Re: [NetBehaviour] Learn To Code

2012-01-07 Thread Andreas Maria Jacobs
Oracle bought Sun and their crown jewel Java, in a brilliant move to  
be able to compete and to break IBM's almost exclusive position as  
'preferred' supplier in the financial world.

As a side effect I lost my job as a IBM middleware Engineer, now I -  
and with me tens of thousands elderly software engineers worldwide  
have to switch - again - to another highly demanded and prescribed  
software skillset, usable by the same financial instituitons.

I decided not to reinvent myself and my software skills and to leave  
behind all these hyped and market steered madness

I can recommend js and php as must haves to learn some 'basic'  
programming skills and for the more seasoned I suggest to have a look  
at Objective C, Apple's incarnation of the work done by the late  
Dennis Ritchie on which all iPhone/iPad apps are based

Also very groundbreaking work done by Niklaus Wirth's Pascal evolved  
to another business dominated language: Delphi

Some other 'creative' used softwares:

ARM7-9 for basic gaming skills used by Apple and Nintendo, rather out  
of reach for beginners, try searching for devkitpro a toolchain  
heavely used by the famous hardcore DemoScene

Good old 6502 and Z80 assembler for Atari/Commodore/AppleIIe/AppleIIGS  
all of which I have been actively involved with before starting to  
work for the Debt generating machinic industries, who dictate  
everything from top to bottom, preoccupied as they are with secrecy  
and fraud sensitiveness, resulting in incomprehensable formats and  
architectural methods

It is as if logicality serves but one purpose, profitability and  
return on investment, thereby overlooking and simply ignoring the fun  
of programming

The gaming/creative/movie/music industry relies upon a knowledgable, a- 
critical and flexible base of young hardworking skilled workers,  
underpaid , easy to fire and easily exchanged.

China, India and Vietnam as an almost endless supply of cheap  
contemporary IT workers taking over from EU engineers, willing to work  
for a fraction of the 'normal' price

Where and how are software skills degraded from a professional craft  
to a hobby 'free' time occupation?

What are the benefits from it when being outsourced and jobless?

The naivity - also expressed in this list - surrounding software  
practices is astonishing

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Jan 7, 2012, at 12:12, dave miller dave.miller...@gmail.com wrote:

 thanks Rob - have Oracle bought Sun?

 dave

 On 7 January 2012 10:58, Rob Myers r...@robmyers.org wrote:
 On 07/01/12 10:51, dave miller wrote:
 This is a great idea - have signed up, just hope it's not a lot of  
 work!

 Also - I need to learn java this year. Anyone recommend a good
 starting point? I know php already

 Sun -er- Oracle have some good tutorials on their site -

 http://docs.oracle.com/javase/tutorial/

 O'Reilly's Java tutorial is a couple of versions behind the current  
 Java
 version but they're usually good -

 http://shop.oreilly.com/product/9780596008734.do

 - Rob.
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Re: [NetBehaviour] fb bashing app [was: Object-Oriented-Questions]

2011-12-30 Thread Andreas Maria Jacobs
Hi James

You should accept the 'security exception', it is merely that the  
domain nictoglobe.com does not issues 'trusted certificates' as is  
necessary for a proper https connection

You also can try to connect 'insecure' to:

http://nictoglobe.com/canvas/index.php

to avoid the hassle, bypassing both FB and https!

Actually the program does nothing special, it displays several silly  
alert windows, stating your stupidity versus FB's whether you go up or  
down

Just give it a try, it does not harm and you can always check the code  
beforehand( view page source in FF)

Best

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Dec 30, 2011, at 22:08, James Morris ja...@jwm-art.net wrote:

 On Fri, 30 Dec 2011 21:05:41 +
 James Morris ja...@jwm-art.net wrote:

 BTW have a look at my 'new' FB bashing program (written in js and
 php):

 http://apps.facebook.com/whathef-/

 (FB login required)


 I'm really hesitant to try fb apps, I have a distrust of them... and
 the ones I've seen are really just excuses for inflicting more
 marketing shite at me...

 Btw, what does your fb app do?  If I knew perhaps I'd be more  
 inclined
 to make an exception to my zero-tolerance of fb-apps policy :-)


 Besides which Firefox also says:
 This Connection is Untrusted You have asked Firefox to connect
 securely to nictoglobe.com, but we can't confirm that your connection
 is secure. blah blah blah.


  What Should I Do?


 James.


 Andreas Maria Jacobs
 w: http://www.nictoglobe.com
 w: http://burgerwaanzin.nl







 -- 
 http://jwm-art.net/
 image/audio/text/code/

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Re: [NetBehaviour] whatever

2011-12-17 Thread Andreas Maria Jacobs
There is nothing to hold on

Nothing but Heart, Low

http://www.nictoglobe.com/new/room/New%20Room/ma201112.html

Best

A.

On Dec 17, 2011, at 9:42 AM, Pall Thayer wrote:

 When we create “art”, we strive to do something new. We put all our
 energy into compiling our emotions, our feelings, our experiences into
 a comprehensive whole. However, that comprehension is always personal.
 We can not separate our creative expression from our creative
 compulsions or energies. The outcome is what it is. It is a personal
 reflection of our personal interpretation of our time.
  The notion of “timeless art” is a myth, perpetuated by who knows what
 (or who)... how can a work of art be timeless? It is always a product
 of its time. To perceive it otherwise would be absurd. If Les
 Demoiselles d'Avignon had never previously been produced, would we
 accept it today as a remarkable work of art? I don't think so. Its
 production was very much tied to its time. Its importance is equally
 tied to its time of production. It represents a break from its own
 contemporary tradition - but not even a drastic break. It falls within
 its own contemporary explorations into african art (which had already
 been pursued by Ingres, in his own manner and had also influenced the
 likes of Manet but we could go on forever). Picasso was not the
 only one exploring these avenues. But that is beyond my point. We live
 in a time. Yes, the period is supposed to be there. We live in a time.
 It is our time. As Lilly Allen stated, “No, you can't have my number
 'cause I lost my phone.” Lost my phone? When I was her age, my phone
 never left my home! But times change. We live in an age where you may
 “lose your phone”.  And what goes with losing your phone? You lose
 your identity! No... you don't. Your identity is as secure as you made
 it... what?... your username was the same as your password? You
 idio you dear, dear child.
 I reviewed the work of an “internet artist” recently. Oh... here we
 go... someone addressing his time, his culture! He uses the fact that
 contemporary culture has provided us a plethora of personal imagery.
 This is good. His website contains compelling images of his own
 manipulations of images. His own manipulations of images his own
 man... Excuse me, what are you doing to these images? How are you
 choosing these images. Yes, your end results are compelling but what
 is your process? That would be far more compelling. Please don't tell
 me that you lost your phone. The only thing that truly speakes to your
 time, is your method. And you choose to veil that behind the eye-candy
 of your output? Um... ok.
 As I drunkenly leave my seat to explore the opportunities provided me
 by a destructive cannon of highly inflammabale tobacco, I deplore you
 to consider the issues; what exactly defines our time? Our culture? I
 think Lily Allen hit the nail on the head for her target group. As you
 consider where we might be, I'll be out on the stoop, smoking a
 cigarette. I expect a coherent answer when I get back.
 -- 
 *
 Pall Thayer
 artist
 http://pallthayer.dyndns.org
 *
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Re: [NetBehaviour] The BBC Microcomputer and me, 30 years down the line.

2011-12-03 Thread Andreas Maria Jacobs
Great!

Hopefully there are more crypto - artists/programmers from those days  
around to share their treasures from the proto-digital age

Netbehaviour is one of the few lists accepting rich-formatted posts,  
any format can be communicated, whether audio, video or code itself

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Dec 3, 2011, at 15:39, Richard Wright  
futurenatu...@blueyonder.co.uk wrote:

 I programmed this, my first computer animation on an Atari in 1985,
 then ran out of memory and ported it to a BBC micro, then ran out of
 memory and ported it to a Commodore64, then took too long to render
 so ported it to a big fat IBM mainframe.

 http://futurenatural.pwp.blueyonder.co.uk/pics/CELLS1.jpg
 http://futurenatural.pwp.blueyonder.co.uk/pics/CELLS2.jpg





 On 2 Dec 2011, at 11:38, IR3ABF wrote:


 hi Marc and list

 UK had its BBC Micro, while at the same time in continental
 Europe, Commodore introduced the famous VIC20, the
 *Volkscomputer* with about the same specs apart from its slower
 microprocessor, both equiped with the famous 6502

 the acronym i.e. ARM is somewhat misleading as it suggest an A
 (dvanced) R(educed instruction set) M(icroprocessor) which was
 certaintly not the case with the 6502, which had a huge set of
 ASM 6502 machine instructions as was the first commercially
 succesfull Apple IIe

 I wonder how first generation programmers (like I did with the
 VIC 20) used the Acorn in The UK to create, well pieces of the
 practice formerly called art? I remember there was and there
 still is a lively demoscene using asm 6502 or derivates as
 language of choice

 Would be nice to somehow showcase these early examples at -for
 instance- Furtherfield?

 And to juxtapoint contentinental versus UK approaches and
 trying to point to a certain distinction between the two, as
 for instance: subject matter, technical point of view, art
 historical context, the role of BBC compared to educational
 programs from ZDF, NOS nl (which happened to broadcast 6502
 code hidden in television transmission signal in the 1980ties),
 the role of influential technical publishers like Data Becker,
 Germany and finally the impact of the commercial take-over
 around 1989 by AOL et al US which gave rise to the mainstream
 popularity of Home Computers (PC's)

 Just wondering

 Best

 Andreas


 Sent from my eXtended BodY

 On 2 dec. 2011, at 11:55, marc garrett
 marc.garr...@furtherfield.org wrote:

 The BBC Microcomputer and me, 30 years down the line.

 The BBC has an article on the BBC Microcomputer, designed and
 manufactured by Acorn Computers for the BBC's Computer
 Literacy project.
 It is now 30 years since the first BBC Micro came out — a
 machine with a
 2 MHz 6502 — remarkably fast for its day; the Commodore
 machines at the
 time only ran at 1MHz. While most U.S. readers will never have
 heard of
 the BBC Micro, the BBC's Computer Literacy project has had a
 huge impact
 worldwide since the ARM (originally meaning 'Acorn Risc
 Machine') was
 designed for the follow-on version of the BBC Micro, the
 Archimedes,
 also sold under the BBC Microcomputer label by Acorn. The
 original ARM
 CPU was specified in just over 800 lines of BBC BASIC. The ARM
 CPU now
 outsells all other CPU architectures put together. The BBC
 Micro has
 arguably been the most influential 8 bit computer the world
 had thanks
 to its success creating the seed for the ARM, even if the
 'Beeb' was not
 well known outside of the UK.

 http://www.bbc.co.uk/news/technology-15969065
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Re: [NetBehaviour] How art killed our cult your

2011-11-28 Thread Andreas Maria Jacobs
Nice observation and so right!

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Nov 28, 2011, at 20:30, Rob Myers r...@robmyers.org wrote:

 On 28/11/11 12:54, IR3ABF wrote:
 Andy Warhol did it!

 Theory did it.

 And is now blaming the workers.

 ⸮

 - Rob.
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Re: [NetBehaviour] Well-Written piece on Warhol and Art

2011-11-27 Thread Andreas Maria Jacobs
So if I understood the article correctly, AW killed art and is praised  
for that


It makes me feel more sad than my natural sadness already is

By killing art and replacing immaterial value accumulating systems  
(i.e. meaning) with material value accumulating systems (i.e. market) AW
functions as a kind of anti-Marx or maybe even as a kind of anti- 
Christ and in doing so paved the way to the current Neo Liberal  
decadency of the now defunct 'art world'


Art never had meaning apart for the ruling classes

I never liked his works either

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Nov 26, 2011, at 22:18, Joel Weishaus weish...@pdx.edu wrote:


http://moreintelligentlife.com/content/arts/a-one-man-market?page=full
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[NetBehaviour] FB's dominance: not an Agora, but what is it?

2011-11-07 Thread Andreas Maria Jacobs
Just some thoughts/questions:

is FB an appropiate forum to discus philosophical and or political issues, 
or is it by way of its own inherent narrowmindness doomed to fail in the very 
end?

How to maintain both an open structure and to guard a certain quality?

Or is it that participators who previously found themselves in other online 
fora are now eagerly trying to stay current and migrate en masse to a FB 
dominated online existence without taken into account the enormous broad and 
historical past of that same previous presence like for instance 
mailinglists/usenet/fido boards/bbses etc etc

The archeology of the internet is barely recognized as a valuable field of 
research, archival is at its best done erratic, sporadic and out of reach by 
most current constituents of the now extremely spreading FB audiences wordlwide.

The need to develop a concise and reliable way to collect, archive and 
interprete the years before the rise of the monopolistic empire of FB is 
necessary both from an academic point of view as well as a tribute to the 
people who mostly anonymously and almost forgotten paved the way of 
constructing the internet as it is now

AA

Sent from my eXtended BodY
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[NetBehaviour] Friedrich Kittler RIP was Re: Iteracy And The Digital Humanities

2011-10-18 Thread Andreas Maria Jacobs

from wikipedia:


Friedrich Kittler is seminal in the new approach to media theory that grew 
popular starting in the 1980s, new media (German:Technische Medien, which 
translates roughly to technological media). Kittler's central project is to 
prove to the human sciences [...] their technological-media a priori (Hartmut 
Winkler), or in his own words: Driving the spirit out of the humanities,[3] a 
title that he gave a work that he published in 1980.
Kittler sees an autonomy in technology and therefore disagrees with Marshall 
McLuhan's reading of the media as extensions of man: Media are not 
pseudopods for extending the human body. They follow the logic of escalation 
that leaves us and written history behind it. (Kittler in Geschichte der 
Kommunikationsmedien. In: Jörg Huber, Alois Martin Müller (publishers): Raum 
und Verfahren).
Consequently, he sees in writing literature, in writing programmes and in 
burning structures into silicon chips a complete continuum: As we know and 
simply do not say, no human being writes anymore. [...] Today, human writing 
runs through inscriptions burnt intosilicon by electronic lithography [...]. 
The last historic act of writing may thus have been in the late seventies when 
a team of Intelengineers [plotted] the hardware architecture of their first 
integrated microprocessor. (Kittler, Es gibt keine Software. In: 
ders.:Draculas Vermächtnis. Technische Schriften).Fredic

Sent from my eXtended BodY

A

On 14 okt. 2011, at 11:03, Andreas Maria Jacobs aj...@xs4all.nl wrote:

 Hi Salvatore and list
 
 thanks for your remarks
 
 for further reading questioning the subject of 'Digital Humanities' and its 
 ties with current political thinking I recommend reading the following 
 article from Matteo Pasquinelli:
 
 
 http://matteopasquinelli.com/docs/Pasquinelli_Machinic_Capitalism.pdf
 
 (from nettime list 15 october 2011)
 
 Although a little bit sprinkled with Marxistic dogmatics, well worth reading 
 especially chapter 8:
 
 Digital code is machinic
 
 ciao
 
 Andreas
 
 
 Sent from my eXtended BodY
 
 On 14 okt. 2011, at 08:36, xDxD.vs.xDxD xdxd.vs.x...@gmail.com wrote:
 
 hello there!
 
 On Thu, Oct 13, 2011 at 9:30 PM, Helen Sloan he...@scansite.org wrote:
 
 At the end of it we need to understand what we are up against. 
 
 actually this sentence says it all.
 
 once we were talking with Richard Barbrook about technologies and hacking 
 and programming and how it changed lives and possibilities etc and he said 
 something like penicillin is the most important technology, not the 
 internet (not the exact words, but just about it).
 
 and we all went mute.
 
 and that's just about all there is to it: we are up against nothing, we're 
 up against ourselves and our own lifestyle and the things we take for granted
 
 programming is the tip of the iceberg  
 
 we're just schizophrenics who live a life doing things which we don't want 
 to know about, as if we knew more we would go crazy.
 
 1 tshirt = 2 dead people
 1 light switched turned on = iceberg melts
 1 payment with credit card = 1 national economy drops
 1 iPhone = 20 people dead in a mine and 2 suicides in factory
 1 i like on facebook = 500 lines added to corporate database
 
 it's all the same
 
 we can start from programming, but we really need to assess the necessity of 
 a full scale 1 meter revolution all around us
 
 my 2 bitcoins :)
 xDxD
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Re: [NetBehaviour] Can activism be art?

2011-10-17 Thread Andreas Maria Jacobs
Art IS activism!

Sent from my eXtended BodY

On 17 okt. 2011, at 10:56, dave miller dave.miller...@gmail.com wrote:

 http://hyperallergic.com/38275/could-activism-be-art/
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Re: [NetBehaviour] Can activism be art?

2011-10-17 Thread Andreas Maria Jacobs
Depending on which point of view you've taken, the distinction between 
different ways of confronting *reality*, is sometimes blurred into a field of 
vectors to  -at first sight- mutually exclusive ontologies

A *residu* of *interconnectness*

the *urge* to express a refusal of obedience or order, to *cultural/societal 
ecosystems* and the *cultural-political forces* maintaining these under its 
normative educational and finance rewarding system(s)

My 5cts


Sent from my eXtended BodY

On 17 okt. 2011, at 12:45, Andreas Maria Jacobs aj...@xs4all.nl wrote:

 Art IS activism!
 
 Sent from my eXtended BodY
 
 On 17 okt. 2011, at 10:56, dave miller dave.miller...@gmail.com wrote:
 
 http://hyperallergic.com/38275/could-activism-be-art/
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Re: [NetBehaviour] Iteracy And The Digital Humanities

2011-10-14 Thread Andreas Maria Jacobs
Hi Salvatore and list

thanks for your remarks

for further reading questioning the subject of 'Digital Humanities' and its 
ties with current political thinking I recommend reading the following article 
from Matteo Pasquinelli:


http://matteopasquinelli.com/docs/Pasquinelli_Machinic_Capitalism.pdf

(from nettime list 15 october 2011)

Although a little bit sprinkled with Marxistic dogmatics, well worth reading 
especially chapter 8:

Digital code is machinic

ciao

Andreas


Sent from my eXtended BodY

On 14 okt. 2011, at 08:36, xDxD.vs.xDxD xdxd.vs.x...@gmail.com wrote:

 hello there!
 
 On Thu, Oct 13, 2011 at 9:30 PM, Helen Sloan he...@scansite.org wrote:
 
 At the end of it we need to understand what we are up against. 
 
 actually this sentence says it all.
 
 once we were talking with Richard Barbrook about technologies and hacking and 
 programming and how it changed lives and possibilities etc and he said 
 something like penicillin is the most important technology, not the 
 internet (not the exact words, but just about it).
 
 and we all went mute.
 
 and that's just about all there is to it: we are up against nothing, we're up 
 against ourselves and our own lifestyle and the things we take for granted
 
 programming is the tip of the iceberg  
 
 we're just schizophrenics who live a life doing things which we don't want to 
 know about, as if we knew more we would go crazy.
 
 1 tshirt = 2 dead people
 1 light switched turned on = iceberg melts
 1 payment with credit card = 1 national economy drops
 1 iPhone = 20 people dead in a mine and 2 suicides in factory
 1 i like on facebook = 500 lines added to corporate database
 
 it's all the same
 
 we can start from programming, but we really need to assess the necessity of 
 a full scale 1 meter revolution all around us
 
 my 2 bitcoins :)
 xDxD
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Re: [NetBehaviour] Iteracy And The Digital Humanities

2011-10-13 Thread Andreas Maria Jacobs
Agreed

but apart from being able to oversee the more complex structures dealt within 
and surrounding the coded environment, programming skills are more a starting 
point than a goal in itself

I also was dissapointed by the meager observations your previous link led me to 
i.e. the introduction of the term 'iteracy' more or less a word play with 
'literacy' and 'iteration' a much used softeware practise

I honestly think that oppositional thoughts regarding the establishment and 
societal future influences of studying and trying to define 'Digital 
Humanities'  is necessary and certainly valuable not only for its eventual 
progress but also for the pitfalls it implies

For instance the connection between computing and voting is nowadays common 
practise in almost all 'democracies' , although in India a Dutch scientist is 
prosecuted because he proved the system to be easely forged. In the EU a Dutch 
minister fought for the introduction of open source software replacing the MS 
dominated softwares used before, she succeeded!

