Re: [Tex-music] Why can't I put an text array into a MusiXTeX score

2024-09-27 Thread Jean-Pierre Coulon

On Fri, 27 Sep 2024, Wilfried Lingenberg wrote:


Should't \generalsignature be switched back to {-1} before bar 112?


Yeah, I still have to proofread and play it several times!

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Re: [Tex-music] Why can't I put an text array into a MusiXTeX score

2024-09-27 Thread Jean-Pierre Coulon

On Fri, 27 Sep 2024, Bob Tennent wrote:


Don't use \hardspace in your array.


Thanks. Then \hardspce in an array cancels \stoppiece!

Bye


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Re: [Tex-music] Off-topic: music quotation?

2024-06-28 Thread Jean-Pierre Coulon
I think the Music Related forum in https://imslpforums.org/index.php is the 
right one for such questions.


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Re: [Tex-music] IMSLP contributor music question for Jean-Pierre Coulon

2024-01-16 Thread Jean-Pierre Coulon

Sorry, I read too fast. You want the 2nd volume, not the first.

The culprit it Oberlin College Library. I'll try to find higher-resolution 
image on archive.org.


Next time write a shorter message :-)


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Re: [Tex-music] IMSLP contributor music question for Jean-Pierre Coulon

2024-01-16 Thread Jean-Pierre Coulon



Starke’s Wiener Pianoforte Schule, Op. 108; in particular, the second
volume. There is a copy that I see you miraculously had and generously I can
see that the scan you posted is sadly not in high enough resolution in spots
of those pages to make out many of his fingerings. Seymour and I are very
interested in being able to see those pages (pages 62-69 of your scan) for
Beethoven’s own printed fingerings in higher contrast if at all possible. Do
you happen to have a better scan somewhere? Also, thank you for contributing
so much to the library. The historical finds of yours are truly
inspirational treasures to the world, even from the other side of the
Atlantic pond! Most gratefully, Joe


Unfortunately the Österreichische Bibliotek didn't do a terrific scanning job
and I had to find the least bad adaptation.

I send you these gryascale pages in private because the wima server rants when 
you attach something too big.


You can also consult https://www.onb.ac.at/index.php but it is unpleasant.

Or search another library in the world who has it too:
https://imslp.org/wiki/IMSLP:Universities_and_Libraries

Bye,

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Re: [Tex-music] demande aide musixtex sous linux fedora

2023-11-03 Thread Jean-Pierre Coulon

Send your .tex file!

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Re: [Tex-music] check@staff ... specified range

2023-08-12 Thread Jean-Pierre Coulon

On Sat, 12 Aug 2023, Bob Tennent wrote:


Jean-Pierre:  a better workaround is to add \toctfin before the
\Changecontext and \ioctfinup q immediately after, thus avoiding
the cutoctline code in musixtex.tex that seems to be problematical.


Works, thanks. I just have to accept the small vertical line at 
the new \toctfin.



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Re: [Tex-music] check@staff ... specified range

2023-08-12 Thread Jean-Pierre Coulon
it is interesting to compare the output message in my standard situation 
and when I intentionally do the mistake of saying &\qu j|\qu j for 2nd 
instrument at line 24.


--
Jean-Pierre CoulonThis is TeX, Version 3.14159265 (MiKTeX 20.6.29)
(pbstaff.tex (musixtex.tex
MusiXTeX(c) 1.24 <2017-02-28>
maxinstruments=6 max128beams=6 maxgroups=3 maxslurs=6 maxtrills=6
maxoctlines=6)
\startmuflex launched by \startpiece 
bar 119 bar 120 bar 121 bar 122 bar 123 bar 124 bar 125 bar 126 bar 127
[1] )
Output written on pbstaff.dvi (1 page, 5956 bytes).
Transcript written on pbstaff.log.
Musixflx-0.83.3.lua7 (pbstaff.mx1)
This is TeX, Version 3.14159265 (MiKTeX 20.6.29)
(pbstaff.tex (musixtex.tex
MusiXTeX(c) 1.24 <2017-02-28>
maxinstruments=6 max128beams=6 maxgroups=3 maxslurs=6 maxtrills=6
maxoctlines=6) (pbstaff.mx2)
\startmuflex launched by \startpiece 
< 1> bar 119 bar 120 bar 121 bar 122
! Staff number (2) out of specified range (1)!.
\check@staff ... specified range (\the \st@ffs )!}
  \fi \else \relax 
\C@TO ->\check@staff 
 \ifnum \@ne =\the \o@sw \n@v \@xxiii \n@ii \@xxiv \else...

\body ...m \o@x <\maxdimen \let \T@ii \n@ii \C@TO 
  \o@x \z@ \fi 
\iterate ->\body 
 \let \next \iterate \else \let \next \relax \fi \next 
\z@suspend ...ii \n@ii \C@TO \o@x \z@ \fi \repeat 
  \tr@loop \ifdim \tr@x <\ma...

\updat@context ...\else \Writ@newsigns \z@suspend 
  \contpiece \fi 
l.37 \generalsignature3\Changecontext
 %
? < 2> bar 123 bar 124 bar 125 bar 126 bar 127 [1] )
Output written on pbstaff.dvi (1 page, 5236 bytes).
Transcript written on pbstaff.log.
This is TeX, Version 3.14159265 (MiKTeX 20.6.29)
(pbstaff.tex (musixtex.tex
MusiXTeX(c) 1.24 <2017-02-28>
maxinstruments=6 max128beams=6 maxgroups=3 maxslurs=6 maxtrills=6
maxoctlines=6)
\startmuflex launched by \startpiece 
! Staff number (2) out of specified range (1)!.
\check@staff ... specified range (\the \st@ffs )!}
  \fi \else \relax 
\g@q #1->\check@staff 
  \getn@i #1\relax \let \n@fon \g@q \let \n@sym \q@u \y@...
l.24 ...\ql g|\ibl2k{-2}\qb2{nk}\tqb2i&\qu j|\qu j
  \en
? bar 119 bar 120 bar 121 bar 122 bar 123 bar 124 bar 125 bar 126 bar 127
[1] )
Output written on pbstaff.dvi (1 page, 5984 bytes).
Transcript written on pbstaff.log.
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Re: [Tex-music] check@staff ... specified range

2023-08-12 Thread Jean-Pierre Coulon

On Sat, 12 Aug 2023, Bob Tennent wrote:


Jean-Pierre:  Can you provide an example involving \leftrepeat or
\rightrepeat (so that a change of context doesn't muddy the water)?

Bob

I have had similar cases with \leftrepeat or \rightrepeat.






