Re: pentax-discuss-digest V1 #829

2001-06-08 Thread Peter Alling

It's not the manual wind per. se. that stops the fogging it's the method of
counting sprocket holes.  If the P3t uses a geared sprocket wheel to position
the film for the next frame then it will not fog IR film.  I don't know the
answer to this, my knowledge of Pentax cameras skips this generation. (I never
used those 'P' cameras I was happy with my MX).  The ZX-M uses an IR sensor to
count sprocket holes for film positioning.  A metal body and a solid film door
would help with IR leaking in from the environment but might not be essential.



At 09:14 PM 6/7/2001 -0500, you wrote:
From: Eric  Platt [EMAIL PROTECTED] wrote:
Subject: Re: Re: SFX  InfraRed

- - Original Message -
From: Keith Zimmerman [EMAIL PROTECTED]
Subject: Re: Re: SFX  InfraRed

This Eric in Utah and I have a silly question for the pdml. The two
manual
cameras that I own are the P3t and ZX-M and my question is; which camera
would handle IR film better as to not get the blury stuff or leaking? If a
K-1000 and the ME do just fine I would guess it's due to the solid bodys or
am I wrong on that too?
- -
From: Bill D. Casselberry [EMAIL PROTECTED]
Subject: Re: SFX  InfraRed

Eric Platt wrote:

  This Eric in Utah and I have a silly question for the pdml. The two manual
  cameras that I own are the P3t and ZX-M and my question is; which camera
  would handle IR film better as to not get the blury stuff or leaking? If a
  K-1000 and the ME do just fine I would guess it's due to the solid bodys
or
  am I wrong on that too?

I'd try the P3t if it was my choice. The problem in the thread
up to this point has been fogging by IR emitting sensors in the
camera body. I think these are associated w/ auto-winding bodies.
The P3t, if it is like the P30t I once had, is still a manual
wind body and I doubt that it would have these sensors. If the
little film window bothers you, tape it over w/ aluminum foil
covered w/ electrical tape. Do this before loading the film and
be sure to load  unload in complete darkness. Don't let anyone
develop the film unless they are familiar with and equipped for
handling it entirely in complete darkness. Lots of processors
also use IR sensors - don't let them take the film out of the
plastic film can in the light, either!  This is for the Kodak HIE

Bill

 -
 Bill D. Casselberry ; Photography on the Oregon Coast

 http://www.orednet.org/~bcasselb
 [EMAIL PROTECTED]

I agree with Bill.  I would use the manual wind body.  With SFX and Konica,
the film window should not be a concern.  These films are not as sensitive
to IR wavelengths as Kodak HIE.  I use a professional processor that uses
dip-and-dunk processing and have never had a fogging problem.  The data back
on the ZX-5 has not been the source for any fogging.  The main reason I use
the K1000 rather than my ZX-5 is that I prefer the all-manual controls and I
prefer to use a hand-held meter.

Keith Zimmerman
[EMAIL PROTECTED]
http://homepage.dave-world.net/~vkzimm/gallery5.html

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Re: K bodies, stepless shutter

2001-06-08 Thread Lon Williamson

Jaros³aw Brzeziñski wrote:
 
 Just out of curosity: how did you test shutter speeds that your camera is unable to
 synchronise properly with a flash?
 I am not negating the results; I just cannot imagine what that results of this test
 looked like to give you grounds for stating that the shutter is stepless.
 

J, I did the unthinkable:  Fired above synch speed at several speeds
above
1/60th of a second and looked at the results.  You see the shutter above
that.
What these pictures look like is a sliver of the wall, and increasing
amounts
of black horizontal framing due to a shutter driven above synch speed.
I measured, and wowie zowie, the KM is stepless.  The whole point for me
in
doing this is that my Big Useless Brain had read repair men who
cautioned
that some old manual cameras really do rearrange themselves to one of
the traditional shutter speeds if you select in-between.  I was curious
about the old K bodies, which I love unreasonably well, so I wasted a
roll.
The KM is stepless.  Or at least mine is.

This is important to me because I do a lot of closeups where DOF is the
over-riding concern.

Cheers.
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LX Motor Drive Mystery

2001-06-08 Thread Gerald F. Cermak

I got a mint in box LX motor drive recently for my LX.  I'm using my battery
grip M from K2DMD rig, filled with 12 new duracell AAs.  Without film in the
camera, it winds fine, all function AOK.  However, after putting film in the
camera, and shooting 10-15 frames, the motor drive doesn't advance the film
completely after taking a picture.  In S mode, it sometimes takes many
(3-5) complete pressing of the shutter button to get the film completely
wound to the next frame, and then an actual picture taken, only to repeat.
C seemed better, but also had problems.

Anyone see this before or might know the problem?

Thanks,
Gerald


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Re: Spotted on eBay part 2

2001-06-08 Thread Jim

Aw, dang!  The auction ended, and not one single bid was made!  Keppler
would have killed for that bargain!
Jim
- Original Message -
From: Gary L. Murphy [EMAIL PROTECTED]
To: Pentax Users Group [EMAIL PROTECTED]
Sent: Thursday, June 07, 2001 5:45 PM
Subject: Spotted on eBay


 Man, have I ever found the motherlode! I think we all need to jump all
over this one!

 It says that it will, Meet your Professional Requirements, and it's only
selling for, $69.00!! Can you believe
 it? A camera like this for =only= $69.00! Heck it even has, not one, but
TWO color viewfinders!! Can you
 imagine being able to see your shot in TWO colors??

 So I ask, what's this world coming to?

 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1243254729




 Later,
 Gary


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Re: Spotted on eBay

2001-06-08 Thread Jim

Obviously focus-free cameras are in high demand among
perfessionals...wonder what magazine the seller subscribed to to attain
this modern marvel?  Or how many box tops he or she collected?  Or where the
time-share condo is?
Jim
- Original Message -
From: Gary L. Murphy [EMAIL PROTECTED]
To: Pentax Users Group [EMAIL PROTECTED]
Sent: Thursday, June 07, 2001 5:45 PM
Subject: Spotted on eBay


 Man, have I ever found the motherlode! I think we all need to jump all
over this one!

 It says that it will, Meet your Professional Requirements, and it's only
selling for, $69.00!! Can you believe
 it? A camera like this for =only= $69.00! Heck it even has, not one, but
TWO color viewfinders!! Can you
 imagine being able to see your shot in TWO colors??

 So I ask, what's this world coming to?

 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1243254729




 Later,
 Gary


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Re: K bodies, stepless shutter

2001-06-08 Thread Lon Williamson

I don't buy the worthless settings between shutter speeds mentioned
below.
And here's why:  I shot several frames AT the detents of shutter speeds.
The shots I took in between were clearly off, judging from what I got
back.  WAY noticable, not due to shutter error.

If someone with experience in adjusting the shutters on these cameras
will step in and say I'm full of poop, I might just shut up.  Grin.

Otherwise, I'm telling you, Pentax made the detents on shutter speeds
on KM's, probably K1000's and KX's, as a user feature, as analogue as
the detents on any of our lenses..  The shutter dial is stepless.
I personally find this useful and intend to use it from now on.  K2
cameras have an electronically governed vertical shutter, and obey rules
I know not of.