Software Studies as a science to investigate and explore the broader ways in 
which people, corporate power and individuals use software on a more or less 
daily basis sure looks interesting enough to undertake as research subject the 
connections between software and politics but to say that it is a distinctive 
and wholy seperated field of study is not a reality

As I am more inclined to express myself in a more hermetic kind of language I 
conclude with a piece of experimental poetry I wrote a couple of weeks ago:


crypto grafitti


writing on the inner walls of the internet

spamming between the sockets of not so well known ports


disconnected once solid junctions

redefining the non obvious paths

leading from no one to no where


the location of insurgency in the inner cells of the machine

the cybernetic war has its frontline in the microprocessor


unfolding the last strongholds of erratic digital warriors
in the locus of proven technology

the last post is replaced by the last email

Andreas Maria Jacobs

Sent from my eXtended BodY

On 13 okt. 2011, at 19:24, Rob Myers r...@robmyers.org wrote:

 On 13/10/11 16:14, Andreas Jacobs wrote:
 Do we need to programme to have a say in contemporary democracy?
 
 Well, definitively NO!
 
 Absolutely.
 
 But society is increasingly affected by code, so to *effectively*
 participate in democracy as an informed citizen, it *helps* to know how
 to program.
 
 You'll notice I don't say it helps to have a critical appreciation of
 code. It doesn't, at least not in the sense of being able to talk about
 Deleuze instead. Being able to program brings a more fundamental
 critical insight - what code can and cannot do and how it does it. This
 is vital to evaluating political claims that involve code.
 
 Programming is part of contemporary literacy (Rushkoff's point). So is
 statistics. So is visual literacy. It's interesting that these three
 forms of literacy are being fought against so hard by the non-digital
 humanities at the moment.
 
 Rushkoff's talk is a precis of his book Program Or Be Programmed,
 which I found disappointing but would still recommend as it has some
 very good ideas despite not really pulling them together. (With it,
 Rushkoff becomes part of the generational trend of recanting cyberprophets.)
 
 http://www.orbooks.com/our-books/program/
 
 If people want to learn to program, there are many fine languages and
 ways of learning them. Python is probably the least worst language for
 beginners at the moment -
 
 http://learnpythonthehardway.org/
 
 Processing is more confusing if it goes wrong but lots of people like it
 and it's more graphics oriented than Python -
 
 http://www.processing.org/learning/
 
 If anyone wants to learn on list or if a Furthercode emerges I'd be
 happy to help. :-)
 
 - Rob.
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Re: [NetBehaviour] Best view from the sofa

2011-09-16 Thread Andreas Maria Jacobs
Congratulations!

You are now officially a NON-Artist, in the Kaprowian sense that is.

see:

http://readingbetween.org/artwhichcantbeart.pdf

A.

Sent from my eXtended BodY
-- 
A Few of us were left

w: http://nictoglobe.com (publication)
w: http://burgerwaanzin.nl (net-art)
w: http://nictoglobe.com/new/agam (artworks)
w: http://nictoglobe.com/frictionresearch (research)

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Fri, September 16, 2011 12:36, ja...@jwm-art.net wrote:

 Sent using BlackBerry® from
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Re: [NetBehaviour] API for art

2011-09-15 Thread Andreas Maria Jacobs
Hi

I played with it a bit, but got stucked when using the output value.

So far I was able to have my Pachube feed listed in the mashup, but have
to find out why my output value, a simple text string , is not visible at
all.

Andreas

-- 
A Few of us were left

w: http://nictoglobe.com (publication)
w: http://burgerwaanzin.nl (net-art)
w: http://nictoglobe.com/new/agam (artworks)
w: http://nictoglobe.com/frictionresearch (research)

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Thu, September 15, 2011 15:25, Pall Thayer wrote:
 Too bad they only support CSV. That's a pretty limited format.
 Something tells me that they aren't going to get a whole lot of
 streams because of it.

 On Thu, Sep 15, 2011 at 8:24 AM, info i...@furtherfield.org wrote:
 OPEN CALL to all artists in the field of interactive media:

 Last-minute opportunity to 'be part' of the exhibition of the ISEA2011
 conference in Istanbul.

 Enable your (interactive) artwork to send and receive its inputs and
 outputs through the API for art V1.0
 and allow your work to be used as a component in a global interactive
 artwork mash-up.

 http://apiforart.org

 For the artists currently present at ISEA2011 a helpdesk will be
 available.

 Hear about the background of the project during a talk by Sander
 Veenhof and Kasia Molga:

 http://isea2011.sabanciuniv.edu/content/changing-vocabularies-digital-art

 Thursday September 15th, 5PM - Sabanci Center Istanbul - Room 3
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 artist
 http://www.this.is/pallit
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Re: [NetBehaviour] API for art

2011-09-15 Thread Andreas Maria Jacobs
Hi again

regarding the choice for csv or json/xml it is not an issue.

Whether parse xml/json or csv is dependent on your technical abilities,
and that is something we all can learn.

Pachube is giving a very terse explanation full of examples etc etc

my csv output is as follows:

OUTPUT,2011-09-15T14:24:44.007042Z,B U R G E R W A A N Z I N . N L

http://api.pachube.com/v2/feeds/35741.csv

But still I have difficulties in getting this output into the apiforart
interface.

Anyone?

It really should be fun to connect all kind of websites with user supplied
data!

Best

Andreas

-- 
A Few of us were left

w: http://nictoglobe.com (publication)
w: http://burgerwaanzin.nl (net-art)
w: http://nictoglobe.com/new/agam (artworks)
w: http://nictoglobe.com/frictionresearch (research)

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Thu, September 15, 2011 16:12, Pall Thayer wrote:
 That's a good question Marc. I would think that it's for simplicity
 and that this simplicity makes it easier to link together unrelated
 projects. However, it would have made more sense to me to use JSON or
 XML as there are probably more people who already have projects
 delivering feeds in those formats. It would be more work setting up
 ways to completely parse those formats but not impossible.

 On Thu, Sep 15, 2011 at 9:37 AM, marc garrett
 marc.garr...@furtherfield.org wrote:
 Hi Pall,

 mmm, do you think it's their choice to keep it CSV?

 Or because they are still discovering how to use the technology itself?

 marc

 Is it by chboice
 Too bad they only support CSV. That's a pretty limited format.
 Something tells me that they aren't going to get a whole lot of
 streams because of it.

 On Thu, Sep 15, 2011 at 8:24 AM, infoi...@furtherfield.org  wrote:
 OPEN CALL to all artists in the field of interactive media:

 Last-minute opportunity to 'be part' of the exhibition of the ISEA2011
 conference in Istanbul.

 Enable your (interactive) artwork to send and receive its inputs and
 outputs through the API for art V1.0
 and allow your work to be used as a component in a global interactive
 artwork mash-up.

 http://apiforart.org

 For the artists currently present at ISEA2011 a helpdesk will be
 available.

 Hear about the background of the project during a talk by Sander
 Veenhof and Kasia Molga:

 http://isea2011.sabanciuniv.edu/content/changing-vocabularies-digital-art

 Thursday September 15th, 5PM - Sabanci Center Istanbul - Room 3
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 artist
 http://www.this.is/pallit
 *
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Re: [NetBehaviour] API for art

2011-09-15 Thread Andreas Maria Jacobs
Me thinks the choice for csv is based on the following:

CSV

CSV is designed for use by very simple embedded devices, such as an
Arduino or other low powered microcontroller. It contains none of the
metadata that the XML and JSON formats contain (though this can be added
separately using the API or the web interface). A full representation of
CSV is as follows:

7441,1,2010-06-01T12:01:32.1Z,123
7441,2,2010-06-01T12:01:32.1Z,456
feed_id,datastream_id,timestamp,value

Makes sense to me

A.
-- 
A Few of us were left

w: http://nictoglobe.com (publication)
w: http://burgerwaanzin.nl (net-art)
w: http://nictoglobe.com/new/agam (artworks)
w: http://nictoglobe.com/frictionresearch (research)

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Thu, September 15, 2011 16:32, Andreas Maria Jacobs wrote:
 Hi again

 regarding the choice for csv or json/xml it is not an issue.

 Whether parse xml/json or csv is dependent on your technical abilities,
 and that is something we all can learn.

 Pachube is giving a very terse explanation full of examples etc etc

 my csv output is as follows:

 OUTPUT,2011-09-15T14:24:44.007042Z,B U R G E R W A A N Z I N . N L

 http://api.pachube.com/v2/feeds/35741.csv

 But still I have difficulties in getting this output into the apiforart
 interface.

 Anyone?

 It really should be fun to connect all kind of websites with user supplied
 data!

 Best

 Andreas

 --
 A Few of us were left

 w: http://nictoglobe.com (publication)
 w: http://burgerwaanzin.nl (net-art)
 w: http://nictoglobe.com/new/agam (artworks)
 w: http://nictoglobe.com/frictionresearch (research)

 e: aj...@xs4all.nl
 e: a.andr...@nictoglobe.com

 On Thu, September 15, 2011 16:12, Pall Thayer wrote:
 That's a good question Marc. I would think that it's for simplicity
 and that this simplicity makes it easier to link together unrelated
 projects. However, it would have made more sense to me to use JSON or
 XML as there are probably more people who already have projects
 delivering feeds in those formats. It would be more work setting up
 ways to completely parse those formats but not impossible.

 On Thu, Sep 15, 2011 at 9:37 AM, marc garrett
 marc.garr...@furtherfield.org wrote:
 Hi Pall,

 mmm, do you think it's their choice to keep it CSV?

 Or because they are still discovering how to use the technology itself?

 marc

 Is it by chboice
 Too bad they only support CSV. That's a pretty limited format.
 Something tells me that they aren't going to get a whole lot of
 streams because of it.

 On Thu, Sep 15, 2011 at 8:24 AM, infoi...@furtherfield.org  wrote:
 OPEN CALL to all artists in the field of interactive media:

 Last-minute opportunity to 'be part' of the exhibition of the
 ISEA2011
 conference in Istanbul.

 Enable your (interactive) artwork to send and receive its inputs and
 outputs through the API for art V1.0
 and allow your work to be used as a component in a global interactive
 artwork mash-up.

 http://apiforart.org

 For the artists currently present at ISEA2011 a helpdesk will be
 available.

 Hear about the background of the project during a talk by Sander
 Veenhof and Kasia Molga:

 http://isea2011.sabanciuniv.edu/content/changing-vocabularies-digital-art

 Thursday September 15th, 5PM - Sabanci Center Istanbul - Room 3
 ___
 NetBehaviour mailing list
 NetBehaviour@netbehaviour.org
 http://www.netbehaviour.org/mailman/listinfo/netbehaviour




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 artist
 http://www.this.is/pallit
 *
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Re: [NetBehaviour] Horror Episodes in the Net.Art History

2011-09-10 Thread Andreas Maria Jacobs
Deeply rooted island dwellers xenofobia

Both continental (Europe) and Empire (British-American) related

'Open' communities tend to absorb the same societal (mis)behaviours as  
their allegedly oppositional  precursors

It is only a matter of time when enemies are friends again and the  
reconstructionalist mobs are ruling as they did before

Nothing is more difficult and painstakely frustating then building  
communities without falling in the deep dark abyss of human failure of  
miscommunication

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Sep 10, 2011, at 11:37, Andrej Tisma a...@eunet.rs wrote:

 Reminder of Nettime, Syndicate ... and Netochka Nezvanova

 http://www.atisma.com/webart/netart%20history/
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[NetBehaviour] FRICTION RESEARCH ISSUE #4 ESSAY: BERGSON'S S P I R I T: HENRI BERGSON'S UNDERSTANDING OF TIME, MEMORY, MATTER, AND THE MIND by Curt Cloninger

2011-09-10 Thread Andreas Maria Jacobs
RECLAIM THE MIND, FRICTION RESEARCH ISSUE #4

BERGSON'S S P I R I T
HENRI BERGSON'S UNDERSTANDING OF TIME, MEMORY, MATTER, AND THE MIND

by Curt Cloniger

Link:
http://nictoglobe.com/new/query10.html?d=rtmfr42011f=cloninger_on_bergson

Reclaim the Mind, Friction Research Issue #4:

Bergson's S P I R I T by Curt Cloninger

Henri Bergson's understanding of time, memory, matter, and
the mind have gone in and out of academic favor, largely depending on the
latest discoveries in neuroscience. But to read Bergson as a kind of
amateur
Victorian neuroscientist, crippled by the science and technology of his
time, is to miss the potential revolutionary thought of Bergson's
philosophy.

Curt Cloninger is an artist, writer, and Assistant Professor of New
Media at the University of North Carolina Asheville (US). His art
undermines language as a system of meaning in order to reveal it as
an embodied force in the world. His artwork has been featured in the
New York Times and at festivals and galleries from Korea to Brazil.
He is the author of seven books and numerous articles which have been 
published in over ten languages. His writing has appeared in
Intelligent Agent, Mute, Paste, Tekka, Rhizome Digest, A List Apart,
and on ABC World News. Cloninger maintains lab404.com,
playdamage.org, deepyoung.org, and lab404.tumblr.com in order to
facilitate a more lively remote dialogue with the Sundry Contagions
of Wonder.

::: Enjoy :::

http://nictoglobe.com/new/query10.html?d=rtmfr42011f=cloninger_on_bergson
-- 

Andreas Maria Jacobs - Editor

A Few of us were left

w: http://nictoglobe.com (publication)
w: http://burgerwaanzin.nl (net-art)
w: http://nictoglobe.com/new/agam (artworks)
w: http://nictoglobe.com/frictionresearch (research)

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com



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Re: [NetBehaviour] Netochka Nezvanova.

2011-09-09 Thread Andreas Maria Jacobs
reNazi-azation or NN's attitude in distracting herself from all sorts  
of bourgois inspired 'Nettiquette'? For as far as I can see the very  
fundaments of
'Ettiquette' is Bourgois culture cubed! So how to behave and not fall  
in a contradicting trap i.e. on the one side protecting the  
vulnaribility of Networks and on the other to use bourgois reasons to  
do so. Just curious about your practice

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Sep 9, 2011, at 15:54, marc garrett marc.garr...@furtherfield.org  
wrote:

 Hi Ana,

 Thanks for the link to 'Doctress Neutopia', very interesting...

 Yes - I remember on the (once brilliant) Syndicate list years ago,  
 where
 Netochka Nezvanova, N.N., antiorp, integer dominated, causing all  
 kinds
 of upset...

 The net entity nn (Netochka Nezvanova, integer, antiorp, etc.), a
 pseudonym used by an international group of artists and programmers in
 their extensive and aggressive mailing list-based online- 
 performances and
 for other art projects, had been subscribed to the Syndicate list in  
 1997.
 It was, as the first of less than a handful of people ever,  
 unsubscribed
 against its will because it was spamming the list so heavily that all
 meaningful communication was blocked. In January 2001, nn sent an e- 
 mail
 asking to again be subscribed to the Syndicate mailing list. (What nn
 never bothered to realise was that subscription to the list had always
 been open so that, at any point, it could have subscribed itself -  
 we have
 always wondered why Majordomo is such a blind spot in this technophile
 entity's arsenal.) After getting assurances from nn that she was not  
 out
 to misuse the list, we subscribed it to the Syndicate list.

 Naively, as we had to realise. nn went from one or two messages  
 every day
 in February to an average of three to five message in April and up to
 eight and ten messages per day in May and June - and that on a list  
 which
 had a regular daily traffic of three to five messages a day. The
 distributed nature of the nn collective makes it possible for them  
 to keep
 posting 24 hours a day - great for promoting your online presence,
 irritating for people who have a less frantic life rhythm. nn's  
 messages
 are always cryptic, sometimes amusing, often tediously repetitive in  
 their
 quirky rhetorics and style, and generally irritating for the  
 majority of
 people. Its activity on the Syndicate - like on many other lists it  
 has
 used and terrorised - soon came to look like a hijack. But the sheer  
 mass
 of traffic nn was generating, the sheer amount of nn's presence, was
 overwhelming. Perhaps this phenomenon could be compared to SMEGL,  
 short
 for super mental grid lock, a term that was developed to describe  
 traffic
 jam situations in NYC back in the eighties (or was this term coined in
 Berlin-Kreuzberg's famous Fischbuero? Who knows, the boundaries get
 blurred...).

 In the spring of 2001, nn's and other people's activities who use  
 open,
 unmoderated mailing lists for promulgating their self-promotional e- 
 mails,
 triggered discussions about 'spam art', on Syndicate as well as on  
 other
 lists. Actually, given the extreme openness and vulnerability of a
 structure like the Syndicate it remains quite astonishing that this
 structure survived for such a long time. What happened in the course  
 of
 2000/2001 (not only to Syndicate, but also to several other mailing  
 lists)
 was that the openness of these lists, i.e. the fact that they were
 unmoderated, was massively abused, and, finally, destroyed, by  
 relentless
 'creative' spamming. One of the basic principles of the Internet - its
 openness - suddenly seemed to become a mere tool for attacking this  
 very
 principle. 'Netiquette' did not seem to be of much value anymore and  
 was
 sacrificed for the egotistical self-expression of (distributed) artist
 egos. The irony of this process is that, like any good parasite, this
 artistic practice depends on the existence of lively online  
 communities:
 it not only bites, but kills the hand that feeds it. - These parasite
 nomads will find new hosts, no doubt, but they have over the past year
 helped to erode the social fabric of the wider net cultural  
 population so
 much that communities have to protect themselves from attacks and  
 hijacks
 more aggressively than before. Their adolescent carelessness is partly
 responsible for the withering of the romantic utopia of a completely  
 open,
 sociable online environment. However educational that may be, we  
 despise
 the deliberation with which these people act.

 nn got unsubscribed from the Syndicate without warning on a day when  
 there
 had been nothing but ten messages from her. After some days of  
 silence and
 sighs of relief, angry protests by nn came through. On the list,
 accusations of censorship and/or dictatorship were made. A small but  
 noisy
 faction denounced unsubscribing nn

[NetBehaviour] D A S P R E C A R I A T: Call for Works

2011-09-07 Thread Andreas Maria Jacobs

€$###X-post wildly, fuck nettiquette###$$€

D A SP R E C A R I A T   

The Precariat is the new proletariat, who will be the new Marx?

From an object oriented society towards a subject oriented society, from 
materiality to immateriality and vice versa.

Society bending by way of mis/re/ab/using  its underlying premisses, Society as 
a Burden and as a Blessing. A Neo-Brechtian collectiv theatrical internet 
performance, staged on your browser worlwide  

Das Prekariat is European artist Agam Andreas/Andreas Maria Jacobs and everyone 
who feels her/his opinion, remarks, writings, artworks are valuable assets in 
(re)gaining a world worthwhile living in  

Send your submissions to :  

frictionresear...@nictoglobe.com  

Planned publication date: Summer 2012   

Sent from my extended Body
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[NetBehaviour] Reviews by Arelis Eleftherios (Athens, Greece) on (New) Video Art

2011-09-06 Thread Andreas Maria Jacobs
Some interesting reviews by Arelis Eleftherios (Athens, Greece) on (New)
Video Art:

http://nictoglobe.com/reviews

Enjoy reading!

Andreas Maria Jacobs - Editor
-- 
A Few of us were left

w: http://nictoglobe.com
w: http://burgerwaanzin.nl
w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com



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[NetBehaviour] Announcement: Friction Research Issue #4 Memories on the Social Web: Dynamics of Individual and Cultural Memories on the Social Web Platforms by Simeona Pektova

2011-09-02 Thread Andreas Maria Jacobs


Reclaim the Mind, Friction Research Issue #4
Memories on the Social Web:
Dynamics of Individual and Cultural Memories on the Social Web Platforms

Simeona Pektova

Enjoy!
Amsterdam, The Netherlands (1987), situated Nictoglobe aims to promote  
new media art in a broader sense and chooses to serve a broad and  
global audience.


The Friction Research series, now in it's 4th edition, is a  
compendium of net/web/video/sound/text-pieces, received by publicly  
announcing a thematic Call for Works. Our last thematic call stated:


Reclaim the Mind

Nictoglobe is not, was not and never will be submissive to organized  
financial or cultural censorship.



-- Andreas Maria Jacobs, Editor 


}|{

w: http://nictoglobe.com
w: http://burgerwaanzin.nl
w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

A Few of us were left

Andreas Maria Jacobs, Editor

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[NetBehaviour] Fwd: [Syndicate] \\ KORPORATE ZIONIST QAEDA AXIS

2011-08-28 Thread Andreas Maria Jacobs



Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

Begin forwarded message:


From: | f | | | 3 n...@ggttctttat.com
Date: August 28, 2011 15:58:31 GMT+02:00
To: SYNDICATE || syndic...@kuda.org
Subject: [Syndicate] \\ KORPORATE ZIONIST QAEDA AXIS
Reply-To: SYNDICATE || syndic...@kuda.org





Abdelhakim Belhadj, sometimes written Belhaj is the new Libyan  
leader of the Tripoli Military Council.
Among Islamists, he is known as Abu Abdullah Assadaq (sometimes  
written Sadeeq and sometimes Sadik), and yet another form, Abd ul- 
Hakin Belhadj.


