RE: Re[2]: Cheap bastards? -was: Down off my high-horse... with a

2004-01-07 Thread b_rubenstein
...and the thing you're doing wrong is charging too little. Low end pricing 
gets you low end clients. Weekend warriors shooting $500 weddings are going 
to attract riff-raff clients who basically want something for nothing. This 
is why, as a shooting on the side guy, I only freelance for studios atart 
at midrange pricing.
Don't even have to deal with PITA MOBs, because it's the BG that arrange 
things and sign the contract. Even if the folks are contributing, you're 
working for the person that signs the contract.
At the end of most weddings we get thanks, hugs and a check.

BR

From: tom [EMAIL PROTECTED]
- Weddings are fun. Unless you're hired by rednecks, twits, or morons,
people are going to be on their best behavior, treat you well, and
give you cake.

- If you get hired by rednecks, twits or morons it's your own damn
fault.




Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a

2004-01-07 Thread William Robb

- Original Message - 
From: [EMAIL PROTECTED]

Subject: RE: Re[2]: Cheap bastards? -was: Down off my high-horse... with a


 ...and the thing you're doing wrong is charging too little. Low end
pricing
 gets you low end clients. Weekend warriors shooting $500 weddings are
going
 to attract riff-raff clients who basically want something for nothing.
This
 is why, as a shooting on the side guy, I only freelance for studios
atart
 at midrange pricing.
 Don't even have to deal with PITA MOBs, because it's the BG that arrange
 things and sign the contract. Even if the folks are contributing, you're
 working for the person that signs the contract.

One of the things that was mentioned by the originator of this thread was
that she is trying to eke out a living in a low population area. I recall
she mentioned something like 40,000 people in a 200km wide market base.
Even if she were the only game in town, there just isn't a lot of market
there.
I think she will have a very hard time following all the advice we have
given her regarding pricing.
She has already set herself up as the person to go to on the cheap, so
raising her prices to industry standards (whatever they are) is going to be
a long, slow process of a few percentage points at a time, and having to put
up with a lot of resistance from people who know what she charged for work
in the past.
It's doable, but not overnight, and in the meantime, she will probably have
to put up with a few tightwads.
Being expensive in a small market isn't easy, but is worthwhile.
One of the most expensive photographers around here lives in the town of
Moose Jaw, which has a population of around 45,000.
He has priced himself really well, and had achieved a nice balance of income
vs. workload.
I did a seminar with him one time. One of the things he mentioned was that a
10% price reduction means that you need to do 40% more work to turn the same
income.
I don't know if this is 100% accurate, but it is food for thought.

William Robb



Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-07 Thread David C Miers
Unless I missed it in this thread somewhere, I've seen no one comment on the
staging of the ceremony afterwards to compensate for either the lack of
flash during or no shooting at all during the ceremony.  I've had pretty
good success and complete cooperation from the clergy in this matter thus
far, doing the actual ceremony shots in this manner.  I realize it fails to
capture the moment of the ceremony, but is much better then getting nothing
at all, or grossly blurred, off colored pictures.  I see the biggest problem
as being unprepared for what your going to encounter on that day.  I like to
go to the church about the same time of day as the proposed wedding and
burning a roll of film while experimenting with filters and the like and
maybe even an extra roll of tungsten balanced film as well.  I don't need to
get prints at this point, since scanning is enough to tell me how they are
going to come out.  I've even had clients purchase some of these preshots if
they like the churches architecture.  There is of course no guarantee that
the ambient lighting will be the same on any given day, but I feel I
definitely have an advantage this way.  It also helps me to set up all the
must get shots in my head ahead of time.  The clergies have then had an
opportunity to tell me their wish list and as a whole been much better to
work with when I took this extra step.  When your getting paid to do a shoot
it is your responsibility to do everything within your power to make this
job a complete success.

Dave


 On Tue, 6 Jan 2004, William Robb wrote:
  From: Amita Guha
   The Presbyterian church where we got married (200 year old
congregation)
   didn't allow photography during the service, but we knew about that
well
   in advance. I was actually kind of happy not to have the distraction.
   During a wedding we attended shortly after, there were cameras going
off
   all during the ceremony and it seemed to wreck the mood.
 
  My experience was that a no photos during the ceremony policy only shut
down
  the working photographers. There will always be a number of pew warmers
who
  don't observe the ban, I suspect on the theory that there isn't a hell
of a
  lot that can be done about them.
  OTOH, a pro who doesn't listen can be barred from shooting there in the
  future.



Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-07 Thread Mark Roberts
Jostein [EMAIL PROTECTED] wrote:

Oh, give'em a couple of centuries. They'll thaw up.

Buddhism looks better...:-)

Speaking of which:
Has anyone ever photographed a Buddhist wedding?
And if so, what form of Buddhism? (Tibetan, Zen, etc.)

-- 
Mark Roberts
Photography and writing
www.robertstech.com



Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-06 Thread William Robb

- Original Message - 
From: Bruce Dayton
Subject: Re[2]: Cheap bastards? -was: Down off my high-horse... with a
thump.




 One real issue/problem is that the general percieved value of a
 photograph has steadily declined as the ability to make/create one has
 increased.  Many years ago, the automation available for someone who
 hasn't gained the knowledge of photography was pretty poor.  But with
 good PS cameras and mini labs, the ability for anyone to create a
 passable snapshot has made them feel that the value of the item
 (photo) isn't very high.  After all, all I did was press a button.  I
 really didn't have to know anything or learn anything.

This is precisely why photography in general, and wedding photography in
particular, has become somewhat undervalued to many people (like the ones
who are shopping for a photographer).

I really noticed a rapid change in customer attitude when the auto
everything SLR cameras came onto the market.
Auto focus SLR's changed everything, because you didn't need to know
anything about photography to be a photographer.
On the heels of the AF revolution came the PJ style of wedding
photography, which to me requires as much skill as squishing a wounded bug.

Suddenly, to be a professional photographer, you didn't need to know what
you were doing.

All you needed was a thousand dollars for a camera, lens and flash, and the
store would happily take Visa or Mastercard.
A lot of people became instant professionals, and cashed in big in the
wedding market.

I got out of the wedding game quite soon after that, I didn't need the grief
of being undercut by some weekend warrier who was doing weddings to fill in
a few hours on a Saturday afternoon to pay for his beer while he watched
Sunday afternoon football.

Occassionally, someone talks me into shooting another one. Less often now,
as I have said no often enough that I don't get bothered much anymore.
This suits me fine.

I shot a wedding for a friend a few years ago.
The church was some United church.
Basically, a social club with delusions of religionhood.
Friggin twits wouldn't let me shoot at all during the service, and actually
put a staffer on me to make sure I didn't break their rules.

Why is it the Catholics, who have been around for a couple of thousand
years, will allow me to shoot from the alter, as long as I don't make a
spectacle, but some wannabe cult that was born last week makes my life
miserable?

Go figure. I don't get it.

William Robb




Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-06 Thread mapson

Why is it the Catholics, who have been around for a couple of thousand
years, will allow me to shoot from the alter, as long as I don't make a
spectacle, but some wannabe cult that was born last week makes my life
miserable?
Go figure. I don't get it.

William Robb
William, it depends on the priest/celebrant. Some will almost allow you to 
can-can on the altar (not that you would want to), others will put you at 
the back of the church where the chalked X is on the floor and this is 
the spot for your tripod. We had one wedding like that. The priest 
justified his actions by saying it was a spiritual experience, and then he 
cracked inappropriate jokes during the service himself. We have done 
weddings for 7 or 8 years now. I think I only recall 2 occasions where 
severe restrictions were placed on us. And we have worked with more than 
'regular' priests (archbishops on a regular basis for example)



   (*)o(*) 
Robert
[EMAIL PROTECTED]


Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-06 Thread Tanya Mayer Photography
Bill said:

 On the heels of the AF revolution came the PJ style of wedding
 photography, which to me requires as much skill as squishing a wounded
bug.

Jeez Bill, hope tv doesn't read that...

I totally disagree with you on that point.  I am hopeless at PJ photography
and I don't really like it much either.  I like to have control of a
situation, and I think it takes GREAT skill to be able to produce a good
photograph when every controllable factor such as light, posing,
expressions, colour etc are taken out of your hands...

 Suddenly, to be a professional photographer, you didn't need to know what
 you were doing.

Yep, well, that would include me! vbg

 All you needed was a thousand dollars for a camera, lens and flash, and
the
 store would happily take Visa or Mastercard.

Unless you are like me and your visa is usually maxed out due to buying
toys, sewing machines to make clothes for the kids and the like.  I save for
my equipment and pay for it all up front.

 A lot of people became instant professionals, and cashed in big in the
 wedding market.

Yep, making it harder for the rest of us to do so.

