Re: Always at the ready - OT

2002-07-13 Thread Familie Scheffler

Thank you so much, Frank, for your warm words. Perhaps you are right, I need
to be a little more lighthearted. I think my P30t with 50/1.4 (or 28/2.8 ?)
could take place in my bag ...

BTW I have never had a pancake for my MX (before it went to my cousin) and I
think it is quite overprized on ebay, so am waiting for a good occasion to
assemble it - just for fun.
Talking about 40mm-lenses: I noticed that Voigtlaender brings out a 40mm/2.0
Heliar,  for PK, too. Look at
http://www.voigtlaender.de/voigtlaender.nsf/pages/frameset?Open
I am looking forward to the first reviews.

Regards
Bernd

- original message -
Date: Fri, 12 Jul 2002 17:57:29 -0400
From: frank theriault [EMAIL PROTECTED]
Subject: Re: Always at the ready - OT

Hi, Bernd,

Funny, but for all the talk about an MX with 2.8 40mm pancake being
pocketable
(which I guess it is - in a big pocket), it's just not ~quite~ small enough
for
me.  And, I want something cheap and dirty to throw in a bag or pocket for
those
times when I don't want to hang a camera around my neck;  hence my choice of
a
little Minolta HiMatic F rangefinder.  But your observation of the lack of
Pentax product mentioned in this thread is well taken.  I for one would have
expected to see the Pentax 110 mentioned more than once - which it wasn't.

Funny you should mention that your daily commute is boring and that there's
nothing of interest to photograph.  I find that having a camera with me
makes me
look at the world in a different way.  I'm sure there are plenty of things
for
you to take pictures of each day.  Of course, you'd run the risk of being
that
strange man who stands at the end of the train station platform with the
camera, to all the other commuters!  vbg

I bet taking a camera with you would make your commute a bit more
interesting.
Sounds like you need it!

regards,
frank
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IR film-remotes?

2002-07-13 Thread CBWaters

Just thinking about dumb stuff now but can you take a picture with IR film
of the beam from your TV remote control?
Cory Waters
got the idea while listening to Car Talk on NPR
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RE: PDML UK 2002 pic posted

2002-07-13 Thread David Chang-Sang

Cotty..

good to see the pentax crew on the other side of the pond :)

big question though:  Who's camera was used to snap the photo ? 

Cheers,
Dave

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Cotty
Sent: Saturday, July 13, 2002 9:51 AM
To: Pentax List
Subject: PDML UK 2002 pic posted


Pic and a few lines posted for your viewing pleasure:

http://www.macads.co.uk/pdml

Cheers,

Cotty

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Re: check some of my shots out

2002-07-13 Thread Jim Apilado

I like Sinister Playground.  It reminds me of a photograph I had in mind a
few years ago where I would be a ghost image as well.  It's interesting how
our imagination can move us to create something.

Jim A.

 From: happyness [EMAIL PROTECTED]
 Reply-To: [EMAIL PROTECTED]
 Date: Sat, 13 Jul 2002 15:42:43 +0930
 To: [EMAIL PROTECTED]
 Subject: check some of my shots out
 
 http://www.photosig.com/viewphoto.php?id=120699
 http://www.photosig.com/viewphoto.php?id=144834
 http://www.photosig.com/viewphoto.php?id=146240
 
 leave feedback if you want or email me
 
 wayne
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Re: PENTAX PorrioPRISM FINDER 6X7

2002-07-13 Thread William Kane

I've never seen anything like this before.  I have a feeling someone may
have remvoed the tope plate from the prism.  Anyone else from the
brotherhood have any ideas?

Brother IL Bill

Paul Ewins wrote:
 
 Hi all,
 is this a genuine Pentax item, or somebody's crafty modification?
 
 http://cgi.ebay.com.au/ws/eBayISAPI.dll?ViewItemitem=1366397098
 
 I guess the image will be reversed or upside down or both, but I imagine it
 would give you 100% viewing at eye level.
 
 Paul Ewins,
 Melbourne, Australia
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Re: IR film-remotes?

2002-07-13 Thread William Kane

Not sure about IR film, but video cameras will capture the light on
their CCD sensor and then turn it visible for all to see . . . 

IL Bill

CBWaters wrote:
 
 Just thinking about dumb stuff now but can you take a picture with IR film
 of the beam from your TV remote control?
 Cory Waters
 got the idea while listening to Car Talk on NPR
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Re: PENTAX PorrioPRISM FINDER 6X7

2002-07-13 Thread Rob Studdert

On 13 Jul 2002 at 10:20, William Kane wrote:

 I've never seen anything like this before.  I have a feeling someone may
 have remvoed the tope plate from the prism.  Anyone else from the
 brotherhood have any ideas?

That's a strange one alright, it looks like a very professionally modified 67 
WL finder, what's most interesting though is that it appears to sport well 
integrated optics at both ports?

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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RE: PDML UK 2002 pic posted

2002-07-13 Thread Ayash Kanto Mukherjee

I add one more question:
Who was the winner of the beauty contest?
Cheers,
Ayash.

