Re: Welfare Music

1999-04-21 Thread vgs399

Jeff said:
My only complaint is that Chris Gray  (singer/gee-tar) says he likes
Sheryl
Crow...

Sheryl Crow is a three on a scale of 1-5. She ain't great, but she ain't
Mariah Carey.

Jeff

Huh?  Mariah Carey cannot and I repeat cannot stay glued to one note long
enough to let you hear for sure that she has raked her vocal chords over the
coals for the last time and will be in need of vocal chord surgery any day
now.  Trilling a scale is for people who've lost it - do not confuse with
the great scatting of Ella Fitzgerald in her heyday.  Carey's camp wants us
to believe that she has an eight-octave range.  Yeah, right - if rocks could
fly.  Sorry Jeff, Carey ruined her voice a long time ago.
On Crow - well, pleasant voice but I'm still looking for a female Delbert
McClinton or Paul Rodgers in his day - maybe Bonnie Raitt meets Wynonna? g
Tera





RE: Welfare Music

1999-04-21 Thread Richard Haslop

Wasn't the same said about Captain Beefheart?  Now THAT was a voice.

-Original Message-
From: vgs399 [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, April 21, 1999 9:00 AM
To: passenger side
Subject: Re: Welfare Music


Carey's camp wants us
to believe that she has an eight-octave range.  Yeah, right - if rocks
could
fly. 



Re: Welfare Music

1999-04-21 Thread James Gerard Roll


On Wed, 21 Apr 1999, JP Riedie wrote:

 Shryl Crow is one of the best big mainstream stars around. Not only is her
 heart in the right place, her records are extremely well-crafted and
 listenable, her melodic sense is stronger than many better writers and at
 the very least she tries to express herself.  If she wasn't selling tons of
 records she would, I think be champoined by several folks on this list.
 Since she needs no championing, I'll do it just to be contrary.


I totally agree on all accounts here.  I don't own any of her records . .
. but I think this sums up my impressions of her as a person and an
artist.  And I have had a few instances where I have heard a song on the
radio and liked and found out it  was CC.

Great voice too . . . one of the most expressive female voices in pop
music.

-jim 



Re: Welfare Music

1999-04-21 Thread Jeff Weiss

At 02:59 AM 4/21/99 -0400, you wrote:
Jeff said:
My only complaint is that Chris Gray  (singer/gee-tar) says he likes
Sheryl
Crow...

Sheryl Crow is a three on a scale of 1-5. She ain't great, but she ain't
Mariah Carey.

Jeff

Huh?  Mariah Carey cannot and I repeat cannot stay glued to one note long
enough to let you hear for sure that she has raked her vocal chords over the




mariah's a one.

Jeff


Miles of Music mail order
http://www.milesofmusic.com
FREE printed Catalog: (818) 883-9975 fax: (818) 992-8302, [EMAIL PROTECTED] 
Alt-Country, rockabilly, bluegrass, folk, power pop and tons more.




Welfare Music

1999-04-20 Thread Tar Hut Records




Pretty decent interview with Martin's 
Folly on that Welfare Music site. 
Click here: http://www.welfaremusic.com/Martins_Folly/interview_1_41499.html

My only complaint is that Chris Gray 
(singer/gee-tar) says he likes Sheryl Crow...

This only counts as a half-spam, since I am 
pointing you to a site with other stuff, too...




Jeff Copetas ~ Tar Hut RecordsPO 
Box 441940 ~ Somerville, MA 02144www.tarhut.com ~ (617)776-5106

Two monologues don't make a 
dialogue.


Re: Welfare Music

1999-04-20 Thread Jeff Weiss

My only complaint is that Chris Gray  (singer/gee-tar) says he likes Sheryl
Crow...   

Sheryl Crow is a three on a scale of 1-5. She ain't great, but she ain't
Mariah Carey.

Jeff


Miles of Music mail order
http://www.milesofmusic.com
FREE printed Catalog: (818) 883-9975 fax: (818) 992-8302, [EMAIL PROTECTED] 
Alt-Country, rockabilly, bluegrass, folk, power pop and tons more.




