Re: Gianfranco

2013-01-05 Thread Steve Cottrell
On 4/1/13, Norman Baugher, discombobulated, unleashed:

Norm

Holy shit.

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Gianfranco

2013-01-04 Thread Norman Baugher
Just a note to the list members. Gianfranco is a very cool guy. He invited my 
wife and I to join his photography class for the day in Rome (Doisneau 
exhibit). Anyone going to Naples should bang on his door :)
Norm
(He did call us a taxi after lunch, maybe he was telling us something.)
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Re: Gianfranco

2013-01-04 Thread Mark Roberts
Norman Baugher nbaug...@baugherphotography.com wrote:

Just a note to the list members. Gianfranco is a very cool guy. He
invited my wife and I to join his photography class for the day in Rome
(Doisneau exhibit). Anyone going to Naples should bang on his door :)
Norm
(He did call us a taxi after lunch, maybe he was telling us something.)

Lisa and I are going to Italy next summer. I don't know our precise itinerary 
yet bit I expect we'll be flying into Rome.
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Another happy birthday: Gianfranco

2007-11-14 Thread AlunFoto
With my unlimited access to secret information g, and sudden urge to
share it, I would like to congratulate Gianfranco Irlanda with his
birthday today. He hasn't posted much lately, but I hope he's still
lurking.

Happy birthday Gianco! Sorry I don't recall your age, but you're
younger than me anyway so I'm not sure I really wish to know. :-)

Best,
Jostein

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Re: Another happy birthday: Gianfranco

2007-11-14 Thread Boris Liberman
Hmmm, well, I am joining in greeting Gianfranco, but I wonder as to 
sources and sudden inclination for the so called secret information ;-)

Happy Birthday, Gianfranco!

Boris



AlunFoto wrote:
 With my unlimited access to secret information g, and sudden urge to
 share it, I would like to congratulate Gianfranco Irlanda with his
 birthday today. He hasn't posted much lately, but I hope he's still
 lurking.
 
 Happy birthday Gianco! Sorry I don't recall your age, but you're
 younger than me anyway so I'm not sure I really wish to know. :-)
 
 Best,
 Jostein
 


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Re: Another happy birthday: Gianfranco

2007-11-14 Thread David Savage
On Nov 14, 2007 11:02 PM, AlunFoto [EMAIL PROTECTED] wrote:
 With my unlimited access to secret information g,

Maybe knarf's foil hats aren't so silly after all :-)

Happy B'day Gianfranco.

Cheers,

Dave

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Re: Another happy birthday: Gianfranco

2007-11-14 Thread pnstenquist
Happy birthday, Gianfranco. I miss seeing  your work here. We need some 
Gianfranco pics!
Paul
 -- Original message --
From: AlunFoto [EMAIL PROTECTED]
 With my unlimited access to secret information g, and sudden urge to
 share it, I would like to congratulate Gianfranco Irlanda with his
 birthday today. He hasn't posted much lately, but I hope he's still
 lurking.
 
 Happy birthday Gianco! Sorry I don't recall your age, but you're
 younger than me anyway so I'm not sure I really wish to know. :-)
 
 Best,
 Jostein
 
 -- 
 http://www.alunfoto.no/galleri/
 http://alunfoto.blogspot.com
 
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Re: OT ideas, Gianfranco Irlanda

2004-01-16 Thread Frantisek Vlcek
 Yeah, but think about the chance to send the pictures of a
 demonstration to somewhere safe before something goes wrong and
 a cop breaks your camera and all your memory cards (almost been
 there...)
 Gianfranco

Yes, that would be very helpful. Been there too (almost) :-) there's a
lot to the DSLRs with double CF slots - you just give him a small and
empty card to crack keeping the pictures on the other g.

Fra



Re: OT ideas, Gianfranco Irlanda

2004-01-15 Thread Frantisek Vlcek
 Hi Cory,
 The Nikon D2H can do something like that. It can mount a grip
 for wireless transmission of the data (I guess also through the
 net). Useful for PJs for sure.
 Gianfranco

Most of the PJs I talked to didn't exactly like this feature. And I
wouldn't like it as well! I think the only person liking it would be
the picture editor! But the poor photographer would get even more
delegated to an accessory - imagine being directed how to shoot by
the editor talking to him on a headset or mobile phone!

