[Hornlist] RE: Confusing transposition (double post)

2009-08-18 Thread wells123...@juno.com
Miltonn asked:



A crooked key is a device that can be found in the pockets of common criminals 
such as politicians and lawyers.

Valerie





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[Hornlist] Re: Confusing transposition (double post)

2009-08-17 Thread wells123...@juno.com
For all the kind and helpful responses I want to extend a warm and sincere 
"thank you."  To Hans I extend a UYNWARH for his less-than-helpful remarks.  

I've been playing horn for 3+ years and I work on transposition every single 
day.  I've successfully performed in 8 different transposition keys (7 in the 
same concert), but the one I wrote about was the first that gave me the 
opportunity to play in a "crook" key that did not match the key of the 
orchestra.  I am now better prepared to tackle this task when the opportunity 
presents in the future.  I will do a little research ahead of time & find out 
the key of the orchestra & write in a few do's, re's, sol's, etc.  in my part.  
Hopefully that will help me find my place in the chords.  

Thank you very much.  

Valerie Wells
"The Balanced Embouchure" for French Horn




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[Hornlist] Confusing transposition (double post)

2009-08-14 Thread wells123...@juno.com
I apologize for double posting this, but I really need help.  Who knows?  There 
may be someone here who can answer me that's not on the other list.  

I've hesitated to ask this question for a long time because I'm not sure I can 
find the words to 
adequately explain what I mean.  Well, here goes:

This past spring, I played a Mendelsohn piece.  (Sorry, can't even remember 
which one, something for Easter.)  I was on 3rd horn. The 1st and 2nd horn 
players were transposing to one horn key, but I was transposing to a completely 
different horn key, I think a fifth higher or lower than they were.  Anyway, 
the tonic of their horn key corresponded with the tonic of the whole orchestra. 
 So when the first & second horns played their written C, it was the tonic that 
matched what the  whole orchestra played.  But my tonic, my written C, was NOT 
the tonic of the rest of the orchestra.  If I remember correctly my written C, 
was the dominate or the subdominate of the key the orchestra played.  

I wasn't very familiar with the piece, but before the rehearsal I wasn't really 
worried about it because it looked simple.  I only played through it once or 
twice & showed up to the first rehearsal thinking I was prepared.  I was 
shocked that I could hardly play 50% of the notes correctly.  Nothing "felt" 
correct.  In my mind, I wanted MY tonic written C to correspond with the tonic 
of the whole orchestra, but it didn't work that way.  It was horribly confusing 
and I just couldn't play it correctly "on the fly," if you know what I mean.  I 
had to go home & transpose it to horn in F to make it work.  

Am I making any sense here?  Have any of you had a similar experience?   Is 
there a strategy I can employ to avoid that sort of disaster again?  

Valerie Wells
"The Balanced Embouchure" for French Horn
wells123...@juno.com


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[Hornlist] Re: Mouthpiece and Chair Placements

2009-08-05 Thread wells123...@juno.com
I don't know how anyone could tolerate the tickling using the tongue in the mpc 
instead of the bottom lip.  I once heard that for teaching purposes, John 
Barrows used to demonstrate using the tongue this way.  I tried it once.  I got 
an "ok"  sound, but the tickling & itching didn't stop for several minutes 
afterwards.  Val


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[Hornlist] RE: Recording

2009-07-31 Thread wells123...@juno.com
I use a digital Olympus voice recorder.  I bought mine at Radio Shack.  The 
replay sound isn't the greatest, but sounds pretty good if I connect it to my 
stereo or use ear phones.  It's adequate to help me improve certain aspects of 
my playing.  For example, I used to have a bad habit of inhaling loudly through 
my nose when I'd inhale.  I didn't realize how distracting it was until I heard 
it on a recording.  I've also used it to monitor for excessive wah-wah playing. 
 I don't care for the wah-wah sound that some horn players seem to 
intentionally cultivate.  Valerie 


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[Hornlist] RE: Play low to play high

2009-07-07 Thread wells123...@juno.com
<>

Well, of course, Hans, every horn player knows that.  Just how ignorant do you 
think we all are?  Sheesh!