He is a “former” member of the Libyan Islamic Fighting Group  
(LIFG) (also known as Al-Jama’a al-Islamiyyah al-Muqatilah bi-Libya 
),

which was formed specifically to oust Muammar Gaddafi.



The group was banned internationally as a terrorist organization  
following the 9/11/01 terrorists attacks on the U.S.
Today the group is known as the Libyan Islamic Movement. The LIGF  
had numerous ties to al-Qaeda and Osama bin Laden.

(you can find the complete article)

Now you get the picture of who the “rebels” really are and what  
they are after….




-

FASCISM - THE NEW NORMAL [TM]






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[NetBehaviour] Fwd: [Syndicate] \\ FREE PROSTITUTION [TM]

2011-08-28 Thread Andreas Maria Jacobs


Sent from my iPad

Begin forwarded message:

 From: | f | | | 3 n...@ggttctttat.com
 Date: 28 augustus 2011 20:06:44 GMT+02:00
 To: SYNDICATE || syndic...@kuda.org
 Subject: [Syndicate] \\ FREE PROSTITUTION [TM]
 Reply-To: SYNDICATE || syndic...@kuda.org
 

 
 
 korporate fascist propaganda:  
 http://www.bbc.co.uk/news/world-us-canada-14700528
 
 
 In 20 years, Mohamed will be a male prostitute of the western Democratic 
 Corporate Fascist Complex.
 Mohamed's cousin will be pimping Libyan women to Democratic Model Citizens.
 Mohamed's parents will be living on 200 usd pension / month. 
 
 Libya's surplus + gold will become an infinite deficit.  Inflation will have 
 risen 1000%.
 
 The mindless BBC prostitute will be consuming Libyan children and hosting 
 interviews
 with the Libyan and Western gangsters that bought 90% of Libya for next to 
 nothing.
 
 The present is WINNING THE FUTURE. Just ask the Eastern European countries 
 that supply female + male whores
 to the entire Democratic Corporate Fascist States of Europe, whose former 
 national wealth has been raped,
 whose zero debt has been transformed into infinite debt, whose citizens have 
 become 
 body parts containers.
 
 
 
 FREEDOM || PRØSTITUTION || FUKC YEAH
 
 
 -
 
 
 
 
 
 
 
 
 
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[NetBehaviour] S E N T F R O M A C A V E

2011-08-28 Thread Andreas Maria Jacobs
Wondering who is to blame:

The schizoid network desperately trying to maintain a runned away societal 
construction far out of controlable reach for the capacities their tiny brains 
are equipped with? 

Or the natural cause of circumstances slowly paving a delicate path to 
enlightment whether by 'believe or 'good intentions'?


Few of us were left

A.


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[NetBehaviour] ( V I O D ) Visual Information Overload Disorder was Re: # 0153

2011-08-28 Thread Andreas Maria Jacobs
Nice works!

I like your extreme minimalism.

In a  - at first sight - superficial and abundant world, austerity in
visual experience is highly esteemed by us suffering from (V I O D) visual
information overload disorder - soon to be recognized by the professional
editorial/medical staff from the long awaited update of The Manual of
Mental Diseases: DSM V, not to be confused with another marginalized
groups of deviant societal behaviors

AA

Few of us were Left
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w: http://burgerwaanzin.nl
w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Sun, August 28, 2011 20:58, Bobig wrote:
 Less is easier

 http://www.lessiseasier.net/2011/08/0153/

 bobig
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Re: [NetBehaviour] unhelpful non-identification

2011-08-19 Thread Andreas Maria Jacobs
Hi James

Just curious what the starting image was/is?

Andreas



On 19 aug. 2011, at 11:28, James Morris ja...@jwm-art.net wrote:

 
 unhelpful non-identification
 
 
 http://www.google.com/search?hl=ensafe=offsa=Ggbv=2tbs=simg:CAESXRpbCxCo1NgEGgIIAwwLELCMpwgaNAoyCAESDJMHqQSsBOcDrwewBxogsL8Ednqh58fhR8zkf5iVcpiVdJ4yGrfxtYl3dq9ks5kMCxCOrv4IGgoKCAgBEgR_1pxqHDAtbm=ischei=7hxOTvmbK4LB8QOe2_GTDwved=0CBUQsw4biw=951bih=773#hl=ensafe=offsa=Ggbv=2tbs=simg:CAESXRpbCxCo1NgEGgIIAwwLELCMpwgaNAoyCAESDJMHqQSsBOcDrwewBxogsL8Ednqh58fhR8zkf5iVcpiVdJ4yGrfxtYl3dq9ks5kMCxCOrv4IGgoKCAgBEgR_1pxqHDAtbm=ischfp=1biw=1273bih=773cad=bbav=on.2,or.r_gc.r_pw.
 
 
 -- 
 http://jwm-art.net/
 image/audio/text/code/
 
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[NetBehaviour] Glitch/ed Art Mapping a FB Conversation by Rosa Menkman, Angela Genusa, Gabriel Menotti, Agam Andreas, Phillip David Stearns

2011-08-16 Thread Andreas Maria Jacobs
glitch art spheres organized (graphs in collab w./ Esther Weltevrede)
by Rosa Menkman on Tuesday, 16 August 2011 at 06:05
An organization of glitch artists // bookmarkers perspective
Research Question: bookmarking on delicious is an act of curating; the
organizing and including (or excluding) of links.
To what extend do the ”glitch”+ ”artist” -tagged bookmarks form (a)
networked websphere(s) and what spheres are part of this glitch-artist
bookmark network?


The glitch blogosphere // the bookmarkers perspective
Research Question: bookmarking on delicious is an act of curating; the
organizing and including (or excluding) of links.
To what extend do the ”glitch”+ ”blog”+ ”art -tagged bookmarks form (a)
networked websphere(s) and what spheres are part of this glitch-artist
bookmark network?


Glitch actors organized // The Twitter perspective
Research Question: making twitter lists is an act of social organizing; it
entails the active including (or excluding) of contacts within a
particular stream or network.
But do the”glitch”-listed actors and their websites form (a) networked
websphere(s) and if so,
what sphere(s) can be distinguished?


General remarks:
- I deleted sites like myspace, twitter, flickr, vimeo and creativecommons
because they distorted the graphs, while they are not interesting for the
autcome. However, I do think that these nodes could have been interesting
for platform focused research
- There are some bugs in the mapping software that caused some nodes to
show up twice. It seemed impossible to merge the nodes automatically or by
hand so I deleted the smallest ones - I do believe that overall, this did
not matter much and the graphs still give a trustworthy overview of the
spheres.
- did not index the twitter lists that were based on glitch the game (this
is completely trivial)
- A node will only appear if there are at least 2 in or outlinks.

Preliminary (Cross-)spherical findings
* The Delicious graph based on the glitch + artist-tags and the
Delicious graph based on the glitch + blog + artist-tags show two
very similar, complex networks. After close observation, I recognize how
the graphs reveal the location of the glitch art community in relation to
other web-based/digital arts communities. The key players (or hubs) of
these spheres can be subdivided into tools (Processing, openframeworks,
Puredata, arduino),  digital art community-blogs with an NY disposition 
(such as Rhizome, 319scholes and the NewMuseum) blogs with an European
disposition (Neural, Furtherfield) and festivals (Transmediale,
bentfestival and GLI.TC/H).
Vagueterrain seems to function as a pre-eminent center-hub that is greatly
responsible for bringing the different communities together. However, the
hub is also disproportionately small (which means that Vagueterrain does
not receive many inlinks, whereas Rhizome does - this could be a case of
authority).
The Rosa-menkmans website (my site) is both big and colored, which means
that the crawler indexed both inlinks and outlinks to the blog, marking it
both as an authoritative and active hub within the researched spheres.
This also means that the blog is actively shaping the mapped community,
which is on the one hand an important problem to keep in mind during
analysis and on the other hand not very surprising since its me who is
asked these questions - they are what my blog and generally all my
research is centered around.
Personal blogs and artists pages such as Goto80, designingimperfection,
beigerecords, Gieskes, jonsatrom and jodi seem not to link-out into the
glitch community, while at the same time receiving many inlinks from their
peers. This could either be a sign of status, or the crawler encountering
a problem  fetching the outlinks).
Vades website has many different nodes (syphon, Vade.info, v002,
abstrakt.vade.info, etc). Because of these nodes it is not completely
clear what the 'status' of the website within the network is, but it is
clear that this repository/artist blog must be a key hub within the glitch
sphere (given the different colors and many outlinks).  Both Vade and
Pixelnoizz take an interesting place being connected between the more
generative side of the graph and the more procedural side of glitch art).


* There are two independent Twitter glitch-listed actor spheres:
the first is centered around glitch.fm, the glitchhopforum and a couple of
other glitchmusic related sites.
The second sphere is a bigger, diffused sphere that locates and maps the
genre of glitch art.
Within this sphere sites like 8bitpeoples (an chiptune/8bit/lofi
community), GLI.TC/H (the glitch art festival), Vagueterrain (the Digital
Art / Culture / Technology blog), slowelectronics (where the music label
slowelectronics is located) and personal blogs act as hubs inbetween the
different communities.
It is striking to me how many of the personal sites are connected with
multiple hubs, indicating a bigger trend of possible crossbreeding and
networking between the different 

[NetBehaviour] Glitch/ed Art Mapping a FB Conversation by Rosa Menkman, Angela Genusa, Gabriel Menotti, Agam Andreas, Phillip David Stearns

2011-08-16 Thread Andreas Maria Jacobs
More to follow


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[NetBehaviour] Glitch/ed Art Mapping a FB Conversation part II by Rosa Menkman, Curt Cloniger, Angela Genusa, Gabriel Menotti, Agam Andreas, Phillip David Stearns From:

2011-08-16 Thread Andreas Maria Jacobs
#
Rosa Menkman histogram in the kunsthal (sorry i got stuck there) is there
a link to this? very interesting..
About glitch art is a lie - I am also not very interested in this
statement, because glitch art does still move me, open doors, generate new
forms makes me think new things. To me, its more interesting to focus on
this and on the ways society incorporates these forms on a later note,
sooner of faster.
Glitch art is not just corrupted, glitchs not dead. And on that note i am
going to wear the GLI.TC/H 20111 official festival shirts the whole
festival long!
http://www.flickr.com/phot#8203;os/r00s/5093232730/
T-Shirt by UCNV
www.flickr.com
as a respons on my GLITCHs not Dead hoody request in the Vernacular of
File Formats ucnv.github.com/aviglitch/ Morning glory!
3 hours ago · UnlikeLike · 1 personLoading...
#
Curt Cloninger Some thoughts regarding language: In a couple of
significant places online, I tag/title glitch as gltch (because
everything must be glitched in all ways at all scales). Several
glitch-centric tumblrs also mangle (or L33+sp34k) their ascii text(s). So
gltched language (or the absence of language altogether) eludes (or at
least skews) these graphs. These graphs trust language to function as an
objective ontological tool for the labeling of materials/events. But of
course language itself may be approached as a material/event (and glitched
accordingly). How might one glitch a link? Massive bit.ly re-directs?
2 hours ago · LikeUnlike · 1 personLoading...
#
Curt Cloninger #8206;@Phillip David Stearns - re: virilio (at least in
terms of his observation that speed radically alters qualitative affect
when it crosses a certain threshold), perhaps check
http://lab404.com/glitch/ . I don't directly quote him, but he is kind of
in there twice removed.
2 hours ago · LikeUnlike · 1 personLoading...
#
Rosa Menkman HEY Curt Cloninger, nice question, how to glitch a link, or
how to link a glitch. on a side note, your website (lab404) actually
showed up in all graphs - which is not so surprising because the
startingpoints are (mostly) dependent on how the bookmarkers spell it, not
on how you spell glitch ... but just to mention here ..
2 hours ago · LikeUnlike
#
Curt Cloninger Hi Rosa. lab404 is purple and small with arrows pointing
away, so that means I'm linking out, but no one is linking to me, right?
(Or am I reading it wrong?) This is my favorite: http://bit.ly/n1incb
(scroll down to figure 2). I am the center of the universe [of Warren
Sack's software]. I only know about that figure because it appears in the
second edition of Christiane Paul's Digital Art book, and some students
showed it to me. Otherwise, an ascii search would have never revealed it.
(Is an image of a name no longer a name?)
22 minutes ago · LikeUnlike
#
Curt Cloninger grr. now the facebook autoforward link in conjunction with
the bit.ly autoforward link in conjunction with the printer friendly
version of the web page is forcing a gif download. A wild glitched link.
How about this:
http://firstmonday.org/htb#8203;in/cgiwrap/bin/ojs/index.p#8203;hp/fm/rt/printerFriendly/1#8203;616/1531#p5
Paul
firstmonday.org
19 minutes ago · LikeUnlike · 1 personLoading...
#
Rosa Menkman you are being linked-in at least twice to be in the graph,
but as I remember correctly your node had some issues that i did not
completely understand - something made it appear twice, once as
http://lab... and once as http://www. .. the softwares I used are
completely new and developed by friends/people i know so it still a bit
buggy so i had to do some hand-editing - which meant delete one of the
nodes. Besides this, it can also be that you got a link in from a website
in the network, that was itself to small to get in the map.
17 minutes ago · LikeUnlike
#
Rosa Menkman that second link just makes me print.. : ) funny.
14 minutes ago · LikeUnlike
#
Rosa Menkman but i saw it btw. - cool! I am also really interested it
mapping artists. it just feel wrong and I like the experience of doing
something like this that feels so wrong and makes me think so much ..
13 minutes ago · LikeUnlike
#
Curt Cloninger definitely. modernist reductivism is aesthetically cool as
crap (Latour talks about it in terms of a proliferation of hybrids). It's
why those Edward Tufte books are so pretty to look at, but he is such a
blowhard. The statisticians aren't accomplishing what they believe they
are accomplishing, but they are accomplishing something curious and
uncanny unawares.
9 minutes ago · Like
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Re: [NetBehaviour] Artist Injects Herself With Horse Blood, Wears Hooves

2011-08-10 Thread Andreas Maria Jacobs

Some background:


http://en.m.wikipedia.org/wiki/The_Ballad_of_Lost_C'Mell

Future perspectives from the recent paste

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Aug 10, 2011, at 21:08, Annie Abrahams bram@gmail.com wrote:


May the horse live in me
Interesting experiment, interesting storytelling, but far beyond  
reality


She explained to Centre Press that the whole process made her feel  
“hyper-powerful, hyper-sensitive and hyper-nervous.” She added:  
“I had a feeling of being superhuman. I was not normal in my body. I 
 had all of the emotions of a herbivore. I couldn’t sleep and I felt 
 a little bit like a horse.”


Interpretation, wishful thinking - bullshit.

Anyone who had medical tests done in an hospital to check out the  
heart and who has been injected with chemicals knows it needs little  
(these chemicals) to make you feel a completely different person.  
(anxious, calm, nervous etc)
Chemicals have a deep impact on our being (all drug users know this  
too), feelings, experiences of ourselves, so it's no wonder horse  
proteins make you feel changed, anything would.


I like the experiment, the discussion it triggers, but I abhor the  
biased language used by these artists. In my opinion it doesn't take  
science serious, only uses it for something else.


Yours
Annie



On Wed, Aug 10, 2011 at 7:24 PM, Rob Myers r...@robmyers.org wrote:
On 10/08/11 18:17, marc garrett wrote:
 Artist Injects Herself With Horse Blood, Wears Hooves

 By Olivia Solon

 Laval-Jeantet and her creative partner Benoit Mangin (working as
 collective Art Orienté Objet) were keen to explore the blurring of
 boundaries between species in the piece, entitled May the Horse  
Live in
 Me. Laval-Jeantet prepared her body to accept the horse blood  
plasma by
 getting injected with different horse immunoglobulins over the  
course of

 several months.

 http://www.wired.com/underwire/2011/08/horse-blood-art

Oh I was going to post that later. :-)

I wish I knew enough immunobiology and medical ethics to be able to
evaluate the reality of it a bit better...

- Rob.
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/


La coopération n’est pas toujours, ne démarre pas toujours au  
quart de tour. http://bram.org/huisclos/moustic



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Re: [NetBehaviour] Artist Injects Herself With Horse Blood, Wears Hooves

2011-08-10 Thread Andreas Maria Jacobs

Just in case you (networked behaviourists) lost the tracks:

Cordwainer Smith's Instrumentality of Mankind:

 http://en.m.wikipedia.org/wiki/Instrumentality_of_Mankind

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Aug 11, 2011, at 0:04, Andreas Maria Jacobs aj...@xs4all.nl wrote:


Some background:


http://en.m.wikipedia.org/wiki/The_Ballad_of_Lost_C'Mell

Future perspectives from the recent paste

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Aug 10, 2011, at 21:08, Annie Abrahams bram@gmail.com wrote:


May the horse live in me
Interesting experiment, interesting storytelling, but far beyond  
reality


She explained to Centre Press that the whole process made her fee 
l “hyper-powerful, hyper-sensitive and hyper-nervous.” She  
added: “I had a feeling of being superhuman. I was not normal in m 
y body. I had all of the emotions of a herbivore. I couldn’t sleep 
 and I felt a little bit like a horse.”


Interpretation, wishful thinking - bullshit.

Anyone who had medical tests done in an hospital to check out the  
heart and who has been injected with chemicals knows it needs  
little (these chemicals) to make you feel a completely different  
person. (anxious, calm, nervous etc)
Chemicals have a deep impact on our being (all drug users know this  
too), feelings, experiences of ourselves, so it's no wonder horse  
proteins make you feel changed, anything would.


I like the experiment, the discussion it triggers, but I abhor the  
biased language used by these artists. In my opinion it doesn't  
take science serious, only uses it for something else.


Yours
Annie



On Wed, Aug 10, 2011 at 7:24 PM, Rob Myers r...@robmyers.org wrote:
On 10/08/11 18:17, marc garrett wrote:
 Artist Injects Herself With Horse Blood, Wears Hooves

 By Olivia Solon

 Laval-Jeantet and her creative partner Benoit Mangin (working as
 collective Art Orienté Objet) were keen to explore the blurring of
 boundaries between species in the piece, entitled May the Horse  
Live in
 Me. Laval-Jeantet prepared her body to accept the horse blood  
plasma by
 getting injected with different horse immunoglobulins over the  
course of

 several months.

 http://www.wired.com/underwire/2011/08/horse-blood-art

Oh I was going to post that later. :-)

I wish I knew enough immunobiology and medical ethics to be able to
evaluate the reality of it a bit better...

- Rob.
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--
Touchée Manipilée Photos, vidéo, texte de la performance du 7 mai  
à la Tapisserie, Paris http://aabrahams.wordpress.com/2011/05/08/touche-manipule 
/


La coopération n’est pas toujours, ne démarre pas toujours au  
quart de tour. http://bram.org/huisclos/moustic



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[NetBehaviour] Fwd: UK Lootings

2011-08-10 Thread Andreas Maria Jacobs
 It is an assertion that in all societies at all times, human rights must be 
 universal, both out of basic considerations of justice and for the health of 
 the civilisation itself. A political or social system based merely on blind 
 utilitarianism is inadequate; it must take account and even put first the 
 individual and spiritual needs of its members.

From:

http://www.raingod.com/angus/Writing/Essays/Literary/Smith.html

 Andreas Maria Jacobs
 
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Re: [NetBehaviour] Sanctus (deep/young ethereal radio broadcast #131)

2011-08-07 Thread Andreas Maria Jacobs
Hi Curt

Nice as usual,

Andreas



On 7 aug. 2011, at 03:16, Curt Cloninger c...@lab404.com wrote:

 http://deepyoung.org/radio/
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[NetBehaviour] FRICTION RESEARCH ISSUE #4: RECLAIM THE MIND FEATURING KAMA SOKOLNICKA'S DISAPPOINT OF VIEW

2011-08-04 Thread Andreas Maria Jacobs


Online Exhibition:

FRICTION RESEARCH ISSUE #4: RECLAIM THE MIND FEATURING KAMA SOKOLNICKA'S 
DISAPPOINT OF VIEW

LOCATION: internet
LINK: http://nictoglobe.com/new/query10.html?d=rtmfr42011f=rtm
POSTED BY A. ANDREAS ON Thu, Aug 4th, 20110

... The silent social/public acquiescence for liberty's deformations makes the 
self-conscious thinking more difficult. 
The language/method of public political discourse about social issues is formed 
slowly and with difficulties.















