our project to become. Let#8217;s avoid the division in Concept and Process and let#8217;s edit it as a wave of thoughts between you and me. We already have so much in our interstice. Let#8217;s just show it as a flux or a flow.br /That#8217;s the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end.br /Let#8217;s edit a text divided just by spaces and let#8217;s forget the titles. Let#8217;s edit a text that progress in all the interesting direction that we have already activated.br /The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or fina l one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased font size=4 ]/font/p pbr /font size=4[ /font I#8217;m writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect font size=4 ]/font/p pbr / font size=4[ /font There is a postcard with a still from the Wim Wender#8217;s movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a child#8217;s body on the left side of the picture and a shadowed man#8217;s figure on the right.br /I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander #8211; the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie.br /It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. It#8217;s in this alternative place that confusion could be seen as higher level of sensibility font size=4 ]/font/p pbr / font size=4[ /font I#8217;m writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world font size=4 ]/font/p p align=leftbr / font size=4[ /font #8220;The text doesn#8217;t gloss the images, which do not illustrate the text. For me, each has been no more than the onset of a kind of visual uncertainty, analogous to that loss of meaning Zen calls a satori. Text and images, interlacing, seek to ensure the circulation and exchange of those signifiers: body, face, writing; and in than to read the retreat of signs#8221;.br /Those are the first words of Empire of Signs by Roland Bathes book that embodies my interest for confusion as a higher level of sensibility and that brings me to the idea of interstice.br /It#8217;s curious that it is on the idea of interstice that we first have activated our communal interests. Maybe its better to say in the idea of interstice and with this shift the interstice creates that dangerous zone where things happen, where thoughts are produced as results of precious confusion.br /Confusion gets form by activating all the different points of interest; it creates a flow that is impossi ble to detect and knows now end. br /We meet ourselves in that interstice. Your idea of space and place, of time and different perception, brings you to the possibility of an interstice as a meaningful in between; it creates that alternative place where confusion becomes an experimental process and brings us #8211; or in general the subject #8211; to work on a dangerous zone where struggle and coercion are incorporated. This is a zone of critical thoughts and artistic production.br /Why Barthes and his book about Japan and sign-aucracy?br /In Barthes#8217; book confusion is directly linked with the Japanese concept of MU #8211; emptiness #8211; and brings the reader to the idea of interstice as a productive and critical place. At this point we reach our independence from the thoughts of Deleuze and Guattari because in Barthes book we feel how confusion is directly related with a shift from the western mechanical tradition #8211; we are all
[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text -- - pbr /br / + headlink href=http://www.buro2.be/confusion/stylesheet.css; rel=stylesheet type=text/css //head - font size=4[ /font + pbr /br /font size=4[ /font What could be the problem with our encounter on a text?br /It could be too fix; it could be exactly what we don#8217;t want our project to become. Let#8217;s avoid the division in Concept and Process and let#8217;s edit it as a wave of thoughts between you and me. We already have so much in our interstice. Let#8217;s just show it as a flux or a flow.br /That#8217;s the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end.br /Let#8217;s edit a text divided just by spaces and let#8217;s forget the titles. Let#8217;s edit a text that progress in all the interesting direction that we have already activated.br /The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or fi nal one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased font size=4 ]/font/p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text -- headlink href=http://www.buro2.be/confusion/stylesheet.css; rel=stylesheet type=text/css //head - pbr /br /font size=4[ /font + pfont size=4[ /font What could be the problem with our encounter on a text?br /It could be too fix; it could be exactly what we don#8217;t want our project to become. Let#8217;s avoid the division in Concept and Process and let#8217;s edit it as a wave of thoughts between you and me. We already have so much in our interstice. Let#8217;s just show it as a flux or a flow.br /That#8217;s the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end.br /Let#8217;s edit a text divided just by spaces and let#8217;s forget the titles. Let#8217;s edit a text that progress in all the interesting direction that we have already activated.br /The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or fi nal one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased font size=4 ]/font/p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[Struts Wiki] Update of Vandekeere by JoeGermuska
