forcing SystemStartBracket after startStaff
Dear friends,
I'm really stuck with this issue : I have to engrave several variations
separated by a short white space but without any line break between
them.
Thanks to Eluze, the \markup{} trick
(http://lilypond-french-users.1298960.n2.nabble.com/Forcer-SystemStartBracket-apres-un-stopStaff-td7580894.html#none)
is OK for a single page and quite usefull. But page breaks make it
collapse...
So I'm trying to use stopStaff/startStaff and I'm stuck with the
staffGroup systemStartBracket after startStaff.
Does anyone know a magic trick such as \once \override
StaffGroup.SystemStartBracket.break-visibility = #all-visible, but
working ?
Another trick would be to change BarLine after startStaff into
something merging \bar"|" and a bracket...
Thanks for all !
JMarc
Here's a piece of code to work on :
\version "2.17.20"
%symbol to insert in white space
two = \markup {\override #'(font-name . "Adobe Garamond Pro Bold")
\fontsize #6 "2. "} text = {\once \override TextScript.extra-offset =
#'( 0 . -7) <>-\two}
%stop and startStaff
beforeSpace = {
\stopStaff
\cadenzaOff
s4 \noBreak \bar ""
}
afterSpace= {
s1 \noBreak
\startStaff
\bar "|" s32 \cadenzaOff% Add a wee bit of staff before the clef!
\unset Timing.measureLength
\bar ""
\once \override StaffGroup.KeySignature.break-visibility =
#all-visible \once \override StaffGroup.Clef.break-visibility =
#all-visible }
space = {\beforeSpace \afterSpace}
%music
global = {\key g \major \time 4/4}
A = \relative c'' {\repeat unfold 9 { c4 c c c } \bar "||"
\beforeSpace
\text
\afterSpace
\repeat unfold 5{c4 c c c} \bar "|."
}
B = \relative c' { \repeat unfold 9 { c4 c c c } \bar "||"
\space
\repeat unfold 5{c4 c c c}\bar "|."
}
C = \relative c { \clef bass \repeat unfold 9 { c4 c c c } \bar "||"
\space
\repeat unfold 5{c4 c c c}\bar "|."
}
%%main
\score {
\new StaffGroup <<
\new Staff{\global \A}
\new Staff{\global \B}
\new Staff{\global \C}
>>
}
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text markup underlining
XP + lily 2.10 Hi list ! Coming from the french list where we are several to seeking a simple way of underlining text : Is there a simple way to underline text in markups (and everywhere else, such as headers) ? I've seen in the list something like \\underline, but it doesn't work at all. I'd be very surprised to learn that something as simple as \bold or \italic doesn't exist for underlining... Best regards ! JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: subbeams in tuplets [fr: barres de notes dans un triolet]
Bonjour, Hi !
\set Timing.beatLength = #(ly:make-moment 1 12)
\times 2/3 { d8 [e16 d16 e16 d16]}
\times 2/3 { d8. [e16 d8] }
\times 2/3 { d8 [e16 d16 e16 d16]}
is OK. I have used simple [ ] to get the right beaming.
This solution is much better than mine !
Regards
JMarc
Mats Bengtsson
<[EMAIL PROTECTED]>
Envoyé par :
A
lilypond-user-fr-bounces+je Jean-Charles <[EMAIL
PROTECTED]>
[EMAIL PROTECTED]
cc
nu.org lilypondeurs <[EMAIL
PROTECTED]>,
lilypond-user
Objet
12/02/2007 10:11Re: subbeams in tuplets [fr:
barres de notes dans
un triolet]
This subdivision is based on the beatLength property, so the first
step to a solution is
\set Timing.beatLength = #(ly:make-moment 1 12)
However, then the automatic beaming algorithm will unfortunately
split the beams so you get one beam per beat. Ufortunately, I didn't
find any way to persuade LilyPond to keep longer beams, but it's
probably possible in some way. You can always specify the beams
manually, though
\relative c''{
\time 1/4
\set Timing.beatLength = #(ly:make-moment 1 12)
\times 4/6 { d8[^"hopefully desired behaviour" e16 d16 e16 d16]} \break
}
/Mats
Jean-Charles wrote:
> Le 11.02.2007 13:49, philippe hezaine disait on the French ML:
>> Bonjour,
>>
>> \version "2.10.16"
>> Quelqu'un sait-il comment, dans le sextolet, je peux obtenir
>> une croche et 4 doubles sans que les barres soient détachées?
>
> The problem: a 4/4 measure containing a tuplet composed of
> 1 eighth note and 4 sixteenth beamed 1-1-3 instead of 1-4.
>
> I have tried many solutions (makemoment, stemLfetBeam and
> stemRightBeam...) without success
>
>
> Here is the code and the image of what we would like to obtain.
>
> TIA
>
> Jean-Charles
>
>
> \version "2.10.16"
> \paper {
> #(define dump-extents #t)
> force-assignment = #""
> indent = 0\mm
> line-width = 60\mm
> line-width = #(- line-width (* mm 3.00))
> }
> \header {
>title = "Subbeam in tuplets"
> }
> \score { \relative c'' {
>\time 1/4
>\times 4/6 { d8^"automatic behaviour" e16 d16 e16 d16} \break
>\times 4/6 { d16^"detailed version"~d e d e d } \break
>\time 3/8
>d8[^"how I would like it" e16 d16 e d]
> }
> \layout {ragged-right = ##t}
> }
>
>
>
>
>
>
>
>
> ___
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>
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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\break dosen`t work
Hi ! I've not been through all your score, but I know that break pb are often tied to paging pb. I mean you have to be very carefull with multiple voices : they have to be "breakable" at the same time and the same place. Regards PS : try a simple example before breaking in a huge score. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Bad phrasing slur
Hi !
I don't quite understand your question, but maybe the answer is :
\version "2.10.0"
\relative c' {
\clef treble
\key bes \major
\time 3/4
\partial 4*1 f4
bes \(( d8 c) d bes g'4 \) es2
}
I have put \( after the bes and not before.
Is that what you wanted to do ?
Regards
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Page Break in Markup block
XP+lily2.10
Hi, and happy new year.
Have you tried to insert a
\header {
breakbefore = ##t
}
it makes a pagebreak just before a score.
Regards.
Jmarc
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beamlet length in grace
hi list !
I'm sorry I haven't found a good trick for your pb, but when I put :
c4 \afterGrace d4 \override Voice.Stem #'length = #50.0
{ c16[ d] }
the grace aspect changes.
Actually, I'm not an expert in override, so...
I'll try something else today
JMarc
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Church music
lily2.10 on XP
Hi !
I've found some tricks to answer tour questions.
1. when you have one word for mutliple notes without slur, you have to use _
for each note.
For example : Gott over a4 b c d. You write in addlyrics {Gott _ _ _ }
For Menschen with Men over a b c and schen over d, you write {Men - - _ _ schen}
2. For spacing, I haven't found out how to fit with the original text, sorry !
%Ehre sei couplet
\version "2.10"
\include "gregorian-init.ly"
\score {
\new Staff {
\override Score . LyricText #'font-shape = #'italic
\override Score . LyricText #'font-size = #'-1
\time 4/4
\key bes \major
\override Voice.Stem #'transparent = ##t
\override Voice.Beam #'transparent = ##t
\relative c' {
\cadenzaOn
f8 f f4 f f8 g a a g4 a bes8 bes g g
\bar "|"
g4 c,
\bar""
\break
d e f8 f \divisioMinima
f4 g g a bes a g g8 g
\bar "||"
}
}
\addlyrics {
Eh - - _ re sei Gott _ _ _ in der Hö - - _ he _
und auf Er - - den Fried, _
den Men - - schen ein Wohl - - ge - - fal - - len. _
}
\layout
{line-width = #150
ragged-last = ##t}
}
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Re: which language for programming
For the frenchies who'd like to learn python, I must say that Gérard Swinnen's "Apprendre à programmer avec Python", is really amazing (I understand everything ). I found it on developpez.com. Regards ! Jmarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Church music
Hi ! Could you send a png of your score, please ? I don't really understand the precise question ? As I'm french, could you explain what episems are ? Regards JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: which language for programming
well, well, well. Statistically, I'll try Python and Scheme : these are the two most pointed out in your numerous replies ! And I have noticed that it is a good way to acquire programming good habits. So Santa Claus will have to find a good book on that ! Thanks for all your replies : lily community keeps amazing me ! Best regards ! JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
which language for programming
hi all ! I'm trying to choose a language to learn programming. i know, it depends en what I want dto do with it : but I don't have particular project on my table. So I was wondering if a good idea wouldn't be to use the same language as lilypond, which is C++, i think. My questions are : - is C++ the language used for lilypond sources ? - are the different tools, espacially in §12, but also in all chaging default tricks, based upon C++ ? Well, if I learn to use C++, will I be able to help, in a few years, lily dev ? Best regards ! JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lily doc in french ?
Wow : my first question should have been : does anything already exists ! Your answer makes me really happy ! I've just suscribed to the french mailing list, and I'm still postulating to the translation team ! Just one question : are the two lists linked together ? Or is there a french lilyworld and a english spoken one ? Anyway, je me lance dans la liste française ! A très bientôt PS : merci aux personnes qui ont répondu à mon appel ! JMarc John Mandereau <[EMAIL PROTECTED]> A 21/11/2006 23:28 Jean-marc LEGRAND <[EMAIL PROTECTED]> cc lilypond-user@gnu.org Objet Re: lily doc in french ? Le mardi 21 novembre 2006 à 16:50 +0100, Jean-marc LEGRAND a écrit : > Hi all ! > > Two years have passed, and I'm still wondering if a french translation of > Lilypond Docs wouldn't be > a good thing (well, for french users, I think...). Here's my previous mail on > this question, and > Mat's answer was quite wise (I was just discovering Lilypond) > :http://www.mail-archive.com/lilypond-user@gnu.org/msg07983.html I hope you've noticed lilypond.org French translation, released together with LilyPond 2.6 in June 2005. Don't miss the one-year-old [EMAIL PROTECTED] mailing list, where French-speaking users give and get support and discuss translations. Suscribe to it at http://lists.gnu.org/mailman/listinfo/lilypond-user-fr and you'll be welcome to the translation team! > Would anyone be ok to translate the docs with me ? I know that lily evolves a > lot, and it's a good > thing ! But if we manage to translate 2.10 docs together (lots of > "togethers", actually), I think > updates can be quite easy if we are numerous enough. > > The fact is this has to be strongly organized, by someone who is in charge of > doc, for example ;o) All this won't be a problem, and it's a hot topic! > - does any french user is ok to translate the doc ? In fact, the tutorial is already translated, see http://john.mandereau.free.fr That's a draft which will be removed as soon as it is integrated in the official docs. > - is a lily author ok to manage a translation team ? If managing the translation team means telling what should be translated, managing commits to the git source repository, helping translators with technical aspects, I am one of the French managers. More actually, the Translations Big Boss is one of LilyPond authors, Jan Nieuwenhuizen, who is currently working on integration of translated docs into the official docs. So, for any French translation question, please send a email to the lilypond-user-fr list first; then, if a complex or technical issue that I can't solve appears, we'll forward the discussion to the appropriate English-speaking list. Cheers, -- John Mandereau <[EMAIL PROTECTED]> ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
lily doc in french ?
Hi all ! Two years have passed, and I'm still wondering if a french translation of Lilypond Docs wouldn't be a good thing (well, for french users, I think...). Here's my previous mail on this question, and Mat's answer was quite wise (I was just discovering Lilypond) :http://www.mail-archive.com/lilypond-user@gnu.org/msg07983.html Would anyone be ok to translate the docs with me ? I know that lily evolves a lot, and it's a good thing ! But if we manage to translate 2.10 docs together (lots of "togethers", actually), I think updates can be quite easy if we are numerous enough. The fact is this has to be strongly organized, by someone who is in charge of doc, for example ;o) So the question is : - does any french user is ok to translate the doc ? - is a lily author ok to manage a translation team ? Sure I have missed major aspects of this question, so don't hesitate to criticize ! Best regards JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Tr : pb with epsfile
I'm so sorry : the right log file is :
# -*-compilation-*-
impossible de changer le répertoire de travail pour : C:/Program
Files/LilyPond/partitions/essais
Traitement de « C:/Program Files/LilyPond/partitions/essais/essai.ly »
Analyse syntaxique...