On Sat, 13 Jul 2002, David Chang-Sang wrote:

 Cotty..
 
 good to see the pentax crew on the other side of the pond :)
 
 big question though:  Who's camera was used to snap the photo ? 
 
 Cheers,
 Dave
 
 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]]On Behalf Of Cotty
 Sent: Saturday, July 13, 2002 9:51 AM
 To: Pentax List
 Subject: PDML UK 2002 pic posted
 
 
 Pic and a few lines posted for your viewing pleasure:
 
 http://www.macads.co.uk/pdml
 
 Cheers,
 
 Cotty
 
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Re: Anybody interested in getting the Pentax poster?

2002-07-13 Thread Dario Bonazza 2

http://digilander.libero.it/pentaxday/postere.htm

Please please don't send me a personal check only cashable in USA, Canada,
or any country other than Italy. Send them to PDML distributors in your
country (once they'll show-up and buy some posters from me!)

Dario Bonazza

http://www.dariobonazza.com


 I would also be interested in a poster.  Just tell me where to send the
 check.
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Re: About the 1952-2002 - 50 years of Pentax SLR camerasposter

2002-07-13 Thread Dario Bonazza 2

frank theriault wrote:


 I'll second that, Dave.  I'd like (at least) one.  They're beautiful!

And when you'll see them 100x70cm wide, you'll be pretty impressed too!

 And, I'd be more than happy to accept shipment for any folks in the
 greater Toronto area who want any, if it will save on postage (which I'm
 sure it will).

So I believe it's quite time you Canadians (and US folks too) will agree
about who are the PDML distributors in your countries, isn't it?

Cheers,

Dario Bonazza

http://www.dariobonazza.com
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Semi-OT: Agfa film question

2002-07-13 Thread D. Glenn Arthur Jr.

This might have been discussed during one of the periods I 
didn't get much list reading time in...

I don't seee Agfa HDC any more, and I've been hearing about
Agfa Vista.  Is Vista the consumer replacement for HDC, and
if so, how different is it?  In the past, I basically treated
HDC as cheaper Optima, and that worked out pretty well most
of the time.

I've never seen Agfa Vista.  The store where I used to buy
film just went out of business, and the next nearest real
camera store doesn't carry Agfa products.  :-(  So I'm
looking at mail-order, noticed the Vista I'd been hearing
about, and am wondering:  is this a new name and a slight
change but otherwise a familiar film (i.e. Go ahead and
stock up) or really something new (i.e. Get a couple rolls
to find out whether I like it)?

-- Glenn
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Re: Semi-OT: Agfa film question

2002-07-13 Thread Pat White

Vista is quite different from HDC.  I used HDC 100 and 200 happily for years, but I 
didn't like the look of Vista, and now I use Fuji Superia.  I found the Vista to be 
too warm for my taste, but you may like it.  However, I'd certainly suggest trying a 
few rolls before buying in bulk.

Pat White
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Re: IR film-remotes?

2002-07-13 Thread Pat White

Perhaps if you had some smoke or fog/steam in the air, the IR beam might be visible 
(to IR film, at least).

Pat White
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Re: check some of my shots out

2002-07-13 Thread Pat White

Nice work, happyness!

Pat White
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Re: IR film-remotes?

2002-07-13 Thread Timothy Sherburne

BTW, use one of the Wratten 87 IR cutting filters for the vidcam/digicam
trick. I suppose you could try it in a dark room, too.

t 

On 7/13/02 8:23 AM, Timothy Sherburne wrote:

 Sure, but it's not really a beam. It'll just look like a small light
 inside the remote where you don't usually see one. Inside the remote are IR
 emitters that look like regular clear LED lights. I suppose you could use
 them as an IR light source, too, but the light would be kinda weak.
 
 The remote is also a perfect test tool to see if your video camera or
 digicam is IR capable. Most are, but YMMV.
 
 t
 
 On 7/13/02 7:36 AM, CBWaters wrote:
 
 Just thinking about dumb stuff now but can you take a picture with IR film
 of the beam from your TV remote control?
 Cory Waters
 got the idea while listening to Car Talk on NPR
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was: The K2 or LX question/ Sid adds his blasphemy

2002-07-13 Thread Sid Barras

I have the K2, K2DMD. A wonderful camera. In fact, at one time I had 8 
K2 bodies, 2 K2DMDs, winders, etc. etc. I sold one DMD and a 
winder/remote cord/grip to finance an LX purchase. Haven't got it yet, 
but it will be my next purchase. The K2 had everything one might want 
from a semi  pro positioned manual focus camera. The 125th flash sync is 
much nicer than 1/60th; the exposure lock was way ahead of its time and 
very useful. The DMD mechanical trick of having a little periscope to 
read the aperture setting (won't work on all off brand lenses though) is 
clever. The DMD other trick of having a red window appear in the 
viewfinder to alert the photographer of exposure compensation being used 
is also a neat mechanical accomplishment.

But all of these neat little features on the K2, and DMD are available 
as electronic bells and whistles on succeeding generations of Pentax 
models, on smaller lighter bodies, with lots of things added later on to 
make them even more user friendly.

