[Frameworks] Lafayette 16mm Analyzer
Hi folks! Does anyone have any leads on an operating manual for model 430 Lafayette 16mm Analyzer projector? Thanks! Roger D. Wilson Film Scientist 613 324 - 7404 www.rogerdwilson.ca ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] FrameWorks 20th year
Wow awesome Pip! Congrats on keeping it going! A happy birthday! Roger D. Wilson Film Scientist 613 324 - 7404 www.rogerdwilson.ca On Wed, Nov 4, 2015 at 8:34 AM -0800, "Pip Chodorov" wrote: Hi friends, FrameWorks started November 4th 1995 It was 20 years ago today... There weren't so many members for the first few years, but there 1670 members today. Happy birthday to us! Pip PS the first announcement for FrameWorks can be read here: https://listserv.ua.edu/cgi-bin/wa?A3=ind9511A&L=SCREEN-L&E=0&P=62582&B=--&T=text%2Fplain&header=1 And here is the first post https://listserv.ua.edu/cgi-bin/wa?A3=ind9511B&L=SCREEN-L&E=0&P=63486&B=--&T=text%2Fplain&header=1 ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Eiki with looper scratching the film
Looks like a projector scratch happening in gate area but it might be from too much tension coming from looper. Does it feel like there is a lot of tension at the point where film first enters projector? Roger D. Wilson Film Scientist 613 324 - 7404 www.rogerdwilson.ca On Sun, Nov 1, 2015 at 5:05 AM -0800, "Johannes Schrems" wrote: hi, i am trying this setup for the first time. after projecting the first 5-6 loops i got this green lines on some parts. anyone with looper experience? or is it the projector? thanx for help regards johannes ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Auricon for sale
I have this same model and bought the entire package camera, amplifier, power supply, original mic and headphones for 400.00 here in Canada. It's works and I have already shot soles tuff on it! I 2000 is absolutely ridiculous. My model does have the 400' mag option as well. They are great to have but get the guy to drop the price by about 1200/1500 dollars. Roger Sent from Outlook On Mon, Aug 24, 2015 at 7:38 AM -0700, "Scott Dorsey" wrote: So... a local surplus dealer has an Auricon Cine-Voice. This is one of the 100 foot cameras with optical sound galvos, and it is pretty much completely original. It has not been retrofitted for mag heads, and it has not had the top chopped off to put on a 400 foot magazine. To my mind these make it less desirable but some collector somewhere might prefer it. It is in a kit with an RA-30 optical amplifier and all cables (although the cables are old and should probably be rebuilt), and most importantly two spare lamps which is a big deal since they aren't available. The finder is missing but a replacement can probably be located. The body is painted "WNOW-TV CHANNEL 49". The lens on it is a 1" Cooke Filmo lens, which is actually a beautiful, beautiful lens and certainly the most interesting part of the kit to my mind. The dealer wants $2k for the whole kit, which I think is ludicrous, but I think he is just fishing at that price and that he'll be willing to take something a lot more reasonable. Oh, and I didn't apply power to the thing to check the motor although I did turn the movement by hand. If you get this, don't run the motor until you lube the movement or you are likely to tear up the cam which is probably dry by now. here is the thing: http://albederpccenter.com/product/auricon-cine-voice-16mm-sound-on-film-camera-cm-72/ If you talk to them tell them that I sent you. --scott ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] 35mm Rayograph workshop in Winnipeg
Hey film folks living in Winnipeg I'm teaching the following experimental film class at Winnipeg Film Group on Saturday September 12 and Sunday September 13. Lots of fun 35mm, rayographs, hand processing, tinting and toning! https://www.winnipegfilmgroup.com/event/rayograph-workshop-with-the-windows-collective/ Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Windows Collective across Canada Tour
The Windows Collective is proud to announce our most ambitious project to date, a cross-Canada tour where we will present a series of engaging film installations in seven cities across four provinces. The public will see and interact with silent film loops projected on 16mm film, as well as the mechanisms used to house the loops. The Windows Collective’s contemporary and mobile urban art practice transforms the city itself into a canvas, and outdoor film projection is our graffiti. Members of the collective will also be giving workshops and masterclasses, offering the public a rare opportunity to learn unconventional approaches to working with traditional celluloid. Schedule of events: North Bay, Ontario • September 2 Near North Mobile Media Lab • Film installation Kenora, Ontario • September 5 & 6 Northwestern Film & Video • Film installation Thunder Bay, Ontario • September 9 & 10 Bay Street Film Festival • Film installation & artist talk Winnipeg, Manitoba • September 12 & 13 Winnipeg Film Group • Hand-processing & rayograph photography workshop Vancouver, British Columbia • September 19 & 20 Iris Film Collective • Film installation & cameraless animation workshop Victoria, British Columbia • September 22 MediaNet • Film installation Calgary, Alberta • September 24, 25 & 26 Calgary Society of Independent Filmmakers • Film installation, artist talk & workshop on creating organic developer recipes Installation presented by CSIF as part of EMMEDIA Gallery and Production Society's Pulse The Windows Collective formed in 2008 with the intention to explore the subversive possibilities of creating outdoor public film installations and of bringing alternative film practices to a wider audience in the city of Ottawa. The vision of the Collective is to create original, accessible and unconventional art events using super 8mm, 16mm and 35mm film as the medium. Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] processing 16mm Tri X as negative in a bucket like a savage