C:/Program Files/LilyPond/partitions/essais/tirer.eps:10:0: ERREUR : syntax
error, unexpected DIGIT
0 32 translate
C:/Program Files/LilyPond/partitions/essais/tirer.eps:20:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter rstr readstring pop}
C:/Program Files/LilyPond/partitions/essais/tirer.eps:21:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter gstr readstring pop}
C:/Program Files/LilyPond/partitions/essais/tirer.eps:22:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter bstr readstring pop}
Bye
JMArc
- Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 17/10/2006 17:26 -
Jean-marc
LEGRAND/CRS/FR/RM/Corp
A
17/10/2006 17:24lilypond
cc
Veuillez répondre à
Objet
Jean-marc LEGRAND pb with epsfile
Hi list.
I've been through the list, tests and doc, but I can't find an answer.
Using 2.9 on XP
I'm trying to insert an eps file into a music for the viol.
Here's my essai.ly:
\version "2.9"
\include "tirer.eps"
\score {
\clef bass
\relative c {
c^\markup { \epsfile #0 #5 #"tirer.eps" }
}
}
Here's the eps : (See attached file: tirer.eps)
It was screated that way :
from the original fac simile (scanned into a pdf file), I selected the
"trembler" glyph,
copy to the clipboard,
and copy it into paint to get a bitmap
I open it with Inskape , make : vectorize the bitmap + simplify + save as
"tirer.eps" with "create a
box..." and "convert text into..." activated (I'm not sure of my english
translation of the
menus...).
Here's my essai.log :
# -*-compilation-*-
impossible de changer le répertoire de travail pour : C:/Program
Files/LilyPond/partitions/essais
Traitement de « C:/Program Files/LilyPond/partitions/essais/essai.ly »
Analyse syntaxique...
C:/Program Files/LilyPond/partitions/essais/trembler.eps:10:0: ERREUR : syntax
error, unexpected
DIGIT 0 35 translate
C:/Program Files/LilyPond/partitions/essais/trembler.eps:20:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter rstr readstring pop}
C:/Program Files/LilyPond/partitions/essais/trembler.eps:21:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter gstr readstring pop}
C:/Program Files/LilyPond/partitions/essais/trembler.eps:22:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter bstr readstring pop}
Does anyone know what happens to me ? Is this a question of eps bad conversion ?
Best regards !
JMarc
tirer.eps
Description: PostScript document
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pb with epsfile
Hi list.
I've been through the list, tests and doc, but I can't find an answer.
Using 2.9 on XP
I'm trying to insert an eps file into a music for the viol.
Here's my essai.ly:
\version "2.9"
\include "tirer.eps"
\score {
\clef bass
\relative c {
c^\markup { \epsfile #0 #5 #"tirer.eps" }
}
}
Here's the eps : (See attached file: tirer.eps)
It was screated that way :
from the original fac simile (scanned into a pdf file), I selected the
"trembler" glyph,
copy to the clipboard,
and copy it into paint to get a bitmap
I open it with Inskape , make : vectorize the bitmap + simplify + save as
"tirer.eps" with "create a
box..." and "convert text into..." activated (I'm not sure of my english
translation of the
menus...).
Here's my essai.log :
# -*-compilation-*-
impossible de changer le répertoire de travail pour : C:/Program
Files/LilyPond/partitions/essais
Traitement de « C:/Program Files/LilyPond/partitions/essais/essai.ly »
Analyse syntaxique...
C:/Program Files/LilyPond/partitions/essais/trembler.eps:10:0: ERREUR : syntax
error, unexpected
DIGIT 0 35 translate
C:/Program Files/LilyPond/partitions/essais/trembler.eps:20:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter rstr readstring pop}
C:/Program Files/LilyPond/partitions/essais/trembler.eps:21:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter gstr readstring pop}
C:/Program Files/LilyPond/partitions/essais/trembler.eps:22:0: ERREUR : erreur
repérée dans
l'expression musicale. Elle sera ignorée.
{currentfile /ASCII85Decode filter /RunLengthDecode filter bstr readstring pop}
Does anyone know what happens to me ? Is this a question of eps bad conversion ?
Best regards !
JMarc
tirer.eps
Description: PostScript document
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Re: trnasparent stem function
Thanks, Mats !
That does work and I've achieved what I wanted to do :
\version "2.9"
stemLess = \override Voice.Stem #'transparent = ##t
stemFull = \override Voice.Stem #'transparent = ##f
\score {
\relative c'' {
\override Staff.NoteCollision #'merge-differently-headed = ##f
<<{\stemDown a2 a4 a} \\ {\stemLess c2 c4 c \stemFull} \\ {\stemUp
e2 e4 e}>>
}
}
Best regards !
JMarc
Mats Bengtsson
<[EMAIL PROTECTED]>
A
13/10/2006 20:40Jean-marc LEGRAND <[EMAIL
PROTECTED]>
cc
lilypond-user@gnu.org
Objet
Re: trnasparent stem function
There's no need for a music function here, why not simply do
stemLess = \once \override Voice.Stem #'transparent = ##t
Also, since you use \once in the previous definition, there's no need
to do a revert later.
/Mats
Quoting Jean-marc LEGRAND <[EMAIL PROTECTED]>:
>
>
>
>
> Hi list !
>
> Using 2.9 on XP.
>
> I'm beginning to engrave Marais' Viol suites (since I've understood
> eps files inclusion...).
>
> I'm stuck with this : in the fac simile, inside notes of a chord are
> stemless. So I have to get
> something like
> <<{a4} \\ { % without stem} \\ {a}>>
>
> So I've decided to get in function construction, and I've tried this
> for a simple piece of music :
>
> \version "2.9"
> stemLess = #(define-music-function (parser location note) (ly:music?)
> #{\once \override Voice.Stem #'transparent = ##t #})
>
> stemFull = #(define-music-function (parser location note) (ly:music?)
> #{\revert Voice.Stem #'transparent #})
>
> \score {
> \relative c'' {
>c4 \stemLess c c \stemFull c
>}
> }
>
> I get
> - the first c with a stem (ok)
> - the second one ithout stem (ok)
> - no more music after that : not OK at all.
>
> I think I'm making a mistake with my function, since it's the first
> aof my entire life !
>
> Does anyone know where it is ?
>
> Best regards !
>
> JMarc
>
>
>
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trnasparent stem function
Hi list !
Using 2.9 on XP.
I'm beginning to engrave Marais' Viol suites (since I've understood eps files
inclusion...).
I'm stuck with this : in the fac simile, inside notes of a chord are stemless.
So I have to get
something like
<<{a4} \\ { % without stem} \\ {a}>>
So I've decided to get in function construction, and I've tried this for a
simple piece of music :
\version "2.9"
stemLess = #(define-music-function (parser location note) (ly:music?)
#{\once \override Voice.Stem #'transparent = ##t #})
stemFull = #(define-music-function (parser location note) (ly:music?)
#{\revert Voice.Stem #'transparent #})
\score {
\relative c'' {
c4 \stemLess c c \stemFull c
}
}
I get
- the first c with a stem (ok)
- the second one ithout stem (ok)
- no more music after that : not OK at all.
I think I'm making a mistake with my function, since it's the first aof my
entire life !
Does anyone know where it is ?
Best regards !
JMarc
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Re: 1/4 notes stems don't merge
Thanks for your answer.
Actually, the beaming is ok for the upper line that links all the notes
together.
The pb is still that the lower beaming line that should link the two a16 is
broken.
I think that i haven't been precise enough so far :
I want to get the same thing with these two scores, for the beaming only :
{a8 [a16 a16 a8]}
and
{a8 [a16*2 a16 a8]}
I'm now wondering if it's really possible.
Thanks for your help !
Regards
Jmarc
John Mandereau
<[EMAIL PROTECTED]>
A
06/09/2006 23:19 Jean-marc LEGRAND <[EMAIL
PROTECTED]>
cc
lilypond-user@gnu.org
Objet
Re: 1/4 notes stems don't
merge
Jean-marc LEGRAND wrote:
> When I run this :
>
> {a8 [a16 s a16 a8] }
>
> I get the a16 stems "unlinked".
>
> How can I get the same thing as {a8 [a16 a16 a8] } ?
>
> I get the same pb using \hiddenNotes
>
The spacer here breaks the beam; you don't need it anyway, the following
code
{ a8[ a16*2 a16 a8] }
should do you what you want (you want the beam to start on a8, don't
you?)
Cheers,
--
John Mandereau <[EMAIL PROTECTED]>
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Re: 1/4 notes stems don't merge
HI Mats.
My goal is to complete my last help on the list, which concerned two notes
collision in a polyphony
score : http://www.mail-archive.com/lilypond-user%40gnu.org/msg24451.html
I have managed to invert the order of the notes, but I still can't get over
with this stem
orientation pb.
Your trick doesn't work in my way : I still get a16*2 stem on the right AND a16
on the right too, so
the primary stem lines are linked together with the whole [ ] part, but the
secondary lines of the
16 are still separated, each of them on the riht side of the note. Maybe i'm
confused in the
vocabulary : i think I should use Beam (horizontal line) instead of Stem which
is the vertical line
?
Regards
Jmarc
Mats Bengtsson
<[EMAIL PROTECTED]>
A
07/09/2006 09:56 Jean-marc LEGRAND <[EMAIL
PROTECTED]>
cc
[EMAIL PROTECTED],
lilypond-user@gnu.org
Objet
Re: 1/4 notes stems don't merge
If you explain why you use the s or hidden note in the first place, then
maybe it's easier to propose a workaround.
Does
a8 [a16*2 a16 a8]
produce the result you want?
/Mats
Jean-marc LEGRAND wrote:
>
>
>
> Hi !
>
> Well, you're right : it was \hideNotes.
> But it still doesn't work. I get this :
>
> (See attached file: essai.png)
>
> and I'd like to have d16 and c16 liked normaly, with the secondary stem lines
> linked together
(hard
> to explain in english !)
>
> Regards
>
> Jmarc
>
>
>
> Brett Duncan
> <[EMAIL PROTECTED]>
>
A
> 07/09/2006 09:03Jean-marc LEGRAND <[EMAIL
> PROTECTED]>,
> lilypond-user@gnu.org
>
cc
> Veuillez répondre à
> [EMAIL PROTECTED]
Objet
> Re: 1/4 notes stems don't
> merge
>
>
>
>
>
>
>
>
>
>
> Jean-marc LEGRAND wrote:
>
>
>> Hi list.
>>
>> Using Lily 2.8 on XP.
>>
>> When I run this :
>>
>> {a8 [a16 s a16 a8] }
>>
>> I get the a16 stems "unlinked".
>>
>> How can I get the same thing as {a8 [a16 a16 a8] } ?
>>
>> I get the same pb using \hiddenNotes
>>
>> Best regards
>>
>> JMarc
>>
>
> I think you mean \hideNotes rather than \hiddenNotes, and that works for me.
>
> Regards,
>
> Brett
>
>
>
>
>
>
> ___
> lilypond-user mailing list
> lilypond-user@gnu.org
> http://lists.gnu.org/mailman/listinfo/lilypond-user
>
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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Re: 1/4 notes stems don't merge
Hi !
Well, you're right : it was \hideNotes.
But it still doesn't work. I get this :
(See attached file: essai.png)
and I'd like to have d16 and c16 liked normaly, with the secondary stem lines
linked together (hard
to explain in english !)
Regards
Jmarc
Brett Duncan
<[EMAIL PROTECTED]>
A
07/09/2006 09:03 Jean-marc LEGRAND <[EMAIL
PROTECTED]>,
lilypond-user@gnu.org
cc
Veuillez répondre à
[EMAIL PROTECTED]
Objet
Re: 1/4 notes stems don't merge
Jean-marc LEGRAND wrote:
> Hi list.
>
> Using Lily 2.8 on XP.
>
> When I run this :
>
> {a8 [a16 s a16 a8] }
>
> I get the a16 stems "unlinked".
>
> How can I get the same thing as {a8 [a16 a16 a8] } ?
>
> I get the same pb using \hiddenNotes
>
> Best regards
>
> JMarc
I think you mean \hideNotes rather than \hiddenNotes, and that works for me.
Regards,
Brett
essai.png
Description: PNG image
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1/4 notes stems don't merge
Hi list.
Using Lily 2.8 on XP.
When I run this :
{a8 [a16 s a16 a8] }
I get the a16 stems "unlinked".
How can I get the same thing as {a8 [a16 a16 a8] } ?
I get the same pb using \hiddenNotes
Best regards
JMarc
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polyphony & placement of accidentals
Hi
I've found a trick to move the bes left, and the c right.