The blasphemous point I'm approaching here is this: If you want a camera 
with lots of features for picture taking, get an ME super, or for even 
more features, a super program, or a program plus, or add some more 
features plus autofocus with a PZ 1 or PZ 20, or if better autofocus is 
required, then ZX (MZ) 5n, or 7.

The K2s  and DMD I have are toys, beautiful, expensive, finely crafted, 
precision engineered, but they are my toys. The bulk of picture taking I 
do for other people is invariably taken with the later models, in 
particular, the PZ1 first, then the PZ 20, and the super program as the 
third option. I just like to have better assurance of success, like 
having TTL flash, mainly. Plus, these cameras are lighter, and plenty 
enough robust for the semi-pro use I give them. In fact, the PZ1 has 
survived several drops (one of them about 4 feet onto concrete-- 
survived with only an abrasion to the corner) If I drop one of my k2s, 
they'll invariable be a dent there, and the value of the camera for 
resale has probably just dropped $100.

Now, of course I haven't even mentioned the screw mount cameras and 
lenses. They might even be as good a solution as the K2 for someone who 
wanted a manual focus camera. The spotmatic F has full frame averaging 
metering, probably not as good as K2's center weighted, advanced meter. 
But the screw mount lenses are out there in the thousands, and I've got 
a complete set of SMC T prime lenses up to the 400, and spent less than 
$1000.

well, that's probably too long-winded of me already but, there you 
have my 2 cents.
Sid
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Re: k2 or kx or lx that is the question

2002-07-13 Thread Mishka

Paul,

the same logic can be applied to slr/ps comparison: interchangeable
lenses become a money hole (of course they are!)
the interchangeable screens and finders is a *huge* plus of LX. with
finders you can do things like weird angle shots, etc. -- that would be
a major PIA, if possible at all, with any other camera. and being able
to change your screen is hardly a liability. in fact, the dirst thing i
did when my MX arrived was putting a newer one, from LX, to get a much
brighter view. think how much money people pay to get 1/2 stop faster
lens to ease focusing -- here it would cost mere $30 or so.

although, you do make a very good point about having to try 'em all :)

Mishka

 From: [EMAIL PROTECTED] 
 Subject: Re: k2 or kx or lx that is the question 
 Date: Sat, 13 Jul 2002 05:47:36 -0700 
 
 The problem with the LX is that you won't be satisfied until you've 
 tried out all the viewfinders. It becomes a money hole.
 
 [EMAIL PROTECTED]
Yahoo! Autos - Get free new car price quotes
http://autos.yahoo.com
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K series lens locator knob

2002-07-13 Thread Scott Nelson

I have a SMC K 24/2.8 that is missing the little round white button.  It's
not a big deal for me, but I was wondering if anyone had some spare one
kicking around collecting dust.  If not, where can I go to look or such a
part?  Will Pentax Canada have them?

-Scott
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Re: PDML UK 2002 pic posted

2002-07-13 Thread Camdir

In a message dated 13/07/02 20:25:49 GMT Daylight Time, Cotty writes:

 Pic and a few lines posted for your viewing pleasure:
 
 http://www.macads.co.uk/pdml 

I'm humbled. Yeah, lived my life like an international pop star, me. Apologs 
for shooting off so early but the mrs had a 7.30 and whilst we might have 
gotten back to sunny Brighton on time, there's some bloke called Fatboy Slim 
playing a gig on the beach  the world  his dog wants to go. Hence arrival 
here after 4 hours rather than 2. Actually the mrs loved it and had to be 
dragged away - drag me away from Cotty's smth fluid head. The 1000mm 
stayed in the case - way too long and not particularly convenient to focus 
for anything moving faster than a snail's pace. Great to see all you guys - 
love to see some more snaps.

Toodle pip

Peter
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Re: was: The K2 or LX question/ Sid adds his blasphemy

2002-07-13 Thread Rfsindg

I feel like Sid does.  Although the older bodies are fun, most of my shooting 
goes thru the LX or PZ-1p (or PZ-1 or Super Program).  The reliability and 
extra features are just to easy to get adjusted to.  

Furthermore, after years of shooting with the Super Program, I know exactly 
what to expect and how to compensate when shooting it or the PZ-1.  The LX 
and PZ-1p still surprise me on occasion.

Regards,  Bob S.

[EMAIL PROTECTED] writes:


 The K2s  and DMD I have are toys, beautiful, expensive, finely crafted, 
 precision engineered, but they are my toys. The bulk of picture taking I 
 do for other people is invariably taken with the later models, in 
 particular, the PZ1 first, then the PZ 20, and the super program as the 
 third option. I just like to have better assurance of success, like 
 having TTL flash, mainly. Plus, these cameras are lighter, and plenty 
 enough robust for the semi-pro use I give them. In fact, the PZ1 has 
 survived several drops (one of them about 4 feet onto concrete-- 
 survived with only an abrasion to the corner) If I drop one of my k2s, 
 they'll invariable be a dent there, and the value of the camera for 
 resale has probably just dropped $100.
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Re: Real OT - Go you Wallabies!!!

2002-07-13 Thread David A. Mann

Bob Rapp wrote:

 This is for David Mann.