Valerie  :o)


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[Hornlist] Re: Play high to play low

2009-07-05 Thread wells123...@juno.com
I read about practicing low to play high & vice versa in an article written by 
a trumpet player about 3 years ago.  I tried to find the article, but couldn't. 
 In the particular article I tried to find, the artist talked about how he 
would practice in the opposite range of what  he was preparing to perform for 
several days before the performance.  

When I Googled "practice low" + "play high", I came up with some interesting 
tidbits from brass players & even a flute player.  

www.everything2.com/title/Tuba%20Playing%20Techniques 
www.youngcomposers.com/forum/trumpet-vs-trombone-11786-3.html 
www.trumpetplayeronline.com/xmb/viewthread.php?tid=3487 

flute:  www.wikihow.com/Play-Low-Notes-on-the-Flute

Valerie Wells
"The Balanced Embouchure" for French Horn
wells123...@juno.com


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[Hornlist] Playing sharp (was: Hoyer 5802 CK)

2009-06-30 Thread wells123...@juno.com
Tina talking about her Hoyer being sharp reminded me of something I've been 
wanting to post about lately, but kept forgetting.  Tina, please don't 
misunderstand this.   I'm not making any judgements about your horn playing.  I 
totally accept what you say about your Hoyer being sharp as valid. 

There's been recent discussion about using the "throat control" for horn 
playing.  I've noticed when I purposely open my throat (by lowering the Adam's 
apple), I play significantly flatter.  Conversely, closing the throat (raising 
the Adam's apple) raises the pitch dramatically.  In fact, I've noticed that 
the pitch can be more easily controlled by opening & closing than "lipping" up 
or down.  I'm not recommending anything here;  I'm just curious.   I'm 
wondering if a closed throat may be a contributing factor for some horn players 
who perpetually play sharp.

Valerie Wells
"The Balanced Embouchure" for French Horn
wells123...@juno.com 


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[Hornlist] Horn Notes Blog on The Balanced Embouchure

2009-06-29 Thread wells123...@juno.com
http://hornnotes.com/blog/?p=506

It's an interesting blog.  Professor Ericson does not evaluate Jeff's work or 
tell you why it's correct or incorrect.  He simply draws attention to Jeff 
Smiley's work for it's unique approach allowing the reader to explore and 
decide for themselves.  Bravo Pro. Ericson, for your objectivity and restraint! 
 

Valerie Wells
"The Balanced Embouchure" for French Horn
wells123...@juno.com  


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[Hornlist] Re: bumping section mates

2009-06-01 Thread wells123...@juno.com
Build a cement bunker around your seat. No time or budget for cement 
contruction?  Then, stack sand bags 6 feet tall around your seat. Need to see 
the conductor?  Get a video camera and monitor.  No budget for video equipment? 
 Not a problem, use a inexpensive periscope mounted to your music stand.  

Valerie Wells
"Military Suplus" for French Horn

  


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[Hornlist] the grand attempt to be...Jersey to Macomb bound

2009-05-29 Thread wells123...@juno.com
This comes from JC Ludlow: 

Sorry to be posting this request last-minute, but...

I'm going to Macomb, and I had planned to drive out.  I live in northern New 
Jersey and I realize that's one heck of a haul, but I never thought that it 
would be so difficult to find some one to go
with me.  I've written to almost everyone that I can think of, but still no 
luck.

I live between Routes 80 and 78 in Morris County, so it's pretty much, "Get to 
80 and drive west for eternity, then turn south for a bit."  If you (or some 
one you know) will be following a similar path, and would like a ride, or could 
caravan with me, or has extra space to offer, I would dearly like to hear from 
you.  I am registered for the full length of the symposium, but I could be 
flexible with dates and how much I'm bringing, if it matters.

Please reply privately to flach...@jennifer-catherine.com.

Thank you, and...I hope to see you out there.

 

--Jennifer-Catherine Ludlow



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[Hornlist] RE: Playing under a Ceiling Fan

2009-05-28 Thread wells123...@juno.com
I've never tried to play under a ceiling fan, but I have tried to play in the 
same room with a large diameter (probably 18 to 24") standing room fan.  The 
warbling drove me nuts!  But, I've found a smaller diameter fan (about 10  or 
12") blowing into my face from the left side doesn't cause tonal problems.  A 
small fan is enough to cool me most summer days here in the mild Pacific NW 
climate, but I doubt it will offer much comfort for southern California horn 
blowers. I'd turn on the air conditioner!

