[BAROQUE-LUTE] Vivaldi - Concertos and Trios for Lute and Mandolin
Dear friends, I'm pleased to announce that my edition of Vivaldi's Trios and Concertos for lute and mandolin is now available. The volume contains the following works: • Trios RV 82 and 85 • Lute Concerto RV 93 • Mandolin Concertos 425 and 532 • Concerto 540 for viola d'amore, lute and strings Its main features are: - Concerto RV 425: the ossia measures, written by Vivaldi for the mandolin part and omitted in Malipiero's edition, are here included - Concerto RV 540: the lute part includes the basso continuo staff, as in the original manuscript; the viola d'amore part includes the tutti, as in the original ms - the separate lute parts are always available in two formats: one written at pitch, and the other one written on octave higher, as in the original manuscripts - the separate lute parts always include the basso continuo staff The volume contains a rich essay by Rossella Perrone (in Italian and in English) about Vivaldi's works for plucked instruments. http://issuu.com/emotiv/docs/vivaldidemo http://www.carisch.com/catalog/product/view/id/17780/ http://www.fondazionearcadia.org/it/0039/862-864-26/concerti_e_trii_per_liuto_e_mandolino.html Best regards, Fabio Rizza To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[BAROQUE-LUTE] Post French and Pre Weiss: what shall we call it?
Having spent much happy time on my 11 course lute playing the music of Reusner, Conradi, Kellner, Weichenberger and St. Luc, it dawns on me that we don't really have a good descriptor for the period. It is after the French precieux and Brise styles (but has some elements), brings in more of a cantabile Italian relationship between melody and bass line but doesn't go all the way to the Gallant emphasis on melody (I am sure I have made many a musicologist cringe with my oversimplifications here). Many recordings that include pieces from the period are titled German Baroque Lute Music, or something similar, but that of course doesn't give a fair geographic representation to the Czech, Silesian, Swedish and Belgian composers. Transitional would be a good descriptive term but alas has already been coapted by those funny tuning systems between Renaissance and d minor. Any ideas? Danny To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Vivaldi - Concertos and Trios for Lute and Mandolin
Dear friends, I'm pleased to announce that my edition of Vivaldi's Trios and Concertos for lute and mandolin is now available. The volume contains the following works: • Trios RV 82 and 85 • Lute Concerto RV 93 • Mandolin Concertos 425 and 532 • Concerto 540 for viola d'amore, lute and strings Its main features are: - Concerto RV 425: the ossia measures, written by Vivaldi for the mandolin part and omitted in Malipiero's edition, are here included - Concerto RV 540: the lute part includes the basso continuo staff, as in the original manuscript; the viola d'amore part includes the tutti, as in the original ms - the separate lute parts are always available in two formats: one written at pitch, and the other one written on octave higher, as in the original manuscripts - the separate lute parts always include the basso continuo staff The volume contains a rich essay by Rossella Perrone (in Italian and in English) about Vivaldi's works for plucked instruments. http://issuu.com/emotiv/docs/vivaldidemo http://www.carisch.com/catalog/product/view/id/17780/ http://www.fondazionearcadia.org/it/0039/862-864-26/concerti_e_trii_per_liuto_e_mandolino.html Best regards, Fabio Rizza To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Caro mio ben found before Giardano's birth...