Pity I read this Sunday morning... after the match :) :)

Cheers,


- Dave

http://www.digistar.com/~dmann/ (out of date)
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Re: PDML UK 2002 pic posted

2002-07-13 Thread David A. Mann

[EMAIL PROTECTED] wrote:

 Cotty's smth fluid head. 

Is Cotty's head getting filled with amber fluids?

 The 1000mm stayed in the case - way too long and not
 particularly convenient to focus for anything moving faster than a snail's
 pace.

So you didn't try it with the 1.7x af convertor.  Probably wouldn't work 
at f/13.6.

Shame I couldn't stick around long enough to attend :(

Cheers,


- Dave

http://www.digistar.com/~dmann/ (out of date)
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Re: Semi-OT: Agfa film question

2002-07-13 Thread D. Glenn Arthur Jr.

Pat White observed:
 Vista is quite different from HDC.  I used HDC 100 and 200 happily 
 for years, but I didn't like the look of Vista, 

Thanks.  Not the answer I was hoping to hear, but _exactly_ the
information I needed:  it's different enough that I should try
a couple rolls as experiments rather than just stocking up the
fridge.

 I found the Vista to be too warm for my taste, but you may like it.  

Maybe, and I'll try it and find out, but that _sounds_ as though
they went in more of a Kodak-like direction.  (Uh, consumer-Kodak
that is.)  Hmm.

-- Glenn
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PDML UK 2002 - after the end of daymeal - a few quotes

2002-07-13 Thread Cotty

All completely true, albeit maybe taken out of context ;-)

Rob Brigham: 'Pictures are like sausages: evryone likes them but nobody 
wants to know what goes into them...'

Richard Seaman: ' Nowadays, maybe I'm becoming a grumpy old man but I 
seem to like caterpillars more than people...'

Rob Brigham: 'I had some homing wine' (!?)

Vera (who she?): ' I brought my Nikon - he gave it to me!' (points to 
Jostein)

Jostein (toting a PZ1 with AFTZ 500): 'It was before Pentax came out with 
an APS camera...honest' + 'it is the camera that is wine-repellant' (you 
can guess what went on here...)

Adelheid: '(to Mike Wilson) Do you do animals?'

Mike Wilson ' I photograph them, yes.'

Cotty: 'I'll drink to that!'

Alma: (after the Cambridge tour) 'I'm not having strange men touching my 
underwear!' (this should boost the 2003 applicant-rate...)

Stefan (Cotty's 8 yr old son) : (asleep on bench) 'Z.'

Waitress: (delivering geart-stopping bill) ' Oh! Not just cameras and 
flashes, but computers too!'.

(As you may guess, things went quite well and we have rounded off the day 
with a bite to eat in a restaurant in Cambridge. A great way to round of 
a fabulous day. More soon...)

Cheers,

Cotty.

PS Rob S - got the message - will write in due course *hic*.

PPS - Here's to everyone who would have like to have come but couldn't, 
to everyone would would loved to have come but couldn't possibly, and to 
the rest of you reading this at home or wherever who are with us in 
spirit: we're with you too - the power of the internet! It's alive. 
Cheers.

___
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Re: OT:PS Elements Panoramic Shots

2002-07-13 Thread David Brooks

Thanks for the reply Herb.I cannot seem to 
access the page.I'll try later.The images are 
 from the N D1.I shot all withe shutter 
priority so i'll assume thats were my sky 
problem is from.
So the program will try a best fit.eH Maybe i 
need to reshot with 1-2 less frames.

Thanks
DAVE

 Begin Original Message 

From: Herb Chong [EMAIL PROTECTED]
Sent: Sat, 13 Jul 2002 08:15:55 -0400
To: INTERNET:[EMAIL PROTECTED] pentax-
[EMAIL PROTECTED]
Subject: OT:PS Elements  Panoramic Shots


i do a lot of stitched panoramas and i have 
quite a bit of experience here.
Photoshop Elements is for stitching photos 
taken with a slight wide angle,
definitely no more than 35mm or so, without 
running into edge distortion
effects. for problem number 2, you had to have 
used one exposure setting
for every one of the panorama images when you 
took the pictures and, if
these were scanned from film, you also have to 
use identical exposure and
color adjustment scanner settings for all 
images. that means no automatic
color correction should enabled. for problem 
number 2, the size you are
specifying is the input form factor of each 
image. this is just to allow
the software to figure out the borders when 
looking for alignment points.
you control the size of the result by the DPI 
setting you use when you you
did the scanning or the DPI setting when you 
save the image. Elements does
come with online help and you should be able to 
access it under the Help
menu.

for examples of my panoramic work, although 
they haven't been updated in
about a year, see 
http://users.bestweb.net/~hchong/Panoramas/Panor
amas.htm.
i have a dozen or so that have done since 
worthy of posting that have yet
to make it to the site. after clicking on a 
thumbnail, you get to a detail
page. when you click on the thumbnail there, 
you end up with a scrollable
and zoomable Quicktime VR of the panorama. 
since there are several 360
degree panoramas there, Quicktime VR is perfect 
for showing them off.