Hey Mark! I've used Dektol with 3378, I like the look but have not used it with tri x. With the 3378 I only process in pail for about 2.5 minutes. Do a very short test of film, I suspect 3 mins at max for Dektol. Good luck! Sent from Outlook _ From: Mark Street Sent: Friday, July 31, 2015 3:12 PM Subject: Re: [Frameworks] processing 16mm Tri X as negative in a bucket like a savage To: Experimental Film Discussion List Hi Roger, Wonder if you have any experience using Dektol rather than D-76? Am about to jump in as soon as it gets dark here in Brooklyn tonight, and I bought Dektol all the best, Mark Street www.markstreetfilms.com On Mon, Jul 27, 2015 at 6:14 PM, Roger D. Wilson wrote: This may help you out Mark, it's a post from my blog. Hand Processing 16mm black and white film Materials for processing film as negative: Kodak D-76 Developer (powder)Kodak Rapid Fixer with Hardener (do not mix in hardener if you plan to tint and tone film)2 - 4 litre photographic chemical storage containers 1 Flat-top thermometer1 Measuring graduate 4 - large 10 litre pails (purchase paint mixing pails from Home Depot)1 Funnel1 Pair rubber gloves 1 Face mask1 Pair scissors 1 Length of string and clothes pegs1 Pair goggles 1 Photographers loupe1 Watch that glows in the dark You should process film in a room that has running water. The room should also have good ventilation. You will need complete darkness to process the film so the room also needs to be light tight. Bathrooms work best and most have a ceiling fan. If your bathroom has a window you can cover it with black foam core or any material that will prevent light from leaking in. Turn lights off and wait a few minutes and let your eyes adjust to the darkness. If you see your hands in front of your face it is not dark enough. Caution: Remember you are working with chemicals so be careful and use goggles, rubber gloves and process the film in a well ventilated room. Step by Step Instructions To develop film as negative: 1. Pre-mix chemicals using Kodak’s instructions on packaging. Store chemicals in proper photographic storage containers. Label the containers with contents and date of mixing. I usually replace developer after 1000’ of 16 film or after it has sat for more than two months. Fixer lasts longer so check mixing instructions for how long to store chemicals. 2. I usually use warm water to mix the chemicals so I allow the chemicals to sit until they get to room temperature before I start to process film. Kodak recommends processing the film in developer that is between 20 and 24 degrees Celsius temperature. The warmer the water the shorter the develop time. 3. Place side by side on the floor or in tub your 4 pails. Pour into the first pail the Kodak Developer then fill the pail directly beside it with water. In the third pail pour in the Rapid Fixer and fill the fourth pail with water. 4. Double check that your room is light tight, if not fix light leaks before processing film. 5. If room is completely dark then take your roll of exposed 16mm film out of its film can. Unravel in your hand the amount of film you wish to process. The less you process at a time the cleaner your results will be (less scratches and unprocessed areas). Place film that you will not be processing back into film can and secure it so light does not expose it when you turn the lights back on. 6. Take the film that is in your hand and dunk it into the D-76 developer, continuously agitate the film during processing. I usually process black and white film for 3.5 minutes in D-76 chemicals but I recommend doing your own tests as well because this also depends on how you expose your film in camera. 7. At the 3.5 minute point take film out of Developer and dunk in water and rinse film, agitate film in water for 2 minutes. 8. At 2 minute point pull film out of water and dunk in Rapid Fixer. Agitate the f
Re: [Frameworks] Upcoming workshop: 16mm optical sound @ Cineworks Annex!
Yeah this is an awesome class! Way to go folks! Sent from Outlook On Wed, Jul 29, 2015 at 9:29 AM -0700, "Nicholas Kovats" wrote: Allright, Jesse! On Tue, Jul 28, 2015 at 9:21 PM, Jesse Andrewartha wrote: > Cineworks Annex is excited to announce a 16mm sound-on-film workshop, > scheduled for August 15/16, 2015. > > Invented in the 1920’s, optical sound was the dominant form of sound > reproduction for motion picture film for over 80 years. Yet modern > independent analogue filmmakers largely content themselves with silent > films, unaware of how simple optical sound can be. > > Over the two days, participants will be introduced to the history, theory, > equipment and the process of applying optical sound to film. Using the > facilities at the Annex, each participant will record their own optical > soundtrack to print and walk away with their own 16mm sound film! > > Here are the links for the event and details: > > http://www.cineworks.ca/attend/event/118 > http://optical-sound.eventbrite.ca > > Hope to see you there! > > -Jesse Andrewartha- > Cineworks Annex Technical Coordinator > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] processing 16mm Tri X as negative in a bucket like a savage
