[lace] Jacqui

2019-05-30 Thread Dianne Derbyshire
This morning quite a few lacemaking friends went to the funeral near Fleetwood
to say our goodbyes to our lace friend Jacqui Southworth.  
I met Jacqui some time around 1990 when she joined Preston Lacemakers.  We
did our City and Guilds Lacemaking in the mid 1990s and were involved in the
CD2000 project.  It was Jacqui who got me to join Arachne while we were doing
CD2000. 
Jacqui won the John Bull Trophy in the last Lace Guild exhibition with her
beautiful tatted jewellery - necklace and  ear rings.  She was a supplier
and painted lots of bobbins.  Our group gave one of her Christmas bobbins to
all our members every year until she retired.  She was a generous person both
with her time and knowledge and will be greatly missed.
Dianne DerbyshireA sad friend

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[lace] Gawthorpe Hall

2015-03-30 Thread Dianne Derbyshire
Hello to you all.
As some of you will know I volunteer at Gawthorpe Hall which is in Padiham,
east Lancashire.  The textile Collection there was started by Rachel B
Kay-Shuttleworth, she had a large collection of lace and every type of
embroidery from around the world.  She taught both lace and embroidery.   
We have been waiting for quite some time for essential conservation work to be
done on the building.  Last week we were told that the Hall would close on
19th April and would not reopen until 2016.  When the Hall closes everything
will be packed away.  Rooms that are having work done will have all the
furniture removed to the nearest available room.  Everything has its own
cover ready for the big event.  All the exhibition cabinets will have to be
emptied and all the pieces carefully packed away.  Even the cabinets will
have to be securely covered.  It will take quite a few weeks to get
everything ready for the workmen and once the work is finished every room will
have to be thoroughly cleaned before anything can be put back.  Quite a
task. 
That does not mean people will not be able to  see the Textile Collection -
the office is in a separate building - it just means it will be very
difficult to get too much out because the store rooms are in the basement of
the Hall and the site is a hard hat area.  It will mean carrying boxes a
long way.  The textile staff will be doing outreach work with local people
and research into Rachel and the Collection will carry on.  It won't be a
time to relax. 
During the last year the costume, whitework and quilts have been reviewed and
checked against the database and more photographs taken. 
The best site to read what is happening will be the Textile Collection site -
it is kept up to date regularly. 
www.gawthorpetextiles.org.uk
RegardsDianne Derbyshire(in a dull and wet Preston)

    

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[lace] Gawthorpe Hall

2013-10-17 Thread Dianne Derbyshire
Hi 

Sorry about my last message I will try sending it again.

Hi, 

I am pleased to hear you enjoyed the pictures from Kate Davis.  Quite a number 
of designers (knitting and crochet) came to study items from the collection.  
They are going to submit designs which will be sold to raise money towards the 
collection.  Its only source of income is from what it can earn and grants it 
receives.  You would love looking at the boxes but you would need weeks, months 
or even years in my case to study it all.  It was set up by Rachel Kay 
Shuttleworth as a working collection for people to study.  She collected items 
which she thought were of interest - some of it is poor.  She wanted to educate 
people about lace and embroidery in particular. She was very brutal with some 
of her comments.  The piece of lace on a small roller pillow in one of the 
pictures was made by me.  The idea was to make it look as though Rachel had 
just walked out of the room for a second, so there are bits (replicas of her 
labels, threads, her old
 typewriter, some of her articles written in Embroidery etc) on her desk and 
the lace pillow on a table in the bay window.  All the display rooms were 
altered last winter.  One display room shows a range of pieces from the 
collection to show the variety it contains.  The next room shows Rachel as a 
teacher and practitioner.  The following room has treasures from the collection 
and all the staff and volunteers chose their favourite item.  That was very 
difficult because there are so many items I love.  I chose a
Chantilly fan that once belonged to Lady Baden Powell (a friend of Rachel),  We 
were running
out of time and it was easy to display.  In the final room there are items from 
local degree students who have been inspired by the collection.    It is good 
to see that Miss Rachel's vision is alive.  In the public gallery this year is 
an exhibition Inspired by Lace.  Local colleges, universities, lace groups 
and Embroiderers Guilds were invited to study about 20 selected items of lace.  
The pieces are on display until the end of the season (beginning of November).  
The items had to be no bigger than 10 inches square because of space.

