[LUTE] Re: Best body fret material?

2013-10-31 Thread Dan Winheld
We all know that wooden frets have largely been an optional extra on 
lutes- indeed, I had none on my 6-course for years, no problem at all 
going above the gut frets for melodic runs in Francesco, Milan, 
Dal'Aquila, et al. In fact, provides a nice, different "3rd Register" of 
sound in addition to unison & 8ve stringed fretted sound.


But it takes a far better lutenist than I will ever be in my wildest 
dreams to play the 3, 4, 5, and even 6 note chords- including full bar 
chords-  that occur almost routinely, spanning 7th to 10th, even 11th & 
12th semitones-  that Melchior Neusidler puts in all his Fantasias & 
Intabulations. Try the "Susanne Ung Jour" by Orlandus Lassus that he 
intabbed in his "Libro Secundo" in Italian Tab. without 12 good frets.


Dan


On 10/31/2013 5:15 AM, William Samson wrote:

Funny thing - Although body frets were not unknown back in the day,
there's very little evidence of them actually being in general use.
Few surviving instruments show signs of ever having had them and they
are equally rare in the iconography.  I wonder if the players back then
weren't as bothered as we are about sustain and they must have been
pretty good at planting their LH finger in just the right spot.

Bill

From: Dan Winheld 
To:
Cc: lute 
    Sent: Wednesday, 30 October 2013, 18:24
Subject: [LUTE] Re: Best body fret material?
Thanks all for the great replies. Lilac? That is the most intriguing of
all. Holly and bamboo sound like good candidates also.
Sterling- thanks for reminding me of those amazing frets! I must have
seen them at Cleveland some time ago. A top professional guitar builder
in my neighborhood recommends bone over ivory for strength &
durability-  I am considering letting him do my body frets this time
around.
Dan
On 10/30/2013 9:23 AM, Eric Hansen wrote:
>A few years ago I was visiting luthier Joel Van Lennep, who showed
me
>his favorite material for fixed (body) frets: lilac. He said he
>preferred it because it's very hard, and yet still flexible.
>
>
>
>Best to all,
>
>Eric
>
>On Wed, Oct 30, 2013 at 6:21 AM, Sterling
<[1][1]spiffys84...@yahoo.com>
>wrote:
>
>  I have body frets on one lute made of an ivory-ebony sandwich
and
>  they sound great up to the 14th fret. Cutting ivory is not easy
>  though as it tends to shatter. Another lute I have has
>  holly-ebony-holly frets. I like these flashy frets, but my
friend
>  Bob Hieronimus hates them and prefers that the body frets are
almost
>  invisible.
>  Sterling
>  Sent from my iPhone
>
>On Oct 29, 2013, at 11:05 PM, Dan Winheld <[2][2]dwinh...@lmi.net>
wrote:
>> Talk of tastini has gotten me wondering, what is the best
material
>for body frets? I have been playing a lot of music recently that
dances
>around in the lute's stratosphere- Melchior Neusidler, Mudarra,
Milan's
>advanced fantasias, etc. The plain wooden frets I have now-
probably
>Maple, maybe Boxwood; sound pretty terrible compared to the gut
frets.
>I am thinking Ebony, some other dense tropical hardwood, bone, or
even
>some modern synthetic- but only if aesthetically acceptable &
sonically
>superior. If anyone knows of some magic non-metallic body fret
material
>I would really like to know.
>>
>> Part of the problem is the buzzing, unclean sound that results
from a
>squared off fret- an inevitable result of having to shave them
down for
>proper clearance after gluing down. Ideally, they should be
crowned- or
>at least rounded edges for best tone. Tough, fussy job to do even
>before installation for the non-luthier DIY amateur.
>>
>> Thanks all for any enlightenment on this bit of lute pain.
>>
>> Dan
>>
>>
>>
>> To get on or off this list see list information at
>> [3][3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>--
>Eric Hansen
>Librarian & lutenist --
>
> References
>
>1. mailto:[4]spiffys84...@yahoo.com
>2. mailto:[5]dwinh...@lmi.net
>3. [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>

--

References

1. mailto:spiffys84...@yahoo.com
2. mailto:dwinh...@lmi.net
3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
4. mailto:spiffys84...@yahoo.com
5. mailto:dwinh...@lmi.net
6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html







[LUTE] Re: Best body fret material?