\context Voice="oben" {
\stemUp
\clef "G"
\key f \major
\time 3/8
g 8
c '' 16
b ' 16
\cadenzaOn
s32 c '' 8 % a space before the c, which moves it on the right
}
\\
\context Voice="unten" {
\stemDown
g 8
bes ' 8
\cadenzaOn
bes ' 8 s32 %a space after the c, which moves it on the left
}
I often use the \cadenzaOn to insert spaces with s to move notes. Maybe someone
will find something
more "élégant" !
I've run lily on this trick, and it appears that beaming has changed and is not
perfect : I think
you'll find something to solve this pb !
Regards
JMarc
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Re: creating my own glyphs
Thanks for the trick : could you describe the
"copy part of it and use with \markup \postscript" part of your answer ?
I know I can say on the top of the score :
trembler = \markup {}
but what is the syntax to insert .eps ?
Best regards.
JMarc
Bertalan Fodor
<[EMAIL PROTECTED]>
A
31/08/2006 14:12 Jean-marc LEGRAND <[EMAIL
PROTECTED]>
cc
lilypond-user@gnu.org
Objet
Re: creating my own glyphs
One time I managed to draw a symbol with InkScape, save as EPS, copy
part of it and use with \markup \postscript
Bert
Jean-marc LEGRAND írta:
>
>
> Hi list !
>
> Using Lily2.8 on XP.
>
> Is there a way to create a symbol that doesn't exist in lily ?
>
> Actually, I'm stuck with this pb while engraving baroque music, even if I do
> admit that huge
> improvement has been done since I began to use lily (bravo !). Especially
> music for the viol.
There
> are special symbols in Marais' pieces that I can't reproduce. Is there some
> way to create the
symbol
> or is it too complicated for non-programmers ? Is it possible to scan the
> symbol, and insert it in
> the score ? etc... ?
>
> I don't know if my question make sense, but I've tried at least ...
>
> Best regards.
>
> JMarc
>
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creating my own glyphs
Hi list ! Using Lily2.8 on XP. Is there a way to create a symbol that doesn't exist in lily ? Actually, I'm stuck with this pb while engraving baroque music, even if I do admit that huge improvement has been done since I began to use lily (bravo !). Especially music for the viol. There are special symbols in Marais' pieces that I can't reproduce. Is there some way to create the symbol or is it too complicated for non-programmers ? Is it possible to scan the symbol, and insert it in the score ? etc... ? I don't know if my question make sense, but I've tried at least ... Best regards. JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
ossia trick solved
Hi list !
I've been working hard ;o) on my ossia trick, and I've found how to reproduce a
french cantata
excerpt.
Using lily 2.8.3 on XP.
What I have to engrave :
The piece of music is a french recitative, introduced buy the viol on a single
line (10 measures).
Then, we have the recitative itself (viol + voice)
Then the viol alone again
Then the voice and the viol.
The last 9 measures are played only buy the viol.
I have a viol, a voice, and lyrics.
When the viol plays alone, the voice line on the fac simile disappear.
How i managed this :
I have used the 8.3.2 hiding staves trick, which is described for instruments
without lyrics.
Here's the structure of my ly file :
\version "2.8.3"
\layout {
indent = 0.0\cm -> let me explain this below...
\context { \RemoveEmptyStaffContext }
}
<<
\new Staff = soprano {
\override Score.VerticalAxisGroup #'remove-first = ##t
\clef G
\time 2/2
\relative c'' {
R4---> R and not r !!!
R1*10 ---> doesn't appear on the final score
(that's what i want !)
r2 r4 g
c c8 d e4 e8 c (...)
}}
\addlyrics { (...)}
\\new Staff = bass {
\time 2/2
\clef alto
\relative c' {
\partial 4*1 g4
c c8 d e4 c (...)
}}
>>
<<
the same thing for the second part
>>
Some comments :
- I'd like to have the whole score between << >> but I had to split the score
into two parts to get
it work. That's why I have put indent = 0.0\cm (otherwise, I had an ident for
the second part)
Is there a way to do so ?
- the order of the staves is important to get the lyrics below the soprano and
not below the bass
(THIS is the main point I've working on !)
I hope this will help somebody !
Best regards
Jmarc
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Tr : Re: Some general comments / ossia trick
It seems to happen with the rests. The same ly file does work when you miss the
r :
(...)
\set Staff.alignAboveContext = "main"
e4. e8 e4 e
e e e
(...)
So I've found a way to meke it work :
(...)
\set Staff.alignAboveContext = "main"
e4. e8 e4 e
e e e r4*1/2
(...)
But I still think thre's a way to do it properly !
Regards
- Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 22/08/2006 16:40 -
Jean-marc
LEGRAND/CRS/FR/RM/Corp
A
22/08/2006 14:43lilypond
cc
Veuillez répondre à
Objet
Jean-marc LEGRAND Re: Some general comments /
ossia trick
Hi list !
I'm using Mats' example in the archive
http://www.mail-archive.com/lilypond-user@gnu.org/msg23171.html, about ossia.
I've tried his ly fila, which works well.
But when I try to improve it like this :
\new Staff = main {
\clef bass
c4 c c c
<<
{c4 c c c
c4 c c c}
\new Staff =extrastave {
\clef bass
\set Staff.alignAboveContext = "main"
e4. e8 e4 e
e e e r
}
\addlyrics {
ly -- rics a -- bove and weird thing
}
>>
c4 c c c
d d d d
}
I get some weird thing after the en d of the ossia.
Can anyone tell me what's happening ? I've tried and tried but, uhhh... doesn't
work...
Best regards !
JMarc
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Re: Some general comments / ossia trick
Hi list !
I'm using Mats' example in the archive
http://www.mail-archive.com/lilypond-user@gnu.org/msg23171.html, about ossia.
I've tried his ly fila, which works well.
But when I try to improve it like this :
\new Staff = main {
\clef bass
c4 c c c
<<
{c4 c c c
c4 c c c}
\new Staff =extrastave {
\clef bass
\set Staff.alignAboveContext = "main"
e4. e8 e4 e
e e e r
}
\addlyrics {
ly -- rics a -- bove and weird thing
}
>>
c4 c c c
d d d d
}
I get some weird thing after the en d of the ossia.
Can anyone tell me what's happening ? I've tried and tried but, uhhh... doesn't
work...
Best regards !
JMarc
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using ossia to hide stave
Hi list !
I'm engraving a french cantata which begins with a "récitatif".
This piece begins itself with a bass line alone, and the voice enters after few
measures.
I've been using \stopStaff and \startStaff, which works very well, except one
thing : I still have
clef and time signature at each time, so the soprano line is only half hidden !
Here's my soprano.ly :
soprano =
<<
\context Voice {
\relative c'' {
\stopStaff
\partial 4*1 s4
s1 s s s s s s s s s
\startStaff
\clef G
\time 2/2
r2 r4 g
c c8 d e4 e8 c
(...) }}
}
\addlyrics {
Quelle est la dé -- es -- se (...)
}
>>
In the ossia exemple, there's a \remove "Time_signature_engraver" : where can I
put it (the
structure of my ly file is not the same as in the tips and tricks), and is
there the same thing to
avoid the G clef at the beginning of each line ?
Best regards !
JMarc
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Tr : Re: figured bass above bass line
Jean-marc LEGRAND wrote: >... >But now, I'de like to lower the figure line, and I don't know which property >to use within >FiguredBass context : can, anyone help me ? > > > Read the section on Vertical Spacing in the manual. The mechanism is exactly the same for FiguredBass as for Staff, so you want to override FiguredBass.VerticalAxisGroup #'minimum-Y-extent instead. See http://lilypond.org/doc/v2.8/Documentation/user/lilypond-internals/FiguredBass.html#FiguredBass for information on the default value. >Last thing: the link >http://lilypond.org/doc/v2.8/Documentation/user/lilypond-internals/NewBassFigure.html#NewBassFigure >seems to be dead... > > Where did you find this link? /Mats ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
figured bass : font size
Hi list !
Using Xp with Lilypond 2.8.3
And here I go again with the figured bass stuff ! Actually, I think lily can
be perfect with this,
so I'de like to know how to use it properly...
I have got this output :
(Embedded image moved to file: pic22795.jpg)
you can see that if the figures have the right size, the sharp and flats are
much to little.
My .ly file is :
\version "2.8.3"
theorbefigures = \new FiguredBass
\figuremode {
\override FiguredBass.BassFigure #'font-size = # -2
<6 _->16 s <_->8 <5 4> <_+> <_+>2
}
theorbe = \new Voice {
\clef bass
\relative c {
g4 d a'2
}}
\score {
\new StaffGroup <<
\theorbefigures
\new Staff <<\set Staff.midiInstrument = "cello" \theorbe >>
>>
\layout { }
}
I have reduced the font size with \override FiguredBass.BassFigure #'font-size
= # -2 , but I just
wanted to reduce the figures. I think there's a problem of relative size of the
feta font compared
to the classical font.
My question is : do the figures belong to the same font as the sharps and flats
? And if not, how
can I adjust the size of each font separatly ?
Best regards !
Jmarc<>
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figured bass : flat over figure
hi list !
using XP lily 2.8.3
I've discovered a odd thing in figured bass, but it surely has a scientific
explanation !
In this example :
\version "2.8.3"
theorbefigures = \new FiguredBass
\figuremode {
\override FiguredBass.BassFigure #'font-size = # -2
<_->2 <7 _->
}
theorbe = \new Voice {
\clef bass
\relative c {
d4 g, a2
}}
\score {
\new StaffGroup <<
\theorbefigures
\new Staff <<\set Staff.midiInstrument = "cello" \theorbe >>
>>
\layout { }
\midi { \tempo 4=80}
}
the <7 _-> gives me a 7 UNDER the flat sign.
When I change the figured bass to :
<6>2 <7 _->
the <7 _-> gives me a 7 ABOVE the flat sign, and that's what I want.
Does anyone know how to get the flat under the figure, even if there's another
flat before ?
Regards.
JMarc
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figured bass above bass line
Hi list !
I'm so sorry I'm still stuck with an old pb about figured bass...
Using XP and lily2.8.3
Here is the strcuture of my .ly file :
\version "2.8.3"
global= {
\time 2/2
\key g \major
}
flute = \new Voice { \relative c''{
(...)
\bar "|."
}}
violon = \new Voice { \relative c''{
(...)
}}
hautbois = \new Voice { \relative c''{
(...)
}}
theorbe =
<<
\context FiguredBass
\figuremode {
<_+>1
(...)
}
\context Voice {
\clef bass
\relative c {
(...)
}}
>>
\score {
\new StaffGroup <<
\new Staff << \set Staff.midiInstrument = "recorder" \global \flute
>>
\new Staff << \set Staff.midiInstrument = "violin" \global \violon >>
\new Staff << \set Staff.midiInstrument = "oboe" \global \hautbois >>
\new Staff << \set Staff.midiInstrument = "cello" \global \theorbe >>
>>
\header { piece = "Prélude"}
\layout { }
\midi { \tempo 4=80}
}
1. how can I force the figured bass to be ABOVE the bass line ?
2. How can I fix the font size of the figured bass ?
Have a good WEnd, et thanks a lot !
Regards
Jmarc
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a\breve + a1 = ?
Hi list ! Using lily 2.8 on WinXP Is there any simple way to do a breve. duration ? I mean : can I write a\breve. for a\breve~ a1 ? Regards JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: AW: breaking lines in unmetred music
trhis actually works : \bar "" \break where all the staves can be splitted. Thanks for your help ! Jmarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
breaking lines in unmetred music
Hi list ! Pfiou : it's been a long time since last time I wrote here. So happy new year (and happy next christmas...). I have writtte some renaissance song, 4 voices, without any barlines, neither time signature. All is right, except the fact that I only have a long long system that comes over the page and continues out of the paper... I've tried to put \bar "", but it doesn't work at all. So does anyone knows how to force "back to the next line" ? Regards JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
lute tab
Hi lit ! It's been a really long time since I haven't been writting here, just because what I've engraved so far wasn't that difficult. Today, my wish is to produce lute tabs, from original fac simile. I'd like to know if anyone of you has already tried this, and if an example could be given. I've just begun with Django, which is really great, but I find it too bad not to keep going with my favorite Lily. Best regards and wish you a happy new year ! JMarc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: french characters in headers
Thanks for your answer !
Well, now, I don't know how to put it in my file...