This may help you out Mark, it's a post from my blog. Hand Processing 16mm black and white filmMaterials for processing film as negative: Kodak D-76 Developer (powder)Kodak Rapid Fixer with Hardener (do not mix in hardener if you plan to tint and tone film)2 - 4 litre photographic chemical storage containers1 Flat-top thermometer1 Measuring graduate4 - large 10 litre pails (purchase paint mixing pails from Home Depot)1 Funnel1 Pair rubber gloves1 Face mask1 Pair scissors1 Length of string and clothes pegs1 Pair goggles1 Photographers loupe1 Watch that glows in the dark You should process film in a room that has running water. The room should also have good ventilation. You will need complete darkness to process the film so the room also needs to be light tight. Bathrooms work best and most have a ceiling fan. If your bathroom has a window you can cover it with black foam core or any material that will prevent light from leaking in. Turn lights off and wait a few minutes and let your eyes adjust to the darkness. If you see your hands in front of your face it is not dark enough. Caution: Remember you are working with chemicals so be careful and use goggles, rubber gloves and process the film in a well ventilated room. Step by Step Instructions To develop film as negative: 1. Pre-mix chemicals using Kodak’s instructions on packaging. Store chemicals in proper photographic storage containers. Label the containers with contents and date of mixing. I usually replace developer after 1000’ of 16 film or after it has sat for more than two months. Fixer lasts longer so check mixing instructions for how long to store chemicals. 2. I usually use warm water to mix the chemicals so I allow the chemicals to sit until they get to room temperature before I start to process film. Kodak recommends processing the film in developer that is between 20 and 24 degrees Celsius temperature. The warmer the water the shorter the develop time. 3. Place side by side on the floor or in tub your 4 pails. Pour into the first pail the Kodak Developer then fill the pail directly beside it with water. In the third pail pour in the Rapid Fixer and fill the fourth pail with water. 4. Double check that your room is light tight, if not fix light leaks before processing film. 5. If room is completely dark then take your roll of exposed 16mm film out of its film can. Unravel in your hand the amount of film you wish to process. The less you process at a time the cleaner your results will be (less scratches and unprocessed areas). Place film that you will not be processing back into film can and secure it so light does not expose it when you turn the lights back on. 6. Take the film that is in your hand and dunk it into the D-76 developer, continuously agitate the film during processing. I usually process black and white film for 3.5 minutes in D-76 chemicals but I recommend doing your own tests as well because this also depends on how you expose your film in camera. 7. At the 3.5 minute point take film out of Developer and dunk in water and rinse film, agitate film in water for 2 minutes. 8. At 2 minute point pull film out of water and dunk in Rapid Fixer. Agitate the film in the Fixer for 4 to 6 minutes. 9. After the film has been fixed pull it out and place it in the final water rinse. At this point you can turn the lights back on. I usually rinse the film for at least 20 minutes, replenishing the water a couple times. 10. After rinsing hang the film up on a string to dry. 11. After the film has completely dried find tail end and roll back onto spool/core. 12. Exposure times using G-3 Morse Tank and D-76 Developer Developer 8 minutes: 8 passes through tank (1 pass would be transferring entire roll from one reel to the other), each pass should take about a minute. Rinse in water 6 minutes: I like to really rinse my film off well so that my chemicals last longer. I fill the tank up with fresh water between each full cycle pass (full cycle pass would be transferring the entire roll of film from one reel to the other and then back again to first reel). I do this three times, each full cycle taking 2 minutes in total depending on how fast you turn handle. Fix in Kodak Rapid fixer 12 minutes: 12 passes through tank (1 pass would be transferring entire roll from one reel to the other), each pass should take about a minute. Final Rinse in water 25 minutes: Rinse film off well because any fix left on film will leave white marks behind. I fill the tank up with fresh water between each full cycle pass (full cycle pass would be transferring the entire roll of film from one reel to the other and then back again to first reel). I do this eight times, each full cycle taking 2 minutes in total depending on how fast you turn handle. Sent from Outlook On Mon, Jul 27, 2015 at 12:59 PM -0700, "Mark Street" wrote: ooops forgot to change the subject heading on this Hey Party Animals, I plan on processing
[Frameworks] 35mm Cinema-Trike
On Friday July 24 at 7pm a new version of my Cinema-Trike will be revealed at Artist Centre DAÏMÔN in Gatineau Quebec. The installation is part of Gatineau's Ruisseau de la Brasserie celebration happening from July 24, to August 2, 2015 at La Filature building on 82 Hanson Street. Cinema-Trike is a human powered film projection system that was created by taking an adult 3-wheeled bicycle and a 35mm film projector and transforming them into a new age cinema experience.Imagine sitting on a bicycle and in front of you is the projection screen where you will view frame by frame film images that you control with your feet, speed the action up or slow it right down to one frame at a time. As you start to pedal, images begin to appear and soon you learn you are travelling along Ruisseau de la Brasserie (The Brewery Creek) in Gatineau Quebec. The river flows along as you pedal your bike and in the distance you see La Filature, this building once housed a textile mill but now it is the home for artists centers AXENÉO7 and DAÏMÕN. When you arrive at the old factory you decide to hop off your bike and explore the building and its occupants. Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] ekta cartridge problem?