Fw: Welfare Music Weekly

1999-04-09 Thread Marie Arsenault

This might be of interest to some of you.

marie

-Original Message-


Welfare Music Weekly
4/9/99

New this week on WelfareMusic:
Interviews
THE HANGDOGS: THE BEST BAND YOU NEVER HEARD OF
Veterans of the New York City music scene, this
band has a solid album, East of Yesterday, behind
them, and a good fan base. Their live shows are
energetic and tight, and they can pound the beers
onstage, never losing a beat while playing.
http://www.welfaremusic.com/The_Hangdogs/interview_1_4899.html

Features:
Just what is an alt-country wife? by Jennifer Dowling
SXSW 1999 by Chuck McCutcheon
http://www.welfaremusic.com/features.html

Essential Albums:
Saddle Up! The Cowboy Renaissance--Various
Cowboy Nation--Cowboy Nation
Too Far to Care--Old 97s
http://www.welfaremusic.com/spotlight.html

Concert Reviews:
Gillian Welch/David Rawlings in
Bloomington, IN
http://www.welfaremusic.com/concerts.html

About WelfareMusic:
Its meet the staff week
http://www.welfaremusic.com/about.html

---

Roughstock has named us site of the week:
http://www.roughstock.com/roughstock

Definitely a site worth checking out.

--

Help keep WelfareMusic in business. Buy our compilation CD:
http://www.welfaremusic.com/cd.html

Thanks.



-
Angelo Kontarinis
Editor
WelfareMusic
music with a twang.
http://www.welfaremusic.com
[EMAIL PROTECTED]



Welfare Music

1999-04-01 Thread Marie Arsenault

I just received this. It might interest some of you.


Well, our painstaking work has come to an end, for now. WelfareMusic has
officially launched.
The response so far has been great. Stop by and sign up for our mailings.
http://www.welfaremusic.com/

Our launch issue has interviews with the Bottle Rockets, Hayseed, and The
Handsome Family.

We have built a very cool community section named The Back Porch. It has
much better message threads than
the Yahoo site. They are threaded and it is much easier to follow
discussions.
http://www.welfaremusic.com/backporch/index.html

I hope you like our site and keep coming back. WelfareMusic's success
depends on all of us.

Upcoming interviews: Jay Farrar, The Ex-Husbands, The Hangdogs.





Re: Welfare Music

1999-04-01 Thread Jim_Caligiuri

Thanks for posting that Marie. Here's a clip from the Bottlerockets
interview that ties in with some of what's been discussed here lately, I
think. g

Jim

  WM: You don't like roots rock I take it.
  BH: Oh, I love roots rock, it cracks me
up. The whole idea
  of singling it out and naming it
something to insure it never
  gets on the radio cracks me up.

  WM: So you are a lot like Jay and the
other artists ... you
  don't want to be pigeonholed.
  BH: It was a really good name to kill
everything. Ok lets call
  it alternative country. Look at that.
Look at the breadth of
  the stuff that's in there. So if you
happen to be an alternative
  country band with a rock song such as...
Like I told you the
  other night, if Exile on Main Street were
 to be made today,
  it would be considered alternative
country. So it ain't gonna
  get on the radio. It will never happen.
They'll never listen to it
  cause it'll be brought to them as
alternative country and it
  wont go. Not on big radio. Big radio
sucks.

  WM: So, you don't think that you guys and
 Wilco and Son
  Volt will ever become radio friendly to
the point of stardom,
  wealth, etc?
  BH: Well, Son Volt, Wilco, Uncle Tupelo
have been working
  at it for over 10 years now.

  WM: Consciously, do you think?
  BH: Not consciously, but still you know,
they have been
  drifting around as the icons, the upper
echelon. And they've
  been doing it since 88. Maybe its time to
 reevaluate. It's
  been 11 fucking years and no one's had
the big breakout hit
  yet.
  Tom Parr: Played a lot of college frat
parties. All the roots
  rockers.. it took them years to get
deals.
  BH: We're doing this new album, it's
gonna be called alt
  country, I guarantee it. Then you have
bands like the
  Derailers.

  WM: Do you like their music?
  BH: Yeah, I like the Derailers. That's
great, but it's a
  confusing single label to put on the
whole thing.

  WM: What do you think of the Academy of
Recording Arts
  and Sciences having a category called
Contemporary Folk
  for their Grammy awards, and then
nominating Lucinda
  Williams, Steve Earle, Lyle Lovett,
Wilco/Bragg EmmyLou
  Harris in that category?
  BH: So they're Contemporary Folk now
(laughs). What
  that's gonna do is place these artists
way in the back of
  record stores. I know that cause I went
looking for the
  Lucinda album. I asked the guy at the
store, where is it?
  Well, you go back there, turn left, it's
in the back of the
  store.

  WM: Ok, so you don't want to be labeled.
How would you
  describe your music to someone who
doesn't know you?
  BH: I would just say, it's a straight up
rock band with a guy
  that unfortunately has a bit of a country
 accent singing. So
  that's it.