So you see, I'm known to waste 20 shots trying to capture
one stupid flat wall with flash.  What the heck do I know?

K\\\

One final comment:  camera repair folks I've read say that to get these
manual cameras within a half stop throughout the range of 1 to 1000th
sec.
puts them in great shape.  So I shot a few at each setting.  I stand by
my results.

Todd Stanley wrote:
 
 The KX does have a stepless shutter, atleast.  It's easy to hear at slow
 speeds, like between 1 sec and 1/2 sec.  And with firing the flash at a
 wall without a lens on and the back open, I can see that you do not got the
 same amount of light between 1/60 and 1/125 as you do at either 1/60 (whole
 frame), and 1/125 (little less than half), leading me to believe that the
 shutter is firing somewhere between 1/60 and 1/125.
 
 I did notice what you are saying about shutter variances too, that if I set
 the camera to a speed (like 1/500), that the area that I get light is not
 always exactly the same, but it reasonably close to the same, and
 significantly different from 1/250 and 1/1000.
 
 As for the K2 and ES cameras, I thought they had electronically controlled
 shutters in manual mode too, and only a few speeds work without batteries,
 like X, B, and 1/1000?  Hence the big hoopla over the new Nikon FM3A with
 stepless electronic shutter in automatic, plus all mechanical manual speeds.
 
 Anyway, like you say, this is probably moot.  I don't think I will be using
 the KX out of the clicks on the shutter dial, a 1/2 stop change in exposure
 is much easier to change with the aperture ring.  Plus what you say about
 variances in the shutter, meter, and camera operator is also true, and can
 add to more than 1/2 stop error easily.
 
 Todd
 
 At 11:31 AM 6/7/01 -0400, you wrote:
 I believe that you will find that the K1000, KM, and KX all have rather
 traditional, stepped, if you will, shutters.  They synchronize flash at
 1/60th second, so testing with a flash above that speed is somewhat
 meaningless.  I would expect you to have gotten partially exposed frames for
 speeds above 1/60th, diminishing in width as the speeds got higher.  My
 observation of exposures like this lead me to believe that the
 synchronization is not consistent - the amount of the frame varies somewhat
 from frame to frame even at the same shutter speed - (which is why it is not
 recommended) and that by coincidence you might get what looks like an
 exposed portion of the frame proportional to the in-between shutter speeds
 set on the dial.  Judging shutter speeds by ear is generally useful but not
 a good scientific basis for a hypothesis that contradicts the
 manufacturer-published specifications.
 
 The K2 (like the ES, and ESII) has an electronically controlled shutter when
 used in automatic mode, and is stepless across the entire range (8 seconds
 to 1/1000 second).  That means that when the dial is set to AUTO, and you
 select an f-stop, you will get whatever fraction of a second's worth of
 exposure that the meter deems appropriate.  However, with the shutter set to
 one of the manual speeds, you get a mechanically controlled, fixed shutter
 speed.  I can confirm this because we were given manufacturer training on
 the sale of these cameras when they came out.  The mechanical speeds on this
 camera do not rely on the battery, and operate at the conventional
 increments.  (The same is true for the ES and ESII.)
 
 In any case, even manufacturer marketing hype notwithstanding, the
 difference between one marked and another marked shutter speed is fairly
 inconsequential when variances in meter and shutter speed accuracy, metering
 methods, film latitude, and operator precision are taken into account.  It's
 nice that the ES, ESII and later aperture priority, automatic shutter
 cameras will grab a shutter speed from a range of continuously variable
 choices, but I don't think images shown side-by-side of a shot made at,
 let's say 1/357th second, and *either* 1/250 or 1/500th second will show
 significant differences in *practical* applications.  (Obviously you might
 expect to see differences between the shot at 1/250 and the one at 1/500,
 and in the others under strictly controlled scientific or 

Flash for Z1p

2001-06-08 Thread pentaxfans

Hi

I have a non-original TTL flash (30 guide number) for my Z1p. If I use it together 
with the built-in flash (14 guide number), is it equal to 44 guide number?

Please advise.
--
 Åwªï¨Ï¥ÎHongKong.com¶l¥ó¨t²Î
 Thank you for using hongkong.com Email system

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Albano's body list

2001-06-08 Thread Bob Rapp



Many thanks to Albano and his dedication to 
maintaining the list. 
 Being new to the PDML, I wonder 
how the users of those bodies regard them. Having many bodies from the 
SP,K,M,L,P,PZ series, I like to rate then by their FUN factor. I learned early 
on with my original purchase of a SP in 1970 that the Pentax should be referred 
asa "Funtax".
 Each of the bodies I have used 
have a certain FUN level. That fun level is not related to the "happy snappers" 
that feel that since they get good pictures from 100 colour negative film that 
their metering and camera are tops. 
 The FUN factor for me is to take 
a camera and expose slide and bw and have a high level of perfect 
exposures. Here the camera and its features/lack of features come into 
place.
 My rating in order of decreasing 
preference is as follows:
  
MX
  
LX
  
SP/SPII
  
PZ1p
  
K1000
  ME 
Super
  Super 
A
  
P50
  
P3
 Any Comments?
  
P50


Re: Flash for Z1p

2001-06-08 Thread Francis Tang

On Fri, Jun 08, 2001 at 05:30:04PM +0800, [EMAIL PROTECTED] wrote:
 Hi
 
 I have a non-original TTL flash (30 guide number) for my Z1p. If I use it together 
with the built-in flash (14 guide number), is it equal to 44 guide number?

No, guide numbers (GN) don't add together like that.

Two flashes of GN 10 together, will give you a GN of 14.

A flash of half the GN only gives out 1/4 as much light.

This is because the GN is the flash-subject distance multiplied by the aperture 
f-number.  This is no more than a device for mathematical computation (just like 
momentum in Newtonian mechanics has no physical meaning.)  So doubling the GN means 
that you can use the same aperture for a subject twice as far away, but since the 
subject is twice as far away, you need four times as much light.  Perhaps a more 
natural, from a photographer's point of view, way to look at it is that with twice the 
GN, you need to increase the f-number by a factor of two for the subject at the same 
distance; that is you have to close down the aperture by two stops, hence letting 1/4 
of the light in.

I don't think using the RTF flash will not give you any noticable extra power over the 
GN30 flash.  I guess it might be useful for fill purposes if you use the GN30 flash 
off camera, or bounced.

It was a good question though.  I wouldn't have asked myself this question, but now 
that I've thought about it, it's quite an interesting answer!

Yours,

Frank
(who has roots in HK.)

-- 
Francis Tang, Postgraduate Research Student, LFCS, Edinburgh.
Visiting: AG14, FB Mathematik, TU Darmstadt, Deutschland.
Tel: +49 174/3545241 (D2 Voda)  ZNr: S215/215
Email: [EMAIL PROTECTED] WWW: http://www.dcs.ed.ac.uk/home/fhlt/
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Albano's body list

2001-06-08 Thread Bob Rapp




Many thanks to Albano and his dedication to 
maintaining the list. 
 Being new to the PDML, I wonder 
how the users of those bodies regard them. Having many bodies from the 
SP,K,M,L,P,PZ series, I like to rate then by their FUN factor. I learned early 
on with my original purchase of a SP in 1970 that the Pentax should be referred 
asa "Funtax".
 Each of the bodies I have used 
have a certain FUN level. That fun level is not related to the "happy snappers" 
that feel that since they get good pictures from 100 colour negative film that 
their metering and camera are tops. 
 The FUN factor for me is to take 
a camera and expose slide and bw and have a high level of perfect 
exposures. Here the camera and its features/lack of features come into 
place.
 My rating in order of decreasing 
preference is as follows:
  
MX
  
LX
  
SP/SPII
  
PZ1p
  
K1000
  ME 
Super
  Super 
A
  
P50
  
P3

Any Comments?

