AW: [Hornlist] Slide Grease

2009-03-02 Thread Prof.Hans Pizka
Your problem, Mark,  is it that you oil the valves too often. If the horn is
played every day, the moist & a minimum of "fat" (oil, grease, etc.) creates
a slippery emulsion, which is enough to lubricate the valves. The thickness
of this emulsion is about 4 - 5 microns. Guess how much "fat" is needed to
create this emulsion. This is an advice from a
50-years-full-time-professional. Use as less oil as possible, but oil the
valves "a bit" before giving the horn a rest of few days, so the valves will
not stick.

Never place the horn near heating, never in very dry environment. Water
empty the horn most carefully before giving it a rest. Thin (synthetic) oil
works best for the valves, a bit thicker oil for springs perhaps. I did not
make any difference. But it is also very important to clean the mouth before
playing. 

=

-Ursprüngliche Nachricht-
Von: horn-bounces+hans=pizka...@music.memphis.edu
[mailto:horn-bounces+hans=pizka...@music.memphis.edu] Im Auftrag von
mkolnsb...@cs.com
Gesendet: Dienstag, 3. März 2009 01:20
An: Horn@music.memphis.edu
Betreff: [Hornlist] Slide Grease

Any suggestions for a long lasting slide grease.? I have tried gun grease;
Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke Slide Grease
w lanolin; all Hetman types; STP. Nothing lasts more than a week w the
Holton Rotary valve oil I use.
Thanks,
Mark
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AW: [Hornlist] Re: NBC horn player under Toscanini 1948

2009-03-02 Thread Prof.Hans Pizka
Thank you. Nice to find Bruno Jaenicke with Mendelssohns Nocturno. Nice
"vibrato" but quite fast tempo.



-Ursprüngliche Nachricht-
Von: horn-bounces+hans=pizka...@music.memphis.edu
[mailto:horn-bounces+hans=pizka...@music.memphis.edu] Im Auftrag von Steven
Mumford
Gesendet: Montag, 2. März 2009 23:59
An: horn@music.memphis.edu
Betreff: [?? Probable Spam] [Hornlist] Re: NBC horn player under Toscanini
1948

I found a list of people who played with the NBC here:

http://www.classicalrecordings.org/znbc/nbcplayers.html

That's probably Arthur and Jack in the video, Harry played 3rd.  

While you're in the neighborhood, check out the Midsummer Night's Dream with
Toscanini, Bruno Jaenecke on our favorite solo:

http://www.youtube.com/watch?v=y2IT2lnpWYw

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Re: [Hornlist] Slide Grease

2009-03-02 Thread gretchenzook
Mark,

This may be more information than you had in mind but I couldn't resist. In my 
opinion, it is probably worthwhile to spend 20 minutes or so once a week to oil 
and grease your horn. Do it while you watch some mindless thing on TV for 
amusement. I have always done this and my 42 year old 8D is in great shape as 
are my 2 Lawsons. There is no residue build-u7p in the valves. As Walter Lawson 
recommended to me  many years ago, I use three different weight oils.  A 
heavier one for the springs, no. 5 on the rotors and in the valve caps, and no. 
1 down the slides. (Kendall Betts who now owns Lawson Brass Instruments can 
give you more information about the oils.) Fat Cat grease works well as slide 
grease. The oil and grease seem breaking each other down leaving the valves 
clean and fast. In my humble opinion, a small investment of time pays off.

Gretchen Zook
Sent via BlackBerry from T-Mobile

-Original Message-
From: mkolnsb...@cs.com

Date: Mon, 02 Mar 2009 19:20:23 
To: 
Subject: [Hornlist] Slide Grease


Any suggestions for a long lasting slide grease.? I have tried gun grease; 
Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke Slide Grease w 
lanolin; all Hetman types; STP. Nothing lasts more than a week w the Holton 
Rotary valve oil I use.
Thanks,
Mark
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Re: [Hornlist] Slide Grease

2009-03-02 Thread nlaws2001
I normally use hetman 7P, but on a whim I recently decided to try the hetman 8 
and was plesantly surprised. I apply the 7P   with a little brush and it seems 
to distribute the lubricant more thoroughly and lasts longer.  
Nelson R. Lawson 
French Horn performer, clinician, 
Music education consultant 

- Original Message - 
From: "Loren Mayhew"  
To: "The Horn List"  
Sent: Monday, March 2, 2009 8:30:51 PM GMT -05:00 US/Canada Eastern 
Subject: RE: [Hornlist] Slide Grease 

Hetman #7 slide gel lasts a long time and does not change chemical 
properties or tarnish the slides. I sell, but have never used Hetman #8 
slide grease so I can't comment on it. 