Andreas Maria Jacobs - Editor



nictoglobe.com

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Re: [NetBehaviour] Links

2011-08-03 Thread Andreas Maria Jacobs
Just a thought: what about Hamad's slaves who dugged the canals and made
the letters?

This man should be punished for visual pollution and uncivil behaviour

A
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e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Wed, August 3, 2011 20:34, Rob Myers wrote:
 Debugging the profit motive (with Whuffie?):

 http://blog.p2pfoundation.net/debugging-the-profit-motive/2011/07/31


 Installing Tor, Polipo, and Vidalia, and Excluding Bad Exit Nodes, in
 Linux:

 http://www.patternsinthevoid.net/blog/2011/06/installing-tor-polipo-and-vidalia-and-excluding-bad-exit-nodes-in-linux/


 Basic Security for Linux:

 http://patternsinthevoid.net/security/linux.html


 MondoNet Fights The Internet Power: an Interview with Aram Sinnreich:

 http://www.acceler8or.com/2011/07/mondonet-fights-the-internet-power-an-interview-with-adam-sinnreich/


 Libre Graphics Magazine 1.4 call for submissions:

 http://libregraphicsmag.com/blog/2011/07/1-4-the-physical-the-digital-and-the-designer/


 Itsy-bitsy teeny-weeny 3D-printed beach bikini: herald of the fashion
 singularity?:

 http://futurismic.com/2011/06/07/itsy-bitsy-teeny-weeny-3d-printed-beach-bikini-herald-of-the-fashion-singularity/


 Hamad, the biggest name in the desert: Arab sheikh carves
 two-miles-long name in sand until it's visible from SPACE:

 http://www.dailymail.co.uk/news/article-2016841/Al-Futaysi-island-Hamad-carves-2-miles-long-sand-visible-SPACE.html#ixzz1TzZykAyo


 Google’s Official List of Bad Words:

 http://f.at/googles-official-list-of-bad-words/



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Re: [NetBehaviour] The nytimes they are a-changin

2011-07-21 Thread Andreas Maria Jacobs
Hi James

can't you get rid of that ad? I mean a BB is hackable or?

Andreas Maria Jacobs

Sent using a hacked iPhone on a soon to be terminated XS4ALL account,  
due to the fact that some criminal organisation repeatedly abused my  
VOIP account, resulting in extreme high bills, which the company  
(former initiators of a.o. the famous Hacktic gatherings in NL, but  
degraded into a commercial firm when taken over by KPN the ruling  
Dutch Telco) refuses to take responsebility for and instead are trying  
to oblige me to pay € 2.500,00 compared to my normal monthly fee of  
about € 56,00

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Jul 21, 2011, at 19:30, jwm.art@gmail.com wrote:

 Hey just incase I gave the wrong impression, I had nothing to do  
 with this whatsoever :)
 Ps sorry for the mob advertz.
 Sent using BlackBerry® from Orange

 -Original Message-
 From: Simon Mclennan mitjafash...@hotmail.com
 Sender: netbehaviour-boun...@netbehaviour.org
 Date: Thu, 21 Jul 2011 18:23:08
 To: NetBehaviour for networked distributed 
 creativitynetbehaviour@netbehaviour.org 
 
 Reply-To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] The nytimes they are a-changin

 I like this a lot! For me it shows the ephemeral nature of news,
 among other things. How news is edited as a commodity, shaping
 peoples perception of a mediated world. This makes a lovely film to
 be screened big and bold. I'll put it in The Zone film night if
 allowed- now looking like September- (had problems with a venue)
 (Those of you net people who sent me stuff for the Zone, don't worry
 it shall be in hand. Soon as venue fully commits I'll be in touch.)
 Simon

 On 21 Jul 2011, at 12:40, James Morris wrote:

 Due to an errant cron task that ran twice an hour from September 2010
 to July 2011, I accidentally collected about 12,000 screenshots of  
 the
 front page of the nytimes.com (unfortunately, you can only watch the
 whole 7 minutes if you stick to 480p).

 http://okayfail.com/2011/nytimes-timelapse.html
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[NetBehaviour] @filefestival, 16-07-11 21:28

2011-07-17 Thread Andreas Maria Jacobs

Hi list

I am proud to be part of it

Best

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl







FILE Festival 2011 (@filefestival)
16-07-11 21:28
Hotsite do FILE SÃO PAULO 2011. Conheça a programação! http://www.filefestival.org/hotsiteSP/Sobre. 
aspx http://fb.me/1b7R3flf1




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Re: [NetBehaviour] friend request

2011-07-16 Thread Andreas Maria Jacobs

Hi all

I came to the same conclusion:

FB is just consulted for its content, which is accesable to anyone,  
also the Mosad et al


This it not FB to blame

What is to blame is the ignorance of its users

Everything you leave in the internet is there for everyone to be (ab) 
used


Demographics are high price sellable assets to be used as a means to  
overwhelme the public with a strong urge to keep buying goods we do  
not need and more problematic goods which harm our societal and  
environmental environment


Cars gasoline carbon whales seals Genitic modified crops monopolised  
by the bigger food corporations


10 % of the food industry owns 90 % of all croppable areals worlwide

Just google on GMF for instance combined with Belgium where natural  
farmers are put under pressure to sell modified seeds


Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Jul 16, 2011, at 16:25, Ana Valdes agora...@gmail.com wrote:

Bob, this is not the first time I have seen similar claims, it means  
not Google or Yahoo are better. I try to not  lay all my eggs in  
the same basket.
I know both Facebbok and Google are used as giant informations  
servers for all intelligence servers.

Ana

Skickat från min iPhone

16 jul 2011 kl. 12:45 skrev bob catchpole bobcatchp...@yahoo.co.uk:


Ana,

I'm no fan of Facebook - the contrary -  but the link you posted  
does not seem to confirm what you said.


 http://www.google.com/hostednews/ap/article/ALeqM5glrdg_c6lwx69-q_kxRP4tTyOq9Q

You said Facebook provided Israel with lists of American and  
European Palestine activists. The article doesn't claim that, it  
suggests that Facebook's role was passive: Aided by Facebook  
Israel had tracked the activists on social media sites, compiled a  
blacklist of more than 300 names and asked airlines to keep those  
on the list off flights to Israel.


So what's new? Should anyone using such social media sites be  
surprised that this sort of thing can happen?


Bob

From: Ana Valdes agora...@gmail.com
To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org 


Sent: Fri, 15 July, 2011 16:06:10
Subject: Re: [NetBehaviour] friend request

James you go the opposite way that many! :) the most ppl I know  
(including myself) are leaving Facebooks for more user-friendly  
platforms, Google +, Diaspora, Scoop.it, Twitter
For me the bottom was raised last week, when Facebook provided  
Israel with lists of American and European Palestine activists, to  
help Israel blacklist them and prevent them from entering Palestine.
I want very much be your friend but not in the Facebook evil empire  
Zuckerberg is building with our names and content.

Ana

Skickat från min iPhone

15 jul 2011 kl. 15:49 skrev James Morris jwm.art@gmail.com:

 Hi,

 As I am too scared to make direct friend requests on facebook, i am
 requesting semi-blindly here. i only have 15 facebook friends so i
 feel that i'd like to be a bit less of an outcast, will you be my
 friend please? my target is 20 friends by the end of the month! i
 realize i've been on occasion a bit of an annoyance on the list so
 i've not got my expectations up. that being said, i will probably  
be

 upset if no one wants to be my friend but i'll try not to let it
 embitter me. so if you'd like to be my friend, it would be an  
honour.

 i won't trouble you with anything other than you might get to see a
 video on youtube i like from time to time, and maybe some personal
 pictures i post, but my activity is fairly low so not too much of  
an

 annoyance like people who post their daily horoscopes or shopping
 habbits or crap like that.

 http://www.facebook.com/profile.php?id=12250404575


 mostly sincerely but a pinch of salt might be required,
 james william morris
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[NetBehaviour] La Resocialista Internacional presented during FIle Festival 2011

2011-07-14 Thread Andreas Maria Jacobs
La Resocialista Internacional:

http://burgerwaanzin.nl

New entry:



http://burgerwaanzin.nl/images/2842.jpg

--A. Andreas - Artista

Bourgois Culture should be eliminated
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Re: [NetBehaviour] Critique of Creativity: Precarity, Subjectivity and Resistance in the ‘Creative Industries’

2011-07-13 Thread Andreas Maria Jacobs

Reminds me of an article I wrote 5 years ago.

A bit black and white I must admit, but touching essential points in  
the current struggle for freedom of expression and how to be able to  
resist the 21st century default burden on the niches left over to  
experience one's own life, not being commodified by our neo-elitist  
rulers hidden as politicians who serve the upper class sissies  
interested only in their carrierre and not ours


Favorite quote:

  My blood boils in my veins against the so-called fathers of the  
country, those men without feelings, without decency, who have  
lavished millions on the king’s brothers, dangerous enemies of the  
country… yet who have not returned one penny to the poor, to whom it  
all belongs… Form yourselves into an armed body, present yourselves  
at the National Assembly, and demand that you immediately be given  
some means of subsistence from the national wealth, which belongs much  
more rightly to you than to those blood-suckers of the state… you  
must, in your turn take whatever measure is required, for it is a  
hundred times better that the whole kingdom be upturned than that ten  
million men be reduced to death by hunger.”


Jean-Paul Marat 1790

See:

http://nictoglobe.com/new/query10.html?d=articlesf=tfatm

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Jul 13, 2011, at 18:43, marc garrett  
marc.garr...@furtherfield.org wrote:



Hi Joel,

I also bought this a while back  was impressed. There is also a
download version of this

Art and Contemporary Critical Practice: Reinventing Institutional
Critique. Gerald Raunig  Gene Ray (eds)

http://mayflybooks.org/?page_id=20

Marc;

I just downloaded the .pdf

Warm Regards,
Joel

- Original Message -
From: marc garrettmarc.garr...@furtherfield.org
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
Sent: Wednesday, July 13, 2011 9:31 AM
Subject: Re: [NetBehaviour] Critique of Creativity: Precarity,  
Subjectivity

and Resistance in the ‘Creative Industries’


Hi Joel,

I have ordered a copy  downloaded a pdf version, so will have a good
read  see what it's all about :-)

wishing you well.

marc

Marc;

This reminds me of how Portland, Oregon, hyped young creatives  
moving

there a few years ago.
The idea was to attract businesses. It didn't work. Nor do the  
young

creatives.

-Joel

- Original Message -
From: marc garrettmarc.garr...@furtherfield.org
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
Sent: Wednesday, July 13, 2011 5:39 AM
Subject: [NetBehaviour] Critique of Creativity: Precarity,  
Subjectivity

and
Resistance in the ‘Creative Industries’


Critique of Creativity
Precarity, Subjectivity and Resistance in the ‘Creative Industr 
ies’

Gerald Raunig, Gene Ray and Ulf Wuggenig (eds)
London: mayfly 2011, 234 pages

Creativity is astir: reborn, re-conjured, re-branded, resurgent.  
The old
myths of creation and creators – the hallowed labors and privil 
eged

agencies of demiurges and prime movers, of Biblical world-makers and
self-fashioning artist-geniuses – are back underway, producing e 
ffects,

circulating appeals. Much as the Catholic Church dresses the old
creationism in the new gowns of ‘intelligent design’, the Crea 
tive
Industries sound the clarion call to the Cultural Entrepreneurs.  
In the

hype of the ‘creative class’ and the high flights of the digital
bohemians, the renaissance of ‘the creatives’ is visibly enacted 
. The

essays collected in this book analyze this complex resurgence of
creation myths and formulate a contemporary critique of creativity.

With contributions by: Brigitta Kuster, Maurizio Lazzarato, Esther
Leslie, Isabell Lorey, Angela McRobbie, Raimund Minichbauer, Monika
Mokre, Stefan Nowotny, Marion von Osten, Gerald Raunig, Gene Ray,  
Suely

Rolnik, Vassilis Tsianos, Paolo Virno, Ulf Wuggenig

Read online, download for free or purchase a paperback copy:
http://mayflybooks.org/?page_id=74

---
Creating Worlds
http://creatingworlds.eipcp.net

eipcp - european institute for progressive cultural policies
a-1060 vienna, gumpendorfer strasse 63b
a-4040 linz, harruckerstrasse 7
cont...@eipcp.net
http://www.eipcp.net
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[NetBehaviour] The Miserablistic Approach Quartely, Issue July 7 2011 was Re: From our correspondent Athens, Greece

2011-07-04 Thread Andreas Maria Jacobs

Hi Dave

I do not know what to say but my sympathy is intuitively directed  
towards society's victims regardless their nationality on paper


In every major European city are signals of deeply felt frustation and  
anger mostly against old school authoritarian regimes ruling countries  
worldwide


The Miserablistic Approach Quartely, Next issue: July 21 2011

Future brings much needed change, NWET (Northern and Western European  
Territories) should anticipate those with open mind and heart


The Miserablistic Approach Quartely is accepting proposals for it's  
next edition


Send an e-mail to:

t...@nictoglobe.com

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Jul 4, 2011, at 20:32, dave miller dave.miller...@gmail.com wrote:


hi andreas

My take on it all (based on what I've been reading, it's certainly
better to be there to understand it all) -

The ECB are only thinking about their big banks going bust - Credit
Agricole, Soceite General, Deutsch Bank - who made all these terrible
loans and stand to lose billions if Greece defaults.

So they are forcing the Greek Govt to accept IMF loans, to pay off
these debts, and then the Greek people pay off the loans via austerity
measures/ cuts/ taxes.

I think the Greek people should really fight back and not accept the
IMF money at all, but then that's easy for me to say as I'm not
affected directly by the situation - yet. Lots of experts reckon
that Greece could default on their debt and after a short time things
would be ok for Greece. Dont know if this is true, though Greece has
defaulted many times before, and survived.

You're right, papandreou doesnt care for the people. He's accused of a
huge fraud I've read also - I dont think he'll be in power for much
longer.

Here's another great article from Micheal Hudson:
http://michael-hudson.com/2011/06/whither-greece/


all the best
dave




On 4 July 2011 18:27, Andreas Jacobs aj...@xs4all.nl wrote:



... the europeans do not have the vacast idea of what could happen
on greece the following months

each day members of the greek parliament eat the beating of their  
life


a revolt here is very possible scenario

they said that we have a democracy but under those heavy  
circumstances

it is more than obvious even to the silliest that george papandreou
acts like a plassier of international usurers and what happens here  
as

an experiment they will do it on other countries of course

the greek regime is very autarchic and the greek state built a system
that replaces the absolute monarchy

at least in france they had 1 absolute monarch

here in greece we have 300 absolute monarchs
and they are very angry because the nation is furious with them

of course the situation is very complicated

the economic crisis that comission focus on had to do with the state
economics and not with the life that after the entrance of greece on
eurozone
become one of the most expensive

our taxis system is the most complicated in the world with a volume  
of

500 pages only for codex

after the measures that comission asks greeks will end up to have the
lower salaries and athens is one of the most expensive cities in the
world


the situation is not good

the greek state erases and political comments from blogs
with views that critisized them heavily because they want to control
even and internet[only the 15% of the population ig greece has
internet]


the ministry of education anna diamantopoulou is spying the private
life of the students with its new programme giving email and  
passwords



the greek state knowing the ip adress of the pc s of the greek
students could select many infos for their lifes

and for hacking the greek intelligence service is the first

i am very annoyed by this fascism in my country and i can not believe
the extension of their fascistic methods

they want to observe the telephone communications for the good of the
greek nation

thats wghy george papandreou throw 3.000 tones of chemicals the
previous day, chemicals that cause cancern as you know

because he cares so much for the greek nation
so the situation here becomes day by day more dangerous and i will  
not

get surprised if the political regime collapses the following months

their measures of course are antipopular but imagine that their
salaries are 20.000 euros per month eating the state income

we have also one of the most expensive political systems in the world

i am very pesimistic for the future because they took all the time
loans with high races and greece can not pay such money

best regards arelis


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[NetBehaviour] Friction Research #4 July 1 2011: Oahspe - Stephen Ausherman

2011-07-02 Thread Andreas Maria Jacobs
Friction Research:

Oahspe by Stephen Ausherman

http://www.restlesstribes.com/oahspe

'Oahspe' is an abstract interpretation of the Shalam Colony, a Utopian
commune for children in southern New Mexico from 1884 to 1891.

Static views of vintage CRT screens shot more than 50 years
apart (original and sampled clips), sampled sound remix, text samples from
the book of Oahspe.

Magazine:

Reviews by Arelis Eleftherios

http://www.nictoglobe.com/new/contributors/arelis/ad1.jpg

Alfred Dong (China) I will speak JFK and Obama video 2009

http://nictoglobe.com/new/query2.html?d=contributors/arelisf=ALFRED%20DONG


http://www.nictoglobe.com/new/contributors/arelis/Ziervogel.jpg

Ralf Ziervogel ( Germany) Ohne Titel 2009

http://nictoglobe.com/new/query2.html?d=contributors/arelisf=RALF%20ZIERVOGEL


Elsewhere:

New Digital Art Works by A. Andreas:

https://lh5.googleusercontent.com/-CkJc3ORjPr4/TfoLl13bDJI/pXg/VqqUYcQD4hc/s640/cgyl2.jpg

Made with an Apple IIGS computer and the program Platinum Paint AA 1986

http://artclubcaucasus.blogspot.com/


Enjoy!

Andreas Maria Jacobs - Editor

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e: a.andr...@nictoglobe.com
e: aj...@xs4all.nl

Artists Resicency: http://nictoglobe.com/residency
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[NetBehaviour] Today's Tendencies in Financial Delusion,

2011-06-19 Thread Andreas Maria Jacobs
Today's Tendencies in Financial Delusion,

Part 1

How it started:

Finding oneself in an explorable state of mind, one wonders what will  
happen 'If .', happens.

Arising from as if have dreamed for the years of existing before that  
very moment, it suddenly happens

that something was continiung a life casted in flames

He who inhales
Provokes

He who accellerates
Provokes

Dividing the world of silver and gold
Provokes

Denying the heights from the lows
Provokes




Andreas Maria Jacobs

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Re: [NetBehaviour] Thoughts on Augmented Computational Inequality

2011-06-19 Thread Andreas Maria Jacobs
I thought post-modernity is founded on economical inequality expressed  
as an elitist conceptual approach towards its own narrow circle of  
like minded and privileged fellow travelers

They, i.e. postmodernists, forget that the majority of the people  
still are living in conditions not so different from 19th century  
juvenile
capitalism, and only the exclusive domain of the western world is  
'trying' to overcome and starting to live in a presumable postmodern  
condition.

Alas for the rest of the world, post modernist developments  
underestimate the economical ties between wanted intellectual and  
economical freedom and actual economical and intellectual enslavement  
and prison-ship


-- Andreas Maria Jacobs

w: http://nictoglobe.com
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e: aj...@xs4all.nl
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On Mon, March 7, 2011 14:52, Rob Myers wrote:
 -BEGIN PGP SIGNED MESSAGE-
 Hash: SHA1

 http://stunlaw.blogspot.com/2011/03/augmented-inequality.html

 When thinking about the profound changes introduced by digital
 technology at a social, economic and political level, it is  
 interesting to see recent arguments being made in terms of two  
 elites battling out for supremacy over who is able to 'control'  
 culture and serve as the gatekeepers to it (see Jarvis 2011,  
 Anderson 2011). Here I want to think of them as two camps, on the  
 one side we have what I call the moderns, represented by writers  
 like Nick Carr (2011) and Matthew Crawford (2010), and in the  
 postmodern camp writers like Jeff Jarvis (2011) and Clay Shirky  
 (2010).
 [...]
 However, the arguments of the postmoderns have an important and  
 critical flaw – they are blind to the problems created by economic i 
 nequality. 

 [Dave Berry, the author of the above, is giving a talk with Simon  
 Yuill in London on the 11th March, which I'd highly recommend -
 http://www.gold.ac.uk/cultural-studies/calendar/?id=4342 ]

 - -Rob.
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 Version: GnuPG v1.4.11 (GNU/Linux)

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Re: [NetBehaviour] [spectre] looks like Slovenia might be next

2011-06-16 Thread Andreas Maria Jacobs
Hi Anna

Wish I could join you, my late grandfather went to Brazil from Germany
during the crises of the 30ties.

I am still attracted towards doing the same

Our hopes are definitively directed towards the rise of The South as a
natural historical possibility to continue the age old European project.

