Re: What gear is on your short list?

2011-02-03 Thread Steven Desjardins
Frank is yet another innocent victim of autofocus.

On Thu, Feb 3, 2011 at 1:50 AM, Larry Colen l...@red4est.com wrote:

 On Feb 2, 2011, at 1:14 PM, frank theriault wrote:

 From: Larry Colen

 OK, then working autofocus, or any focus, not necessary. Image
 stabilization, not necessary. You are hereby forbidden from
 criticizing a photo for poor focus, motion blur, or any lack of
 clarity.

 So all of mine are still in the running, then.  Whew!

 I hate to disappoint you Frank, but lately your photos have been almost 
 disconcertingly sharp and clear. Are you not well, or have you just taken up 
 doing photography during daylight hours?


 --
 Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-02-03 Thread frank theriault
On Thu, Feb 3, 2011 at 1:36 PM, Steven Desjardins drd1...@gmail.com wrote:
 Frank is yet another innocent victim of autofocus.

Sadly, this is true...

;-)

cheers,
the innocent victim

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: What gear is on your short list?

2011-02-02 Thread frank theriault
 From: Larry Colen

 OK, then working autofocus, or any focus, not necessary. Image
 stabilization, not necessary. You are hereby forbidden from
 criticizing a photo for poor focus, motion blur, or any lack of
 clarity.

So all of mine are still in the running, then.  Whew!

;-)

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: What gear is on your short list?

2011-02-02 Thread Godfrey DiGiorgi
So while all this chatter about kitchen implements and how much gear
is enough gear, etc, has been going on, my short list got shorter...

A MacBook Pro 13 arrived. My PowerBook G4 15 laptop is now
officially retired.

Tonight I'll install the 500G drive and 8G RAM, then set it up. A
lovely little bugger it is ... such a trim and clean design. I bought
the Mini DisplayPort adapter cables so I can drive my 23 desktop
monitor with it too.

Hmm, lessee ... what's left?

- 16G CF and SDHC cards
- Olympus FL50R flash unit
- another light stand
- Fuji X100 ... maybe :: Olympus E-PL2 + VF2 + Nokton 25mm f/0.95 ... maybe

Not much, in other words. Maybe's don't count. ;-)
-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: What gear is on your short list?

2011-02-02 Thread Larry Colen

On Feb 2, 2011, at 1:14 PM, frank theriault wrote:

 From: Larry Colen
 
 OK, then working autofocus, or any focus, not necessary. Image
 stabilization, not necessary. You are hereby forbidden from
 criticizing a photo for poor focus, motion blur, or any lack of
 clarity.
 
 So all of mine are still in the running, then.  Whew!

I hate to disappoint you Frank, but lately your photos have been almost 
disconcertingly sharp and clear. Are you not well, or have you just taken up 
doing photography during daylight hours?
 

--
Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-02-01 Thread Boris Liberman

On 1/31/2011 9:39 PM, John Sessoms wrote:

And again, while equipment does matter, the photographer using the
equipment matters more.


You grok rightly, John.

Boris

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Re: What gear is on your short list?

2011-02-01 Thread eckinator
2011/2/1 John Sessoms jsessoms...@nc.rr.com:

 It's hot enough to burn the non-stick coating if the pan has one, releasing
 poisonous fumes.

totally. my non-stick goes up to 270 °C
btw I checked and some Le Creuset wares only go up to 190°C so they
seem to use different coatings

 It will also burn the seasoning off a cast iron pan, but won't warp the cast
 iron unless it's a really cheap pan.

exactly. they come out a nice dull grey (even lustre black once oiled,
tres sweet) and take new seasoning very well.

 You can re-season cast iron. In fact, if you really screw up the seasoning
 on a cast iron pan, one of the steps to re-seasoning is to burn the old
 seasoning off to give you a uniform surface for re-seasoning.

right thurr...

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Re: What gear is on your short list?

2011-02-01 Thread John Sessoms

From: William Robb

On 31/01/2011 7:10 PM, John Sessoms wrote:


 You can re-season cast iron. In fact, if you really screw up the
 seasoning on a cast iron pan, one of the steps to re-seasoning is to
 burn the old seasoning off to give you a uniform surface for re-seasoning.


I found a Lodge omelette skillet in the basement of a house I was renoing.
Coated in dry crusty grease embedded with decades of filth, and under
that a coating of Lord knows what, for sure the glue from the label
hadn't been removed.
I ended up sanding it with a random orbital sander and then ran it
through my gas oven's cleaning cycle.
It's now in daily use cooking everything egg skillet.


Old Lodge brand cast iron is usually worth the effort, no matter how 
badly it's been abused in the past.



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Re: What gear is on your short list?

2011-01-31 Thread Boris Liberman

On 1/30/2011 5:52 PM, Steven Desjardins wrote:

Actually, I think this has been in general rather even-tempered
discussion.  ;-)  You, Boris, are always courteous.


Thank you, Steve. So far I haven't been able bump into the reason not to 
be courteous, as you put it.



I don't think I'm switching positions.  The argument is based on a
comparison of two situations.  These two situations are a single
photographer of varying skills with each of two sets of equipment, one
set being noticeably higher quality than the other..  I am trying to
show that quality of equipment does matter in most situations.  This
means that the same photographer will, on the average, do better with
the higher quality equipment.  The language issue may be that the
comparison does not imply absolute quality.  An absolute duffer may
not be helped by anything.  A novice with some natural ability may do
better with a camera with better exposure and AF.  (I suspect that the
better the photographer the more difference the equipment will make
(at least up to a certain point), but this is ancillary to my main
point.)  In other words, I'm not saying that good equipment will
produce good work, I'm simply saying it will produce better work on
the average.


Well, your reasoning appears sound do me. One can say that a car with 5 
gear DSG gearbox will yield better MPG figures than that with older 4 
gear gearbox provided the (inexperienced) driver is driving not like a 
lunatic.


My point has been somewhat different, although it seems to go in line 
with what you said. So, we basically agree, but we don't agree to exact 
terms and terminology of our agreement.


Boris

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Re: What gear is on your short list?

2011-01-31 Thread Boris Liberman

On 1/31/2011 5:10 AM, William Robb wrote:

If a good photographer can overcome bad equipment, why is it such a leap
of logic that better equipment may well help a mediocre photographer to
take better pictures?


Better technically - sure. They will be better exposed, in sharper 
focus, etc. Better artistically - obviously not. However, what the 
mediocre photographer will think of themselves? Methinks that's the 
interesting one to consider.



How about better equipment making the process easier/more pleasurable?
If the camera just works better, then would it not make better
pictures no matter what class of photographer is pushing the button?


Yes, that's why they invented automatic gearboxes...


If equipment didn't matter, St. Ansel would probably have used a Minolta
110 since it would have been easier to hump it around Yosemite.


We can't prove or disprove that. St. Ansel is not around for interview.

Boris

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Re: What gear is on your short list?

2011-01-31 Thread Larry Colen

On Jan 31, 2011, at 12:47 AM, Boris Liberman wrote:

 On 1/31/2011 5:10 AM, William Robb wrote:
 If a good photographer can overcome bad equipment, why is it such a leap
 of logic that better equipment may well help a mediocre photographer to
 take better pictures?
 
 Better technically - sure. They will be better exposed, in sharper focus, 
 etc. Better artistically - obviously not. However, what the mediocre 
 photographer will think of themselves? Methinks that's the interesting one to 
 consider.

If the quality of the camera didn't matter, people would be able to get good 
pictures with Canon gear.


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Re: What gear is on your short list?

2011-01-31 Thread Boris Liberman

On 1/31/2011 10:49 AM, Larry Colen wrote:

If the quality of the camera didn't matter, people would be able to
get good pictures with Canon gear.


/Opening the clothes cabinet looking for anti-flame jacket to wrap 
around you/


/grin/

Boris

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Re: What gear is on your short list?

2011-01-31 Thread Cotty
On 30/1/11, William Robb, discombobulated, unleashed:

If a good photographer can overcome bad equipment, why is it such a leap
of logic that better equipment may well help a mediocre photographer to
take better pictures?
How about better equipment making the process easier/more pleasurable?
If the camera just works better, then would it not make better
pictures no matter what class of photographer is pushing the button?

If equipment didn't matter, St. Ansel would probably have used a Minolta
110 since it would have been easier to hump it around Yosemite.

Totally agree.

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Re: What gear is on your short list?

2011-01-31 Thread P. J. Alling

Cotty and Robb agree, the end is nigh.


On 1/31/2011 7:52 AM, Cotty wrote:

On 30/1/11, William Robb, discombobulated, unleashed:


If a good photographer can overcome bad equipment, why is it such a leap
of logic that better equipment may well help a mediocre photographer to
take better pictures?
How about better equipment making the process easier/more pleasurable?
If the camera just works better, then would it not make better
pictures no matter what class of photographer is pushing the button?

If equipment didn't matter, St. Ansel would probably have used a Minolta
110 since it would have been easier to hump it around Yosemite.

Totally agree.

--


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   Cotty


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Re: What gear is on your short list?

2011-01-31 Thread John Sessoms

From: Ken Waller

For those that think better equipment makes a photographer better (and
assuming he would then take better images) I throw this out for you to tell
me how 'better' equipment would make this a better photo.

http://photo.net/photodb/photo?photo_id=12483032

Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS
with Bogen
mini gear head, other than the tripod, not exactly hi end gear. the K20D is
not 'as good' as say a
K-5, the 70-210 Pentax is good but not a  superior lens.

Do I need a better camera body or lens or what and what effect will they
have on this image.

Should I have taken the money I spent on 2 weeks in Utah and bought better
equipment?

; - )


It's your money, you should spend it how it pleases you.

Better equipment makes better photography possible, but doesn't make the 
photographer better. The equipment is only as capable as the 
photographer using it.



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Re: What gear is on your short list?

2011-01-31 Thread John Sessoms

From: Steven Desjardins

You should just spend your money on better pans.


Funny you should mention that; a new commercial grade stock pot is on my 
short list.



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Re: What gear is on your short list?

2011-01-31 Thread eckinator
Yeah. I urgently need to replace my worn out 28 cm Gastrolux with
something uncoated. I am thinking forged iron since I already have a
cast iron pan. I'll never buy coated again; plus Gastrolux won't
recoat that € 130 piece of useless metal. Other places do it but PTFE
only and I refuse to let that near my food. Maybe we should design and
market a cookware line called Pantax...

2011/1/31 John Sessoms jsessoms...@nc.rr.com:
 From: Steven Desjardins

 You should just spend your money on better pans.

 Funny you should mention that; a new commercial grade stock pot is on my
 short list.


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Re: What gear is on your short list?

2011-01-31 Thread wendy beard
You might very well think that; I couldn't possibly comment.

Err - oh wait ;-) :-p

Wendy
(actually, there's a reason I have both systems. I really ~can't~ get
the shots I want with Pentax. And I've tried)

On Mon, Jan 31, 2011 at 3:49 AM, Larry Colen l...@red4est.com wrote:


 If the quality of the camera didn't matter, people would be able to get good 
 pictures with Canon gear.


 --
 Larry Colen l...@red4est.com sent from i4est





-- 
Wendy Beard
Carp, Ontario
Canada

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Re: What gear is on your short list?

2011-01-31 Thread Larry Colen

On Jan 31, 2011, at 10:00 AM, wendy beard wrote:

 You might very well think that; I couldn't possibly comment.
 
 Err - oh wait ;-) :-p
 
 Wendy
 (actually, there's a reason I have both systems. I really ~can't~ get
 the shots I want with Pentax. And I've tried)


Every system has it's strengths and weaknesses. I'm lucky to have started with 
Pentax because a lot of my work needs image stabilized fast glass.  But, it's 
important to use the right tool for the job. Not only have I driven a van 
around a racetrack at speed, I've also hauled lumber with an Rx7, it works a 
lot better the other way around.

 
 On Mon, Jan 31, 2011 at 3:49 AM, Larry Colen l...@red4est.com wrote:
 
 
 If the quality of the camera didn't matter, people would be able to get good 
 pictures with Canon gear.
 
 
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
 -- 
 Wendy Beard
 Carp, Ontario
 Canada
 
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Re: What gear is on your short list?

2011-01-31 Thread John Sessoms
It occurs to me that I might explain why I take the position I do about 
the idea that equipment can make you a better photographer.


Better equipment will allow you to express the better photographer 
within you more easily, but won't by itself make you a better 
photographer. To me better equipment means using a hammer when you 
want to drive nails instead of trying to bang them in with a pair of 9 
Klein side-cutters.


Anyway.

Before I came to PDML, I participated in USENET discussions. In one of 
the groups I subscribed to there was a photographer, for want of a 
better word, whose online persona helped me to form my point of view. I 
will not name him - although if there are any former USENET denizens 
here, they may recognize who I'm writing about.


This photographer's entire online persona consisted of boasting about 
how great a photographer he was and denigrating how execrable the rest 
of us were.


But what, you might ask, was the basis for his claim to superiority?

Simply this ... as soon as Canon announced any new camera, new lens, new 
doodad of any kind, he was the first to acquire it. Having the latest 
and greatest from Canon made him the greatest photographer in the world.


His better equipment *made* him the better photographer.

He was always going on about how his new Canon camera could do this for 
him and do that for him and how the rest of us were a bunch of 
illiterate Luddites because we failed to acknowledge his superior wisdom 
 imitate him in availing ourselves of Canon's latest 
do-everything-for-you technology.


I once asked, If your camera is so great and automatically does 
everything, why does the camera even need you?


Never got an answer to that one.

But, he always had the latest and greatest, best equipment, so that 
*made* him a better photographer. As to just how good a photographer he 
really was ...