Herb
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Re: was: The K2 or LX question/ Sid adds his blasphemy

2002-07-13 Thread Jim Apilado

Since when is my PZ1-p user friendly?  I think the K1000's simplicity is
more user friendly than the modern SLRs of Pentax and others.

Jim A.


 From: Sid Barras [EMAIL PROTECTED]
 Reply-To: [EMAIL PROTECTED]
 Date: Sat, 13 Jul 2002 14:18:47 -0500
 To: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Subject: was: The K2  or LX question/ Sid adds his blasphemy
 
 I have the K2, K2DMD. A wonderful camera. In fact, at one time I had 8
 K2 bodies, 2 K2DMDs, winders, etc. etc. I sold one DMD and a
 winder/remote cord/grip to finance an LX purchase. Haven't got it yet,
 but it will be my next purchase. The K2 had everything one might want
 from a semi  pro positioned manual focus camera. The 125th flash sync is
 much nicer than 1/60th; the exposure lock was way ahead of its time and
 very useful. The DMD mechanical trick of having a little periscope to
 read the aperture setting (won't work on all off brand lenses though) is
 clever. The DMD other trick of having a red window appear in the
 viewfinder to alert the photographer of exposure compensation being used
 is also a neat mechanical accomplishment.
 
 But all of these neat little features on the K2, and DMD are available
 as electronic bells and whistles on succeeding generations of Pentax
 models, on smaller lighter bodies, with lots of things added later on to
 make them even more user friendly.
 
 The blasphemous point I'm approaching here is this: If you want a camera
 with lots of features for picture taking, get an ME super, or for even
 more features, a super program, or a program plus, or add some more
 features plus autofocus with a PZ 1 or PZ 20, or if better autofocus is
 required, then ZX (MZ) 5n, or 7.
 
 The K2s  and DMD I have are toys, beautiful, expensive, finely crafted,
 precision engineered, but they are my toys. The bulk of picture taking I
 do for other people is invariably taken with the later models, in
 particular, the PZ1 first, then the PZ 20, and the super program as the
 third option. I just like to have better assurance of success, like
 having TTL flash, mainly. Plus, these cameras are lighter, and plenty
 enough robust for the semi-pro use I give them. In fact, the PZ1 has
 survived several drops (one of them about 4 feet onto concrete--
 survived with only an abrasion to the corner) If I drop one of my k2s,
 they'll invariable be a dent there, and the value of the camera for
 resale has probably just dropped $100.
 
 Now, of course I haven't even mentioned the screw mount cameras and
 lenses. They might even be as good a solution as the K2 for someone who
 wanted a manual focus camera. The spotmatic F has full frame averaging
 metering, probably not as good as K2's center weighted, advanced meter.
 But the screw mount lenses are out there in the thousands, and I've got
 a complete set of SMC T prime lenses up to the 400, and spent less than
 $1000.
 
 well, that's probably too long-winded of me already but, there you
 have my 2 cents.
 Sid
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Re: PDML UK 2002 pic posted

2002-07-13 Thread David Brooks

Nice write up Cotty.Good to see the faces 
behind the emails.
The 600mm makes the M50 1.7 look small eh :)
VBG

Dave

 Begin Original Message 

From: Cotty [EMAIL PROTECTED]
Sent: Sat, 13 Jul 2002 14:50:50 +0100
To: Pentax List [EMAIL PROTECTED]
Subject: PDML UK 2002 pic posted


Pic and a few lines posted for your viewing 
pleasure:

http://www.macads.co.uk/pdml

Cheers,

Cotty


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Re: was: The K2 or LX question/ Sid adds his blasphemy

2002-07-13 Thread Sid Barras

First, Sid Said:

But all of these neat little features on the K2, and DMD are available
as electronic bells and whistles on succeeding generations of Pentax
models, on smaller lighter bodies, with lots of things added later on to
make them even more user friendly.

And then Jim said:

Since when is my PZ1-p user friendly?  I think the K1000's simplicity is
more user friendly than the modern SLRs of Pentax and others.

Sid now says:

Ah, slightly wrong choice of words. I should have said feature rich 
maybe. But, I do think the PZ1 rather easy to learn, and each hyper 
shift or pentax function choice is only a button push and/or dial 
turn...  the bells and whistles you're apt to use are user-friendly 
enough to be able to recall them without pulling out the manual. I know 
it's that way for me, and I'm not a genius. Now, some of the crazy 
things they put on the PZ series that make some of the zoom lenses do 
odd things-- I tried a couple of those one time, didn't have a doubt I'd 
never need them; I wondered-- who in the world did they think would use 
these features enough to warrant the R  D time they spent on them.
 you're right about the K1000-- ten jillion users over the years can't 
be wrong. But I wonder about the persistence of the K1000's popularity 
in the used market, like on ebay. On any given day, there might be 100 
K1000s for sale,  and if you look even closer, usually these models have 
multiple bidders going after them. But let's face it, the model is a 
stripped  down version of the Spotmatic F, with some features removed. 
Simple, reliable. But, you also see every day on ebay lots of super 
programs, ME supers, heck, even SF series, PZ series, all are 
represented. And, the K1000s are fetching prices higher than the 
super programs, often! I can't understand that, other than reputation, 
and buyer's lack of research. The super program is, in my opinion, the 
best value on the used market, manual focus. Not as simple as the K1000, 
but come on, who on this list would say the super program is too 
difficult for just about anyone, even brand newbies, to learn after only 
a few minutes of examining it, even without a manual?