Here's my main file :
\version "2.6.0"
\header {
title = "BELLEROPHON"
subtitle = "Trag\'{e}die mise en musique par Monsieur de LULLY "
subsubtitle = "Musiques de Sc\`{e}ne"
composer = "Jean-Baptiste LULLY (1632-1687)"
copyright = "Arrangement et gravure par Jean-Marc Legrand - Lilypond
2.6.1 - août 2005"
% These are headers used by the Mutopia Project
% http://www.mutopiaproject.org/
mutopiatitle = "BELLEROPHON : musiques de scène"
mutopiacomposer = "Jean-Baptiste LULLY "
mutopiainstrument = "viol, recorder"
date = "(1632-1687)"
source = "fac simile édition 1679 "
maintainer = "Jean-Marc LEGRAND"
maintainerEmail = "[EMAIL PROTECTED]"
lastupdated = "2004/Aug/01"
}
#(set-global-staff-size 16)
global= {
\override Staff.KeySignature #'style = #'hufnagel
\override Staff.Accidental #'style = #'hufnagel
\override Score.SystemStartBracket #'transparent = ##t
\override Voice.Rest #'style = #'neomensural
}
%ouverture
\include "00d1.ly"
\include "00d2.ly"
\include "00a.ly"
\include "00t.ly"
\include "00b.ly"
\score {
\header {
piece = "Ouverture"
}
\time 4/4
\key c \major
\new ChoirStaff <<
\new Staff << \global \dessusI >>
\new Staff << \global \dessusII >>
\new Staff << \global \alto >>
\new Staff << \global \tenor >>
\new Staff << \global \basse >>
>>
}
Where do I put something like \encoding uft-8 ?
Imruska
<[EMAIL PROTECTED]Pour :Jean-marc LEGRAND
<[EMAIL PROTECTED]>
.hu> cc : lilypond-user@gnu.org
Objet : Re: french characters
in headers
01/08/2005 21:53
> As I've directly jumped from 2.2 to 2.6, I have some little pb to solve.
>
> I'm using accented characters (like é, û, and è) in my header, and Lily
> doesn't translate them. I
> must be a LateX pb, but I can't make it right...
Well, as 2.6 is _not_ using LateX any more, it cannot. Now Lilypond 2.6
can handle accented characters, but in order for that to work you must
save your files using UTF-8 encoding, rather than Latin1. Give it a try,
I think this will solve your problems.
Imruska
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french characters in headers
Hi list ! Ah... it's been a long long time since I haven't been writting in this list ! As I've directly jumped from 2.2 to 2.6, I have some little pb to solve. Maybe the answer is somewhere already, but I can't find it. Still using XP (...) and lily 2.6. I'm using accented characters (like é, û, and è) in my header, and Lily doesn't translate them. I must be a LateX pb, but I can't make it right... Any help, please ? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Jean-marc LEGRAND/CRS/FR/RM/Corp est absent(e).
Je serai absent(e) du 30/06/2005 au 24/07/2005. Je répondrai à votre message dès mon retour. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Jean-marc LEGRAND/CRS/FR/RM/Corp est absent(e).
Je serai absent(e) du 30/06/2005 au 24/07/2005. Je répondrai à votre message dès mon retour. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Jean-marc LEGRAND/CRS/FR/RM/Corp est absent(e).
Je serai absent(e) du 30/06/2005 au 24/07/2005. Je répondrai à votre message dès mon retour. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
midi with multiple scores
Hi list.
Working on lily 2.4 win XP.
I have a full score splitted like this :
\include "bI0X.ly"
\include "bII0X.ly"
\include "bc0X.ly"
\score {
<<
\context Staff ="basseI" \basseI
\context Staff ="basseII" \basseII
\context Staff ="bassec" \bc
>>
\layout {textheight= 30.0 \cm
interscoreline = 19 \pt}
\midi {\tempo 4=100}
}
with X going from 1 to 4.
So I have 4 score blocks, and 4 midi block.
When I run lily, I only get one midi file, corresponding to the last score
block.
How can I get a full midi file, or at least 4 midi files ?
Regards.
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Réf. : Re: Starting up Lilypond
It has benn said several times, but I understand your misunderstanding. You have probably used Cygwin to install lily. You have also saved test.ly in a directory c\:\myfiles, for example. Click on the cygwin icon : il will open the famous "terminal window". Make : cd c: cd myfiles lilypond test.ly It will end with : test.pdf created. Then close the terminal and fetch your test.pdf in your directory myfiles. Click on it, and that's it. To create your own lily files, just use test.ly : you can copy it with another name, and start to write some code into it, following the doc. Have fun ! Tanguy Léost <[EMAIL PROTECTED]> Envoyé par : Pour :Sacha Standen <[EMAIL PROTECTED]> lilypond-user-bounces+jean-marc.legrand=total.cc : lilypond-user@gnu.org [EMAIL PROTECTED] Objet : Re: Starting up Lilypond 20/04/2005 12:58 Sacha Standen wrote: > Hello > > I have just downloaded Lilypond onto Windows ME, but don't have the > faintest idea where to go from here! All the instructions seem to be > in technical language that I can't follow. I've saved the text file, > which opens a PDF window with an extract of music in, which I presume > means the installation has worked, but I can't find any icon to > load the Lilypond programme. > > In the Tutorial section 2.2 it tells me to open a terminal window > (what's that?) and start a text editor (?) e.g. open an xterm(??) and > execute Joe(???). I'm getting confused here. Please excuse my > technical ignorance. Perhaps I should be using Finale! > > Regards > > Sacha > > > > Hello, maybe this link will be useful: http://olympus.het.brown.edu/doc/lilypond/html/Documentation/windows/out-www/installing.html Lilypond has no GUI, so maybe that's why you're so confused. It's quite easy to use, anyway... you have to type the score with a text editor, save it (e.g. test.ly) and then run lilypond on the file (lilypond test.ly) to get a nice sheet of music. As far as i know, if you use windows you have to use the 'cygwin' software to be able to run lilypond. Maybe you already installed it? -- Unix IS user friendly , it is just selective about who his friends are ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : centred piece titles
your version and OS ?
Jamie Bullock <[EMAIL PROTECTED]>
Envoyé par :
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:
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Objet : centred piece titles
31/03/2005 18:04
Veuillez répondre à jamie
Dear list,
Looking at the archives, this seems to have come up before, but I can't
seem to get a working solution. What is the best way to get the titles
of movements centred? At the moment I am using "\book \score \header
{ piece = "piece1"}" as outlined in the manual to seperate movements,
but of course this gives left-aligned formatting.
Thanks,
Jamie
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Réf. : Re: Extra space after bar line
one trick that Mats has given to us, for Lily 2.4 on XP (what is your version ?) is : if you have : \bar "|." c4\ff you can do : \bar "|." s8 c4*3/4 \ff (see 5.1.10 of the lily doc) for the c and its ff is moved a bit on the right. Hope that helps ! Walter Hofmeister <[EMAIL PROTECTED]> Envoyé par : Pour :"lilypond-user@gnu.org" lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Re: Extra space after bar line 31/03/2005 08:31 On 3/30/05 11:34 PM, "David Rogers" <[EMAIL PROTECTED]> wrote: > Hi everyone > > In the piece I'm working on, the dynamic mark for the first note of a > bar is colliding with the bar line. I've searched the manual as > carefully as I can, and come up empty. Where can I learn how to add some > extra space after this bar line? > > Thanks > David > If the note that it is attached to needs extra space also I'm not sure what your solution would be. But if the note is in the correct position and you just need to move the dynamic mark, try putting the markup after the note or the note after that. Sometimes I find things can be tweaked by just entering them in a different position in the code. Hope this helps. Walter Hofmeister ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: multiple markups
It could be that way, but I have to move it vertically... and the thing is that when you use s64, you have to pout it in all the staves, and make a maesure with no fixed measure length... Thanks for helping ! Paul Scott <[EMAIL PROTECTED]Pour : Jean-marc LEGRAND <[EMAIL PROTECTED]> om> cc : lilypond-user@gnu.org Objet : Re: multiple markups 22/03/2005 09:32 Jean-marc LEGRAND wrote: >Hi list ! > >I'm using lily2.4 on XP. > >I have to put a rcomma AND a fingering on the same note. I'de like to have the >fingering just on top >of the note, but the rcomma just on the right, so at a different level. >I make : > >\once \override TextScript #'extra-offset = #'(2.2 . -2) c8.^2 ^\tr. The 2 is >well on the top of the >note, but tr doesn't "want" to move where I want. > >question : how can I have "separate override" ? > >One issue is to put the ^\tr on the next note and adapt the override, but I'd >prefer a more honest way ! > > Maybe just as dishonest but not so visually obvious is something I'm temporarily doing until I learn a better way: Displace the markups by an s64 or s128. Paul Scott ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
override
Hi list.
On XP lily2.4.2, I use to define :
tr = \markup {\musicglyph #"scripts-rcomma"}
and make : \once \override TextScript #'extra-offset = #'(2.1 . -1.7) a8^\tr,
for example, which
puts a comma just after the note (ancoent way to indicate a trill in baroque
music).
the thing is that I can't understand what the -1.7 respresents exactly. I
always indicate this
number in a relative way (considering other tr around). But I can't say "for an
A, the override is :
\override TextScript #'extra-offset = #'(2.1 . -1.7) , for a B : \override
TextScript
#'extra-offset = #'(2.1 . -2.5)" , and so on.
Can anyone explain to me what these numbers really mean ?
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multiple markups
Hi list ! I'm using lily2.4 on XP. I have to put a rcomma AND a fingering on the same note. I'de like to have the fingering just on top of the note, but the rcomma just on the right, so at a different level. I make : \once \override TextScript #'extra-offset = #'(2.2 . -2) c8.^2 ^\tr. The 2 is well on the top of the note, but tr doesn't "want" to move where I want. question : how can I have "separate override" ? One issue is to put the ^\tr on the next note and adapt the override, but I'd prefer a more honest way ! Regards ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Pictured manual
the only good and complete manual is here : http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/lilypond.html with the mailing list and the tests. Regards "Roman Käppeler" <[EMAIL PROTECTED]> Envoyé par : Pour :lilypond-user@gnu.org lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Pictured manual 21/03/2005 14:48 Hi, does anyone know a LilyPond manual which has the lilypond commands + little pictures together? The "Appendix G Cheat Sheet" from the official manual is exactly what I mean, but it should be more completely including repeats with "alternatives" and so on Does anyone know of a good manual? Verschicken Sie romantische, coole und witzige Bilder per SMS! Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Compile faster
I compile my .ly files within the cygwin window : it runs much faster than cliquing on the .ly file. For the output file, you can specify it in the command : lilypond -- dvi myfile.ly. ( see http://lilypond.org/doc/v2.4/Documentation/user/out-www/lilypond/lilypond.html#Invoking-lilypond) Regards "Roman Käppeler" <[EMAIL PROTECTED]> Envoyé par : Pour :lilypond-user@gnu.org lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Compile faster 21/03/2005 14:39 Hi, I am using LilyPond 2.4.2 under Cygwin (Windows XP). When compiling files it needs about 20 seconds for one file with only a few notes! Is there an option to speed up this process? The output should only be a .dvi-file. At the moment I got *.tex, *.pdf, *.dvi ... I tried the --output=file option telling LilyPond to place the output only to the file testfile.dvi, but the other files are created too, which is very time consuming, I think! Is it possible to compile only files that have been changed? So it would be possible to put different Staffs into different files and compile them seperately and afterwards put them together to only one big file. So, the different other files need not to be recompiled when compiling the big one... Verschicken Sie romantische, coole und witzige Bilder per SMS! Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=021193 ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
making programs
Hi list ! An odd question, that has no direct link with lilypond. I'de like to develop some applications on Linux, and I don't know wich language to use. Actually, I do appreciate the way that lilypond files are structured : I fits quite well with my way of thinking. What sort of language is lily inspired from ? Regards ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
my lilybook pb solved
Hi !
Just a few words to say that I found an issue to my lilybook pb (invokinf lily
didn't work).
I've suppressed the paper block and the \score item (written in lily2.5 doc :
no { in the lilypond
block inserted in latex).
And it does work, even if I have to get rid of a layout pb.
Am I wright ?
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pb invoking lilypond file in latex
Hi list !
Still working on XP :o( with Lily 2.4.2.