I think that if he were to ever take his head out of the dark and stinky 
place he kept it in, so that he could actually look through the 
viewfinder; and if he were then to really apply himself ...


In about 10 years or so he might be almost as good as Kenny Boy.

It's also why if I ever find myself orphaned by Pentax, I'll switch to 
Nikon, and not to Canon.



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Re: What gear is on your short list?

2011-01-31 Thread John Sessoms

From: Boris Liberman

On 1/31/2011 5:10 AM, William Robb wrote:

 If a good photographer can overcome bad equipment, why is it such a leap
 of logic that better equipment may well help a mediocre photographer to
 take better pictures?

Better technically - sure. They will be better exposed, in sharper
focus, etc. Better artistically - obviously not. However, what the
mediocre photographer will think of themselves? Methinks that's the
interesting one to consider.


 How about better equipment making the process easier/more pleasurable?
 If the camera just works better, then would it not make better
 pictures no matter what class of photographer is pushing the button?

Yes, that's why they invented automatic gearboxes...


 If equipment didn't matter, St. Ansel would probably have used a Minolta
 110 since it would have been easier to hump it around Yosemite.

We can't prove or disprove that. St. Ansel is not around for interview.

Boris


FWIW, Adams completed the major body of his work before Kodak introduced 
the 110 format.


And again, while equipment does matter, the photographer using the 
equipment matters more.



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Re: What gear is on your short list?

2011-01-31 Thread Larry Colen

On Jan 31, 2011, at 8:24 AM, John Sessoms wrote:

 From: Steven Desjardins
 You should just spend your money on better pans.
 
 Funny you should mention that; a new commercial grade stock pot is on my 
 short list.

Speaking of equipment versus skill at cooking, I absolutely love my Le Cruset 
cookware. It is enameled cast iron. The trick is to find an outlet store which 
starts out with better prices than list, plus the more pieces you buy, the 
bigger the discount you get, so go there with a friend or two, so you can 
combine your purchases to get a bigger discount.  The closest one to me is in 
Gilroy, and totally worth the drive.

Not only does it have all the advantages of cast iron for cooking, but I've 
found the surface to be easier to clean and more durable than either teflon or 
calphalon.

--
Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-01-31 Thread Tim Bray
By an odd coincidence, I made a huge Stifado (Greek
beef-or-rabbit-with-oregano stew) yesterday for a guest, in the big Le
Creuset.  Cooks great.  But  requires considerable scrubbing after 5
hours of stewing.  -T

On Mon, Jan 31, 2011 at 1:35 PM, Larry Colen l...@red4est.com wrote:

 On Jan 31, 2011, at 8:24 AM, John Sessoms wrote:

 From: Steven Desjardins
 You should just spend your money on better pans.

 Funny you should mention that; a new commercial grade stock pot is on my 
 short list.

 Speaking of equipment versus skill at cooking, I absolutely love my Le Cruset 
 cookware. It is enameled cast iron. The trick is to find an outlet store 
 which starts out with better prices than list, plus the more pieces you buy, 
 the bigger the discount you get, so go there with a friend or two, so you can 
 combine your purchases to get a bigger discount.  The closest one to me is in 
 Gilroy, and totally worth the drive.

 Not only does it have all the advantages of cast iron for cooking, but I've 
 found the surface to be easier to clean and more durable than either teflon 
 or calphalon.

 --
 Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-01-31 Thread Larry Colen

On Jan 31, 2011, at 2:06 PM, Tim Bray wrote:

 By an odd coincidence, I made a huge Stifado (Greek
 beef-or-rabbit-with-oregano stew) yesterday for a guest, in the big Le
 Creuset.  Cooks great.  But  requires considerable scrubbing after 5
 hours of stewing.  -T

I found that my Le Creusets are a lot easier to clean if rather than cooking 
stews, chillis, etc. on the stove, I just put them in the oven.


--
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Re: What gear is on your short list?

2011-01-31 Thread eckinator
does your oven have pyrolytic cleaning? if so just put in the empty LC
every couple of months and burn it clean. they take it very well.

2011/1/31 Larry Colen l...@red4est.com:

 On Jan 31, 2011, at 2:06 PM, Tim Bray wrote:

 By an odd coincidence, I made a huge Stifado (Greek
 beef-or-rabbit-with-oregano stew) yesterday for a guest, in the big Le
 Creuset.  Cooks great.  But  requires considerable scrubbing after 5
 hours of stewing.  -T

 I found that my Le Creusets are a lot easier to clean if rather than cooking 
 stews, chillis, etc. on the stove, I just put them in the oven.


 --
 Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-01-31 Thread Larry Colen

On Jan 31, 2011, at 2:10 PM, eckinator wrote:

 does your oven have pyrolytic cleaning? if so just put in the empty LC
 every couple of months and burn it clean. they take it very well.

Is that a serious hint or a joke?  I don't know how hot pyrolytic cleaning gets.

My oven is an old wedgewood gas oven, that was no longer new when my folks 
bought the house in '73. It certainly doesn't have any self cleaning 
capabilities.

 

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Re: What gear is on your short list?

2011-01-31 Thread eckinator
serious hint. I have a 380 V siemens oven and I regularly use it to
clean/refresh old cast iron cookwares. pyrolytic self cleaning goes up
to 500 degrees celsius. they look (and sell) like new afterwards.
actually knowledge gathered from a US web site about the dutch oven et
al. le creusets will also work great directly over a gas burner so the
enamel will handle the heat just fine.

2011/1/31 Larry Colen l...@red4est.com:

 On Jan 31, 2011, at 2:10 PM, eckinator wrote:

 does your oven have pyrolytic cleaning? if so just put in the empty LC
 every couple of months and burn it clean. they take it very well.

 Is that a serious hint or a joke?  I don't know how hot pyrolytic cleaning 
 gets.

 My oven is an old wedgewood gas oven, that was no longer new when my folks 
 bought the house in '73. It certainly doesn't have any self cleaning 
 capabilities.



 --
 Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-01-31 Thread John Sessoms

From: Larry Colen

On Jan 31, 2011, at 8:24 AM, John Sessoms wrote:


From: Steven Desjardins

You should just spend your money on better pans.


Funny you should mention that; a new commercial grade stock pot
is on my short list.

Speaking of equipment versus skill at cooking, I absolutely love my
Le Cruset cookware. It is enameled cast iron. The trick is to find an
outlet store which starts out with better prices than list, plus the
more pieces you buy, the bigger the discount you get, so go there
with a friend or two, so you can combine your purchases to get a
bigger discount.  The closest one to me is in Gilroy, and totally
worth the drive.

Not only does it have all the advantages of cast iron for cooking,
but I've found the surface to be easier to clean and more durable
than either teflon or calphalon.



I got a Le Creuset omelette pan from the PX at Ft. Bragg in 2005. I've 
never seen another like it and there's a couple of Le Creuset outlet 
stores reasonably near my home.


It's enameled cast iron with some kind of non-stick coating on the 
inside. Looks sort of like this one but the transition from the bottom 
to the side doesn't have the obvious break this one shows. Mine has a 
smooth curve.


http://www.lecreuset.co.uk/Product-Range-uk/Cast-Iron-Cookware/Frying-Pans/Omelette-Pan-20cm/

Even though it's non-stick, I always use butter and keep the heat down. 
Makes an omelette slide around better so it's easier to flip.


I also have a really good Lodge 12 cast iron skillet with lid. No 
coating, but it's also non-stick if you know what you're doing.


I've got a stock pot, but I'm not satisfied with the quality. I'm 
looking at one suitable for a commercial kitchen.


And at some point in the future, I'd like to replace my current electric 
stove with a gas range.



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Re: What gear is on your short list?

2011-01-31 Thread John Sessoms

From: Larry Colen

On Jan 31, 2011, at 2:10 PM, eckinator wrote:


does your oven have pyrolytic cleaning? if so just put in the
empty LC every couple of months and burn it clean. they take it
very well.

Is that a serious hint or a joke?  I don't know how hot pyrolytic
cleaning gets.

My oven is an old wedgewood gas oven, that was no longer new when my
folks bought the house in '73. It certainly doesn't have any self
cleaning capabilities.



It's hot enough to burn the non-stick coating if the pan has one, 
releasing poisonous fumes.


It will also burn the seasoning off a cast iron pan, but won't warp the 
cast iron unless it's a really cheap pan.


You can re-season cast iron. In fact, if you really screw up the 
seasoning on a cast iron pan, one of the steps to re-seasoning is to 
burn the old seasoning off to give you a uniform surface for re-seasoning.



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Re: What gear is on your short list?

2011-01-31 Thread William Robb

On 31/01/2011 7:10 PM, John Sessoms wrote:


You can re-season cast iron. In fact, if you really screw up the
seasoning on a cast iron pan, one of the steps to re-seasoning is to
burn the old seasoning off to give you a uniform surface for re-seasoning.



I found a Lodge omelette skillet in the basement of a house I was renoing.
Coated in dry crusty grease embedded with decades of filth, and under 
that a coating of Lord knows what, for sure the glue from the label 
hadn't been removed.
I ended up sanding it with a random orbital sander and then ran it 
through my gas oven's cleaning cycle.

It's now in daily use cooking everything egg skillet.


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Re: What gear is on your short list?

2011-01-31 Thread Christine Aguila


- Original Message - 
From: Cotty cotty...@mac.com

To: pentax list PDML@pdml.net
Sent: Monday, January 31, 2011 6:52 AM
Subject: Re: What gear is on your short list?



On 30/1/11, William Robb, discombobulated, unleashed:


If a good photographer can overcome bad equipment, why is it such a leap
of logic that better equipment may well help a mediocre photographer to
take better pictures?
How about better equipment making the process easier/more pleasurable?
If the camera just works better, then would it not make better
pictures no matter what class of photographer is pushing the button?

If equipment didn't matter, St. Ansel would probably have used a Minolta
110 since it would have been easier to hump it around Yosemite.


Totally agree.


Me too.  Totally agree.  When one has to fight with their tools during the 
creative process, it sucks and it's miserable.  To me equipment matters. 
I've been sewing since I was 13, and I can tell you I used a lot of crappy 
sewing machines when I was younger.  When I could afford better machines, my 
garments and textile projects improved, and I was happier, and I wanted to 
sew more.  With respect to photography, the K20D  K-7 are not the cameras 
for the under the el tracks photo story I want to do.  They are too noisy. 
But I think the K-5 would work.  It's a better camera--especially for a 
project like this.  Good tools matter, and sometimes certain creative 
projects are tool-specific.  Cheers, Christine 



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Re: What gear is on your short list?

2011-01-31 Thread John Francis
On Mon, Jan 31, 2011 at 01:35:16PM -0800, Larry Colen wrote:
 
 Speaking of equipment versus skill at cooking, I absolutely love my Le Cruset 
 cookware.
. . .
 Not only does it have all the advantages of cast iron for cooking, but I've 
 found the surface to be easier to clean and more durable than either teflon 
 or calphalon.

I'm not a purist, so I clean my pans in the dishwasher.  It doesn't get much 
easier than that.
I wasn't too impressed by Calphalon, but several years ago I switched to using 
Anolon Advanced
(some stainless steel, some hard-anodized aluminium), and I'm still happy with 
that decision.

But this is another one of those personal decisions.  For me, the cost/benefit 
ratio is about
right at the price point I chose ($50 - $100 for a typical mid-range pan). But 
I can quite
see that for some people that's pretty expensive, while for other people the 
high-end stuff
(copper saute pans, etc.) is worth the nosebleed prices.


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Re: What gear is on your short list?

2011-01-30 Thread Boris Liberman

On 1/27/2011 7:03 PM, Steven Desjardins wrote:

My real objection is generalizations like equipment doesn't matter.
For some shots it doesn't matter and for some it does.  My opinion is
that for a great majority it does make a difference.  Better equipment
is far less likely to be inappropriate for a particular photographic
situation than lousy equipment.


Steven, I am thinking of the following /almost/ real life situations:

1. Somebody talking to Picasso - Maestro, your brushes have most 
wonderful strokes in them.


2. Someone talking to Ferdinand Porsche - Sir, the steering wheel of 
your cars is so round, I cannot help but drive faster.


3. Someone talking to (well choose whatever haut couture grand master 
you wish) - Your needles make so wonderfully beautiful clothes...


I hope you catch my drift, Steve.

Equipment, IMO (not so humble) does matter only if the one who uses it 
knows exactly what they are doing. I cannot draw like Picasso or drive 
like well known Stig or even cook like chief Ramsey no matter what 
canvas or race track or kitchen you would put in front of me. Now, it 
will take great deal of self-understanding and self-honesty to realize 
and admit that there is a limit to the gear one is going to use to one's 
benefit whereas above that limit it won't be for the quality of the 
outcome, but for other reasons - that of collectible factor, that of 
social status, that of pleasure of using (buttery smooth focusing ring 
epithets come to mind), etc.


Boris

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Re: What gear is on your short list?

2011-01-30 Thread Boris Liberman

On 1/27/2011 7:03 PM, Steven Desjardins wrote:

My real objection is generalizations like equipment doesn't matter.
For some shots it doesn't matter and for some it does.  My opinion is
that for a great majority it does make a difference.  Better equipment
is far less likely to be inappropriate for a particular photographic
situation than lousy equipment.


To clarify. My previous reply to this post of yours is not directed at 
you, obviously, but rather offered as an opinion in the general discussion.


Boris

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Re: What gear is on your short list?

2011-01-30 Thread Bob Sullivan
After the meal, ask the chef what brand of pots were used because it
tasted great...