2013-10-31 Thread Sean Smith


A good point, Bill, and I don't think I've seen any body frets (old or  
new lutes) with body frets for the bass notes. There are pieces that  
do, however, call for an 'l' on the 6th course. ...usually that  
dreaded F chord w/ that passing tone up from the 'h' on the 6th course.


If my strings are a shade wonky then I appreciate some wiggle room.  
Last year my 12th popped off and a neglected to fix it for a while. It  
was an interesting challange to use my ears to find the 'n' rather  
than simply go 'plink' w/ the little finger. I eventually fixed it and  
now just curl my lip DCheney-style at the note I get.


Unless your string intonation is perfect, a fixed fret is  
counterproductive. On the other hand, why would some players prefer 10  
frets on the neck over 8 or 9? If they had constant access to quality  
strings then a wooden fretted high notes make more sense. If you don't  
--the more likely scenerio-- that gut 10th fret is perfectly useful  
for adjusting the intonation up there. Plus you get more neck to play  
on, of course.


And that 10th fret (in the bass, anyway) is nearly always a root -- 
never(?) a 3rd or 6th-- and for that you want it to be pretty true,  
arguing for either a good quality string or the ability to stop it  
precisely.


Relatedly, the metal string tech apparently produced a more regular  
string (and the scalloped frets less intonational interference) so  
those citterns and orphariae could take advantage of all those 'p's  
and 'q's. I've had the pleasure here in the SF bay area to hear some  
very nice mean-toned, wire strung instruments: one being a fanned fret  
orpharion as well as some good citterns (diatonic and chromatic) and  
it's amazing how much more in tune they can be 'up the neck'.


Sean

On Oct 31, 2013, at 5:15 AM, William Samson wrote:


 Funny thing - Although body frets were not unknown back in the day,
 there's very little evidence of them actually being in general use.
 Few surviving instruments show signs of ever having had them and they
 are equally rare in the iconography.  I wonder if the players back  
then

 weren't as bothered as we are about sustain and they must have been
 pretty good at planting their LH finger in just the right spot.

 Bill

 From: Dan Winheld 
 To:
 Cc: lute 
 Sent: Wednesday, 30 October 2013, 18:24
 Subject: [LUTE] Re: Best body fret material?
 Thanks all for the great replies. Lilac? That is the most intriguing  
of

 all. Holly and bamboo sound like good candidates also.
 Sterling- thanks for reminding me of those amazing frets! I must have
 seen them at Cleveland some time ago. A top professional guitar  
builder

 in my neighborhood recommends bone over ivory for strength &
 durability-  I am considering letting him do my body frets this time
 around.
 Dan
 On 10/30/2013 9:23 AM, Eric Hansen wrote:

 A few years ago I was visiting luthier Joel Van Lennep, who showed

 me

 his favorite material for fixed (body) frets: lilac. He said he
 preferred it because it's very hard, and yet still flexible.



 Best to all,

 Eric

 On Wed, Oct 30, 2013 at 6:21 AM, Sterling

 <[1][1]spiffys84...@yahoo.com>

 wrote:

   I have body frets on one lute made of an ivory-ebony sandwich

 and

   they sound great up to the 14th fret. Cutting ivory is not easy
   though as it tends to shatter. Another lute I have has
   holly-ebony-holly frets. I like these flashy frets, but my

 friend

   Bob Hieronimus hates them and prefers that the body frets are

 almost

   invisible.
   Sterling
   Sent from my iPhone

 On Oct 29, 2013, at 11:05 PM, Dan Winheld <[2][2]dwinh...@lmi.net>

 wrote:

Talk of tastini has gotten me wondering, what is the best

 material

 for body frets? I have been playing a lot of music recently that

 dances

 around in the lute's stratosphere- Melchior Neusidler, Mudarra,

 Milan's

 advanced fantasias, etc. The plain wooden frets I have now-

 probably

 Maple, maybe Boxwood; sound pretty terrible compared to the gut

 frets.

 I am thinking Ebony, some other dense tropical hardwood, bone, or

 even

 some modern synthetic- but only if aesthetically acceptable &

 sonically

 superior. If anyone knows of some magic non-metallic body fret

 material

 I would really like to know.


Part of the problem is the buzzing, unclean sound that results

 from a

 squared off fret- an inevitable result of having to shave them

 down for

 proper clearance after gluing down. Ideally, they should be

 crowned- or

 at least rounded edges for best tone. Tough, fussy job to do even
 before installation for the non-luthier DIY amateur.