--
Jean-Pierre Coulon\input musixtex
%\input musixps
\parindent0mm
\def\bare{\bar\hardspace{3pt}}
\def\mgfa{\setclef1{\bass\treble}\zchangeclefs}
\def\bigpause{\def\atnextbar{\znotes\centerpause\en}}
\def\mit{\medtype\it}

\instrumentnumber2
\afterruleskip=5pt
\setstaffs12
\setstaffs21
\setsize2\tinyvalue
\setclef1{\treble\treble}
\setclef2\treble
\generalmeter{\meterfrac34}
\generalsignature{1}
\startbarno119
\interstaff{10}

\startpiece
\notesp\rh k\zh{fh}\hu j|\ioctfinup q\ibl2l{-2}\qb2{ok}\tqb2j\en
\notesp|\ibl2l{-2}\qb2{ok}\tqb2j\en
\notesp\zq{ki}\ql g|\ibl2k{-2}\qb2{nk}\tqb2i\en
\bar% 120
\Notes\zq k\ql i|\ibl2k0\qb2{pk}\en
\Notes\zq k\ql i|\qb2{pk}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en
\bar% 121
\Notes\zh j\hl h\zcn r{\mit pressez}|\ibl2k0\qb2{ok}\en
\Notes|\qb2{ok}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en
\bar%  122
\Notes\zq k\ql i|\ibl2k0\qb2{pk}\en
\Notes\zq k\ql i|\qb2{pk}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en
\leftrightrepeat
% \bar% 123
\Notes\zq j\ql h|\ibl2k0\qb2{ok}\en
\Notes\qa d|\qb2{ok}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en
\bar% 124
\Notes\qa k|\ibl2k0\qb2{pk}\en
\Notes\qa d|\qb2{pk}\en
\Notes\qa i|\qb2n\tqb2k\en
\bar% 125 
\Notes\zcn r{\mit prestissimo}\qa k|\ibl2k0\qb2{pk}\en
\Notes\qa d|\qb2{pk}\en
\Notes\qa h|\qb2n\tqb2k\en
\mgfa%
\leftrepeat% 126
\Notes\zhp D\hup K|\ibl2i0\qb2{ohkhm}\tqb2h\en
\bar% 127
\Notes|\ibl2i{-2}\qb2{omkhf}\toctfin\tqb2d\en
\bigpause%
\setrightrepeat% 
\stoppiece
\end
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Re: [Tex-music] check@staff ... specified range

2023-08-11 Thread Jean-Pierre Coulon

On Fri, 11 Aug 2023, dsim...@roadrunner.com wrote:

However, I still don’t know exactly what image Jean-Pierre was trying to 
create when he first generated the error, since he hasn’t yet provided 
such an image.


I have already provided the image you obtain with \instrumentnumber1.

Now suppose you say \instrumentnumber2 but do not provide notes for the 
2nd instrument yet.




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pbstafftemp.pdf
Description: Adobe PDF document
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Re: [Tex-music] check@staff ... specified range

2023-08-11 Thread Jean-Pierre Coulon

On Fri, 11 Aug 2023, dsim...@roadrunner.com wrote:


Jean-Pierre, could you post a .tex file that works and shows exactly what
you want? I'm trying to reproduce whatever your problem is with a
PMX-generated file, and so far cannot recreate the problem. The following
PMX file runs fine:


If you change \generalsignature3\Changecontext into \bar in my example it 
works.


If you say \instrumentnumbers1 instead of 2 it works too. See my pdf.

Please post the pdf output of your PMX.

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pbstaff.pdf
Description: Adobe PDF document
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Re: [Tex-music] check@staff ... specified range

2023-08-11 Thread Jean-Pierre Coulon

On Fri, 11 Aug 2023, Bob Tennent wrote:


The following is a workaround:

\setdoublebar%
\xbar%
\generalsignature3%
\changesignature%


This is a semi-workaround because with xbar you prenvent a linebreak where 
I have one :-)


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[Tex-music] check@staff ... specified range

2023-08-11 Thread Jean-Pierre Coulon

With the attached file I obtain:

bar 119 bar 120 bar 121 bar 122
! Staff number (2) out of specified range (1)!.
\check@staff ... specified range (\the \st@ffs )!}

The problem disappears if change \generalsignature3\Changecontext into 
\bar at line 65 or if I add/remove bars so this changecontext does not 
come at a line break.


It seems I am attempting to write into a 2nd staff on instrument No.2 e.g
\notes\blabla|\blabla&\blabla|blabla\en

I have had similar cases with \leftrepeat or \rightrepeat.

Any idea?

--
Jean-Pierre Coulon\input musixtex
%\input musixps
\parindent0mm
\def\bare{\bar\hardspace{3pt}}
\def\mgfa{\setclef1{\bass\treble}\zchangeclefs}
\def\bigpause{\def\atnextbar{\znotes\centerpause\en}}
\def\mit{\medtype\it}

\instrumentnumber2
\afterruleskip=5pt
\setstaffs12
\setstaffs21
\setsize2\tinyvalue
\setclef1{\treble\treble}
\setclef2\treble
\generalmeter{\meterfrac34}
\generalsignature{1}
\startbarno119
\interstaff{10}
\interinstrument=-1\Interligne
\def\mysk{\off{.5\elemskip}}


\startpiece
\notesp\rh k\zh{fh}\hu j|\ioctfinup q\ibl2l{-2}\qb2{ok}\tqb2j\en
\notesp|\ibl2l{-2}\qb2{ok}\tqb2j\en
\notesp\zq{ki}\ql g|\ibl2k{-2}\qb2{nk}\tqb2i\en
\bar% 120
\Notes\zq k\ql i|\ibl2k0\qb2{pk}\en
\Notes\zq k\ql i|\qb2{pk}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en
\bar% 121
\Notes\zh j\hl h\zcn r{\mit pressez}|\ibl2k0\qb2{ok}\en
\Notes|\qb2{ok}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en
\leftrepeat% 122
\Notes\zq k\ql i|\ibl2k0\qb2{pk}\en
\Notes\zq k\ql i|\qb2{pk}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en
\generalsignature3\Changecontext% \bar% 123
\Notes\zq j\ql h|\ibl2k0\qb2{ok}\en
\Notes\qa d|\qb2{ok}\en
\Notes\zq g\qu i|\qb2n\tqb2k\en% revoir
\NOtes\sk\en
\bar% 124
\Notes\qa k|\ibl2k0\qb2{pk}\en
\Notes\qa d|\qb2{pk}\en
\Notes\qa i|\qb2n\tqb2k\en
\bar% 125 
\Notes\zcn r{\mit prestissimo}\qa k|\ibl2k0\qb2{pk}\en
\Notes\qa d|\qb2{pk}\en
\Notes\qa h|\qb2n\tqb2k\en
\mgfa%
\leftrepeat% 126
\Notes\zhp D\hup K|\ibl2i0\qb2{ohkhm}\tqb2h\en
\bar% 127
\Notes|\ibl2i{-2}\qb2{omkhf}\toctfin\tqb2d\en
\bigpause
\setrightrepeat% 
\stoppiece
\end
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Re: [Tex-music] Tales from typesetting a professional edition with MusiXTeX

2023-01-17 Thread Jean-Pierre Coulon

Besides MusiXTeX have you tried other typetting packages, free or commercial,
 WYSIWYG or not?