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by JoeGermuska: http://wiki.apache.org/struts/Vandekeere The comment on the change is: This page has nothing to do with Struts. -- - headlink href=http://www.buro2.be/confusion/stylesheet.css; rel=stylesheet type=text/css //head + deleted - font size=4[ /font - What could be the problem with our encounter on a text?brbr - It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow.br - Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. - Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated.br - The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased.br - font size=4 ]/font - - font size=4[ /font - Hello.br - - This is a first try for this wikipage.br - Francescobr - font size=4 ]/font - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38749] - XSS vulnerability in LookupDispatchAction
DO NOT REPLY TO THIS EMAIL, BUT PLEASE POST YOUR BUG· RELATED COMMENTS THROUGH THE WEB INTERFACE AVAILABLE AT http://issues.apache.org/bugzilla/show_bug.cgi?id=38749. ANY REPLY MADE TO THIS MESSAGE WILL NOT BE COLLECTED AND· INSERTED IN THE BUG DATABASE. http://issues.apache.org/bugzilla/show_bug.cgi?id=38749 --- Additional Comments From [EMAIL PROTECTED] 2006-02-22 14:42 --- I'll write up a patch for this ticket over the weekend. Tommy, so did it cause the JavaScript alert box to popup? -- Configure bugmail: http://issues.apache.org/bugzilla/userprefs.cgi?tab=email --- You are receiving this mail because: --- You are the assignee for the bug, or are watching the assignee. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38749] - XSS vulnerability in LookupDispatchAction
DO NOT REPLY TO THIS EMAIL, BUT PLEASE POST YOUR BUG· RELATED COMMENTS THROUGH THE WEB INTERFACE AVAILABLE AT http://issues.apache.org/bugzilla/show_bug.cgi?id=38749. ANY REPLY MADE TO THIS MESSAGE WILL NOT BE COLLECTED AND· INSERTED IN THE BUG DATABASE. http://issues.apache.org/bugzilla/show_bug.cgi?id=38749 --- Additional Comments From [EMAIL PROTECTED] 2006-02-22 14:44 --- On second thought, I think we may want to mark this as INVALID depending on your response. This is not a problem with the classes, but with the lack of Validation. You should put validation on method parameter - does Struts allow validation on parameters which are not explicitly defined in forms? -- Configure bugmail: http://issues.apache.org/bugzilla/userprefs.cgi?tab=email --- You are receiving this mail because: --- You are the assignee for the bug, or are watching the assignee. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text The comment on the change is: brackets -- The project considered as a tautology brings us to Wittgenstein.br /For Wittgenstein tautology is a key point to understand the structure of language and as a consequence the structure of reality. Tautology could be considered as an interstice: it#8217;s exactly nothing and everything at the same time, emptiness becomes fullness and the way around. As Wittgenstein says: #8216;tautology and contradiction are the limited cases of a language [#8230;] of the combination of senses that form reality#8217;.br /The general form of a proposition reveals the relation between a word and its referent (when there is a direct link between the understanding of a proposition and the understanding of reality). A tautology, which is different from a proposition, is true under every single condition, it doesn#8217;t explain anything and so it reveals emptiness. It forms the exception by which the rule becomes possible. The shift from highlighting the rule to highlighting the exceptio n reveals also a shift from a mechanical to an organic approach: the rule is formed by the exception and the vice verso. On the one hand the mechanical paradigm defines the world by defining the rule, it explains the world causational. On the other the organic approach shows mutual relations, without rule or exception.br /For Wittgenstein tautology is a complete emptiness that at the same time is necessary to build an atomic and philosophical structure.br /When we take the idea of Tautology and emptiness to its extreme consequent then the interstice or meaningful emptiness stands at the basis of the understanding of reality and reality itself. According to this the emptiness can be considered as an alternative place where confusion could be seen as a higher level of sensibility and where production takes place. Ones erased the atomic approach the interstice remains. It is the place of creation and meaning font size=4 ]/font/p - pbr / - font size=4[ /font - I#8217;m writing on the loss of control related to the position of the curator + (writing on the loss of control related to the position of the curator) - font size=4 ]/font - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38374] - Validation always skipped with Globals.CANCEL_KEY
DO NOT REPLY TO THIS EMAIL, BUT PLEASE POST YOUR BUG· RELATED COMMENTS THROUGH THE WEB INTERFACE AVAILABLE AT http://issues.apache.org/bugzilla/show_bug.cgi?id=38374. ANY REPLY MADE TO THIS MESSAGE WILL NOT BE COLLECTED AND· INSERTED IN THE BUG DATABASE. http://issues.apache.org/bugzilla/show_bug.cgi?id=38374 --- Additional Comments From [EMAIL PROTECTED] 2006-02-22 14:58 --- +1 to what Niall said. In our own example applications, we sometimes use Cancel for navigation with validate=false. I'm sure other applications do too. -T. -- Configure bugmail: http://issues.apache.org/bugzilla/userprefs.cgi?tab=email --- You are receiving this mail because: --- You are the assignee for the bug, or are watching the assignee. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38749] - XSS vulnerability in LookupDispatchAction
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--- Additional Comments From [EMAIL PROTECTED] 2006-02-22 16:12 ---
I agree we should fix this. We had a similar thing recently and not all servlet
containers we're affected - it depended on whether the container filtered the
output from the exception:
http://wiki.apache.org/struts/StrutsXssVulnerability
