Re: [lace] brass bobbins

2003-11-06 Thread Thelacebee
In a message dated 06/11/2003 00:58:19 GMT Standard Time, [EMAIL PROTECTED] 
writes:

 I have a pair of brass bobbins, but they are too heavy to use.
 They are very find in the shank, but still a lot more heavy than the usual
 bobboin.
 I have used them for a gimp thread, but they don't hold much thread, and I
 rarely use them. - Just things to have, not use, really!! (like my glass
 bobbins, and the pewter one!! but there, ready, for an emergency!!)
 from Liz in Melbourne, Oz,
 [EMAIL PROTECTED]

When I first started making lace I went out and bought some beautiful glass 
bobbins which had spirals of color through them - just gorgeous.

However, I cannot get any thread to stay on them as they are simply too 
smooth.  I've tried tying the thread on, using sellotape (I was really desperate 
that time!!) but to no avail.

Also, I have a fantastic olive wood bobbin with carved rings on it - guess 
what - It's one of the hardest bobbins to use as you can't grab it easily.

I am now moving towards buying thin bone midlands bobbins so that I can use 
them for bucks (thin and bone because then they are the right weight but you 
can get more on the pillow).

Has anyone else had similar problems or is it just me?


Regards

Liz Beecher
I'm A HREF=http://journals.aol.com/thelacebee/thelacebee;blogging/A now - see 
what it's all about

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Re: [lace] Belgian Colour Code

2003-11-06 Thread Thelacebee
In a message dated 06/11/2003 01:45:25 GMT Standard Time, [EMAIL PROTECTED] 
writes:

 GREEN = half st = CT
 PURPLE = cloth st = CTC
 RED = whole st = CTCT
 YELLOW = single thread (usually gimp)

Tamara - thanks for this I think that I now understand CT as being the 
movements with the bobbins - is there an actual 'name' for the 'C' or the 'T'?

Regards

Liz Beecher
I'm A HREF=http://journals.aol.com/thelacebee/thelacebee;blogging/A now - see 
what it's all about

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[lace] glass bobbins and aluminum ones

2003-11-06 Thread Celtic Dream Weaver
  I have some glass bobbins and I just love them. I love the sound they make which is 
a happy sound to me. I do not have any problems in winding them. I just wrap over the 
tail a few times and then just wind. I have found that for me I don't usually make a 
hitch on the place where you are suppose to make it but instead right there the thread 
is wound. It hold better for me. I do that with all my bobbins no matter what kind 
they are. 
  I also have some bobbins that my husband made for me at work. They are aluminum and 
they were turned on a lathe where he works. I also like the sound these make. For me I 
don't have any problems with the weight with either kind.  I have to admit that my 
husband does a really good job making these bobbins too. At the moment things are busy 
where he worksso I have been told it would be awhile before he can make me any 
more. The ones he has he has made them all to look different. These tinkle too.
  I also have some glass honiton bobbinsI don't have any problems in using these 
either even though for honiton lace the thread is very fine. I also have a few 
aluminum honiton ones that my husband has made for me too. They are all mixed, the 
glass, aluminum and wood ones on my bobbinlace pillow and they work just fine for me.
  I also have one sterling silver bobbin that I got from Frank somebody over in the 
UK. The last name escapes me now...but I have found that that bobbin does have a 
heavier feel to it. 
  Actually on my pillow I have all kinds of bobbins. I know you are suppose to use 
mainly all the same bobbins on a piece of lace in the making but I mix mine. Well...it 
is my pillow and I am the lacemaker so I just do what I want.
  Sherry
[EMAIL PROTECTED]


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[lace] Finished Projects

2003-11-06 Thread Shirlee Hill
So far, in my attempt at relearning lacemaking, I have done 4 snake bookmarks,
a horseshoe,  I just took a spider bookmark off my pillow.  You can see them
in my Bobbin Lace album in my Webshots account ...