Loren Mayhew, Owner 
Computer Intelligence LLC, dba 
CI Music  
c...@mayhews.us 
www.mayhews.us/CI/Finke 
001 (520) 289-0700 


-Original Message- 
From: horn-bounces+loren=mayhews...@music.memphis.edu 
[mailto:horn-bounces+loren=mayhews...@music.memphis.edu] On Behalf Of 
Reicher, Tom 
Sent: Monday, March 02, 2009 4:35 PM 
To: The Horn List 
Subject: RE: [Hornlist] Slide Grease 

 I have had the same experience but have always concluded that anything 
that lasted longer would have undesirable properties that would gum up 
the valves.  A petroleum chemist needs to advise us all, or perhaps the 
solution is to have some sort of permanent coatings on slides and 
receivers so that slide grease would not be necessary.   




-Original Message- 
From: horn-bounces+treicher=cooley@music.memphis.edu 
[mailto:horn-bounces+treicher=cooley@music.memphis.edu] On Behalf Of 
mkolnsb...@cs.com 
Sent: Monday, March 02, 2009 4:20 PM 
To: Horn@music.memphis.edu 
Subject: [Hornlist] Slide Grease 

Any suggestions for a long lasting slide grease.? I have tried gun 
grease; Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke 
Slide Grease w lanolin; all Hetman types; STP. Nothing lasts more than a 
week w the Holton Rotary valve oil I use. 
Thanks, 
Mark 
 
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RE: [Hornlist] Slide Grease

2009-03-02 Thread Loren Mayhew
Hetman #7 slide gel lasts a long time and does not change chemical
properties or tarnish the slides. I sell, but have never used Hetman #8
slide grease so I can't comment on it.

Loren Mayhew, Owner
Computer Intelligence LLC, dba
CI Music 
c...@mayhews.us
www.mayhews.us/CI/Finke
001 (520) 289-0700


-Original Message-
From: horn-bounces+loren=mayhews...@music.memphis.edu
[mailto:horn-bounces+loren=mayhews...@music.memphis.edu] On Behalf Of
Reicher, Tom
Sent: Monday, March 02, 2009 4:35 PM
To: The Horn List
Subject: RE: [Hornlist] Slide Grease

 I have had the same experience but have always concluded that anything
that lasted longer would have undesirable properties that would gum up
the valves.  A petroleum chemist needs to advise us all, or perhaps the
solution is to have some sort of permanent coatings on slides and
receivers so that slide grease would not be necessary.  




-Original Message-
From: horn-bounces+treicher=cooley@music.memphis.edu
[mailto:horn-bounces+treicher=cooley@music.memphis.edu] On Behalf Of
mkolnsb...@cs.com
Sent: Monday, March 02, 2009 4:20 PM
To: Horn@music.memphis.edu
Subject: [Hornlist] Slide Grease

Any suggestions for a long lasting slide grease.? I have tried gun
grease; Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke
Slide Grease w lanolin; all Hetman types; STP. Nothing lasts more than a
week w the Holton Rotary valve oil I use.
Thanks,
Mark

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RE: [Hornlist] Slide Grease

2009-03-02 Thread Loren Mayhew
You may be using too much rotary oil. Is that because your valves are
sticking? They may need to be lapped. 