Bob


Re: June Gallery Comments

2001-06-08 Thread Frank Theriault



Collin Brendemuehl wrote:

  Gingerbread  by  Frank Theriault
 Good job getting a feel for the style.
 It was a fascinating era in home styles.


Thanks!
-frank

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Re: Spotted on eBay

2001-06-08 Thread Norman Baugher

Not to mention the detachable DELUXE flash!!
Norm

Gary L. Murphy wrote:

 Man, have I ever found the motherlode! I think we all need to jump all over this one!

 It says that it will, Meet your Professional Requirements, and it's only selling 
for, $69.00!! Can you believe
 it? A camera like this for =only= $69.00! Heck it even has, not one, but TWO color 
viewfinders!! Can you
 imagine being able to see your shot in TWO colors??

 So I ask, what's this world coming to?

 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1243254729

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Re: 645N data imprinting (was Re: MZ-S Data Imprinting)

2001-06-08 Thread Pål Jensen

Michel wrote:

 REWINDING ? On the 645N ? 


Sorry. I mix up. I believe printing is done while rewinding on the MZ-S.

 What I meant was: Is the data imprinting done
 as one large array of pixel, or like an old-style dot matrix printer, where there is
 only a column of dots that moves across and forms the letters as it is moving?


Yes, this is how it works obviously when the film is winding (not rewinding)

Pål




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Re: More scanning successes

2001-06-08 Thread Dan Scott

Cool. I particularly the first one (and its No Wiener Dogs sign).

Have you done a list of all your modifications to the scanner?

Dan Scott
[EMAIL PROTECTED]

After numerous modifications to my RFS3600, I'm finally getting consistently
good scans from it.

For your viewing pleasure: a couple of shots from a recent (2 week ago) trip
to Paris, taken at 6:30am on a Saturday from Monmarte.  Pentax LX, K135/2.5,
Velvia, first at f/2.5, second at f/5.6-8.

http://www.spotmatic.com/images/sacrecoeur01.jpg
http://www.spotmatic.com/images/eiffel01.jpg

Cheers,
Gerald



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Re: Flash Diffusers Geekness

2001-06-08 Thread William Robb


- Original Message -
From: aimcompute [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: June 8, 2001 1:13 PM
Subject: Re: Flash Diffusers  Geekness



 Are you suggesting negative film because of the latitude for
error?

There can be a lot of contrast issues with using slide film for
copying. I would use a moderate contrast negative film to print
from, perhaps shoot a slide as well to give the printer a
reference.
Just because you don't know nor can find who created the
painting does not mean there will not be breach of copyright.
If you are speeding, but a cop doesn't see you, it just means
you got away with it.

William Robb
Remember, the LX Gallery is coming up.
Please see:
http://pug.komkon.org/LX_Gallery/LX_Submit.html
for more information.


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Re: Flash Diffusers Geekness

2001-06-08 Thread aimcompute


Bill Peifer wrote:


 I seem to remember a suggestion from a list member regarding a cheap and
 easy-to-implement flash diffuser.  In fact, I think this was Mafud's idea.
 Get a piece of one of those white styrofoam take-out food packaging
trays --
 like they might use at McDonalds' :-)

Really?  I thought they started cutting down more trees in order to save the
environment.  Can you tell me how to get one of those? :-)

 -- and cut out a rectangular piece
 with dimensions somewhat larger than your flash head.  Nip the corners,
then
 fold back and tape the edges to give a little box that will just slip
over
 the front of your flash head.  If you fold it just right, you won't even
 need tape or Velcro to hold it in place.  Maybe you could do the same
thing
 with a piece of plastic from a gallon milk jug?

You have reminded me of something  I read about using a 6-pack styrofoam
cooler.  A rectangle is cut out of the bottom that the flash head sticks
into and you glue a piece of waxpaper across the front.  This could
effectively (maybe) provide a larger light source.  Given that the camera
will be on a tripod, I suppose one could use even a learger cooler and mount
the flash so that it bounces of the top of the cooler softbox and out the
waxpaper lens.

Thanks.

Tom C.

(BTW, I was inspired by Bill Swayer or just plain crazy and got the entire
Time Tunnel Series via ebay)



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Re: Flash Diffusers Geekness

2001-06-08 Thread aimcompute

But if the work is not copyrighted, how can it be copyright infringement?
From what I understand the work belongs to the corporation not the
individual(s). In that case one could argue that taking a picture of
virtually anything is copyright infringement because it is someones
handiwork...

Just a question I have wondered about... Public Libraries have to be the
biggest, most blatant violators of the spirit of the copyright laws.  I
appreciate them, but the authors  artists are potentially losing billions
of dollars because of this sort of communism.

Tom C.

- Original Message -
From: Nicholas Wright [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, June 08, 2001 1:04 PM
Subject: RE: Flash Diffusers  Geekness



 --- Peifer, William [OCDUS] [EMAIL PROTECTED]
 wrote:

  Does this sound like it may work?  Any other
  suggestions?

 It sounds like something along the lines of copyright
 infringment, even though there is no artist's name it
 is still someone's handiwork.

 Nick

 __
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Interesting web stats

2001-06-08 Thread admin

Just downloaded my seb server stats for the past month. My Pentax service
manual page must have hit the search engines pretty well. Looks like I'm
probably taking a bit of income away from the eBay photocopier profiteers
selling service manual copies.

Here are the files and the download numbers for 07 May through 08 June:

 ME Super service manual  1168  
 ME Super owner's manual   877  
 MX service manual 366  
 ME service manual 355  
 MX owner's manual 314  

I'll try to start work on the Super Program and/or the Spotmatic service
manuals this month.

--
Mark Roberts



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Re: Interesting web stats

2001-06-08 Thread William Robb


- Original Message -
From: Mark Roberts

Subject: Interesting web stats




 I'll try to start work on the Super Program and/or the
Spotmatic service
 manuals this month.

Thats great. My Super program thanks you!!!

William Robb
Remember, the LX Gallery is coming up.
Please see:
http://pug.komkon.org/LX_Gallery/LX_Submit.html
for more information.


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Re: Flash Diffusers Geekness

2001-06-08 Thread William Robb


- Original Message -
From: aimcompute [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: June 8, 2001 1:44 PM
Subject: Re: Flash Diffusers  Geekness


 But if the work is not copyrighted, how can it be copyright
infringement?
 From what I understand the work belongs to the corporation not
the
 individual(s). In that case one could argue that taking a
picture of
 virtually anything is copyright infringement because it is
someones
 handiwork...