Frantisek



Re: OT ideas, Gianfranco Irlanda

2004-01-15 Thread graywolf
I think you guys are thinking wireless as in cellular telephone. But what it is 
is a wireless network device that can couple an event photographers camera to 
the laptop his assistant is using to print pictures with. Making it easy to sell 
 them seamlessly. Think Santa Photos, think Prom Photos, think Little League 
Photos, think Dave Brooks's horse photos.

Yes, I guess someone somewhere is making a WiFi Satellite Phone that you could 
send the stuff out directly with. But in today's world you may be looking a 
smart bomb down your neck if you did that. But I would guess that the Nikon D2H 
WiFi transmitter is not intended for photojournalists.

--

Frantisek Vlcek wrote:
Hi Cory,
The Nikon D2H can do something like that. It can mount a grip
for wireless transmission of the data (I guess also through the
net). Useful for PJs for sure.
Gianfranco


Most of the PJs I talked to didn't exactly like this feature. And I
wouldn't like it as well! I think the only person liking it would be
the picture editor! But the poor photographer would get even more
delegated to an accessory - imagine being directed how to shoot by
the editor talking to him on a headset or mobile phone!
Frantisek


--
graywolf
http://graywolfphoto.com
You might as well accept people as they are,
you are not going to be able to change them anyway.



Re: OT ideas, Gianfranco Irlanda

2004-01-15 Thread Juey Chong Ong
On Thursday, Jan 15, 2004, at 11:00 America/New_York, graywolf wrote:

Yes, I guess someone somewhere is making a WiFi Satellite Phone that 
you could send the stuff out directly with. But in today's world you 
may be looking a smart bomb down your neck if you did that. But I 
would guess that the Nikon D2H WiFi transmitter is not intended for 
photojournalists.
That would make it safer. The smart bomb would home in on the satellite 
phone while the camera (and presumably the photographer) is several 
hundred feet away.

I think more likely, the camera would be on the WiFi net set up by the 
military and they can dispense with the personal satellite phone. The 
media would also be jacked into the military net to receive the 
pictures in near-real-time. Of course, that would make the PJs and the 
media more embedded than ever.

--jc



Re: OT ideas, Gianfranco Irlanda

2004-01-15 Thread Gianfranco Irlanda
Frantisek Vlcek [EMAIL PROTECTED] wrote:
  The Nikon D2H can do something like that. It can mount a
grip
  for wireless transmission of the data (I guess also through
the
  net). Useful for PJs for sure.
  Gianfranco
 
 Most of the PJs I talked to didn't exactly like this feature.
And I
 wouldn't like it as well! I think the only person liking it
would be
 the picture editor! But the poor photographer would get even
more
 delegated to an accessory - imagine being directed how to
shoot by
 the editor talking to him on a headset or mobile phone!

Yeah, but think about the chance to send the pictures of a
demonstration to somewhere safe before something goes wrong and
a cop breaks your camera and all your memory cards (almost been
there...)

Gianfranco

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---Emilio Salgari (1863-1911)

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Gianfranco, 85/1.5 Helios is one great lens

2002-01-09 Thread A K

Hi,
Thanks for your fast answer regarding the MZ-S!

I just love my 85/1.5 Helios

I use it exclusively wide open, and
optically it is bad - it is VERY soft.
But this is special kind of softness that I couldn't achieve with any other 
lens or any other filter or accessory.
You must try it - it can't really be described by words.
It has very shallow depth of field.
It is capable of producing romantic portraits that have that 19th century 
look (something vaguely similar to Julia Margaret Cameron's work, but 
sharper).
I wouldn't part with it for any ammount of money... :-)
I never used it with any other aperture than 1.5 (I have two other 85s for 
that) so I don't how it behaves at smaller apertures.

It is single coated, heavy for an 85 - some 900 grams, it uses 67mm filters 
and has tripod mount collar.

I paid around 50$ for it.

I wish you luck in finding another one.

Aleksandar



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Re: Assingnment Gianfranco Irlanda and Frank Theriault

2001-11-19 Thread frank theriault

[EMAIL PROTECTED] wrote:

 Frank Theriault  Imperial Tavern, 3 a.m. 
 This is the guy, having to much beer and talking politics wondering the next
 day why the ideas he thought so good during the night are not so clever at
 all... ;)
 I would have cropped it to diminish the glasses to the right and the bright
 light in the left top corner.