Loren Mayhew, Owner
Computer Intelligence LLC, dba
CI Music 
c...@mayhews.us
www.mayhews.us/CI/Finke
001 (520) 289-0700

-Original Message-
From: horn-bounces+loren=mayhews...@music.memphis.edu
[mailto:horn-bounces+loren=mayhews...@music.memphis.edu] On Behalf Of
mkolnsb...@cs.com
Sent: Monday, March 02, 2009 4:20 PM
To: Horn@music.memphis.edu
Subject: [Hornlist] Slide Grease

Any suggestions for a long lasting slide grease.? I have tried gun grease;
Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke Slide Grease
w lanolin; all Hetman types; STP. Nothing lasts more than a week w the
Holton Rotary valve oil I use.
Thanks,
Mark
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Re: [Hornlist] Slide Grease

2009-03-02 Thread mkolnsberg
Thanks Tom.? Good idea about a chemist, I know a few chemical engineers I'm 
gonna ask. Let you know what I find.


-Original Message-
From: Reicher, Tom 
To: The Horn List 
Sent: Mon, 2 Mar 2009 7:35 pm
Subject: RE: [Hornlist] Slide Grease



 I have had the same experience but have always concluded that anything
that lasted longer would have undesirable properties that would gum up
the valves.  A petroleum chemist needs to advise us all, or perhaps the
solution is to have some sort of permanent coatings on slides and
receivers so that slide grease would not be necessary.  




-Original Message-
From: horn-bounces+treicher=cooley@music.memphis.edu
[mailto:horn-bounces+treicher=cooley@music.memphis.edu] On Behalf Of
mkolnsb...@cs.com
Sent: Monday, March 02, 2009 4:20 PM
To: Horn@music.memphis.edu
Subject: [Hornlist] Slide Grease

Any suggestions for a long lasting slide grease.? I have tried gun
grease; Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke
Slide Grease w lanolin; all Hetman types; STP. Nothing lasts more than a
week w the Holton Rotary valve oil I use.
Thanks,
Mark

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the Internal Revenue Code or (ii) for promoting, marketing or 
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RE: [Hornlist] Slide Grease

2009-03-02 Thread Reicher, Tom
 I have had the same experience but have always concluded that anything
that lasted longer would have undesirable properties that would gum up
the valves.  A petroleum chemist needs to advise us all, or perhaps the
solution is to have some sort of permanent coatings on slides and
receivers so that slide grease would not be necessary.  




-Original Message-
From: horn-bounces+treicher=cooley@music.memphis.edu
[mailto:horn-bounces+treicher=cooley@music.memphis.edu] On Behalf Of
mkolnsb...@cs.com
Sent: Monday, March 02, 2009 4:20 PM
To: Horn@music.memphis.edu
Subject: [Hornlist] Slide Grease

Any suggestions for a long lasting slide grease.? I have tried gun
grease; Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke
Slide Grease w lanolin; all Hetman types; STP. Nothing lasts more than a
week w the Holton Rotary valve oil I use.
Thanks,
Mark

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recommending to another party any transaction or matter addressed herein.  



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[Hornlist] Slide Grease

2009-03-02 Thread mkolnsberg
Any suggestions for a long lasting slide grease.? I have tried gun grease; 
Selmer Slide/Cork Grease; GOO Tuning valve slide lube; Schilke Slide Grease w 
lanolin; all Hetman types; STP. Nothing lasts more than a week w the Holton 
Rotary valve oil I use.
Thanks,
Mark
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[Hornlist] Re: NBC horn player under Toscanini 1948

2009-03-02 Thread Steven Mumford
I found a list of people who played with the NBC here:

http://www.classicalrecordings.org/znbc/nbcplayers.html

That's probably Arthur and Jack in the video, Harry played 3rd.  

While you're in the neighborhood, check out the Midsummer Night's Dream with 
Toscanini, Bruno Jaenecke on our favorite solo:

http://www.youtube.com/watch?v=y2IT2lnpWYw

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RE: [Hornlist] Studio Recording magick

2009-03-02 Thread Jeremy Cucco
Hi Carl - 

I've had the opportunity to play around with the (yet to be released)
version of Celemony that works on complex chords.  It does a fantastic job
on *some* material.  Particularly, it works on a mix where there a few
voices.  When you get to even a chamber orchestra or small ensemble sized
group, the complexity gets to be a little much for it.  