Is this a Kodak cartridge? It's not unusual to have the odd cartridge wound to tight on its core and the camera have problems running the film through at a steady rate. They would start off ok but the longer the shot the camera would start to struggle with advancing film. You use to be able to send these cartridges back to Kodak for a replacement because they new it was an issue. Unfortunately if it is Kodak then I am assuming you got it somewhere else? Or it's an old roll? Roger Sent from Outlook _ From: ev petrol Sent: Saturday, July 18, 2015 9:08 AM Subject: [Frameworks] ekta cartridge problem? To: Experimental Film Discussion List hey folks just ran two rolls of ektachrome super 8 through the camera (pretty reliable canon autozoom); first one ran through fine; the second one showed no sign of getting to the end of the roll, long past the camera footage counter indicated it should have run out - if i take the cartridge out, put a sharpie mark on the film at the gate, try running the cartridge in the camera and check the gate again, the mark is gone, suggesting that the film is running through the camera ... any clues? i'm guessing i should probably re-shoot, but if anyone else has had this problem and has any tips that would be great (i'll be using ekta again for the re-shoot) cheers all round moira moiratierney.net vimeo.com/moiratierney ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Kodak film order number
Does anyone know if the phone number for ordering film from Kodak has changed? Is it not 1 800 621 3456? Tried calling and keep getting out of service. Thanks! Roger Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] France and Film
Thanks Francisco! Sent from Outlook _ From: Francisco Torres Sent: Friday, June 12, 2015 5:28 PM Subject: Re: [Frameworks] France and Film To: Experimental Film Discussion List L’Abominable http://www.filmlabs.org/ 2015-06-12 17:08 GMT-04:00 Roger D. Wilson : Hi folks, I have a friend who is moving to France to attend school and I want to hook her up to some film organizations that offer resources like training and equipment. Any recommendations is appreciated. Roger Sent fromOutlook ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] France and Film
Hi folks, I have a friend who is moving to France to attend school and I want to hook her up to some film organizations that offer resources like training and equipment. Any recommendations is appreciated. Roger Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Residencies and funded for artists books
Hi folks, I'm wondering if anyone on this forum may have some recommendations for residencies or funding opportunities for film artists wishing to write a book on their artistic practice? I would like to put together a technical book focusing on the experimental processes and techniques I use in making my films. I think to do it justice I would want to give it my full attention, I've been trying to write it for sometime now but my film projects seem to take up most of my free time. Any thoughts would be appreciated. Thanks, Roger Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] AC lock projector
Very cool Mariah! That is defiantly an Eiki Slot load in this video. Roger Sent from Outlook _ From: mariah garnett Sent: Tuesday, June 2, 2015 8:03 PM Subject: Re: [Frameworks] AC lock projector To: Experimental Film Discussion List http://mariahgarnett.com/encounters-i-may-or-may-not-have-had-with-peter-berlin/ if you scroll don you can see images and video and text about the piece as it was installed 5 years ago. i'm thinking of reprising it this summer but got some kinks to work out On Tue, Jun 2, 2015 at 4:16 PM, k. a.r. wrote: Mariah, can you share the details of your show with us? Sounds interesting.. Also: "If you link the inching knobs together with bicycle chains, you can mechanically synchronize any number of projectors, just be careful starting them and don't get your fingers caught. Used to be very common for 3D showings. --scott" Wow how amazing. Any pictures available of how this was done? Kristie Reinders, B.F.A. Director of Cinematography, Electric Visions Curator and Head Projectionist, Electric Mural Project The Mission, San Francisco, CA 'A first class technician should work best under pressure.' - - - Issac Asimov ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] AC lock projector
I'm very interested in this conversation! Scott how would you go about chaining the inching knobs on the Eiki Slot Loads? Do you have to modify the projector or do you take off the back cover? Thanks! Roger Sent from Outlook On Tue, Jun 2, 2015 at 5:21 AM -0700, "Scott Dorsey" wrote: Some of the eikis will more or less synchronize. The 5-series B&H projectors will, but the 3-series ones won't at all. The Pageants are pretty close to synchronous. But of course this all depends on your starting them precisely together as well as them staying locked to line. I'd just chain the inching knobs to make sure. --scott ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] my Eiki doesn't pull well.
Floris I have a few spare parts so let me know if you end up needing a gear. Take a picture and send it to me and I will check my bucket of parts. Roger Sent from Outlook On Tue, May 19, 2015 at 2:45 PM -0700, "Larry Urbanski" wrote: ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] my Eiki doesn't pull well.