On Sun, Jan 30, 2011 at 2:12 AM, Boris Liberman bori...@gmail.com wrote:
 On 1/27/2011 7:03 PM, Steven Desjardins wrote:

 My real objection is generalizations like equipment doesn't matter.
 For some shots it doesn't matter and for some it does.  My opinion is
 that for a great majority it does make a difference.  Better equipment
 is far less likely to be inappropriate for a particular photographic
 situation than lousy equipment.

 Steven, I am thinking of the following /almost/ real life situations:

 1. Somebody talking to Picasso - Maestro, your brushes have most wonderful
 strokes in them.

 2. Someone talking to Ferdinand Porsche - Sir, the steering wheel of your
 cars is so round, I cannot help but drive faster.

 3. Someone talking to (well choose whatever haut couture grand master you
 wish) - Your needles make so wonderfully beautiful clothes...

 I hope you catch my drift, Steve.

 Equipment, IMO (not so humble) does matter only if the one who uses it knows
 exactly what they are doing. I cannot draw like Picasso or drive like well
 known Stig or even cook like chief Ramsey no matter what canvas or race
 track or kitchen you would put in front of me. Now, it will take great deal
 of self-understanding and self-honesty to realize and admit that there is a
 limit to the gear one is going to use to one's benefit whereas above that
 limit it won't be for the quality of the outcome, but for other reasons -
 that of collectible factor, that of social status, that of pleasure of using
 (buttery smooth focusing ring epithets come to mind), etc.

 Boris

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Re: What gear is on your short list?

2011-01-30 Thread Steven Desjardins
I'm clearly not saying this well.  I keep saying the equivalent of A
good photographer can take advantage of better equipment and folks
keep translating it to good equipment will make you a better
photographer.  To be clear, I think the former statement is obvious,
I think the latter is usually wrong, and there is a clear difference
between the the two.  If a good photographer can take advantage of
better equipment, then equipment clearly matters because they will
take the trouble to buy it.  To use the car example, this is like
saying, you are a fine race car driver so you should be able to set a
track record in a Ford Fiesta instead of a an F1 racer.  Or going
into the kitchen of Chef Antoine and telling him he is a fool for
buying the best cookware when a chef of his caliber clearly doesn't
need it.

Every photographer is stuck with the skills they have at that moment.
The skills I might acquire in the future through practice are not
available to me today.  Therefore, for each photographer, the major
remaining variable is quality of the equipment.  A really good
photographer can get good pictures with inferior equipment.  Chances
are he/she would do even better with better equipment.

I admit folks, I fail to see why this idea is so controversial.   The
best photographers often buy the best equipment.  Maybe they can
overcome inferior equipment, but I simply point out that very few of
them bother to take this route.

On Sun, Jan 30, 2011 at 3:12 AM, Boris Liberman bori...@gmail.com wrote:
 On 1/27/2011 7:03 PM, Steven Desjardins wrote:

 My real objection is generalizations like equipment doesn't matter.
 For some shots it doesn't matter and for some it does.  My opinion is
 that for a great majority it does make a difference.  Better equipment
 is far less likely to be inappropriate for a particular photographic
 situation than lousy equipment.

 Steven, I am thinking of the following /almost/ real life situations:

 1. Somebody talking to Picasso - Maestro, your brushes have most wonderful
 strokes in them.

 2. Someone talking to Ferdinand Porsche - Sir, the steering wheel of your
 cars is so round, I cannot help but drive faster.

 3. Someone talking to (well choose whatever haut couture grand master you
 wish) - Your needles make so wonderfully beautiful clothes...

 I hope you catch my drift, Steve.

 Equipment, IMO (not so humble) does matter only if the one who uses it knows
 exactly what they are doing. I cannot draw like Picasso or drive like well
 known Stig or even cook like chief Ramsey no matter what canvas or race
 track or kitchen you would put in front of me. Now, it will take great deal
 of self-understanding and self-honesty to realize and admit that there is a
 limit to the gear one is going to use to one's benefit whereas above that
 limit it won't be for the quality of the outcome, but for other reasons -
 that of collectible factor, that of social status, that of pleasure of using
 (buttery smooth focusing ring epithets come to mind), etc.

 Boris

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Re: What gear is on your short list?

2011-01-30 Thread John Sessoms

On 1/27/2011 7:03 PM, Steven Desjardins wrote:

 My real objection is generalizations like equipment doesn't matter.
 For some shots it doesn't matter and for some it does.  My opinion is
 that for a great majority it does make a difference.  Better equipment
 is far less likely to be inappropriate for a particular photographic
 situation than lousy equipment.


Equipment matters. The photographer matters MORE.


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Re: What gear is on your short list?

2011-01-30 Thread Boris Liberman

On 1/30/2011 5:28 PM, Steven Desjardins wrote:

I'm clearly not saying this well.  I keep saying the equivalent of
A good photographer can take advantage of better equipment and
folks keep translating it to good equipment will make you a better
photographer.  To be clear, I think the former statement is
obvious, I think the latter is usually wrong, and there is a clear
difference between the the two.


That I can easily and rather totally agree with.


If a good photographer can take advantage of better equipment, then
equipment clearly matters because they will take the trouble to buy
it.  To use the car example, this is like saying, you are a fine
race car driver so you should be able to set a track record in a Ford
Fiesta instead of a an F1 racer.  Or going into the kitchen of Chef
Antoine and telling him he is a fool for buying the best cookware
when a chef of his caliber clearly doesn't need it.

Every photographer is stuck with the skills they have at that
moment. The skills I might acquire in the future through practice are
not available to me today.  Therefore, for each photographer, the
major remaining variable is quality of the equipment.  A really good
photographer can get good pictures with inferior equipment.  Chances
are he/she would do even better with better equipment.


Hmmm. Probably some facet of language barrier is in play here, because 
to me it seems you just made the logical switch again and you're 
advocating the the equipment is better be better than one is a 
photographer idea... But I digress.



I admit folks, I fail to see why this idea is so controversial.
The best photographers often buy the best equipment.  Maybe they can
overcome inferior equipment, but I simply point out that very few of
them bother to take this route.


Oh, right, the best photographers. True as you put it. It is just that 
it is rather natural to see how this rationale projects on to 
Boris-the-average-photog. The controversy is probably related to (if not 
based on) the fact that in modern times one is kind of supposed to be on 
top of things. It is (trying to make a car analogy here) if you came to 
the meet up of the gear heads with VW Golf Mk3 VR6. No matter how good 
is the state of the car, you would be looked down up on merely because 
it is not modern VW Scirocco or VW is offering now in VR6's stead... And 
even if you drove and outdriven all the others with your car (because 
you know it intimately, etc), they would still think of you in a rather 
special manner. This is the impression I am getting from reading the 
forums and other non-PDML sources. Cases to illustrate my points are 
most recent lenses introduced by Pentax (35/2.4 and 18-135).


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Re: What gear is on your short list?

2011-01-30 Thread Boris Liberman

On 1/30/2011 5:28 PM, Steven Desjardins wrote:

I admit folks, I fail to see why this idea is so controversial.   The
best photographers often buy the best equipment.  Maybe they can
overcome inferior equipment, but I simply point out that very few of
them bother to take this route.


I gotta be slow today and dense. Steve, if you wish, we can always take 
it off-list so as to not provoke further controversy.


Boris

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Re: What gear is on your short list?

2011-01-30 Thread Steven Desjardins
Actually, I think this has been in general rather even-tempered
discussion.  ;-)  You, Boris, are always courteous.

I don't think I'm switching positions.  The argument is based on a
comparison of two situations.  These two situations are a single
photographer of varying skills with each of two sets of equipment, one
set being noticeably higher quality than the other..  I am trying to
show that quality of equipment does matter in most situations.  This
means that the same photographer will, on the average, do better with
the higher quality equipment.  The language issue may be that the
comparison does not imply absolute quality.  An absolute duffer may
not be helped by anything.  A novice with some natural ability may do
better with a camera with better exposure and AF.  (I suspect that the
better the photographer the more difference the equipment will make
(at least up to a certain point), but this is ancillary to my main
point.)  In other words, I'm not saying that good equipment will
produce good work, I'm simply saying it will produce better work on
the average.

This is definitely putting me in the mood to write my test.  ;-)


On Sun, Jan 30, 2011 at 10:39 AM, Boris Liberman bori...@gmail.com wrote:
 On 1/30/2011 5:28 PM, Steven Desjardins wrote:

 I admit folks, I fail to see why this idea is so controversial.   The
 best photographers often buy the best equipment.  Maybe they can
 overcome inferior equipment, but I simply point out that very few of
 them bother to take this route.

 I gotta be slow today and dense. Steve, if you wish, we can always take it
 off-list so as to not provoke further controversy.

 Boris

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Re: What gear is on your short list?

2011-01-30 Thread Steven Desjardins
Amen, brother.  We are in agreement.  ;-)

On Sun, Jan 30, 2011 at 10:31 AM, John Sessoms jsessoms...@nc.rr.com wrote:
 On 1/27/2011 7:03 PM, Steven Desjardins wrote:

  My real objection is generalizations like equipment doesn't matter.
  For some shots it doesn't matter and for some it does.  My opinion is
  that for a great majority it does make a difference.  Better equipment
  is far less likely to be inappropriate for a particular photographic
  situation than lousy equipment.

 Equipment matters. The photographer matters MORE.


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Re: What gear is on your short list?

2011-01-30 Thread Steven Desjardins
BTW, since we are discussing equipment, I just bought my wife a new
camera.  Her old PS had seen hard use and the trip to Africa hadn't
helped.  I took advantage of the $100 price tag on the Optio I-10.
She takes pictures primarily of people in good light (or uses the
flash), so the noise issues with the Optio shouldn't matter too much.
It came in Friday, although since I had sent it to my office I didn't
see it until today.  Damn, this thing is tiny.  Smaller than my cell
phone.  I have not idea how good it is yet but it certainly would be
no burden in the pocket.  I didn't like the Altoids Optios since I
just couldn't seem to hold them steady.  I wonder if SR helps with
that problem here.  BTW, It doesn't quite fit in the Altoids tin.

On Sun, Jan 30, 2011 at 10:53 AM, Steven Desjardins drd1...@gmail.com wrote:
 Amen, brother.  We are in agreement.  ;-)

 On Sun, Jan 30, 2011 at 10:31 AM, John Sessoms jsessoms...@nc.rr.com wrote:
 On 1/27/2011 7:03 PM, Steven Desjardins wrote:

  My real objection is generalizations like equipment doesn't matter.
  For some shots it doesn't matter and for some it does.  My opinion is
  that for a great majority it does make a difference.  Better equipment
  is far less likely to be inappropriate for a particular photographic
  situation than lousy equipment.

 Equipment matters. The photographer matters MORE.


 -
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 Checked by AVG - www.avg.com
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RE: What gear is on your short list?

2011-01-30 Thread Bob W
my cooking improved enormously when I bought decent pots

 After the meal, ask the chef what brand of pots were used because it
 tasted great...
 
 On Sun, Jan 30, 2011 at 2:12 AM, Boris Liberman bori...@gmail.com
 wrote:
  On 1/27/2011 7:03 PM, Steven Desjardins wrote:
 
  My real objection is generalizations like equipment doesn't
 matter.
  For some shots it doesn't matter and for some it does.  My opinion
 is
  that for a great majority it does make a difference.  Better
 equipment
  is far less likely to be inappropriate for a particular photographic
  situation than lousy equipment.
 
  Steven, I am thinking of the following /almost/ real life situations:
 
  1. Somebody talking to Picasso - Maestro, your brushes have most
 wonderful
  strokes in them.
 
  2. Someone talking to Ferdinand Porsche - Sir, the steering wheel of
 your
  cars is so round, I cannot help but drive faster.
 
  3. Someone talking to (well choose whatever haut couture grand master
 you
  wish) - Your needles make so wonderfully beautiful clothes...
 
  I hope you catch my drift, Steve.
 
  Equipment, IMO (not so humble) does matter only if the one who uses
 it knows
  exactly what they are doing. I cannot draw like Picasso or drive like
 well
  known Stig or even cook like chief Ramsey no matter what canvas or
 race
  track or kitchen you would put in front of me. Now, it will take
 great deal
  of self-understanding and self-honesty to realize and admit that
 there is a
  limit to the gear one is going to use to one's benefit whereas above
 that
  limit it won't be for the quality of the outcome, but for other
 reasons -
  that of collectible factor, that of social status, that of pleasure
 of using
  (buttery smooth focusing ring epithets come to mind), etc.
 
  Boris
 
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Re: What gear is on your short list?

2011-01-30 Thread Tim Bray
Let me spin this another way: The limiting factor in the quality of
the pictures I take is not the quality of the camera I take them with.

However, quite likely some combination of longer lenses and faster
lenses/senses would allow me to take some pictures that at the moment
I just can't take.

- Tim

On Sun, Jan 30, 2011 at 9:36 AM, Bob W p...@web-options.com wrote:
 my cooking improved enormously when I bought decent pots

 After the meal, ask the chef what brand of pots were used because it
 tasted great...

 On Sun, Jan 30, 2011 at 2:12 AM, Boris Liberman bori...@gmail.com
 wrote:
  On 1/27/2011 7:03 PM, Steven Desjardins wrote:
 
  My real objection is generalizations like equipment doesn't
 matter.
  For some shots it doesn't matter and for some it does.  My opinion
 is
  that for a great majority it does make a difference.  Better
 equipment
  is far less likely to be inappropriate for a particular photographic
  situation than lousy equipment.
 