 I shot a wedding for a friend a few years ago.
 The church was some United church.
 Basically, a social club with delusions of religionhood.
 Friggin twits wouldn't let me shoot at all during the service, and
actually
 put a staffer on me to make sure I didn't break their rules.

 Why is it the Catholics, who have been around for a couple of thousand
 years, will allow me to shoot from the alter, as long as I don't make a
 spectacle, but some wannabe cult that was born last week makes my life
 miserable?

I TOTALLY agree.  Have seen this MANY a time.  One priest told me that I
could take photographs during the ceremony, but wasn't allowed to make any
of those silly clicking noises, not allowed to use those bright flash
things that go off in my eyes all the time AND that I had to stay in one
spot and if I moved at all during the ceremony he would stop the
proceedings and have me removed from the church.  So, I batted my eyelids
at him, smiled sweetly and said I completely understand and respect your
church's policies, would you mind explaining these things to the bride and
groom so that when they receive their photographs back, they'll understand
why  the most important part of their day wasn't captured how they had
dreamed it, more batting of eyelids, and sweet little smiles, followed by
compliments on the church's decore...  He said umm, well, i am able to make
some allowances in exceptional circumstances and I *do* really like this
couple (but hold on I thought these things were the policy of the CHURCH,
not some aging old priest weilding to the pressure of having to justify
his nasty old ways to a young, in love couple...), Ok, so  Wedding day
arrives - Tanya uses flash all the way through ceremony, clicked as much
as I felt like it (AND used the AF confirmation beep too!), AND flitted
around all over the place like a little butterfly and waiting for the
proceedings to stop and for me to be removed from the church as he'd
promised. Ceremony ends and priest thanks me for my assistance (?!?) and
then congratulates me on a job well done (erm, yep, but you haven't seen
the pics yet, buddy!)  Moral of the story?  Most old fuddy-duddies of
priests wouldn't dare risk damaging their pride or egos, by having to bow
down to simple folk like a naive young couple, are too dim-witted to think
of a way to sway the argument in their favour, and in fact, probably think
that they are doing said couple a favour by allowing them such wonderful
coverage of their wedding day (yeah, the one that said Church has
probably accepted a sizeable donation for hosting...)

OTOH, I have had the more progressive churches and priests (male and
female), say to me upfront I understand that you are a professional and
that you need to do whatever it is to ensure that the couple get the
memories that they always dreamed of.  You may do whatever you like (erm,
but no standing on the alter preferably) within my Church providing that you
are respectful to us and the proceedings etc

I don't get it either Bill!

tan.



Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-06 Thread Robert Chiasson
There are far too many photographers chasing too few customers. (Thanks to
automation - it was all downhill after the ME was widely available.)

In the old days, the pro got involved with the booking of the formal
portraits at the time photos were needed for the newspaper announcement (the
papers had standards and wouldn't accept snapshots, usually wanting glossy
BW 8x10's). So things naturally progressed to the wedding photography being
done by the studio (who had probably also taken the baptismal photos of the
bride).

Now, automatic point and shoots are good enough for folks who are glad to
dump the expense of the studio from their lives. Mall photographer shots for
special occasions are more that adequate for folks - relatives will supply
the rest of the snaps for the albums. Many weddings around here only have a
pro videographer in attendance, because VHS tapes are the desired item to
send out of town relatives these days - or they email digital snaps. And 8
mm camcorders have seriously eroded that business. And they *do* haggle with
the florist, dressmakers, caterers, etc.

The last pro photographer I know from the 70's is running a framing shop,
because that's when you make the money - and you don't have to lug 50 lbs of
Mamiya gear around to do it.

--
Robert


- Original Message -
From: Bruce Dayton [EMAIL PROTECTED]
To: frank theriault [EMAIL PROTECTED]
Sent: Tuesday, January 06, 2004 7:41 PM
Subject: Re[2]: Cheap bastards? -was: Down off my high-horse... with a
thump.


 Hello frank,

 I think some of them do try to bargain down everything.  I have been
 shocked at how much they can pay for some things.

 One real issue/problem is that the general percieved value of a
 photograph has steadily declined as the ability to make/create one has
 increased.  Many years ago, the automation available for someone who
 hasn't gained the knowledge of photography was pretty poor.  But with
 good PS cameras and mini labs, the ability for anyone to create a
 passable snapshot has made them feel that the value of the item
 (photo) isn't very high.  After all, all I did was press a button.  I
 really didn't have to know anything or learn anything.