Regards, 
Dianne Derbyshire
Preston, Lancashire
Preston, Lancashire

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[lace] Gawthorpe Hall

2013-10-15 Thread Dianne Derbyshire
Hi 
 
I am pleased to hear you enjoyed the pictures from Kate
Davis.  Quite
a number of designers (
knitting and crochet) came to study items from the
collection they are going to
submit designs which will be sold to raise money
towards the collection.  Its only source of income is from what it can
earn
and grants it receives.  
You would love looking at the boxes but you would
need weeks,
months or even years in my case to study it all.  It was set up
by Rachel Kay Shuttleworth as a
working collection set up for people to
study – she collected items which she thought was of interest,
some of it
is poor.  She wanted to
educate people about lace and embroidery in
particular.  She was very brutal with some of her
comments.  The piece of
lace on a small roller pillow in one of the
pictures was made by me.  The
idea was to
make it look as though Rachel had just walked out of the room for
a second, so
there are bits (replicas of her labels, threads, her old
typewriter, some of
her articles written in ‘Embroidery’ etc) on her desk
and the lace pillow on a
table in the bay window.
All the display rooms were
altered last winter.  One display room shows a range of pieces from the
collection – to show the variety it contains.  The next room shows Rachel
as a teacher and practitioner.  The following room has treasures from the
collection and all the staff and volunteers chose their favourite item.  That
was very difficult because there are so
many items I love.  I chose a
Chantilly fan
that once belonged to Lady Baden Powell (a friend of Rachel), we
were running
out of time and it was easy to display.  
In the final room
there are items from local degree students
who have been inspired by the
collection.  It is good to see that Miss Rachel’s vision is alive.
In the
public gallery this year is an exhibition ‘Inspired
by Lace’.  Local
colleges, universities,
lace groups and Embroiderers’ Guilds were invited to
study about 20 selected items
of lace.  The pieces are on display until
the
end of the season (beginning of November).  The items had to be no bigger
than 10” square – because of space.
Regards
Dianne Derbyshire
Preston
Lancashire
 
I
found some intriguing photos of the textile collection of
Gawthorpe Hall in the
UK, on Kate Davies blog;

katedaviesdesings.com

I would
love to have a look in the boxes of lace.

Joke Sinclair, from a sunny
West-Sussex in the UK

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[lace] re:

2012-06-05 Thread Dianne Derbyshire
wow this is amazing you should look into it 
http://www.finance15elnews.net/biz/?news=8965407

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[lace] The Structure of Threads for Lace (Review)

2011-04-01 Thread Dianne Derbyshire
Hi

Barbara was also kind enough to send me a copy of her book.  It is the kind of
book you will refer to again and again over time when you have queries about
threads and how they behave.

I usually meet up with Barbara when I go to Australia and have found her a
mine of information about crochet, which has come in very useful.  I have all
her crochet books - the Mary Card books and the ones on Irish Crochet.

The lace Guild Convention in Swindon will soon be upon us.  I hope there will
be lots of members there.

Regards
Dianne Derbyshire
Preston, Lancashire

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[lace] Tallies

2010-10-29 Thread Dianne Derbyshire
Hi

Someone has asked me how to do a certain kind of tally.  It was talked about
awhile ago - not the ladder or gate tallies. I thought I had kept all the
information, but cannot find it.  Could someone possibly help?  I seem to
think there was a demonstration of how it was done as well.

Thank you
Dianne Derbyshire
in a grey Preston

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Re: [lace] Tallies

2010-10-29 Thread Dianne Derbyshire
Hi Bev

Thank you.  I think that is what she was referring to. 

Kind regards
Dianne



--- On Fri, 29/10/10, bev walker walker.b...@gmail.com wrote:

From: bev walker walker.b...@gmail.com
Subject: Re: [lace] Tallies
To: Dianne Derbyshire diannederbysh...@yahoo.com
Cc: lace@arachne.com
Date: Friday, 29 October, 2010, 17:30

Hi Dianne and everyone

the cushion bit sounds like the ones referred to as pumpkin seed -
leaf-shaped tallies with the effect of ridges at the edges. Check out
the French methods (e.g. Cluny lace) of making leaf-tallies. One way
to achieve this appearance is to tension outwards firmly, when the
weaver has completed each pass. The middle passive, because it swings
back and forth (moves out of the way accordingly), is known as the
pendulum.