As a workaround in the meantime you have a few options:
1) Configure a Struts exception handler
2) Configure a custom error page for your servlet container
3) Have a custom LookupDispatchAction overriding the getLookupMapName() method:
protected String getLookupMapName(HttpServletRequest request,
String keyName, ActionMapping mapping)
throws ServletException {
try {
super.getLookupMapName(request, keyName, mapping);
} catch (Exception e) {
log.error(LookupDispatchAction error + e);
throw new ServletException(Error in LookupDispatchAction);
}
}
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[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text -- - headlink href=http://www.buro2.be/confusion/stylesheet.css; rel=stylesheet type=text/css //head - pfont size=4[ /font - What could be the problem with our encounter on a text?br /It could be too fix; it could be exactly what we don#8217;t want our project to become. Let#8217;s avoid the division in Concept and Process and let#8217;s edit it as a wave of thoughts between you and me. We already have so much in our interstice. Let#8217;s just show it as a flux or a flow.br /That#8217;s the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end.br /Let#8217;s edit a text divided just by spaces and let#8217;s forget the titles. Let#8217;s edit a text that progress in all the interesting direction that we have already activated.br /The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or fi nal one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased - font size=4 ]/font/p - pbr /font size=4[ /font - I#8217;m writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect - font size=4 ]/font/p + [ What could be the problem with an exchange via text? + It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow. + Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. + Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated. + The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased ] - pbr / - font size=4[ /font - There is a postcard with a still from the Wim Wender#8217;s movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a child#8217;s body on the left side of the picture and a shadowed man#8217;s figure on the right.br /I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander #8211; the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie.br /It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. It#8217;s in this alternative place that confusion could be seen as higher level of sensibility - font size=4 ]/font/p + [ Iâm writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect ] - pbr / - font size=4[ /font - I#8217;m writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world - font size=4 ]/font/p - p align=leftbr / - font size=4[ /font - #8220;The text doesn#8217;t gloss the images, which do not illustrate the text. For me, each has been no more than the onset of a kind of visual uncertainty, analogous to that loss of meaning Zen calls a satori. Text and images, interlacing, seek to ensure
[Struts Wiki] Update of ongoing text by MichaelJouravlev
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by MichaelJouravlev: http://wiki.apache.org/struts/ongoing_text The comment on the change is: WiKi spam -- + deleted - [ What could be the problem with an exchange via text? - It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow. - Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. - Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated. - The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased ] - - - [ Iâm writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect ] - - - [ There is a postcard with a still from the Wim Wenderâs movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a childâs body on the left side of the picture and a shadowed manâs figure on the right. - I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander â the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie. - It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. Itâs in this alternative place that confusion could be seen as higher level of sensibility ] - - - [ Iâm writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world ] - - - [ âThe text doesnât gloss the images, which do not illustrate the text. For me, each has been no more than the onset of a kind of visual uncertainty, analogous to that loss of meaning Zen calls a satori. Text and images, interlacing, seek to ensure the circulation and exchange of those signifiers: body, face, writing; and in than to read the retreat of signsâ. - - Those are the first words of Empire of Signs by Roland Bathes book that embodies my interest for confusion as a higher level of sensibility and that brings me to the idea of interstice. - Itâs curious that it is on the idea of interstice that we first have activated our communal interests. Maybe its better to say in the idea of interstice and with this shift the interstice creates that dangerous zone where things happen, where thoughts are produced as results of precious confusion. - Confusion gets form by activating all the different points of interest; it creates a flow that is impossible to detect and knows now end. - We meet ourselves in that interstice. Your idea of space and place, of time and different perception, brings you to the possibility of an interstice as a meaningful in between; it creates that alternative place where confusion becomes an experimental process and brings us â or in general the subject â to work on a dangerous zone where struggle and coercion are incorporated. This is a zone of critical thoughts and artistic production. - - Why Barthes and his book about Japan and sign-aucracy? - In Barthesâ book confusion is directly linked with the Japanese concept of MU â emptiness â and brings the reader to the idea of interstice as a productive and critical place. At this point we reach our independence from the thoughts of Deleuze and Guattari because in Barthes book we feel how confusion is directly related with a shift from the western mechanical tradition â we are all products of Descartes â to an eastern organic tradition. - In the chapter Without Words, Barthes explains in one page how he felt in the