  Steven, I am thinking of the following /almost/ real life situations:
 
  1. Somebody talking to Picasso - Maestro, your brushes have most
 wonderful
  strokes in them.
 
  2. Someone talking to Ferdinand Porsche - Sir, the steering wheel of
 your
  cars is so round, I cannot help but drive faster.
 
  3. Someone talking to (well choose whatever haut couture grand master
 you
  wish) - Your needles make so wonderfully beautiful clothes...
 
  I hope you catch my drift, Steve.
 
  Equipment, IMO (not so humble) does matter only if the one who uses
 it knows
  exactly what they are doing. I cannot draw like Picasso or drive like
 well
  known Stig or even cook like chief Ramsey no matter what canvas or
 race
  track or kitchen you would put in front of me. Now, it will take
 great deal
  of self-understanding and self-honesty to realize and admit that
 there is a
  limit to the gear one is going to use to one's benefit whereas above
 that
  limit it won't be for the quality of the outcome, but for other
 reasons -
  that of collectible factor, that of social status, that of pleasure
 of using
  (buttery smooth focusing ring epithets come to mind), etc.
 
  Boris
 
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  follow the directions.
 

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Re: What gear is on your short list?

2011-01-30 Thread Ken Waller


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Bob W p...@web-options.com

Subject: RE: What gear is on your short list?


.my cooking improved enormously when I bought decent pots

But were they better ?


. After the meal, ask the chef what brand of pots were used because it

tasted great...

On Sun, Jan 30, 2011 at 2:12 AM, Boris Liberman bori...@gmail.com
wrote:

On 1/27/2011 7:03 PM, Steven Desjardins wrote:



My real objection is generalizations like equipment doesn't

matter.

For some shots it doesn't matter and for some it does. My opinion

is

that for a great majority it does make a difference. Better

equipment

is far less likely to be inappropriate for a particular photographic
situation than lousy equipment.


Steven, I am thinking of the following /almost/ real life situations:

1. Somebody talking to Picasso - Maestro, your brushes have most

wonderful

strokes in them.

2. Someone talking to Ferdinand Porsche - Sir, the steering wheel of

your

cars is so round, I cannot help but drive faster.

3. Someone talking to (well choose whatever haut couture grand master
you
wish) - Your needles make so wonderfully beautiful clothes...

I hope you catch my drift, Steve.

Equipment, IMO (not so humble) does matter only if the one who uses

it knows

exactly what they are doing. I cannot draw like Picasso or drive like

well

known Stig or even cook like chief Ramsey no matter what canvas or

race

track or kitchen you would put in front of me. Now, it will take

great deal

of self-understanding and self-honesty to realize and admit that

there is a
limit to the gear one is going to use to one's benefit whereas above
that

limit it won't be for the quality of the outcome, but for other

reasons -

that of collectible factor, that of social status, that of pleasure

of using

(buttery smooth focusing ring epithets come to mind), etc.

Boris



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Re: What gear is on your short list?

2011-01-30 Thread Ken Waller


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Tim Bray tb...@textuality.com


Subject: Re: What gear is on your short list?


?Let me spin this another way: The limiting factor in the quality of

the pictures I take is not the quality of the camera I take them with.



However, quite likely some combination of longer lenses and faster
lenses/senses would allow me to take some pictures that at the moment
I just can't take.


Obviously, longer /or faster lenses are not necessarily better.


- Tim


On Sun, Jan 30, 2011 at 9:36 AM, Bob W p...@web-options.com wrote:

my cooking improved enormously when I bought decent pots


After the meal, ask the chef what brand of pots were used because it
tasted great...

On Sun, Jan 30, 2011 at 2:12 AM, Boris Liberman bori...@gmail.com
wrote:
 On 1/27/2011 7:03 PM, Steven Desjardins wrote:

 My real objection is generalizations like equipment doesn't
matter.
 For some shots it doesn't matter and for some it does. My opinion
is
 that for a great majority it does make a difference. Better
equipment
 is far less likely to be inappropriate for a particular photographic
 situation than lousy equipment.

 Steven, I am thinking of the following /almost/ real life situations:

 1. Somebody talking to Picasso - Maestro, your brushes have most
wonderful
 strokes in them.

 2. Someone talking to Ferdinand Porsche - Sir, the steering wheel of
your
 cars is so round, I cannot help but drive faster.

 3. Someone talking to (well choose whatever haut couture grand master
you
 wish) - Your needles make so wonderfully beautiful clothes...

 I hope you catch my drift, Steve.

 Equipment, IMO (not so humble) does matter only if the one who uses
it knows
 exactly what they are doing. I cannot draw like Picasso or drive like
well
 known Stig or even cook like chief Ramsey no matter what canvas or
race
 track or kitchen you would put in front of me. Now, it will take
great deal
 of self-understanding and self-honesty to realize and admit that
there is a
 limit to the gear one is going to use to one's benefit whereas above
that
 limit it won't be for the quality of the outcome, but for other
reasons -
 that of collectible factor, that of social status, that of pleasure
of using
 (buttery smooth focusing ring epithets come to mind), etc.

 Boris



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Re: What gear is on your short list?

2011-01-30 Thread Ken Waller
For those that think better equipment makes a photographer better (and 
assuming he would then take better images) I throw this out for you to tell 
me how 'better' equipment would make this a better photo.


http://photo.net/photodb/photo?photo_id=12483032

Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS 
with Bogen
mini gear head, other than the tripod, not exactly hi end gear. the K20D is 
not 'as good' as say a

K-5, the 70-210 Pentax is good but not a  superior lens.

Do I need a better camera body or lens or what and what effect will they 
have on this image.


Should I have taken the money I spent on 2 weeks in Utah and bought better 
equipment?


; - )

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller 



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Re: What gear is on your short list?

2011-01-30 Thread Tim Bray
If you'd taken it with a Leica, the cognoscenti would admire its
stochastic intransigence.  -T

On Sun, Jan 30, 2011 at 1:45 PM, Ken Waller kwal...@peoplepc.com wrote:
 For those that think better equipment makes a photographer better (and
 assuming he would then take better images) I throw this out for you to tell
 me how 'better' equipment would make this a better photo.

 http://photo.net/photodb/photo?photo_id=12483032

 Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS
 with Bogen
 mini gear head, other than the tripod, not exactly hi end gear. the K20D is
 not 'as good' as say a
 K-5, the 70-210 Pentax is good but not a  superior lens.

 Do I need a better camera body or lens or what and what effect will they
 have on this image.

 Should I have taken the money I spent on 2 weeks in Utah and bought better
 equipment?

 ; - )

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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Re: What gear is on your short list?

2011-01-30 Thread P. J. Alling
If you had a K-5 you could print it bigger, if you had a 645D you could 
print it even bigger than that.


On 1/30/2011 4:45 PM, Ken Waller wrote:
For those that think better equipment makes a photographer better (and 
assuming he would then take better images) I throw this out for you to 
tell me how 'better' equipment would make this a better photo.


http://photo.net/photodb/photo?photo_id=12483032

Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 
3530LS with Bogen
mini gear head, other than the tripod, not exactly hi end gear. the 
K20D is not 'as good' as say a

K-5, the 70-210 Pentax is good but not a  superior lens.

Do I need a better camera body or lens or what and what effect will 
they have on this image.


Should I have taken the money I spent on 2 weeks in Utah and bought 
better equipment?


; - )

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller




--
Where's the Kaboom?  There was supposed to be an Earth-shattering Kaboom!

--Marvin the Martian.


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Re: What gear is on your short list?

2011-01-30 Thread P. J. Alling
You realize that stochastic intransigence is another way of saying 
random stubbornness.


On 1/30/2011 4:47 PM, Tim Bray wrote:

If you'd taken it with a Leica, the cognoscenti would admire its
stochastic intransigence.  -T

On Sun, Jan 30, 2011 at 1:45 PM, Ken Wallerkwal...@peoplepc.com  wrote:

For those that think better equipment makes a photographer better (and
assuming he would then take better images) I throw this out for you to tell
me how 'better' equipment would make this a better photo.

http://photo.net/photodb/photo?photo_id=12483032

Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS
with Bogen
mini gear head, other than the tripod, not exactly hi end gear. the K20D is
not 'as good' as say a
K-5, the 70-210 Pentax is good but not a  superior lens.

Do I need a better camera body or lens or what and what effect will they
have on this image.

Should I have taken the money I spent on 2 weeks in Utah and bought better
equipment?

; - )

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

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Re: What gear is on your short list?

2011-01-30 Thread Paul Stenquist
Better equipment quite obvkously wouldn't make much difference here.  The shot 
is in full sun and presents no huge equipment challenges. However, if taken 
with an inferior lens that lacked sharpness it wouldn't be as nice as it is. 
And it is quite nice. And of course if it were to be used on a billboard, 
taking it with a medium format camera would probably yield a better result for 
that purpose.

However, the point some have been trying to make is that there are situations 
that can tax one's equipment. For example, I was unable to achieve decent 
results in the very dim lighting of the pool hall with either the K20 or the 
K7. In fact, the K20 wouldn't even lock focus in that light, and the ISO 6400 
pics from both cameras were quite noisy. The K-5, being better suited to 
lo-light photography in terms of both noise and autofocus, allowed me to take 
better photos. 

I find this a silly discussion. Of course, better equipment won't always help 
one take better photos. But there are times when it will. What could possibly 
be more obvious?

Paul
On Jan 30, 2011, at 4:45 PM, Ken Waller wrote:

 For those that think better equipment makes a photographer better (and 
 assuming he would then take better images) I throw this out for you to tell 
 me how 'better' equipment would make this a better photo.
 
 http://photo.net/photodb/photo?photo_id=12483032
 
 Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS 
 with Bogen
 mini gear head, other than the tripod, not exactly hi end gear. the K20D is 
 not 'as good' as say a
 K-5, the 70-210 Pentax is good but not a  superior lens.
 
 Do I need a better camera body or lens or what and what effect will they have 
 on this image.
 
 Should I have taken the money I spent on 2 weeks in Utah and bought better 
 equipment?
 
 ; - )
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller 
 
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Re: What gear is on your short list?

2011-01-30 Thread Steven Desjardins
You can always burn dinner in good pans.  You can drive you Porsche
into the wall.  You can also drop drop your K5on your foot and break
your toe.  These are isolated incidents, however, and not averages
across many situations.

On Sun, Jan 30, 2011 at 5:07 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 Better equipment quite obvkously wouldn't make much difference here.  The 
 shot is in full sun and presents no huge equipment challenges. However, if 
 taken with an inferior lens that lacked sharpness it wouldn't be as nice as 
 it is. And it is quite nice. And of course if it were to be used on a 
 billboard, taking it with a medium format camera would probably yield a 
 better result for that purpose.

 However, the point some have been trying to make is that there are situations 
 that can tax one's equipment. For example, I was unable to achieve decent 
 results in the very dim lighting of the pool hall with either the K20 or the 
 K7. In fact, the K20 wouldn't even lock focus in that light, and the ISO 6400 
 pics from both cameras were quite noisy. The K-5, being better suited to 
 lo-light photography in terms of both noise and autofocus, allowed me to take 
 better photos.

 I find this a silly discussion. Of course, better equipment won't always help 
 one take better photos. But there are times when it will. What could possibly 
 be more obvious?

 Paul
 On Jan 30, 2011, at 4:45 PM, Ken Waller wrote:

 For those that think better equipment makes a photographer better (and 
 assuming he would then take better images) I throw this out for you to tell 
 me how 'better' equipment would make this a better photo.

 http://photo.net/photodb/photo?photo_id=12483032

 Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS 
 with Bogen
 mini gear head, other than the tripod, not exactly hi end gear. the K20D is 
 not 'as good' as say a
 K-5, the 70-210 Pentax is good but not a  superior lens.

 Do I need a better camera body or lens or what and what effect will they 
 have on this image.

 Should I have taken the money I spent on 2 weeks in Utah and bought better 
 equipment?

 ; - )

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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Re: What gear is on your short list?

2011-01-30 Thread eckinator
to put the thread back on topic:
60-250
k-5 + grip
50-135
and on my wish list
DA*8-16
and a buyer for my DA 18-250, just repaired for € 122 with just under
2 years pentax warranty left
cheers
ecke

2011/1/30 Steven Desjardins drd1...@gmail.com:
 You can always burn dinner in good pans.  You can drive you Porsche
 into the wall.  You can also drop drop your K5on your foot and break
 your toe.  These are isolated incidents, however, and not averages
 across many situations.

 On Sun, Jan 30, 2011 at 5:07 PM, Paul Stenquist pnstenqu...@comcast.net 
 wrote:
 Better equipment quite obvkously wouldn't make much difference here.  The 
 shot is in full sun and presents no huge equipment challenges. However, if 
 taken with an inferior lens that lacked sharpness it wouldn't be as nice as 
 it is. And it is quite nice. And of course if it were to be used on a 
 billboard, taking it with a medium format camera would probably yield a 
 better result for that purpose.

 However, the point some have been trying to make is that there are 
 situations that can tax one's equipment. For example, I was unable to 
 achieve decent results in the very dim lighting of the pool hall with either 
 the K20 or the K7. In fact, the K20 wouldn't even lock focus in that light, 
 and the ISO 6400 pics from both cameras were quite noisy. The K-5, being 
 better suited to lo-light photography in terms of both noise and autofocus, 
 allowed me to take better photos.

 I find this a silly discussion. Of course, better equipment won't always 
 help one take better photos. But there are times when it will. What could 
 possibly be more obvious?