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Re: [Tex-music] Tales from typesetting a professional edition with MusiXTeX

2022-12-29 Thread Jean-Pierre Coulon

There a free usefull samples of the Gould book here:
https://books.google.fr/books?id=yBK_DwAAQBAJ&printsec=frontcover&dq=intitle:behind+intitle:bars+inauthor:Elaine+inauthor:Gould&hl=fr&sa=X&ved=0ahUKEwjE3IONta3nAhUBUK0KHdh-CBsQ6AEIKTAA#v=onepage&q&f=false

Bye

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Re: [Tex-music] Tales from typesetting a professional edition with MusiXTeX

2022-12-29 Thread Jean-Pierre Coulon
The hairpin-thickness issue has been solved: 
https://www.mail-archive.com/tex-music@tug.org/msg02780.html


Bye
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Re: [Tex-music] Problems with PDF output

2022-11-19 Thread Jean-Pierre Coulon

On Sat, 19 Nov 2022, Bob Tennent wrote:


What is the output generated by dvips bach-bwv847prel_fug#2.dvi ?


Hope I understand the question. dvips won't let you catch the result into 
a file, typing ">result.txt"


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Re: [Tex-music] Problems with PDF output

2022-11-19 Thread Jean-Pierre Coulon

Sorry !

On Sat, 19 Nov 2022, Rodolfo Medina wrote:


On Sat, Nov 19, 2022 at 5:46 PM Jean-Pierre Coulon  wrote:


Then try my dvi.


Yes, but error:

$ dvips -z bach_prelfug544_retypeset.dvi
This is dvips(k) 2022.1 (TeX Live 2022)  Copyright 2022 Radical Eye
Software (www.radicaleye.com)
' TeX output 2022.11.08:2105' -> bach_prelfug544_retypeset.ps
dvips: ! Couldn't find header file: thikcres.pro
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thikcres.pro
Description: Binary data
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Re: [Tex-music] Problems with PDF output

2022-11-19 Thread Jean-Pierre Coulon

Is the trouble already in the PostScript format?

Bye

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Re: [Tex-music] ties versus tenuto slurs

2022-07-23 Thread Jean-Pierre Coulon
Thanks for your replies. I can always work around saying \iten one pitch 
above or below.


Bye,

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[Tex-music] ties versus tenuto slurs

2022-07-22 Thread Jean-Pierre Coulon

Without musixps a tie begins at the note height, right side. a \iten
begins at the height of the center of the note. When I use musixps this 
opposition disappears. Is it a bug or a feature?


Bye,
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Jean-Pierre Coulon\input musixtex
\input musixps
\nostartrule
\startextract
\NOTEs\itied0g\itenl1g\nq g\ttie0\tten1\nq g\en
\endextract
\end
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Re: [Tex-music] MusiXTeX: changes at the end of a system

2022-05-21 Thread Jean-Pierre Coulon

Try the attached workaround

--
Jean-Pierre Coulon\input musixtex
\nostartrule
\generalmeter{\meterfrac34}

\startpiece
\NOtes\qa{cdf}\en
\bar
\NOtes\qa{cdf}\en
\bar
\NOtes\qa{cdf}\en
\bar
\NOtes\qa{cdf}\en
\bar
\NOtes\qa{cdf}\en
\generalmeter{\meterfrac24}\Changecontext\zstoppiece

\startbarno=7
\generalmeter{\meterfrac24}
\startpiece
\NOTes\qa{fe}\en
\bar
\NOTes\qa{fe}\en
\bar
\NOTes\qa{fe}\en
\bar
\NOTes\qa{fe}\en
\bar
\NOTes\qa{fe}\en
\stoppiece\end
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Re: [Tex-music] >10000 downloads

2022-01-24 Thread Jean-Pierre Coulon

Let's remain modest :-)
https://imslp.org/wiki/F%C3%BCr_Elise%2C_WoO_59_(Beethoven%2C_Ludwig_van)

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Re: [Tex-music] Tie Ending at Repeat Sign

2022-01-22 Thread Jean-Pierre Coulon

Here is a MuisXTeX solution.

Adjust \roffset if you want.

Bye

--
Jean-Pierre Coulon\input musixtex
\nostartrule
\startpiece
\NOTEs\wh j\en\bar
\NOTEs\wh j\en\bar
\NOTEs\wh j\en\bar
\NOTEs\wh j\en\bar
\NOTEs\wh j\en\bar
\NOtes\qa{jjj}\itieu1j\qa j\roffset{.7}{\ttie1}\en
\stoppiece
\end---
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Re: [Tex-music] Uploading to IMSLP?????

2022-01-20 Thread Jean-Pierre Coulon
Once done with the process I say, go to the work page and click on the 
Editor link. This will create the editor page if not yet done.


Edit it, add your birth date if you wish and say |IMSLP Contributor= the 
name of your imslp account.


see e.g. https://imslp.org/wiki/Category:Coulon,_Jean-Pierre
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Re: [Tex-music] Uploading to IMSLP?????

2022-01-20 Thread Jean-Pierre Coulon

On Thu, 20 Jan 2022, Bob Tennent wrote:


I don't know what this jargon means.  Is it possible you logged in
differently from before and IMSLP thinks you're not the same user so that
my "fix" was referring to the original user rather than the "new" user?


Edit the page. Once a score is uploaded there should be a line equivalent 
to |Editor={{LinkEd|Jean-Pierre|Coulon}} in the batch of lines between {{ 
and }}. Otherwise insert it with your name.


Edit e.g. 
https://imslp.org/index.php?title=Air_%C3%A9cossais_vari%C3%A9,_Op.5_(Onslow,_George)&action=edit



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Re: [Tex-music] Uploading to IMSLP?????

2022-01-19 Thread Jean-Pierre Coulon
Don, did you check Watch under the Page \/ tab? Then you are notified when an 
admin modifies this page and you learn tricks :-)


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Re: [Tex-music] Uploading to IMSLP?????

2022-01-19 Thread Jean-Pierre Coulon

On Wed, 19 Jan 2022, dsim...@roadrunner.com wrote:


(3) Change the name on the tab from "Scores (9)" to "Scores and Parts (12)",
since all the files on the page contain BOTH score and parts.


Edit the page and change ===Scores=== into ===Scores and Parts===

But beware if there is already a Score section without parts. Then
add a ===Scores and Parts=== line and cut/paste your contributions under 
this line.


Bye
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Re: [Tex-music] Uploading to IMSLP?????

2022-01-19 Thread Jean-Pierre Coulon

On Wed, 19 Jan 2022, dsim...@roadrunner.com wrote:


(2) Add the 3 additional files


Go into Add Scans, Scores. But afterwards your 3 additional files will be 
under ther own header.