If they commissioned the work, they can give you permission to
copy it. If they just bought it off the street, so to say, then
they can't. The company would own this work for hire, (at least
under Canadian law) the same way they own the creations of the
chef under their employ.

 Just a question I have wondered about... Public Libraries have
to be the
 biggest, most blatant violators of the spirit of the copyright
laws.  I
 appreciate them, but the authors  artists are potentially
losing billions
 of dollars because of this sort of communism.

There is no law against loaning out books and such. Only copying
them. Even then, the fair use clause can be invoked many times.

William Robb
Remember, the LX Gallery is coming up.
Please see:
http://pug.komkon.org/LX_Gallery/LX_Submit.html
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Battery Packs (again)

2001-06-08 Thread Camdir

Hello.

I am doing some further research for a query. Do any of you own a Sunpak gun 
with external pack  510v battery? If so, please mail me off list - I have 
some questions for you.

Kind regards

Peter
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Re: Flash functionality on MZ-S

2001-06-08 Thread Doug Brewer

Hi Patrick,

First, welcome to the list. Please use plain text to communicate with the list.
 
For your answers, see below:


At 7:29 PM +02006/8/01, Patrick Genovese brandished a favorite crayon and scribbled:
Hi,

The spec sheet on the Pentax US Web site says the following:

quote
- High-speed flash synchronization up to 1/6000 sec. with built-in flash or 
with new AF360FGZ wireless TTL flash unit
unquote

Q) How does the sync up to 1/6000 work ? (multiple flash bursts ??)


Yes, that's how it's been described to me.


The spec sheet also says:

quote
-AF360FGZ wireless flash unit allows multiple flash units to be controlled 
without cords and with TTL flash exposure; contrast control flash settings give 
multiple contrast levels.
unquote

Q1) Do all the flash units in a multi flash arrangement have to be AF360GFZs ?

 
Yes. Since the MZ-S is the first body to offer this, the flash introduced with the 
body will naturally be the first flash to take advantage of it.


Q2) Is the remote flash controller some sort if IR / Radio transmitter ?


Yes.


Q3) If Q2 is yes, then is the transmitter built into the camera or the AF360FGZ ?


The transmitter is built into the RTF on the camera.


Q4) If the MZ-S has no on board transmitter then what about a separate pair of 
gadgets (possibly third part) that fit onto the camera hotshoe  flash. This would 
allow users with an existing investment in flashes like AF500FTZ, METZ  many others 
to acheive the same functionality. (Pentax r u reading this ?)


There are third-party transmitters of all kinds, but I don't think any of them offer 
TTL capabilities.


:-)

Patrick

Oh, and for Dick: The flash comp has apparently been built into the 360. At least, 
that's my understanding.

Doug

-- 
Douglas Forrest Brewer
Ashwood Lake Photography
[EMAIL PROTECTED]
http://www.alphoto.com
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Re: Flash Diffusers Geekness

2001-06-08 Thread Nicholas Wright

The second that any work is ~created~ it is
copyrighted. It does not have to be registered by the
government, although that helps. It does not even have
to say copyright so and so on it. I was working at
Eckerda couple of years ago as a photolab manager when
K-Mart was sued for several hundred thousand dollars
for copyright infringment and they made us go through
very extensive training, and I've also caught a client
trying to copy my work without permission. So perhaps
I'm a little touchy on this subject.

Nick

--- aimcompute [EMAIL PROTECTED] wrote:
 But if the work is not copyrighted, how can it be
 copyright infringement?
 From what I understand the work belongs to the
 corporation not the
 individual(s). In that case one could argue that
 taking a picture of
 virtually anything is copyright infringement because
 it is someones
 handiwork...
 
 Just a question I have wondered about... Public
 Libraries have to be the
 biggest, most blatant violators of the spirit of the
 copyright laws.  I
 appreciate them, but the authors  artists are
 potentially losing billions
 of dollars because of this sort of communism.
 
 Tom C.
 
 - Original Message -
 From: Nicholas Wright [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Friday, June 08, 2001 1:04 PM
 Subject: RE: Flash Diffusers  Geekness
 
 
 
  --- Peifer, William [OCDUS]
 [EMAIL PROTECTED]
  wrote:
 
   Does this sound like it may work?  Any other
   suggestions?
 
  It sounds like something along the lines of
 copyright
  infringment, even though there is no artist's name
 it
  is still someone's handiwork.
 
  Nick
 
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=
Blessed Be,
Nicholas Wright

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1000 shoots the moon

2001-06-08 Thread J. C. O'Connell

just to show what the SMCP 1000mm F8 can do I
took a shot of a nearly full moon on kodak 200
film:

http://www.gate.net/~hifisapi/moonw1000.jpg

1/125sec at f16, scanned at 400 dpi from a 4 X 6
print.
JCO

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Re: The Beatles and an Asahi Pentax camera

2001-06-08 Thread Jim

While I'm not 100% sure, I believe that was Ringo's own camera.  I've seen
other pictures of him toting a Pentax.  On a side note, one of Linda
McCartneys cameras was a Pentax as well.
- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, June 08, 2001 10:31 AM
Subject: The Beatles and an Asahi Pentax camera



 Saw the film A Hard Day's Night in the cinema the other day
(remasterized
 copy). All around the movie is Ringo Starr carrying a black and beauty
Asahi
 Pentax screwmount camera. In fact, in a moment, Paul's grandfather tells
him
 to enjoy the life, to go outside, and what he does is to go out to take
 pictures.
 The camera appears a lot, with the logo showing very clearly. Maybe a
 subliminal advertising pop method?
 : - )

 Albano
 Yeah, yeah, yeah



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Re: The Beatles and an Asahi Pentax camera

2001-06-08 Thread Frank Theriault



Jim wrote:

 While I'm not 100% sure, I believe that was Ringo's own camera.  I've seen
 other pictures of him toting a Pentax.  On a side note, one of Linda
 McCartneys cameras was a Pentax as well.

I've seen several shots of the famous Ringo (remember that from Help?) with
that pre-Spottie Pentax.  I've also seen several of George with the same model
Pentax.

Also spotted one of Princess Anne of England taken in the 60's, holding a
Spotmatic.

regards,
frank

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Re: MZ-S is comming to Poland

2001-06-08 Thread Jaros³aw Brzeziñski

Being Polish I beg you to use correct English: you wrote: the polish big 
magazine Foto - please note down that polish means a substance used to give 
smoothness or gloss versus Polish meaning of, pertaining to, or characteristic of 
Poland, its inhabitants, or their language.

Artur Ledóchowski [EMAIL PROTECTED] napisa³ / wrote: 

 Hi,
 ...And finally the innovation is here:) In the June edition of the polish
 big magazine Foto there is a note about the presentation of the new Pentax
 equipment that took place in Warsaw, in *SIC!* a recently open photographic
 pub, called The Fisheye. Among the presented stuff the most important
 place was reserved for the MZ-S:)
 I hope the camera will be available in shops in the autumn...
 BTW,  the Smile Photo lists the MZ-S in their offer (in the June edition of
 the Photographic). The price is $859.95. Other shops list it too, but the
 price is Call or Click...
 Greetz
 Artur
 ==There are signs on the ring,
   Which make me feel so down.
   There's one to enslave all rings,
   To find them all in time
   And drive them into darkness.
   Forever they'll be bound.
 Blind Guardian Lord of the Ring
 
 
 
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---
WP i Vision zapraszaj±! Film Czekolada z Juliette Binoche i Johnny Deppem jest spoko!
Stronka te¿ spox:  www.czekolada.vision.pl  Wiêcej takich filmów! Kamil

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Re: Snap-in Focus in MZ/ZX-7?????