 Paul
 On Jan 30, 2011, at 4:45 PM, Ken Waller wrote:

 For those that think better equipment makes a photographer better (and 
 assuming he would then take better images) I throw this out for you to tell 
 me how 'better' equipment would make this a better photo.

 http://photo.net/photodb/photo?photo_id=12483032

 Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS 
 with Bogen
 mini gear head, other than the tripod, not exactly hi end gear. the K20D is 
 not 'as good' as say a
 K-5, the 70-210 Pentax is good but not a  superior lens.

 Do I need a better camera body or lens or what and what effect will they 
 have on this image.

 Should I have taken the money I spent on 2 weeks in Utah and bought better 
 equipment?

 ; - )

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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 PDML@pdml.net
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 Steve Desjardins

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Re: What gear is on your short list?

2011-01-30 Thread Steven Desjardins
You should just spend your money on better pans.  ;-)  Although I do
like your list even if it doesn't matter.  Especially the 50-135.
That doesn't matter the most in my book.

On Sun, Jan 30, 2011 at 6:09 PM, eckinator eckina...@gmail.com wrote:
 to put the thread back on topic:
 60-250
 k-5 + grip
 50-135
 and on my wish list
 DA*8-16
 and a buyer for my DA 18-250, just repaired for € 122 with just under
 2 years pentax warranty left
 cheers
 ecke

 2011/1/30 Steven Desjardins drd1...@gmail.com:
 You can always burn dinner in good pans.  You can drive you Porsche
 into the wall.  You can also drop drop your K5on your foot and break
 your toe.  These are isolated incidents, however, and not averages
 across many situations.

 On Sun, Jan 30, 2011 at 5:07 PM, Paul Stenquist pnstenqu...@comcast.net 
 wrote:
 Better equipment quite obvkously wouldn't make much difference here.  The 
 shot is in full sun and presents no huge equipment challenges. However, if 
 taken with an inferior lens that lacked sharpness it wouldn't be as nice as 
 it is. And it is quite nice. And of course if it were to be used on a 
 billboard, taking it with a medium format camera would probably yield a 
 better result for that purpose.

 However, the point some have been trying to make is that there are 
 situations that can tax one's equipment. For example, I was unable to 
 achieve decent results in the very dim lighting of the pool hall with 
 either the K20 or the K7. In fact, the K20 wouldn't even lock focus in that 
 light, and the ISO 6400 pics from both cameras were quite noisy. The K-5, 
 being better suited to lo-light photography in terms of both noise and 
 autofocus, allowed me to take better photos.

 I find this a silly discussion. Of course, better equipment won't always 
 help one take better photos. But there are times when it will. What could 
 possibly be more obvious?

 Paul
 On Jan 30, 2011, at 4:45 PM, Ken Waller wrote:

 For those that think better equipment makes a photographer better (and 
 assuming he would then take better images) I throw this out for you to 
 tell me how 'better' equipment would make this a better photo.

 http://photo.net/photodb/photo?photo_id=12483032

 Taken with K20D, 70-210mm SMC Pentax F. 1/30 f16, ISO 200 on Gitzo 3530LS 
 with Bogen
 mini gear head, other than the tripod, not exactly hi end gear. the K20D 
 is not 'as good' as say a
 K-5, the 70-210 Pentax is good but not a  superior lens.

 Do I need a better camera body or lens or what and what effect will they 
 have on this image.

 Should I have taken the money I spent on 2 weeks in Utah and bought better 
 equipment?

 ; - )

 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller

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Re: What gear is on your short list?

2011-01-30 Thread William Robb



On 1/30/2011 5:28 PM, Steven Desjardins wrote:

I admit folks, I fail to see why this idea is so controversial. The
best photographers often buy the best equipment. Maybe they can
overcome inferior equipment, but I simply point out that very few of
them bother to take this route.


If a good photographer can overcome bad equipment, why is it such a leap 
of logic that better equipment may well help a mediocre photographer to 
take better pictures?
How about better equipment making the process easier/more pleasurable? 
If the camera just works better, then would it not make better 
pictures no matter what class of photographer is pushing the button?


If equipment didn't matter, St. Ansel would probably have used a Minolta 
110 since it would have been easier to hump it around Yosemite.



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Re: What gear is on your short list?

2011-01-30 Thread William Robb

On 30/01/2011 11:36 AM, Bob W wrote:

my cooking improved enormously when I bought decent pots



My cooking improved when I decided the Circulons just weren't cutting it 
and went back to my mangy but much loved cast iron cookware.



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Re: What gear is on your short list?

2011-01-30 Thread Steven Desjardins
We need a cookware thread.  I like heavy copper-bottom stuff with no
non-stick surface.

On Sun, Jan 30, 2011 at 10:14 PM, William Robb
anotherdrunken...@gmail.com wrote:
 On 30/01/2011 11:36 AM, Bob W wrote:

 my cooking improved enormously when I bought decent pots


 My cooking improved when I decided the Circulons just weren't cutting it and
 went back to my mangy but much loved cast iron cookware.


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Re: What gear is on your short list?

2011-01-30 Thread William Robb

On 30/01/2011 3:45 PM, Ken Waller wrote:

For those that think better equipment makes a photographer better (and
assuming he would then take better images) I throw this out for you to
tell me how 'better' equipment would make this a better photo.

http://photo.net/photodb/photo?photo_id=12483032



Not that anything would make any difference to the web presentation if 
that is the determining factor for required quality.

But
It would have been better if you had used a Deardorff and a good lens, yes.
It is quite likely that there would be a noticeable resolution increase 
with a Nikon D3x and one of their primo lenses.


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Re: What gear is on your short list?

2011-01-30 Thread Paul Stenquist
I have a 30 year old set of Magnalite pro cookware. It's no longer made, but 
the pans are hard anodized aluminum and magnesium alloy. They're similar to 
Caphalon but with thicker metal they heat more evenly. Omelets slide right off 
my omelet pan. No teflon or other crap of course. Just  great surface, well 
cured. '
Paul
On Jan 30, 2011, at 10:21 PM, Steven Desjardins wrote:

 We need a cookware thread.  I like heavy copper-bottom stuff with no
 non-stick surface.
 
 On Sun, Jan 30, 2011 at 10:14 PM, William Robb
 anotherdrunken...@gmail.com wrote:
 On 30/01/2011 11:36 AM, Bob W wrote:
 
 my cooking improved enormously when I bought decent pots
 
 
 My cooking improved when I decided the Circulons just weren't cutting it and
 went back to my mangy but much loved cast iron cookware.
 
 
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Re: What gear is on your short list?

2011-01-30 Thread Stan Halpin

On Jan 30, 2011, at 10:21 PM, Steven Desjardins wrote:

 We need a cookware thread.  I like heavy copper-bottom stuff with no
 non-stick surface.
 

I like medium-weight bottoms with a definite curve to them.
Oh wait, that would be another thread!

stan



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Re: What gear is on your short list?

2011-01-27 Thread Paul Stenquist
Of course clarity isn't always necessary, but there are certainly occasions 
when it is required. (I don't think I'll last long if I start sending soft 
photos of cars to my auto clients.) Good equipment is necessary to deliver 
everything that a photographer has to do. And better equipment -- as in the K-5 
over the K-7 -- can expand one's reach.
Paul
On Jan 26, 2011, at 10:50 PM, Steven Desjardins wrote:

 Most of these images rely on an element of clarity in a diffuse field.
 Awesome shots, BTW,  I really like that face and the wharf/dock.
 
 On Wed, Jan 26, 2011 at 7:16 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 On 11-01-26 1:37 PM, Larry Colen wrote:
 
 On Jan 26, 2011, at 7:04 AM, Bruce Walker wrote:
 
 On 11-01-25 7:47 PM, Larry Colen wrote:
 
 Better equipment won't make you a better photographer, and one can argue
 that equipment that is too good at doing everything automatically can
 interfere with you becoming a better photographer. And while a good
 photographer can get great pictures with almost any gear, especially if 
 you
 aren't overmuch worried about minor details like sharpness, the right
 equipment can allow almost anyone to get clearer photos under difficult
 lighting situations.
 
 That's not a persuasive argument for either side, Larry.  Achieving
 clear photos has little or nothing to do with great pictures.  Clear
 photos are desirable in technical manuals though.
 
 While there are exceptions to every artistic rule, unless your name is
 Knarf, clarity is a necessary but not sufficient condition for a great
 picture.
 
 I beg to differ, and offer just a few from an innumerable list of excellent
 images with little or no clarity. These shots are not mine--all taken from
 Flickr ...
 
 http://www.flickr.com/photos/booleansplit/3894430548
 http://www.flickr.com/photos/minebilder/208387780
 http://www.flickr.com/photos/bilbert/3134678910
 http://www.flickr.com/photos/ingynoo/4413415496
 http://www.flickr.com/photos/bilbert/5179173922
 http://www.flickr.com/photos/nikolaborissov/4119473858
 http://www.flickr.com/photos/silentrunning/3609986922
 
 And don't forget Christine Aguila's wonderful shot from the 2009 PDML Annual
 (pg 9). Very low contrast, foggy, barely discernable bare trees in a
 snowscape. Yet gorgeous; one of the most striking shots in the book.
 
 Too much clarity can spoil a shot. Very often you need to hide as much as
 you reveal; submerge it in the shadows, unsaturate, untint or lower its
 contrast, or defocus it; all reduce clarity.
 
 Clarity: not necessary.
 
 -bmw
 
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Re: What gear is on your short list?

2011-01-27 Thread Bob Sullivan
Oh, now there's an insult...

On Tue, Jan 25, 2011 at 10:46 AM, William Robb
anotherdrunken...@gmail.com wrote:
 On 25/01/2011 10:19 AM, John Sessoms wrote:

 From: Steven Desjardins

 If you have a Porsche you still have to drive it. It doesn't mean
 that a better driver won't do better in the Porsche than in a minivan.

 I don't question the central importance of the photographer. But if
 the equipment doesn't matter then we're all idiots for spending all
 this money on bodies and lenses.


 But a better driver might well do better in a minivan than a poor
 driver in a Porsche.

 I'm not saying better equipment doesn't matter. I'm saying that
 improving yourself as a photographer matters *more* for you to get full
 value from that better equipment.

 Better equipment by itself won't improve your skills. At best, it offers
 less of an impediment for you to improve your skills.

 Case in point ... could any amount of better equipment make Kenny Boy a
 better photographer?



 You're like having a junior version of JCO on list.

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Re: What gear is on your short list?

2011-01-27 Thread Bruce Walker

On 11-01-27 12:23 AM, Larry Colen wrote:

On Jan 26, 2011, at 4:16 PM, Bruce Walker wrote:


Too much clarity can spoil a shot. Very often you need to hide as much as you 
reveal; submerge it in the shadows, unsaturate, untint or lower its contrast, 
or defocus it; all reduce clarity.

Clarity: not necessary.

OK,
then working autofocus, or any focus, not necessary.
Image stabilization, not necessary.


Did you ever see the shots taken by that strange Czech dude Miroslav 
Tichy, a guy who looked like Aqualung and fabricated cameras from scrap 
plexiglass and cardboard? He took shots of women that, despite lacking 
focus and anti-shake (or any other mod-con), are pretty compelling.


[...] some of Mr. Tichy’s subjects assumed that his camera was fake. 
The cameras certainly don’t look functional; he fashioned them from 
shoeboxes, toilet-paper rolls and plexiglass, polishing the lenses with 
toothpaste and cigarette ash.


Tichy: If you want to be famous, you must do something more badly than 
anybody in the entire world.


http://www.nytimes.com/2010/02/12/arts/design/12photos.html

(Do a Google image search for him. Intriguing!)



You are hereby forbidden from criticizing a photo for poor focus, motion blur, or any 
lack of clarity. Or alternatively, you can read the first seven words of my sentence 
while there are exceptions to every rule.  What you've shown me are two 
exceptions:


I didn't plan to spend all evening gathering exceptions. :-)



Sunday drive  http://www.flickr.com/photos/booleansplit/3894430548
and the chase http://www.flickr.com/photos/ingynoo/4413415496

and five examples where sharpness are critical to the success of the photo.

http://www.flickr.com/photos/minebilder/208387780
The sharp edges of the horizontal lines lend critical contrast to the blurs in 
the background.

http://www.flickr.com/photos/bilbert/3134678910
I don't see anything that is at unsharp about this photo I wouldn't describe 
environmental haze lending depth as a lack of clarity.


You and I differ on a definition then. I define lack of clarity by all 
of the antonyms of clarity. You define lack of clarity as simply unsharp.




http://www.flickr.com/photos/bilbert/5179173922
Again, nothing unsharp about this one.  A little environmental haze lending 
depth is all.

http://www.flickr.com/photos/nikolaborissov/4119473858
I consider this picture sharp practically to the point of harshness.


(Really?)



http://www.flickr.com/photos/silentrunning/3609986922
The leading edge of the flower, right in the center of the screen, is in 
perfectly sharp focus, and the razor thin depth of field lends depth to the 
photo.

All of these photos critically depend on at least one element of sharpness to 
make them work.


Yes, agreed, there is *some* sharpness there, and it's critical where it 
appears.


But you are fixating on sharpness as the single measure of clarity, and 
I maintain that reduced clarity covers more ground than merely a lack of 
sharpness. It also covers gloom and shadows, low contrast and haze, 
distortion and noise. (It could even include obscured meaning of the 
image, but I'm *not* going there. )


Don't get me wrong: I'm not saying that clarity is /not/ good, or that 
clarity is /never/ necessary. I'm saying that there are excellent 
photos, and not just a few exceptions, that are low or very low on 
clarity. For another example, take the very large body of work of the 
Pictorialists. Look at The Black Bowl here ...

http://en.wikipedia.org/wiki/Pictorialism

You've heard of the Group f/64? Where sharpness is _everything_? I am 
not those guys. :-)

http://en.wikipedia.org/wiki/Group_f/64


Lots to think about anyway. Larry, thanks for inspiring this exploration.