http://community.webshots.com/user/lv2stitch53

My old lace projects are in there, too, but the first three are the ones I've
done in the past couple of weeks.  Nothing fancy but I'm getting the knack
of it back, I think   :)

Shirlee

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Re: [lace] Uniform Color Diagramming Codes

2003-11-06 Thread Milada Marshall
As an Oidfa member, and as one who was very impressed with all the work in
the 'Point Ground Book', which has proved to be extremely useful, may I
second this recommendation.
It need not take too long to develop, and is an ideal 'International'
project - Oidfa is the one group having members in all the countries needed
to be consulted / included.
Milada Marshall
Somerset, gloomy and damp.

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Re: [lace] Belgian Colour Code and CT

2003-11-06 Thread Thelacebee
Gentle spiders,

Thank you for all the emails on this.

I started to reply to everyone who emailed me back but it is just going to be
quicker to email straight to the list.

So, sorry to anyone who I've just sent this to.

All of these explanations have brought back all the shouting my first teach
used to do and now I remember and understand.  Sometimes I feel like the
enfant
savage - I can make the most wonderful lace but I don't understand the
terminology because I just make lace.  I look at a pattern and just make it.


Regards

Liz Beecher
I'm A HREF=http://journals.aol.com/thelacebee/thelacebee;blogging/A now -
see what it's all about

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Re: [lace] glass bobbins and aluminum ones

2003-11-06 Thread Thelacebee
In a message dated 06/11/2003 13:18:55 GMT Standard Time, 
[EMAIL PROTECTED] writes:

  I have some glass bobbins and I just love them. I love the sound they make 
 which is a happy sound to me. I do not have any problems in winding them. I 
 just wrap over the tail a few times and then just wind. I have found that for 
 me I don't usually make a hitch on the place where you are suppose to make 
 it but instead right there the thread is wound. It hold better for me. I do 
 that with all my bobbins no matter what kind they are. 

Sherry,

I don't hitch anywhere but on the main part of the thread - I've always done 
that (always been a bit of a rebel!!!) but still the thread gently comes off 
the bobbin.  Must just be me.

The aluminium ones that your hubby made you must be quite light - I was 
wondering do they ever leave a black deposit which can happen with foil?

Regards

Liz Beecher
I'm A HREF=http://journals.aol.com/thelacebee/thelacebee;blogging/A now - see 
what it's all about

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[lace] Colour codes

2003-11-06 Thread Annette Gill
Thanks for the explanations of the colour codes.  I think I stand a chance now
of working out how to do some of these French, Finnish and Danish patterns!
I'm still inexperienced, so my kind of level at the moment is the detailed
instructions Christine Springett and Roz Snowden give for their patterns.  But
I'm getting better at interpreting diagrams.

I mainly bought these books because I've heard so many of you lament not
buying books when you saw them, and then having them go out of print. g

Regards,
Annette, London

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RE: [lace] Colour codes

2003-11-06 Thread Panza, Robin
I'm getting better at interpreting diagrams.

Great, because there are a whole lot more patterns with diagrams than with
verbal instructions.  The sooner you can get comfortable with the diagrams,
the sooner the whole world of bobbin lace opens to you.  Then you will
graduate to the patterns with nothing but a pricking and there will be
nothing to stop you!

Robin P.
[EMAIL PROTECTED]
Pittsburgh, Pennsylvania, USA
http://www.pittsburghlace.8m.com 

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Re: [lace] Belgian Colour Code

2003-11-06 Thread Ruth Budge
Liz - look at the four bobbins you're going to use to make any stitch.
Number them from left - right, 1 - 4.
A C is a Cross - the action of picking up bobbin number 2 and *crossing* it
over the bobbin immediately to the right - i.e., number 3.  

T is a Twist - the action of picking up the right-hand bobbin of a pair and
*twisting* it over the bobbin immediately to the left.