[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text -- - [ What could be the problem with an exchange via text? + [ What could be the problem with our encounter on a text? It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow. Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated. The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased ] - [ Iâm writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect ] - [ There is a postcard with a still from the Wim Wenderâs movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a childâs body on the left side of the picture and a shadowed manâs figure on the right. I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander â the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie. It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. Itâs in this alternative place that confusion could be seen as higher level of sensibility ] - - [ Iâm writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world ] + [ Iâm writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world ]. - [ âThe text doesnât gloss the images, which do not illustrate the text. For me, each has been no more than the onset of a kind of visual uncertainty, analogous to that loss of meaning Zen calls a satori. Text and images, interlacing, seek to ensure the circulation and exchange of those signifiers: body, face, writing; and in than to read the retreat of signsâ. @@ -34, +30 @@ Itâs curious how he explains his first contact with the Japaneseâ language in everyday life. The confusion brought by an unknown language, unknown sign and unknown rumours, together with the efforts to understand the language throw the person â a stranger without any knowledge of the idiom â in an alternative place: itâs in that alternative place that we can talk about a higher level of sensibility. Confusion is something that puts the person inside the in between, in the interstice where everything happens and where a productive dangerous zones is created ] - [ Iâm writing on the Centre of Tokyo as a supreme interstice ] - - [ There is a poetry from Fernando Pessoa namely The King of Interstice that could be seen as a strong reference for our project: + [ There is a poetry from Fernando Pessoa namely The King of Interstice that could be seen as a strong reference for our project.: There lived, I know not when, never perhaps â But the fact is that he lived â an unknown king @@ -61, +55 @@ All think that he is God, except himself. That kingdom is the field of creation, the alternative place where itâs possible to detect a dangerous zone of thoughts. - That kingdom is the place of interests of an organic structure, is one of the hubs, one of the meaningsâ connector]. + That kingdom is the place of interests of an organic structure, is one of the hubs, one of the meaningsâ connector ] - [ Iâm writing a text on Hakim Bey and his idea of
[Struts Wiki] Update of ongoing text by GeorgeDinwiddie
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by GeorgeDinwiddie: http://wiki.apache.org/struts/ongoing_text The comment on the change is: wiki spam -- + deleted - [ What could be the problem with our encounter on a text? - It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow. - Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. - Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated. - The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased ] - - [ Iâm writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect ] - - [ There is a postcard with a still from the Wim Wenderâs movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a childâs body on the left side of the picture and a shadowed manâs figure on the right. - I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander â the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie. - It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. Itâs in this alternative place that confusion could be seen as higher level of sensibility ] - - [ Iâm writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world ]. - - [ âThe text doesnât gloss the images, which do not illustrate the text. For me, each has been no more than the onset of a kind of visual uncertainty, analogous to that loss of meaning Zen calls a satori. Text and images, interlacing, seek to ensure the circulation and exchange of those signifiers: body, face, writing; and in than to read the retreat of signsâ. - - Those are the first words of Empire of Signs by Roland Bathes book that embodies my interest for confusion as a higher level of sensibility and that brings me to the idea of interstice. - Itâs curious that it is on the idea of interstice that we first have activated our communal interests. Maybe its better to say in the idea of interstice and with this shift the interstice creates that dangerous zone where things happen, where thoughts are produced as results of precious confusion. - Confusion gets form by activating all the different points of interest; it creates a flow that is impossible to detect and knows now end. - We meet ourselves in that interstice. Your idea of space and place, of time and different perception, brings you to the possibility of an interstice as a meaningful in between; it creates that alternative place where confusion becomes an experimental process and brings us â or in general the subject â to work on a dangerous zone where struggle and coercion are incorporated. This is a zone of critical thoughts and artistic production. - - Why Barthes and his book about Japan and sign-aucracy? - In Barthesâ book confusion is directly linked with the Japanese concept of MU â emptiness â and brings the reader to the idea of interstice as a productive and critical place. At this point we reach our independence from the thoughts of Deleuze and Guattari because in Barthes book we feel how confusion is directly related with a shift from the western mechanical tradition â we are all products of Descartes â to an eastern organic tradition. - In the chapter Without Words, Barthes explains in one page how he felt in the same