Hi, Have you opened up the plate covering the take up reel belt? If the belt is worn then it may cause the film to not have a much tension on it that it should. I have this same model and had this same problem and it was fine after replacing both belts on take up and feed. They are o-ring style belts so they are easy to find to replace. Hope this helps! Roger Sent from Outlook On Tue, May 19, 2015 at 9:49 AM -0700, "Floris Vanhoof" <2206...@gmail.com> wrote: Dear what shall I do to avoid my film getting stuck in this Eiki RT projector? It's between the gate and the sound lamp that the film doubles up after a few minutes. Please see picture or this link: http://snapwidget.com/v/988461675959916778 I checked all the screws on the outside. What shall I check on the inside? The extra wires and stuff aren't causing the problem. Thanks! ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] G3 B&W Neg and Reversal processing
The G3 takes some time to get use and perfect but I've used both the G3 and the Lomo and I actually prefer the G3 and have near perfect results every time with both colour and b&w film. I only process as a negative though so less time in the tank. Don't give up on the G3! Roger Sent from Outlook _ From: Chris G Sent: Tuesday, May 5, 2015 11:29 PM Subject: Re: [Frameworks] G3 B&W Neg and Reversal processing Cc: Experimental Film Discussion List Christopher, I realize that G3s do not produce the most consistent results and are kind of a pain, but when they work I actually really enjoy this aesthetic. I wrote this question because 90% of all responses re guarding inquiries about rewind tanks are dismissive, and just say "get a Lomo." I know that they offer more consistent results, I just happened to have been given a G3 and wanted to try it with the stocks and chemicals I had on hand, there didn't seem to be any specific times/temps about D-76 out there though it's frequently used in place of D-19. I did about 16 winds on the 1st developer at ~22°C, 6 on the wash/stop and then 8 on the bleach. It turned out the tank had a small leak (which I noticed during the bleaching) so I threw it into a bucket at that point, did my re-exposure and followed times for bucket processing then. I didn't have positive results (literally). I had Fomapan 100 D8, 7222 and ORWO UN54 short ends stapled together for a total of about 90'. It seems like the ORWO yielded some image, but the film is so dense I can't tell if the reversal process worked or not, I still have to splice them together and throw them on my flatbed. I'm less enthused about the Morse now but I wanted to give it a shot before telling people to get a Lomo :). I'm guessing I either lost too much chemistry in the first developer or that I should have done something around 20-22 passes with the D-76. In hindsight I had some doubts about whether or not my film was emulsion out but I don't see how it could have not been from the way I would it onto the reels. I may try again with a different tank at another time, but I would probably process at a higher temperature to reduce the development time. To have somewhat predictable results (desirable or not) with 1L of chemistry is pretty exciting to me. I'm going back to the bucket for now. Christopher On May 4, 2015, at 08:08, christopher nigel < christophernige...@gmail.com> wrote: Hello the G3 are not the best to do home cooking as it;s come;s out uneven in the processing way better to get a Lomo tank . On Sat, May 2, 2015 at 10:11 PM, Chris G wrote: Dearest frameworkers, I am looking for information regarding processing times/winds for G3-style tanks. I am going through some later today I am not finding a whole lot of specific info out there. I am mostly processing Fomapan 100 D8 and OWRO UN54 in 100' (30m) batches in a G3 tank. I'm using D-76 (sans Potassium Thiocyanate) and a home-mixed Sulfuric Acid + Potassium Dichromate bleach. I mostly just need to know the approximate number of winds for the 1st dev, bleach and 2nd dev. It seems as though some keep the developer at a higher temp (74-78), but mine will likely be around 70F. Thanks! Christopher ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Battery for super-8 Beaulieu 4008ZM4
Hi Fred, I have one that was built and sold by a guy named Irving Higdon. I do not have a phone number but I believe he is in Granada Hills California? Sorry cant be of more help. Roger Sent from Outlook On Tue, Apr 21, 2015 at 4:48 PM -0700, "Fred Camper" wrote: I have one of these cameras. I haven't used it in decades. The batteries it came with are presumably dead and unusable? I believe I heard of someone who manufactures an alternative for this camera. Does anyone know more? Thanks in advance for any help. Fred Camper Chicago ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Women working in Expanded Cinema
I could be wrong about this but for some reason I believe Lindsay McIntyre in Edmonton has some expanded cinema work. Lindsay am I correct in saying this? Roger Sent from Outlook On Fri, Mar 20, 2015 at 11:35 AM -0700, "Patrick Friel" wrote: Kristin Reeves http://www.reevesmachine.com/ On 3/20/15 12:04 PM, "Alex Balkam" wrote: > Hello Frameworks, > > At the Atlantic Filmmakers Cooperative where I work we are interested in > inviting women working in the Expanded Cinema realm to join us as Visiting > Artists for an Expanded Cinema program we are hoping to develop. > > I was interested to know if anyone on the list would like to recommend > practicing Expanded Cinema artists, ideally women who work in the practice. We > are primarily interested in artists working with celluloid film, as opposed to > video mapping, etc. > > Thank you, > > > > ___ FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] nail polish & bleaching film
Hi Kelly, I like to use glycerin with cotton q-tips and wipe it onto the areas where I want the emulsion left untouched by the bleach. Do tests first to figure out thickness. You can also use Vaseline but it's a little thicker and can be a little harder to wash from the film afterwards. You can by the glycerin at the pharmacy. I have also used masking tape but prefer the oil bass materials. Hope this helps! Roger Sent from Outlook On Mon, Mar 16, 2015 at 8:07 AM -0700, "Kelly Gallagher" wrote: Hello frameworks team, Anyone know of any safer, less toxic/ less fume-y ways of doing the nail polish (/rubber cement) & bleaching of film process? (À la Naomi Uman). Anything similar to nail polish that would keep film emulsion through a bleaching? (Without the fumes/ toxicity?) I'm thinking of trying non-toxic nail polishes but not sure they'll hold through the bleaching like drugstore ones do... (I've been using splicer tape in place of nail polish for sections when I can, but I can't do that for the entire film. Protects the wanted areas of emulsion through a bleaching like nail polish.) Cheers, Kelly Gallagher www.purpleriot.com ke...@purpleriot.com --- ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Super 8 to 35mm blowup?