I've never really understood the physics of sound waves and fans, but it's 
always fascinated me. When I was a kid, I enjoyed the distortion created by 
singing into the breeze of an electric fan.  

I've never been a student of acoustics, but I assume the sound wave in a horn's 
tone production must have a terminal end (for lack of a better term) somewhere 
beyond end of the bell, probably 6 or 10 inches.  (Of course, I'm only 
guessing.)  When asked to play softer for a small chamber orchestra once, I 
tried turning the bell towards my lap/abdomen to quiet it some. It didn't 
really work because it distorted the response, pitch and tone.  Yet, I've seen 
trumpet players put a fabric mute, kinda like a loose drawstring bag, over the 
end of their bells which resulted in softer quieter playing w/o any noticable 
distortion.  I tried soemthing similar for my horn once, but got significant 
distortion.  I don't get it and would really like to hear anyone's attempt at 
explaining this.  

Valerie Wells
"The Balanced Embouchure" for French Horn
wells123...@juno.com


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[Hornlist] Starting a new instrument . . .

2009-05-27 Thread wells123...@juno.com
Because I'm such an insane and compulsive practicer, I almost completely 
trashed my chops this past March playing in three orchestras, two bands, a 
quartet and a few other little things here & there. I've been eating humble pie 
ever since, but things are getting better; little by little I'm recovering. 
I've decided I need, well actually WANT another musical outlet for my 
compulsive behavior so I won't abuse my chops again. Sooo... I'm taking up 
string bass. My first lesson is Saturday morning. Anyone else have experience 
walking on the dark side, ugh ... I mean the string side?  

Valerie Wells
"The Balanced Embouchure" for a rather off balanced horn player! 



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[Hornlist] This is RICH!

2009-05-27 Thread wells123...@juno.com
Holy cow, this list is ripe & rich lately!  HA HA HA HA HA HA HA HA!


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[Hornlist] Re: aging hornists

2009-05-26 Thread wells123...@juno.com
Okay, I'm opening a special pity party account for Lawrence.  I accept personal 
checks, money orders, PayPal, stamps, gold coin 

Valerie


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[Hornlist] aging hornists

2009-05-25 Thread wells123...@juno.com
I don't think there's any community of people who appreciate their elders quite 
like we do.  I was touched to read Ed Glick's article in the "Horn Call."  I 
also love reading posts, messages, experiences and comments by older horn 
players, whether they're pros or amatuers. There's just something special about 
a horn player who's been around & contributed so much with the instrument I 
love. I can't really put it into words how I feel, so I'll just say, "Thanks, 
you're appreciated."

Valerie Wells, not exactly a spring chicken, ;o) but not quite as experienced 
as many


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[Hornlist] Horn trio plus one???

2009-05-24 Thread wells123...@juno.com
I love playing in a horn trio and quartet. I especially love Reicha trios. I 
think playing Reicha is about the most fun you can have in a small horn 
ensemble. When my trio gets together we rotate between the parts because we all 
enjoy a chance to play each part and most of the Reicha first horn parts are 
quite taxing. 

I would LOVE to see a talented arranger take Reicha's trios and arrange them 
for four horns distributing the high parts among all the players & giving each 
player a chance to play high and low and get little rest here & there. I love 
the way Kerry Turner does that with his horn ensemble pieces.  

Anyone feel up to such a task?

Valerie Wells
"The Balanced Embouchure" for French Horn
wells123...@juno.com  


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[Hornlist] RE: musical heritage (WAS: metronome. . .)

2009-05-17 Thread wells123...@juno.com
Daniel, It saddens me to hear that appreciation and study of classical music is 
dwindling in Europe. After all, Europe is where the heart & soul of classical 
music resides.

You wrote:  > I'd say that on this side of the Atlantic there is still a 
feeling that classical music has a different and special status, while I have 
the impression that in your country it is perceived just as "one of the genres 
of music", non distinguished at all and easily mixed with others. <

I think you're RIGHT ON! Here in the states, one may ask, "What KIND of music 
do you listen to: top 40, rap, classical, golden oldies, gospel rock, country 
western, etc?" as if all genres are equivalent, only differiented as a matter 
of personal taste or choice. Music is viewed the lens of "multiculturalism."