I'm trying Latex and lilypond book : it seems quite great, but I have a slight
pb :
I want to insert in a text some noteheads without any staff. This is my lily
file, which goes OK
(thanks lily doc !) :
\paper {
linewidth = 30\mm
indent = 0\mm
}
\score {
\lyrics {
\time 7/8
\markup { \raise #0.75 \vcenter \musicglyph #"noteheads--2neomensural" } 4
\markup { \raise #0.75 \vcenter \musicglyph #"noteheads--1neomensural" } 4
\markup { \raise #0.75 \vcenter \musicglyph #"noteheads-0neomensural" } 4
}
}
I've called it figure1.ly.
Then I try to insert it in my text like this :
(...)
dont la
dur\'{e}e d\'{e}pendait de la quantit\'{e} de mots ou de syllabes qui leur
\'{e}tait associ\'{e}e
(notamment parce que les signes
\lilypondfile[quote,fragment,staffsize=16]{figure1.ly}
n'existaient pas encore).
(...)
It seems that it is the way to do it (cf lily doc 9.2 Integrating LaTeX and
music).
But when I run lilypond-book, its says :
[EMAIL PROTECTED] /cygdrive/c/cygwin/tetex/ofcounterpoint
$ lilypond-book --output=out contrepoint.tex
/usr/bin/lilypond-book (GNU LilyPond) 2.4.2
Reading contrepoint.tex...
Dissecting...
Writing snippets...
Processing...
Running lilypond...GNU LilyPond 2.4.2
Processing `lily-593403792.ly'
Parsing...
Renaming input to: `figure1.ly'
figure1.ly:26:5: error: syntax error, unexpected PAPER:
\pape
r {
figure1.ly:28:19: error: unknown escaped string: `\mm':
linewidth = 30\mm
figure1.ly:29:15: error: unknown escaped string: `\mm':
indent = 0\mm
figure1.ly:54:0: error: Error found in this music expression. Ignoring it:
}
error: failed files: lily-593403792.ly
/usr/bin/lilypond-book: error: Process /usr/bin/lilypond -f tex -I /cygdrive/c/c
ygwin/tetex/ofcounterpoint exited unsuccessfully.
Removing `out/contrepoint.tex'
I think that I forgot to say something to "him" because he doesn't want to
recognize some typical
lily features.
Any help ?
Bye
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lily book
Hi list. I'm trying to start with lilypond book, for I want to translate a counterpoint treaty (16th century) from english to french. I'm beginning to understand texinfo, but I can't manage to insert lily code (when I run texinfo, it says that it doesn't know where lily is..). Can anyone send me a lily book full sample, so I can start with more easely ? Best regards ! JMArc ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
adjusting stem length
Hi list ! Working on XP with lily 2.4.2 I have to adjust the stem length of several notes beamed together. I've tried : \once \override Stem #'beamed-lengths = #'(4) a8 [b c d e f] but it doesn't do anything, whereas \override Stem #'beamed-lengths = #'(4) a8 [b c d e f] is OK. Is there a way to make sort of a \override Stem #'beamed-lengths = ##f after the notes to go back to a normal and automatic stem length ? Another thing is that I don't quite understand the syntax of this \override Stem #'beamed-lengths... Thanks for your help ! Regards ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
pagebreaks
No answer anyone ? Have a nice night ! ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : forcing newline in score?
with 2.2, just use :
\break before the next line.
It should work.
Regards.
Lance Hoffmeyer <[EMAIL PROTECTED]>
Envoyé par :
Pour :lilypond-user@gnu.org
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:
[EMAIL PROTECTED]
Objet : forcing newline in score?
08/02/2005 16:35
Hello all,
I am new to lilypond and am trying to find a way to force a newline?
I read somewhere that will do it but this does not seem to work?
Any suggestions??
\version "2.2.6"
\score{ \notes \relative c''
{
\clef treble
\key c \major
\time 4/4
a' g f e
a g f e
\bar "|."
e f g a
}
\midi {\tempo 4=120 }
\paper { }
}
--
Lance Hoffmeyer
[EMAIL PROTECTED]
---
The natural progress of things is for liberty to yield and
governments to gain ground.
-
Thomas Jefferson
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pagebreaks with 2.4.2
Dear list ,
Even if there has been several discussions upon this subject, I still don't
understand how to use
\pagebreak.
When I moved to 2.4.2 on XP, I converted my 2.2.5 .ly and the \newpage within
the header block in my
main .ly became \\page break :
\version "2.4.0"
#(set-global-staff-size 16)
\header {
title = "MESSE POUR LES INSTRUMENTS"
subtitle = "au lieu des orgues - H.513"
composer = "Marc-Antoine CHARPENTIER (1643-1704)"
}
\include "01.ly"
\score {
<<
\context Staff ="1er dessus" \dessusI
\context Staff ="2ème dessus" \dessusII
\context Staff ="taille" \taille
\context Staff ="basse" \basse
>>
\header {piece="\\pageBreak \\textit{\\textbf{Premier kyrie}
{pour tous les
instruments}}"}
\layout {interscoreline = 0.0
interscorelinefill = 1.0
textheight= 28.0 \cm}
}
But the pagebreak doesn't work anymore.
I've tried another script, from the tip and tricks :
\version "2.4.0"
\header {title = "Title"}
pattern = { a b c d }
\book {
\score {
\context Staff \relative c' {
\pattern
\pageBreak
\pattern
}
}
This one is OK
So I tried to put several score within a sigle book, with pagenreak between
them :
\version "2.4.0"
\header {title = "Title"}
pattern = { a b c d }
\book {
\score {
\context Staff \relative c' {
\pattern
\pageBreak
}
}
\score {
\context Staff \relative c' {
\pattern
}
}
This one doesn't wok.
It seems that \pagebreak works only inside the note block.
I'de like to know how to force a page break between different movements in the
book score, and not
within the notes themselves.
I must admit that on this point, the manual is not very helpfull for me...
Any help ?
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Réf. : Re: Problem installing on WinXP.
Hi list. Actually, that's what I did : I first tried to install 2.4 on XP from lilypond.org, but I couldn't make it work. So I went to cygwin website, and downlaoded the last version of the setup. I downloaded and installed lilypond 2.4.0 and tetex (for other purpose), and everything is OK since then. Have all a good WEnd ! Christ van Willegen <[EMAIL PROTECTED]> Envoyé par : Pour :lilypond-user@gnu.org lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Re: Problem installing on WinXP. 04/02/2005 13:11 Veuillez répondre à Christ van Willegen Hello Ruud, list, I've discussed XP installation problems with Ruud off-list, and wanted to share my findings. This is what I did: - I installed a clean version of Windows XP. - I ran the latest setup.exe from http://www.cygwin.com - Selected a 'random' server close to me (easynet.be, IIRC) - I opened the Publishing package, and I clicked Lilypond (it showed 'skip' to start with). The first version shown was 2.4.2-1. ANother click showed version 2.2. (something). Apparently, some packaging bugs have been fixed. Also, other packages in the list were selected (I didn't pay attention to which ones, I 'just' needed to check a correct installation behaviour). Then, Setup downloaded a few updates packages from the Net (most of the packages were already up-to-date in my installation folder), and started installing Cygwin. Lilypond was correctly installed as well. When running Lilypond, it complained about 2 fonts not being available, but that was about it. It did give me the output I expected. So, unfortunately, I can't be of much assistence in the Windows XP corner, since no problems can be reproduced. Does re-downloading the latest Setup.exe, and re-running it (and checking Lilypond's version while you do that) help? Christ van Willegen ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: convert-ly with lily2.4.2
Thanks for your answer.
Maybe 2 suggestions :
first, there's a little mistake in doc 2.5 :
"It uses \version statements in the input files to detect the old version
number. In most cases, to
upgrade your input file it is sufficient to run
covert-ly -e myfile.ly" .
secondly, it should be written, to my mind, that convert-ly *.ly converts all
the files of the
current folder.
Regards
Mats Bengtsson
<[EMAIL PROTECTED] Pour : Jean-marc LEGRAND
<[EMAIL PROTECTED]>
3.kth.se>cc : lilypond-user@gnu.org
Objet : Re: convert-ly with
lily2.4.2
03/02/2005 16:12
You should definitely not remove any .ly~ file until you have made sure
that the updated file gives the expected results, since the .ly~
contains a copy of your original file (before the conversion) and since
convert-ly is not always fool-proof.
It seems that the formulation in the manual has already been changed in
the version for LilyPond 2.5. Take a look at
http://lilypond.org/doc/v2.5/Documentation/user/out-www/lilypond/Invoking-convert_002dly.html
and send a comment to the mailing list if you have suggestions for
further clarifications.
/Mats
Jean-marc LEGRAND wrote:
>
>
>
> Hi again.
>
> I've tried convert-ly *.ly in my folder, and it has converted all my .ly.
>
> Great, but it is not what is writen in lily manual, or am I wrong ?
> - Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 03/02/2005 13:34
> -
>
> Jean-marc LEGRAND
>Pour :lilypond-user@gnu.org
> 03/02/2005 13:09 cc :
>Objet : convert-ly with
> lily2.4.2
>
>
>
>
> Hi list !
>
> I've just moved to 2.4.2 on XP, and I'm converting all my files.
>
> I've got 2 pb :
>
> 1. convert-ly -e `find . -name '*.ly' -print` doesn't work, and no error
> message.
>
> 2. when I make convert-ly -e fichier.ly, I have à fichier.ly updated but a
> new fichier.ly~ which I
> have to erase manually.
>
> Any help ?
>
> Regards
>
>
>
>
> ___
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--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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convert-ly with lily2.4.2
Hi again. I've tried convert-ly *.ly in my folder, and it has converted all my .ly. Great, but it is not what is writen in lily manual, or am I wrong ? - Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 03/02/2005 13:34 - Jean-marc LEGRAND Pour :lilypond-user@gnu.org 03/02/2005 13:09 cc : Objet : convert-ly with lily2.4.2 Hi list ! I've just moved to 2.4.2 on XP, and I'm converting all my files. I've got 2 pb : 1. convert-ly -e `find . -name '*.ly' -print` doesn't work, and no error message. 2. when I make convert-ly -e fichier.ly, I have à fichier.ly updated but a new fichier.ly~ which I have to erase manually. Any help ? Regards ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
convert-ly with lily2.4.2
Hi list ! I've just moved to 2.4.2 on XP, and I'm converting all my files. I've got 2 pb : 1. convert-ly -e `find . -name '*.ly' -print` doesn't work, and no error message. 2. when I make convert-ly -e fichier.ly, I have à fichier.ly updated but a new fichier.ly~ which I have to erase manually. Any help ? Regards ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
can't open cygwin on XP (lily 2.4)
I've suppressed my cygwin version and downloaded the cygwin version from cygwin official site. All is perfect. Regards - Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 02/02/2005 17:00 - Jean-marc LEGRAND Pour :lilypond-user@gnu.org 02/02/2005 13:41 cc : Objet : can't open cygwin on XP (lily 2.4) Hi list ! I've just installed lily 2.4 on XP with Cygwin. The fact is that I can't compile the test.ly : XP asks me which application I want to use for it. And when I try to open cygwin window to use commands, the window appears briefly ans disappear. Same thing when I want to use convert-ly. I can't remember how I manage with lily 2.2, so can anyone help me ? Regads ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
can't open cygwin on XP (lily 2.4)
Hi list ! I've just installed lily 2.4 on XP with Cygwin. The fact is that I can't compile the test.ly : XP asks me which application I want to use for it. And when I try to open cygwin window to use commands, the window appears briefly ans disappear. Same thing when I want to use convert-ly. I can't remember how I manage with lily 2.2, so can anyone help me ? Regads ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
=?ISO-8859-1?Q?R=E9f=2E_=3A_Re=3A_R=E9f=2E_=3A_Re=3A_beginer_with?= =?ISO-8859-1?Q?_lilypond_book?=
actually, all is wright : after the last ? message, I've pressed enter untill
there were nor more
message. Then I made what is written on lilypond manual and I have now my pdf.
Just one thing : on lily manual is written :
$ latex lilybook
lots of stuff deleted
$ xdvi lilybook.tex
To convert the file into a nice PDF document, run the following commands
$ dvips -Ppdf -u +lilypond lilybook.dvi
$ ps2pdf lilybook.ps
The text in red is missing and for a newby like me...
Thanks for your help !