2001-06-08 Thread Jaros³aw Brzeziñski

I am sorry, but you must be wrong: if you use a non-AF lens, no AF body in the world 
is 
capable of giving an AF-assist light.

Artur Ledóchowski [EMAIL PROTECTED] napisa³ / wrote: 

 Hi,
 In the June edition of the Photographic there's a nice article about the
 four best AF 35mm SLR's for under $300. They are: Canon Rebel 2000, Nikon
 N65, Minolta Maxxum HTxi Plus and Pentax ZX-7. There are no testing - just a
 short presentation and summary. No winner:)) They are all considered to be
 equally good.
 But there is a note in this article, that made me wonder... Am I missing
 something?
 Let me cite it: The ZX-7 offers Snap-in Focus: Using a non-autofocus lens,
 set the focus-mode switch to AF, focus manually at a desired distance, and
 fully depress the shutter button (use the optional Cable Switch F to lock it
 down). When a subject arrives at the prefocused distance, the camera will
 automatically fire.
 What the hell? There's nothing of this kind in my MZ-7. With my SMC M 50/2
 mounted on I have focussing assist in both AF and MF mode and when I fully
 depress the shutter button, the camera fires without any further delay. Is
 there any difference between ZX-7 and MZ-7 (there shouldn't be any, I
 guess...)? How can I get this feature in my MZ-7 (I'd really love to have
 it...)? Anybody has comments on this?
 Thanx in advance
 Greetz
 Artur
 ==There are signs on the ring,
   Which make me feel so down.
   There's one to enslave all rings,
   To find them all in time
   And drive them into darkness.
   Forever they'll be bound.
 Blind Guardian Lord of the Ring
 
 
 
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---
WP i Vision zapraszaj±! Film Czekolada z Juliette Binoche i Johnny Deppem jest spoko!
Stronka te¿ spox:  www.czekolada.vision.pl  Wiêcej takich filmów! Kamil

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OT: Re: Flash Diffusers Geekness

2001-06-08 Thread aimcompute

I would be touchy too if I saw someone taking credit for or attempting to
profit by my work.  I understood that original works are automatically
copyrighted, for what that ends up being worth.

From what I understand, these paintings were not exactly original works of
art in the conventional sense.  From somewhere or someone, possibly an art
school?, there was apparently a drawing with a numbered painting scheme.
The decor person for the corporation looked at the choices they were given
and picked several.  The painter(s) then basically painted to the plan and
were paid by the corporation.

Tom C.

- Original Message -
From: Nicholas Wright [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, June 08, 2001 4:13 PM
Subject: Re: Flash Diffusers  Geekness


 The second that any work is ~created~ it is
 copyrighted. It does not have to be registered by the
 government, although that helps. It does not even have
 to say copyright so and so on it. I was working at
 Eckerda couple of years ago as a photolab manager when
 K-Mart was sued for several hundred thousand dollars
 for copyright infringment and they made us go through
 very extensive training, and I've also caught a client
 trying to copy my work without permission. So perhaps
 I'm a little touchy on this subject.

 Nick


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Re: LX Motor Drive Mystery

2001-06-08 Thread Bob Blakely

From: Gerald F. Cermak [EMAIL PROTECTED]


 So you think it is a current issue?  

I don't know. It was just a wild ass guess.

 Has your LX MD ever done that when your
 nicads were very low?  (when the Nicads themselves also become current
 limited.)

It's my MD's standard method for telling me I tried to push it too far.

Regards,
Bob...
---
In the carboniferous epoch
we were promised perpetual peace.
They swore if we gave up our weapons
that the wars of the tribes would cease.
But when we disarmed they sold us,
and delivered us, bound, to our foe.
And the gods of the copybook headings said,
'Stick to the devil you know.' 
--Rudyard Kipling
 

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Rolev Filter

2001-06-08 Thread Bill Owens

After the seminars by Doug Brewer and Tony Sweet I decided to pick up an 81B
warming filter.  What I ended up with is a Rolev Magi-Glas.  Anybody ever
hear of them?  Glass made in West Germany and assembled in USA

Bill, KG4LOV
[EMAIL PROTECTED]

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Re: 1000 shoots the moon

2001-06-08 Thread David A. Mann

J. C. O'Connell writes:

 http://www.gate.net/~hifisapi/moonw1000.jpg

 Is that the entire frame or have you cropped it?

 Now, let's stack some 2x TC's onto that baby... :)

Cheers,


- Dave

David A. Mann, B.E. (Elec)
http://www.digistar.com/~dmann/

Why is it that if an adult behaves like a child they lock him up,
 while children are allowed to run free on the streets? -- Garfield
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Re: Spotted on eBay

2001-06-08 Thread Chris Niesmertelny

Or the Acronymic design.  Puts OSHA's new standard to shame.

Chris





From: Norman Baugher [EMAIL PROTECTED]

 Not to mention the detachable DELUXE flash!!
 Norm




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RE: 1000 shoots the moon

2001-06-08 Thread J. C. O'Connell

When using the 1000mm on a 35mm camera the moon
diameter covers about 3/5 of the short side of the 35mm frame
so the image was cropped. BTW, the lab printed the image too
light so some of the highlights are washed out. It would
take approx a 1200-1500mm lens to fill the frame with a full moon.
JCO

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of David A. Mann
 Sent: Friday, June 08, 2001 7:43 PM
 To: [EMAIL PROTECTED]
 Subject: Re: 1000 shoots the moon
 
 
 J. C. O'Connell writes:
 
  http://www.gate.net/~hifisapi/moonw1000.jpg
 
  Is that the entire frame or have you cropped it?
 
  Now, let's stack some 2x TC's onto that baby... :)
 
 Cheers,
 
 
 - Dave
 
 David A. Mann, B.E. (Elec)
 http://www.digistar.com/~dmann/
 
 Why is it that if an adult behaves like a child they lock him up,
  while children are allowed to run free on the streets? -- Garfield
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RE: 1000 shoots the moon

2001-06-08 Thread J. C. O'Connell

Also I forgot to mention I used an mx with dead
batteries, cable release, and a tripod of course.
JCO

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of J. C. O'Connell
 Sent: Friday, June 08, 2001 6:01 PM
 To: [EMAIL PROTECTED]
 Subject: 1000 shoots the moon
 
 
 just to show what the SMCP 1000mm F8 can do I
 took a shot of a nearly full moon on kodak 200
 film:
 
 http://www.gate.net/~hifisapi/moonw1000.jpg
 
 1/125sec at f16, scanned at 400 dpi from a 4 X 6
 print.
 JCO
 
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Re: 1000 shoots the moon

2001-06-08 Thread Steve Larson

Great shot JC, I think it is upside though.
Steve Larson
Redondo Beach, California
- Original Message - 
From: J. C. O'Connell [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, June 08, 2001 5:12 PM
Subject: RE: 1000 shoots the moon


 BTW, did I scan it right side up or is it upside
 down??
 JCO
 
  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED]]On Behalf Of David A. Mann
  Sent: Friday, June 08, 2001 7:43 PM
  To: [EMAIL PROTECTED]
  Subject: Re: 1000 shoots the moon
  
  
  J. C. O'Connell writes:
  
   http://www.gate.net/~hifisapi/moonw1000.jpg
  
   Is that the entire frame or have you cropped it?
  