-bmw


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Re: What gear is on your short list?

2011-01-27 Thread John Sessoms

From: Larry Colen

OK, then working autofocus, or any focus, not necessary. Image
stabilization, not necessary. You are hereby forbidden from
criticizing a photo for poor focus, motion blur, or any lack of
clarity.


Larry,

When you go out on a limb, be careful which side you're sawing off.


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Re: What gear is on your short list?

2011-01-27 Thread Bruce Walker

On 11-01-27 11:27 AM, John Sessoms wrote:

From: Larry Colen

OK, then working autofocus, or any focus, not necessary. Image
stabilization, not necessary. You are hereby forbidden from
criticizing a photo for poor focus, motion blur, or any lack of
clarity.


Larry,

When you go out on a limb, be careful which side you're sawing off.


Har! Mark!

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Re: What gear is on your short list?

2011-01-27 Thread Steven Desjardins
My real objection is generalizations like equipment doesn't matter.
For some shots it doesn't matter and for some it does.  My opinion is
that for a great majority it does make a difference.  Better equipment
is far less likely to be inappropriate for a particular photographic
situation than lousy equipment.

On Thu, Jan 27, 2011 at 10:28 AM, Bruce Walker bruce.wal...@gmail.com wrote:
 On 11-01-27 12:23 AM, Larry Colen wrote:

 On Jan 26, 2011, at 4:16 PM, Bruce Walker wrote:

 Too much clarity can spoil a shot. Very often you need to hide as much as
 you reveal; submerge it in the shadows, unsaturate, untint or lower its
 contrast, or defocus it; all reduce clarity.

 Clarity: not necessary.

 OK,
 then working autofocus, or any focus, not necessary.
 Image stabilization, not necessary.

 Did you ever see the shots taken by that strange Czech dude Miroslav Tichy,
 a guy who looked like Aqualung and fabricated cameras from scrap plexiglass
 and cardboard? He took shots of women that, despite lacking focus and
 anti-shake (or any other mod-con), are pretty compelling.

 [...] some of Mr. Tichy’s subjects assumed that his camera was fake. The
 cameras certainly don’t look functional; he fashioned them from shoeboxes,
 toilet-paper rolls and plexiglass, polishing the lenses with toothpaste and
 cigarette ash.

 Tichy: If you want to be famous, you must do something more badly than
 anybody in the entire world.

 http://www.nytimes.com/2010/02/12/arts/design/12photos.html

 (Do a Google image search for him. Intriguing!)


 You are hereby forbidden from criticizing a photo for poor focus, motion
 blur, or any lack of clarity. Or alternatively, you can read the first seven
 words of my sentence while there are exceptions to every rule.  What
 you've shown me are two exceptions:

 I didn't plan to spend all evening gathering exceptions. :-)


 Sunday drive  http://www.flickr.com/photos/booleansplit/3894430548
 and the chase http://www.flickr.com/photos/ingynoo/4413415496

 and five examples where sharpness are critical to the success of the
 photo.

 http://www.flickr.com/photos/minebilder/208387780
 The sharp edges of the horizontal lines lend critical contrast to the
 blurs in the background.

 http://www.flickr.com/photos/bilbert/3134678910
 I don't see anything that is at unsharp about this photo I wouldn't
 describe environmental haze lending depth as a lack of clarity.

 You and I differ on a definition then. I define lack of clarity by all of
 the antonyms of clarity. You define lack of clarity as simply unsharp.


 http://www.flickr.com/photos/bilbert/5179173922
 Again, nothing unsharp about this one.  A little environmental haze
 lending depth is all.

 http://www.flickr.com/photos/nikolaborissov/4119473858
 I consider this picture sharp practically to the point of harshness.

 (Really?)


 http://www.flickr.com/photos/silentrunning/3609986922
 The leading edge of the flower, right in the center of the screen, is in
 perfectly sharp focus, and the razor thin depth of field lends depth to the
 photo.

 All of these photos critically depend on at least one element of sharpness
 to make them work.

 Yes, agreed, there is *some* sharpness there, and it's critical where it
 appears.

 But you are fixating on sharpness as the single measure of clarity, and I
 maintain that reduced clarity covers more ground than merely a lack of
 sharpness. It also covers gloom and shadows, low contrast and haze,
 distortion and noise. (It could even include obscured meaning of the image,
 but I'm *not* going there. )

 Don't get me wrong: I'm not saying that clarity is /not/ good, or that
 clarity is /never/ necessary. I'm saying that there are excellent photos,
 and not just a few exceptions, that are low or very low on clarity. For
 another example, take the very large body of work of the Pictorialists. Look
 at The Black Bowl here ...
 http://en.wikipedia.org/wiki/Pictorialism

 You've heard of the Group f/64? Where sharpness is _everything_? I am not
 those guys. :-)
 http://en.wikipedia.org/wiki/Group_f/64


 Lots to think about anyway. Larry, thanks for inspiring this exploration.

 -bmw


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Re: What gear is on your short list?

2011-01-27 Thread Larry Colen

On Jan 27, 2011, at 8:27 AM, John Sessoms wrote:

 From: Larry Colen
 OK, then working autofocus, or any focus, not necessary. Image
 stabilization, not necessary. You are hereby forbidden from
 criticizing a photo for poor focus, motion blur, or any lack of
 clarity.
 
 Larry,
 
 When you go out on a limb, be careful which side you're sawing off.

If I were more careful about what I said, my writing would be much less 
interesting to read.  

Bruce is claiming that clarity is not necessary, and I'm saying that it is a 
critical element in most photos.  The whole photo doesn't need to be perfectly 
sharp, or clear, but the vast majority of photos need some aspect of clarity. 
By the same token, you could take great photos without using the red channel of 
your sensor,  write without using the letter 'R',  compose music without the 
note 'G', or respond to a PDML post without making any puns.

--
Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-01-27 Thread John Sessoms

From: Bob Sullivan

Oh, now there's an insult...



Nah! Sticks 'n stones ... Besides, I'm still better looking.



On Tue, Jan 25, 2011 at 10:46 AM, William Robb
anotherdrunken...@gmail.com wrote:

 On 25/01/2011 10:19 AM, John Sessoms wrote:


 From: Steven Desjardins


 If you have a Porsche you still have to drive it. It doesn't mean
 that a better driver won't do better in the Porsche than in a minivan.

 I don't question the central importance of the photographer. But if
 the equipment doesn't matter then we're all idiots for spending all
 this money on bodies and lenses.



 But a better driver might well do better in a minivan than a poor
 driver in a Porsche.

 I'm not saying better equipment doesn't matter. I'm saying that
 improving yourself as a photographer matters *more* for you to get full
 value from that better equipment.

 Better equipment by itself won't improve your skills. At best, it offers
 less of an impediment for you to improve your skills.

 Case in point ... could any amount of better equipment make Kenny Boy a
 better photographer?




 You're like having a junior version of JCO on list.




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Re: What gear is on your short list?

2011-01-27 Thread John Sessoms

From: Larry Colen

On Jan 27, 2011, at 8:27 AM, John Sessoms wrote:

From: Larry Colen

OK, then working autofocus, or any focus, not necessary.
Image stabilization, not necessary. You are hereby forbidden
from criticizing a photo for poor focus, motion blur, or any
lack of clarity.


Larry,

When you go out on a limb, be careful which side you're sawing
off.

If I were more careful about what I said, my writing would be much
less interesting to read.

Bruce is claiming that clarity is not necessary, and I'm saying that
it is a critical element in most photos.  The whole photo doesn't
need to be perfectly sharp, or clear, but the vast majority of photos
need some aspect of clarity. By the same token, you could take great
photos without using the red channel of your sensor,  write without
using the letter 'R',  compose music without the note 'G', or respond
to a PDML post without making any puns.



Yeah, but it's getting almost cartoonishly hilarious - Daffy vs. Bugs

Larry: It is!   Bruce: It is not!
Larry: It is!   Bruce: It is not!
Larry: It is!   Bruce: It is!

Larry: ... It is not!


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Re: What gear is on your short list?

2011-01-27 Thread Mark Roberts
On Thu, 27 Jan 2011 09:05:54 -0800, Larry Colen wrote:

If I were more careful about what I said, my writing would be much less 
interesting to read.  

Now *that's* a Mark!


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Re: What gear is on your short list?

2011-01-27 Thread Miserere
On 23 January 2011 12:50, John Sessoms jsessoms...@nc.rr.com wrote:

 I'd rather have a lens that makes life worth living.

MARK!


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment

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Re: What gear is on your short list?

2011-01-27 Thread Bruce Walker

On 11-01-27 12:03 PM, Steven Desjardins wrote:

My real objection is generalizations like equipment doesn't matter.
For some shots it doesn't matter and for some it does.  My opinion is
that for a great majority it does make a difference.  Better equipment
is far less likely to be inappropriate for a particular photographic
situation than lousy equipment.


Agreed, completely.  I don't think that I've ever said equipment 
doesn't matter myself, I certainly didn't intend to. If I really 
thought that, I wouldn't have upgraded beyond the Canon A75 ps I had.


I feel that equipment matters up to the point where it is not getting in 
the way. For some that point is really low. For others, quite high. Some 
people have great tolerance for work-arounds, some none.


Oh, and of course equipment matters a great to deal to bling 
collectors--but for reasons I'm completely uninterested in.  Like I 
don't care about the retro look of the Fuji X100, I just know it's not 
for me because 35mm-e isn't a focal length that suits me much.


-bmw

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Re: What gear is on your short list?

2011-01-27 Thread Paul Stenquist

On Jan 27, 2011, at 1:51 PM, Bruce Walker wrote:

 On 11-01-27 12:03 PM, Steven Desjardins wrote:
 My real objection is generalizations like equipment doesn't matter.
 For some shots it doesn't matter and for some it does.  My opinion is
 that for a great majority it does make a difference.  Better equipment
 is far less likely to be inappropriate for a particular photographic
 situation than lousy equipment.
 
 Agreed, completely.  I don't think that I've ever said equipment doesn't 
 matter myself, I certainly didn't intend to. If I really thought that, I 
 wouldn't have upgraded beyond the Canon A75 ps I had.
 
 I feel that equipment matters up to the point where it is not getting in the 
 way. For some that point is really low. For others, quite high. Some people 
 have great tolerance for work-arounds, some none.
 
 Oh, and of course equipment matters a great to deal to bling collectors--but 
 for reasons I'm completely uninterested in.  Like I don't care about the 
 retro look of the Fuji X100, I just know it's not for me because 35mm-e isn't 
 a focal length that suits me much.
 

I'm definitely not a collector, but I can appreciate the beauty of the Fuji 
X100. Of course I'd never buy one. It's too limited as a photographic tool. And 
in terms of pretty cameras, a Barnack Leica is more handsome, and an excellent 
one can be had for about a fourth of the Fuji's price.
http://photo.net/photodb/photo?photo_id=2870904size=lg

 -bmw
 
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Re: What gear is on your short list?

2011-01-27 Thread Godfrey DiGiorgi
On Thu, Jan 27, 2011 at 11:04 AM, Paul Stenquist
pnstenqu...@comcast.net wrote:

 On Jan 27, 2011, at 1:51 PM, Bruce Walker wrote:

 On 11-01-27 12:03 PM, Steven Desjardins wrote:
 My real objection is generalizations like equipment doesn't matter.
 For some shots it doesn't matter and for some it does.  My opinion is
 that for a great majority it does make a difference.  Better equipment
 is far less likely to be inappropriate for a particular photographic
 situation than lousy equipment.

 Agreed, completely.  I don't think that I've ever said equipment doesn't 
 matter myself, I certainly didn't intend to. ...

I've said ... Equipment often gets in the way of Photography. ...
quite often, never that it doesn't matter.

 I feel that equipment matters up to the point where it is not getting in the 
 way. ...

Exactly.

 I'm definitely not a collector, but I can appreciate the beauty of the Fuji 
 X100. Of course I'd never buy one. It's too limited as a photographic tool. 
 And in terms of pretty cameras, a Barnack Leica is more handsome, and an 
 excellent one can be had for about a fourth of the Fuji's price.
 http://photo.net/photodb/photo?photo_id=2870904size=lg

A Barnack Leica is a pretty thing, but having shot with three of them
for a period of 15 years I'd not want one again other than as a shelf
decoration. The viewfinder is pretty wretched. I don't see where
you're finding them for $300 ...  The lowest prices I find for a
usable condition IIIf body and lens seem to be in the $500-700 range.
But I haven't looked very hard.

Of course, they use film and I no longer work with film, so an X100 is
far far more sensible as a photographic tool at $1200 than a Barnack
Leica is for $300. At least you get a really nice viewfinder for that
price. ;-)
-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: What gear is on your short list?

2011-01-27 Thread Paul Stenquist

On Jan 27, 2011, at 2:59 PM, Godfrey DiGiorgi wrote:

 On Thu, Jan 27, 2011 at 11:04 AM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
 
 On Jan 27, 2011, at 1:51 PM, Bruce Walker wrote:
 
 On 11-01-27 12:03 PM, Steven Desjardins wrote:
 My real objection is generalizations like equipment doesn't matter.
 For some shots it doesn't matter and for some it does.  My opinion is
 that for a great majority it does make a difference.  Better equipment
 is far less likely to be inappropriate for a particular photographic
 situation than lousy equipment.
 
 Agreed, completely.  I don't think that I've ever said equipment doesn't 
 matter myself, I certainly didn't intend to. ...
 