The typical American example of the various genres being "easily mixed" can be 
heard in movie sound tracks. Talk about fusion! I believe our mixing of musical 
genres, the watering down of classical, is driven by the commercialism of the 
entertainment industry. Paradoxically, it seems this same industry helps keep 
classical music & symphonies alive here. Hmmm...

Valerie Wells
"The Balanced Embouchure" for French Horn
wells123...@juno.com


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Re: [Hornlist] metronome multiples of 6 [was: Mendelssohn Nocturne]

2009-05-14 Thread wells123...@juno.com
Electric train or steam locomotive?  Details matter.

Valerie Wells
"The Balanced Embouchure" for French Horn

> If you are in a moving train with your metronome set at 66, how fast does the 
> train have to go, and which way, so that a stationary observer measures 63?  
> How could you and the stationary observer play a duet? Would one of you have 
> to transpose?  If so, to what key?  What kind of mouthpiece should you use?  
> Does the venturi travel at the same rate as the train?  Plz answer soon, 
> concert is Saturday.<



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[Hornlist] RE: Asleep at the Horn

2009-03-28 Thread wells123...@juno.com
When I saw the video, the first thing I thought of is narcolepsy. People with 
narcolepsy fall asleep during the most inopportune times, like crossing the 
street or shopping for groceries, etc. The friends & family of the narcoleptic 
expect them to nodd off at any time and know that any efforts to awaken them 
are futile. If this young man is narcoleptic, that would explain why his 
section mates seemed to ignore him and make no efforts to awaken him, only 
paying close enough attention to keep his horn from falling to the floor. If he 
is narcoleptic, it actually shows good stage presence for his section mates to 
minimize the impact of his seizure. Some narcoleptics are fortunate to find an 
activity such as dance or music that is engaging enough to keep them awake, but 
it doesn't always work.  ~~Valerie


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[Hornlist] RE: Oil & horn mayonnaise

2009-03-21 Thread wells123...@juno.com
Val wrote:
> warm (not hot) water
 
Would you (i.e. generally) expound on the reasons for this, please?
Simon

I'm embarrassed to tell you how I KNOW hot water is bad for your horn. Once, 
when I was cleaning one of my horns, I got distracted as the plastic bin with 
my horn in it was filling with water.  The water got too hot and damaged the 
laquer finish. Under bright lights it's kind of hazey looking where the hot 
water touched. As far as I know, it's permanent. :o( 

Valerie Wells
The Balanced Embouchure for French Horn  


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[Hornlist] RE: Oil & horn mayonnaise

2009-03-17 Thread wells123...@juno.com
There's been a lot of good advice freely shared. IMHO, I don't think the 
specific product is as important as how it's applied [as has been mentioned]. 
I've used a lot of different valve oils and greases in my horn, ALL with 
success. My favorite valve oil is Ultra Pure Lamp oil, just because it's dirt 
cheap at Walmart. However, I think the MOST important component of keeping 
valves in good working order is how often and how thoroughly the horn is 
cleaned.

I've found that there's no better way to keep my horn valves slick and quick 
than thoroughly washing it out every month or two with liquid dish soap, warm 
(not hot) water and a snake brush, then flushing it out with running water.  
This is the best way I know to remove old build up of grease and saliva.  

Saliva contains acids, sugars & proteins that can combine with oil under the 
agitation of valve movement & vibrations to form little masses of gelatinous 
water-in-oil emulsions inside the horn -- a sort of "horn mayonnaise."  BTW, 
water, oil, acid, sugar & proteins are the major ingredients in salad 
mayonnaise, a water-in-oil emulsion! [YUMm, please pass the horn 
mayonnaise.] 

They can be resistant to removal by an oil flush alone and must be scrubbed out 
with a brush and/or flushed out forcefully with running water.

Valerie Wells
The Balanced Embouchure for French Horn




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[Hornlist] RE; Ice Horns

2009-03-16 Thread wells123...@juno.com
My friend bought one of those ice horns on E-bay.  What a rip off.  When the 
package arrived there was nothing in it.  