Mats Bengtsson
<[EMAIL PROTECTED]Pour : Jean-marc LEGRAND
<[EMAIL PROTECTED]>
3.kth.se>cc : lilypond-user@gnu.org
Objet : Re: Réf. : Re: beginer
with lilypond book
20/01/2005 16:03
For the record, you can easily cut and paste from the Cygwin window,
see the instructions for Win NT at http://cygwin.com/faq/faq_3.html#SEC52
The solution for you is to rerun setup.exe and install the packages
tetex-base and tetex-extra, which gives you a more complete TeX
environment. By default, an installation of LilyPond will only give you
the package tetex-tiny which contains a minimal stripped down version
of the TeX environment.
/Mats
Jean-marc LEGRAND wrote:
>
>
>
>
> Here's what happens :
>
> 1. lilypond book is OK :
>
> $ lilypond-book --output=out/ test.tex
> lilypond-book (GNU Lilypond) 2.2.5
> Reading test.tex...
> Dissecting...
> Writing snippets...
> Processing... Running lilypond-bin...
>
> Compilong out//test.tex...
>
>
> and I have a cute "out" folder with a .ly and 2 .tex (test.tex and lily...
> .tex)
>
> 2. latex is not OK
>
> (Embedded image moved to file: pic01416.jpg)
>
> Could you tell me what is wrong ?
>
>
>
>
>
> Mats Bengtsson
> <[EMAIL PROTECTED]Pour :Jean-marc LEGRAND
<[EMAIL PROTECTED]>
> 3.kth.se>cc : lilypond-user@gnu.org
>Objet : Re: beginer with
> lilypond book
> 20/01/2005 14:51
>
>
>
>
>
>
> lilypond-book itself doesn't give you any PDF. Did you perform all
> the steps described at
>
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Integrating-text-and-music.html#Integrating%20text%20and%20music
>
> ?
>
> Otherwise, rerun lilypond-book with the additional flag -V and send the
> printouts to the mailing list.
>
>/Mats
>
> Jean-marc LEGRAND wrote:
>
>>
>>
>>Hi list !
>>
>>I'm just beginning with lilypond book, on XP with lily2.2.
>>
>>I've writen this .tex :
>>
>>\documentclass[a4paper,11pt]{article}
>>\usepackage[T1]{fontenc}
>>\usepackage[english,frenchb]{babel}
>>\author{Me}
>>\title{COUNTERPOINT}
>>
>>\begin{document}
>>\maketitle
>>\tableofcontents
>>\section{début}
>>\'A écrire\dots
>>\section{Suite et Fin}
>>I want to include somme lily stuff
>>\lilypond[staffsize=11]{}
>>\end{document}
>>
>>and made, in cygwin terminal :
>>
>>lilypond-book test.tex.
>>
>>Actually, it doesn't work at all (no error message, and no pdf).
>>
>>What am I doing wrong, SVP ?
>>
>>Regards
>>
>>
>>
>>___
>>lilypond-user mailing list
>>lilypond-user@gnu.org
>>http://lists.gnu.org/mailman/listinfo/lilypond-user
>
>
> --
> =
> Mats Bengtsson
> Signal Processing
> Signals, Sensors and Systems
> Royal Institute of Technology
> SE-100 44 STOCKHOLM
> Sweden
> Phone: (+46) 8 790 8463
> Fax: (+46) 8 790 7260
> Email: [EMAIL PROTECTED]
> WWW: http://www.s3.kth.se/~mabe
> =
>
>
>
>
>
--
=
Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
=
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beginer with lilypond book
Hi list !
I'm just beginning with lilypond book, on XP with lily2.2.
I've writen this .tex :
\documentclass[a4paper,11pt]{article}
\usepackage[T1]{fontenc}
\usepackage[english,frenchb]{babel}
\author{Me}
\title{COUNTERPOINT}
\begin{document}
\maketitle
\tableofcontents
\section{début}
\'A écrire\dots
\section{Suite et Fin}
I want to include somme lily stuff
\lilypond[staffsize=11]{}
\end{document}
and made, in cygwin terminal :
lilypond-book test.tex.
Actually, it doesn't work at all (no error message, and no pdf).
What am I doing wrong, SVP ?
Regards
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=?ISO-8859-1?Q?R=E9f=2E_=3A_Problem_installing_on_WinXP=2E?=
hi !
"Braces don't match" means that the number of { or << is not the same as the
number of } or >> :
just open your test.ly in any text editor and check that all is correct.
Regards
"Jonathon A. Landell" <[EMAIL PROTECTED]>
Envoyé par :
Pour :
lilypond-user-bounces+jean-marc.legrand=total.cc
:
[EMAIL PROTECTED]
Objet : Problem installing on WinXP.
16/01/2005 23:29
Hey.
Sorry I'm such a noob. :0 I'm trying to install this in WinXP Pro, and I
got this test log.
Any ideas what's wrong?
Thanks
-Jonathon
---
Jonathon A. Landell, Jr.
Landell Flutes
529 Williams Hill Rd.
Richmond VT 05477 USA
802-434-4317 p/f
www.landellflutes.com
(See attached file: test.log)___
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test.log
Description: Binary data
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creating objects
Hi, and happy new year for everyone ! I'm trying to traslate to a global score pieces of viol music written by Marin MARAIS. The thing is that I ahve to use markups that don't exist in lily2.2.5. Is it possible to draw those markups and insert them in my pdf ? Or would it be more simple to scan those object and insert them in the pdf itself ? Regards ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
=?ISO-8859-1?Q?R=E9f=2E_=3A_Figured_bass_questions?=
(1) I can't figure out how it looks like, just because I have Lily 2.2...
(2) I've used a trick that doesn't have anything to do with figured bass,
something like :
e2-"\\embeddedps{0.1 setlinewidth 2.5 9 moveto 4 0.5 rlineto stroke}"
which draws a line from the bass note to another point (warning : lily 2.0 !).
And it looks exactly
like professional figured bass
(3)
It seems that there were a lot of questions on this subject in the mailling
list. I haven't tried to
resolve this pb...
Happy new year for everyone !
Gilles <[EMAIL PROTECTED]>
Envoyé par :
Pour :lilypond-user@gnu.org
lilypond-user-bounces+jean-marc.legrand=total.cc
:
[EMAIL PROTECTED]
Objet : Figured bass questions
07/01/2005 12:33
Hi.
I'm re-posting this one (plus other questions), as I'm not sure it
went through (and the archive search engine is again not working
at the moment: Fri Jan 7 12:31:31 CET 2005).
(1)
I've just installed 2.4.2 because "Regression tests"
(http://lilypond.org/doc/v2.4/input/regression/out-www/lily-347603903.ly)
showed that strings now appear in the output (there was a blank instead
in v2.2.6)
I thought I could use that feature for some missing support in the figured
bass notation. Namely, the piece sometimes contain a "x" (cross) before
the figure.
I tried
<"x"4>
but, although the string is "glued" to the digit, it appears in the output
as if there was a space between them (hence the "x" is printed above the "4").
Whereas, with
<"x4">
the layout is right but the digit is printed with font and size different
from the other figures.
What would be a workaround?
(2)
How to create a thin line (indicating that the chord is sustained throughout
the measure)?
In the archive, a trick with postscript was proposed (which I can't find right
now...); I tried it within the "\figuremode" but it didn't work ("junking
TextScript event"...). Is there a way to include the incantation in the
vicinity of the figured bass code?
(3)
In an expression like
<7 _+>
the sharp sign is not aligned vertically with the digit "7" (but slightly too
much to the right, because of the space "_" I assume), which is not very
aesthetic.
Is it supposed to be so? Is there some tweak to move it back to the the
appropriate position?
Thanks,
Gilles
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Réf. : Closer Figured Bass
this is what I do with mine :
\context Voice \notes {
\set Staff.minimumVerticalExtent = #'(0 . 0)
to have it very close to the notes. Actually, I've never used it with other
figures !
(I use Lily 2.2.5)
Good Luck !
Gilles <[EMAIL PROTECTED]>
Envoyé par :
Pour :[EMAIL PROTECTED]
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:
[EMAIL PROTECTED]
Objet : Closer Figured Bass
20/12/2004 02:13
Hello.
Is there an "\override" (for v2.2.6) to make the figured bass
numbers closer to the annotated staff?
I tried
\override FiguredBass.BassFigure #'padding = #-4
but it didn't seem to do anything.
Thanks,
Gilles
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Réf. : Re: who uses lilypond
I have tried to use OCR for musci (cannot remember the name), but it was a mess. even for good quality originals... good luck "Michael Kallas" <[EMAIL PROTECTED]> Envoyé par : Pour :[EMAIL PROTECTED] lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Re: who uses lilypond 09/12/2004 13:35 Hi, At the moment, I'm using Lilypond to transcribe some handwritten arrangements to clearly readable sheets of music for the choir I'm singing in. The satb.ly template is a good start for that. Support from the mailing list has also been great so far! Question: does anybody have successfully used OCR for recreating music? Michael (now subscribed) ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
who uses Lily ?
I use it most for engraving from ancient fac simile, or old scores (80%) Sometimes for composing (20%) ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : who uses lilypond
Reading all the messages of lily users, I think that most of the users met in the mailing list use Lily for copying music. Sadly, the scores published nowadays don't mention the apps used, so that's indded very difficult to have a good average for this purpose. It may be possible to ask the mailing list the use of Lily that each of us have, through a classical quizz (who are you, what do you use Lily for, etc.). Aaron <[EMAIL PROTECTED]> Envoyé par : Pour :[EMAIL PROTECTED] lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : who uses lilypond 01/12/2004 11:38 I was having a discussion with a friend and he asked me. Who uses lilypond? composers publishers music copyists students other I wasn't sure I think that publishers probably already have legacy apps they use not lilypond. but I am not sure how this falls in numbers for the other categories. does anyone mind a informal survey? what do you use lilypond for. Aaron ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : microsoft version of lilypond
- Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 26/11/2004 13:19 - Jean-marc LEGRAND Pour : "hilary de vries" <[EMAIL PROTECTED]>@group 26/11/2004 13:19 cc : Objet : Réf. : microsoft version of lilypond(Document link: Jean-marc LEGRAND) anyone is OK. I think it's just a question of different mirrors. I've personnaly had to try two of them to get the installation OK Have fun ! "Hilary de Vries" <[EMAIL PROTECTED]> Pour : <[EMAIL PROTECTED]> Envoyé par : cc : lilypond-user-bounces+jean-marc.legrand=total. Objet : microsoft version of lilypond [EMAIL PROTECTED] 26/11/2004 13:15 Hi folks Have downloaded the cygwin setup and have got stuck. When I get to the cygwin setup- choose your site window, I don't know which site to choose! Can you tell me which one? look forward to hearing from you Hilary de Vries (Scotland) --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.799 / Virus Database: 543 - Release Date: 19/11/2004 ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: stemlength
it does work : thanks a lot ! Christ van Willegen Pour :Jean-marc LEGRAND <[EMAIL PROTECTED]> <[EMAIL PROTECTED]cc : [EMAIL PROTECTED] .com>Objet : Re: stemlength 24/11/2004 11:37 Hi Jean-Marc, > particulary \override Stem #'length = # but it doesn't work. > Maybe it's because I have beamed notes, like : > > \override Stem #'length = #35 b8 [\clef alto b'16 b] ? Searching the mailing list, I find the following: The corresponding property for notes with beams is called 'beamed-lengths'. An example: \override Stem #'beamed-lengths = #'(2.6 2.6 3.2) These are the beams lenghts for 8th, 16th, ... notes. Hope this helps! Christ van Willegen ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
stemlength
Hi list ! Working with Lily 2.2 on XP. I'm terribly sorry, but I've tried several tweaks to manage to move the length of beamed notes, particulary \override Stem #'length = # but it doesn't work. Maybe it's because I have beamed notes, like : \override Stem #'length = #35 b8 [\clef alto b'16 b] ? Thanks for help ! ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Please help me with Windows XP install...
Everything is available at http://lilypond.org/web/download/windows.html, and very well explained ! Have fun ! "B L" <[EMAIL PROTECTED]> Envoyé par : Pour :[EMAIL PROTECTED] lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Please help me with Windows XP install... 23/11/2004 23:43 Hello :) Can you please tell me what files (and how/where to find them) I need to install LilyPond most recent release on WINdows XP? I was reading the windows help page but I was confused about some things (Cygwin etc) Thank you very much. If you can give me stepbystep...I would really appreciate that. Thank you so much! Keep up the great work :) -Brian ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: scordatura
Here's my final solution to indicate before a staff the tuning of an instrument :
\relative c {
\override Staff.TimeSignature #'transparent = ##t %no time signature
\tiny % tiny font size
\clef F
\override Stem #'transparent = ##t %noteheads only
4% the tuning
\normalsize % return to normal size.