Thanks all for any enlightenment on this bit of lute pain.

Dan



To get on or off this list see list information at
[3][3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


 --
 Eric Hansen
 Librarian & lutenist --

References

 1. m

[LUTE] Re: Best body fret material?

2013-10-31 Thread William Samson

   Funny thing - Although body frets were not unknown back in the day,
   there's very little evidence of them actually being in general use.
   Few surviving instruments show signs of ever having had them and they
   are equally rare in the iconography.  I wonder if the players back then
   weren't as bothered as we are about sustain and they must have been
   pretty good at planting their LH finger in just the right spot.

   Bill

   From: Dan Winheld 
   To:
   Cc: lute 
   Sent: Wednesday, 30 October 2013, 18:24
   Subject: [LUTE] Re: Best body fret material?
   Thanks all for the great replies. Lilac? That is the most intriguing of
   all. Holly and bamboo sound like good candidates also.
   Sterling- thanks for reminding me of those amazing frets! I must have
   seen them at Cleveland some time ago. A top professional guitar builder
   in my neighborhood recommends bone over ivory for strength &
   durability-  I am considering letting him do my body frets this time
   around.
   Dan
   On 10/30/2013 9:23 AM, Eric Hansen wrote:
   >A few years ago I was visiting luthier Joel Van Lennep, who showed
   me
   >his favorite material for fixed (body) frets: lilac. He said he
   >preferred it because it's very hard, and yet still flexible.
   >
   >
   >
   >Best to all,
   >
   >Eric
   >
   >On Wed, Oct 30, 2013 at 6:21 AM, Sterling
   <[1][1]spiffys84...@yahoo.com>
   >wrote:
   >
   >  I have body frets on one lute made of an ivory-ebony sandwich
   and
   >  they sound great up to the 14th fret. Cutting ivory is not easy
   >  though as it tends to shatter. Another lute I have has
   >  holly-ebony-holly frets. I like these flashy frets, but my
   friend
   >  Bob Hieronimus hates them and prefers that the body frets are
   almost
   >  invisible.
   >  Sterling
   >  Sent from my iPhone
   >
   >On Oct 29, 2013, at 11:05 PM, Dan Winheld <[2][2]dwinh...@lmi.net>
   wrote:
   >> Talk of tastini has gotten me wondering, what is the best
   material
   >for body frets? I have been playing a lot of music recently that
   dances
   >around in the lute's stratosphere- Melchior Neusidler, Mudarra,
   Milan's
   >advanced fantasias, etc. The plain wooden frets I have now-
   probably
   >Maple, maybe Boxwood; sound pretty terrible compared to the gut
   frets.
   >I am thinking Ebony, some other dense tropical hardwood, bone, or
   even
   >some modern synthetic- but only if aesthetically acceptable &
   sonically
   >superior. If anyone knows of some magic non-metallic body fret
   material
   >I would really like to know.
   >>
   >> Part of the problem is the buzzing, unclean sound that results
   from a
   >squared off fret- an inevitable result of having to shave them
   down for
   >proper clearance after gluing down. Ideally, they should be
   crowned- or
   >at least rounded edges for best tone. Tough, fussy job to do even
   >before installation for the non-luthier DIY amateur.
   >>
   >> Thanks all for any enlightenment on this bit of lute pain.
   >>
   >> Dan
   >>
   >>
   >>
   >> To get on or off this list see list information at
   >> [3][3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   >--
   >Eric Hansen
   >Librarian & lutenist --
   >
   > References
   >
   >1. mailto:[4]spiffys84...@yahoo.com
   >2. mailto:[5]dwinh...@lmi.net
   >3. [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >
   >

   --

References

   1. mailto:spiffys84...@yahoo.com
   2. mailto:dwinh...@lmi.net
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. mailto:spiffys84...@yahoo.com
   5. mailto:dwinh...@lmi.net
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Best body fret material?

2013-10-30 Thread Chris Barker
Rock Maple, used primarily for the bridges of bowed instruments, would work
nicely.  It's very very hard, and very light in color.

Chris

-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Dan Winheld
Sent: Wednesday, October 30, 2013 1:24 PM
Cc: lute
Subject: [LUTE] Re: Best body fret material?

Thanks all for the great replies. Lilac? That is the most intriguing of all.
Holly and bamboo sound like good candidates also.