Abandoned by the selfish survival attitude of the North, the South can
combine its passionate will to live with a matured rationality.

Also it can develop an independent global economical position, being able
to stand firmly against a future Asian domination.

An interesting read, touching deeply this scenario, is 'The Clash of
Civilisations and the remaking of World Order' by Samuel Huntington

Best

Andreas Maria Jacobs


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On Thu, June 16, 2011 13:12, Ana Valdés wrote:
 That's one of the reasons I am moving back to South America. Once, in the
 Seventies, when we were young and a bit naive, we believed in the
 Messianic
 Revolutions. We fought against rogue generals and corrupt politicians and
 we
 paid a heavy prize, prison, torture, death.
 Many of us come to Europe, the continent of our ancestors (I have Spanish
 and Italian grandfathers and grandmothers) and got asylum and a time to
 recover. Our ancestors fled from an empoverished Europe who prosecuted the
 poor and the rebelious.
 Now in South America every people in the region choose a leftist or social
 democrat alternative, not because they dream about utopia but because they
 are tired of neoliberal experiments.
 Europe is going again the way of authoritarism and control who chased away
 my ancestors from here.
 I am going back to Uruguay to find a space and a place to resist and
 create.
 I hope many of you in the list can be part of future projects linking the
 North and the South. Maybe we can make the global diaspora to a borderless
 creative world :)

 Ana

 On Thu, Jun 16, 2011 at 1:01 PM, Simon Biggs si...@littlepig.org.uk
 wrote:

 It is something big; sweeping global social change arising from economic
 realignment. Post-crash Europe is going through a socio-economic
 realignment
 that recognises the emerging dominance of international trade and
 cultural
 exchange by countries such as China, India and Brazil. As part of this
 process countries that once sustained values founded on social
 democratic
 principles are having to adapt their economies (material and cultural)
 to
 the instrumentalist models that underpin the emergent economies capacity
 to
 out-perform their competitors. The Anglo-American model has been under
 pressure at the same time, leading to the progressive collapse of the
 social
 contracts that underpinned them. We are moving from the European
 millennium
 to the Asian.

 Best

 Simon


 On 16/06/2011 10:55, Andreas Broeckmann a...@dortmunder-u.de wrote:

  the Slovenian government wants to cut the cultural budget by 38 mio
 euros.
 
  (is this an accidental series, or are we
  observing the erosion of something big?)
 
 
 
  Delo - Slowenien
  Slowenien streicht Kulturetat zusammen
 
  Die slowenische Mitte-Links-Regierung hat am
  Mittwoch ihren Entwurf für den Haushaltsplan 2012
  vorgelegt und will im Kulturetat 38 Millionen
  Euro streichen. Das ist viermal so viel wie bei
  anderen Ressorts, rechnet die linksliberale
  Tageszeitung Delo vor und vermisst Verständnis
  für die gesellschaftliche Funktion der Kultur:
  Normalerweise sind die Mitglieder des Nationalen
  Kulturrats eher zurückhaltend. Doch nun waren sie
  so getroffen, dass sie mit Vorwürfen an die
  Regierung und Gegenargumenten wenig zurückhaltend
  waren. Der Haushalt bedeutet tiefe Einschnitte.
  Nun drohen auch dem Projekt Kulturhauptstadt
  Maribor 2012 große Probleme. Aufgeschoben würden
  zudem Filmproduktionen, Investitionen in die Oper
  Ljubljana, die Kunstgalerie Maribor und so
  weiter. ... Eine sichtlich verarmte
  Kulturlandschaft provoziert die berechtigte
  Frage, ob unsere Regierung die grundsätzliche
  Rolle der Kultur für die Entwicklung jedes
  einzelnen Menschen, des Volks und des Staats
  vergessen hat. (16.06.2011)
 
  http://www.delo.si/mnenja/komentarji/leta-nazadovanja.html
  (externer Link, slowenisch)
 
  __
  SPECTRE list for media culture in Deep Europe
  Info, archive and help:
  http://post.in-mind.de/cgi-bin/mailman/listinfo/spectre
 


 Simon Biggs
 si...@littlepig.org.uk
 http://www.littlepig.org.uk/

 s.bi...@eca.ac.uk
 http://www.elmcip.net/
 http://www.eca.ac.uk/circle/


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 tel +468

Re: [NetBehaviour] Friction Research Issue #4, 2011 Reclaim the Mind

2011-06-16 Thread Andreas Maria Jacobs
--
A new language is necessary I think...

Digital Art, Electronic Literature, etc etc 

Going beyond and below, between the lines, out of the box, without
cultural garbage, leaving all in history's dustbin, post digital, post
natural, post colonial, post ideological and post capital.

In investigating new and emergent digitally born media we are just now in
the position to explore and define the ways this New Language will rise to
a prominence hitherto unseen. By leaving behind the old ties to a rotten
egocentric society and established cultural domains, there is a
possibility to gain a foot into a New Realm not corrupted by old school
language and power structures.

Language is the final colonial power to conquer, indeed


Best

Andreas

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On Thu, June 16, 2011 15:58, mark cooley wrote:
 Hi 
 I understand your position and take it myself much of the time. It's an
 effective defensive position it seems against the constant onslaught of
 corporate garbage. On less defensive days I wonder about this idea of the
 pure unpolluted or authentic self - it's relationship to colonialist
 attitudes - because what might be recognized as authentic in one culture
 may be considered a put-on in another. We have to remember that colonial
 conquests were done largely to supposedly save the beasts from
 themselves the other's ways are always seen as backward and full of myth
 while ours seems to get deeper to the real meaning of life. Western
 Civilization has had a nasty habit of calling the anything foreign to it
 culture and anything taken for granted within it as just human nature.
 It's all myth and all culture - unless we want to pretend that the
 helplessness of a newborn baby is our ideal state. The point is to figure
 out what that culture produces
  materially in the world. Like Marx said, the philosophers have only
 interpreted the world, the point is to change it. In this sense, it
 seems that trying to get below culture in some metaphysical sense only
 immerses us deeper in ideology - since ideology is exactly habits,
 beliefs and values that are assumed to be natural - this leads me to the
 point that statements about the pure authentic self are the most
 ideological of all. simply assuming that we've accessed something deeper
 - metaphysics - doesn't get very far in explaining how we can critically
 and consciously make an impact on the world without reducing the
 conversation to colonial perspectives which say my way is pure and
 authentic, and your way is enculturated myth. The use of words like
 authentic and pure are too easily linked to nasty things like
 eugenics and its far reaching influence on modernist art and design
 anyway. A new language is necessary I think...
 Thank you for your response and thoughts!
 best
 mark
 Message: 2
 Date: Wed, 15 Jun 2011 18:04:00 +0200
 From: Andreas Maria Jacobs aj...@xs4all.nl
 Subject: Re: [NetBehaviour] Friction Research Issue #4, 2011 Reclaim the
 Mind
 To: NetBehaviour for networked distributed creativity
 netbehaviour@netbehaviour.org
 Message-ID: ce046fb4-6fbe-426d-8339-b34b1914e...@xs4all.nl
 Content-Type: text/plain;    charset=us-ascii;    format=flowed;   
 delsp=yes

 Hi Mark

 nice thoughts indeed.

 As I am not the author of Saskia's text, I cannot go into that deeper, but
 for my own involvement as the initiator of this project, I do think it is
 appropriate and necessary to - although already done over and over again -
 accentuate the role of the indoctrinating and actively alienating media
 industries and their ways of subsuming their audiences.

 As for 'free subjects', yes I have this opinion that 'we' are first and
 foremost authentic and unimpressed beings, who are influenced by our
 external cultural language systems and apparently polluted by the immense
 and carelessly taken psycho-sociological consequences thereof

 To be able to develop consciousness of 'our being in the world' it
 is necessary to investigate the underlying mechanisms of how
 culture spreads from individual perception and expression to broader and
 more influential and sustainable power structures which in turn
 influences and manipulates the ways the individual perceives and
 eventually expresses its cultural 'point of view'

 It is with that in mind are started this whole project i.e. Friction  
 Research
 -- 
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 On Sat, June 4, 2011 14:54, mark cooley wrote:
 for the pic you'd have to ask Barbara Kruger.
 As far as the one's own mind idea. That went out the window with the
 invention of cultural studies or at least I thought. Not that  
 everyone has
 to buy that dismissal but at least a nod to contemporary criticism
 (everyone from Zizek, Lacan, Stuart Hall to Louis Althusser) might

Re: [NetBehaviour] Friction Research Issue #4, 2011 Reclaim the Mind

2011-06-15 Thread Andreas Maria Jacobs
Hi Mark

nice thoughts indeed.

As I am not the author of Saskia's text, I cannot go into that deeper,  
but for my own involvement as the initiator of this project, I do  
think it is appropriate and necessary to - although already done over  
and over again - accentuate the role of the indoctrinating and  
actively alienating media industries and their ways of subsuming their  
audiences.

As for 'free subjects', yes I have this opinion that 'we' are first  
and foremost authentic and unimpressed beings, who are influenced by  
our external cultural language systems and apparently polluted by the  
immense and carelessly taken psycho-sociological consequences thereof

To be able to develop consciousness of 'our being in the world' it is  
necessary to investigate the underlying mechanisms of how culture  
spreads from individual perception and expression to broader and more  
influential and sustainable power structures which in turn influences  
and manipulates the ways the individual perceives and eventually  
expresses its cultural 'point of view'

It is with that in mind are started this whole project i.e. Friction  
Research
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On Sat, June 4, 2011 14:54, mark cooley wrote:
 for the pic you'd have to ask Barbara Kruger.
 As far as the one's own mind idea. That went out the window with the
 invention of cultural studies or at least I thought. Not that  
 everyone has
 to buy that dismissal but at least a nod to contemporary criticism
 (everyone from Zizek, Lacan, Stuart Hall to Louis Althusser) might be
 appropriate. In a nut shell, the enlightenment idea that we belong to
 ourselves (as free subjects) or that somehow we have an inner  
 subjectivity
 that is beyond the influence of culture and therefore pure and  
 untainted,
 was overturned pretty effectively I think in 20th century media and
 cultural criticism. Of course not everyone is convinced, but I think  
 that
 going back to this idea that we have initially pure minds that are
 somehow corrupted by media (or whatever other cultural form) is  
 regressive
 and takes us back to the old idea of nature vs nurture. Anyway,  
 one
 point of media criticism is to see how the media acts as ideology and
 subjugates viewers - but not in order
 to retrieve our own minds but to take an active role in detecting
 ideological devices and how they work on us and the effects they  
 have on
 the world. The idea that we own ourselves neglects that our every
 meaningful interaction with the world is always already part of a  
 shared
 language that we ourselves didn't create. We are collages of external
 things taken in and internalized, but we certainly can take an active
 role in this process - this doesn't mean that we're being more  
 authentic
 or pure, just that we're being active participants in the making of  
 us.
 Just some thoughts.
 mark

 Message: 4
 Date: Fri, 3 Jun 2011 17:40:50 +0200
 From: Andreas Maria Jacobs aj...@xs4all.nl

 Hi Marc

 Nice picture!

 Expressing the shizo-state of mind,
 scattered and torned to pieces like mine...

 May I use it for Friction Research Issue 4?

 Best

 Andreas Maria Jacobs

 w: http://www.nictoglobe.com
 w: http://burgerwaanzin.nl

 On Jun 3, 2011, at 16:58, mark cooley flawed...@yahoo.com wrote:


 Friction Research Issue #4

 29 May 2011

 Essay:

 Saskia Isabella Maria Korsten

 I believe that in order to reclaim one's mind one should be able to
 critically assess the influence media have on one's perception of the
 world.


 What one's mind is there to reclaim?
 http://30.media.tumblr.com/tumblr_l7rmzrFjs71qzuxe3o1_400.jpg___
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[NetBehaviour] Afro-Futurism: Countering Mass Culture’s reductional breakdown through creative Forms o f Representation by Nettrice Gaskins

2011-06-14 Thread Andreas Maria Jacobs
Independent Online Magazine on Transmedial Art  Acts Nictoglobe (*)
presents:

Afro-Futurism: Countering Mass Culture’s reductional breakdown through
creative Forms of Representation by Nettrice Gaskins

An insiders look into the works of a.o. RAMMELZEE

see:

http://nictoglobe.com/new/query10.html?d=rtmfr42011f=rtm


(*) Nictoglobe aims to promote new media art in a broader sense and
chooses to serve a broad global audience. Nictoglobe is not, was not and
never will be funded by governmental funding or other means of submissive
state organized cultural financial censorship.

Governmental Cultural Politics is Slavery

--Andreas Maria Jacobs  - Editor
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Re: [NetBehaviour] Replacing Economic Democracy with Financial Oligarchy

2011-06-06 Thread Andreas Maria Jacobs
Hi Dave

Thanks for this valuable information

Althought intuitively we all know this already - class war between the  
haves and the no-haves - it is nevertheless well worth reading the  
same 'truth' again and again

Maybe 'we' will ultimately - after 300 years of being the losing party  
- win this war with new and 'un-economical behaviour', for instance:  
consumer strikes, payback days and other means of civil disobedience

Economics is the Prison of Society

Andreas Maria Jacobs

w: http://www.nictoglobe.com
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On Jun 5, 2011, at 19:35, dave miller dave.miller...@gmail.com wrote:

 Why left-wing parties embrace the advice of the ultra-right wing
 economists whose anti-regulatory dogmas helped cause the crisis is one
 of the great mysteries of life. Their policies are self-destructive to
 the economy and suicidal politically.”

 Greece and Ireland have become the litmus test for whether economies
 will be sacrificed in attempts to pay debts that cannot be paid. An
 interregnum is threatened during which the road to default and
 permanent austerity will carve out more and more land and public
 enterprises from the public domain, divert more and more consumer
 income to pay debt service and taxes for governments to pay
 bondholders, and more business income to pay the bankers.

 If this is not war, what is?

 http://www.informationclearinghouse.info/article28245.htm
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Re: [NetBehaviour] Friction Research Issue #4, 2011 Reclaim the Mind - Saskia Korsten on David Claerbout

2011-06-03 Thread Andreas Maria Jacobs

Hi Marc

Nice picture!

Expressing the shizo-state of mind,
scattered and torned to pieces like mine...

May I use it for Friction Research Issue 4?

Best

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Jun 3, 2011, at 16:58, mark cooley flawed...@yahoo.com wrote:




Friction Research Issue #4

29 May 2011

Essay:

Saskia Isabella Maria Korsten

I believe that in order to reclaim one's mind one should be able  
to critically assess the influence media have on one's perception of  
the world.



What one's mind is there to reclaim?
http://30.media.tumblr.com/tumblr_l7rmzrFjs71qzuxe3o1_400.jpg




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[NetBehaviour] Friction Research Issue #4, 2011 Reclaim the Mind - Saskia Korsten on David Claerbout

2011-06-01 Thread Andreas Maria Jacobs
Friction Research Issue #4

29 May 2011

Essay:

Saskia Isabella Maria Korsten

“I believe that in order to reclaim one's mind one should be  
able to
critically assess the influence media have on one's perception of the  
world.”

Saskia Korsten's elaborative essay on David Claerbout's artwork  
Sections of a Happy Moment - one single moment in time fragmented into  
16,000 pieces and strectched out in a video of more than twenty-five  
minutes - gives a thorough view behind the hidden semiotics of 'new'  
media. To properly face existence in a mediazed world, different  
strategies arise, in her essay the aesthetic notion of Jay David  
Bolter and Richard Grusin: remediation, is reformulated and subverted:  
reversed remediation.

see:

http://nictoglobe.com/new/query10.html?d=rtmfr42011f=rtm

enjoy!

--Andreas Maria Jacobs - Editor

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Re: [NetBehaviour] Art Language with Red Krayola - Nine Gross and Conspicuous Errors (1976).

2011-05-28 Thread Andreas Maria Jacobs
Hi Rob

Thanks for the link!

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 28, 2011, at 0:51, Rob Myers r...@robmyers.org wrote:

 On 27/05/11 14:25, Andreas Maria Jacobs wrote:
 Regarding Jackson Pollock's allegedly connection with Abstract
 Expressionism (AE) and 'He was the action painter who rebelled  
 against the
 rules...'

 The song is one of a pair concerning the reference points for Art 
 Language's paintings of A Portrait Of Lenin In The Style Of Jackson
 Pollock. The paintings took the official high culture of the US and  
 the
 USSR and mashed them up as critique. Like the paintings, the songs are
 highly ironic.

 Art  Language certainly knew about the CIA connection. Charles
 Harrison's writing about the Portraits is what introduced me to it  
 iirc.

 http://www.artvalue.com/photos/auction/0/49/49638/art-language-michael-baldwin-m-portrait-of-v-i-lenin-in-the-s-2817837.jpg

 - Rob.
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Re: [NetBehaviour] Art Language with Red Krayola - Nine Gross and Conspicuous Errors (1976).

2011-05-27 Thread Andreas Maria Jacobs
Regarding Jackson Pollock's allegedly connection with Abstract
Expressionism (AE) and 'He was the action painter who rebelled against the
rules...'

start quote

One of the most important and fascinating discussions in Saunders' book is
about the fact that CIA and its allies in the Museum of Modern Art (MOMA)
poured vast sums of money into promoting Abstract Expressionist (AE)
painting and painters as an antidote to art with a social content. In
promoting AE, the CIA fought off the right-wing in Congress. What the CIA
saw in AE was an anti-Communist ideology, the ideology of freedom, of
free enterprise. Non-figurative and politically silent it was the very
antithesis of socialist realism (254). They viewed AE as the true
expression of the national will. To bypass right-wing criticism, the CIA
turned to the private sector (namely MOMA and its co-founder, Nelson
Rockefeller, who referred to AE as free enterprise painting.) Many
directors at MOMA had longstanding links to the CIA and were more than
willing to lend a hand in promoting AE as a weapon in the cultural Cold
War. Heavily funded exhibits of AE were organized all over Europe; art
critics were mobilized, and art magazines churned out articles full of
lavish praise. The combined economic resources of MOMA and the CIA-run
Fairfield Foundation ensured the collaboration of Europe's most
prestigious galleries which, in turn, were able to influence aesthetics
across Europe.

end quote

source:

http://www.ratical.org/ratville/CAH/CIAcultCW.html

see also:

http://www.nictoglobe.com/new/articles/finality.html

Best

--AMJ



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On Fri, May 27, 2011 19:43, Rob Myers wrote:
 On 27/05/11 05:28, marc garrett wrote:
 Art  Language sing theory, backed up by The Red Crayola Nine Gross and
 Conspicuous Errors (1976): http://is.gd/1Mhe99

 The karaoke event took place between 5pm and 6pm each day,

 This last paragraph refers to a show at the Lisson a couple of years ago
 rather than to the original video.

 I went to the show, but not to the karaoke.

 Come on, you all know the words:

 Jackson Pollock was the artist of the Marshall Plan
 He broke the ice for artists when the Cold War began
 He was the leading artist of the New York School
 He was the action painter who rebelled against the rules...

 - Rob.
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Re: [NetBehaviour] let's pretend a school kid wrote this for me to post here

2011-05-26 Thread Andreas Maria Jacobs
Like!
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On Thu, May 26, 2011 13:46, James Morris wrote:
 underlay underlay rehab rehab,

 carpet festoon true reprieve

 words one two three four five six

 seven eight nine ten

 eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen
 nineteen twenty,

 all carefully typed by hand with the utmost precision

 one two three, here we go again, four five six seven eight nine ten
 eleven twelve thirteen fourteen fifteen sixteen seventeen eighteen
 nineteen twenty twenty one twenty two twenty three twenty four twenty
 five twenty six twenty seven twenty eight twenty nine thirty

 four five six seven eight nine

 thirty six thirty seven thirty eight thirty nine

 four

 sixty

 words one two three four five six

 words

 words one two

 three

 under way rehabilitation

 three six seven nine

 nine six seven nine

 seven of twenty twenty of seven hundred seven hundred of twenty
 thousand twenty thousand of seven million seven million of twenty
 thousand billion trillion gazillion.

 seven three point six gazillion cows grazing in a 6.3578 hectare
 field, what is happening to the world today?

 twenty million billion trillion human eyes, scattered amongst space
 debris orbiting the earth, what is happening to the universe today?

 forty two armpits forming an atom of sand somehow caught up in the
 queen's digestive system and flushed down the toilet, what is
 happening to society today?

 from this waste of space to another, what is happening in my head today?

 my my, look how you've turned out, what is happening in the river nile
 today?

 nought x one two b six five f nine eight a, what is happening in the
 world of micro controllers today?

 hexadecimal vest tops, null terminated t-shirts, 32bit coach trips,
 multi-core 8ghz volcanos,

 three point six seven eight nine ten eleven twelve thirteen fourteen
 fifteen sixteen seventeen eighteen nineteen twenty twenty one twenty
 two twenty three twenty four twenty five twenty six twenty seven don't
 forget all lovingly hand-typed four your enjoyment twenty eight twenty
 nine thirty no copy and pasting hear, now hear this, thirty one thirty
 two thirty three thirty four four four four four to the flour and
 moon, the flower orbitting the moon cost seven six point six seven
 eight nine ten pastings eight hairy bastings leveller

 what is grappling in the hurled today?

 grapes bilateral bin the furled today
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Re: [NetBehaviour] Mis/take (self-interrogation)

2011-05-25 Thread Andreas Maria Jacobs
Dear Alan

Very informative and evocative text!

