MD: md adverts

2000-08-21 Thread Sean Buckingham


actually the only official  adverts for MD I have seen was a stupid Sony 
one, all of which I remember was a guy with a pigeon on his head.  Hmmm.  

i think one of the original adverts for MD (sony, obviously) was 
responsible for giving us 'Reef'... they are seen playing their demo (via a 
minidisc) to a record company blokey, who then chucks it out the 7th floor
window, to be picked up by a skatekid (who just happened to be passing), 
who slips it into his MD player (that he just happens to be have with him) 
and then we are 'treated' to more reef...   so.. the message is that you 
can throw your 'discs out of a multistory building, and they will still 
work.

I suggest that we a/b test this, by throwing various different brands from 
various heights..   sorry, sorry.

oh.. btw. i agree with princegaz'sss comments backing up pierre.. never 
apologise for your english.. it's many, many times better than my french!

oh.. i hope i haven't offended any reef fans...

shutting up now.
seanB



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Re: MD: Napster NATIONAL BOYCOTT

2000-07-28 Thread Sean Buckingham


 Boycotts have worked in the past.  When I was a little boy (a million years
 ago) living in NYC they started a boycott against s company called Judy Bond
 Clothes.  They had shopping bags that said "Don't buy Judy Bond Clothes".
 There's no Judy Bond clothes anymore is there??


heehee.. the shopping bag thing wouldn't work now... people would just 
think it was a publicity exercise, and then there would be a phase where 
all the labels clothes had "..don't buy these clothes.." phrase written on 
them, and then after a short while everyone would move onto the next 
fashion phase, and the company would go out of businesss.. er.. okay, so it 
would work..


seanB

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Re: MD: Napster stuff again...

2000-07-28 Thread Sean Buckingham


 Right on, lets all stop buying CDs and more importantly, tell all our
 friends to stop buying them and why.  If you really need some music use
 a Napster alternative

But surely this is still going to hurt the bands? I'm not defending the 
corporations here (although it sounds a bit like it), but this is how i 
understand it...  
: evil corporations 'create' acts, hoping to make buckets of money.. 
when/if they do, other corps think "hey, lets get ourselves a bit of that 
action", thus contributing to the excess of similar sounding sh|t. 

But sometimes, it's profits from the sales of these 'artists' (heh) which 
help fund (albeit in a limited way) a lot of the 'indie' labels that are 
affiliated to the majors.  

I think that if record sales continue to slump (apparently?) then it's all 
the small acts that will get dropped (i mean. it's already happening left 
right and centre..), and unless they can afford to record their own material
and release it on the net themselves, i think we are going to miss out on a 
lot of music..   

I don't mean that i disagree with boycotting, but is it likely that these 
companies will ever have a change of heart/brain where profits are 
concerned?  I think it would be good if they got the idea, and started 
selling stuff on the net, but i cannot believe that we will ever see a song 
for sale for 25 cents! erm.. not one that you'ld want to own, anyway! 
(okay, i know music taste is subjective...!)

 When will media giants learn they can't control the internet?  They have
 to live with it and accept things are a little different here.  I spend
 money on the net (like my 30gig drive I installed tuesday) but bullying
 by large corporations seriously p!sses me off and they're not gonna get
 any income through that!

I completely agree with that... i suppose that if a boycott 
eventually forced a change, then it could only be a good thing.. my own 
argument suggests that the majors aren't helping anyone but themselves, so 
maybe a boycott wouldn't do any more damage to small acts.. .. and i guess 
that if you want to make music THAT much, then you will find a way whatever.

erm..
 sorry, I'll shut up now.

seanB

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Re: MD: Napster NATIONAL BOYCOTT

2000-07-28 Thread Sean Buckingham


okay... having read more messages in the topic, and now been to these 
sites, I'm more inclined to say that these companies can src3w themselves.

sorry if any of my earlier comments annoyed anyone...
g


seanB

PrinceGaz wrote 
 I knew I would get some dubious info from thr RIAA site, but
 what I found at one point forced me to leave the computer in
 disgust.  Most artists get bugger all of the cost of a disc,
 and for them to suggest otherwise is rubbish.  They must think
 we have sh!t for brains.
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Re: MD: Napster..off topic still!

2000-07-28 Thread Sean Buckingham


re:
I disagree 110% with your statement that people who use napster dont 
purchase cd's.

well.. most of the mp3's i have are songs i already own, i just don't 
want to take my cd's to work. I have some rare stuff live/old that i don't 
think is for sale (legally, anyway). I have some that made me buy the CD's, 
and i have a few that didn't. Most of the time, if i really like a song, i 
want to own it. If i don't like an Mp3, i delete it


re:
I don't get this. A band is upset that people are stealing their music, 
they try to shut down the company making such theft possible, and that 
makes them "lower than pond scum?" They *aren't* suing their fans. They 
are going after Napster.

totally. Having been in a sh|tty small time band, i know i wouldn't want 
people stealing music that i had worked hard to create. Essentially, it 
does boil down to theft, i'm not sure how you can argue it any other way 
really. i hate mettalica anyway, though! !P

I'd be willing to bet all the money to my name that 99% of the songs on 
Napster are available at Tower, Virgin, or an online CD store.

mmm... not sure about that..maybe it depends on your music taste, and the 
online CD store.. I havent seen 'ventolin (cylob mix)' for sale yet 
(although I'm sure it is available somewhere), but i WILL buy it when i do.
there is a lot of live stuff available that i doubt you can buy. It may 
well be a high percentage, but surely not 99?  I'd be willing to bet that 
you would lose your money!