Sterling- thanks for reminding me of those amazing frets! I must have seen
them at Cleveland some time ago. A top professional guitar builder in my
neighborhood recommends bone over ivory for strength &
durability-  I am considering letting him do my body frets this time around.

Dan

On 10/30/2013 9:23 AM, Eric Hansen wrote:
> A few years ago I was visiting luthier Joel Van Lennep, who showed me
> his favorite material for fixed (body) frets: lilac. He said he
> preferred it because it's very hard, and yet still flexible.
>
>
>
> Best to all,
>
> Eric
>
> On Wed, Oct 30, 2013 at 6:21 AM, Sterling <[1]spiffys84...@yahoo.com>
> wrote:
>
>   I have body frets on one lute made of an ivory-ebony sandwich and
>   they sound great up to the 14th fret. Cutting ivory is not easy
>   though as it tends to shatter. Another lute I have has
>   holly-ebony-holly frets. I like these flashy frets, but my friend
>   Bob Hieronimus hates them and prefers that the body frets are almost
>   invisible.
>   Sterling
>   Sent from my iPhone
>
> On Oct 29, 2013, at 11:05 PM, Dan Winheld <[2]dwinh...@lmi.net> wrote:
> > Talk of tastini has gotten me wondering, what is the best material
> for body frets? I have been playing a lot of music recently that
dances
> around in the lute's stratosphere- Melchior Neusidler, Mudarra,
Milan's
> advanced fantasias, etc. The plain wooden frets I have now-  probably
> Maple, maybe Boxwood; sound pretty terrible compared to the gut frets.
> I am thinking Ebony, some other dense tropical hardwood, bone, or even
> some modern synthetic- but only if aesthetically acceptable &
sonically
> superior. If anyone knows of some magic non-metallic body fret
material
> I would really like to know.
> >
> > Part of the problem is the buzzing, unclean sound that results from
a
> squared off fret- an inevitable result of having to shave them down
for
> proper clearance after gluing down. Ideally, they should be crowned-
or
> at least rounded edges for best tone. Tough, fussy job to do even
> before installation for the non-luthier DIY amateur.
> >
> > Thanks all for any enlightenment on this bit of lute pain.
> >
> > Dan
> >
> >
> >
> > To get on or off this list see list information at
> > [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
> --
> Eric Hansen
> Librarian & lutenist --
>
> References
>
> 1. mailto:spiffys84...@yahoo.com
> 2. mailto:dwinh...@lmi.net
> 3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>





[LUTE] Re: Best body fret material?

2013-10-30 Thread Dan Winheld
Thanks all for the great replies. Lilac? That is the most intriguing of 
all. Holly and bamboo sound like good candidates also.


Sterling- thanks for reminding me of those amazing frets! I must have 
seen them at Cleveland some time ago. A top professional guitar builder 
in my neighborhood recommends bone over ivory for strength & 
durability-  I am considering letting him do my body frets this time around.


Dan

On 10/30/2013 9:23 AM, Eric Hansen wrote:

A few years ago I was visiting luthier Joel Van Lennep, who showed me
his favorite material for fixed (body) frets: lilac. He said he
preferred it because it's very hard, and yet still flexible.



Best to all,

Eric

On Wed, Oct 30, 2013 at 6:21 AM, Sterling <[1]spiffys84...@yahoo.com>
wrote:

  I have body frets on one lute made of an ivory-ebony sandwich and
  they sound great up to the 14th fret. Cutting ivory is not easy
  though as it tends to shatter. Another lute I have has
  holly-ebony-holly frets. I like these flashy frets, but my friend
  Bob Hieronimus hates them and prefers that the body frets are almost
  invisible.
  Sterling
  Sent from my iPhone

On Oct 29, 2013, at 11:05 PM, Dan Winheld <[2]dwinh...@lmi.net> wrote:
> Talk of tastini has gotten me wondering, what is the best material
for body frets? I have been playing a lot of music recently that dances
around in the lute's stratosphere- Melchior Neusidler, Mudarra, Milan's
advanced fantasias, etc. The plain wooden frets I have now-  probably
Maple, maybe Boxwood; sound pretty terrible compared to the gut frets.
I am thinking Ebony, some other dense tropical hardwood, bone, or even
some modern synthetic- but only if aesthetically acceptable & sonically
superior. If anyone knows of some magic non-metallic body fret material
I would really like to know.
>
> Part of the problem is the buzzing, unclean sound that results from a
squared off fret- an inevitable result of having to shave them down for
proper clearance after gluing down. Ideally, they should be crowned- or
at least rounded edges for best tone. Tough, fussy job to do even
before installation for the non-luthier DIY amateur.
>
> Thanks all for any enlightenment on this bit of lute pain.
>
> Dan
>
>
>
> To get on or off this list see list information at
> [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

--
Eric Hansen
Librarian & lutenist --

References

1. mailto:spiffys84...@yahoo.com
2. mailto:dwinh...@lmi.net
3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html







[LUTE] Re: Best body fret material?