Explaining an expert's attitude towards a proper/better understanding  
- and a clarification as well - of a life-long dedication to idio- 
syncratic writings i.e. textual existence

Serving as a life-line for fellow 'artists'

Bravo!

Andreas Maria Jacobs

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On May 25, 2011, at 10:40, Alan Sondheim sondh...@panix.com wrote:



 Mis/take

 Above all, my work is philosophical. It insists not on the letter of
 philosophy, but on its dissemination contamination, of and through  
 media.
 It insists on the visual as always already ikonic, inscription as  
 present
 and concrete. It insists on the final grounds of unutterable pain and
 death and the cipher that exists, not as replacement, but as fool's
 errand.

 The mistake is to read my work otherwise, as neurosis or  
 autobiography;
 the latter is always lies, fabrications and the narratology of the
 predicate, and the former is no better or worse than anyone else's,
 certainly nothing that structures the text. If my text is a symptom,  
 it is
 a symptom of the well, not the hospital, and of a deliberate abject  
 that
 refuses concealment or conciliation.

 When I write what I might consider codework, the issues exist, not  
 in a
 traditional reading of the surface, but in the production of a  
 forest of
 signs that ground the surface as residue, hardly symbolic, but abject
 debris of the future anterior of the written. I am always aware of  
 this,
 this structure and its motility, in every 'literary' text I write; I  
 am
 more concerned with this level than that of the surface, which seems a
 production in the sense that a play may be a production, but is a  
 playing
 as well, with or without the theater.

 In other words, the forest of signs are trees, im/plants, physiology.

 In other words, the signs are signposts.

 When I write a text on mathematics, it is not an exercise, but  
 through 0
 and 1, a penetration among analogic and digital discourses, an  
 entangle-
 ment refusing an unraveling. To the Borromean knot I oppose the plate
 trick of braids rotating through 720 degrees of 3-space, deeper  
 melding of
 structures than meets the eye, or rather structures that meet the  
 eye only
 dynamically and not at all through a laid n-dimensional diagram with  
 time
 as afterthought. Not a formal exercise, however defined but the  
 concrete
 movement of organisms through space, taking up time, proceeding.

 In this regard my motion capture work is not an exercise in topology  
 or
 choreography, but a philosophical investigation into the topology of  
 the
 body, opposed or adjunct to a topography which is thereby rendered
 political or environmental, not to mention medical, within and  
 without a
 phenomenology of pain and pleasure.

 My characters, Julu, Jennifer, Alan, Nikuko, are actants in  
 Heideggerian
 drama among MOOs, talkers, and other virtual worlds. They stand for
 nothing and do not stand-in; they are ikonic, one might say abject,  
 on the
 order of a thud or philosophical gesture. This is especially true of  
 Alan
 Dojoji or Julu Twine, who have inherited what Nikuko originally  
 proffered
 in MOOs or internet relay chat.

 I cannot force a reader to apprehend the philosophical content of my  
 work
 - what I see as the heart of what I do, but I can say that anything  
 else,
 anything bypassing or ignoring that, is a form of misrecognition that
 mistakes my circumstances for a world or word or ward, or rather  
 attempts
 to interpret the world or my vision of it, through my (personal)  
 circum-
 stances which are known to varying degrees, as usual for all of us and
 among us. This is in direct opposition to how I think the world,  
 what I
 grapple with: the ultimate alienness of a existence that can only be
 hinted it - surfaces, for example, skewed within liquid  
 architectures of
 virtual worlds, or languaging decoded to the point of abject  
 exhaustion,
 where non-sense borders on truth's frenzy in the face of an unknown.

 The world is an unknown; knowledge is always already on the bring of
 annihilation, catastrophic; it cannot decode its own hunger or  
 power; it
 cannot exist without extraneous and useless style. All mistakes are to
 assume otherwise, but it is only through mistakes, miss-takes, that
 anything is acknowledged or apprehended. Decoding is endless; multi-
 verses fill incomprehensible gaps; it is within the diacritical that  
 any
 progress at all is made. The chasm I acknowledge is the chasm within  
 all
 of us; the flesh that falls apart here is the same as elsewhere. It  
 is the
 philosophical that is the obvious beyond of religion; it gives the  
 remnant
 a voice, and is itself the remnant of voice. The 0-1 brackets nothing.
 Murmur escapes the wall. Beyond neither 0 nor 1 is the murmur.

 But it is philosophy, in the guise of philosophy, and hopefully, in  
 the
 midst of the noise

[NetBehaviour] Friction Research Issue #4, 2011 Robert Spahr ::: Panopticon ::: Crude Cruft

2011-05-23 Thread Andreas Maria Jacobs
RECLAIM the MIND, Friction Research Issue #4, 2011

::: Robert Spahr ::: Panopticon ::: Crude Cruft :::


22 May 2011

Welcome to the first installment of Friction Research issue #4

We will start this series with the works of Robert Spahr a generative
software oriented artist whose work connects the internet ecosphere with a
time based but temporary representation of itself. Cleverly playing with
current political and societal issues, Panopticon, shows an observative
yet intense reflection on surveillance, control and the always watching
Eye, likewise Crude Cruft accentuates America's position as a wargoing
political entity

We will publish our submissions in chronological order. For archival and
preservation purposes a dedicated page will be added whenever a submission
is published


Keep an eye on this page to be informed about future updates of this project

http://nictoglobe.com/new/query2.html?d=homef=rtm

Best

Andreas Maria Jacobs - Editor
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[NetBehaviour] The Miserablistic Approach Quartely, Next issue (June 21 2011)

2011-05-21 Thread Andreas Maria Jacobs
The Miserablistic Approach Quartely

Next issue (June 21 2011)

Towards a Post Digital Art

The New Materiality Movement,

Away from the immaterial realm of internet, back to 'real' life and 'real'
objects. Tangibility as a proposed solution of the digital divide. Destroy
Second Life, Embrace First Life

Poetry for the Blind,

Touchable Braille Sculptures by A. Andreas

Open Call for Submissions

Please consider submitting texts, poetry and / or hybrid materials to be
included to:

t...@nictoglobe.com

Best

Andreas Maria Jacobs (Editor)

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[NetBehaviour] Readymade Nr. 335: China manifactured USSR Alarm, Garbage Philips TV/VCR on wooden Tripod, AA 2011

2011-05-21 Thread Andreas Maria Jacobs
inline: photo.jpg

Andreas Maria Jacobs

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[NetBehaviour] Flag torned apart

2011-05-19 Thread Andreas Maria Jacobs
Analog

ROTROTROTROTROTROTROTROT
SCHWARTZSCHWARTZSCHWARTZ
WEISSWEISSWEISS///WEISSWEISS

Digital

2550025/50025500
25525525525525/5255255255255
000/


Andreas Maria Jacobs

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[NetBehaviour] Quote

2011-05-19 Thread Andreas Maria Jacobs
Suffering makes you live time in detail, moment after moment. Which  
is to say that it exists for you: over the others, the ones who don't  
suffer, time flows, so that they don't live in time, in fact they  
never have.


From The New Gods - Emil Cioran

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Re: [NetBehaviour] Electronic Networked Poetry for Beginners-Part I: Breaking Bad, for God, Men and the Devil

2011-05-18 Thread Andreas Maria Jacobs
Dear list,

I need your advice

I really doubt to write again in this list, what is the use to be  
victimized for no reason by members of this list who do not appear to  
be open minded, but show an extreme suppresive narrow minded, sick and  
intolerant behaviour and are hiding their inferiority by attacking  
someone who is by far their superior both artistically and  
intellectually

We have had this before in the 1930's (Nazi's), the 1950's (Mao), the  
1980's (Pol Pot's regime), it is called xenofobia combined with an  
extreme political fuelled hate towards everyone who dissent the status  
quo be it political, cultural or otherwise societal related, resulting  
in public bookburnings, concentration camps, extermination, exclusion,  
betrayal etc etc and is more pronounced in times of cultural and  
economical decline

I simply cannot tolerate this happening to me and or my work

Best,

Andreas Maria Jacobs

On May 18, 2011, at 6:20, James Morris jwm.art@gmail.com wrote:

 On 17 May 2011 23:14, martin mitchell martinmitc...@mac.com wrote:
 Andreas.
 Well . put it this way, if you were on fire nobody on this  
 link
 would piss on you.


 Who are you talking for here? You and who else share this sentiment?
 Why have you all been conspiring in darkly light IRC chatrooms about
 methods to enact a smear campaign against Andreas?
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[NetBehaviour] Quote

2011-05-18 Thread Andreas Maria Jacobs
Man does not strive after happiness; only the Englishman does that

Friedrich Nietzsche, Twilight of the Idols (1889)

AMJ
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[NetBehaviour] RIP MyFace was Re: functional creativitv

2011-05-17 Thread Andreas Maria Jacobs

Bob,

No, I do not think so

When Nietschtze declared God's death it resulted in wide spread global  
societal fasciscm as we all know, by restating and reclaiming a  
newborn vital elan we (or at least I) can undo last centuries pain and  
be equiped with the mental attitude to survive in the dustbin w're in  
now


--
RIP MyFace

When I'll die

by others Hand
do not let it be

But with a Kiss
laid down on me

and let my Mothers Land
be touched by Thee


When I'll sink

let there be
a dancing Rave

and a wild growing Rank
into my Grave

and let MyFace
rest eternally


When I'll rise

Let there be
numerous Angels

and a radiating Glory
surrounding me

For then I'll  live forever
and will not die again endlessly


-- AA 2011 Revision IV 




On May 17, 2011, at 11:05, bob catchpole bobcatchp...@yahoo.co.uk  
wrote:



Andreas Maria Jacobs wrote Mon, 16 May, 2011 22:34:51

This godforsaken world needs a new god, a fitt and strong one this
time not the old man we had before, but someone who is capable to
clean the mess we're in, cozz we ain't gonna make it on our own
anymore, at least not me

Andreas,

Isn't that the kind of thinking that produced Hitler, Mussolini,  
Stalin etc?


Bob


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Re: [NetBehaviour] functional creativitv

2011-05-17 Thread Andreas Maria Jacobs

Mmm

You are too fucking serious Michael,

That's why you are painstakenly wrong in your
observations about me

Also I do not feel the need for a 'serious' dialogue,
Art has but one direction, from me to you

In case you do not like what I am producing
you can have the politeness to be silent or
critize what I write

You won't beat me like this

Best

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 12:39, Michael Szpakowski szp...@yahoo.com wrote:

You're right, of course, Bob, but AMJ lacks humour, empathy and  
logic in just about equal measure so I wouldn't hold your breath in  
anticipation of a serious dialogue.

On the plus side Netbehaviour does now have its very own McGonagall.
michael

--- On Tue, 5/17/11, bob catchpole bobcatchp...@yahoo.co.uk wrote:

From: bob catchpole bobcatchp...@yahoo.co.uk
Subject: Re: [NetBehaviour] functional creativitv
To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org 


Date: Tuesday, May 17, 2011, 10:05 AM

Andreas Maria Jacobs wrote Mon, 16 May, 2011 22:34:51

This godforsaken world needs a new god, a fitt and strong one this
time not the old man we had before, but someone who is capable to
clean the mess we're in, cozz we ain't gonna make it on our own
anymore, at least not me

Andreas,

Isn't that the kind of thinking that produced Hitler, Mussolini,  
Stalin etc?


Bob



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Re: [NetBehaviour] functional creativitv

2011-05-17 Thread Andreas Maria Jacobs

For Michael:



To fight aloud is very brave
But gallanter, I know
Who charge within the bosom
The cavalry of woe.

Emily Dickinson

From michael's website

I guess this is more suited to your taste


Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 12:39, Michael Szpakowski szp...@yahoo.com wrote:

You're right, of course, Bob, but AMJ lacks humour, empathy and  
logic in just about equal measure so I wouldn't hold your breath in  
anticipation of a serious dialogue.

On the plus side Netbehaviour does now have its very own McGonagall.
michael

--- On Tue, 5/17/11, bob catchpole bobcatchp...@yahoo.co.uk wrote:

From: bob catchpole bobcatchp...@yahoo.co.uk
Subject: Re: [NetBehaviour] functional creativitv
To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org 


Date: Tuesday, May 17, 2011, 10:05 AM

Andreas Maria Jacobs wrote Mon, 16 May, 2011 22:34:51

This godforsaken world needs a new god, a fitt and strong one this
time not the old man we had before, but someone who is capable to
clean the mess we're in, cozz we ain't gonna make it on our own
anymore, at least not me

Andreas,

Isn't that the kind of thinking that produced Hitler, Mussolini,  
Stalin etc?


Bob



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Re: [NetBehaviour] functional creativitv

2011-05-17 Thread Andreas Maria Jacobs

Yes there is!

The Drum

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 13:14, martin mitchell martinmitc...@mac.com  
wrote:



There is nothing to beat.

martin.

On 17 May 2011, at 12:09, Andreas Maria Jacobs wrote:


Mmm

You are too fucking serious Michael,

That's why you are painstakenly wrong in your
observations about me

Also I do not feel the need for a 'serious' dialogue,
Art has but one direction, from me to you

In case you do not like what I am producing
you can have the politeness to be silent or
critize what I write

You won't beat me like this

Best

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 12:39, Michael Szpakowski szp...@yahoo.com  
wrote:


You're right, of course, Bob, but AMJ lacks humour, empathy and  
logic in just about equal measure so I wouldn't hold your breath  
in anticipation of a serious dialogue.

On the plus side Netbehaviour does now have its very own McGonagall.
michael

--- On Tue, 5/17/11, bob catchpole bobcatchp...@yahoo.co.uk wrote:

From: bob catchpole bobcatchp...@yahoo.co.uk
Subject: Re: [NetBehaviour] functional creativitv
To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org 


Date: Tuesday, May 17, 2011, 10:05 AM

Andreas Maria Jacobs wrote Mon, 16 May, 2011 22:34:51

This godforsaken world needs a new god, a fitt and strong one this
time not the old man we had before, but someone who is capable to
clean the mess we're in, cozz we ain't gonna make it on our own
anymore, at least not me

Andreas,

Isn't that the kind of thinking that produced Hitler, Mussolini,  
Stalin etc?


Bob



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Re: [NetBehaviour] functional creativitv

2011-05-17 Thread Andreas Maria Jacobs

Last one for today's insane production:

There is no Net
There is no Work

Michael Szpakowsky
is a Jerk

There is no Behaviour
There is no Heat

Martin Mitchell missed
the Beat

AA 2011

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 13:38, Andreas Maria Jacobs aj...@xs4all.nl wrote:


Yes there is!

The Drum

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 13:14, martin mitchell martinmitc...@mac.com  
wrote:



There is nothing to beat.

martin.

On 17 May 2011, at 12:09, Andreas Maria Jacobs wrote:


Mmm

You are too fucking serious Michael,

That's why you are painstakenly wrong in your
observations about me

Also I do not feel the need for a 'serious' dialogue,
Art has but one direction, from me to you

In case you do not like what I am producing
you can have the politeness to be silent or
critize what I write

You won't beat me like this

Best

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 12:39, Michael Szpakowski szp...@yahoo.com  
wrote:


You're right, of course, Bob, but AMJ lacks humour, empathy and  
logic in just about equal measure so I wouldn't hold your breath  
in anticipation of a serious dialogue.
On the plus side Netbehaviour does now have its very own  
McGonagall.

michael

--- On Tue, 5/17/11, bob catchpole bobcatchp...@yahoo.co.uk  
wrote:


From: bob catchpole bobcatchp...@yahoo.co.uk
Subject: Re: [NetBehaviour] functional creativitv
To: NetBehaviour for networked distributed creativity netbehaviour@netbehaviour.org 


Date: Tuesday, May 17, 2011, 10:05 AM

Andreas Maria Jacobs wrote Mon, 16 May, 2011 22:34:51

This godforsaken world needs a new god, a fitt and strong one this
time not the old man we had before, but someone who is capable to
clean the mess we're in, cozz we ain't gonna make it on our own
anymore, at least not me

Andreas,

Isn't that the kind of thinking that produced Hitler, Mussolini,  
Stalin etc?


Bob



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Re: [NetBehaviour] functional creativitv

2011-05-17 Thread Andreas Maria Jacobs
Wow!

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 16:00, James Morris jwm.art@gmail.com wrote:

 Haven't you heard, there's a chloroform mouse turd...

 ...falling from heaven, scent like African rainfall, swamping puddles
 with sweaty labra
 labra elep zingot
 colloquial thermoforming terminal

 consolidator sequestration

 two words

 one two

 fending off terror from the night sky below
 treacle tar ate Pauline, for her 79th birthday,

 more fall hair out, down, to the sky, below,

 from heaven, scent like mouse turds, swept along by barking lab rats,
 eating ingots, riding on the back of elephants chasing zebras in
 Hampshire,

 fool the night sky, below, turn pike moose, for dessert, baked rack of
 lamb served hot with cam belts, exhaust forms,  chastising camp
 spheres of black cats harking felled field mice, hanging in deserts,
 from wheat ears, strung up by old ladies for their 79th birthday tea
 party.

 call the slight shy fellow, bellow! flight yearn couscous, for
 deserters, backed lack of cam belts, exhausted forms, plasticising
 champion, shears for bracken, develop shards of the Kraken, reawaken
 no fall back to the sky below, sleet on sheep, sequence sugary
 squelches, ham sand shackles, freckles of mustard seeded Bolsheviks,

 cool the blight of potato, yellow, fight, earn, kiss. desertion of
 friends, black hearted yelps, Faustian fauns, crass cauterizing
 crampon.
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Re: [NetBehaviour] Quote

2011-05-17 Thread Andreas Maria Jacobs
Slaughterhouse 5

On the alied masacre in Dresden WWII

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 17, 2011, at 16:12, James Morris jwm.art@gmail.com wrote:

 On 17 May 2011 12:17, Simon Mclennan mitjafash...@hotmail.com wrote:
 The worst thing that could possibly happen to anybody would be to  
 not be
 used for anything by anybody.
 Thank you for using me, even though I didn't want to be used by  
 anybody.
 Kurt Vonnegut

 I see from wikipedia that he did some blending satire, black comedy,
 and science fiction in his writing.

 Sounds good! Might have to find some of his books. Any you recommend?

 James.
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[NetBehaviour] Electronic Networked Poetry for Beginners-Part I: Breaking Bad, for God, Men and the Devil

2011-05-17 Thread Andreas Maria Jacobs
Yoo!

I just can't stop, Bitch!

This is

for the uniformed uninformed (1)
and the uninformed uniformed

for the cuneiform dissent from Babel (2)
and the chloroformed consent of Abel

for the informed uniformed
and the uniformed informed

for drugged believe in Jezus Christ (3)
and medicinal relief in blueish Ice

for all Powers at each Level

This is

for God, Men and the Devil

Notes:

1) By 'uniformed' is meant the aristocratic, academical approach, whereas
'uninformed' denotes the common people, i.e. plebs, proletarians

2) Take note of the exact same lengths of each strophe, this makes the
words easier to be read aloud, try it yourself if you dare!

3) Also noteworthy the connotations towards religion and drugs abuse,
expressed by referring to Jesus Christ and the usage of the phrase:
'Blueish Ice', which is a special kind of super high quality crack -
Inspired by the legendary TV series Breaking Bad
(http://www.imdb.com/title/tt0903747/)

Let's Cook!

AA 2011
-- 
w: http://nictoglobe.com
w: http://burgerwaanzin.nl
w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com




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Re: [NetBehaviour] Electronic Networked Poetry for Beginners-Part I: Breaking Bad, for God, Men and the Devil

2011-05-17 Thread Andreas Maria Jacobs
To Michael

Why is it that you be so harsh, moron!

I did not offense you, what the fuck is your problem.