Valerie Wells
The Balanced Embouchure for French Horn


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[Hornlist] RE: Slide Grease and Valve Oil

2009-03-04 Thread wells123...@juno.com
Ken wrote:  "It is when the moisture comes in contact with the Zinc in the 
brass of your horn that the horn can become more susceptible to dezincification 
(red rot). A thin film of oil not only prevents this, but it also keeps your 
horn CLEAN. Of course, it's also a good idea to provide oil for all parts that 
come in conctact with each other, AND the film of oil will also create a better 
seal for your valves."
 
I believe Ken.  My brother is a retired metallurgist ... I'm not sure how to 
spell it, but he's a scientist who specializes in metals.  He told me that 
metals are corroded by three main things: (1) moisture, (2)air, and (3) being 
in contact with a different kind of metal (such as brass valves inside nickle 
silver casings).  A thin coating of oil inside the whole horn is the only way 
to protect the metals from all three corrosive elements.  After I thoroughly 
clean & dry my horn and grease the slides, I pour in tablespoon or two of 
ultra-refined lamp oil, swish it around & around while flicking the valves, 
then dump out the excess.  It doesn't melt the slide grease near the valves 
because I never pull out the valve slides until it's time to clean my horn 
again.  (This is possible because water in the valves of a Holton horn can be 
drained w/o removing the valve slides.)  

My valves are slick & quick.  If they do slow down between cleanings, I few 
drops of valve oil added to the slide closest to the Bb change valve usually 
takes care of the problem.  If it doesn't, that means it's time for another 
cleaning.   
 
When I bought my first horn, a Holton 179, the music store technician told me 
not to oil my valves, only the rotor posts.  I followed his instructions and my 
valves were always sluggish.  I got sick of it, so I cleaned my horn with warm 
dish soap, water, a brush then dried it, and oiled it well, according to Philip 
Farkas's instructions that came with the horn.  The valves became slick & quick 
and stay that way in both my Holton horns as long as I clean & oil them per 
Farkas's instructions.  

So. . . a professional horn player/designer actually knew more about horn 
maintainance than a music store technician.  Imagine that?  
 
Valerie Wells
The Balanced Embouchure for Horn


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[Hornlist] RE: When Things Go Bad

2009-02-13 Thread wells123...@juno.com


Shish! Is this the first time that's ever happened to you? This has happened to 
me more times than I even want to admit. It's usually because I've over 
practiced, underpracticed or did a lousy warm up, but sometimes it just 
happens. IT HAPPENS!!!  Just a couple weeks ago I had a horrible day, nothing 
went right.  I hadn't been over practicing, under practicing, missing sleep, 
eating the wrong things, or anything.  I can't identify any single contributing 
factor, except for a full moon or mischeivous horn fairies lurking inside my 
instrument.  ~ Valerie  


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[Hornlist] Reynolds horns

2009-02-10 Thread wells123...@juno.com
I've heard that Reynolds Contempora was a very good horn, but I've never had 
opportunity to play on one.  Yesterday a middle school student came for his 
first lesson with me.  He brought with him a school instrument, a single F 
Reynolds. Looked realy worn & old, but don't know for sure. I took a few 
minutes to check it out. The laquer was very worn & there were dents 
everywhere, like you would expect on a school instrument.  I thought it was 
likely to be a dog of a horn, but was stunned with how well it played.  The 
tone was smooth & rich, response good in all registers, valves pretty quick & 
tight, good intonation. One valve was a bit clickity, but settled down with an 
application of key oil. Really nice little "student" instrument.

Valerie
The Balanced Embouchure for French Horn  


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[Hornlist] No time for a cold?

2009-02-06 Thread wells123...@juno.com
I hate being sick worst than anything. Nothing worse than a stuffed nose, sore 
throat, plugged ears when I need to be in top form for a concert. Over the 
years, I've spent a lot of time & money looking for effective remedies for 
common ailments. I stumbled upon an inexpensive & effective home remedy for 
colds that one can buy at their local health food or supplement store or on 
line. This remedy has kept me, my husband, my family members and everyone else 
I know who has tried it from getting sick from colds & flu.  