Not sure where you are located but I think John Kneller in Toronto still does blow ups but unfortunately I do not have his contact information anylonger but you might be able to get it through LIFT in Toronto. www.lift.ca Sent from Outlook On Sat, Mar 14, 2015 at 5:50 PM -0700, "mrktosc" wrote: Hi all - Is anyplace/anyone doing optical (not using digital) blowups from super 8 (pos) directly to 35mm (neg)? Thanks, Mark ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Subbing on film
Thanks Kevin! This is exactly what I was looking for! Roger Sent from Outlook On Mon, Mar 9, 2015 at 1:37 PM -0700, "Kevin Rice" wrote: Roger, They use gelatin which has been specifically manufactured to perform within certain mechanical and optical standards. However, the process of getting that layer to adhere to the base is, of course, the trick to proper subbing. Such processes vary depending on the composition of the material you are trying to sub. With cellulose (tri)acetate, the standard process is to use a mixture of gelatin, tanning agents and a base solvent (for example, acetone) that etch into the base and form a highly durable bound between the gelatin and the base. Any gelatin can be used, but as mentioned before, manufacturers will work closely with gelatin suppliers to achieve a quality of gelatin that gives optimal subbing properties. With PET (e.g. ESTAR et al), subbing is a more complicated affair because a suitable solvent isn't readily available. Accordingly, manufacturers developed a method of subbing that uses corona discharges to give the polyester base a temporary affinity for bonding with gelatin. After subjecting the base to this corona discharge, a mixture of gelatin and hardener is coated unto the base to act as a subbing layer (typically, this is done simultaneously with the actual emulsion layers in the cascade coating systems). I'm not familiar as to weather or not this method is still in use in production at EK, but some folks have been experimenting with it on a home-brew basis...check out this forum thread for more on this mad science: http://www.apug.org/forums/forum205/68928-corona-discharge-polyester-subbing.html Cheers, Kevin Rice processreversal.org pcn03031989.com (720) 270.3857 On Mon, Mar 9, 2015 at 10:12 AM, Roger D. Wilson wrote: > Does anyone know what film manufacturers use as their subbing layer on > film stock so that the emulsion adheres to the base? > > Thanks > > Roger > > Sent from Outlook <http://taps.io/outlookmobile> > > > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Subbing on film
Thanks Jean-Louis, I will try to track down a copy of this book. I did find this diagram on kodaks site that briefly mentions subbing but does not go into any details. http://motion.kodak.com/motion/uploadedFiles/US_plugins_acrobat_en_motion_newsletters_filmEss_04_How-film-makes-image.pdf Roger Sent from Outlook _ From: Jean-Louis Seguin Sent: Monday, March 9, 2015 1:28 PM Subject: Re: [Frameworks] Subbing on film To: Experimental Film Discussion List On 2015-03-09, at 12:12 PM, Roger D. Wilson wrote: Does anyone know what film manufacturers use as their subbing layer on film stock so that the emulsion adheres to the base? Thanks Roger Sent fromOutlook Roger, I briefly scanned my copy of "Making Kodak Film" by Robert L. Shanebrook (highly recommended, I might add) and I don't see any particular preparation to the increase adhesiveness. It says that after the gelatin is applied, it is immediately cooled, so this may be the trick to adhesion. Cheers, Jean-Louis___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Subbing on film
Does anyone know what film manufacturers use as their subbing layer on film stock so that the emulsion adheres to the base? Thanks Roger Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Footage from training session at George Eastman House
Hello Folks, Some of you may find this of interest, in February of 2015 I spent 4 intensive days training at George Eastman House learning how to make my own Silver Bromide Gelatin Emulsion and coating it to 16mm clear leader. This footage are the tests Nick Brandreth and I shot as we explored the process. The shots play in order of our tests and you can see how our process continued to improve as the week moved forward. Thanks to Nick Brandreth and Mark Osterman for this great opportunity to learn this process at George Eastman House. https://vimeo.com/121521459 Roger D. Wilson Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Screening at Visual Studies Workshop
Hello fellow Frameworkers, I am very happy to announce that I will be screening a selection of my films this coming Friday February 6 at Visual Studies Workshop in Rochester New York. The screening starts at 7pm, if you are in the area please stop by I would love the opportunity to meet some folks from this discussion group. Thanks to Tara Nelson Merenda and the folks at VSW for hosting my work! Hope to see some of you there. Roger D. Wilsonwww.rogerdwilson.ca http://vsw.org/calendar.php Sent from Outlook___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Film cameras latest models
I think the Arri 416 Super 16mm camera was introduced in the 2000's - 2005 or 2006. From: beebe...@osu.edu To: pamari...@yahoo.com; frameworks@jonasmekasfilms.com Date: Sun, 18 Jan 2015 15:25:55 + Subject: Re: [Frameworks] Film cameras latest models When was the Aaton A-Minima introduced? Early 2000s? Late 1990s? That’s the most recent big film camera launch I remember. But doesn’t it seem like there are kickstarters for new film cameras all the time still? Wasn’t there some Scandanavian s8 camera just a few years ago (that was going to be outrageously expensive)? I think it’d be hard to come up with a definitive list of those smaller products. I tired to look at the super8wiki to see if there was a way to search the cameras by model year, but it doesn’t seem especially easy to do. 2 cents, R. On Jan 18, 2015, at 8:55 AM, Pablo Marin wrote: Hi all, Just a quick question, inspired by the recent introduction of the Logmar S-8 camera and its statement about being "the first new Super 8 camera to hit the market in 30 years". Does anybody knows besides this Logmar machine when was the last film camera model introduced to the market? I'm sure it would have to be a 35mm/70mm or maybe Super 16? Early 2000s? Thanks a lot! Pablo. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] A Casing Shelved