[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text -- - [ What could be the problem with our encounter on a text? It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow. Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated. - The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased ] + The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased. ] [ Iâm writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect ] [ There is a postcard with a still from the Wim Wenderâs movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a childâs body on the left side of the picture and a shadowed manâs figure on the right. I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander â the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie. - It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. Itâs in this alternative place that confusion could be seen as higher level of sensibility ] + It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. Itâs in this alternative place that confusion could be seen as higher level of sensibility ]. [ Iâm writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world ]. @@ -28, +27 @@ âThe unknown language, of which I nonetheless grasps the respiration, the emotive aeration, in a word the pure significance, form around me, as I move, a fait of vertigo, sweeping me into this artificial emptiness, which is consummated only for me: I live in the interstice, delivered from any fulfilled meaningâ - Itâs curious how he explains his first contact with the Japaneseâ language in everyday life. The confusion brought by an unknown language, unknown sign and unknown rumours, together with the efforts to understand the language throw the person â a stranger without any knowledge of the idiom â in an alternative place: itâs in that alternative place that we can talk about a higher level of sensibility. Confusion is something that puts the person inside the in between, in the interstice where everything happens and where a productive dangerous zones is created ] + Itâs curious how he explains his first contact with the Japaneseâ language in everyday life. The confusion brought by an unknown language, unknown sign and unknown rumours, together with the efforts to understand the language throw the person â a stranger without any knowledge
[Struts Wiki] Update of ongoing text by WendySmoak
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by WendySmoak: http://wiki.apache.org/struts/ongoing_text The comment on the change is: My turn to delete wiki spam... -- + deleted - [ What could be the problem with our encounter on a text? - It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow. - Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. - Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated. - The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased. ] - [ Iâm writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect ] - - [ There is a postcard with a still from the Wim Wenderâs movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a childâs body on the left side of the picture and a shadowed manâs figure on the right. - I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander â the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie. - It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. Itâs in this alternative place that confusion could be seen as higher level of sensibility ]. - - [ Iâm writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world ]. - - [ âThe text doesnât gloss the images, which do not illustrate the text. For me, each has been no more than the onset of a kind of visual uncertainty, analogous to that loss of meaning Zen calls a satori. Text and images, interlacing, seek to ensure the circulation and exchange of those signifiers: body, face, writing; and in than to read the retreat of signsâ. - - Those are the first words of Empire of Signs by Roland Bathes book that embodies my interest for confusion as a higher level of sensibility and that brings me to the idea of interstice. - Itâs curious that it is on the idea of interstice that we first have activated our communal interests. Maybe its better to say in the idea of interstice and with this shift the interstice creates that dangerous zone where things happen, where thoughts are produced as results of precious confusion. - Confusion gets form by activating all the different points of interest; it creates a flow that is impossible to detect and knows now end. - We meet ourselves in that interstice. Your idea of space and place, of time and different perception, brings you to the possibility of an interstice as a meaningful in between; it creates that alternative place where confusion becomes an experimental process and brings us â or in general the subject â to work on a dangerous zone where struggle and coercion are incorporated. This is a zone of critical thoughts and artistic production. - - Why Barthes and his book about Japan and sign-aucracy? - In Barthesâ book confusion is directly linked with the Japanese concept of MU â emptiness â and brings the reader to the idea of interstice as a productive and critical place. At this point we reach our independence from the thoughts of Deleuze and Guattari because in Barthes book we feel how confusion is directly related with a shift from the western mechanical tradition â we are all products of Descartes â to an eastern organic tradition. - In the chapter Without Words, Barthes explains in one page how he felt