Edit the page. The new header will look like

{{#fte:imslpfile
|File Name 1=new1.pdf
|File Name 2=new2. pdf
|File Name 3=new3.pdf
|File Description 1=new score
|File Description 2=new score
|File Description 3=new socre
|Editor=Don Simons
|Image Type=Typeset
|Scanner=Don Simons
|Uploader=[[User:Dsimons|Dsimons]]
|Date Submitted=2021/12/28
|Publisher Information=Self published
|Copyright=Creative Commons Attribution-NonCommercial-ShareAlike 4.0
|Misc. Notes=Modern editions typeset with PMX/MusiXTeX of the 
harpsichord+flute versions of the Concerts. {{WIMAProject}}

}}

Cut the "|File Name 1=new1.pdf" and paste it under the |File Name 3 line 
of the presnt header. Same for the other scores.


Also cut-paste the 3 File Description lines and mke the correspondinf 
changes.


Copy the |Date Submitted line to |Date Submitter 1= old date,
2=old date, 3 =old date, 4=new date 5=new date 6 = new date

Delete remaining lines on the new header because they are the same as the 
alreader prsent header.


Hope it helps.

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Re: [Tex-music] Uploading to IMSLP?????

2022-01-19 Thread Jean-Pierre Coulon

On Wed, 19 Jan 2022, dsim...@roadrunner.com wrote:


(3) Change the header to read "Concerts I-VI for Flute and Harpsichord
(Simons)"


You have to edit the page with Page \/ Edit

You will find the page expressed in a TeX-LaTeX-like language but this 
header is between = strings. Change it and save.


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Re: [Tex-music] Uploading to IMSLP?????

2022-01-19 Thread Jean-Pierre Coulon

On Wed, 19 Jan 2022, dsim...@roadrunner.com wrote:


I recently managed to upload 3 files to IMSLP, each containing my typeset
edition of a score and 2 parts, representing 3 of Telemann's 6
"Concerts" for flute and harpsichord. They are fully accessible on this
page:

https://imslp.org/wiki/6_Concerts_et_6_Suites_(Telemann%2C_Georg_Philipp)

I've now completed typesetting the remaining 3 concerts, and done some
editing of the first 3. I want to do the following:

(1) Replace the 3 files that are there with new, edited ones with slightly
different names


Let me take problems 1 by 1: click on one of the big numbers preceded by #
and search Upload a new version of this file

You will be offered "Source filename: choose " Hope it will be easy.

Bye



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Re: [Tex-music] Success! (was RE: Uploading to IMSLP?????)

2021-12-31 Thread Jean-Pierre Coulon

Scans of these GPT fasimiles would be welcome on this page too.

Bye

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Re: [Tex-music] strange beam discontinuities

2021-05-12 Thread Jean-Pierre Coulon

On Wed, 12 May 2021, Bob Tennent wrote:


Jean-Pierre: There is a discontinuity between L and M in
your PDF (generated using dvips from 2013) but not if I
process your source using the most recent dvips (2021.1).



BTW, your example source file inputs musixtex.tex twice.


Thanks for both topics :-)

All software developers in the world manipulate their code till it seems to 
work by chance!


bye,

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Re: [Tex-music] Dotted crescendo

2021-05-05 Thread Jean-Pierre Coulon

Also read this from 2005

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-- Forwarded message --
Date: Tue, 29 Nov 2005 14:28:46 +0100
From: Rainer Dunker 
Reply-To: Typesetting music with TeX 
To: Typesetting music with TeX 
Subject: Re: [TeX-music] filling a gap with dots in a \zcharnote

Hello Jean-Pierre!

On Tue, Nov 29, 2005 at 01:12:07PM +0100, Jean-Pierre Coulon wrote:

I wish to add a text like "confuoco" below the
staff with \zcharnote, but I want "con" and "fuoco" to remain vertically
aligned with some specific notes, and the space between them to be filled
with dots.

Is there any way to use \dotfill between two distinct uses of \zcharnote?


Setting lyrics with hyphenated melismas does practically the same thing,
only that it fills the space with hyphens instead of dots - so why not
abuse musixlyr for this task? See the example below.

Best regards,

Rainer


(... beware of unwanted line breaks ...)
8<--
\input musixtex \input musixlyr

\setlyrics{cf}{con-fuoco}
\assignlyrics1{cf}
\def\lyrhyphenchar{.}% fill with dots instead of hyphens
\minmulthyphens3mm   % adjust dot distance (matter of taste)

\instrumentnumber1
\startpiece
\znotes\lyricsoff\en % in this score, we don't want lyrics
 % to appear at every note
\NOTes\hu c\llyr\lyr\hu d\en % here's the start ...
\bar
\NOTes\hu b\hu c\en \bar
\NOTes\hu d\hu c\en \bar
\NOTes\llyr\lyr\hu c\hu d\en % ... and here's the end
\Endpiece
\end
8<--
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Re: [Tex-music] Dotted crescendo

2021-05-05 Thread Jean-Pierre Coulon

Try this.

--
Jean-Pierre Coulon\input musixtex
\input musixlyr

\setlyrics{italcresc}
{\mit cresc- -endo} 
\assignlyrics1{italcresc}
\def\lyrhyphenchar{\_}
\minmulthyphens8mm

\nostartrule

\startpiece
\notes
\lyricsoff
\qu{abcd}%
\en
\bar %2
\notes\qu{abcd}%
\en
\bar %3
\notes
\qu{abcd}%
\en
\bar %4
\notes
\qu{abcd}%
\en
\bar %5
\notes
\qu{abcd}%
\en
\bar %6
\notes
\qu{abcd}%
\en
\bar %7
\notes
\qu{abcd}%
\en
\bar %8
\notes
\qu{abcd}%
\en
\bar %9
\notes
\qu{abcd}%
\en
\bar %10
\notes\lyr\qu{abcd}%
\en
\bar %11
\notes\qu{abcd}%
\en
\bar %12
\notes\lyr\qu{abcd}%
\en
\bar %13
\notes\qu{abcd}%
\en
\bar %14
\notes\qu{abcd}%
\en
\bar %15
\notes
\qu{abcd}%
\en
\bar %16
\notes
\qu{abcd}%
\en
\bar %17
\notes
\qu{abcd}%
\en
\bar %18
\notes\lyr\qu{abcd}%
\en
\bar %19
\notes
\qu{abcd}%
\en
\bar %20
\notes
\qu{abcd}%
\en
\bar %21
\notes
\qu{abcd}%
\en
\Endpiece

\vfill\eject\end
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Re: [Tex-music] Dotted crescendo

2021-05-04 Thread Jean-Pierre Coulon

I mean p.4 of my example.

Copy all lines containing lyr in my example.