Try CFMDC in Toronto Canada. Date: Mon, 5 Jan 2015 12:55:41 +0100 From: esperanzacolla...@gmail.com To: frameworks@jonasmekasfilms.com Subject: [Frameworks] A Casing Shelved Hi there and happy 2015! Do you know where I could find this Michael Snow work ? Even though it's not technically a film, I wonder if it would be available at any film distribution company, or perhaps it is the National Gallery of Ontario (or any other gallery) that deals with it only? Many thanks, e -- Esperanza Collado- - - - - - - - - - - - - - www.esperanzacollado.org ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Screening possibilities in Rochester NY
Thanks everyone for the great suggestions! I'm looking forward to this trip more and more, I'm only a 5 hour drive away so it sounds like I may end up coming back again and again - lots happening around experimental filmmaking in the area. Roger Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. Date: Fri, 19 Dec 2014 03:33:42 -0500 From: elizmcma...@gmail.com To: frameworks@jonasmekasfilms.com Subject: Re: [Frameworks] Screening possibilities in Rochester NY Go to Buffalo. There's Hallwalls and Squeaky Wheel and the Burchfield Center, and smaller independent places in Allentown (a historic Buffalo nabe) and the West side. However, these places usually program months in advance, but it cannot hurt to place a call or send an email. Good luck! Tell Ed I said hi! Elizabeth On Fri, Dec 19, 2014 at 3:11 AM, Carrie Schreck wrote:RIT also has a great film program with staff that are involved in local arts, check in with the film department's FVASA, they'll have a beat on good events Sent from my Commodore64. On Dec 17, 2014, at 3:10 PM, "Roger D. Wilson" wrote: Hello frameworkers! I'm going to be in Rochester NY in early February to take some training at George Eastman House and I was thinking I might try to screen some of my experimental films while I am in town. Does anyone on this forum know of any media centers or art galleries that might be interested in programming my films while I'm in town? Thanks folks! Roger Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks -- Elizabeth ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Screening possibilities in Rochester NY
Awesome! Thanks Jason! I'm looking forward to visiting Rochester even more now! Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. From: jmidd...@ur.rochester.edu Date: Thu, 18 Dec 2014 15:11:08 -0500 To: frameworks@jonasmekasfilms.com Subject: Re: [Frameworks] Screening possibilities in Rochester NY To add to my friend Tara’s post about the great things going on at Visual Studies Workshop: University of Rochester regularly brings experimental filmmakers to Rochester to screen and discuss their work, and we have often collaborated with the Eastman House and Visual Studies Workshop on events. If you do arrange a screening at VSW, Roger, let me know and I’ll make sure we publicize the event to students and faculty at UR. all best,Jason --Jason Middleton Associate Professor, English Department Director, Film and Media Studies Program University of Rochester On Dec 18, 2014, at 11:14 AM, Bernard Roddy wrote: I like the slogan at the bottom there, Roger. And my first encounter with experimental film was of a Black Maria touring program that stopped at the Visual Studies Workshop in . . maybe 1996 or 7! Bernie On Wednesday, December 17, 2014 5:36 PM, Tara Nelson wrote: Hi Roger -I am the Visiting Artist at Visual Studies Workshop in Rochester, just down the street from the Eastman House. We would love to host you and your films while you are here! We can discuss the details off-list.This offer goes for anyone coming through Rochester who would like to have a screening. Our space is informal (an old auditorium with folding chairs) but our screenings of experimental work have been well-attended by an enthusiastic audience. We can screen 16mm, Super 8 or DV. Projection is done at audience-level, no booth, and we have experienced projectionists and well-maintained equipment. Rochester is a great town for filmmakers! Please contact me if you are interested in showing your work here.Tara Merenda Nelsontaranelsonfilms.comOn Wed, Dec 17, 2014 at 6:10 PM, Roger D. Wilson wrote: Hello frameworkers!I'm going to be in Rochester NY in early February to take some training at George Eastman House and I was thinking I might try to screen some of my experimental films while I am in town. Does anyone on this forum know of any media centers or art galleries that might be interested in programming my films while I'm in town? Thanks folks!RogerRoger D. WilsonFilm Scientist613 324 - 7504rogerdwilson@sympatico.cahttp://www.rogerdwilson.cahttp://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilmWithout failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___FrameWorks mailing listFrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks&d=AwIGaQ&c=kbmfwr1Yojg42sGEpaQh5ofMHBeTl9EI2eaqQZhHbOU&r=OBC-xnTeX2x9-WfOlBK0JisTHTNX33KrgUhLECqXL4I&m=Hd58fq1WP-FLqefmSs1CfngvS4X4pM4oOsJh9j9BmXg&s=7jZg42JbwFo1RtJB_YPFOSvIGSn29a3ZR8E0lyLoL_E&e= ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] Screening possibilities in Rochester NY
Hello frameworkers! I'm going to be in Rochester NY in early February to take some training at George Eastman House and I was thinking I might try to screen some of my experimental films while I am in town. Does anyone on this forum know of any media centers or art galleries that might be interested in programming my films while I'm in town? Thanks folks! Roger Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] experimental/handcrafted animation