Ruth Budge (sydney, Australia)
 --- [EMAIL PROTECTED] wrote:   Tamara - thanks for this I think that I now
understand CT as being the 
 movements with the bobbins - is there an actual 'name' for the 'C' or the
 'T'?
 
 Regards
 
 Liz Beecher


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Re: [lace] New lace poem

2003-11-06 Thread Clay Blackwell
Thank you, Noelene!!

I really think you need to start looking for a publisher.
An illustrator would be fun too...  are there any lacemakers
out there who also count illustration among their numerous
talents?  What a fun book to produce - and to own!

Clay

- Original Message - 
From: W  N Lafferty [EMAIL PROTECTED]
To: Lace [EMAIL PROTECTED]
Sent: Thursday, November 06, 2003 2:37 PM
Subject: [lace] New lace poem


 Tale of a UFO

 It beckoned me from hiding
 In a book I'd put aside.
 I'm just so beautiful you see
 and begging to be tried.

 I know I've got the thread for it
 Stashed in my special drawer
 I think I've got the bobbins
 Or should I buy some more?

 Now first prepare the pricking -
 All other tasks can wait
 And wind the bobbins gleefully
 (I task I sometimes hate).

 Oh joy, there is a pillow free
 It only needs a dusting
 Gather pins and cloth and such
 Hurry, time's a wasting!
 ...
 ..

 Is that the time already?
 Good grief, how time does fly!
 I've already done an inch or two
 Just to see how threads will lie.

 Can't wait for tomorrow
 When basic chores are done
 And I can sit and lace in peace
 I'm having so much fun!
 ...
 ..

 I've done a fair few inches now
 The pattern's not so hard
 In fact it's kind of boring
 To do it by the yard.

 Maybe if I had a break
 And came back later on
 I know there's jobs I ought to do
 And my inspiration's gone
 ...
 ..

 I really ought to do some more
 It really is quite nice
 But first I'll have to retro lace
 I can see I've done that twice!
 ...
 ..

 I'm sure there should be more of this
 I've got the pattern beat.
 But it seems to take forever
 Just to manage one repeat.
 ...
 ..
 ...
 ..

 And now there is another piece
 I've just got to do, you know.
 And this old piece gets put aside
 It's another UFO!

 Noelene Lafferty
 Cooma1 November 2003

 [EMAIL PROTECTED]
 http://members.ozemail.com.au/~nlafferty/

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[lace] Re: Information

2003-11-06 Thread Barbara Gordon
Friendly Lacers,

I need some help!  Went on a weekend retreat with my lace group this past
weekend and someone mentioned the name Ann Keller.  I said that I could get
some information about her, so here I am.  The name is familiar to be, but
I'll be darn if I can remember who she is.  Does she have a site?/and does she
sell bobbin lace books?  I really feel that she fits into this picture
somewhere and I know that I have even contacted her before, but I can not
remember why or what for.  It's an age thing I think.  Please forgive me, but
help me if you can.

Thank you so much in advance,
Barbara
[EMAIL PROTECTED]

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[lace] Re: Uniform Color Diagramming Codes

2003-11-06 Thread Tamara P. Duvall
On Thursday, Nov 6, 2003, at 12:28 US/Eastern, [EMAIL PROTECTED] wrote:

I would like to recommend that we ask OIDFA  (which has leadership 
from the
major lacemaking countries of Europe) to set up a Study Group to 
wrestle with
the problem and develop a standard color diagramming system that will 
work with
all laces and be reflected in new books and computer web sites.  It 
should
be based on the most sensible adaptation, starting with the foundation 
Belgian
Color Code.
You really don't think small, do you? :) I think it's a spectacular 
idea (literally g) and long overdue. More and more lace books are 
moving towards diagrammatical explanations of patterns and away from 
the verbal ones, to make the books accessible to a larger audience 
without incurring the costs of translating pages and pages into many 
languages (and how do you choose *which* languages -- other than the 
original -- to include?).  If UCC became a world-wide standard for all 
new publications and widely publicised, then the same book would be 
accessible to *everyone*... I'd think it would be in the publishers' 
interest to push for such standard.