[Struts Wiki] Update of ongoing text by ongoing text
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by ongoing text: http://wiki.apache.org/struts/ongoing_text No differences found! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[Struts Wiki] Update of ongoing text by MichaelJouravlev
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by MichaelJouravlev: http://wiki.apache.org/struts/ongoing_text The comment on the change is: Looks like a robot. Is it possible to block wiki account? -- + deleted - [ What could be the problem with our encounter on a text? - It could be too fix; it could be exactly what we donât want our project to become. Letâs avoid the division in Concept and Process and letâs edit it as a wave of thoughts between you and me. We already have so much in our interstice. Letâs just show it as a flux or a flow. - Thatâs the only way not to loose all the precious inputs we gave the project. We arrived from different ways and keep the diversity in order to enrich the organic structure and make our reciprocal activation not a simply death end. - Letâs edit a text divided just by spaces and letâs forget the titles. Letâs edit a text that progress in all the interesting direction that we have already activated. - The text is an object and the medium of writing has implications on how we think and on how ideas are produced. In order to this the text is one of the objects produced but not the only or final one. In order to develop what and how we think we have to find different approaches to every point we make. In this case the text is an ongoing dialogue, it is a process that not only goes forwards but also backwards, to the left and to the right, up and down and somewhere else. There will be questions and some answers, but also not fully expressed ideas. These aspects can continually be rewritten, completed or even erased. ] - [ Iâm writing on confusion as a higher level of sensibility, Edward Lorenz and the Butterfly Effect ] - - [ There is a postcard with a still from the Wim Wenderâs movie Alice in the Cities. On an unclear scene it is possible to detect the blond hair and the hint of a childâs body on the left side of the picture and a shadowed manâs figure on the right. - I keep thinking about that space, that in between Rudiger Vogler and Yella Rottlander â the main character of the movie as well as the two entities on the postcards. With its absence, its endless possibilities of been fulfilled and its consequent productive confusion, this space simply embodies all the meaning of that human relation and, consequently, of the whole movie. - It is on that unclear but still meaningful interstice that the concept of confusion as an extreme disorder seams to change value and reach a complex and productive signification. Itâs in this alternative place that confusion could be seen as higher level of sensibility ]. - - [ Iâm writing a text on art as object in relation to history of art and in contrast with the idea of a window on the world ]. - - [ âThe text doesnât gloss the images, which do not illustrate the text. For me, each has been no more than the onset of a kind of visual uncertainty, analogous to that loss of meaning Zen calls a satori. Text and images, interlacing, seek to ensure the circulation and exchange of those signifiers: body, face, writing; and in than to read the retreat of signsâ. - - Those are the first words of Empire of Signs by Roland Bathes book that embodies my interest for confusion as a higher level of sensibility and that brings me to the idea of interstice. - Itâs curious that it is on the idea of interstice that we first have activated our communal interests. Maybe its better to say in the idea of interstice and with this shift the interstice creates that dangerous zone where things happen, where thoughts are produced as results of precious confusion. - Confusion gets form by activating all the different points of interest; it creates a flow that is impossible to detect and knows now end. - We meet ourselves in that interstice. Your idea of space and place, of time and different perception, brings you to the possibility of an interstice as a meaningful in between; it creates that alternative place where confusion becomes an experimental process and brings us â or in general the subject â to work on a dangerous zone where struggle and coercion are incorporated. This is a zone of critical thoughts and artistic production. - - Why Barthes and his book about Japan and sign-aucracy? - In Barthesâ book confusion is directly linked with the Japanese concept of MU â emptiness â and brings the reader to the idea of interstice as a productive and critical place. At this point we reach our independence from the thoughts of Deleuze and Guattari because in Barthes book we feel how confusion is directly related with a shift from the western mechanical tradition â we are all products of Descartes â to an eastern organic tradition. - In the chapter Without Words, Barthes
[Struts Wiki] Update of StrutsWidgets by MichaelJouravlev
Dear Wiki user,
You have subscribed to a wiki page or wiki category on Struts Wiki for change
notification.