On 10/29/10, Dianne Derbyshire diannederbysh...@yahoo.com wrote:
she has
 seen some that look as though they have a cushion bit
 in the middle and wants
 to know how they are made.

--
Bev in Shirley BC, near Sooke on beautiful Vancouver Island, west
coast of Canada

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[lace] Lace Course

2009-01-29 Thread Dianne Derbyshire
Hi

A message to any interested lace makers in the UK.

Preston Lacemakers are hosting a course at Alston Hall, near Preston in
Lancashire on 8th to 10th May this year.  There is still room on the course
with Jacqui Barber who will be making her scarves.  Her second scarf book was
published last year.

Anyone interest in the course can find more details on the Preston Lacemakers
web site at:  www.prestonlacemakers.org.uk  

My best wishes to lacemakers around the world.
Dianne Derbyshire
(Preston)

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[lace] OIDFA Northern Contact Day (UK)

2008-10-05 Thread Dianne Derbyshire
Hi

The next Northern OIDFA Contact Day has been arranged for Saturday 25th
October 2008 at Gawthorpe Hall, Padiham near Burnley BB12 8UA.  From 10.30 to
3.30pm. 



It will cost £10 and members will be able to look at some of the lace
or other textiles in the Rachel Kay-Shuttleworth Collection.  If you
are able to come and want to see something in particular please let me
know and I can make sure it is available. 



Members may bring a packed lunch or there is a National Trust Cafe.

The Drive up
to the Hall is called Stockbridge Drive and there are the brown tourist
information signs for
the Hall.  It is not far from the M65.  Anyone wanting more information
on how to get there please email me.

Regards
Dianne Derbyshire

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[lace] OIDFA Contact Day.

2008-03-16 Thread Dianne Derbyshire
Hi

I would like to remind all OIDFA UK members in  the north that there is a 
Northern Contact Day on 12th April in Preston, Lancashire.  It will be held in 
the United Reformed Church Hall, Penwortham, Preston (on A59).  It is opposite 
Penwortham Police Station.  It will be from 10.30 to 4.00 and the cost will be 
£2.50 for members and £3 for non members.  

We will be chatting and making lace - what better way to spend a day.

Regards
Dianne Derbyshire 

   
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[lace] OIDFA (UK) - Northern Contact Day

2007-05-08 Thread Dianne Derbyshire
To anyone in the north of England and Scotland there will be a meeting of 
members and anyone else who is interested in OIDFA and the next congress in The 
Netherlands.  The information is below.

OIDFA Contact Day
  
Saturday 19th May 2007 - 10.30am to 3.30pm.  Cost £2.50
at Penwortham United Reformed Church Hall,
Liverpool Road (A59), Penwortham, Preston (opposite the police station) 
  Post code PR1  0QB
It is easy to get to from Preston Railway Station.
  
Bring a packed lunch.  Tea and coffee making facilities available.
Sue Willoughby will be bringing some of her slides from past years 
showing exhibitions etc.
Beth Walsh, one of our representatives, will be there to answer any questions
We hope to have a good get together.
  
Please contact me for more  details if you are interested. 


Regards
Dianne Derbyshire
[EMAIL PROTECTED]
  

 
 
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[lace] Sad News

2006-11-13 Thread Dianne Derbyshire
Dear Friends
   
  For all the British Lcemakers - I have some sad news.  Bill Whitling (alias 
Bill Bobbins) died on Sunday Morning (12th Nov).  
   
   
  On 20th October he was feeling well so Carole took him along to Pudsey .  He 
really enjoyed the day meeting old  supplier friends and seeing our exhibition. 
 He will be sadly missed - he was the technical member of our little lace 
group.  If we had a display type problem Bill would have an answer.
   
  Bill was well known in many lace circles not only did he attend lace events 
with Carole but he also knew about lace.  
   
  With kind regards
  Dianne Derbyshire
  (Preston, UK)

 
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[lace] Fine and Fashionable: Lace from the Blackborne Collection (long)

2006-11-03 Thread Dianne Derbyshire
A few weeks ago someone was asking if anyone had been to see the Exhibition at 
the Bowes Museum (UK) to see the lace exhibition from the Blackborne Lace 
Collection.
   