Re: Welfare Music

1999-04-01 Thread John Magee

Oh, man . . . check out the alt.country "family tree" on this site. I'm not
going to comment . . . but some of the amateur historians out there might find
it amusing . . . Steve Earle makes it because he has "jammed onstage w/Bottle
Rockets and Uncle Tupelo."

http://www.welfaremusic.com/family_tree2.html

John

-Original Message-
From: Marie Arsenault [EMAIL PROTECTED]
To: passenger side [EMAIL PROTECTED]
Date: Thursday, April 01, 1999 1:02 PM
Subject: Welfare Music


I just received this. It might interest some of you.


Well, our painstaking work has come to an end, for now. WelfareMusic has
officially launched.
The response so far has been great. Stop by and sign up for our mailings.
http://www.welfaremusic.com/

Our launch issue has interviews with the Bottle Rockets, Hayseed, and The
Handsome Family.

We have built a very cool community section named The Back Porch. It has
much better message threads than
the Yahoo site. They are threaded and it is much easier to follow
discussions.
http://www.welfaremusic.com/backporch/index.html

I hope you like our site and keep coming back. WelfareMusic's success
depends on all of us.

Upcoming interviews: Jay Farrar, The Ex-Husbands, The Hangdogs.







Re: Welfare Music

1999-04-01 Thread Jim_Caligiuri

John writes: Oh, man . . . check out the alt.country "family tree" on this
site. I'm not
going to comment . . . but some of the amateur historians out there might
find
it amusing . . . Steve Earle makes it because he has "jammed onstage
w/Bottle
Rockets and Uncle Tupelo."

Cool. g I especially like the disclaimer: "It will probably wind up being
the first of many attempts, but it is fairly comprehensive."
Comprehensive???  What he's got around 25 (!) bands there. hee hee.

Jim, smilin'




Re: Welfare Music

1999-04-01 Thread Bob Soron

At 12:21 PM -0600  on 4/1/99, [EMAIL PROTECTED] wrote:

Thanks for posting that Marie. Here's a clip from the Bottlerockets
interview that ties in with some of what's been discussed here lately, I
think. g

Yeah, well, this is why this Big Tent approach just doesn't work. At
its best, it just ghettoizes everything.

BTW, I took the liberty of formatting the article and pasting it in
underneath. If anyone has any stuff from the Web that isn't really
time-sensitive and they don't want to format it for e-mail themselves,
I'd be happy to. Takes two or three minutes.

b.

WM: You don't like roots rock I take it.
BH: Oh, I love roots rock, it cracks me up. The whole idea of singling
it out and naming it something to insure it never gets on the radio
cracks me up.

WM: So you are a lot like Jay and the other artists ... you don't want
to be pigeonholed.
BH: It was a really good name to kill everything. Ok lets call it
alternative country. Look at that. Look at the breadth of the stuff
that's in there. So if you happen to be an alternative country band
with a rock song such as...
Like I told you the other night, if Exile on Main Street were to be
made today, it would be considered alternative country. So it ain't
gonna get on the radio. It will never happen. They'll never listen to
it cause it'll be brought to them as alternative country and it wont
go. Not on big radio. Big radio sucks.

WM: So, you don't think that you guys and Wilco and Son Volt will ever
become radio friendly to the point of stardom, wealth, etc?
BH: Well, Son Volt, Wilco, Uncle Tupelo have been working at it for
over 10 years now.

WM: Consciously, do you think?
BH: Not consciously, but still you know, they have been drifting
around as the icons, the upper echelon. And they've been doing it
since 88. Maybe its time to reevaluate. It's been 11 fucking years and
no one's had the big breakout hit yet.
Tom Parr: Played a lot of college frat parties. All the roots
rockers.. it took them years to get deals.
BH: We're doing this new album, it's gonna be called alt country, I
guarantee it. Then you have bands like the Derailers.

WM: Do you like their music?
BH: Yeah, I like the Derailers. That's great, but it's a confusing
single label to put on the whole thing.

WM: What do you think of the Academy of Recording Arts and Sciences
having a category called Contemporary Folk for their Grammy awards,
and then nominating Lucinda Williams, Steve Earle, Lyle Lovett,
Wilco/Bragg EmmyLou   Harris in that
category?
BH: So they're Contemporary Folk now (laughs). What that's gonna do is
place these artists way in the back of record stores. I know that
cause I went looking for the Lucinda album. I asked the guy at the
store, where is it? Well, you go back there, turn left, it's in the
back of the store.

WM: Ok, so you don't want to be labeled. How would you describe your
music to someone who
doesn't know you?
BH: I would just say, it's a straight up rock band with a guy that
unfortunately has a bit of a country accent singing. So that's it.