If you have no way of paying for something then how can it be 
stealing??? It's not stealing if there is no way to pay for it!!

Not true at all.

TOTALLY agree... sorry las, but i don't think you can legitimately back up 
that arguement!. i'm not saying that i don't have mp3's of stuff that 
is hard to find.. but i wouldn't deny that technically i don't have any 
write to own the music.. I'd just rather be paying the artist instead of 
the label. that doesn't justify the artist getting *nothing* though. 

hehe.. my arguments are all two-faced, aren't they!

seanB

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Re: MD: [Fwd: Maplin Promotions]

2000-07-24 Thread Sean Buckingham


On Fri, 21 Jul 2000 23:11:15 +0100 Raymond West [EMAIL PROTECTED] wrote:
 
 About 20 years ago I asked RS for a catalogue and account, but they
 wouldn't deal with me because my level of trade was too low.After 
 about six months I got a semi abusive phone call from them criticizing me 
 for not ordering from them.


oops.. If RS had ever treated me like that, I certainly wouldn't be using 
them... In the same breath, i have to say that if I didn't work for an 
educational establishment, I would have been dealt with in the same way, 
considering the small amount i order from them.

The account the uni has was in existence long before I started working 
here, and I tend to order from the same (smaller) companies I used when I 
was in other jobs, but in some cases i am constrained to using 
organisations the uni has existing accounts with (garbled defense ends 
here..). In my limited experience of them, they have been okay..

I s'pose it boils down to whether you have an evil corporation behind you 
or not (note to Brunel e-mail monitors... you KNOW you are an evil 
corporation.. don't try to wriggle out of it..!).

I didn't mean to inadvertantly pull wool over anyones eyes! Don't use RS, 
they treat you like *@$*!

yeah, i'm done now.

sean.



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Re: MD: [Fwd: Maplin Promotions]

2000-07-21 Thread Sean Buckingham


  But Maplin Electronics is a UK based electronics store, generally
  very competitive and a rival to Tandy (Radio Shack) here--


I think Maplins is more in competition with RS components than Tandy.. Both 
RS (no idea what it stands for!) and Maplins have HUGE mail order 
catalogues, and offer a wider range of stock than Tandy. I haven't used 
Maplins, so I can't comment on them, but RS have good customer service/care 
and prompt delivery, but you do tend to pay a bit more for their components.

The catalogues apparently cost £27 to produce, as the rep informed me when 
he noticed the four month old 3-phone-directory-sized box sitting unopened 
next to my desk.!   maybe i'll have to use maplins from now on.



sean 

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Re: MD: Party in the Atlanta area ... list members invited (slightly off-topic)

2000-07-17 Thread Sean Buckingham


 Boy George's metal years ... 

METAL years!!!?!!! BLimey. I must have lead a sheltered life! 
What does THAT sound like!? I wish i lived near Atlanta now..


seanB



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Re: MD: Classical Music: CD vs. MD

2000-06-06 Thread Sean Buckingham


SSR wrote:

.. Improvements to ATRAC are really improvements to the psychoaccoustic 
models
 used for encoding.  The "format" of data on a disc is identical; the
 difference is in which bits are recorded and which are not.  And as the
 psychoaccoustic model has absolutely nothing to do with playback, there is
 100% forward and backward compatability.

oh, I se. Thanks. that makes sense. 

how come you know so much?


seeanne



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Re: MD: Classical Music: CD vs. MD

2000-06-06 Thread Sean Buckingham


 Sorry Rat! I broke my own rule for postings. 
 I wrote: 
 Not even close.  There are no "bands, each of which has a fixed data
 width", unless you're calling a bit a band. 
 
 It should read instead:
 
 "Please be careful about what you post as fact, you can easily give
 people a misconception about how things work"
 Rick

Tee Hee!Just when I think things are going to get heated, people start 
being all polite again.. I just love you all..

erm. so anyway.. I figured S.S.R was just trying to give it to me in 
laymans terms, which, heaven help me, I need sometimes. Basically..Thanks 
to both of you for replying!

Sean..

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Re: MD: Classical Music: CD vs. MD

2000-06-05 Thread Sean Buckingham


On Fri, 02 Jun 2000 09:05:01 -0700 Dan Frakes [EMAIL PROTECTED] wrote:

 some peices.  However..the compression systems are getting better all 
 the time. I think all this only applies to recordings you make yourself 
 though...
 