\bar "||"
}
(...)
Thanks for those who have given me precious advices !
PS : to make it really "authentic", I'd like to have a tiny clef before the chord, and
return after
the || to a normal clef : how can I do ?
- Réacheminé par Jean-marc LEGRAND/CRS/FR/RM/Corp le 04/11/2004 15:39 -
Jean-marc LEGRAND
Pour : graham percival <[EMAIL
PROTECTED]>@group
04/11/2004 09:09 cc : Jean-marc LEGRAND <[EMAIL
PROTECTED]>, [EMAIL PROTECTED]
Objet : Réf. : Re:
discordatura(Document link: Jean-marc LEGRAND)
Thanks for your trick : it does work.
But I still have a problem. TYhis is what I wrote :
\clef F
\relative c {
\tiny
\override Stem #'transparent = ##t
4
\normalsize
}
\override Stem #'transparent = ##f
\override Key #'transparent = ##f
\bar "||"
\key d \minor
\clef F
\relative c {
(...)
And I'd like a tiny F clef before the chord, and a noirmal one after the \bar "||".
I cannot find the property linked to the clef, and I don't know how to force a clef in
the staff.
Con you help me again ?
Graham Percival
<[EMAIL PROTECTED]Pour :Jean-marc LEGRAND <[EMAIL
PROTECTED]>
>cc : [EMAIL PROTECTED]
Objet : Re: discordatura
03/11/2004 08:08
On 2-Nov-04, at 12:23 AM, Jean-marc LEGRAND wrote:
> I'm typesetting a piece from Tobias Humes' Musical Humors for the
> viol. Some pieces are tuned "as
> the Bandora", which means that the common way to tune a viol has to be
> changed. In the classical way
> , the special tuning is indicated before the first "clef", as a chord
> of blacks noteheads (without
> notebar). How can I reproduce that in my score, please ?
I do it this way (for viola):
\clef alto
\relative c {
\tiny
\override Stem #'transparent = ##t
4
\normalsize
}
\override Stem #'transparent = ##f
\bar "||"
\relative c' { main piece }
This doesn't place the tuning before the clef, key, and time
signatures, but you
could mimic that by hiding those items and putting them later. It
seems more
work that it's worth, though -- this notation is (IMO) clear enough.
Cheers,
- Graham
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polyphony and barlines
Hi ! It seems, with lily2.2, that lily doesn't accept in polyphony differences betwenn staves with the barline location. I'm typesetting some ancient music and barlines are not located in the same way from a voice to another. How can I make lily ignore such differences ? ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: lines/graphic notation?
Hi !
That's a point I myself try to find an issue.
You could try to find an issue in regression tests : either you adapt
cluster-cross-staff to your
case, either the glissando.ly (that's what I've tried, but I couldn't find how to get
a good result
:o(
Have fun !
D Josiah Boothby <[EMAIL PROTECTED]>
Envoyé par : Pour :
lilypond <[EMAIL PROTECTED]>
lilypond-user-bounces+jean-marc.legrand=total.cc :
[EMAIL PROTECTED]
Objet : Re: lines/graphic notation?
04/11/2004 12:27
I don't think that the attachment worked right. The example can be seen at
http://students.washington.edu/josiah/oscillation1.png
josiah
On Thu, 4 Nov 2004, D Josiah Boothby wrote:
> Hello, all,
>
> I'd like to draw a (visually simple) oscillation line over a note. I realize
> it would probably require a knowledge of postscript... but I don't have any
> idea where to start with postscript. Ideally, the line would change direction
> at specific enough points so that they can be aligned in the measure with
> other things going on.
>
> I've included a Gimp-edited example which gives a basic idea as to what I'm
> trying to acheive. If at all possible, it would be ideal if I could set it up
> like a lyric staff:
>
> oscillation = { s4\instruction1 s16\instruction2 s\instruction3 ... }
> notes = { bes1 }
>
> ...and end up putting them together, as I mentioned above like lyrics.
>
> Any ideas on how I can do this, or where to look to learn postscript?
>
> Thanks,
>
> Josiah
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Réf. : Re: discordatura
Thanks for your trick : it does work.
But I still have a problem. TYhis is what I wrote :
\clef F
\relative c {
\tiny
\override Stem #'transparent = ##t
4
\normalsize
}
\override Stem #'transparent = ##f
\override Key #'transparent = ##f
\bar "||"
\key d \minor
\clef F
\relative c {
(...)
And I'd like a tiny F clef before the chord, and a noirmal one after the \bar "||".
I cannot find the property linked to the clef, and I don't know how to force a clef in
the staff.
Con you help me again ?
Graham Percival
<[EMAIL PROTECTED]Pour :Jean-marc LEGRAND <[EMAIL
PROTECTED]>
>cc : [EMAIL PROTECTED]
Objet : Re: discordatura
03/11/2004 08:08
On 2-Nov-04, at 12:23 AM, Jean-marc LEGRAND wrote:
> I'm typesetting a piece from Tobias Humes' Musical Humors for the
> viol. Some pieces are tuned "as
> the Bandora", which means that the common way to tune a viol has to be
> changed. In the classical way
> , the special tuning is indicated before the first "clef", as a chord
> of blacks noteheads (without
> notebar). How can I reproduce that in my score, please ?
I do it this way (for viola):
\clef alto
\relative c {
\tiny
\override Stem #'transparent = ##t
4
\normalsize
}
\override Stem #'transparent = ##f
\bar "||"
\relative c' { main piece }
This doesn't place the tuning before the clef, key, and time
signatures, but you
could mimic that by hiding those items and putting them later. It
seems more
work that it's worth, though -- this notation is (IMO) clear enough.
Cheers,
- Graham
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Réf. : Re: scordatura
Thanks for yopur answer. Actually, scordatura in lily doesn't refer to scordatura in baroque music. I'll try to engrave a first measure with teeny clef and notes before the first measure. Regards Mats Bengtsson <[EMAIL PROTECTED] Pour : Jean-marc LEGRAND <[EMAIL PROTECTED]> 3.kth.se>cc : [EMAIL PROTECTED] Objet : Re: scordatura 03/11/2004 14:26 Just go to the documentation for version 2.2.6 at www.lilypond.org, click on "Regression Tests" and you'll find it! However, it doesn't answer your previous question. I'll take a look when I get time, I made a solution several years ago but I suspect it will require some work to get it going for the current LilyPond. /Mats Jean-marc LEGRAND wrote: > > > > Hi list ! > > Does anybody know where I can find the > lilypond-2.2.2/input/regression/key-signature-scordatura.ly > ? > > Thanks ! > > > > ___ > lilypond-user mailing list > [EMAIL PROTECTED] > http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
scordatura
Hi list ! Does anybody know where I can find the lilypond-2.2.2/input/regression/key-signature-scordatura.ly ? Thanks ! ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: discordatura
Actually, it has the same shape (noteheads without stem. But it has to indicate the tuning of each of the 6 strings. So ambitus doesn't match. regards Walter Hofmeister <[EMAIL PROTECTED]Pour : Jean-marc LEGRAND <[EMAIL PROTECTED]> .net>cc : Objet : Re: discordatura 02/11/2004 18:30 On 11/2/04 2:23 AM, "Jean-marc LEGRAND" <[EMAIL PROTECTED]> wrote: > > > > > Hi list ! > > I'm typesetting a piece from Tobias Humes' Musical Humors for the viol. Some > pieces are tuned "as > the Bandora", which means that the common way to tune a viol has to be > changed. In the classical way > , the special tuning is indicated before the first "clef", as a chord of > blacks noteheads (without > notebar). How can I reproduce that in my score, please ? > > Regards > > > > ___ > lilypond-user mailing list > [EMAIL PROTECTED] > http://lists.gnu.org/mailman/listinfo/lilypond-user Could this not be handled like an ambitus in vocal music? Walter Hofmeister ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: discordatura
On 11/2/04 2:23 AM, "Jean-marc LEGRAND" <[EMAIL PROTECTED]> wrote: > > > > > Hi list ! > > I'm typesetting a piece from Tobias Humes' Musical Humors for the viol. Some > pieces are tuned "as > the Bandora", which means that the common way to tune a viol has to be > changed. In the classical way > , the special tuning is indicated before the first "clef", as a chord of > blacks noteheads (without > notebar). How can I reproduce that in my score, please ? > > Regards > > > > ___ > lilypond-user mailing list > [EMAIL PROTECTED] > http://lists.gnu.org/mailman/listinfo/lilypond-user Could this not be handled like an ambitus in vocal music? Walter Hofmeister ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
discordatura
Hi list ! I'm typesetting a piece from Tobias Humes' Musical Humors for the viol. Some pieces are tuned "as the Bandora", which means that the common way to tune a viol has to be changed. In the classical way , the special tuning is indicated before the first "clef", as a chord of blacks noteheads (without notebar). How can I reproduce that in my score, please ? Regards ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Re: breaking line in markup
I actually missed the point. Thanks for reminding me.
Anytway, I still don't know how to break the line not at each word.
Writing this :
_\markup { \column < quand la procession sen retournera > }
gives me :
quand
la
procession
sen
retournera
just as in Lily book.
How can I control the point where I want a breakline ?
Regards
Mats Bengtsson
<[EMAIL PROTECTED]Pour :Jean-marc LEGRAND <[EMAIL
PROTECTED]>
3.kth.se>cc : [EMAIL PROTECTED]
Objet : Re: breaking line in markup
28/10/2004 15:37
Read about the \column markup command at
http://lilypond.org/doc/v2.2/Documentation/user/out-www/lilypond/Text-markup.html#Text%20markup
/Mats
Jean-marc LEGRAND wrote:
>
>
>
> Hi list !
>
> I'de like to write a _\markup {\italic {quand la procession sen retournera joüez ce
> qui suyt} in
two
> lines, so that the text doesn't get out of the page. Id'e like to have this :
>
> quand la procession sen retournera
> joüez ce qui suyt
>
> with the two line aligned on the left.
>
> How can I break the line within a markup ?
>
> Thanks for all.
>
>
>
> ___
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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
WWW: http://www.s3.kth.se/~mabe
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breaking line in markup
Hi list !
I'de like to write a _\markup {\italic {quand la procession sen retournera joüez ce
qui suyt} in two
lines, so that the text doesn't get out of the page. Id'e like to have this :
quand la procession sen retournera
joüez ce qui suyt
with the two line aligned on the left.
How can I break the line within a markup ?
Thanks for all.
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stem doesn't fit in beam
Hi list !
A weird message, and I can't figure out what it means (it worked very well till this
afternoon !).
Here's my script :
tenor = \notes
\relative c' {
\override Staff.TimeSignature #'style = #'default
\override Rest #'style = #'neo_mensural
\time 4/4
\key d \minor
\clef "petrucci_c3"
r1
r
r
r
r
r4 a' a bes8. a16
g4 c4. bes8 [a8. g16]
fis2 f4. g8
e4 f4. [f8 f8. f16]
g4. g8 f [f f8. f16]
f8 [d e fis] g4. g8
g4. g8 f4 g8. f16
e4 c f4. ees8
d4 d8 ees d4. d8
d4. d8 e4 f8. ees16
d4 ees f4. f8
f [d e fis] g4. g8
fis4. fis!8 g4 g8 f
ees8 [f ees! d] c d ees!4
d4. d8 d2
\bar "|."
}
And here's the message :
warning: stem doesn't fit in beam:
e4 f4. [f8 f8. f16]
Everything seems OK, and I've already used such beaming. What's wrong with the stems ?
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Réf. : Re: \include "paper16.ly"
hi again ! I've read the doc about convert-ly, but I can't understand how to use it on XP... and I can't manage to use the Lily archives on my PC... help ! Mats Bengtsson <[EMAIL PROTECTED] Pour : Jean-marc LEGRAND <[EMAIL PROTECTED]> 3.kth.se>cc : [EMAIL PROTECTED] Objet : Re: \include "paper16.ly" 27/10/2004 13:51 Did you try running convert-ly on any of your old files? You could also take a look at the example called size16.ly in Regression Tests. /Mats Jean-marc LEGRAND wrote: > > > > Hi list ! > > I'm using lily 2.2 on XP. > > Before I moved to 2.2, I used to put \include "paper16.ly" in my scripts for large > pieces. > It doesn't seem to work anymore. > I've tried to apply the Regression Test about the staff size, but I don't know how > to use it. Any > simple trick ? > > Regards > > > > ___ > lilypond-user mailing list > [EMAIL PROTECTED] > http://lists.gnu.org/mailman/listinfo/lilypond-user -- = Mats Bengtsson Signal Processing Signals, Sensors and Systems Royal Institute of Technology SE-100 44 STOCKHOLM Sweden Phone: (+46) 8 790 8463 Fax: (+46) 8 790 7260 Email: [EMAIL PROTECTED] WWW: http://www.s3.kth.se/~mabe = ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
\include "paper16.ly"
Hi list ! I'm using lily 2.2 on XP. Before I moved to 2.2, I used to put \include "paper16.ly" in my scripts for large pieces. It doesn't seem to work anymore. I've tried to apply the Regression Test about the staff size, but I don't know how to use it. Any simple trick ? Regards ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Where is it?