--
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Observatoire de la Cote d'Azur
Departement ARTEMIS
CS 34229
06304 NICE CEDEX 4
Tel (33) {0}4 92 00 31 74 ou {0}4 92 62 98 19\input musixtex
\input musixps
\input coulhack
\input musixlyr

\special{header=thikcres.pro}
\voffset-1in\advance\voffset10mm\vsize297mm\advance\vsize-20mm\advance\vsize-24pt
%\voffset-1in\advance\voffset5mm\vsize297mm\advance\vsize-15mm
\hoffset-1in\advance\hoffset10mm\hsize210mm\advance\hsize-20mm
\stafftopmarg0pt
\staffbotmarg0pt

\autoledgerlines
%\nobarmessages
\nolinemessages%
\nobarnumbers
\bigaccid
\def\notesss{\vnotes1.4\elemskip}
\def\notess{\vnotes1.673\elemskip}
\def\notes{\vnotes2\elemskip}
\def\notesp{\vnotes2.45\elemskip}
\def\Notes{\vnotes3\elemskip}
\def\Notesp{\vnotes3.7\elemskip}
\def\NOtes{\vnotes4.5\elemskip}
\def\NOtesp{\vnotes5.55\elemskip}
\def\NOTes{\vnotes6.7\elemskip}
\def\NOTesp{\vnotes8.3\elemskip}
\def\NOTEs{\vnotes10\elemskip}
\def\clcu#1#2{\zcl{#1}\cu{#2}}
\def\qlqu#1#2{\zql{#1}\qu{#2}}
\def\hlhu#1#2{\zhl{#1}\hu{#2}}
\def\monte#1{\raise#1\Interligne}%
\def\writebarno{\eightbf\the\barno\barnoadd}
\def\mybarno{\znotes\nextstaff\lcn n{\eightbf\the\barno~}\en}
\def\bare{\bar\hardspace{3pt}}
\def\baree{\bar\hardspace{8pt}}
\def\mytr#1{\loffset{.5}{\zcn#1{\ppfftwenty tr}}}
\def\appog{\multnoteskip\tinyvalue\tinynotesize}
\def\mgfa{\setclef1{\bass\treble}\zchangeclefs}
\def\mgsol{\setclef1{\treble\treble}\zchangeclefs}%
\def\mdfa{\setclef1{\bass\bass}\zchangeclefs}%
\def\mdsol{\setclef1{\bass\treble}\zchangeclefs}%
\def\debutoct#1{\loff{\ioctfinup {#1}}}
\def\findoct{\roffset{.4}{\toctfin}}
\def\zped{\loffset{.5}{\zcn{`F}{\Ped}}\zcn{!F}{~}}
\def\lped{\loffset3{\zcn A{\Ped}}\zcn{!F}{~}}
\def\lbped{\loffset3{\zcn{`F}{\Ped}}\zcn{!F}{~}}
\def\zdep{\zcn A{\Dep}}
\def\split#1#2{\loffset{.4}{#1}\roffset{.5}{#2}}
\def\splitp#1#2#3{\loffset{.3}{#1}%
\loffset{.3}{\raise.2\Interligne\hbox{\pt{#2}}}\roffset{.9}{#3}}
\def\expo#1{\raise1.5mm\hbox{\smalltype\rm#1}}
\def\rampone#1{\def\atnextline{\vskip-#1\Interligne}}%

\def\writezbarno{~}

\def\zcn{\zcharnote}
\def\lcn{\lcharnote}
\def\ccn{\ccharnote}
\def\mit{\medtype\it}
\def\mbf{\medtype\bf}

\def\ppp{\ppfftwentyfour ppp}
\def\pp{\ppfftwentyfour pp}
\def\p{\ppfftwentyfour p}
\def\f{\ppfftwentyfour f}
\def\ff{\ppfftwentyfour ff}
\def\rf{\ppfftwenty r\ppfftwentyfour f}

\setlyrics{italcresc}
{\mit cres-\mit cen-\mit do 
\mit cres-\mit cen-\mit do-\mit poco-\mit a-\mit poco
% var 10
\mit cres.-\mit cen-\mit do 
\mit cres-\mit cen-\mit do
\mit cres-\mit cen-\mit do-\it poco-\mit a-\mit poco
\mit leggier-\mit amente \mit Cres-\mit cen-\mit do
\mit dimi-\mit nuen-\mit do}

\assignlyrics1{italcresc}
\def\lyrhyphenchar{\_}
\minmulthyphens8mm
\lyrraise1{a1\Interligne}

\afterruleskip=5pt

\font\bidon=ecrm1000 scaled 4000
\font\bbidon=cmbcsc10 scaled 3000
{\nopagenumbers
\centerline {~}
\medskip
\centerline{\bidon GEORGE ONSLOW}
\bigskip \centerline{\bidon Variations \& Finale}
\smallskip
\centerline{\ppfftwentyfour sur l'Air}
\smallskip
\centerline{\bbidon Aussit\^ot que la lumi\`ere}
\smallskip
\centerline{\mbf Op.13}
\bigskip 
\centerline{\smalltype edited by Jean-Pierre Coulon}
\smallskip
\centerline{downloaded from \tt http://imslp.org} 
\eject}

\centerline{~}
\eject

\musicparskip%

\font\mypied=cmr10 at 10pt
\def\myfoot{\mypied G.Onslow, {\it Aussit\^ot que la lumi\`ere}, downloaded from
\tt http://imslp.org}

\footline={\ifodd\pageno
{\myfoot\hfill\normtype\folio}
\else
{\normtype\folio \hfill\myfoot }
\fi}

\parindent20mm

\setstaffs12
\generalmeter{\meterC}
\generalsignature{-2}
\startbarno0
\setclef1{\bass\treble}
\setname1{Introduzione}
\interstaff{10}
\nobarnumbers
\def\mysk{\off{.5\elemskip}}

\startpiece
\znotes\lyricsoff|\zcn r{\mbf All$^o$ Risoluto}\en
\qspace%
\Notesp\zcn d{\f}\qp|\ibl2h1\zqp n\qbp2g\en
\notes|\tbbl2\zq o\tqb2h\en
\bar% 1
\Notes\zq{`GIK}\cu{!G}|\zq p\ql i\en
\notes\ibbl0M2\qb0{KNb}\tqb0d|\sk\sk\ds\en
\notes\ds|\ibbl2i2\qb2g\tqb2i\en
\notes\qp|\ibbl2m2\qb2{knp}\en
\mgsol%
\notes|\tqb2r\en
\Notesp\ibu1f1\qbp1{^f}|\ibl2o{-1}\zqp q\qbp2o\en
\notes\tbbu1\tqh1g|\tbbl2\zq p\tqb2n\en
\bare% 2
\Notesp\zq d\cu h|\zq o\ql{^m}\en
\mgfa%
\notes\ibbl0M2\qb0K\mysk\qb0{^Ma}\tqb0d|\sk\sk\ds\en
\notes\ds|\ibbl2h2\qb2{^f}\tqb2h\en
\notes\qp|\ibbl2m2\qb2{kmo}\tqb2q\en
\Notesp\ibl1N1\zqp b\qbp1N|\ibl2n{-1}\zqp p\qbp2n\en
\notes\tbbl1\zq c\tqb1a|\tbbl2\zq o\tqb2m\en
\systemnumbers% 
\bar% 3
\Notes\zq d\cl b|\ibl2n0\qb2n\en
\notes\ds|\nbbl2\qb2o\tqb2n\mysk\en
\notes\zq B\qu I|\ibbl2o0\qb2{^mnp}\tqb2o\en
\notes\ds|\ibbl2m{-1}\qb2n\mysk\qb2{=m}\en
\notes\qs\ibl0b0\roff{\tbbl0}\zq d\qb0b|\qb2l\tqb2k\en
\notes\zqp e\qbp0c|\ibbu3h{-1}\qb3{jih}\en
\notes\lsh c\zq{=e}\tbbl0\tqb0c|\tqh3g\en
\bare% 4
\Notes\cl d|\ibl2g2\qb2{^f}\en
\notes\ds|\nbbl2\qb2h\tqb2k\en
\notes\qp|\ibbl2n2\qb2{mor}\tqb2t\en
\Notes\qp|\cl v\ds\en
\Notesp\ibl0c0\lsh f\l

Re: [Tex-music] PMX grace note problem

2020-12-13 Thread Jean-Pierre Coulon
Are slurs between the grace note and the next one absolutely necessary ? 
According to CPE Bach a grace note is always slurred to the next one.