  I went yesterday with two friends not only to see the lace exhibition but 
also to hear a talk by Santina Levey - 'Worth a King's Ransom: The Heyday of 
Lace'.  
   
  The exhibition was very good, the pieces of lace were displayed to their best 
advantage.  The collar which was reputed to have been worn by Charles I was in 
a glass cabinet so that we could walk around to see both the front and the 
back.  A pair of lappets were hung so that from one side you could see all the 
pattern and from the other side the light was shining through so you could see 
the lace from a different perspective.  Around the walls detailed photographs 
had been blown up so you could see how the threads moved more clearly.  The 
light in both galleries was subdued but all the lace was clearly visible.  
   
  In the second gallery there were a few of the Blackborne sample books and 
sheets.  They contain pieces arranged in typographical groups covering every 
form of hand-made lace from the 16th century to the early 20th century. Along 
one wall was a row of lappets - all dated - arranged so that you could see how 
the same kind of lace altered with time and the fashion of the day.  Also in 
this room were two pieces from the designer Viviene Westwood - a cream lace 
jacket and a dark lace dress.
   
  I bought the catalogue, which cost £16, but to me was worth it, because the 
photographs of the lace are very clear and it is all dated.  I find it hard 
trying to date pieces of lace.  
   
  I also bought the book by Clare Browne - 'Lace from the Victoria and Albert 
Museum' (19.95) which I will find very useful, it has super photographs of 
lace.  I definitely want to go and have another look at the exhibition.  I met 
someone there who had been twice already.
   
  The Bowes museum has a good cafe and we had an enjoyable lunch.  The staff 
were very helpful - a friend had broken her ankle a few weeks ago, they 
provided a wheelchair and operated the lift to get us up and down.
   
  The talk by Santina Levey was good but she did not speak very loud and there 
was no microphone, so being sat near the back in a full room of people it was 
very hard to hear and I had to strain the whole time to hear what she was 
saying.  People who have hearing problems must have found it impossible.  The 
talk was fully booked and many lace makers had travelled far for the occasion.
   
  Santina started her talk with the origins of lace up to the 19th Century.  To 
make a comparison with how much the lace cost in real terms she told how much 
the richest man in England earned in a year and how much he paid his top 
servant then we could appreciate just how valuable the lace actually was.
   
  There are more talks coming up - on 7th December Clare Browne, Keeper of 
Textiles at the VA is talking on 'Flowers in Fashion: The influence of 
Botanical Illustration on 18th Century Silk Design'.  On 4th January Joanna 
Hashagen, Keeper of Textiles at The Bowes Museum  is talking on ' Arthur Goes 
to Hollywood: The remarkable Story of A Blackborne  Co'.  There are also 
gallery talks on the second Tuesday each month and lace demonstrations on the 
second Saturday and third Wednesday each month.  All these details and more are 
on the web site:  www.thebowesmuseum.org.uk
   
  Maybe someone else who went to Bowes on Thursday would like to comment, if 
they haven't already done so.
   
  Kind regards to you all
  Dianne Derbyshire
  (sunny Preston, UK)
   

 
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Re: [lace] Lace Guild Convention - Bowes Museum

2006-04-22 Thread Dianne Derbyshire
Hi
   
  In reply to Devon's query.
   
  A quote from the literature from the museum - 'This exhibition is made up 
from items that remain in the keep of the family who are kindly allowing the 
Bowes Musuem to exhibit them for the first time ever.'
   
  They also say - 'Items from the Blackborne collection were exhibited at major 
international exhibitions and sold to major museums across the world.  In 1908 
an American newspaper article stated The famous Blackborne collection, 
occupied fifty years in its gathering, and, embracing the representative 
diverse handiwork of five centuries, it is said to be on of the finest in the 
world.'
   
  I would say they are all part of the original collection after reading the 
information we received.  
   
  I have read through the information and cannot see anything about taking 
photographs.  I thought that when we looking at the Bowes lace collection we 
were allowed to take photos without flash, but it may be different with items 
from a private collection.  The owners could have specified no pictures to be 
taken.  Maybe nearer the date they may put more information on their web site.  
   