Well, I would agree about the too many beers part - the intrepid photog may have
had a few as well  ;-)

But I think he would wake up the next morning, wondering why the heck I couldn't
figure out that he was right!  I think he was fairly well ensconced into his
world view.

Actually, I did crop a fair bit already (which I usually don't do, but this one
needed it).  I figured that the light was going to be there behind him anyway,
so I used the outside of it to define the upper right frame of the picture.
And while you may be right about the glasses and pitchers of beer, I thought
that they were an essential part of the atmosphere of the joint (such as it
was).

But I appreciate your thoughts none-the-less.  Thanks for your comment.

I guess I better get to work with my critiques.  Tonight, I promise...




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September PUG - Gianfranco Irlanda

2001-09-20 Thread Frank Theriault

Well, I had hoped to get my last couple of critiques done early last
week, but events were such that I really didn't feel up to it.  So, in
the spirit of better late than never, I intend to finish off with my
last two tonight, starting with:

Gianfranco Irlanda, Summer Storm

Wow!  I love it!

Everything about it speaks to those first few hectic moments of a storm
when everything is helter-skelter.  That feeling is reinforced by the
non-horizontal horizon, the fact that the front of the lead scooter is
cut off, and just a little bit fuzzy.  It appears (and is probably the
case) that the photographer is basically in the same situation as the
subjects. It doesn't surprise me, Gianfranco, that you took the image in
the way that you did, probably with one hand on the camera, and the
other on the steering wheel.

The riders of the scooters are still trying to shelter themselves from
the rain, as evidenced by the driver trying (in vain, no doubt) to
shield himself with a t-shirt or towel.  They are obviously in a hurry
to reach their destination, or at least a shelter, and one gets the
feeling that they may be driving somewhat recklessly to that end.

It would appear that no one here was prepared for what was apparently a
quick summer deluge, and you've captured that feeling beautifully.

I don't think that my little critique has done this dynamic image
justice.  It seems to break all the rules, but works in spite of, or
perhaps because of that.

Thanks for it!

-frank

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pessimist fears it is true. -J. Robert
Oppenheimer
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for Gianfranco was: All ok? READ THIS WARNING TOTAL OFF TOPIC SO DON'T FLAME ME

2001-09-12 Thread Nicolas Colarusso, CGA

Hi Gianfranco

I apologise if I came on too strong. The events in the last 36 hours have
been overwhelming, imagine the people who lost loved ones, hopefully things
will get back to normal in the near future and the perpetrators will be
brought to justice, whomever they may be.

No hard feelings?


- Original Message -
From: Gianfranco Irlanda [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, September 12, 2001 7:32 PM
Subject: Re: All ok? READ THIS WARNING TOTAL OFF TOPIC SO DON'T FLAME ME


 Hi Nicolas,
 You are right saying that.
 I only wanted to say that the quotation seemed completely out of
 date (I should have expressed better what I felt at the moment),
 that's what made me feel it silly.
 I couldn't know that it went back to the 1973.

 Gianfranco


 - Original Message -
 From: Nicolas Colarusso, CGA [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Thursday, September 13, 2001 1:16 AM
 Subject: Re: All ok? READ THIS WARNING TOTAL OFF TOPIC SO DON'T
 FLAME ME


  Gianfranco
 
  I have never considered myself proamerican, but I would be a
 fool to deny
  historical fact. Being a second generation Italian Canadian,
 grandparents
  came over after WWII, the war in which Italy was liberated
 from the clutches
  of fascism by the Allied Forces, which included the US, I will
 not deny the
  good things they have done. They have done bad, as all nations
 have, but
  don't call someone short-sighted for seeing the good. In
 passing, I did not
  make the statements in the article it was Gordon Sinclair,
 just thought it
  was about time  we reflected on some of the good they did.
 
  Everyone is ready to defend whatever ethnic group is accused
 of terrorism
  stating lets get the fax first and then accuse, but when it
 comes to the
  US, or any other western nation, its a free for all, and if
 someone defends
  them they are short-sighted. Maybe it is not I who is
 short-sighted, but
  rather all the ones defending the so called terrorists.
 
  Why not open your eyes Gianfranco, I may be short-sighted, but
 at least I am
  not blind.
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for Gianfranco was: All ok? READ THIS WARNING TOTAL OFF TOPIC SO DON'T FLAME ME

2001-09-12 Thread Gianfranco Irlanda

Hi Nicolas,
Absolutely no need to apologise.
It's clear even to me that I wrote too quickly about something I
was mostly unaware of.