Well, now there is this (well modest and dark...:-) http://www.youtube.com/watch?v=2ZY1M3QAOZw Arto On Fri, 10 Sep 2010 22:08:08 -0700, David Tayler vidan...@sbcglobal.net wrote: Very cool! dt At 05:22 AM 9/10/2010, you wrote: I wrote about a finding to the baroque lute list, but maybe also the main List is interested in this: Perhaps you or your friends have sung songs of the so Arie Antique? I just got the Rostock Mus.saec. XVII.18.-52.2 published by the Deutsche Lautengesellschaft and edited by Markus Lutz. Very interesting book, clearly much good music at the first sight! I was just glimpsing the ms. here and there, and found something interesting: The Gavotte fol. 26v sounded so familiar - and then I discovered: This is the famous Caro mio ben, which is said to be by Giordiano (1748-1798). Well, not exactly, but very near. And one funny thing is that the ms. is about 1720, which is clearly before Giordiano was born... Markus added interesting extra info: BTW - it has some more concordances, like you can see in Peter's list (http://mss.slweiss.de) and it might probably be by Losy, as it is ascribed to him many times. It even is called Aria in some manuscripts! 33 Gavotte (Losy) C-Dur- D-ROu52-2 / 26v 1. A-KR77 / 30v | 2. D-B40627 / 14v (Curiosa Dama) | 3. PL-Wn396 / 11v (#6) | 4. PL-Wn396 / 18v (#13)| 5. PL-Wu2008 / 44 (Aria) | 6. PL-Wu2009 / 52 (Aria) | 7. S-Klm 4a / 8v (Gavotte de Monr CL) | 8. S-Klm21072 / 73v (Gavotte de comte Loge) | 9. Stockholm 4a / 6 (keyboard) All the best, Arto To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Watch key or Preston tuner info wanted
I want to make a watch-key tuning mechanism of the type supposedly patented by Preston in the 1770s (not the Portuguese peacock style). I can't find any photos which show a rear view of the tuner, or a cross-section drawing. Does anyone have any info that might be useful? Dave -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Watch key or Preston tuner info wanted
This lady makes them - you might ask her : Martina Rosenberger martina.rosenber...@t-online.de Doc Rossi On Sep 12, 2010, at 6:49 PM, Dave Sawdon wrote: I want to make a watch-key tuning mechanism of the type supposedly patented by Preston in the 1770s (not the Portuguese peacock style). I can't find any photos which show a rear view of the tuner, or a cross-section drawing. Does anyone have any info that might be useful? Dave -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Watch key or Preston tuner info wanted
It is virtually identical to a 'screw and eye' mechanism of a modern bow, mounted on a brass plate. The 'screw' is let into holes on both ends of the plate and the 'eye' ends with a hook (to which the string is fastened) that slides along the slot of the plate. I never bothered to take photographs of it myself but you may find images on this page useful: http://www.art-robb.co.uk/EG.html Alexander On 12/09/2010 17:49, Dave Sawdon wrote: I want to make a watch-key tuning mechanism of the type supposedly patented by Preston in the 1770s (not the Portuguese peacock style). I can't find any photos which show a rear view of the tuner, or a cross-section drawing. Does anyone have any info that might be useful? Dave -- To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
[LUTE] Re: Translate Italiano pioverin?
On Sep 10, 2010, at 5:28 AM, Sam Chapman wrote: Garbled version of poverino (poor one)? Perhaps. Arthur Ness renders it poverin in his online table of contents of Marco's works. When I put Paul O'Dette's Marco CD in my computer, that title comes up Pioverin on the index, but on the CD sleeve, it's ioverin which must be a typo. I got a private email saying that in one modern dialect, pioverin is something like a rain gutter. I cruised through the Bayerische Staatsbibliothek Mus. Ms. 266, but I couldn't make out most of the titles, which means even if I found the word, I probably wouldn't have any better idea about what it says. 8 September 2010 06:38, howard posner howardpos...@ca.rr.com wrote: Small rain? Drizzle? To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- Sam Chapman Oetlingerstrasse 65 4057 Basel (0041) 79 530 39 91 --
[LUTE] Re: Translate Italiano pioverin?
There is a Saltarello detto Il Poverin in the 1st book by Giacomo Gorzanis. Paolo Busato lute-maker www.busatolutes.com e-mail: paolo.bus...@busatolutes.com _ Il contenuto di questa e-mail e dei file allegati è RISERVATO e da considerarsi utilizzabile solamente dalla persona o dall'ente cui è indirizzato. Se avete ricevuto questa e-mail per errore, siete pregati di eliminarla e di contattare il mittente (Legge italiana 196/2003). The content of this e-mail and any files is CONFIDENTIAL and intended solely for the use of the individual or entity to whom it is addressed. If you are not the intended recipient, please delete this email and any attachments and contact the sender. (Italian Law 196/2003) _ - Original Message - From: howard posner howardpos...@ca.rr.com To: LuteNet list lute@cs.dartmouth.edu Sent: Sunday, September 12, 2010 10:10 PM Subject: [LUTE] Re: Translate Italiano pioverin? On Sep 10, 2010, at 5:28 AM, Sam Chapman wrote: Garbled version of poverino (poor one)? Perhaps. Arthur Ness renders it poverin in his online table of contents of Marco's works. When I put Paul O'Dette's Marco CD in my computer, that title comes up Pioverin on the index, but on the CD sleeve, it's ioverin which must be a typo. I got a private email saying that in one modern dialect, pioverin is something like a rain gutter. I cruised through the Bayerische Staatsbibliothek Mus. Ms. 266, but I couldn't make out most of the titles, which means even if I found the word, I probably wouldn't have any better idea about what it says. 8 September 2010 06:38, howard posner howardpos...@ca.rr.com wrote: Small rain? Drizzle? To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html -- Sam Chapman Oetlingerstrasse 65 4057 Basel (0041) 79 530 39 91 --