well, getting off track starting to ramble Hope I don't sound like 
I'm bashing the K1000. I'm sure Pentax is proud of it. Probably kept 
them in business these last couple of decades when they've sort of 
fallen behind the C and N, maybe even the M crowd. A good, simple, 
basic, design. But now, in the marketplace  today, I don't follow the 
logic of buyers of K1000s now. Too many other, better choices in used 
cameras.

Sid
Jim Apilado wrote:


Jim A.


From: Sid Barras [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Sat, 13 Jul 2002 14:18:47 -0500
To: [EMAIL PROTECTED] [EMAIL PROTECTED]
Subject: was: The K2  or LX question/ Sid adds his blasphemy

I have the K2, K2DMD. A wonderful camera. In fact, at one time I had 8
K2 bodies, 2 K2DMDs, winders, etc. etc. I sold one DMD and a
winder/remote cord/grip to finance an LX purchase. Haven't got it yet,
but it will be my next purchase. The K2 had everything one might want
from a semi  pro positioned manual focus camera. The 125th flash sync is
much nicer than 1/60th; the exposure lock was way ahead of its time and
very useful. The DMD mechanical trick of having a little periscope to
read the aperture setting (won't work on all off brand lenses though) is
clever. The DMD other trick of having a red window appear in the
viewfinder to alert the photographer of exposure compensation being used
is also a neat mechanical accomplishment.



The blasphemous point I'm approaching here is this: If you want a camera
with lots of features for picture taking, get an ME super, or for even
more features, a super program, or a program plus, or add some more
features plus autofocus with a PZ 1 or PZ 20, or if better autofocus is
required, then ZX (MZ) 5n, or 7.

The K2s  and DMD I have are toys, beautiful, expensive, finely crafted,
precision engineered, but they are my toys. The bulk of picture taking I
do for other people is invariably taken with the later models, in
particular, the PZ1 first, then the PZ 20, and the super program as the
third option. I just like to have better assurance of success, like
having TTL flash, mainly. Plus, these cameras are lighter, and plenty
enough robust for the semi-pro use I give them. In fact, the PZ1 has
survived several drops (one of them about 4 feet onto concrete--
survived with only an abrasion to the corner) If I drop one of my k2s,
they'll invariable be a dent there, and the value of the camera for
resale has probably just dropped $100.

Now, of course I haven't even mentioned the screw mount cameras and
lenses. They might even be as good a solution as the K2 for someone who
wanted a manual focus camera. The spotmatic F has full frame averaging
metering, probably not as good as K2's center weighted, advanced meter.
But the screw mount lenses are out there in the thousands, and 

RE: PDML UK 2002 pic posted

2002-07-13 Thread Cotty

good to see the pentax crew on the other side of the pond :)

big question though:  Who's camera was used to snap the photo ?

Hi Dave,

(last thing at night before an earned slumber)

David Seaman's Canon D60.

I was seriously impressed by this.

Cheers,

Cotty

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RE: PDML UK 2002 pic posted

2002-07-13 Thread Cotty

I add one more question:
Who was the winner of the beauty contest?
Cheers,
Ayash.

That's easy! Pentax!

:-)

Cotty

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Re: was: The K2 or LX question/ Sid adds his blasphemy

2002-07-13 Thread ERNReed

In a message dated 7/13/2002 6:38:38 PM Central Daylight Time, 
[EMAIL PROTECTED] writes:


 Jim said:
 
 Since when is my PZ1-p user friendly?  I think the K1000's simplicity is
 more user friendly than the modern SLRs of Pentax and others.
 
The ZX-5n is a modern SLR ...


ERNR
My photographs hang on the virtual walls at http://members.aol.com/ernreed
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RE: PDML UK 2002 pic posted

2002-07-13 Thread David Chang-Sang

Heh :)

Damn those people who have the right gear to be able to acquire DSLR
cameras -

PENTAX PLEASE PROVIDE US WITH A DIGITAL K-MOUNT CAMERA -
PLEASE !!!  :)

Pleadingly yours,
Dave

(mind you.. I'll post a beautiful shot with the LX tomorrow)

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Cotty
Sent: Saturday, July 13, 2002 7:42 PM
To: Pentax List
Subject: RE: PDML UK 2002 pic posted


good to see the pentax crew on the other side of the pond :)

big question though:  Who's camera was used to snap the photo ?

Hi Dave,

(last thing at night before an earned slumber)

David Seaman's Canon D60.

I was seriously impressed by this.

Cheers,

Cotty

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Re: OT:PS Elements Panoramic Shots

2002-07-13 Thread Herb Chong

Message text written by INTERNET:[EMAIL PROTECTED]
 
This is really usefull information.
Do you have experience with other panoramic software as well? Is there 
software out there which would allow for wider angle lenses then 35mm?
Do you know anything about MGI PhotoVista for instance?