I'm feeling mixed emotions about what's happening. I firmly hope
the perpetrators to be found and prosecuted, but at the same
time I do fear that the situation may evolve into a spiral of
violence and authoritarianism. 

Gianfranco


- Original Message - 
From: Nicolas Colarusso, CGA [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, September 13, 2001 2:19 AM
Subject: for Gianfranco was: All ok? READ THIS WARNING TOTAL OFF
TOPIC SO DON'T FLAME ME


 Hi Gianfranco
 
 I apologise if I came on too strong. The events in the last 36
hours have
 been overwhelming, imagine the people who lost loved ones,
hopefully things
 will get back to normal in the near future and the
perpetrators will be
 brought to justice, whomever they may be.
 
 No hard feelings?
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Re: for Gianfranco was: All ok? READ THIS WARNING TOTAL OFF TOPIC SO DON'T FL...

2001-09-12 Thread Rfsindg

[EMAIL PROTECTED] writes:

 I firmly hope the perpetrators to be found and prosecuted,
 but at the same time I do fear that the situation may evolve
 into a spiral of violence and authoritarianism.   
 
Gianfranco,

I agree.  Think of the days before World War I and/or World War II.  We don't 
need to revive the violence or authoritarianism.

But remember this... To do the same thing again and again, and expect 
different results, is one definition of insanity.  We cannot try peaceful 
pleading and diplomacy again and again, and expect different results.  This 
is why people here call for revenge and retribution.  They are frustrated 
with the results they are getting with other tactics.

I am concerned about where this will lead.  

Regards,  Bob S.
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Re: PUG Commentary: Gianfranco Irlanda

2001-09-09 Thread Gianfranco Irlanda

Hi Mark,
Sorry for the delay...
Thanks for the kind words.

Gianfranco


Mark Roberts [EMAIL PROTECTED] wrote:
 (Nice thoughtful commentary on a great photo, Paul.)
 
 I really like that shot myself. It's probably the best example
of capturing a
 mood in this month's gallery. I can't add anything to what
Paul wrote except
 well done.
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PUG Commentary: Gianfranco Irlanda

2001-09-06 Thread PAUL STENQUIST

Summer Storm by Gianfranco Irlanda
I fell in love with the mood that this photo evokes right away. A sudden
storm on a summer day. Water washing over hot pavement and hot people.
It is something we all have experienced, and it evokes both memories and
sensations. Gianfranco's shot is, as he has noted, a one-handed grab out
of a car window. But that, in a sense, contributes to its magic. The
crooked horizon and the random crop both add to the sense of urgency and
suddenness that complements the imagery. The exposure is interesting.
The photo is, in fact, exposed for the sky (or at least printed for the
sky). Thus the weight of the storm is felt. The details of the figures
are slightly underexposed, so they form a bold silhouette against the
wet pavement and gray sky. The woman in the foreground looks into the
camera as she tries to shield herself behind the rather slight body of
the man in front of her. A fascinating look at a moment in time. And,
overall, a very interesting and artful photograph from Gianfranco. 
Paul Stenquist
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Re: PUG Commentary: Gianfranco Irlanda

2001-09-06 Thread Gianfranco Irlanda

Hi Paul,
Thank you for your more than nice comments! Now I can go to
sleep with a smile on my face...
:)
I'm really happy you enjoyed that shot.
I was not sure to submit a shot made with a non-Pentax camera,
even in a open gallery... Guess how I felt when all the messages
about the changes in the submission lines hit my mailbox... :(

The print I scanned is not the best you can achieve with that
negative; the subjects are, in fact, underexposed a bit (the
camera read the light of the sky in the center). I did a 50x70cm
print from that shot that was surely better but, as you can
guess, I couldn't scan it... at least, not with my scanner.
Thanks again,