 Nope, it applies to pre-recorded MDs as well. An MD still has the same 
 capacity, whether pre-recorded or "made at home," so it is subject to the 
 same limitations. What Sean said about the differences between classical 
 an "other" music is for the most part correct, though. It's more 
 difficult for MD to compress classical music without losing very audible 
 parts of the content.

yeah..I'm only spewing stuff that I've read from other places, so forgive 
me if I'm just perpetuating lies LIES here.. erm.. it gives me a misguided 
(and incorrect) sense of importance..  ANYway..  

Whilst I would have little technical comprehension of how discs could be 
coded differently yet still read on the same machines, surely this is what 
is happening? I mean, how can manufacturers have different ATRAC systems, 
and release different versions of them with new MD models, and yet the 
discs can all be read by any MD machine (well..supposedly)? Isn't this 
something to do with the way that ATRAC bit allocation assigns varying bits 
to blocks depending on the complexity of each..er..part (you can tell I'm 
floundering here, yes?)? 

I've just picked up this info on this site..
http://www.minidisc.org/minidisc_faq.html#Q5


13.Does ATRAC have "forward compatibility," or is it a static 
algorithm? Does the ATRAC version affect the quality of the 
recording or the playback? 

The encoder (recording) side of ATRAC offers room for improvement 
from one generation to the next (specifically, in the decision 
about how to allocate encoding bits so as to best match human 
psycho-acoustic properties). Thus, MD recordings made on a newer 
machine with a better ATRAC encoder will sound better than old 
recordings, even when played back on an old machine. 

The decoder (playback) side of ATRAC has a fixed structure, and 
though ATRAC chips are all generally expected to decode with nearly 
the same quality, increases in digital signal processing accuracy 
may allow slight audio quality improvements (if those improvements 
have not already been made to modern ATRAC chips). 

Endofquote

Doesn't this mean that if you recorded some classical music from a CD 
(say) using second generation ATRAC, and then you bought a pre-recorded MD 
of the same music which had used 3rd generation coding, that the latter 
would sound better, regardless of which ATRAC the player had on board?

HELP!

Sean.



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Re: MD: Beeps and more...

2000-06-05 Thread Sean Buckingham


 Are there any thoughts out
 there on the Aiwa machines, as far as their sturdiness and quality of recorded
 sound are concerned?  (And I'd still like to know whether you can turn the
 beep off on them...)

How many other machines beep? beeping is bad.

Sean.
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Re: MD: Portable recorders

2000-06-05 Thread Sean Buckingham


On Mon, 5 Jun 2000 11:55:51 +0100 (BST) Sean Buckingham 

 Personally I prefer Aiwa's way of doing things, but I'm convinced about the 
 build quality of their units..

OBVIOUSLY, idiot that I am, I meant to say "..but I'm NOT convinced about 
the build quality.."

I will shut up now.
SEan

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Re: MD: Portable recorders

2000-06-05 Thread Sean Buckingham


On Sat, 03 Jun 2000 13:34:58 EDT Not Given [EMAIL PROTECTED] wrote:


This may seem like a ridiculous question, but do the portable units have 
 a recording level control? (I have seen analog recorders that use a built in 
 limiter rather than provide recording level controls.)


Hi.. there's just been a 'message-thread' about this (ish).. I wish it was 
a stupid question, if only there was some standard among the manufacturers 
(blah blah moan moan.,.)

anyway, ..I think the upshot of the discussion was this:

Sony machines have both an Automatic Gain control and Manual recording 
levels (which I would expect to work well, seeing as it's sony..). The 
slight downside is that the machine has to be paused in order to adjust the 
levels..I guess this is just a personal taste issue really..

Sharp machines only have manual recording levels, no AGC. Whether you can 
adjust 'on the fly' I'm not sure..

Aiwa machines have Manual levels and AGC, and you can adjust the levels 
during recording. I'm not sure I'd expect the quality of the AGC to be as 
good as Sonys, but that's just heresay (heresy?!) on my part..

Personally I prefer Aiwa's way of doing things, but I'm convinced about the 
build quality of their units..

I'm done.
Sean



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Re: MD: noiseNoiseNOISE

2000-06-02 Thread Sean Buckingham


 I'm thinking it's cause I'm using a stereo
 plug into a mono input and something
 isn't grounded right- but I just don't know.


If the input on the card is mono, have you tried sending it a mono signal 
from a mono source, using a mono jack? (e..sorry)

I'd try that before anything else.

Ohh. One general thing.. Can People PLASE say what models of whatever 
product they are using when they report a problem.. it's pretty hard to 
make wild stabs in the dark about whats wrong (although the fact that I'm 
still trying makes me pretty arrogant, hmm?!) 


SeanB

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MD: aiwa stuff again

2000-06-01 Thread Sean Buckingham


 AFAIK, the SOny portables are the only ones with both automatic and
 manual record level settings.  Contrary to what you have heard, the
 Sonys do have a level adjust whilst (did I spell that right?)
 recording.  

Sorry, I meant to say "level adjust without having to pause first".. I'm 
fairly positive the Aiwa's can be manually adjusted whilst recording, 
and they have AGC as well.

(i hope!)

SeanB

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