-- 
Frits J. Wüthrich
(Sent with Kmail)


unless you are on a Mac and can use Apple Quicktime VR Studio, MGI
PhotoVista is the best program out there for under $1KUS. here is a site
that i find very useful for learning more about stitching panoramas:
http://www.panoguide.com/. you'll find a lot of software reviews and
techniques for producing stitched panoramas. i have tried about 10
different programs under $200 and nothing comes close to Photovista if you
have properly taken the images. properly taken means that the vertical axis
of the images are all parallel. if the images are rotated with respect to
one another, then ULead Cool360 can fix the rotation, but its stitching
abilities are far less useful. MGI Photovista will allow using lenses as
sshort as 15mm, either in fisheye or in wide angle designs. all other
programs i have used suffer from severe technical limitations or plain
usability problems. the only significant flaw with Photovista is that
manual alignment is a pain to do if you are working with large image sizes,
say more than 3 megapixels. there are no scroll bars for the adjustment
window and you have to carefully find and select the draggable part of the
base image to move around the overlapping area and see what needs tuning.
MGI has just been sold to Roxio and i am not sure you can buy Photovista
anymore. i think you have to buy the entire PhotoSuite package.

Herb
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Re: OT:PS Elements Panoramic Shots

2002-07-13 Thread Herb Chong

Thanks for the reply Herb.I cannot seem to 
access the page.I'll try later.The images are 
 from the N D1.I shot all withe shutter 
priority so i'll assume thats were my sky 
problem is from.
So the program will try a best fit.eH Maybe i 
need to reshot with 1-2 less frames.

Thanks
DAVE

since you are using a digital camera to shoot your panoramas, you must lock
exposure and white balance starting with the first image you shoot. on the
consumer cameras such as the Coolpix 5000 i currently use for panoramic
work, it's a single menu setting to lock both. you need to level your
tripod and camera separately and shoot in portrait mode. this maximizes the
vertical dimension. you can always crop later. overlap your images by about
50% for best blending. this means that the center of your current image
should become the edge of the next image. it's not a good idea to use a
polarizing filter when shooting panoramas. you will exaggerate the effects
to the point where the corners of overlapping images don't match in
exposure. it may look like vignetting.

for three of my recent panoramas, take a look at
http://users.bestweb.net/~hchong/temp/ and the files named cg01.jpg,
cg04.jpg, and cg06.jpg. these are some pictures i took on my trip to
Calgary and Jasper a month ago. these are 6 or 7 original images each
stitched with MGI PhotoVista. the originals are about 6500 pixels across
and i have downsampled to the 2000 just to give manageable image sizes. i
took these using my Coolpix 5000 at the widest zoom i could, the built in
28mm equivalent. just after i got back from vacation, the adapter ring for
my 0.68x wide angle accessory lens arrived and i could have shot at a 19mm
equivalent, using fewer shots but having less resolution in the final image
to cover a certain angle.

when i am able to take all of my gear instead of travelling light, i use a
Kaidan Kiwi-L panorama head screwed into my regular ball head on my tripod.
this is only feasible with my digital camera since it is very light and i
have a small ball head. the Kiwi head allows me to set the nodal point
properly for doing full 360s. when shooting only 5 or 6 shots (up to 150
degrees), i can usually do them hand held. the vertical alignment and
minimum overlap are both critical.

i don't shoot panoramas using film anymore. the Coolpix 5000's 5 megapixel
images are more than enough for most work, and slides rotate slightly in my
scanner's holder relative to one another and also because of the mounting
jig for mounting slides. if you use strips of slides or negatives, you will
have better luck.

Herb
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Re: camera strap. now OT

2002-07-13 Thread CBWaters

Funny thing about the wallet-chain guys...they are usually guys that you'd
NEVER consider mugging anyway.
Cory Waters

- Original Message -
From: Steve Desjardins [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, July 13, 2002 4:41 PM
Subject: Re: camera strap


 Not really.  It's common here in the rural southern US to see men with a
 chain attached to their wallet and their belt.  Given the low crime rate
 in these areas, it's more of an affectation than an actual deterrent.

  [EMAIL PROTECTED] 07/13/02 10:51AM 
 Do you mean the camera snatchers?
 - Ayash.


 On Sat, 13 Jul 2002, Steve Desjardins wrote:

  Being in the rural south US, I am tempted to just keep the camera on
 a
  chain attached to my belt.
 
  Steve
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Re: camera strap

2002-07-13 Thread Peter Alling

Being from the formerly industrialized North East US, that's a fashion 
statement
usually associated with the Motor Cycles up here, (keeps the wallet from 
falling out
on the highway, I guess).

At 04:41 PM 7/13/2002 -0400, you wrote:
Not really.  It's common here in the rural southern US to see men with a
chain attached to their wallet and their belt.  Given the low crime rate
in these areas, it's more of an affectation than an actual deterrent.

  [EMAIL PROTECTED] 07/13/02 10:51AM 
Do you mean the camera snatchers?
- Ayash.