What is your OS ? "Mirjam Warnas-Sies" <[EMAIL PROTECTED]> Envoyé par : Pour : <[EMAIL PROTECTED]> lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Where is it? 24/10/2004 23:47 Veuillez répondre à hallo Hi, I downloaded Lilypond as described, but I got Cygwin on my desktop, so how do I start/where do I find Lilypond? sincerely, Mirjam Warnas ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : test.ly doesn't work
hi ! It seems that your Lily setup doesn't work : how did you install Lily ? "Kevin" <[EMAIL PROTECTED]> Envoyé par : Pour : <[EMAIL PROTECTED]> lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : test.ly doesn't work 25/10/2004 14:31 Hello, Thank you very much for this program. My daughter can't wait to get her hands on it. Unfortunately I'm not having any luck with it. I have windows XP Pro I downloaded the file and test.ly - it appears in the web page and I have saved it as test.ly When I run it XP asks what program, I chose Acrobat as this is the only pdf viewer I know. It then says it is an unsupported file format. Is there any thing else I can do? Thanks for your time Regards Kevin Kevin Vaughan ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Very minor problem with lilypond
Maybe my answer is very silly, but have you tried to change the order of music, lyrics and chords in your script ? I've done this with bass and its figures to have the figures above and not under the staff. Michiel Lange <[EMAIL PROTECTED]> Envoyé par : Pour : [EMAIL PROTECTED] lilypond-user-bounces+jean-marc.legrand=total.cc : [EMAIL PROTECTED] Objet : Very minor problem with lilypond 21/10/2004 19:55 I have this sheet of music with the following set-up: Music (in two staffs), Lyrics and Chrods. In pure essence I get it right on the paper, however the chords are below the music (violin staff, above the bass staff) just above the lyrics. What I'd like most however is to have the chords above the violin staff and the lyrics between the two music staffs... what could it be I'm doing wrong? I'm not really at home atm, and have very limited time... if it would make the case much easier I can provide examples of course... But I'm thinking of it now and the problem is so minor that I'd very soon forget it anyway... Thanks though... Michiel ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list [EMAIL PROTECTED] http://lists.gnu.org/mailman/listinfo/lilypond-user
Réf. : Figured Bass Questions.....
Hi !
I have an answer for the lines after figures. I've done this on Lily2.0 and win XP,
with a Marais
piece for the viol.
For these lines, I used the proprety e2-"\\embeddedps{0.1 setlinewidth 2.5 9 moveto 4
0.5 rlineto
stroke}", which draws a line from the note e. As far as I can remmeber, 0.1 is the
thickness of the
line, 2.5 9 the start point from the note e, and 4 0.5 the end of the line. Note that
the line is
drawn from the notes, and not from the figures. I haven't tried this trick on lily2.2
yet. But I'm
sure you can get it in the regression tests.
For your sharp pb, I must admit I have the same !
Bye
"Trent J" <[EMAIL PROTECTED]>
Envoyà par : Pour :
[EMAIL PROTECTED]
lilypond-user-bounces+jean-marc.legrand=total.cc :
[EMAIL PROTECTED]
Objet : Figured Bass Questions.
18/10/2004 00:19
Good Morning all,
Iâve been playing around with Lilypond for quite a while now. Iâve been
evaluating it type setting quite a variety of scores â mainly baroque works
instrumental and vocal using both ancient time signatures and notes and have
found the output to be excellent. I've even started using Linux-Fedora (a
big leap from windows) so I can use the latest versions of lilypond.
The only reservations that I have now is the figured bass. I have looked up
several questions people have about this and found a variety of different
figuring which does not seem to work well together.
My questions are these:
Proper alignment of figures eg.
7
#3
2
Itâs most important that the sharp on the three be on the left of the number
and not on the right so as not to confuse a sharpened 3rd resolution after
the current figures.
I have tried several markups which never quite able to match these figures
(the figured bass context is too weak to provide the complexity of some
figured bass settings)
The other question is the thin line representing a holding of the previous
part of the figured bass. ie. Some or all of the previous chord is held.
Eg. 5---
7 b6 the thin line ( --- ) indicates that the
5th note should be held while adding the flattened 6th or
6 _
5
indicating that the previous chord is to be heldâ. This can be held for
either for the next bass notes or a series of bass notes.
Does anyone have a full scheme/way of setting out a figured bass?
Any help in this matter would be appreciated. Are there any plans to
strengthen figured bass support? I would suggest that if there was then
lilypond would possibly be the best notation package available being able to
typeset all music. It might even rival SCORE (the mysterious notation
package that only âbiggerâ music publishing firms can seem to get their
hands on).
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Réf. : Re: two questions
I can't remember what you want to do, but if you aim to have a multiple voice staff,
you have to
write :
\score {
\notes
<<
\context Staff ="foo" \foo
\context Staff ="bar" \bar
\context Staff ="foo" \foo
\context Staff ="bar" \bar
>>
"Ralph Little" <[EMAIL PROTECTED]>
Envoyé par : Pour :
<[EMAIL PROTECTED]>
lilypond-user-bounces+jean-marc.legrand=total.cc :
[EMAIL PROTECTED]
Objet : Re: two questions
15/10/2004 14:54
Hi,
Sorry if this has already been answered, but SPAM makes my spam filter
kill every other digest or so... :(
I tried to answer your first question with the following solution, which
is to use \relative in your notes blocks, which should fixed the octaves
of you notes at source.
However, it doesn't work as I expected! It renders each part on separate
staff contexts!!?!?
Anybody know why?
--8<--8<---
foo = \notes \relative c''
{
c4 d e f g a b c r4
}
bar = \notes \relative c''
{
e4 b c d a g
}
\score {\notes
{
\foo
\bar
\foo
\bar
\foo
\bar
}
--8<--8<---
I tried this on 2.2.6.
Regards,
Ralph
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contrary of \\Huge
Hi list !
A very simple question, with, for sure, a very simple answer !
I'de like to change the size of the copyright. I saw in the archives that
copyright = "\\Huge {blabla}" makes it... huge.
What is the contrary of Huge ? I tried \\Small, \\Tiny and \\Teeny, but it doesn't
work !
Thanks for all and have a good WEnd !
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Réf. : Re: Réf. : Re: transparent stems
<<{\override Stem #'transparent = ##t a,2}\\{\override Stem #'transparent = ##t c}>>
is OK. Thanks !
I use this type of notation for baroc viol music, in which intermediate notes in a
chord are
stemless.
Mats Bengtsson
<[EMAIL PROTECTED] Pour :Jean-marc LEGRAND <[EMAIL
PROTECTED]>
3.kth.se>cc : [EMAIL PROTECTED]
Objet : Re: Réf. : Re: transparent
stems
07/10/2004 15:32
A setting such as
\override Stem #'transparent =##t
will apply to the current Voice context and does certainly work.
However, in your example, you use the construct
<< {...} \\ {...} >>
which implicitly puts the two lines of music into separate
Voice contexts named "1" and "2", respectively.
The easiest is probably to just keep all the notes in the same
Voice context:
<<{a,2}{c}>> <<{a}{c}>>
Or even write these chords as chords instead of simultanous
voices:
\new Voice \relative c' {\voiceThree
2
}
Then, you probably shouldn't even make the stem transparent, since
LilyPond automatically will move the notes to the right in \voiceThree
to make it clear what notes belong where.
If you really want transparent stems and separate voices,
try:
<<{\override Stem #'transparent = ##t a,2}\\{\override Stem
#'transparent = ##t c}>> <<{a}\\{c}>>
Even though I would find it very difficult as a musician to
interprete that notation.
/Mats
Jean-marc LEGRAND wrote:
>
>
>
> Yes, I've read the News, and translated : \property Staff.Stem \set #'transparent =
> ##t into
> \override Staff.Stem #'transparent = ##t. But the whole notes have transparent
> stems, whereas I'd
> like just the middle voice (voicethree) like this. And when I replace Staff by
> Voice, it doesn't
do
> anything.
>
> Any trick ?
>
>
>
> Mats Bengtsson
> <[EMAIL PROTECTED]Pour :Jean-marc LEGRAND
<[EMAIL PROTECTED]>
> 3.kth.se>cc : [EMAIL PROTECTED]
> Objet : Re: transparent stems
> 07/10/2004 13:18
>
>
>
>
>
>
> Did you try convert-ly to update the syntax?
> Also, did you read the NEWS file for version 2.2?
>
> /Mats
>
> Jean-marc LEGRAND wrote:
>
>>
>>
>>Hi list !
>>
>>Working on Lily2.2 and XP, I cannont find how to translate the "\property Staff.Stem
>>\set
>>#'transparent = ##t" I used on Lily2.0. I have a staff with 3 voices, and I want to
>>make the stems
>>of the middle voice transparent.
>>I've tried \override Staff.Stem #'transparent = ##t and it makes the wholes stems
>>transparent (in
>>the 3 voices).
>>So I've tried \override Voice.Stem #'transparent = ##t, and nothing happens.
>>I've also tried the Lilybook trick : \override Stem #'transparent = ##t : idem.
>>
>>What can I do, please ?
>>
>>Here's my script :
>>
>>basseI =\notes
>> \context Staff <<
>>\new Voice {\voiceOne
>>\time 4/4
>>\clef bass
>> \relative c {
>>f2 f
>>\bar "||"
>>}
>>}
>>\new Voice {\voiceTwo
>>\relative c {
>>\stemDown
>>f,2 f
>>}
>>}
>>
>>\new Voice {\voiceThree
>>\relative c' {
>>\override Stem #'transparent = ##t
>><<{a,2}\\{c}>> <<{a}\\{c}>>
>>}
>>}
>>
>>
>>
>>
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>
>
> --
> =
> Mats Bengtsson
> Signal Processing
> Signals, Sensors and Systems
> Royal Institute of Technology
> SE-100 44 STOCKHOLM
> Sweden
> Phone: (+46) 8 790 8463
> Fax: (+46
Réf. : Re: transparent stems
Yes, I've read the News, and translated : \property Staff.Stem \set #'transparent =
##t into
\override Staff.Stem #'transparent = ##t. But the whole notes have transparent stems,
whereas I'd
like just the middle voice (voicethree) like this. And when I replace Staff by Voice,
it doesn't do
anything.
Any trick ?
Mats Bengtsson
<[EMAIL PROTECTED] Pour :Jean-marc LEGRAND <[EMAIL
PROTECTED]>
3.kth.se>cc : [EMAIL PROTECTED]
Objet : Re: transparent stems
07/10/2004 13:18
Did you try convert-ly to update the syntax?
Also, did you read the NEWS file for version 2.2?
/Mats
Jean-marc LEGRAND wrote:
>
>
>
> Hi list !
>
> Working on Lily2.2 and XP, I cannont find how to translate the "\property Staff.Stem
> \set
> #'transparent = ##t" I used on Lily2.0. I have a staff with 3 voices, and I want to
> make the stems
> of the middle voice transparent.
> I've tried \override Staff.Stem #'transparent = ##t and it makes the wholes stems
> transparent (in
> the 3 voices).
> So I've tried \override Voice.Stem #'transparent = ##t, and nothing happens.
> I've also tried the Lilybook trick : \override Stem #'transparent = ##t : idem.
>
> What can I do, please ?
>
> Here's my script :
>
> basseI =\notes
> \context Staff <<
> \new Voice {\voiceOne
> \time 4/4
> \clef bass
> \relative c {
> f2 f
> \bar "||"
> }
> }
> \new Voice {\voiceTwo
> \relative c {
> \stemDown
> f,2 f
> }
> }
>
> \new Voice {\voiceThree
> \relative c' {
> \override Stem #'transparent = ##t
> <<{a,2}\\{c}>> <<{a}\\{c}>>
> }
> }
>
>
>
>
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=
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Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROTECTED]
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