2013-10-30 Thread Eric Hansen
   A few years ago I was visiting luthier Joel Van Lennep, who showed me
   his favorite material for fixed (body) frets: lilac. He said he
   preferred it because it's very hard, and yet still flexible.



   Best to all,

   Eric

   On Wed, Oct 30, 2013 at 6:21 AM, Sterling <[1]spiffys84...@yahoo.com>
   wrote:

 I have body frets on one lute made of an ivory-ebony sandwich and
 they sound great up to the 14th fret. Cutting ivory is not easy
 though as it tends to shatter. Another lute I have has
 holly-ebony-holly frets. I like these flashy frets, but my friend
 Bob Hieronimus hates them and prefers that the body frets are almost
 invisible.
 Sterling
 Sent from my iPhone

   On Oct 29, 2013, at 11:05 PM, Dan Winheld <[2]dwinh...@lmi.net> wrote:
   > Talk of tastini has gotten me wondering, what is the best material
   for body frets? I have been playing a lot of music recently that dances
   around in the lute's stratosphere- Melchior Neusidler, Mudarra, Milan's
   advanced fantasias, etc. The plain wooden frets I have now-  probably
   Maple, maybe Boxwood; sound pretty terrible compared to the gut frets.
   I am thinking Ebony, some other dense tropical hardwood, bone, or even
   some modern synthetic- but only if aesthetically acceptable & sonically
   superior. If anyone knows of some magic non-metallic body fret material
   I would really like to know.
   >
   > Part of the problem is the buzzing, unclean sound that results from a
   squared off fret- an inevitable result of having to shave them down for
   proper clearance after gluing down. Ideally, they should be crowned- or
   at least rounded edges for best tone. Tough, fussy job to do even
   before installation for the non-luthier DIY amateur.
   >
   > Thanks all for any enlightenment on this bit of lute pain.
   >
   > Dan
   >
   >
   >
   > To get on or off this list see list information at
   > [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --
   Eric Hansen
   Librarian & lutenist --

References

   1. mailto:spiffys84...@yahoo.com
   2. mailto:dwinh...@lmi.net
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Best body fret material?

2013-10-30 Thread Sterling
I have body frets on one lute made of an ivory-ebony sandwich and they sound 
great up to the 14th fret. Cutting ivory is not easy though as it tends to 
shatter. Another lute I have has holly-ebony-holly frets. I like these flashy 
frets, but my friend Bob Hieronimus hates them and prefers that the body frets 
are almost invisible.
Sterling

Sent from my iPhone

On Oct 29, 2013, at 11:05 PM, Dan Winheld  wrote:

> Talk of tastini has gotten me wondering, what is the best material for body 
> frets? I have been playing a lot of music recently that dances around in the 
> lute's stratosphere- Melchior Neusidler, Mudarra, Milan's advanced fantasias, 
> etc. The plain wooden frets I have now-  probably Maple, maybe Boxwood; sound 
> pretty terrible compared to the gut frets. I am thinking Ebony, some other 
> dense tropical hardwood, bone, or even some modern synthetic- but only if 
> aesthetically acceptable & sonically superior. If anyone knows of some magic 
> non-metallic body fret material I would really like to know.
> 
> Part of the problem is the buzzing, unclean sound that results from a squared 
> off fret- an inevitable result of having to shave them down for proper 
> clearance after gluing down. Ideally, they should be crowned- or at least 
> rounded edges for best tone. Tough, fussy job to do even before installation 
> for the non-luthier DIY amateur.
> 
> Thanks all for any enlightenment on this bit of lute pain.
> 
> Dan
> 
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html




[LUTE] Re: Best body fret material?