At the first eensy-weensiest sign of a cold or flu (sore throat, sneezing, body 
aches, etc.) I put 30 drops of LifeTIME OO/OLE and one Air Borne tablet in 6 
ounces of water. I drink quickly through a straw (it's nasty). I take this two 
or three times a day for three or four days or until all symptoms disappear. 
After I started using this, I found myself getting well so quickly I thought 
perhaps I really didn't get a cold; maybe my symptoms were just a "false alarm" 
and I wasted money on yet another phony product. But, as I used this combo over 
time, I realized it works because I haven't been sick from colds or flu for 2 
years. (I used to get very ill from colds & flu several times a year.)

LifeTIME OO/OLE is Oregano Oil and Olive Leaf Extract. It's a liquid herbal 
"food supplement" sold in a dropper bottle in the natural foods section of Fred 
Meyer, health food and supplement stores and on line. It costs $25 a bottle 
which seems like a lot, but one bottle  lasts about a year depending on how 
often my family and I use it. Airborne or any of the similar copy-cat products 
are available everywhere.  These products are more expensive to use, so I look 
for the store brand generics which work just as well for me.

Before I found OO/OLE, I used the Airborne type supplements alone & it helped 
reduce the severity of my colds, but I still got sick for several days.  When I 
started using the OO/OLE with the Airborne about 2 years ago, I stopped getting 
sick with colds and flu. (Knock on wood!!) 

I don't know if this will work for you.  You'll have to take a risk and try it 
for yourself.

Valerie in Tacoma   

PS, you can Google & research the ingredients of OO/OLE.  Both these natural 
substances are believed to be potent broad spectrum antibiotics that are 
effective against viruses, bacteria and fungi such as candida. I haven't 
experienced any side effects from their use, but I'm careful to use them only 
when I need them. 


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[Hornlist] RE: Donato

2009-01-10 Thread wells123...@juno.com
Rx Hans & Wendell: 

(1) Kava-kava 250mg 3 times a day or as needed for stress & anxiety. 
(2) Long vacation.
(3) Avoid Donato videos and discussions.   

---

Rx for everyone else: 

(1) Funny Donato videos as needed for stress & anxiety.

Valerie ;o)



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[Hornlist] email from Donato Inglese

2009-01-08 Thread wells123...@juno.com
Yes, I did get a very nice email from Donato. He thanked me for my warm words. 
I believe he is frustrated that people judge him harshly because they 
misunderstand the purpose of his youtube videos. His you-tube videos are for 
fun, not nose-in-the-air arteeestry. I enjoy his you-tube videos because 
Donato is FUN, fearless, un-inhibited, spirited and shows a refreshing sense of 
humor. These are rare qualities to find publically expressed by professional 
horn players. 

I believe it's sad when people take their horn playing so seriously that they 
can't clown around. We need to keep things in perspective. Clams aren't liver 
cancer, they won't kill us, so we should have fun with our horns! I hope 
someday to be as fun & fearless with my horn as Donato is. ~~Valerie


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[Hornlist] Help for embouchure problems

2008-06-26 Thread wells123...@juno.com
KM, writing about Froydis Ree Wekre's book KM says:

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[Hornlist] Help for embouchure problems

2008-06-23 Thread wells123...@juno.com
Steven Mumford wrote: 



This is the sort of exercise horn instructors had me do for years. It wasn't a 
useless exercise, but it did nothing to correct my underlying problem -- a 
faulty inefficient embouchure. I didn't begin to develop the range & endurance 
I needed to play horn well until I found a trumpet teacher in Garland, Texas 
who really understands the fundamentals of sound production on a brass 
instrument.   
 
Milton wrote:
  
  

The converse is also true: "You could have the most perfect breath control in 
the world and a bad embouchure and you couldn't play $^#&."
  
If I were you I would look to my breath instead of embouchure. I know it is 
always my problem when I come back after a short or a long layoff.>

It takes both -- a good embouchure & good breath control -- to lay the 
foundation for good horn playing. Many brass instructors understand the 
importance of good breathing, but very few understand the mechanics of the 
embouchure. Jeff Smiley understands the  embouchure & does a very effective job 
of transmitting this knowledge to his many successful students.  

Valerie, happy & successful Balanced Embouchure Student 


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