Trying to scare me of in showing my works?

http://www.Someidiotsandsomemorons.co.uk

I suggest for your o so perfect and self righteous arrtworks

Are you capable to openly apologize for your insane and brutal insults?

Andreas
-- 
w: http://nictoglobe.com
w: http://burgerwaanzin.nl
w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Tue, May 17, 2011 21:55, Michael Szpakowski wrote:
 Take note of the exact same lengths of each strophe, this makes the
 words easier to be read aloud, try it yourself if you dare


 What a load of old arse this is!-the
 Work of a talentless narcissist...
  
 m.

  

 --- On Tue, 5/17/11, Andreas Maria Jacobs aj...@xs4all.nl wrote:




 Yoo!

 I just can't stop, Bitch!

 This is

 for the uniformed uninformed (1)
 and the uninformed uniformed

 for the cuneiform dissent from Babel (2)
 and the chloroformed consent of Abel

 for the informed uniformed
 and the uniformed informed

 for drugged believe in Jezus Christ (3)
 and medicinal relief in blueish Ice

 for all Powers at each Level

 This is

 for God, Men and the Devil

 Notes:

 1) By 'uniformed' is meant the aristocratic, academical approach, whereas
 'uninformed' denotes the common people, i.e. plebs, proletarians

 2) Take note of the exact same lengths of each strophe, this makes the
 words easier to be read aloud, try it yourself if you dare!

 3) Also noteworthy the connotations towards religion and drugs abuse,
 expressed by referring to Jesus Christ and the usage of the phrase:
 'Blueish Ice', which is a special kind of super high quality crack -
 Inspired by the legendary TV series Breaking Bad
 (http://www.imdb.com/title/tt0903747/)

 Let's Cook!

 AA 2011
 --
 w: http://nictoglobe.com
 w: http://burgerwaanzin.nl
 w: http://nictoglobe.com/new/agam

 e: aj...@xs4all.nl
 e: a.andr...@nictoglobe.com




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[NetBehaviour] To the Great Michael Szpakowski

2011-05-17 Thread Andreas Maria Jacobs
M.

Wondering if we consent on the definitions of FASCISM or are we back at
school where bullying is norm, at least they thought me that that is
common practice in England's not so liberal education system

Come to Europe, Land of the Free, We do drugs, we drop dead on command

You're so fucking stupid ignorant, thinking you know it all and in your
blindness judging others.

Why is that? Disappointed that everyone can write in a free un moderated
list? And what exactly is your critic? You can silently ignore it, in case
you are not interested. Otherwise you can write me personally off line in
case you have some constructive advises, which I really doubt but somehow
you feel the urge to belittle me and insulting me for no apparent reasons.

Reminds of other incidents happening lately, is there a divide between
upper class failures and lower class losers?

Growing up in an attention economy was not my choice, but nevertheless I
have to live with it

I think you are just worth the same piece of shit as I am, but contrary to
me you are not a kind man and even attacks for no reason at all

A

On Tue, May 17, 2011 21:55, Michael Szpakowski wrote:
 Take note of the exact same lengths of each strophe, this makes the
 words easier to be read aloud, try it yourself if you dare


 What a load of old arse this is!-the
 Work of a talentless narcissist...
  
 m.

  

 --- On Tue, 5/17/11, Andreas Maria Jacobs aj...@xs4all.nl wrote:





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Re: [NetBehaviour] functional creativitv

2011-05-16 Thread Andreas Maria Jacobs
What's wrong with the w  y keys?

Lost it? Deliberately interchanged it for a single v? Changed both  
of them for a v? Do I loose my capability to distinguish between the  
two? Or some delicate, very sophisticated English language usage  
beyond my foreign comprehension?

Reminded me of the days I was working as a sysop for some company, I  
changed all the keys from the keyboard connected to the midrange  
financial computer running the whole business on, my superior went  
nuts, as he could not type blind which I could do easely and begging  
me to make the thing 'normal' again

The christmas tree picture I made with ASCII characters on an IBM3750  
terminal on the companies logon screens he did not liked either and I  
had to change that back to normal before boxing day was over

The funny thing is that when 'normal' things appeared 'abnormal' most  
'regular' guys get extremely stressed, whereas for others it is a  
welcome relief to the boring 'normality' of the every day office life

my creativity is almost always disfunctional

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 16, 2011, at 18:45, James Morris jwm.art@gmail.com wrote:

 mv creativitv is turning functional.

 ---

 this veekend i constructed a cold frame for groving this vears chilli
 plants in.

 the cold frame vas almost entirelv constructed from reclaimed  
 materials
 vith the evception of:

 screvs: these vere purchased the other veek. i do have a big tin of  
 old
 screvs, but for jobs vhere plentv of screvs are required, vou don't  
 vant
 to be a) rummaging around for screvs, b) cursing at vhoever cheved up
 the screv head screving it in last time.

 

 list of reclaimed/recvcled materials:

   1) palettes from a construction site. in januarv (it vas vinter here
 then) palettes and other timber from a construction site vas collected
 to use as firevood (ve can't afford to rent a place vith central
 heating). the slats making the surface of the palettes came in verv
 useful as the top, bottom, front, back, and side edges of the cold
 frame.

   2) various offcuts of oak floor boarding from parents. there vere
 some nice bits vhich turned out verv usable for the hinged lid of the
 cold frame, and additionallv, some thin slats for keeping the  
 polvthene
 cover (the staple gun i have didn't stand a chance against oak - it
 struggled enough sending staples into thin air).

   3) clear polvthene, the sides vere formed from parcel vrapping vhich
 a futon vas delivered in probablv over five vears ago nov, vhich i had
 saved especiallv for such a job. the top vas parcel vrapping of
 something delivered to parents.

   4) vood preserver, found in shed.

   5) 3 angled hinges, found in a collection of junk given to parents
 bv vife of friend vho passed avav.

 -

 the design consisted of four upright posts. these vere spare parts of
 nev vood purchased last vear but used over the past fev veeks for  
 making
 a shelf unit (vhich must still be finished). the palette surface slats
 vere attached to these forming a frame. the rear posts vere 80cm tall,
 the front vere 50cm. the top-side slats vere attached before saving  
 the
 angles. small lengths vith 45 degree ends vere used to strengthen each
 corner at the top and bottom. a further upright post vas attached to  
 the
 front and rear.

 the lid, vas formed bv tvo long lengths, and tvo shorter lengths. the
 lengths vere larger than the main frame so that the lid could be  
 lovered
 over the main frame vithout touching it. a post
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Re: [NetBehaviour] functional creativitv

2011-05-16 Thread Andreas Maria Jacobs


Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 16, 2011, at 20:59, James Morris jwm.art@gmail.com wrote:

 On 16 Mar 2011 19:29, Andrear Maria Jacobr aj...@rr4all.nl rrore:
 Whar'r rrong rirh rhe r  r kerr?

 norhing.


 Lorr ir? Deliberarelr inrerchanged ir for a ringle r? Changed borh

 deliberare inrerchange.

 of rhem for a r? Do I loore mr capabilirr ro dirringrirh berreen  
 rhe
 rro?

 ror rell me!

 rro? Or rome delicare, rerr rophirricared Englirh langrage rrage
 berond mr foreign comprehenrion?

 cerrainlr nor!


 Reminded me of rhe darr I rar rorking ar a rrrop for rome companr, I
 changed all rhe kerr from rhe kerboard connecred ro rhe midrange
 financial comprrer rrnning rhe rhole brrinerr on, mr rrperior renr
 nrrr, ar he corld nor rrpe blind rhich I corld do earelr and begging
 me ro make rhe rhing 'normal' again

 good job!


 The chrirrmar rree picrrre I made rirh ASCII characrerr on an IBM3750
 rerminal on rhe companier logon rcreenr he did nor liked eirher and I
 had ro change rhar back ro normal before boring dar rar orer

 mirerable gir!


 The frnnr rhing ir rhar rhen 'normal' rhingr appeared 'abnormal' morr
 'regrlar' grrr ger errremelr rrrerred, rherear for orherr ir ir a
 relcome relief ro rhe boring 'normalirr' of rhe ererr dar office life

 mr crearirirr ir almorr alrarr dirfrncrional

 mine ir ofren drrfrncrional roo.


 Andrear Maria Jacobr

 r: hrrp://rrr.nicroglobe.com
 r: hrrp://brrgerraanrin.nl

 On Mar 16, 2011, ar 18:45, Jamer Morrir jrm.arr@gmail.com  
 rrore:

 mr crearirirr ir rrrning frncrional.

 ---

 rhir reekend i concred a cold frame for groring rhir rearr  
 chilli
 planrr in.

 rhe cold frame rar almorr enrirelr concred from reclaimed
 marerialr
 rirh rhe erceprion of:

 rcrerr: rhere rere prrchared rhe orher reek. i do hare a big rin of
 old
 rcrerr, brr for jobr rhere plenrr of rcrerr are reqrired, ror don'r
 ranr
 ro be a) rrmmaging arornd for rcrerr, b) crrring ar rhoerer chered  
 rp
 rhe rcrer head rcrering ir in larr rime.

 

 lirr of reclaimed/recrcled marerialr:

  1) palerrer from a concrion rire. in janrarr (ir rar rinrer
 here
 rhen) palerrer and orher rimber from a concrion rire rar
 collecred
 ro rre ar firerood (re can'r afford ro renr a place rirh cenrral
 hearing). rhe rlarr making rhe rrrface of rhe palerrer came in rerr
 rrefrl ar rhe rop, borrom, fronr, back, and ride edger of rhe cold
 frame.

  2) rariorr offcrrr of oak floor boarding from parenrr. rhere rere
 rome nice birr rhich rrrned orr rerr rrable for rhe hinged lid of  
 rhe
 cold frame, and addirionallr, rome rhin rlarr for keeping rhe
 polrrhene
 corer (rhe rraple grn i hare didn'r rrand a chance againrr oak - ir
 ggled enorgh rending rrapler inro rhin air).

  3) clear polrrhene, rhe rider rere formed from parcel rrapping
 rhich
 a frron rar delirered in probablr orer fire rearr ago nor, rhich i
 had
 rared erpeciallr for rrch a job. rhe rop rar parcel rrapping of
 romerhing delirered ro parenrr.

  4) rood prererrer, fornd in rhed.

  5) 3 angled hinger, fornd in a collecrion of jrnk giren ro
 parenrr
 br rife of friend rho parred arar.

 -

 rhe derign conrirred of forr rprighr porrr. rhere rere rpare parrr  
 of
 ner rood prrchared larr rear brr rred orer rhe parr fer reekr for
 making
 a rhelf rnir (rhich mrrr rrill be finirhed). rhe palerre rrrface
 rlarr
 rere arrached ro rhere forming a frame. rhe rear porrr rere 80cm
 rall,
 rhe fronr rere 50cm. rhe rop-ride rlarr rere arrached before raring
 rhe
 angler. rmall lengrhr rirh 45 degree endr rere rred ro rrrengrhen
 each
 corner ar rhe rop and borrom. a frrrher rprighr porr rar arrached ro
 rhe
 fronr and rear.

 rhe lid, rar formed br rro long lengrhr, and rro rhorrer lengrhr.  
 rhe
 lengrhr rere larger rhan rhe main frame ro rhar rhe lid corld be
 lorered
 orer rhe main frame rirhorr rorching ir. a porr
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Re: [NetBehaviour] functional creativitv

2011-05-16 Thread Andreas Maria Jacobs
Hi James

Mistakenly hitvthecreturn keyo which wad still in pkace

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 16, 2011, at 21:46, James Morris jwm.art@gmail.com wrote:

 On 16 May 2011 20:29, Andreas Maria Jacobs aj...@xs4all.nl wrote:



 Sure. That makes a lot of sense. Especially in this day and age...

 regards,
 the forever looming,
 james william morris



 Andreas Maria Jacobs

 w: http://www.nictoglobe.com
 w: http://burgerwaanzin.nl

 On May 16, 2011, at 20:59, James Morris jwm.art@gmail.com  
 wrote:

 On 16 Mar 2011 19:29, Andrear Maria Jacobr aj...@rr4all.nl rrore:
 Whar'r rrong rirh rhe r  r kerr?

 norhing.


 Lorr ir? Deliberarelr inrerchanged ir for a ringle r? Changed  
 borh

 deliberare inrerchange.

 of rhem for a r? Do I loore mr capabilirr ro dirringrirh berreen
 rhe
 rro?

 ror rell me!

 rro? Or rome delicare, rerr rophirricared Englirh langrage rrage
 berond mr foreign comprehenrion?

 cerrainlr nor!


 Reminded me of rhe darr I rar rorking ar a rrrop for rome  
 companr, I
 changed all rhe kerr from rhe kerboard connecred ro rhe midrange
 financial comprrer rrnning rhe rhole brrinerr on, mr rrperior renr
 nrrr, ar he corld nor rrpe blind rhich I corld do earelr and  
 begging
 me ro make rhe rhing 'normal' again

 good job!


 The chrirrmar rree picrrre I made rirh ASCII characrerr on an  
 IBM3750
 rerminal on rhe companier logon rcreenr he did nor liked eirher  
 and I
 had ro change rhar back ro normal before boring dar rar orer

 mirerable gir!


 The frnnr rhing ir rhar rhen 'normal' rhingr appeared 'abnormal'  
 morr
 'regrlar' grrr ger errremelr rrrerred, rherear for orherr ir ir a
 relcome relief ro rhe boring 'normalirr' of rhe ererr dar office  
 life

 mr crearirirr ir almorr alrarr dirfrncrional

 mine ir ofren drrfrncrional roo.


 Andrear Maria Jacobr

 r: hrrp://rrr.nicroglobe.com
 r: hrrp://brrgerraanrin.nl

 On Mar 16, 2011, ar 18:45, Jamer Morrir jrm.arr@gmail.com
 rrore:

 mr crearirirr ir rrrning frncrional.

 ---

 rhir reekend i concred a cold frame for groring rhir rearr
 chilli
 planrr in.

 rhe cold frame rar almorr enrirelr concred from reclaimed
 marerialr
 rirh rhe erceprion of:

 rcrerr: rhere rere prrchared rhe orher reek. i do hare a big rin  
 of
 old
 rcrerr, brr for jobr rhere plenrr of rcrerr are reqrired, ror  
 don'r
 ranr
 ro be a) rrmmaging arornd for rcrerr, b) crrring ar rhoerer chered
 rp
 rhe rcrer head rcrering ir in larr rime.

 

 lirr of reclaimed/recrcled marerialr:

  1) palerrer from a concrion rire. in janrarr (ir rar rinrer
 here
 rhen) palerrer and orher rimber from a concrion rire rar
 collecred
 ro rre ar firerood (re can'r afford ro renr a place rirh cenrral
 hearing). rhe rlarr making rhe rrrface of rhe palerrer came in  
 rerr
 rrefrl ar rhe rop, borrom, fronr, back, and ride edger of rhe cold
 frame.

  2) rariorr offcrrr of oak floor boarding from parenrr. rhere rere
 rome nice birr rhich rrrned orr rerr rrable for rhe hinged lid of
 rhe
 cold frame, and addirionallr, rome rhin rlarr for keeping rhe
 polrrhene
 corer (rhe rraple grn i hare didn'r rrand a chance againrr oak -  
 ir
 ggled enorgh rending rrapler inro rhin air).

  3) clear polrrhene, rhe rider rere formed from parcel rrapping
 rhich
 a frron rar delirered in probablr orer fire rearr ago nor, rhich i
 had
 rared erpeciallr for rrch a job. rhe rop rar parcel rrapping of
 romerhing delirered ro parenrr.

  4) rood prererrer, fornd in rhed.

  5) 3 angled hinger, fornd in a collecrion of jrnk giren ro
 parenrr
 br rife of friend rho parred arar.

 -

 rhe derign conrirred of forr rprighr porrr. rhere rere rpare parrr
 of
 ner rood prrchared larr rear brr rred orer rhe parr fer reekr for
 making
 a rhelf rnir (rhich mrrr rrill be finirhed). rhe palerre rrrface
 rlarr
 rere arrached ro rhere forming a frame. rhe rear porrr rere 80cm
 rall,
 rhe fronr rere 50cm. rhe rop-ride rlarr rere arrached before  
 raring
 rhe
 angler. rmall lengrhr rirh 45 degree endr rere rred ro rrrengrhen
 each
 corner ar rhe rop and borrom. a frrrher rprighr porr rar  
 arrached ro
 rhe
 fronr and rear.

 rhe lid, rar formed br rro long lengrhr, and rro rhorrer lengrhr.
 rhe
 lengrhr rere larger rhan rhe main frame ro rhar rhe lid corld be
 lorered
 orer rhe main frame rirhorr rorching ir. a porr
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 nerbehari...@nerbehariorr.org
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Re: [NetBehaviour] functional creativitv

2011-05-16 Thread Andreas Maria Jacobs
The perfect sentence just created!



Nothingness as the ultimate truthfull utterance

When the outer world is undone from it's imperial meanings there is  
a slight possibility to experience an aspect of unveiled  
truthfullness, normally hidden within layers of decodable codings  
guised as language

The real being in and with the world is not something expressable in  
words it is perceived by thoughtless being without interventions


By change it happens, suddenly when a bird starts to fly or when a  
flower opens its petals in the morningsun

These cities are full of shit and makebelieve, rats racing to dead  
ends where they meet in their shitholes disguised as skyscrapers and  
airterminals, vommitting their dirt in our banking accounts.

Eating the salt bread of long passed away widows on dark robes afraid  
to look up, endless streams arriving at our shores never to return

This godforsaken world needs a new god, a fitt and strong one this  
time not the old man we had before, but someone who is capable to  
clean the mess we're in, cozz we ain't gonna make it on our own  
anymore, at least not me

Alterity is carved in Stones

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 16, 2011, at 21:46, James Morris jwm.art@gmail.com wrote:

 On 16 May 2011 20:29, Andreas Maria Jacobs aj...@xs4all.nl wrote:



 Sure. That makes a lot of sense. Especially in this day and age...

 regards,
 the forever looming,
 james william morris



 Andreas Maria Jacobs

 w: http://www.nictoglobe.com
 w: http://burgerwaanzin.nl

 On May 16, 2011, at 20:59, James Morris jwm.art@gmail.com  
 wrote:

 On 16 Mar 2011 19:29, Andrear Maria Jacobr aj...@rr4all.nl rrore:
 Whar'r rrong rirh rhe r  r kerr?

 norhing.


 Lorr ir? Deliberarelr inrerchanged ir for a ringle r? Changed  
 borh

 deliberare inrerchange.

 of rhem for a r? Do I loore mr capabilirr ro dirringrirh berreen
 rhe
 rro?

 ror rell me!

 rro? Or rome delicare, rerr rophirricared Englirh langrage rrage
 berond mr foreign comprehenrion?

 cerrainlr nor!


 Reminded me of rhe darr I rar rorking ar a rrrop for rome  
 companr, I
 changed all rhe kerr from rhe kerboard connecred ro rhe midrange
 financial comprrer rrnning rhe rhole brrinerr on, mr rrperior renr
 nrrr, ar he corld nor rrpe blind rhich I corld do earelr and  
 begging
 me ro make rhe rhing 'normal' again

 good job!


 The chrirrmar rree picrrre I made rirh ASCII characrerr on an  
 IBM3750
 rerminal on rhe companier logon rcreenr he did nor liked eirher  
 and I
 had ro change rhar back ro normal before boring dar rar orer

 mirerable gir!


 The frnnr rhing ir rhar rhen 'normal' rhingr appeared 'abnormal'  
 morr
 'regrlar' grrr ger errremelr rrrerred, rherear for orherr ir ir a
 relcome relief ro rhe boring 'normalirr' of rhe ererr dar office  
 life

 mr crearirirr ir almorr alrarr dirfrncrional

 mine ir ofren drrfrncrional roo.


 Andrear Maria Jacobr

 r: hrrp://rrr.nicroglobe.com
 r: hrrp://brrgerraanrin.nl

 On Mar 16, 2011, ar 18:45, Jamer Morrir jrm.arr@gmail.com
 rrore:

 mr crearirirr ir rrrning frncrional.

 ---

 rhir reekend i concred a cold frame for groring rhir rearr
 chilli
 planrr in.

 rhe cold frame rar almorr enrirelr concred from reclaimed
 marerialr
 rirh rhe erceprion of:

 rcrerr: rhere rere prrchared rhe orher reek. i do hare a big rin  
 of
 old
 rcrerr, brr for jobr rhere plenrr of rcrerr are reqrired, ror  
 don'r
 ranr
 ro be a) rrmmaging arornd for rcrerr, b) crrring ar rhoerer chered
 rp
 rhe rcrer head rcrering ir in larr rime.