The following page has been changed by MichaelJouravlev:
http://wiki.apache.org/struts/StrutsWidgets
The comment on the change is:
Added tip about using Map in optionsCollection
--
* ''name'' is the name of plain java bean or an action form; optional
* ''property'' is the property in the java bean that holds current value
- html:optionsCollection specifies the collection that contains selectable
items:
+ html:optionsCollection specifies the collection that contains selectable
items. The above sample uses List:
-* ''name'' is the collection name; can be defined in any scope;
+* ''name'' is the collection name, can be defined in any scope;
-* ''value'' specifies the property containing item value; corresponds to
''property'' from html:select tag
+* ''value'' specifies the property containing item value;
* ''label'' specifies the property containing item label; this is what is
shown to a user.
+
+ When the widget is being displayed, it positions to an element that has the
same ''value'', as the ''property'' specified in html:select tag.
inline:selectwidget.gif
+ Using Map is slightly different from using List. When a Map is iterated, it
exposes each entry as a Map.Entry record with attributes ''key'' and ''value''.
Selectable item is stored in ''value'' attribute of Map.Entry:
+
+ {{{
+ html:select name=addressForm property=currentStateCode size=1
+ html:optionsCollection name=stateMap value=value.stateCode
label=value.stateName/
+ /html:select
+ }}}
+
- If you want a listbox to always position to a certain hardcoded value instead
of value submitted by user, add ''value'' attribute to html:select tag. For
example, this code always displays California despite of currently chosen
value:
+ If you want a listbox to always position to a certain hardcoded value instead
of value submitted by user, use ''value'' attribute to html:select tag. For
example, this code always displays California despite of currently chosen
value:
{{{
html:select name=addressForm property=currentStateCode value=CA
size=1
-
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[Struts Wiki] Trivial Update of StrutsWidgets by MichaelJouravlev
Dear Wiki user, You have subscribed to a wiki page or wiki category on Struts Wiki for change notification. The following page has been changed by MichaelJouravlev: http://wiki.apache.org/struts/StrutsWidgets The comment on the change is: Fixed typo with bean:write -- * ''idName'' corresponds to ''id'' attribute from logic:iterate tag; id identifies a collection element that is being processed * ''value'' is the name of collection property that contains radio button value - html:radio tag uses following attributes: + bean:write tag uses following attributes: * ''name'' identifies a collection element that is being processed * ''property'' is the name of collection property that contains radio button label - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38343] - ParameterListActionDispatcher
DO NOT REPLY TO THIS EMAIL, BUT PLEASE POST YOUR BUG· RELATED COMMENTS THROUGH THE WEB INTERFACE AVAILABLE AT http://issues.apache.org/bugzilla/show_bug.cgi?id=38343. ANY REPLY MADE TO THIS MESSAGE WILL NOT BE COLLECTED AND· INSERTED IN THE BUG DATABASE. http://issues.apache.org/bugzilla/show_bug.cgi?id=38343 --- Additional Comments From [EMAIL PROTECTED] 2006-02-22 20:20 --- (In reply to comment #7) I suggest to refactor ParameterListActionDispatcher so it could be bolted on older Struts versions. Currently ParameterListActionDispatcher derives from ActionDispatcher which was introduced only in Struts 1.2.7. It would be nice if users of older versions could simply download this class and use it as is, without having to dowload something else and without explaining to their managers why they need to upgrade to newer version. I would also prefer a fancier name like EventDispatcher. Such a name would plant an idea in peoples' minds that Struts can have events after all ;) -- Configure bugmail: http://issues.apache.org/bugzilla/userprefs.cgi?tab=email --- You are receiving this mail because: --- You are the assignee for the bug, or are watching the assignee. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DO NOT REPLY [Bug 38343] - ParameterListActionDispatcher
DO NOT REPLY TO THIS EMAIL, BUT PLEASE POST YOUR BUG· RELATED COMMENTS THROUGH THE WEB INTERFACE AVAILABLE AT http://issues.apache.org/bugzilla/show_bug.cgi?id=38343. ANY REPLY MADE TO THIS MESSAGE WILL NOT BE COLLECTED AND· INSERTED IN THE BUG DATABASE. http://issues.apache.org/bugzilla/show_bug.cgi?id=38343 --- Additional Comments From [EMAIL PROTECTED] 2006-02-23 01:01 --- You make a good point. I don't know what to do about this though. Nothing prevents a person from taking ActionDispatcher by itself and using it on its own. It was introduced in 1.2.7, but it is independent of it. -- Configure bugmail: http://issues.apache.org/bugzilla/userprefs.cgi?tab=email --- You are receiving this mail because: --- You are the assignee for the bug, or are watching the assignee. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