I have a few of these tools including "Autotune" (the original voice fixer)
and a few others.  The most advanced and most capable I've seen is the one
that comes with Magix Sequoia (the Digital Audio Workstation I use.)  Sadly,
Sequoia alone is $3,000, but this auto-tuner works great in that you can
literally draw the correct pitch in (I do this with a tablet and pen like
many graphic artists use.)  Many of the other programs either do it
automatically or the resolution at which you "draw" isn't very hot.  I can
honestly say that I would NEVER (for emphasis...not anger) use an auto-tuner
on an acoustic instrument.  First, simply put, I can always hear when this
has been done.  Regardless of what the software does to the sound (which,
btw, it accomplishes this by changing the digital sampling rate in
opposition to its reference), most of the time, the slight pitch variance
that is normal on a real instrument is just zapped out or poorly drawn back
in.

In Kendall's example, he was doing it for a jingle.  I suppose the recording
engineer could be spared his life for the travesty of auto-tuning a horn
player, but only this once.  

One thing you'll find amongst any of the top symphonic audio engineers is
that all of them (and I do mean *all*) HATE (again, emphasis, not anger) the
phrase "We'll fix it in the mix."  What we do is as much an art, science and
passion as playing the horn.  It's extremely difficult but that's why we
like to do it.  Moving a pair of microphones 1" in a hall can make the
difference between a fantastic sound going to tape or a crappy sound going
to tape (and yes, I mean hard drive for those digital guys out there, but
"to tape" is still the expression :-))  "Fixing it in the mix" is a horrible
cop-out and the sign of a true amateur recording engineer.  We strive to
make the recording sound perfect in the same way that us as horn players
strive to make the performance perfect.  Of course, perfection, in the ears
of the musician, is always subjective.

Cheers!
Jeremy



-Original Message-
From: Carl Ek [mailto:car...@hotmail.com] 
Sent: Wednesday, February 25, 2009 1:29 PM
To: Hornlist memphis
Subject: [Hornlist] Studio Recording magick


 

Dear Hornlisters

 

Regarding studio recordings and tweaking sounds, there are some amazing
tools out there for manipulating tones and isolating individual notes from
recorded multiphonics. Add to the "mix" some drag and drop plugins for your
horns/strings/voice and you too can HACK together a movie score.

 

http://www.celemony.com

 

http://www.celemony.com/cms/index.php?id=demoaudio   << demo soundbytes

 

 

 

Regards,

Carl Ek

Oxtongue Lake, Canada
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RE: [Hornlist] Recording debate

2009-03-02 Thread Jeremy Cucco
Hi William!
I did enjoy the conversation that was tossed around, though I should say, I
really intended to (and probably will) reply to Kendall a little more but
have been on location recording gigs for about the past 2 weeks straight so
haven't had the time (or at least not the patience to try and type a
full-length reply on my iPhone.)

I wouldn't really say it got into being a "wrangle" - just a healthy
discussion.  I think it's always interesting to hear a couple different
sides of the recording story - from both sides of the microphone.

Cheers- 
Jeremy

PS - 
If anyone has a great deal more interest in recording, particularly that
which pertains to location recording for symphonic works, choral, wind
ensemble, etc I co-moderate a forum at www.recording.org known as the
Acoustic Music Forum.  This forum is truly focused on precisely this kind of
recording.  My co-moderators are orchestral recording engineers from L.A.,
Philly, and Sydney AU and we've got regular contributions from many of the
"big wigs" including many Grammy winning engineers, etc.  Most of the
guys/gals that run around that forum are professional musicians as well and
truly know their craft.  It's a treasure trove of knowledge.


-Original Message-
From: William Botte [mailto:wab4...@hotmail.com] 
Sent: Sunday, March 01, 2009 6:02 PM
To: horn-requests
Subject: [Hornlist] Recording debate


Good afternoon,
Last weeks' recording discussion quickly turned into a wrangle and a primer
on recording studio techniques.  I think Kendall was  decrying  the none too
subtle  affect that  the recording  industry was/is having  on individualism
of tone production  and musical interpretation by musicians and orchestras.
Several years ago during a rehearsal with  cast of a production  the  'King
and I',  the conductor was informed that  all tempi  were to follow  exactly
the  tempi on the  VHS  recording.   The  recorded template  was the
director and conductors' objective. The cast had to follow suit also.
I don't know if this approach is prevalent in schools and horn studios, I
hope not.  But relying on digital recordings as objects of perfection will
stifle intellectual and musical curiosity.