 I've said ... Equipment often gets in the way of Photography. ...
 quite often, never that it doesn't matter.
 
 I feel that equipment matters up to the point where it is not getting in 
 the way. ...
 
 Exactly.
 
 I'm definitely not a collector, but I can appreciate the beauty of the Fuji 
 X100. Of course I'd never buy one. It's too limited as a photographic tool. 
 And in terms of pretty cameras, a Barnack Leica is more handsome, and an 
 excellent one can be had for about a fourth of the Fuji's price.
 http://photo.net/photodb/photo?photo_id=2870904size=lg
 
 A Barnack Leica is a pretty thing, but having shot with three of them
 for a period of 15 years I'd not want one again other than as a shelf
 decoration. The viewfinder is pretty wretched. I don't see where
 you're finding them for $300 ...  The lowest prices I find for a
 usable condition IIIf body and lens seem to be in the $500-700 range.
 But I haven't looked very hard.
 
 Of course, they use film and I no longer work with film, so an X100 is
 far far more sensible as a photographic tool at $1200 than a Barnack
 Leica is for $300. At least you get a really nice viewfinder for that
 price. ;-)
 -- 
You're right of course. I didn't meant to imply that I'd rather shoot with a 
Barnack Leica. They're a pain. What I meant was that neither the Leica nor the 
Fuji would serve me very well as a photographic tool, given the type of work I 
do. So if I were to buy something merely because I thought it was attractive, I 
would opt for the prettier Leica. 

Bodies can be had for around $300 or less on ebay, although with a lens I'd 
expect to pay $500. With the Summicron 50/2 in my photo, it's more like $600 - 
$750. 
 Godfrey
   godfreydigiorgi.posterous.com
 
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Re: What gear is on your short list?

2011-01-27 Thread Ken Waller
If I were more careful about what I said, my writing would be much less 
interesting to read.


True for a lot of the 'Marks'

MARK!

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Larry Colen l...@red4est.com

Subject: Re: What gear is on your short list?




On Jan 27, 2011, at 8:27 AM, John Sessoms wrote:


From: Larry Colen

OK, then working autofocus, or any focus, not necessary. Image
stabilization, not necessary. You are hereby forbidden from
criticizing a photo for poor focus, motion blur, or any lack of
clarity.


Larry,

When you go out on a limb, be careful which side you're sawing off.


If I were more careful about what I said, my writing would be much less 
interesting to read.


Bruce is claiming that clarity is not necessary, and I'm saying that it is 
a critical element in most photos.  The whole photo doesn't need to be 
perfectly sharp, or clear, but the vast majority of photos need some 
aspect of clarity. By the same token, you could take great photos without 
using the red channel of your sensor,  write without using the letter 'R', 
compose music without the note 'G', or respond to a PDML post without 
making any puns.


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Re: What gear is on your short list?

2011-01-27 Thread Bruce Walker

On 11-01-27 12:05 PM, Larry Colen wrote:

If I were more careful about what I said, my writing would be much less 
interesting to read.


So you're saying that clarity is actually undesirable.

fx ricochet /fx

:-)

-bmw

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Re: What gear is on your short list?

2011-01-27 Thread Ken Waller


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Bruce Walker bruce.wal...@gmail.com

Subject: Re: What gear is on your short list?



On 11-01-27 12:05 PM, Larry Colen wrote:
If I were more careful about what I said, my writing would be much less 
interesting to read.


So you're saying that clarity is actually undesirable.


Yes if you're looking to get MARKED


fx ricochet /fx

:-)

-bmw



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Re: What gear is on your short list?

2011-01-27 Thread Larry Colen

On Jan 27, 2011, at 7:28 AM, Bruce Walker wrote:

 On 11-01-27 12:23 AM, Larry Colen wrote:
 On Jan 26, 2011, at 4:16 PM, Bruce Walker wrote:
 
 
 You and I differ on a definition then. I define lack of clarity by all of the 
 antonyms of clarity. You define lack of clarity as simply unsharp.

That is part of it, and the other part is perhaps a disconnect between what 
you're saying, and what I'm hearing.

You say that clarity is not necessary, and I hear that as you're saying that 
nothing in the photo needs to be clear. What I'm saying is that in *most* 
photos, something needs to be clear. While a couple of your examples didn't 
have anything that was sharp, even they had enough clarity to easily recognize 
the road and the trees.

I am certainly not saying that nothing in the picture can be blurred. As a 
matter of fact, in one of the photos that I'm almost certainly going to submit 
to the annual:
http://www.flickr.com/photos/ellarsee/4603493834/in/set-72157625712393314/
I don't think that there is anything in the picture that is perfectly sharp, 
although I think it would be slightly stronger if the things that were nearly 
so, actually were perfectly sharp, as much of the appeal of the photo is the 
contrast between the clarity of stationary objects in the field of focus, and 
the lack of clarity of everything else.

What I suspect that you really mean is not that nothing in the photo needs to 
be clear, but that not everything in the photo needs to be clear. While I'm 
saying that while not everything in the photo needs to be clear, the fast 
majority of the time, something does.  In other words, you and I seem to be in 
violent agreement on this.

 
 http://www.flickr.com/photos/silentrunning/3609986922
 The leading edge of the flower, right in the center of the screen, is in 
 perfectly sharp focus, and the razor thin depth of field lends depth to the 
 photo.
 
 All of these photos critically depend on at least one element of sharpness 
 to make them work.
 
 Yes, agreed, there is *some* sharpness there, and it's critical where it 
 appears.

Yes, that's what I said.

 
 But you are fixating on sharpness as the single measure of clarity, and I 
 maintain that reduced clarity covers more ground than merely a lack of 
 sharpness. It also covers gloom and shadows, low contrast and haze, 
 distortion and noise. (It could even include obscured meaning of the image, 
 but I'm *not* going there. )

I was indeed misunderstanding your definition of clarity, which I find amusing.

 
 Don't get me wrong: I'm not saying that clarity is /not/ good, or that 
 clarity is /never/ necessary. I'm saying that there are excellent photos, and 
 not just a few exceptions, that are low or very low on clarity. For another 
 example, take the very large body of work of the Pictorialists. Look at The 
 Black Bowl here ...
 http://en.wikipedia.org/wiki/Pictorialism

If you don't define clarity as sharpness, but rather the opposite of obscuring, 
then I'd say that it is very clear what various elements in the photo are, and 
that if the woman's face and jewelry were blurred to unrecognizability (a 
complete lack of clarity), then the picture would not work. I think that the 
point that we're in violent agreement on is that clarity (not necessarily 
sharpness) is a tool, and that is critical that a photograph have the right 
amount of it in order to work.  I think that it's critical to recognize that 
clarity is an analog value, not a boolean one, and there's a range between zero 
clarity and 100% clarity.

 
 You've heard of the Group f/64? Where sharpness is _everything_? I am not 
 those guys. :-)
 http://en.wikipedia.org/wiki/Group_f/64

When I first heard about them, in my early teens, I considered them as an ideal 
to aspire to. But at one point I sort of felt the same way about orthodox jews 
too.

 
 
 Lots to think about anyway. Larry, thanks for inspiring this exploration.

I agree. I've been having fun with this.


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Re: What gear is on your short list?

2011-01-27 Thread Godfrey DiGiorgi
On Thu, Jan 27, 2011 at 12:27 PM, Paul Stenquist
pnstenqu...@comcast.net wrote:
 ... You're right of course. I didn't meant to imply that I'd rather shoot 
 with a Barnack Leica. They're a pain. What I meant was that neither the Leica 
 nor the Fuji would serve me very well as a photographic tool, given the type 
 of work I do.  ...

I don't see a camera like this as being a replacement for my system
kit but rather as an adjunct to the system camera. It's for
photography that I'd prefer to do with a smaller, lighter, more
convenient to carry camera, for when a handy camera with a simple fast
wide or normal lens is the best tool.

Creativity blossoms with technical constraint. I can't remember who
said that but I've often found it to be true. ;-)
-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: What gear is on your short list?

2011-01-27 Thread Bruce Walker

On 11-01-27 5:13 PM, Larry Colen wrote:
What I suspect that you really mean is not that nothing in the photo 
needs to be clear, but that not everything in the photo needs to be 
clear. While I'm saying that while not everything in the photo needs 
to be clear, the fast majority of the time, something does. In other 
words, you and I seem to be in violent agreement on this.


Quite so. And since we cannot seem to come to a disagreement, we'll just 
have to agree to agree. :-)


-bmw

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Re: What gear is on your short list?

2011-01-27 Thread Larry Colen

On Jan 27, 2011, at 4:12 PM, Bruce Walker wrote:

 On 11-01-27 5:13 PM, Larry Colen wrote:
 What I suspect that you really mean is not that nothing in the photo needs 
 to be clear, but that not everything in the photo needs to be clear. While 
 I'm saying that while not everything in the photo needs to be clear, the 
 fast majority of the time, something does. In other words, you and I seem to 
 be in violent agreement on this.
 
 Quite so. And since we cannot seem to come to a disagreement, we'll just have 
 to agree to agree. :-)

I'm glad that we got clear on that.
 

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Re: What gear is on your short list?

2011-01-27 Thread Bruce Walker

On 11-01-27 5:13 PM, Larry Colen wrote:

  one of the photos that I'm almost certainly going to submit to the annual:
http://www.flickr.com/photos/ellarsee/4603493834/in/set-72157625712393314/
I don't think that there is anything in the picture that is perfectly sharp, 
although I think it would be slightly stronger if the things that were nearly 
so, actually were perfectly sharp, as much of the appeal of the photo is the 
contrast between the clarity of stationary objects in the field of focus, and 
the lack of clarity of everything else.


BTW, meant to add: great choice!  And there's easily enough contrast 
between motion-blurred and steady to make the shot work.


-bmw

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Re: What gear is on your short list?

2011-01-27 Thread Larry Colen

On Jan 27, 2011, at 4:22 PM, Bruce Walker wrote:

 On 11-01-27 5:13 PM, Larry Colen wrote:
  one of the photos that I'm almost certainly going to submit to the annual:
 http://www.flickr.com/photos/ellarsee/4603493834/in/set-72157625712393314/
 I don't think that there is anything in the picture that is perfectly sharp, 
 although I think it would be slightly stronger if the things that were 
 nearly so, actually were perfectly sharp, as much of the appeal of the photo 
 is the contrast between the clarity of stationary objects in the field of 
 focus, and the lack of clarity of everything else.
 
 BTW, meant to add: great choice!  And there's easily enough contrast between 
 motion-blurred and steady to make the shot work.

Thanks.  That and my photo of Anno Sensei are pretty much mandatory to submit.

I'm having a hard time picking my third one. I want something significantly 
different.  One of my absolute favorites is a rather edgy profile of a model 
licking a chainmail leash, but I'm pretty sure that it's a bit too edgy for the 
annual.  Another favorite is the one of a model on the beach, I liked it so 
much I immediately printed it out as a 12x18.  

Based partly on the reactions of people as they read my book,  the two that I'm 
trying to decide between are my pigeon photo
http://www.flickr.com/photos/ellarsee/4626341078/in/set-72157625712393314/
and my firetruck photo:
http://www.flickr.com/photos/ellarsee/5194589514/in/set-72157625712393314/

I think that the firetruck photo is a prettier image, but that the pigeon photo 
is a bit more creative. That's a shot that I made rather than noticing hey 
that's pretty and pretty much taking a snapshot.

The one that I kind of wish I could submit, because it's fun, and topical,  is 
my portrait of the little stormtrooper:
http://www.flickr.com/photos/ellarsee/4418614177/in/set-72157625712393314/

At least I've got a few more weeks to make the decision.

--
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Re: What gear is on your short list?

2011-01-27 Thread Paul Stenquist

On Jan 27, 2011, at 6:43 PM, Godfrey DiGiorgi wrote:

 On Thu, Jan 27, 2011 at 12:27 PM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
 ... You're right of course. I didn't meant to imply that I'd rather shoot 
 with a Barnack Leica. They're a pain. What I meant was that neither the 
 Leica nor the Fuji would serve me very well as a photographic tool, given 
 the type of work I do.  ...
 
 I don't see a camera like this as being a replacement for my system
 kit but rather as an adjunct to the system camera. It's for
 photography that I'd prefer to do with a smaller, lighter, more
 convenient to carry camera, for when a handy camera with a simple fast
 wide or normal lens is the best tool.
 
I could see myself using and enjoying it in that manner. But my budget doesn't 
have a category for things I'd like to have but don't need:-).
Paul
 Creativity blossoms with technical constraint. I can't remember who
 said that but I've often found it to be true. ;-)
 -- 
 Godfrey
   godfreydigiorgi.posterous.com
 
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Re: What gear is on your short list?

2011-01-27 Thread Rob Studdert
On 28 January 2011 11:46, Larry Colen l...@red4est.com wrote:

 I'm having a hard time picking my third one. I want something significantly 
 different.  One of my absolute favorites is a rather edgy profile of a model 
 licking a chainmail leash, but I'm pretty sure that it's a bit too edgy for 
 the annual.  Another favorite is the one of a model on the beach, I liked it 
 so much I immediately printed it out as a 12x18.

I'm down to my short-list too, interesting question, what is too
edgy/risqué for the Annual? There are no guidelines in this regard,
there are a few images that I have self censored that I would have
otherwise liked to submit.

Cheers,

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: What gear is on your short list?