-
Tamara P Duvall
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/
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[lace] Re: Information about Ann Keller

2003-11-06 Thread Patricia Dowden
Dear Barbara,

You are thinking of Ann Margaret Keller from Ireland.  She has written pattern books 
for Bucks, Beds and Torchon.  She has further created a uniquely Irish lace of Celtic 
motifs and specializes in fan patterns.  She paints bobbins and fan sticks - from 
miniature to full size.

Her website:

http://annmargaretkeller.com/

Patty Dowden

==


Friendly Lacers,

I need some help!  Went on a weekend retreat with my lace group this past
weekend and someone mentioned the name Ann Keller.  I said that I could get
some information about her, so here I am.  The name is familiar to be, but
I'll be darn if I can remember who she is.  Does she have a site?/and does she
sell bobbin lace books?  I really feel that she fits into this picture
somewhere and I know that I have even contacted her before, but I can not
remember why or what for.  It's an age thing I think.  Please forgive me, but
help me if you can.

Thank you so much in advance,
Barbara
[EMAIL PROTECTED]

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[lace] Re: Colour codes

2003-11-06 Thread Tamara P. Duvall
On Thursday, Nov 6, 2003, at 15:51 US/Eastern, Panza, Robin wrote:

Then you will graduate to the patterns with nothing but a pricking and 
there will be
nothing to stop you!
VBG Speak for yourself... :)  Depends a bit on the lace but, in 
general, the *very first thing* I do when presented with nothing but a 
pricking is to enlarge it greatly and start drawing a diagram of it. 
I've been down too many dark alleys, where the *same pricking* seemed 
to communicate *different ideas of interpretation* to me, resulting in 
very confused lace (and it's no good saying nobody will notice; I 
know it's there, and that's enough to bug me)...

It makes no difference whether it's my own pattern or someone else's; 
before I work it, I draw an approximation of the diagram -- as I 
*think* the threads will go. Then I work on the pillow and, if my 
guesses prove to be wrong, I add the changes to the diagram.

-
Tamara P Duvall
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/
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[lace] Lacemaker painting

2003-11-06 Thread Elizabeth Ligeti
What a wonderful find, Noelene.  How nice to think that someone has noticed
that we are here!!!
I look forward to seeing the photo on your website.
And as to the gnarled fingers - well many of us have imperfect hands due to
arthritis - but it does not stop us from making lace, does it?!  Folks are
supposed to look at the beauty of our lace - not our hands!!!

from Liz in Melbourne, Oz, -   where it is another glorious day, and the
flowers are blooming, and the weeds growing - except for the ones I pulled
out this morning!!! :))
[EMAIL PROTECTED]

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[lace] 1890 lacemaker

2003-11-06 Thread alice howell
Someone has a copy of an 1890 print of a lacemaker.  The magazine was British.
The lady has a bolster pillow and is using spangled midlands on it.  Take a
look.
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=3252095420

Do you think this was a normal practice at the time?

Just musing,

Alice in Oregon -   Brisk cold wind today.  Clear but chilly.
Oregon Country Lacemakers  
Arachne Secret Pal Administrator  
Mailto:[EMAIL PROTECTED]




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[lace] Colour coding

2003-11-06 Thread Elizabeth Ligeti
(I know, I know - I'm ahead of the idea curve again, and so expect raw eggs
to be flung in this direction.)
Why would anyone do that, Jeri.  I agree with you - a universal code would
be a big help.
It is the same as getting a standard vocabulary for lacemaking terms -
cloth/whole stitch.(I learned to call CTC whole stitch, but now it is
called cloth st., and whole st is often what I was taught as Double ½ stitch
(CTCT).)