On another note, I bought a used Pizka mouthpiece last week.  My mistakes
clams and bleeeahs are much better sounding now.  Thanks Hans

Carpe Kopprash

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[Hornlist] High schoolers play Konzertstucke live on radio

2009-03-02 Thread Kent Spielmann

These four youth will be playing the Konzertstucke in far more ideal conditions 
this Sunday March 8 in the Myerson Symphony Center. Dallas (tickets are $8-$30) 
I am personally blown away by the audacity of it all. 

I talked with Dennis Houghton a couple of weeks ago owner of Houghton horns in 
Keller Texas. He tells me three of the four including the rather amazing high 
horn, Alex K. are students of his wife Karen. It seem to me the combination of 
horn workshop and studio is a very powerful way of enabeling and motivating 
youg players. Kudos!

The live radion brodcast version performed February 10 with piano can be viewed 
on YouTube:

http://www.youtube.com/watch?v=6TdAet9Ol1w&eurl=http://www.wrr101.com/?id=239
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[Hornlist] Re: NBC horn player under Toscanini 1948

2009-03-02 Thread phirsch
Hans,

Arthur Berv is definitely the first player. Clearly, the second is one of
his brothers, Jack or Harry, most likely Harry, though I don't have the
documentation of who played what part in front of me at the moment. The
video I just pulled up on Youtube actually had the date of December 1948,
so maybe I saw a different one. I knew Arthur and Jack pretty well, but
about 20 years after the performance was filmed and I never met Harry, so I
can't be 100% sure on the identification of the second horn player.

Regards,

Peter

>message: 1
>date: Sun, 01 Mar 2009 20:37:13 +0100
>from: "hans.pi...@t-online.de" 
>subject: [Hornlist] NBC horn player under Toscanini 1948
>
>Hello friends,
>
>anybody out there who could identify or name the two horn players on the
>March 1948 NBC Video of Wagner´s "Tannhaeuser" ouverture conducted by
>Toscanini, please ? The two players are shown for over a minute at least
>& again later.
>
>Han Pizka

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Re: [Hornlist] Paxman 25A

2009-03-02 Thread Tim Costen

Roxanne Haskill wrote:
I am about to purchase a Paxman 25A from Alan Wiltshire at Horns-a-Plenty. 

> Does anyone have any opinions regarding this type of horn?

Yes...they're great! OK, I have been using a 25L as my main horn for the 
last 15 years :-)



I am interested in the tuning difference; this model in tuned to/made to A442.


As Jeremy said, all that means is that the instrument is nominally at 
442 with the main slide all the way in. I am at 440 on mine with about 
half an inch of main slide pulled out.



Also, how is the grip on this horn; I have small hands and if the grip is

> large or wide I'd need to have an adjustable hook put on it.

I'd say it's a bit on the large side. You get used to it of course, but 
when I played a friend's Alex 103 last week, that definitely felt smaller.


I might be more wary of issues with your right hand - if your hands are 
_very_ small, you might find that you have a problem handstopping 
properly with the very large throat on the 'A' bell.


Tim Costen
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Re: [Hornlist] NBC horn player under Toscanini 1948

2009-03-02 Thread Richard V. West

Hans:

I don't know the video, but I would hazard a guess that it icluded at 
least one of the Berv brothers. Arthur Berv, Harry Berv, and Jack Berv 
are all listed as having played with the NBC symphony sometime during 
period 1937-1954.


Richard in Seattle

hans.pi...@t-online.de wrote:

Hello friends,

anybody out there who could identify or name the two horn players on the
March 1948 NBC Video of Wagner´s "Tannhaeuser" ouverture conducted by
Toscanini, please ? The two players are shown for over a minute at least
& again later. 


Han Pizka


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