   Now, let's stack some 2x TC's onto that baby... :)
  
  Cheers,
  
  
  - Dave
  
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RE: 1000 shoots the moon

2001-06-08 Thread J. C. O'Connell

BTW, did I scan it right side up or is it upside
down??
JCO

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of David A. Mann
 Sent: Friday, June 08, 2001 7:43 PM
 To: [EMAIL PROTECTED]
 Subject: Re: 1000 shoots the moon
 
 
 J. C. O'Connell writes:
 
  http://www.gate.net/~hifisapi/moonw1000.jpg
 
  Is that the entire frame or have you cropped it?
 
  Now, let's stack some 2x TC's onto that baby... :)
 
 Cheers,
 
 
 - Dave
 
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RE: 1000 shoots the moon

2001-06-08 Thread J. C. O'Connell

Just tried flipping the image 180 degrees and it looked very wrong, so I
think I
did scan it right side up. One has to tak into account that it was shot at
the SW skies
not straight up at midnight.

JCO

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Steve Larson
 Sent: Friday, June 08, 2001 8:20 PM
 To: [EMAIL PROTECTED]
 Subject: Re: 1000 shoots the moon


 Great shot JC, I think it is upside though.
 Steve Larson
 Redondo Beach, California
 - Original Message -
 From: J. C. O'Connell [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Friday, June 08, 2001 5:12 PM
 Subject: RE: 1000 shoots the moon


  BTW, did I scan it right side up or is it upside
  down??
  JCO
 


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RE: 1000 shoots the moon

2001-06-08 Thread Juan J. Buhler

On Fri, 8 Jun 2001, J. C. O'Connell wrote:

 BTW, did I scan it right side up or is it upside
 down??

Depends, which hemisphere were you on?

:-)

--
---
 Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
---


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Re: Snap-in Focus in MZ/ZX-7?????

2001-06-08 Thread Douglas E Harmon

He's possibly confusing the terms AF Assist for AF Confirmation. A common
confusion on the list.

A note about the Snap-in, it doesn't work that great for low contrast
subjects...

l8r,
Douglas E Harmon
[EMAIL PROTECTED]
http://personal.mia.bellsouth.net/~genius91/
- Original Message -
From: Jaros³aw Brzeziñski [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, June 08, 2001 6:56 PM
Subject: Re: Snap-in Focus in MZ/ZX-7?


: I am sorry, but you must be wrong: if you use a non-AF lens, no AF body in
the world is
: capable of giving an AF-assist light.
:
: Artur Ledóchowski [EMAIL PROTECTED] napisa³ / wrote:
:
:  Hi,
:  In the June edition of the Photographic there's a nice article about
the
:  four best AF 35mm SLR's for under $300. They are: Canon Rebel 2000,
Nikon
:  N65, Minolta Maxxum HTxi Plus and Pentax ZX-7. There are no testing -
just a
:  short presentation and summary. No winner:)) They are all considered to
be
:  equally good.
:  But there is a note in this article, that made me wonder... Am I missing
:  something?
:  Let me cite it: The ZX-7 offers Snap-in Focus: Using a non-autofocus
lens,
:  set the focus-mode switch to AF, focus manually at a desired distance,
and
:  fully depress the shutter button (use the optional Cable Switch F to
lock it
:  down). When a subject arrives at the prefocused distance, the camera
will
:  automatically fire.
:  What the hell? There's nothing of this kind in my MZ-7. With my SMC M
50/2
:  mounted on I have focussing assist in both AF and MF mode and when I
fully
:  depress the shutter button, the camera fires without any further delay.
Is
:  there any difference between ZX-7 and MZ-7 (there shouldn't be any, I
:  guess...)? How can I get this feature in my MZ-7 (I'd really love to
have
:  it...)? Anybody has comments on this?
:  Thanx in advance
:  Greetz
:  Artur
:  ==There are signs on the ring,
:Which make me feel so down.
:There's one to enslave all rings,
:To find them all in time
:And drive them into darkness.
:Forever they'll be bound.
:  Blind Guardian Lord of the Ring
: 
: 
: 
:  -
:  This message is from the Pentax-Discuss Mail List.  To unsubscribe,
:  go to http://www.pdml.net and follow the directions. Don't forget to
:  visit the Pentax Users' Gallery at http://pug.komkon.org .
: 
: 
:
:
:
: ---
: WP i Vision zapraszaj±! Film Czekolada z Juliette Binoche i Johnny
Deppem jest spoko!
: Stronka te¿ spox:  www.czekolada.vision.pl  Wiêcej takich filmów! Kamil
:
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:


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RE: Flash Diffusers Geekness

2001-06-08 Thread Peter Alling

I would bet that the painting is already a copy of some recognized work
painted by an artist resident in China.  These paintings are produced by
the yard and sold like fixtures to hotels and restaurants.


At 12:04 PM 6/8/2001 -0700, you wrote:

--- Peifer, William [OCDUS] [EMAIL PROTECTED]
wrote:

  Does this sound like it may work?  Any other
  suggestions?

It sounds like something along the lines of copyright
infringment, even though there is no artist's name it
is still someone's handiwork.

Nick

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Re: 1000 shoots the moon

2001-06-08 Thread Steve Larson

I think you`re right, I flipped it too, and it didn`t look right.
Steve Larson
Redondo Beach, California
- Original Message -
From: J. C. O'Connell [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Friday, June 08, 2001 5:28 PM
Subject: RE: 1000 shoots the moon


 Just tried flipping the image 180 degrees and it looked very wrong, so I
 think I
 did scan it right side up. One has to tak into account that it was shot at
 the SW skies
 not straight up at midnight.

 JCO

  -Original Message-
  From: [EMAIL PROTECTED]
  [mailto:[EMAIL PROTECTED]]On Behalf Of Steve Larson
  Sent: Friday, June 08, 2001 8:20 PM
  To: [EMAIL PROTECTED]
  Subject: Re: 1000 shoots the moon
 
 
  Great shot JC, I think it is upside though.
  Steve Larson
  Redondo Beach, California
  - Original Message -
  From: J. C. O'Connell [EMAIL PROTECTED]
  To: [EMAIL PROTECTED]
  Sent: Friday, June 08, 2001 5:12 PM
  Subject: RE: 1000 shoots the moon
 
 
   BTW, did I scan it right side up or is it upside
   down??
   JCO
  
 

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11 SMC Takumars for auction

2001-06-08 Thread J. C. O'Connell

FYI, I have just put 11 screwmount Takumars up for auction
at ebay and ALL of them are Super-Multi-Coated type.
Include some of the rarer ones too.