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Re: [Tex-music] my troubles with dvips with the last windows 10 version

2020-08-07 Thread Jean-Pierre Coulon
In the 2017 version of psslurs.pro the string AR has been changed into 
psxAR. I made the corresponding change in my special{header file and now 
it works.


Bye,

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thikcres.pro
Description: Binary data
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Re: [Tex-music] Trouble with PATH wth my new Windows 10 computer

2020-08-06 Thread Jean-Pierre Coulon



On Thu, 6 Aug 2020, Andre Van Ryckeghem wrote:


I ran the file without problems.


Which one? Did you open or process my .ps file?

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[Tex-music] Trouble with PATH wth my new Windows 10 computer

2020-08-04 Thread Jean-Pierre Coulon
I just installed the Miktex distribution. When I type PATH from the 
command prompt I see C:\Program Files\MiKTeX\miktex\bin\x64\. This 
directory contains dvips.exe. But when I type dvips something.dvi the 
system says: The system cannot find the path specified.


Is it a bug of the Miktex ditribution?

Bye,

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Re: [Tex-music] `The Entertainer' IMSLP engraving file

2020-06-28 Thread Jean-Pierre Coulon
Try to open each with Adobe Reader. Open the File tab, Document 
properties, Fonts. If it is PMX or MusiXTeX you should see TeXMUSIX* 
fonts.


Bye,

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Re: [Tex-music] Openscore

2020-05-14 Thread Jean-Pierre Coulon

On Thu, 14 May 2020, Christian Mondrup wrote:

To test this I logged out from my membership and clicked to download the 
first score, an autograph facsimile. And yes, I do get a request for signing 
up for a membership. But near the top of the page there is a link saying 
'Click here to continue your download.'. Clicking this link gets me past the 
page, and the download of the score starts.


Are you speaking about an imslp download or an openscore download ?

I experimented an openscore download.

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Re: [Tex-music] Openscore

2020-05-14 Thread Jean-Pierre Coulon
I tried to download a score (Debussy Arabesques) and it asks me to sign 
in! Not a good start to claim oneself equivalent to imslp!


I you think they are acting unfair ask questions in one of the forums of 
http://imslpforums.org/


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Re: [Tex-music] Openscore

2020-05-14 Thread Jean-Pierre Coulon

On Thu, 14 May 2020, Rodolfo Medina wrote:


from https://openscore.cc:

OpenScore brings together the two largest sheet music communities to tackle
this challenge: *MuseScore* and *IMSLP*


Exagerated for musescore!!!


*Become a Silver Liberator. Put your favorite work on the Liberation List
and be credited inside the OpenScore Edition. (The work cannot already be
on the Liberation List or the Iconic Works List - https://goo.gl/SwdKxj
<https://goo.gl/SwdKxj>. It must be in the public domain worldwide and
available on IMSLP.)*


If I well understand you are invited to retypeset a piece already present 
at imlsp with musescore. So there are no copyright issues!


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Re: [Tex-music] Openscore

2020-05-14 Thread Jean-Pierre Coulon
Openscore is the showroom of the music typesetting application musesore. 
There are a few associations like this one. Read: New Engravings and 
Typesets, accepting scores in their typeset format in 
https://imslp.org/wiki/IMSLP:Sheet_Music_Projects


Where do you find the idea of associating with imslp?

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Re: [Tex-music] Openscore

2020-05-14 Thread Jean-Pierre Coulon

Plase provide an URL wher we can read this claim.

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Re: [Tex-music] Jensen's Etueden

2020-04-25 Thread Jean-Pierre Coulon

On Sat, 25 Apr 2020, Rodolfo Medina wrote:


Thanks...  As a Linux user, I have Audiveris for that purpose,,, but can't make
it work as it's supposed to, it looks really hard for me and has no mailing
helping lists nor forums where to ask for other people's practice and
ability...  Any users out there...?


It seems Audiveris has its forum: 
https://github.com/Audiveris/audiveris/issues


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Re: [Tex-music] Jensen's Etueden

2020-04-25 Thread Jean-Pierre Coulon

On Fri, 17 Apr 2020, Rodolfo Medina wrote:


Adolf Jensen's Etuden Op.32 are beautiful...  On IMSLP of course they are only
present in scanned PDFs.  I tried to run Sharpeye and Audiveris on them in
order to get a MusicXML format to be in turn converted to PMX via Dieter
Gloetzel's tool: but with very very poor result...  Well, I was wondering if
anybody out there has ever typed them into PMX/MusiXTeX form...


A friend who has Finale uses smartscore to obtain .xml files from a pdf or 
a tif.


Bye,

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Re: [Tex-music] IMSLP Chopin's mazurka pmx engraving files

2020-04-18 Thread Jean-Pierre Coulon

On Sat, 18 Apr 2020, Bob Tennent wrote:


>|Chopin's mazurka Op.67 n.2 .pmx file at IMSLP is
>|uncomplete: it only includes the first measure. Why...?

Presumably the source file was corrupted at some point.

Andre: Please send me privately the full pmx file and I'll
try and upload it to IMSLP.


Once in 
https://imslp.org/wiki/Mazurkas,_Op.67_(Chopin,_Fr%C3%A9d%C3%A9ric) click 
on #225437 and it will offer Upload a new version of this file. Then the 
instructions are easy to follow.


BTW does anybody know why are MusiXTeX and pmx files downloaded about 10 % 
as many times as the pdf? Who finds something useful in them?


Bye
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Re: [Tex-music] IMSLP Chopin's mazurka pmx engraving files

2020-04-18 Thread Jean-Pierre Coulon

On Sat, 18 Apr 2020, Bob Tennent wrote:


>|With the occasion, I renew my proposal of creating a
>|separate repository with PMX/MusiXTeX sources. They are
>|only 1% of all the scores in IMSLP now: creating such a
>|separate section could hopefully have the effect of, or
>|help, increasing them...


Try a Google search with "engraving files musixtex" site:imslp.org 
Is this what you want?