  The building is very imposing and looks like a stately home but in fact it 
was designed and built as a museum by John and Josephine Bowes to house their 
vast collection of art.  
   
  Dianne
  in cloudy Preston.
   


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[lace] Lace Guild Convention, Durham

2006-04-21 Thread Dianne Derbyshire
Hi
   
  No one has yet said what a good weekend everyone had in Durham at the Lace 
Guild Convention. It was held at one of the university colleges.  As they were 
leaving lots were saying they did not know how it could be bettered next year 
because they had had such a good time and the university staff had been so 
friendly and helpful.  It was announced that next year it is to be held at the 
university in Reading. 
  I went to Beamish on the Friday afternoon trip. It is an open air museum but 
we went to look behind the scenes at some of the lace. It was a brand new 
building that has been built to house lots of the items not just from Beamish 
but museums in the surrounding area. They had a big room that can be used for 
classes etc, where the lace was laid out on tables for us to look at. They had 
also put pads and pencils next to the lace so that any that was not properly 
identified could be commented on by the members. The curator also took two 
groups behind the scenes to see the wonderful new storage area. I could have 
spent ages looking at the things there. They have a very good collection of 
quilts and they were all stored on the shelves with the photograph of each 
quilt dangling from the end of the package. Afterwards we walked down the site 
to have a cream tea before making our way back. 
   
  So that it is not so boring I will send another message out the trip to Bowes 
Museum.
  Regards
  Dianne Derbyshire
  sunny Preston, Lancashire 


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[lace] Re Miniatures Exhibition

2005-07-19 Thread Dianne Derbyshire
Hi
 
When I sent the message about the opening hours of Gawthorpe Hall I forgot to 
say it was closed on Fridays.  The sun has got to my brain!
 
It is closed Monday and Friday.  Open other days of the week from 1pm to 5pm.
 
Regards
Dianne Derbyshire
Preston (UK)


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[lace] Exhibition of miniatures

2005-07-16 Thread Dianne Derbyshire
Hi 
 
If anyone is in the Lancashire area before the end of August I thought they may 
be interested in an exhibition of miniatures by a guild who does miniature 
embroideries etc.  I have forgotten the name!   
 
It is at Gawthorpe Hall, in the Long Gallery on the top floor.  There are some 
magnifying glasses there so that you can see all the tiny stitches.  There is a 
tiny fair isle sweater that cannot be any bigger than 2 inches square.  There 
are some tiny knitted lace pieces, a four poster bed with all the covers, a 
tiny book and even with the magnifying glass I could only just see all the 
stitches.  There many interesting little pieces.
 
Gawthorpe Hall is closed on a Monday.  The Hall is open from 1pm to 5pm (last 
entry about 4.30?).  The Tea Room opens at 12.
 
If anyone is interested in quilts there is a CD with 32 quilts from the Rachel 
Beatrice Kay-Shuttleworth Collections.  More information at:  www.rbks.co.uk 
 
The cataloguing of the collection is progressing.  At the moment I am working 
my way though a large box marked Flemish Lace, but quite a few pieces are named 
as Milanese.  There were so many similarities in the past that it is difficult 
to say where a piece was made.  
 
Regards
Dianne Derbyshire
Preston (UK)
 
 
 



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[lace] New OIDFA Bulletin

2005-03-12 Thread Dianne Derbyshire
Hi
 
The purse is, indeed, beautiful (if highly impractical g). But can anyone 
tell me what kind of lace it is? And how it's made?

It is Bebilla, a needle lace.  Also known as Oya, Arab, Smyrna, Armenian  ans 
maybe other names as well.  
 
I'm not being a smartie!   I just happen to have got some these kinds of lace 
to identify and catalogue and have borrowed a book from the Preston Lacemakers 
library called 'Armenian Needle lace and Embroidery' by Alice Odian Kasparian.  
A lady from Angora who settled in the US.  This book was published in 1983 by 
EPM Publications, ISBN 0-014440-65-9.  It won't still be in print after all 
this time, but no doubt it will be in Guild libraries.  So far I have only 
skimmed through the book but there are pictures showing how to hold the work 
and do the various stitches.I have read in one or two books that this is 
the oldest type of lace and was introduced into Europe from Asia Minor.
 