 Most people who are looking at pictures are just looking at memories
 or seeing recognizable subjects.  When they see something done by a
 pro, they may exclaim Wow, that is great!  But I don't think their
 expectation is that high.  A few are, and they are paying good money
 to get a quality job.  But many don't have high expectations or
 budgets.

 --
 Best regards,
 Bruce



 Tuesday, January 6, 2004, 3:22:23 PM, you wrote:

 ft As an aside to this thread, I wonder why it is that in so many
weddings, the
 ft photographer seems to be an afterthought?  Something to be done on the
 ft cheap?

 ft Mygod, everything else in today's weddings, from the gawd-awful
u-ly
 ft bridesmaid's dresses to the flowers to the limos to the reception hall
to
 ft the hairdressing/make-up to the honeymoon costs HUGE money.  I mean
folks
 ft are spending $10 or $20K on a wedding these days?  And yet, after it's
all
 ft over, all you have is memories and some stale cake in a funny box and
 ft matchbook with the bride and groom's name on it.  If not for the
photos,
 ft what's to keep the memories alive?

 ft Why would one skimp on that?

 ft I wonder how many engaged couples (or their families) try to bargain
down
 ft the limosine company?  Or the reception hall?  (HA!  try that one!)

 ft Just a casual observation...

 ft cheers,
 ft frank

 ft The optimist thinks this is the best of all possible worlds. The
pessimist
 ft fears it is true.  -J. Robert Oppenheimer




 From: Malcolm Smith [EMAIL PROTECTED]
 Reply-To: [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Subject: RE: Down off my high-horse... with a thump.
 Date: Tue, 6 Jan 2004 11:50:30 -
 
 ft snip
 Taking it as read that going 'pro' means you are capable of consistent,
 excellent photographs, you have to then translate what people ask for
into
 what they *actually* want. They don't want to spend much money when any
 other professional working at weekends or public holidays, would charge
the
 pants off them.
 
 ft snip

 ft _
 ft Add photos to your messages with MSN 8. Get 2 months FREE*.
 ft
http://join.msn.com/?page=dept/featurespgmarket=en-caRU=http%3a%2f%2fjoin.
msn.com%2f%3fpage%3dmisc%2fspecialoffers%26pgmarket%3den-ca







Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-06 Thread mapson

promised. Ceremony ends and priest thanks me for my assistance (?!?) and
then congratulates me on a job well done
I think some priests have had very bad experiences in the past and they 
prefer to be safe than sorry. We photographed a wedding where apart from us 
there were 7 or 8 other people clicking and filming. (3 other 
photographers, rest video). They were disgusting! Winding the film back 
standing 1.5 metres behind the priest, learning how to use a flash in the 
middle of the isle, blocking the BG. We only had 3 photos that featured 
BG, rest had BG + someone else. No matter how hard you tried, no matter 
how tightly you cropped, there was another body, or a part of it there.

Once you have done a good job, the priest realises that you did OK and they 
will thank you. Of course.



   (*)o(*) 
Robert
[EMAIL PROTECTED]


Re: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-06 Thread William Robb

- Original Message - 
From: Amita Guha
Subject: RE: Re[2]: Cheap bastards? -was: Down off my high-horse... with a
thump.



 The Presbyterian church where we got married (200 year old congregation)
 didn't allow photography during the service, but we knew about that well
 in advance. I was actually kind of happy not to have the distraction.
 During a wedding we attended shortly after, there were cameras going off
 all during the ceremony and it seemed to wreck the mood.

My experience was that a no photos during the ceremony policy only shut down
the working photographers. There will always be a number of pew warmers who
don't observe the ban, I suspect on the theory that there isn't a hell of a
lot that can be done about them.
OTOH, a pro who doesn't listen can be barred from shooting there in the
future.

William Robb



RE: Re[2]: Cheap bastards? -was: Down off my high-horse... with a thump.

2004-01-06 Thread tom
Bitch and moan, bitch and moan, wah, wah, wah.

Just to counteract the horror stories...

- I like most of my clients. Every once in a while I get hired by a
twit, but generally they're very nice people who treat me well. In
fact, most of them treat me like I'm doing them a favor.

- I shoot what I want, and I enjoy what I shoot. The only shots I'm
not so interested in are family groups, but I can stand them for 20
minutes out of 8 hours.

- Weddings are fun. Unless you're hired by rednecks, twits, or morons,
people are going to be on their best behavior, treat you well, and
give you cake.

- If you get hired by rednecks, twits or morons it's your own damn
fault.

- If you act like a professional, people will treat you like one.

tv