Jean-Pierre's suggestion is a good one: ask IMSLP to set up
"typeset with MusiXTeX" as a tag. I've contributed dozens
of scores to IMSLP but I would be willing to tag them. And
though I would send sources to anyone who requested them,
I'm not willing to routinely upload "engraving files" for
every new submission, much less all of the existing ones.


I attach an example of imslp work page source, so you can understand what 
a tag is and the editting job needed to add one once you are an imslp 
subscriber. (look at the bottom)


Bye
--
Jean-Pierre Coulon 
Observatoire de la Cote d'Azur

Departement ARTEMIS
CS 34229
06304 NICE CEDEX 4
Tel pendant ce grand tintamarre: 04 93 62 98 19
| *WORK INFO*

|Work Title=Duettos for violin and viola
|Alternative Title=
|Opus/Catalogue Number=
|Key=
|Number of Movements/Sections=
|Average Duration=
|Dedication=
|First Performance=
|Year/Date of Composition=
|Year of First Publication=1779 - London
|Librettist=
|Language=
|Piece Style=Classical
|Page Type=Collection
|Instrumentation=flute/violin, viola
|Tags=duets ; fl va ; vn va

| *COMMENTS* =



| *END OF TEMPLATE* }}

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Re: [Tex-music] Visioconference application for musicians: Jamulus

2020-04-18 Thread Jean-Pierre Coulon
I installed asio4all so that Jamulus no longer complains, but what is the 
logic to play together? Do we have to click on Connect and agree on a 
server with 0 musicians at that time?


Bye,

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Re: [Tex-music] Visioconference application for musicians?

2020-04-17 Thread Jean-Pierre Coulon

On Fri, 17 Apr 2020, Bodo Meißner wrote:


with a few fellow musicions we used Jamulus with more or less success.
It doesn't have video, only sound.

The software is open source and is available on sourceforge.


I installed the 2016 version 3.4.1 because I am still with XP. But it 
complains: No ASIO audio device (driver) found.


Any idea?

Bye
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Re: [Tex-music] IMSLP Chopin's mazurka pmx engraving files

2020-04-17 Thread Jean-Pierre Coulon

On Fri, 17 Apr 2020, Christian Mondrup wrote:

With the occasion, I renew my proposal of creating a separate 
repository with PMX/MusiXTeX sources. They are only 1% of all the 
scores in IMSLP now: creating such a separate section could hopefully 
have the effect of, or help, increasing them...


Perhaps a solution would be to create what imslp calls categories. An 
example can be found on https://imslp.org/wiki/Category:For_flute,_viola 
Here the categories would be "typeset with MusiXTeX" or with PMX.


If you click on a work of my example of category, you will notice that it 
has tags at the bottom of the page with this category and many others. 
This makes the addition to the list in this category page automatic.


If the imslp admins accept to create new categories for the main 
typesetting softwares (easy) the huge job will be to add the corresponding 
tags to each page which has a score typeset with either software. Simple 
imslp contributors like me may not add tags.


Bye

--
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Observatoire de la Cote d'Azur

Departement ARTEMIS
CS 34229
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[Tex-music] Visioconference application for musicians?

2020-04-17 Thread Jean-Pierre Coulon
Forgive the off-topic but I and a group of friends would like to continue 
practicing music together despite the present fuss.


Can anybody recommend an application like zoom or skype, but without the 
misfeatures thereof?


Bye

--
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Observatoire de la Cote d'Azur
Departement ARTEMIS
CS 34229
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[Tex-music] dotted bar lines with changecontext

2020-02-09 Thread Jean-Pierre Coulon
Why can't obtain dotted barlines on staves with a \changecontext or 
\Changcontext? See my last bar.


Bye,
--
Jean-Pierre Coulon\input musixtex
\input musixdbr
\indivbarrules
\setstaffs12
\setclef1{\bass\treble}

\startpiece
\NOTes\wh J|\wh g\en
\bar% 2
\NOTes\wh K|\wh h\en
\showdotbarrule1\condotmultibarrule1\bar% 3
\NOTes\wh J|\wh g\en
\showbarrule1\conmultibarrule1\bar% 4
\NOTes\wh K|\wh h\en
\setdoublebar
\showdotbarrule1\condotmultibarrule1\bar% 5
\NOTes\wh J|\wh g\en
\showbarrule1\conmultibarrule1\bar% 6
\Notes\ca{IMJ}|\ibu3c1\qb3{bc}\tqh3d\en
\showdotbarrule1\condotmultibarrule1%
\setmeter1{{\meterfrac{12}8}{\meterC}}\changecontext% 7
\Notes\ibl0L1\qb0{LM}\tqb0{^N}|\zql b\zq e\qu{^g}\en
\stoppiece
\end
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Re: [Tex-music] Please help with two-staves beam

2019-10-25 Thread Jean-Pierre Coulon

MusiXTeX has not started beam No.1 when you say \qb1e

Split the lines in 2 parts so \ibbl1 has been done when you say \qb1e

Bye,

--
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Departement ARTEMIS
CS 34229
06304 NICE CEDEX 4
Tel (33) {0}4 92 00 31 74   Fax (33) {0}4 92 00 31 38\input musixtex
%\input pmx

\setclef1\treble%
\setstaffs12%

\startpiece
\Notes\qp\sk\sk\sk\sk\qb1e%
|\ibbl0{'c}2\qb0{'fbc!}\tbl0\qb0{'g!}%
\ibbl1g0\qb1{'e!}\sk\qb1{'ab!''ba!}\tbl1\qb1{'g!}\en
\Endpiece

\startpiece
\Notes\qp|\ibbl0{'c}2\qb0{'fbc!}\tbl0\qb0{'g!}\ibbl1g0\qb1{'e!}\en
\Notes\qb1e|\sk\qb1{'ab!''ba!}\tbl1\qb1{'g!}\en
\Endpiece

\bye
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[Tex-music] \stemlength and notes far above the staff.

2019-10-24 Thread Jean-Pierre Coulon
Notes far above the staff have their stems automatically lengthened so the 
stem goes to about the staff middle.


But this prevents \stemlength to shorten it if I want. Is there a workaround?

Bye,

--
Jean-Pierre Coulon E-mail: cou...@oca.eu\input musixtex

\startextract
\NOtes\znq f\cccl n\znq g\cccl o\znq h\cccl p\znq i\cccl q\en
\bar
\NOtes\znq f\stemlength{3.5}\cccl n\znq g\cccl o\znq h\cccl p\znq i\cccl q\en
\endextract
\end
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Re: [Tex-music] Working with \setsize\tinyvalue: spacing

2019-08-24 Thread Jean-Pierre Coulon

On Sat, 24 Aug 2019, Bob Tennent wrote:


>|In a passage where the other instrument has the fastest
>|notes the horizontal spacing is governed by this
>|instrument (measure 3).

The (relative) horizontal spacing is determined by your use
of \NOtes.


Yes but \normalmusicsize and \smallmusicsize influence the horizontal 
spacing.