I have been examining some of the lace trying to work out how it was made.  I 
thought some may have been netting, but it isn't.  
 
I can remember hearing that one of the workshops in Athens was Bebilla.
 
Alice Odian Kasparian sounds a fascinating person.  Her father was a 
manufacturer of fine textiles, her mother a lacemaker.  They escaped the Turks 
in 1915-16 and settled in Boston.  She qualified as a pharmacist and became 
chief pharmacist and reorganised pharmacies in some major hospitals.   She 
wrote three books, was president of the Armenian Studies  Research Association 
and other organisations, and her needlelace was exhibited in St Vartan 
Cathedral, New York, Harvard University  City Hall and the Fine Arts Museum, 
Boston.
 
Regards
Dianne Derbyshire
in a cold, sunny Preston (England's 50th City)
 
 
 
 





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[lace] Rachel B Kay-Shuttleworth Collections

2005-02-17 Thread Dianne Derbyshire
Hi
 
There are copies of the book about Rachel available but the only way of paying 
for them is with a cheque made out in pounds sterling.
 
For anyone interested the book costs £2.50 + 50p postage and packing making a 
total of £3.  With only 50p for postage I don't think they will be winging 
their way around the world by air.
The cheque should be made payable to:
'RBKS Collections', Gawthorpe Hall, Padiham, Burnley, Lancashire, England.  
BB12 8UA
Of course if you wished to give a donation towards help with the collection I'm 
sure they would be very pleased.
 
I'm sorry it isn't easier to buy the book.
 
I'm still finishing off a box of 17th century needlelace.  There was one super 
piece of Point de France and some very good pieces of Venetian Gros Point.  
When looking at the lace you can tell they have all been recycled.  None of 
them are in their original form.  But they were so expensive when they were new 
they had to be reused many times.  When Gros Point was at its peak the courts 
of Europe were all broke with everyone buying this exquisite lace.  It was the 
gold and diamonds of its day.  
 
Some of the fine pieces are now quite worn but you can still see how 
magnificent they must have been.  
 
While studying some of the pieces of lace you can see that the motifs are made 
by different people and assembled to form a whole.
 
I have been told that the collection of lace pillows has been left for me to 
catalogue and on some there is work in progress with all the bobbins still 
intact.  Yum!  I wonder how many boxes I have to complete before I get the lace 
pillows.
 
I also have boxes to bring home to sort out.  There is a mixture of all sorts 
in them and I have to identify what they are.  There won't be anything in them 
that is outstanding but there are some interesting little pieces.
 
Regards
Dianne Derbyshire
in Preston, England's 50th City
 
 
 
 
 


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[lace] Lacemaking get together

2005-02-16 Thread Dianne Derbyshire
Hi
 
OK so I'm a few weeks behind!  I have been catching up with lots of things 
today.
 
When I started learning lace I went to night school classes but then the local 
authority decided there weren't enough people in the class so we just met in a 
room in the school for a year or so.  I was a school governor and the 
headteacher said he did not mind, because the school was open anyway for the 
nightschool classes and we paid the teacher.  We moved out of the school into 
the local scout hut but gave that up when there were too many holes in the 
floor!  A bit drafty round the knees!  Our group became a self help group with 
our teacher as a member (no longer paid).  We now meet in a room in a sheltered 
housing complex.  There are only about 10 or 11 members when we are all there.  
 
I have advertised our group in local libraries each year but have had not 
interest.  The only new members we get are by word of mouth.  
 
If anyone in the area wishes to make lace there are two day classes a month at 
Alston Hall and one of the Preston Lacemakers teaches lace on morning and one 
evening a week in a room at the Blind Centre.
 
I also belong to Preston Lacemakers who meet once a month.  We hold workshops, 
hold lace days (November) and have trips to various places.
 
I am also a member of our Women's Institute craft group and we meet in a 
members house every Tuesday afternoon.  There are only two lacemakers in the 
group but we make all kinds of things.  Last year we made lots of small quilts 
for the Linus Project.  They are now all with children who love to cuddle them.
 