For info
follow this link:

http://www.gate.net/~hifisapi/JCO_AUCT.HTM


1244918400 Jun-08-01 Jun-15-01 18:16:45 $99.99 Asahi Pentax 24mm F3.5 SMC
Takumar lens  No Bids Yet
1244918960 Jun-08-01 Jun-15-01 18:20:51 $39.99 Asahi Pentax 28mm F3.5 SMC
Takumar lens  No Bids Yet
1244920066 Jun-08-01 Jun-15-01 18:25:02 $34.99 Asahi Pentax 35mm F3.5 SMC
Takumar lens  No Bids Yet
1244921200 Jun-08-01 Jun-15-01 18:29:09 $129.99 Asahi Pentax 85mm F1.8 SMC
Takumar lens  No Bids Yet
1244922294 Jun-08-01 Jun-15-01 18:33:20 $69.99 Asahi Pentax 105mm F2.8 SMC
Takumar lens  No Bids Yet
1244923331 Jun-08-01 Jun-15-01 18:37:33 $129.99 Asahi Pentax 120mm F2.8 SMC
Takumar lens  No Bids Yet
1244924475 Jun-08-01 Jun-15-01 18:41:39 $69.99 Asahi Pentax 135mm F2.5 SMC
Takumar lens  No Bids Yet
1244925533 Jun-08-01 Jun-15-01 18:45:46 $34.99 Asahi Pentax 135mm F3.5 SMC
Takumar lens  No Bids Yet
1244926775 Jun-08-01 Jun-15-01 18:49:59 $9.99 Asahi Pentax 200mm F4.0 SMC
Takumar lens  No Bids Yet
1244928073 Jun-08-01 Jun-15-01 18:54:14 $69.99 Asahi Pentax 50mm F4.0 SMC
Macro Takumar lens  No Bids Yet
1244929554 Jun-08-01 Jun-15-01 18:58:21 $79.99 Asahi Pentax 100mm F4 SMC
Macro -Takumar lens  No Bids Yet

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Re: June Gallery Comments

2001-06-08 Thread Bill Gekas

Thankyou for your kind comment Collin, yes this shot was taken in my office
at work. I didn't have a tripod or wider lens with me at the time but it
looks like a second tripod may have to reside at work for those short
creative bursts that happen once in a while :)

Ciao for now,

--
Bill Gekas - (still waiting for that right light)
Melbourne - Australia



 Bathroom Plan  by  Bill Gekas, Australia
Creativity on the assignment.
You should work in marketing.



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Re: Interesting web stats

2001-06-08 Thread Dan Scott

Hi Mark,

I'm responsible for one download of each of the ME Super manuals. Thanks
for putting them up.

Dan Scott (waiting my replacement ME Super)
[EMAIL PROTECTED]

Just downloaded my seb server stats for the past month. My Pentax service
manual page must have hit the search engines pretty well. Looks like I'm
probably taking a bit of income away from the eBay photocopier profiteers
selling service manual copies.

Here are the files and the download numbers for 07 May through 08 June:

 ME Super service manual  1168
 ME Super owner's manual   877
 MX service manual 366
 ME service manual 355
 MX owner's manual 314

I'll try to start work on the Super Program and/or the Spotmatic service
manuals this month.

--
Mark Roberts




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Re: Sticky foam

2001-06-08 Thread Rob Studdert

On 6 Jun 2001, at 10:06, Lon Williamson wrote:

 Heck, almost any glue outgasses.
 Superglue sure does outgas, (lovely odor, btw), but if you use just a
 tad,
 and wave the body around a bit for the first several minutes, most of
 the outgassing is over with.  I did attach foam this way, and the
 screen/mirror
 were unaffected.  I also left the body cap off for a day.
 
 To each his own, though.

If anyone really does have some problems with commercially available self 
adhesive foam sheets an alternative to superglue for fixing (which by the way 
the use of could make future repairs difficult) why not use a rubber glue or 
3M pressure sensitive tape? Just some low risk alternatives.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Re: MZ-S Data Imprinting

2001-06-08 Thread Rob Studdert

On 7 Jun 2001, at 8:31, [EMAIL PROTECTED] wrote:

 I'll bet you within a year every SLR manufacturer will be copying the MZ-s's
 data imprinting feature. It just absolutely rocks. Might be a problem for people
 who shoot reversal film and don't do their own slide mounting though. (I can see
 a market for some kind of gizmo that pries open your slide mounts for you so you
 can check your exposure settings; I'd better patent it now!)

A bit late, the Contax RTSIII (over 10yrs old, integrated vacuum/date back) 
prints its date info (a bit early for exposure info imprinting) on the strip 
between the frames of adjacent exposure, still a problem with mounted 
slides though.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Re: Medium Format to 35 (WAS: Digital MZ - MR 52 projet still in the air ???)

2001-06-08 Thread Rob Studdert

On 6 Jun 2001, at 14:14, Pål Jensen wrote:

 But the point in this debate is that when using a MF lens on a 35mm camera you
 will actually decrease the resolution of the lens practically speaking. An MF
 lens will perform worse on a 35mm camera than on a MF camera. The resolution of
 the lens will of course be the same on the 35mm negative/positive as on a 24X36
 area on the MF negative/positive. However, this is not how you (normally) use
 lenses. When the lens is used on a 35mm camera the image need to be magnified
 much more than similar image on a MF negative/positive. Not only does this means
 larger grain due to magnifications of the film but it also means magnifications
 of the optical defects of the lens. 

Hi Pål,

Sorry for my late reply, (I have actually been out making photographs :-). 

The absolute resolving power and minimal distortions available in some of the 
new generation medium format lenses (in particular the Mamiya 7 RF lenses) 
render them no less capable than the current prime lenses from Leica or 
Pentax (given optimum exposure conditions).

Therefore using the centre of the image from one of these lenses should 
result in no less resolution (and it doesn't, by my most critical observations 
ie 40x magnification). The fact is that MF lenses cover a wider field of view 
and project a larger image circle for the same FL, there is no additional 
magnification over 35mm, just a larger angle of acceptance for any given MF 
FL.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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RE: Ball heads

2001-06-08 Thread Rob Studdert

On 6 Jun 2001, at 11:32, Peifer, William [OCDUS] wrote:

 Hi Rob,
 
 Thanks for the information -- this was helpful.  The ability to disassemble
 might be a handy feature.  Ease of making fine adjustments in positioning is an
 aspect I hadn't thought of.  If I go with a quick-release head, I'll definitely
 go with the 3413QR/308RC.

Hi Bill,

I spent some time during the last week using a new 308RC (resin) Ball head, 
it is smooth and stable and locks tight if necessary, it has a sure lock on the 
QR and the locking lever can be set to provide a comfortable operation angle 
which is very handy. I would use it with my 300f2.8 lens with no reservations.

I have a 168/3055 (steel) Ball head too, the locking levers are no where near 
as easy to use but is fitted with the older hex QR plate which allows it to be 
used with the 340 Elbow bracket. I had an older one of these heads that was 
owned by a pretty hard working wedding pro, the steel ball was so worn and 
rough I gave it away, so I would assume that either type will wear badly given 
hard use or inappropriate use (ie allowing dust/grit to enter the mech).

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://www.ozemail.com.au/~distudio/publications.html
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Motor Drive for Ricoh KR-10

2001-06-08 Thread James Adams

Can anyone tell me about and/or what motor drives will work on a Ricoh
KR-10?