Perhaps, though, the confusion is all part of the fun!!! :))  At least we
never get bored!!!

from Liz in Melbourne, Oz,
[EMAIL PROTECTED]

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[lace] Re: Lacemaker painting

2003-11-06 Thread Tamara P. Duvall
On Thursday, Nov 6, 2003, at 21:17 US/Eastern, Elizabeth Ligeti wrote:

And as to the gnarled fingers - well many of us have imperfect hands 
due to
arthritis - but it does not stop us from making lace, does it?!  Folks 
are
supposed to look at the beauty of our lace - not our hands!!!
Indeed! g For *really* ugly-looking lacemaker's hands go see the 
print (lacemaker) on my website; I uploaded it when we discussed the 
16th c lacemaking tools, but don't know how to trash it; *that* lesson 
will have to wait till Christmas and the visit from SH (son and 
heir)... Clay said that the artist probably used his own (cheaper than 
paying the model g)

-
Tamara P Duvall
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/
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re: [lace] 1890 lacemaker

2003-11-06 Thread Bev Walker
Hi everyone and Alice

It looks like the 'midlands bolster' - and I 'guess' they would have used
spangled bobbins - I recently made a large bolster, stuck a Bucks
insertion pricking on it, and hung on my spangled midlands. Works great.

-- 
bye for now
Bev in Sooke, BC (west coast of Canada)
Cdn. floral bobbins
http://www.victoria.tc.ca/~wt912

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[lace-chat] Simple Truths

2003-11-06 Thread Malvary Cole
As I've Matured...

I've learned that you cannot make someone love you. All you can do is 
stalk them and hope they panic and give in.

I've learned that one good turn gets most of the blankets.

I've learned that no matter how much I care, some people are just
jackasses.

I've learned that it takes years to build up trust, and it only takes
suspicion, not proof, to destroy it.

I've learned that whatever hits the fan will not be evenly distributed.

I've learned that you shouldn't compare yourself to others - they are
more screwed up than you think.

I've learned that depression is merely anger without enthusiasm.

I've learned that it is not what you wear; it is how you take it off.

I've learned that you can keep vomiting long after you think you're
finished.

I've learned to not sweat the petty things, and not pet the sweaty
things.

I've learned that ex's are like fungus, and keep coming back.

I've learned age is a very high price to pay for maturity.

I've learned that I don't suffer from insanity, I enjoy it.

I've learned that we are responsible for what we do, unless we are
celebrities.

I've learned that artificial intelligence is no match for natural
stupidity.

I've learned that 99% of the time when something isn't working in your
house, one of your kids (or your partner) did it.

I've learned that there is a fine line between genius and insanity.

I've learned that the people you care most about in life are taken
from you too soon and all the less important ones just never go
away. And the real pains in the ass are permanent.

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[lace-chat] sad story

2003-11-06 Thread Darlene Mulholland
It is with a heavy heart that we must pass on the following news.


 Please join us in remembering a great icon of the Entertainment
 community.
The Pillsbury Doughboy died yesterday of a yeast infection
 and complications from repeated pokes in the belly. He was 71.

 Doughboy was buried in a lightly greased coffin. Dozens of celebrities
 turned out to pay their respects, including Mrs. Butterworth, Hungry
 Jack, the California Raisins, Betty Crocker, the Hostess Twinkies, and
Captain Crunch. The gravesite was piled high with flours.

Aunt Jemima delivered the eulogy and lovingly described Doughboy as a man
who
 never knew how much he was kneaded. Doughboy rose quickly in show
 business, but his later life was filled with turnovers. He was not
 considered a very smart cookie, wasting much of his dough on
 half-baked schemes. Despite being a little flaky at times, he still,
 as a crusty old man, was considered a roll model for millions.

 Doughboy is survived by his wife, Play Dough; two children, John Dough
 and Jane Dough; plus they had one in the oven. He is also survived by
 his elderly father, Pop Tart. The funeral was held at 3:50 for about
 20 minutes

Darlene Mulholland
www.darlenem.com








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