Also check out Kelly Egan's work http://cfmdc.org/user/9890 I think she is on frameworks as well. Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. From: ama...@amandadawnchristie.ca Date: Wed, 12 Nov 2014 10:22:06 -0400 To: frameworks@jonasmekasfilms.com Subject: Re: [Frameworks] experimental/handcrafted animation Check out "Assembled" by Becka Barkershe manually cut super 8 frame holes into 35mm film, and spliced in the super 8 frames into the 35mm film, frame by frame, and then scratched animation around on the remaining 35mm film frames. She recently completed a more digital project involving 3-D projection on a sphere called map-of-the-world, where she had people draw maps of the world from memory and then animated them all together, you could walk all the way around the sphere and watch the map of the world shift an morph as she animated people's remembered and imagined maps sequentially. that was also quite beautiful! hard to show in a class though, and i don't know if there is documentation. It's beautiful! xoadc On 2014-11-12, at 10:16 AM, Anna Swanson wrote:Hi Kelly, For contemporary work by very cool ladies:Definitely check out the work of Britta Johnson (http://www.thekmpi.net/) and the SEAT folks (Seattle Experimental Animation Team) in general.Also, Picture Start by Hannah White (https://vimeo.com/91560907) Best,Anna On Tue, Nov 11, 2014 at 3:24 PM, Dave Tetzlaff wrote: Kelly: I highly recommend the work of Jeanne Stern: http://jeannestern.com/films.html > I'm finalizing a syllabus for an upcoming handcrafted animation course... I'm > especially looking for work made by women... ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] 100ft daylight spools for Eyemo Camera
Hey Jon, I would think some of the labs would still have some kicking around. Where are you located? I have a contact at our Archives here in Ottawa and they may have some. I will let you know what I find out. Roger Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. From: bolex...@msn.com To: frameworks@jonasmekasfilms.com Date: Wed, 12 Nov 2014 04:15:53 -0800 Subject: Re: [Frameworks] 100ft daylight spools for Eyemo Camera Thanks RogerI guess I thought that 100ft loads of 35 were long gone, but I will call around to some labs thanksJon From: rogerdwil...@sympatico.ca To: frameworks@jonasmekasfilms.com Date: Wed, 12 Nov 2014 02:19:37 + Subject: Re: [Frameworks] 100ft daylight spools for Eyemo Camera You might be able to get some daylight spools from a lab Jon. Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. From: bolex...@msn.com To: frameworks@jonasmekasfilms.com Date: Tue, 11 Nov 2014 16:42:59 -0800 Subject: [Frameworks] 100ft daylight spools for Eyemo Camera Hello Frameworkers I thought I would ask if anybody could point me in the right direction to pick up some 100ft daylight spools for my Eyemo, I only have about 8 and would prefer to have about 20, nobody seems to have them. any information would be great Best RegardsJon ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] 100ft daylight spools for Eyemo Camera
You might be able to get some daylight spools from a lab Jon. Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. From: bolex...@msn.com To: frameworks@jonasmekasfilms.com Date: Tue, 11 Nov 2014 16:42:59 -0800 Subject: [Frameworks] 100ft daylight spools for Eyemo Camera Hello Frameworkers I thought I would ask if anybody could point me in the right direction to pick up some 100ft daylight spools for my Eyemo, I only have about 8 and would prefer to have about 20, nobody seems to have them. any information would be great Best RegardsJon ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] Process Advice
Hi Vail, I have some information on processing b&w 16mm film on my website. If you have any questions about the film stock and chemicals you are using let me know and I can get you more information. Hand processing your own film is a wonderful feeling and you can create some very interesting textures. I don't keep any of my art films online but you can see a clip of my latest 35mm b&w film My Last Words on my distributors website. The film was entirely hand processed. http://www.rogerdwilson.ca/experimental-recipes-and-techniques http://www.cfmdc.org/node/56590 Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. Date: Thu, 6 Nov 2014 14:16:00 -0500 From: pemberto...@vcu.edu To: frameworks@jonasmekasfilms.com Subject: [Frameworks] Process Advice Hello, I'm a Photography and Filmmaking major and am working on a project where I'd like to try using experimental darkroom photography techniques on 16mm and make a film out of it. Do you have any process or films to recommend watching? Vail ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
[Frameworks] 7363 hi con stock
Hey folks, A fellow filmmaker here in Ottawa is looking for some 7363 film stock and I thought I would do a shout out here on Frameworks. He would need about 400', if anyone has some that they can let go of for a decent price please contact me off list and I can set it up. Thanks! Roger Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
Re: [Frameworks] lab for painted film
Hi Myron, Niagara Custom labs in Toronto can do it! If you have access to an optical printer its pretty simple process to do yourself once you work out exposures. Roger D. WilsonFilm Scientist613 324 - 7504rogerdwil...@sympatico.ca http://www.rogerdwilson.ca http://www.windowscollective.ca/https://www.facebook.com/people/Roger-D-Wilson/1289926661https://twitter.com/rdwbleachedfilm Without failure you can never achieve success. I have based my process and my career as an experimental film artist on this statement; and I welcome it as it pushes me forward as an artist to try something different, something new. > From: z...@sonic.net > Date: Fri, 31 Oct 2014 22:17:02 -0700 > To: frameworks@jonasmekasfilms.com > Subject: Re: [Frameworks] lab for painted film > > Are there any labs that will still make a 16mm color inter negative from > hand painted original? Nothing flaky about the paint and some is just scene > toning. > > Myron Ort > ___ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks ___ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