On Sat, 13 Jul 2002, Steve Desjardins wrote:

  Being in the rural south US, I am tempted to just keep the camera on
a
  chain attached to my belt.
 
  Steve
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Re: The Great PDML Print Off

2002-07-13 Thread Paul Stenquist

I've been negligent about this. I have to haul my butt down into the
darkroom some day soon and print those pics. But it's summer. It's hard
to keep me indoors during this kind of weather. However,I do plan to do it.
Paul

William Robb wrote:
 
 Here is an update on the print off:
 I have recieved work from Cotty, Bob Poe and John Coyle.
 I have not opened them, as I don't have my own prints done yet.
 This is still fun.
 William Robb
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Re: The Great PDML Print Off

2002-07-13 Thread William Robb

- Original Message -
From: Paul Stenquist
Subject: Re: The Great PDML Print Off


 I've been negligent about this. I have to haul my butt down
into the
 darkroom some day soon and print those pics. But it's summer.
It's hard
 to keep me indoors during this kind of weather. However,I do
plan to do it.

This would have something to do with why mine aren't done
either, I guess.
Bill
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Re: Super Program vibration

2002-07-13 Thread William Robb

- Original Message -
From: Ayash Kanto Mukherjee
Subject: Re: Super Program vibration



 Your test not only points out the extent of shutter/mirror
vibration of
 Super Program but also it gives serves as a test for the three
tripods
 that you used. Of course, an wooden tripod dampens the
vibration more than
 metal tripods but there are some points of disadvantage of
wooden tripod
 over a metal tripod. Can you please point those out?

Hi, I'm glad you found it useful. Funny thing, when I posted
that test originally, in Sepember 2000, I also ran the same test
on the LX. I recall that I took some flack because the LX was
just back from being serviced, and the Super Program was an
unserviced camera.
That would mean that whichever LX it was, it only lasted about a
year and a half until it required another CLA.
But I digress..

About the only disadvantages to wood are the weight (the Zone VI
is HEAVY!!!), and the legs can bind if the humidity changes
greatly, rapidly.

The advantages are that they are very tough, and easy to repair
if something does break.
Oh yes, they don't transmit vibration, either.

Does anyone use a Berlebach?
How heavy are they, and how tall do they go?
The Zone VI has no centre column, but will still put a camera
almost 2 meters in the air. Unfortunately, it weighs almost 8
kilos.
William Robb
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Re: About the 1952-2002 - 50 years of Pentax SLR camerasposter

2002-07-13 Thread Stan Halpin

 From: Dario Bonazza 2 [EMAIL PROTECTED]
 Date: Sat, 13 Jul 2002 18:36:23 +0200
 Subject: Re: About the 1952-2002 - 50 years of Pentax SLR  camerasposter
 
 frank theriault wrote:
 I'll second that, Dave.  I'd like (at least) one.  They're beautiful! . . .
 And, I'd be more than happy to accept shipment for any folks in the
 greater Toronto area who want any, if it will save on postage (which I'm
 sure it will).
 Dario said:
 So I believe it's quite time you Canadians (and US folks too) will agree
 about who are the PDML distributors in your countries, isn't it?
 

I would be willing to be a U.S. distribution point. I figured, based on
Dario's figures, assuming the he was sending 20 at a time to the U.S., and
assuming $3.60 for USPS Priority, that it would come to about  $9.00 to
$10.00 per poster.

BUT, this doesn't allow for a cost to buy mailing tubes ($1.00?) or for the
fact that USPS Priority is now $3.80.  So, between $9.50 and $10.50 or so. I
can refine this once I have the exact number of people who are committed t
buying a specific number of posters.

Those who want me to deal for them, send me (Off List!)
Name
Address
email address
Number of posters
Upper limit on cost.
(With fewer posters, the price will be higher due to having fewer items
across which to amortize the mailing cost from Italy. So, at what price
point would this all get too high for you?)

I'll be traveling this week, and then on vacation 27 July through 11 August,
but I don't believe that will interfere with this project.

Again - contact me OFF list. I have a filter that routes PDML mail into a
seperate file; if I get too behind, like when I travel, I sometimes just
dump the whole file. Messages sent to me direct go into my standard InBox
which I do read.

Stan Halpin
[[EMAIL PROTECTED]]
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Re: PDML UK 2002 pic posted

2002-07-13 Thread Stan Halpin

Cotty - you have been doing a seriously good job organizing and now
reporting the Gathering. Thank you for allowing us wannabes who would like
to be there with you to participate vicariously through your fine prose. And
presumably your equally fine photos . . .

As I keep muttering about Grandfather Mountain, maybe next time.

Stan

 From: Cotty [EMAIL PROTECTED]
 Reply-To: [EMAIL PROTECTED]
 Date: Sat, 13 Jul 2002 14:50:50 +0100
 To: Pentax List [EMAIL PROTECTED]
 Subject: PDML UK 2002 pic posted
 
 Pic and a few lines posted for your viewing pleasure:
 
 http://www.macads.co.uk/pdml
 
 Cheers,
 
 Cotty
 
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