A small group of lacemakers meet at my home because it is the most central and 
we have made all kinds of things.  When everyone went home one day there were 
large structures hanging from the ceiling of the conservatory to see what 
happened to the lace when it was left for awhile.  DH just rolled his eyes and 
thought here we go again!
 
Regards
Dianne Derbyshire
Preston (England's 50th City)
 
 
 



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[lace] Rachel Kay-Shuttleworth Collection

2005-01-27 Thread Dianne Derbyshire
Hi Everyone

Sorry to be so long in replying to Jeri’s enquiry about the Rachel B 
Kay-Shuttleworth book. They have some books. The main problem is trying to find 
out how you can pay. I have not got all the details yet, but I have not 
forgotten. 

The discussion about cloth stitch, half stitch etc - 

I use the term cloth stitch but I know that some people use the term whole 
stitch to mean the same thing.

When I have been writing descriptions of lace for cataloguing the lace of the 
Rachel Kay-Shuttleworth collection and so many terms are use to describe the 
same thing – tally = Barley corns, Coxcombs, Cutworks, Grains, Leadworks, Leaf, 
Grains, Wheat-ear, etc. Which term should I use? Some are quite local terms 
used in a small area. I decided to use the name tally and sometimes the local 
name in brackets. But if someone came to research a certain term they may not 
necessarily find what they are looking for. So I decided to make a glossary of 
terms which hopefully may help someone in the future with their research. I am 
going through my books looking for the meanings but the list grows! Where 
should I stop?

Something some of you may find of interest is a large card, which will have to 
be dismantled because it isn’t acid free. The pieces of lace are sewn onto 
velvet, which is sewn onto the card. Its title is ‘Arab, Palestinian and Cyprus 
Lace’. I have not seen any ‘Arab Lace’ before. Rachel’s note says ‘ Probably 
the oldest type of lace, but until recently unknown, being made in the harem 
for home use. There are eight pieces from Bethlehem, some from Tunis, Armenia, 
Persia and Cyprus. They look like netting with a fine thread. There are dates 
on some they seem to have been made in the 1920s. It says ‘Sheet 1’ so maybe I 
will find some more, sometime in the future. 

The stitches look to be knotted. There are some circular mats, edgings and 
insertions. Two little pieces ‘look like Torchon in design but worked with the 
old Arab stitch.’

The pieces from Tunis, all 1920, say ‘all the very old traditional designs’.

One of the motifs looks like needlelace some of the areas in the design like 
Bebila. 

Hope this is of interest.

Dianne Derbyshire   
  City of Preston


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[lace] Auction - Lace

2004-12-17 Thread Dianne Derbyshire
Dear Jeri 
 
How did we miss this?  I guess because we know the Springett's and got all 
wrapped up in the other auction.  That *might* mean there would be some good 
buys at Bonhams!  

If anyone goes to Knowle to this auction, please report back to Arachne on the 
proceedings.  Thanks in advance.

I went to Knowle this week to Bonhams Auction.  DH and I went down on Monday so 
I could look at the lace that was being actioned on Tuesday morning.  The lace 
was the first lots of the day.  There were about 45 lots of lace, christening 
robes, about 5 or 6 lots of fans followed by bobbins, pillows, stands and a 
couple of glass lacemakers lamps then costumes and accessories.  I had looked 
at all the lots of lace on the web site before I went and had read the 
information. 
 
I am not a lace collector and only went to look at the workboxes because I 
fancied an old workbox with all the tools. I must have been spoiled, I was not 
really impressed with the lace for sale.  There were one or two pieces that 
were ok, but none that set my heart fluttering.  Most went for within the 
estimated price.  There was a flounce of Brussels Duchess Lace (6m long x 22cm 
wide) that was in good condition (estimate £60 - £100) fetched £353.  A large 
Burano tablecloth (197cm x 114cm), the lace was in reasonable condition but 
where it had been joined, it was coming undone. Estimate £200 to £400 fetched 
£270.  A colourful length of Bebila (Oya) scarf edging (350cm x 4,5cm) estimate 
£80 to £120 fetched £458.  The final lot of lace a mixed Brussels application 
square shawl, with damage to the net, (188cm x 198cm) and a matching shaped 5 
metres overskirt estimate £150 to £200 fetched £1528. 
 