2011-01-27 Thread Larry Colen

On Jan 27, 2011, at 5:43 PM, Rob Studdert wrote:

 On 28 January 2011 11:46, Larry Colen l...@red4est.com wrote:
 
 I'm having a hard time picking my third one. I want something significantly 
 different.  One of my absolute favorites is a rather edgy profile of a model 
 licking a chainmail leash, but I'm pretty sure that it's a bit too edgy for 
 the annual.  Another favorite is the one of a model on the beach, I liked it 
 so much I immediately printed it out as a 12x18.
 
 I'm down to my short-list too, interesting question, what is too
 edgy/risqué for the Annual? There are no guidelines in this regard,
 there are a few images that I have self censored that I would have
 otherwise liked to submit.

I sort of figure that the photos should be suitable for the children's cancer 
ward that it's raising money for.


 

--
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Re: What gear is on your short list?

2011-01-27 Thread Rob Studdert
On 28 January 2011 12:47, Larry Colen l...@red4est.com wrote:

 I sort of figure that the photos should be suitable for the children's cancer 
 ward that it's raising money for.

So it's really up to the individuals discretion, the images I'm
referring to I could show (and have) to my 4 yo but some more
prudish adults may have problems with them. I guess the issue is that
I don't want to waste a submission by having it dismissed by the
editing team due to an unwritten rule.

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RE: What gear is on your short list?

2011-01-26 Thread Bob W
 From: Steven Desjardins
  I am what I am and that's all what I am  - Popeye the Sailor  ;-)
 
 
 Well, that clears one thing up. It always sounded to me like he was
 saying I yam what I yam and that's all what I yam.
 
 Never could figure out what that had to do with spinach.

the yam is a tropical variety of spinach. Bob Marley wrote a song about it:

Ooh, yeah! All right!
We're yammin':
I wanna yam it wid you.
We're yammin', yammin',
And we really like spinach, too.




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Re: What gear is on your short list?

2011-01-26 Thread AlunFoto
I'm always impressed by how you guys can put a spin on the pun itch.
Jostein

2011/1/26 Bob W p...@web-options.com:
 From: Steven Desjardins
  I am what I am and that's all what I am  - Popeye the Sailor  ;-)
 

 Well, that clears one thing up. It always sounded to me like he was
 saying I yam what I yam and that's all what I yam.

 Never could figure out what that had to do with spinach.

 the yam is a tropical variety of spinach. Bob Marley wrote a song about it:

 Ooh, yeah! All right!
 We're yammin':
 I wanna yam it wid you.
 We're yammin', yammin',
 And we really like spinach, too.




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Re: What gear is on your short list?

2011-01-26 Thread Steven Desjardins
It's not that it matters all that much but I do have to practice these
why equipment matters arguments to use on my wife.

On Wed, Jan 26, 2011 at 4:50 AM, AlunFoto alunf...@gmail.com wrote:
 I'm always impressed by how you guys can put a spin on the pun itch.
 Jostein

 2011/1/26 Bob W p...@web-options.com:
 From: Steven Desjardins
  I am what I am and that's all what I am  - Popeye the Sailor  ;-)
 

 Well, that clears one thing up. It always sounded to me like he was
 saying I yam what I yam and that's all what I yam.

 Never could figure out what that had to do with spinach.

 the yam is a tropical variety of spinach. Bob Marley wrote a song about it:

 Ooh, yeah! All right!
 We're yammin':
 I wanna yam it wid you.
 We're yammin', yammin',
 And we really like spinach, too.




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Re: What gear is on your short list?

2011-01-26 Thread Bruce Walker

On 11-01-25 7:47 PM, Larry Colen wrote:

Better equipment won't make you a better photographer, and one can argue that 
equipment that is too good at doing everything automatically can interfere with 
you becoming a better photographer. And while a good photographer can get great 
pictures with almost any gear, especially if you aren't overmuch worried about 
minor details like sharpness, the right equipment can allow almost anyone to 
get clearer photos under difficult lighting situations.


That's not a persuasive argument for either side, Larry.  Achieving 
clear photos has little or nothing to do with great pictures.  Clear 
photos are desirable in technical manuals though.


-bmw

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Re: What gear is on your short list?

2011-01-26 Thread Paul Stenquist
Equipment upgrades can definitely improve the quality and efficiency of one's 
work. For example, the much improved metering of the K-7 made it a much better 
tool than the K20. Likewise, the improved autofocus and low- light noise levels 
of the K-5 make it a better tool than the K-7. I shot some pics at a pool hall 
last week just for gins, but also to gauge the K-5 low light capabilities in 
regard to noise and focus lock under difficult conditions. I did a similar 
shoot last year with the K-7. The performance of the K-5 was much better. Thus 
my results were better. Better equipment does make one a better photographer. 
It's certainly not the only factor that enters into the equation, but it's a 
very important one. 

That being said, I very much enjoy shooting with my Barnack Leica. A difficult 
chore, but a rewarding one. 

If personal enjoyment is the only goal of photography, the equipment is not so 
large a factor. But if profit and efficiency are a goal, equipment is critical. 
On Jan 26, 2011, at 10:04 AM, Bruce Walker wrote:

 On 11-01-25 7:47 PM, Larry Colen wrote:
 Better equipment won't make you a better photographer, and one can argue 
 that equipment that is too good at doing everything automatically can 
 interfere with you becoming a better photographer. And while a good 
 photographer can get great pictures with almost any gear, especially if you 
 aren't overmuch worried about minor details like sharpness, the right 
 equipment can allow almost anyone to get clearer photos under difficult 
 lighting situations.
 
 That's not a persuasive argument for either side, Larry.  Achieving clear 
 photos has little or nothing to do with great pictures.  Clear photos are 
 desirable in technical manuals though.
 
 -bmw
 
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Re: What gear is on your short list?

2011-01-26 Thread P. J. Alling

On 1/26/2011 1:33 AM, Boris Liberman wrote:

On 1/26/2011 12:12 AM, Bob W wrote:
Hmm. That would not be photography. Photography is the _direct_ 
action of

light on the film / sensor. It would be photography if you replaced your
retina with Velvia.

B


I thought retina (tm) was some kind of display technology /wink wink/...

Boris


Retina is capture technology.

--
Where's the Kaboom?  There was supposed to be an Earth-shattering Kaboom!

--Marvin the Martian.


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Re: What gear is on your short list?

2011-01-26 Thread Steven Desjardins
So a retina (about 1100 mm^2) is bigger than FF (864 mm^2)?

On Wed, Jan 26, 2011 at 12:02 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 On 1/26/2011 1:33 AM, Boris Liberman wrote:

 On 1/26/2011 12:12 AM, Bob W wrote:

 Hmm. That would not be photography. Photography is the _direct_ action of
 light on the film / sensor. It would be photography if you replaced your
 retina with Velvia.

 B

 I thought retina (tm) was some kind of display technology /wink wink/...

 Boris

 Retina is capture technology.

 --
 Where's the Kaboom?  There was supposed to be an Earth-shattering Kaboom!

        --Marvin the Martian.


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Re: What gear is on your short list?

2011-01-26 Thread Larry Colen

On Jan 26, 2011, at 7:04 AM, Bruce Walker wrote:

 On 11-01-25 7:47 PM, Larry Colen wrote:
 Better equipment won't make you a better photographer, and one can argue 
 that equipment that is too good at doing everything automatically can 
 interfere with you becoming a better photographer. And while a good 
 photographer can get great pictures with almost any gear, especially if you 
 aren't overmuch worried about minor details like sharpness, the right 
 equipment can allow almost anyone to get clearer photos under difficult 
 lighting situations.
 
 That's not a persuasive argument for either side, Larry.  Achieving clear 
 photos has little or nothing to do with great pictures.  Clear photos are 
 desirable in technical manuals though.

While there are exceptions to every artistic rule, unless your name is Knarf, 
clarity is a necessary but not sufficient condition for a great picture.

--
Larry Colen l...@red4est.com sent from i4est





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Re: What gear is on your short list?

2011-01-26 Thread Bruce Walker

On 11-01-26 1:37 PM, Larry Colen wrote:

On Jan 26, 2011, at 7:04 AM, Bruce Walker wrote:

On 11-01-25 7:47 PM, Larry Colen wrote:

Better equipment won't make you a better photographer, and one can argue that 
equipment that is too good at doing everything automatically can interfere with 
you becoming a better photographer. And while a good photographer can get great 
pictures with almost any gear, especially if you aren't overmuch worried about 
minor details like sharpness, the right equipment can allow almost anyone to 
get clearer photos under difficult lighting situations.

That's not a persuasive argument for either side, Larry.  Achieving clear photos has 
little or nothing to do with great pictures.  Clear photos are desirable in technical 
manuals though.

While there are exceptions to every artistic rule, unless your name is Knarf, 
clarity is a necessary but not sufficient condition for a great picture.


I beg to differ, and offer just a few from an innumerable list of 
excellent images with little or no clarity. These shots are not 
mine--all taken from Flickr ...


http://www.flickr.com/photos/booleansplit/3894430548
http://www.flickr.com/photos/minebilder/208387780
http://www.flickr.com/photos/bilbert/3134678910
http://www.flickr.com/photos/ingynoo/4413415496
http://www.flickr.com/photos/bilbert/5179173922
http://www.flickr.com/photos/nikolaborissov/4119473858
http://www.flickr.com/photos/silentrunning/3609986922

And don't forget Christine Aguila's wonderful shot from the 2009 PDML 
Annual (pg 9). Very low contrast, foggy, barely discernable bare trees 
in a snowscape. Yet gorgeous; one of the most striking shots in the book.


Too much clarity can spoil a shot. Very often you need to hide as much 
as you reveal; submerge it in the shadows, unsaturate, untint or lower 
its contrast, or defocus it; all reduce clarity.


Clarity: not necessary.

-bmw

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Re: What gear is on your short list?

2011-01-26 Thread John Sessoms

From: Boris Liberman

On 1/26/2011 12:12 AM, Bob W wrote:

 Hmm. That would not be photography. Photography is the _direct_ action of
 light on the film / sensor. It would be photography if you replaced your
 retina with Velvia.

 B

I thought retina (tm) was some kind of display technology /wink wink/...

Boris



Did someone say something about replacing velvia with Retsina?

I'll drink to that.


-
No virus found in this message.
Checked by AVG - www.avg.com
Version: 10.0.1202 / Virus Database: 1435/3403 - Release Date: 01/25/11


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Re: What gear is on your short list?

2011-01-26 Thread Rob Studdert
On 27 January 2011 11:16, Bruce Walker bruce.wal...@gmail.com wrote:

 I beg to differ, and offer just a few from an innumerable list of excellent
 images with little or no clarity. These shots are not mine--all taken from
 Flickr ...

 http://www.flickr.com/photos/booleansplit/3894430548
 http://www.flickr.com/photos/minebilder/208387780
 http://www.flickr.com/photos/bilbert/3134678910
 http://www.flickr.com/photos/ingynoo/4413415496
 http://www.flickr.com/photos/bilbert/5179173922
 http://www.flickr.com/photos/nikolaborissov/4119473858
 http://www.flickr.com/photos/silentrunning/3609986922

 And don't forget Christine Aguila's wonderful shot from the 2009 PDML Annual
 (pg 9). Very low contrast, foggy, barely discernable bare trees in a
 snowscape. Yet gorgeous; one of the most striking shots in the book.

 Too much clarity can spoil a shot. Very often you need to hide as much as
 you reveal; submerge it in the shadows, unsaturate, untint or lower its
 contrast, or defocus it; all reduce clarity.

 Clarity: not necessary.

I would argue that only two of the sample images you linked don't rely
upon clarity as a component of their composition and of those one I
like an the other my 4yo could have shot (if he were allowed to sit in
the front seat)

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: What gear is on your short list?

2011-01-26 Thread Steven Desjardins
Most of these images rely on an element of clarity in a diffuse field.
 Awesome shots, BTW,  I really like that face and the wharf/dock.

On Wed, Jan 26, 2011 at 7:16 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 On 11-01-26 1:37 PM, Larry Colen wrote:

 On Jan 26, 2011, at 7:04 AM, Bruce Walker wrote:

 On 11-01-25 7:47 PM, Larry Colen wrote:

 Better equipment won't make you a better photographer, and one can argue
 that equipment that is too good at doing everything automatically can
 interfere with you becoming a better photographer. And while a good
 photographer can get great pictures with almost any gear, especially if you
 aren't overmuch worried about minor details like sharpness, the right
 equipment can allow almost anyone to get clearer photos under difficult
 lighting situations.

 That's not a persuasive argument for either side, Larry.  Achieving
 clear photos has little or nothing to do with great pictures.  Clear
 photos are desirable in technical manuals though.

 While there are exceptions to every artistic rule, unless your name is
 Knarf, clarity is a necessary but not sufficient condition for a great
 picture.

 I beg to differ, and offer just a few from an innumerable list of excellent
 images with little or no clarity. These shots are not mine--all taken from
 Flickr ...

 http://www.flickr.com/photos/booleansplit/3894430548
 http://www.flickr.com/photos/minebilder/208387780
 http://www.flickr.com/photos/bilbert/3134678910
 http://www.flickr.com/photos/ingynoo/4413415496
 http://www.flickr.com/photos/bilbert/5179173922
 http://www.flickr.com/photos/nikolaborissov/4119473858
 http://www.flickr.com/photos/silentrunning/3609986922

 And don't forget Christine Aguila's wonderful shot from the 2009 PDML Annual
 (pg 9). Very low contrast, foggy, barely discernable bare trees in a
 snowscape. Yet gorgeous; one of the most striking shots in the book.

 Too much clarity can spoil a shot. Very often you need to hide as much as
 you reveal; submerge it in the shadows, unsaturate, untint or lower its
 contrast, or defocus it; all reduce clarity.

 Clarity: not necessary.

 -bmw

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