James

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Re: More scanning successes

2001-06-08 Thread Dan Scott

Gerald,

Were you by any chance a Motie in any of you previous incarnations? g

Seriously, I'm quite impressed. I think you ought to put up a web page when
you are done and embarass the hell out of Kodak with it. Hope you saved
some of your before slides so you can do some side by sides.

Dan Scott
[EMAIL PROTECTED]

Short list of changes already made to my Kodak RFS3600 scanner:

WARRANTY VOIDANCE ALERT!  Any of these changes below will void the warranty.
Do not try this at home.  :)

1. Removed flocking from film path to reduce scratching and dust buildup.
2. Drill a hole in film path mechanism above each of 3 film strip sensors
3. Put bits of flocking above holes so sensor would work again due to #1's
change
4. Put flocking inside the light path housing to reduce reflections, mirror
to lens area only at this point.
5. Precisely calibrated and aligned CCD and light path to get squared-up
scans of full frame film strips, not just full frame slides(slides are now
undersized with a black border.)
6. Precisely adjusted focus for a temp-stabilized software setting of 10 out
of a range of 1-20 (at 15-20, the film buckles, out of the box, mine
preferred 18 after warm-up!).
7. Added 2 missing screws to film focusing carriage (it was separating at
the rear at higher focus settings, causing the film to lean and twist
slightly during focusing).
8. Added 2 missing M3x24 pins to the better align the film focusing carriage
(it was tilting on just 2 pins when scanning the first or last frame in a
strip).
9. Drilled out holes slightly in film focusing carriage because after #8 the
carriage bound due to a pin mount misalignment production defect.

Still to do:

1. Flock remainder of light path, lens to CCD section (4 sq ft of .030 black
flocking arrived yesterday!)
2. Add 5 miniature turnbuckles (mounted with 00-90 hardware) to 3 major
light path components (CCD, lens, CCD housing), to assist in better
calibration as the unit currently just has floating parts and set screws to
hold them in place.
3. Replace the drive belt between the 2 pinch rollers (right and left of
carriage) with one that is 1 or 2 teeth longer, and add a weak tensioner
roller if needed - this should allow enough slack for the film to be pulled
inward from the right and left simultaneously when focusing, reducing
buckling and warping of the film.
4. Epoxy 4 3mm ID washers to the bottom of the film carriage, in order to
reduce slop and misalignment in its motion during focusing.
5. Drill top rear of case and mount and 60mm fan, blowing inward with
hepafilter level filtration - this will cool the unit, and limit focusing
shift over time due to thermal expansion: unit will temp stabilize quicker,
and at a lower temp and hence less cold-warm focus difference.
6. Add thin strips of flocking to sprocket hole portion of film carriage, to
increase film edge flatness even more during scanning (it is currently loose
enough to see slight ripples in the film edge while it is being scanned).

This has been and will be a lot of work, but it's ability to scan Velvia's
colors almost perfectly the first time is pretty amazing, and when the
scanner does actually get the focus right on the emulsion layer (and not on
the dust on the other side), it is crystal clear, much better than my
previous 2400 dpi S20.

If anyone else has an RFS3600 and is interested, I could make a few digicam
pics tomorrow when I complete the modifications.

Cheers,
Gerald


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Re: 1000 shoots the moon

2001-06-08 Thread Bob Blakely

What's up depends on the viewing. Just after sunset, you are looking east
and one point, the point furthermost from the horizon seems up. Just
before sunrise, you are looking west and again the point furthermost from
the horizon seems up, but this is 180 degrees from the point that seemed
up in the early evening! At near midnight in the northern temperate
climates, you will be looking approximately south and a point about halfway
in between the other two up's will appear to be up. In the southern
temperate climates near midnight, you will be looking approximately north
and a point about halfway in between the evening and morning up's will
appear to be up, but 180 degrees from the view from the northern
hemisphere. Generally, the point closest to the horizon seems down
regardless of the moon's position in the sky.

I think.

Regards,
Bob...
--
Those who say that life is worth living at any cost
have already written an epitaph of infamy,
for there is no cause and no person
that they will not betray to stay alive.
Sidney Hook

From: David A. Mann [EMAIL PROTECTED]


 J. C. O'Connell writes:

  Just tried flipping the image 180 degrees and it looked very wrong, so I
  think I
  did scan it right side up. One has to tak into account that it was shot
at
  the SW skies
  not straight up at midnight.

 Check out http://tycho.usno.navy.mil/vphase.html

 This will show you what the moon looked like in the northern hemisphere on
 any date you choose.  For the southern hemisphere rotate 180 degrees.


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Re: 1000 shoots the moon

2001-06-08 Thread Bob Blakely

For an interesting full moon experiment, pop on about 800mm and shoot the
moon in landscape, in the (just dark) evening on the left side of the frame.
At midnight, press the little rewind release button (or whatever for your
camera) and double expose with the moon in the center of the frame (still
landscape framing). Just before morning (still dark), triple expose with the
moon on the right side of the frame. This will give you a new perspective on
up.

Remember, full exposure for each shot.

Regards,
Bob...
--
Those who say that life is worth living at any cost
have already written an epitaph of infamy,
for there is no cause and no person
that they will not betray to stay alive.
Sidney Hook

From: Steve Larson [EMAIL PROTECTED]


 I think you`re right, I flipped it too, and it didn`t look right.
 Steve Larson
 Redondo Beach, California
 - Original Message -
 From: J. C. O'Connell [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Friday, June 08, 2001 5:28 PM
 Subject: RE: 1000 shoots the moon


  Just tried flipping the image 180 degrees and it looked very wrong, so I
  think I
  did scan it right side up. One has to tak into account that it was shot
at
  the SW skies
  not straight up at midnight.
 
  JCO
 
   From: [EMAIL PROTECTED]
  
   Great shot JC, I think it is upside though.
   Steve Larson
   Redondo Beach, California
   - Original Message -
   From: J. C. O'Connell [EMAIL PROTECTED]
   To: [EMAIL PROTECTED]
   Sent: Friday, June 08, 2001 5:12 PM
   Subject: RE: 1000 shoots the moon
  
  
BTW, did I scan it right side up or is it upside
down??
JCO


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RE: The Beatles and an Asahi Pentax camera

2001-06-08 Thread John Coyle

On Saturday, June 09, 2001 7:51 AM, Frank Theriault 
[SMTP:[EMAIL PROTECTED]] wrote:


 Jim wrote:

  While I'm not 100% sure, I believe that was Ringo's own camera.  I've seen
  other pictures of him toting a Pentax.  On a side note, one of Linda
  McCartneys cameras was a Pentax as well.

 I've seen several shots of the famous Ringo (remember that from Help?)
 with
 that pre-Spottie Pentax.  I've also seen several of George with the same
 model
 Pentax.

 Also spotted one of Princess Anne of England taken in the 60's, holding a
 Spotmatic.

 regards,
 frank


There is also a still from the same film of Paul McCartney holding the same (or 
a every similar) camera.  It looks like an SV or S1a, possibly fitted with the 
Super-Takumar 50mm/1.4,  which would make it one of the later models, just 
prior to the Spotmatic.

John Coyle
Brisbane, Australia

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