2013-10-30 Thread Lex van Sante
Two factors are of importance here. First the fret has to be crowned to get a 
good tone however, many soundboards are very thin in the area where the body 
frets are supposed to be located. This makes tone production a wobbly affair. 
It is easy to know where the bars are situated  because where the body fret is 
positioned on or very close to a bar the sound is much improved.
Some luthiers glue additional bars to the soundboard to stiffen it up in the 
critical area, although the old ones sometimes do not have those bars. 
Not all historical lutes had body frets or so it seems. My favorite fret 
material is bamboo as it is very easy to split and after glueing it on is very 
easy to crown and adjust the height with a small chisel. Take care not to dig 
in the belly though!
Happy luting!

Lex
Op 30 okt 2013, om 06:05 heeft Dan Winheld het volgende geschreven:

> Talk of tastini has gotten me wondering, what is the best material for body 
> frets? I have been playing a lot of music recently that dances around in the 
> lute's stratosphere- Melchior Neusidler, Mudarra, Milan's advanced fantasias, 
> etc. The plain wooden frets I have now-  probably Maple, maybe Boxwood; sound 
> pretty terrible compared to the gut frets. I am thinking Ebony, some other 
> dense tropical hardwood, bone, or even some modern synthetic- but only if 
> aesthetically acceptable & sonically superior. If anyone knows of some magic 
> non-metallic body fret material I would really like to know.
> 
> Part of the problem is the buzzing, unclean sound that results from a squared 
> off fret- an inevitable result of having to shave them down for proper 
> clearance after gluing down. Ideally, they should be crowned- or at least 
> rounded edges for best tone. Tough, fussy job to do even before installation 
> for the non-luthier DIY amateur.
> 
> Thanks all for any enlightenment on this bit of lute pain.
> 
> Dan
> 
> 
> 
> To get on or off this list see list information at
> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: Best body fret material?

2013-10-29 Thread David van Ooijen
   Bamboo. Comes pre-shaped in the form of bbq/fondue skewers and/or tooth
   picks.
   David

   ***
   David van Ooijen
   [1]davidvanooi...@gmail.com
   [2]www.davidvanooijen.nl
   ***
   On 30 October 2013 06:05, Dan Winheld <[3]dwinh...@lmi.net> wrote:

 Talk of tastini has gotten me wondering, what is the best material
 for body frets? I have been playing a lot of music recently that
 dances around in the lute's stratosphere- Melchior Neusidler,
 Mudarra, Milan's advanced fantasias, etc. The plain wooden frets I
 have now-  probably Maple, maybe Boxwood; sound pretty terrible
 compared to the gut frets. I am thinking Ebony, some other dense
 tropical hardwood, bone, or even some modern synthetic- but only if
 aesthetically acceptable & sonically superior. If anyone knows of
 some magic non-metallic body fret material I would really like to
 know.
 Part of the problem is the buzzing, unclean sound that results from
 a squared off fret- an inevitable result of having to shave them
 down for proper clearance after gluing down. Ideally, they should be
 crowned- or at least rounded edges for best tone. Tough, fussy job
 to do even before installation for the non-luthier DIY amateur.
 Thanks all for any enlightenment on this bit of lute pain.
 Dan
 To get on or off this list see list information at
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[LUTE] Re: Best body fret material?

2013-10-29 Thread Sean Smith


Definitely rounded. I can't see how you'd shape them down in place on  
the belly so knock them off and make new ones. Tonewise, I don't think  
the material makes a significant difference but they'll sound a lot  
nicer when they are rounded. Much like the effect when you trade those  
old flat-topped gut frets for new ones.


s


On Oct 29, 2013, at 10:05 PM, Dan Winheld wrote:

Talk of tastini has gotten me wondering, what is the best material for  
body frets? I have been playing a lot of music recently that dances  
around in the lute's stratosphere- Melchior Neusidler, Mudarra,  
Milan's advanced fantasias, etc. The plain wooden frets I have now-   
probably Maple, maybe Boxwood; sound pretty terrible compared to the  
gut frets. I am thinking Ebony, some other dense tropical hardwood,  
bone, or even some modern synthetic- but only if aesthetically  
acceptable & sonically superior. If anyone knows of some magic non- 
metallic body fret material I would really like to know.


Part of the problem is the buzzing, unclean sound that results from a  
squared off fret- an inevitable result of having to shave them down  
for proper clearance after gluing down. Ideally, they should be  
crowned- or at least rounded edges for best tone. Tough, fussy job to  
do even before installation for the non-luthier DIY amateur.


Thanks all for any enlightenment on this bit of lute pain.

Dan



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