 

 lirr of reclaimed/recrcled marerialr:

  1) palerrer from a concrion rire. in janrarr (ir rar rinrer
 here
 rhen) palerrer and orher rimber from a concrion rire rar
 collecred
 ro rre ar firerood (re can'r afford ro renr a place rirh cenrral
 hearing). rhe rlarr making rhe rrrface of rhe palerrer came in  
 rerr
 rrefrl ar rhe rop, borrom, fronr, back, and ride edger of rhe cold
 frame.

  2) rariorr offcrrr of oak floor boarding from parenrr. rhere rere
 rome nice birr rhich rrrned orr rerr rrable for rhe hinged lid of
 rhe
 cold frame, and addirionallr, rome rhin rlarr for keeping rhe
 polrrhene
 corer (rhe rraple grn i hare didn'r rrand a chance againrr oak -  
 ir
 ggled enorgh rending rrapler inro rhin air).

  3) clear polrrhene, rhe rider rere formed from parcel rrapping
 rhich
 a frron rar delirered in probablr orer fire rearr ago nor, rhich i
 had
 rared erpeciallr for rrch a job. rhe rop rar parcel rrapping of
 romerhing delirered ro parenrr.

  4) rood prererrer, fornd in rhed.

  5) 3 angled hinger, fornd in a collecrion of jrnk giren ro
 parenrr
 br rife of friend rho parred arar.

 -

 rhe derign conrirred of forr rprighr porrr. rhere rere rpare parrr
 of
 ner rood prrchared larr rear brr rred orer rhe parr fer reekr for
 making
 a rhelf rnir (rhich mrrr rrill be finirhed). rhe palerre rrrface

[NetBehaviour] [NictoglobeRadioTV 14052011] Burgerwaanzin: Music for the Bohemian Masses

2011-05-15 Thread Andreas Maria Jacobs
Burgerwaanzin: Music for the Bohemian Masses NictoglobeRadioTV
(Semi)-weekly radio broadcast, Saturday 18:00 to 20:00 CEST
Radio Patapoe
88.3 MHz FM Amsterdam, NL - http://icecast.freeteam.nl/patapoe.m3u

May 14, 2011
Jacques Katmor Interview Part I

With:

- interview and music by Ori Drumer
- new wave in Tel Aviv 80ties
- Retrospective Jacques Katmor,
  the Third Eye underground film movement in Israel.
  titles The Hole, 1967, The Fool, 1982/3
  Dance with Bashir, Major Haddad
  shootings from the mediterean shores
- Poetry by A.Andreas
  Drugs and such
  Life can be tense
- Music by a.o. Big Star!!
  thanks to Curt Cloninger
- Charansin Singh: Ten ragas to a disco beat
  (Guardian FB)
- Poly Styrene: Translucence
- Soundscape from my journey to occupied Israel last Pesach
- Raqs-i-Bismill, Dance of the wounded - Abida Parveen
  Volks Mujahadin

::: Listen 1st hour (starts at 10:51) :::
http://burgerwaanzin.nl/ptp-lo-Sat-14052011.1.mp3

::: Listen 2nd hour :::
http://burgerwaanzin.nl/ptp-lo-Sat-14052011.2.mp3

Enjoy!

Andreas Maria Jacobs
-- 
w: http://nictoglobe.com
w: http://burgerwaanzin.nl
w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com



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[NetBehaviour] Radio broadcast now until 20:00 CEST

2011-05-14 Thread Andreas Maria Jacobs
http://icecast.freeteam.nl/patapoe.m3u

With interview and music by Ori Drumer new wave in tel aviv 80ties

Retrospective Jacques Katmor, the third eye underground film movement  
in Israel. titles The Hole, 1967, The Fool, 1982/3

Dance with Bashir Major Haddad shootings from the mediterean shores

Drugs and such

Life can tense

Poetry by A.Andreas

Musuc by a.o. Big Star!! thanks to Curt Cloniger

And soundscape from my journey ti Israel last Pesach



Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl
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Re: [NetBehaviour] Radio broadcast now until 20:00 CEST

2011-05-14 Thread Andreas Maria Jacobs
Sorry Curt

Spelling wrong your name again!

Thanks to Curt Cloningers emanent playlists!


Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 14, 2011, at 18:36, Andreas Maria Jacobs aj...@xs4all.nl wrote:

 http://icecast.freeteam.nl/patapoe.m3u

 With interview and music by Ori Drumer new wave in tel aviv 80ties

 Retrospective Jacques Katmor, the third eye underground film movement
 in Israel. titles The Hole, 1967, The Fool, 1982/3

 Dance with Bashir Major Haddad shootings from the mediterean shores

 Drugs and such

 Life can tense

 Poetry by A.Andreas

 Musuc by a.o. Big Star!! thanks to Curt Cloniger

 And soundscape from my journey ti Israel last Pesach



 Andreas Maria Jacobs

 w: http://www.nictoglobe.com
 w: http://burgerwaanzin.nl
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[NetBehaviour] Reclaim the Mind delayed

2011-05-13 Thread Andreas Maria Jacobs

RECLAIM the MIND

Friction Research Issue #4, 2011

10 May 2011

The Dutch governemental Art Council (Fonds BKVB) let me down, so there  
will be another couple of months finishing this


I will start with sequentially publishing the received submissions in  
reversed chronological order, that is the last received will be  
published first. That will keep the front page weekly chronological  
article going for about one year (49 x 7 - ca. 1/2 x 7 = 50/51 = 1)!


I will continue updating Friction Research issue #4 in it's  
prematurely digital disguise.


In the mean time I ask all our submitters to notify me of any  
possibility to raise some money for a future printed edition


21 March 2011

In our call for submissions 28 September, 2010, we have invited  
artists, writers and academics to contribute to our call for works and  
to submit works, which reflects upon 'Reclaiming the Mind', in a  
broader sense, ranging from visuals, videos, musics, essays etc ...


Listed individuals and collectives answered our call and will be  
published in in the Spring 2011 issue of Nictoglobe Online Magazine as  
part of our 'Friction Research Series' [*]


It will take some time to sort out and prepare the final presentation  
of these great and divers submissions from a significant number of  
individuals and collectives who generously shared their efforts and  
thoughts


In preparation are two seperately planned series of public screenings  
of the substantial number of time/screen/lens based works received,  
due summer and autumn 2011


Scheduled publishing date: April 21, 2011 to be decided

Scheduled screening dates: Late summer  Early autumn 2011

[*] List is not definitive and can be changed in the future
28 September 2010

Reclaim the Mind: a transmedial collaborative initiative exploring  
empty spots in the human mind


When the possibility of expressing social reform vanishes, time has  
come to change our minds. [A.A. 2010]
Censorship, Territorization, Mapping, Propaganda, Misconduct,  
Betrayal, Charlatanism, Mediocrity, Commercialized Education,  
Orthodoxy, Cultural Lobotomization, Zombie State Politics


Reclaiming the idiomatic resources, abused by the Creative Industries  
™ and jeopardized by a majority of National Governments © and aiming  
to protect these souvereign incomprehensible treasures of mankind by


- occupying the area between 'reality' and 'truth',
- re-using forgotten (collective) memory-spaces,
- connecting mental processes with physical spaces,

and intentionally breaking seperations between established cultural  
and political domains by


- rewriting, tearing apart, scratching and stretching our lived  
environment in an effort to liberate our ursurpated sensibilities.


Andreas Maria Jacobs - Editor, Nictoglobe Online Magazine



Andreas Maria Jacobs

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[NetBehaviour] Premonition

2011-05-13 Thread Andreas Maria Jacobs

http://www.nictoglobe.com/new/revolve/premonition.php

inline: photo.jpg


Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl
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Re: [NetBehaviour] Human body parts donation

2011-05-12 Thread Andreas Maria Jacobs
Remember C'Mell?

The genitically engineering female catwoman who after years of  
underground and armed struggle finally succeeded in establishing equal  
rights for humans and genitical engineered living beings. First with  
the C-Series (derived from cats and predominantly used as cheap slave  
labor in the building industry because of there lack of fear at  
heights. Slowly after her succes all - D (Dog), M (Monkey), H ( Horse)  
series etc etc - gained equal right [*]

[*]: Recalled from memorie after a short story by the late and great  
JG Ballard

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 12, 2011, at 8:38, helen varley jamieson he...@creative-catalyst.com 
  wrote:

 this is culturally normal in some parts of the world :)
 Wouldn't it be weird to hold a funeral for your amputated leg!?



 -- 
 

 helen varley jamieson: creative catalyst
 he...@creative-catalyst.com
 http://www.creative-catalyst.com
 http://www.avatarbodycollision.org
 http://www.upstage.org.nz
 

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Re: [NetBehaviour] DecemberLab presents Being

2011-05-12 Thread Andreas Maria Jacobs
The desire for an unknowable ecstatic 'withoutness' drives 'us'  
towards a more profound and more 'free' comprehesion of 'our' 'own'  
alterity

AA 2011

A pity I cannot be there

Succes

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 12, 2011, at 12:12, info i...@furtherfield.org wrote:

 DecemberLab presents

 Being

 Everyone is the other, and no one is himself. The they, which  
 supplies
 the answer to the who of everyday Da-sein, is the nobody to whom every
 da-sein has already surrendered itself, in its being-among-the-other.

 Being and Time. Martin Heidegger.

 with:
 Garrett Lynch
 Daniel Jeczalik
 Jonathan Thomas
 Freeman  Fine
 Inga Burrows
 Henrik Hendinge
 Liam O'Conner

 DecemberLab, organisers of VerticalCinema have curated a group show
 loosely themed upon the idea of ‘Being’, collating a  
 cross-section
 of artists working in moving image (and related fields) that deal
 implicitly with the terminology or are evident within the taxonomy,
 whether this be a subjective or non-subject context, Da-sein, or an
 objective, material/structural realisation of 'a being', the curated
 space then observing any topology due to dialogic relations.

 You are invited for a private view and drinks at what used to known as
 'The Wardrobe' in High St Arcade, Cardiff from 7pm onwards on Thursday
 19th May. Feel free to bring a bottle.

 The Wardrobe
 High St Arcade, Cardiff

 20th- 28th May
 10a.m - 5p.m

 Opening Night 19th May
 7p.m - 10p.m
 _

 garr...@asquare.org
 http://www.asquare.org/
 http://www.asquare.org/networkresearch/

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Re: [NetBehaviour] DecemberLab presents Being

2011-05-12 Thread Andreas Maria Jacobs
Haha!

No I am serious, lately reading the collected writings of Nick Land:

Fanged Noumena

And wow! Inspiring and helping me in achieving a deeper understanding  
of my 'own' and 'others' alienation and 'outsidership'

Also worth reading: all the short stories of JG Ballard, a lifelong  
good friend

Viewing: Extasy and Crash from Cronenberg all the movies by Joderowski

Hearing: Big Star!!, RAMMELZEE, Kid Koala, Wilco



Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 12, 2011, at 12:30, Rob Myers r...@robmyers.org wrote:

 On 12/05/11 11:23, Andreas Maria Jacobs wrote:
 The desire for an unknowable ecstatic 'withoutness' drives 'us'
 towards a more profound and more 'free' comprehesion of 'our' 'own'
 alterity

 Or drink.

 - Rob.

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[NetBehaviour] Free the wives of Osama bin Laden!!

2011-05-11 Thread Andreas Maria Jacobs
Let's start a petition

Let's occupy America!!!

Let's occupy China!!!

Let's occupy Tate Modern!!

Let's disgrace Andy

Let's forget about it all

Let's live our own lives instead of wasting our energy to nonsensical  
issues completely out of our control


Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl
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Re: [NetBehaviour] free Ai Weiwei

2011-05-11 Thread Andreas Maria Jacobs

It is of no use to fight the emperor

You will loose, stupid you

We all analyzed the position of the cultural economical power games,  
that's why we are hooked on computergames in the first place, but to  
express a 'personal' anger instead of an critical and observative  
attitude, people gather in the streets to be shotted by snipers


Likewise language users snipe and shoot with their own ammunituon i.e.  
words


I come unarmed
I come in Peace

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 11, 2011, at 17:40, Michael Szpakowski szp...@yahoo.com wrote:


Ai Weiwei showed a grave disrespect for the
traditional chinese cultural values, smashing
age old artifacts to barrels to express his
conceptual megamalomaniac  - Andy Warhol like - attitude.

It is not strange that he will be in a conflictual situation

Ah yes! now I understand! -that is why the Chinese government has  
detained him without trial or charge for a month and is rumored to  
be torturing him...

Thank you for explaining...
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[NetBehaviour] Do not mesh with Kayzer

2011-05-11 Thread Andreas Maria Jacobs
Do not mesh with Kayzer
Do not fool the Pope

Do not mock the Rebbe
Do not spit on Hope

Do not break his beaker
Do not jump his Back

Forever bite the Dust
Forever risk your Neck



Andreas Maria Jacobs

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Re: [NetBehaviour] free Ai Weiwei

2011-05-11 Thread Andreas Maria Jacobs
To make possible a future crackdown.

Beware of the Chines invasion, first they send their victims then they  
will come themselves!

Just expressing my artistic freedom

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 11, 2011, at 18:32, Rob Myers r...@robmyers.org wrote:

 On 11/05/11 17:23, Andreas Maria Jacobs wrote:
 It is of no use to fight the emperor

 But what use is it to support them?

 - Rob.

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Re: [NetBehaviour] free Ai Weiwei

2011-05-11 Thread Andreas Maria Jacobs
!
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w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Wed, May 11, 2011 22:16, martin mitchell wrote:
 ?

 m.
 On 11 May 2011, at 21:00, jwm.art@gmail.com wrote:

 At least two self righteous judgements!
 Sent using BlackBerry® from Orange

 -Original Message-
 From: martin mitchell martinmitc...@mac.com
 Sender: netbehaviour-boun...@netbehaviour.org
 Date: Wed, 11 May 2011 17:48:29
 To: NetBehaviour for networked distributed
 creativitynetbehaviour@netbehaviour.org
 Reply-To: NetBehaviour for networked distributed creativity
  netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] free Ai Weiwei

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Re: [NetBehaviour] free Ai Weiwei

2011-05-11 Thread Andreas Maria Jacobs
I dance for Osama bin Laden's young lover,
the ultimate victim of our oh so supreme western judo-liberal way of
thinking, outdated within a couple of years.

You will eat dogs afterwards!

A
-- 
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On Wed, May 11, 2011 22:17, martin mitchell wrote:
 for Ai Weiwei.

 m.

 On 11 May 2011, at 21:01, jwm.art@gmail.com wrote:

 Excuse me while I pole dance!

 Sent using BlackBerry® from Orange

 -Original Message-
 From: Rob Myers r...@robmyers.org
 Sender: netbehaviour-boun...@netbehaviour.org
 Date: Wed, 11 May 2011 17:32:31
 To: netbehaviour@netbehaviour.org
 Reply-To: NetBehaviour for networked distributed creativity
  netbehaviour@netbehaviour.org
 Subject: Re: [NetBehaviour] free Ai Weiwei

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[NetBehaviour] [Review by Arelis Eleftherios: Alexander Psychoulis Dimitris Tataris]

2011-05-11 Thread Andreas Maria Jacobs
Friday May 14, 2011

Review by Arelis Eleftherios

Alexander Psychoulis  Dimitris Tataris

::: More ::

http://nictoglobe.com/new/query2.html?d=contributors/arelisf=ALEXANDER%20PSYCHOULIS

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Re: [NetBehaviour] free Ai Weiwei

2011-05-11 Thread Andreas Maria Jacobs
Terrorism | 10.05.2011
Pakistan may extradite bin Laden's wives to US

PM Gilani's address to parliament failed to answer many questions
Großansicht des Bildes mit der Bildunterschrift: PM Gilani's address to
parliament failed to answer many questions
Pakistan's likely decision to allow US officials to interrogate three of
Osama bin Laden's wives, who are currently detained, might help somewhat
to stabilize the strained relations between the two countries.


Now I get it!

China government is shooting at their piano-player!!

Free Ai Weiwei!!!, Let's cry!!! Free Jack Vance!, Let's dance!!! Free them
all!, Let's have some L.O.L.



A
-- 
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w: http://nictoglobe.com/new/agam

e: aj...@xs4all.nl
e: a.andr...@nictoglobe.com

On Wed, May 11, 2011 22:55, Rob Myers wrote:
 On 11/05/11 21:32, Andreas Maria Jacobs wrote:
 I dance for Osama bin Laden's young lover,
 the ultimate victim of our oh so supreme western judo-liberal way of
 thinking, outdated within a couple of years.

 You will eat dogs afterwards!

 I'm really enjoying this performance.

 - Rob.

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[NetBehaviour] Reality is surrounding us

2011-05-09 Thread Andreas Maria Jacobs
Like a Star falling at our Balconies
Like a Balcony hidden in a Tree
Like a Bird singing its Grace

Reality surrounding the Pillars
with Its existential Raindrops

Eyes lighting with a ferrocious Sight
dark in the Morning Light
illuminating dimmed deserted Paths



Andreas Maria Jacobs

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[NetBehaviour] Lampedusa

2011-05-09 Thread Andreas Maria Jacobs

 Lampedusa

Silver Moon and golden Sun
Death lives in cruel Seas
gesturing to a Bird of Salt

Gazed by Emperors Envoyees
leaving the Mothership into the Sky

At the Deck, now empty after Days
we raise our dead Children high
our Limbs narrowly and trembling,
our Bones salty and dry

Oh, Ifriqa! , damned Country

Oh, deep Waters! , engulfed by World his Fire and Earth her Sea

AA 9 May 2011

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

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Re: [NetBehaviour] Lampedusa

2011-05-09 Thread Andreas Maria Jacobs

Recall The Medusa by Gericault

A similar incident occured nearly 200 years ago

http://en.m.wikipedia.org/wiki/File:G%C3%A9ricault_-_La_zattera_della_Medusa.jpg

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On May 9, 2011, at 16:10, Andreas Maria Jacobs aj...@xs4all.nl wrote:


 Lampedusa

Silver Moon and golden Sun
Death lives in cruel Seas
gesturing to a Bird of Salt

Gazed by Emperors Envoyees
leaving the Mothership into the Sky

At the Deck, now empty after Days
we raise our dead Children high
our Limbs narrowly and trembling,
our Bones salty and dry

Oh, Ifriqa! , damned Country

Oh, deep Waters! , engulfed by World his Fire and Earth her Sea

AA 9 May 2011

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

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Re: [NetBehaviour] ORIGINAL STATEMENTS XXXIX

2011-04-28 Thread Andreas Maria Jacobs

Very nice!

Andreas Maria Jacobs

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w: http://burgerwaanzin.nl

On Apr 28, 2011, at 14:36, manik ma...@sbb.rs wrote:


/~  U  ~\/     l
| l   | ll~~  / |
   |   | |k  \   /
/ l  ~/\ ||l ~
|~...MANIK...APRIL...2011.../|   l
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Re: [NetBehaviour] SpringGun Press Issue Four

2011-04-26 Thread Andreas Maria Jacobs

Funny

Older work and newer work of mine is also included:

Semantic Disturbances 2005-2007 
Semantic Disturbances 2010-2011

Have fun viewing it!

Best

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Apr 26, 2011, at 16:13, a bill miller gridwor...@gmail.com wrote:


SpringGun Press Issue Four - http://www.springgunpress.com/issue-four
ebook, poetry, digital literature, e-lit, digital art

includes an older video work of mine - gridworks2000-anim09

best,
A. Bill

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[NetBehaviour] [AA 2011] New textwork

2011-04-20 Thread Andreas Maria Jacobs
inline: image.png

More:

http://burgerwaanzin.nl

an always expanding body of textworks

Enjoy!

Andreas Maria Jacobs

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Re: [NetBehaviour] [spectre] [AA 2011] New textwork

2011-04-20 Thread Andreas Maria Jacobs

Thank you, Rodrigo

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl

On Apr 20, 2011, at 18:36, Rodrigo Esteves de Lima Lopes rll...@gmail.com 
 wrote:



Great work, enjoyed it very much!

--
Rodrigo Esteves de Lima Lopes
rll...@gmail.com
Sent with Sparrow
On Wednesday, April 20, 2011 at 10:37 AM, Andreas Maria Jacobs wrote:



More:

http://burgerwaanzin.nl

an always expanding body of textworks

Enjoy!

Andreas Maria Jacobs

w: http://www.nictoglobe.com
w: http://burgerwaanzin.nl
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