I left after the fans and we went to look around Warwick.  But I did find out 
the prices of other lace items.  There was one bone hanging bobbin inscribed - 
'W Bull 1871, hung April'  fetched £147 for those who are interested in bobbins.
 
I did get a workbox but could not bring myself to pay the price for my 
favourite box. 
 
The weather was very cold in the West Midlands.
 
 

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Re: [lace] Royal Train (Gawthorpe Hall)

2004-12-12 Thread Dianne Derbyshire
Dear Jeri
 

What I wanted to write about is the CD of the quilts.  This type of product is 
not as permanent as a book.  I hope there will be books about the collection?  

I think at the moment it is one step at a time.  The most important thing at 
the moment is to get each item in the collection catalogued and on to a 
database with its photograph and each item put into archive film to protect it. 
 Once that is achieved people will then be able to see the work and examine it 
without causing too much harm to the pieces.  Once that is achieved other 
avenues can be explored, but it all comes down to money; when you have the cash 
anything is possible.

I think a CD was the easiest way to get pictures of the collection out to 
people who wished to view them.  

I do not want CD's to take over as source materials or as a topic of 
discussion (again) on Arachne.  Rest assured, I'll not be reading memos about 
CD's.  It's a waste of effort to convince me.   



I'm sure I would much rather curl up in a chair and look through my books than 
sit glued to my computer screen all evening.  Each has its place, but I cannot 
imagine being without my books.


Dianne, is the 42-page booklet about Rachel Kay-Shuttleworth by Canon G. A. 
Williams still available?  I think there are people on Arachne who would love 
to read about this remarkable woman who was so involved in the beginning years 
of the Girl Guide movement and The Embroiderers' Guild.  The last photo in the 
booklet is of Rachel K-S With students at Gawthorpe.  She is shown at a lace 
pillow, with three young women.

If the booklet is available, perhaps you could gather purchasing info and put 
it on Arachne?

The booklet is still available.  I probably will not be able to find out all 
the information for you before the middle of January but I will let you know 
all the details as soon as I can.

Rachel was a remarkable woman.  I have a copy of the book by Canon G A Williams 
and I read it from time to time.  She taught lace and had lots of small samples 
sewn onto fabric to illustrate lots of different types of lace.  We are 
unpicking them off the fabric for cataloguing.  Some have got rather grubby.  
Rachel often wrote comments about pieces of lace - not all complimentary!  But 
some are very factual and interesting.  All her little cards are being 
photographed so that they will be on the database with the picture of the item 
concerned.

Regards

Dianne Derbyshire

Preston

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[lace] Royal Train

2004-12-10 Thread Dianne Derbyshire
Hi
 
As the list is quiet at the moment I thought I would tell everyone about a good 
day I had this week. 

I am helping to catalogue the Rachel Kay-Shuttleworth lace collection at 
Gawthorpe Hall in Padiham (Lancashire). I had only one item to finish in the 
box I was doing and Gilly said she had a box that needed doing straight away. 
What a treat! The box contained a Bucks Point court train made for Caroline, 
wife of the III Duke of Buckingham. In the box were some letters from the 
family telling about the lace and a large photograph of the lace draped round a 
wooden dummy at the International Health Exhibition of 1884. There was also a 
stole made to go with the train.

The train was always draped round a plain dress so that the beauty of the lace 
could be seen. In the design was worked the coronet and family insignia and 
great floral swags.

A letter told of all the female family members wearing the train when they were 
presented at court. They would have the train wound round the arm and as they 
approached the king and queen they would drop it to the floor so that it flowed 
behind them until they had got past and then they would re wind it onto the 
arm. I enjoyed being able to examine all these things in detail. 

At the moment the Rachel Kay-Shuttleworth collection is unavailable to be 
viewed because it is being catalogued. They have received a lottery grant to 
help get all the items in the collection catalogued. All the quilts have been 
done and there is now a CD on sale with pictures of the quilts. It is hoped to 
have everything done by October 2005. The house is open to the public between 
Easter and the end of October each year and there are a few rooms with some of 
Rachel’s collection on display. Please do not try to see the collection yet 
because it is unavailable and there are very few people doing the job. They get 
upset at having to turn people away but it must be finished.

If anyone is interested in hearing more from time to time I can keep you 
informed.

Dianne Derbyshire

Preston 



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