Gianfranco


PAUL STENQUIST [EMAIL PROTECTED] wrote:
 Summer Storm by Gianfranco Irlanda
 I fell in love with the mood that this photo evokes right
away. A sudden
 storm on a summer day. Water washing over hot pavement and hot
people.
 It is something we all have experienced, and it evokes both
memories and
 sensations. Gianfranco's shot is, as he has noted, a
one-handed grab out
 of a car window. But that, in a sense, contributes to its
magic. The
 crooked horizon and the random crop both add to the sense of
urgency and
 suddenness that complements the imagery. The exposure is
interesting.
 The photo is, in fact, exposed for the sky (or at least
printed for the
 sky). Thus the weight of the storm is felt. The details of the
figures
 are slightly underexposed, so they form a bold silhouette
against the
 wet pavement and gray sky. The woman in the foreground looks
into the
 camera as she tries to shield herself behind the rather slight
body of
 the man in front of her. A fascinating look at a moment in
time. And,
 overall, a very interesting and artful photograph from
Gianfranco. 
 Paul Stenquist
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OT: 2 Gianfranco (I am sorry, I know...)

2001-03-16 Thread canislupus


1st, sorry that I am sending this to list. But I had persistent problems
getting tru Gianfranco's mailserver anti-spam filter g, so this is my
last option. Again, I am very sorry.






*

***
**
*





Message for Gianfranco follows:


Hi Gianfranco!
I had an error regarding your anti-spam filter (or whatever it is). I am
trying again. Hopefully it will get tru.
Thanks for the suggestion. I tried it out on a "test" roll of TMY I bought
for just this occassion and exposed at similar place (ie a contrasty
lighting, ala concert). I tried both Xtol 1+1 and Microphen (stock). The
times written on Xtol package and kodak's web are grossly inadequate IMO.
The ID-11 times for Xtol are propably good start, from my own experience
too. I just can't understand why Kodak did such a mistake here - as I see
it in my negs (earlier, TMY at 1600), their own times for pushing TMY in
XTOL 2 stops give me just 1 stop push, with both shadows and highlights
lacking. HP5+ at 1600 is much better IMO, except maybe the grain. Instead
of Kodak's times for pushing TMY, I used the "general" times for pushing in
compensating developers from Massive dev chart site. That's 2.5x for
push-3, 1.8x for push-2 and 1.4x for push-1 instead of feeble 1x for
push-1, 1.333x for push-2 and 1.666x for push-3 they say for Tmax films.
So I developed the test roll in Microphen (my favourite), for 2.5x the
base time, that's about 18 minutes. It came out, there is something, but
the shadows are virtually non-existent (but still much better than with
Xtol). I think it will have to do, though, as the lack of shadows is IMO
the error of the film, not developer. MPH is speed increasing enough, and I
can get MUCH better 3200 pushed film from HP5+ than TMY in MPH. My only
hope is that I did another error when shooting the original TMY (as TMZ).
That I overexposed it, so there would be some shadow detail, and I could
use softer grade to bring highlights back. It's my only hope.

Now I know: never keep TMY  TMZ in the same bag !!!

BTW, how do you like the SS 100 at 100 iso? I have not tried much TMX, as I
prefer traditional films (It's a pity they discontinued Agfa APX 25, twas
great in Rodinal. At least EFKE still produces their 25 iso pan film)

BTW2, where did you get the Ilford chart with times for TMY pushed? I
couldn't find anything. All my Ilford documents have push times only for
their own films, and all other films they have data only for base iso
exposure.
Thanks!
Frantisek



At 00:27 5.3.2001 MET, you wrote:
Hi Frantisek,
I've made a similar mistake not long ago: I've exposed a Fuji Neopan SS
100 at
800... Someone on the list (William Robb, I think) suggested to use the
Acufine. I have instead developed the roll in Microphen (13' at 21C,
agitation 10" every 60") and the results were really fine (first time for me
with Microphen, I usually use D-76 and T-Max). I've developed at the same
time
(in the same tank, for 11' only) a roll of HP5+ exposed at 1600. It came out
very well, so I think that developing the TMY at 3200 in Microphen should
cause no problem. You only have to calculate the right developing time.
Try:
http://www.digitaltruth.com/photo/chart/tables/tmx400.html

It seems reliable, although it displays the wrong times for the Xtol :(
I usually apply for the Xtol the same times of the D-76, with nice results.
I have an Ilford dev chart that shows 15' at 20C for TMY at 3200 in ID11;
while it shows the times for the TMY in Microphen only up to 1600, but they
are almost the same (7' at 400 both the developers; 8 ID11 /9:30 Microphen at
800; 12' at 1600 both), so I guess that 15' at 20C in Microphen stock
solution should be the way to go.
Hope this helps.

Gianfranco

PS: let me know about the results!


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