>|Why do I have to say \multnoteskip\tinyvalue at this
>|passage for the spacing to be reduced to tiny? Shouldn't
>|this be automatic when I address the instrument in
>|tinyvalue? (line 18 of my example)

Just use

 \notes\wh L|\wh g&\qa{nlkj}\en


I would have expected the musicsize change to be automatic when I am with 
the second instrument. I my third extract I said \smallmusicsize but this 
influences both intruments.


--
Jean-Pierre Coulon E-mail: cou...@oca.eu\input musixtex
\input musixps

\instrumentnumber2
\setstaffs12
\setstaffs21
\setsize2\tinyvalue

\setclef1{\bass\treble}
\setclef2\treble

\startextract
\NOtes\qa{JKLM}|\qa{kljh}&\wh j\en
\endextract

\startextract
\NOtes\wh L|\wh g&\qa{nlkj}\en
\endextract

\smallmusicsize
\startextract
\NOtes\wh L|\wh g&\qa{nlkj}\en
\endextract
\end
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[Tex-music] Working with \setsize\tinyvalue: spacing

2019-08-24 Thread Jean-Pierre Coulon
I typeset a piece for piano and another instrument. The use is to typeset 
the other instrument in smaller size in the piano part.


In a passage where the other instrument has the fastest notes the 
horizontal spacing is governed by this instrument (measure 3).


Why do I have to say \multnoteskip\tinyvalue at this passage for the 
spacing to be reduced to tiny? Shouldn't this be automatic when I address 
the instrument in tinyvalue? (line 18 of my example)


--
Jean-Pierre Coulon\input musixtex
\input musixps

\instrumentnumber2
\setstaffs12
\setstaffs21
\setsize2\tinyvalue

\setclef1{\bass\treble}
\setclef2\treble

\startpiece
\NOtes\qa{JKLM}|\qa{kljh}&\wh j\en
\bar% 2
\NOtes\wh M|\qa{cdfe}&\qa{nlkj}\en
\bar% 3
%\NOtes\wh L|\wh g&\qa{nlkj}\en
\NOtes\wh L|\wh g&\multnoteskip\tinyvalue\qa{nlkj}\en
\stoppiece
\end
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Re: [Tex-music] lcharnote of a "personal" character and vertical alignment

2019-08-24 Thread Jean-Pierre Coulon

On Sat, 24 Aug 2019, Bob Tennent wrote:


Try this with musixps:

\loffset{1.8}{\islurd1g}\loffset{0.8}{\tslur1e}


Yes but I prefer mine !


I'm assuming you're trying to duplicate the appoggiaturas in
Bach's Explication.


Yes but I am working on another Bach work.

Bye,

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Re: [Tex-music] lcharnote of a "personal" character and vertical alignment

2019-08-24 Thread Jean-Pierre Coulon

On Sat, 24 Aug 2019, Bob Tennent wrote:


>|> I'm not sure what you mean by "horizontal shift" or exactly
>|
>|Don't you notice the vertical misalignment between notes at measure 2 ?

No I didn't; I was just looking at the ornament.
The horizontal shift seems to be caused by the ~
character *after* the \lcn{}{}.


Yes, thanks!

Jean-Pierre Coulon
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Re: [Tex-music] lcharnote of a "personal" character and vertical alignment

2019-08-24 Thread Jean-Pierre Coulon

On Sat, 24 Aug 2019, Bob Tennent wrote:


I'm not sure what you mean by "horizontal shift" or exactly


Don't you notice the vertical misalignment between notes at measure 2 ?


what you want but the following would seem to be easier and
more flexible:

\loff{\islurd1h}\tslur1e\qa{cdfe}


Well, true with font-based slurs, but musixps manages very steep slurs in 
its manner. :-) Or can I temporarily disengage musixps once I said \input 
musixps?


Jean-Pierre Coulon
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[Tex-music] lcharnote of a "personal" character and vertical alignment

2019-08-24 Thread Jean-Pierre Coulon
I want to use a short, steep font-based slur a an ornament with 
\lcharnote.


Why does this \lcharnote cause a horizontal shift in bar 2 of my example ?

Bye,

Jean-Pierre Coulon\input musixtex

\font\mytiefont=xsld20 scaled 1300

\makeatletter
\def\set@mynotesize{\let\musixfont\mytiefont}
\def\mytie{\set@mynotesize\comput@specifics
   \let\curr@ntsiz@\mynotesize}
\makeatother
\def\bachappog#1{\lcn{#1}{\mytie\musixchar160}~}
\instrumentnumber2
\setstaffs13
\setstaffs21
\setsize2\tinyvalue

\setclef1{\bass\alto\treble}
\setclef2\treble

\startpiece
\NOtes\qa{JKLM}|\qa{cdfe}|\qa{jklj}&\qa{nlkj}\en
\bar% 2
\NOtes\qa{JKLM}|\bachappog g\qa{cdfe}|\qa{jklj}&\qa{nlkj}\en
\bar% 3
\NOtes\qa{JKLM}|\zcn i{???}\qa{cdfe}|\qa{jklj}&\qa{nlkj}\en
\stoppiece
\end
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Re: [Tex-music] Latexing a file using Spanish

2019-02-06 Thread Jean-Pierre Coulon

On Wed, 6 Feb 2019, Jean-Pierre Coulon wrote:



if you mean \qu{>c} the problem remains without them.


Thanks. The problem disappears. But I have to delete test2extr.aux before I 
do the LaTeX otherwise the error messages are delayed by one pass.


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Re: [Tex-music] Latexing a file using Spanish

2019-02-06 Thread Jean-Pierre Coulon

On Wed, 6 Feb 2019, Agustin Martin wrote:


babel spanish style defines some default shorthands which may interfere with
other uses. In this case <> in the note seem to be the cause of the problem.


if you mean \qu{>c} the problem remains without them.

--
Jean-Pierre
\documentclass[12pt,twoside]{article}
\usepackage{a4}
\usepackage{musixtex}
%\usepackage[spanish,es-noshorthands]{babel}
%\usepackage[spanish]{babel}

\newcommand{\twoextr}[2]
{\let\extractline\hbox
\hbox to \hsize{
\hfill
\startextract #1
\zendextract\hfill
\startextract #2
\zendextract
\hfill}

\let\extractline\centerline}

\begin{document}
\startextract
\NOtes\qu{>c}\lna c\qu{^c}\qu{---
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Re: [Tex-music] Latexing a file using Spanish

2019-02-06 Thread Jean-Pierre Coulon

On Wed, 6 Feb 2019, Agustin Martin wrote:


babel spanish style defines some default shorthands which may interfere with
other uses. In this case <> in the note seem to be the cause of the problem.

Try disabling shorthands when calling babel for spanish language.

\usepackage[spanish,es-noshorthands]{babel}


Thanks, it works. But what is the "note"? And my example does not contain <>

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[Tex-music] Latexing a file using Spanish

2019-02-06 Thread Jean-Pierre Coulon
Why do I obtain ! Argument of \es@use@sh has an extra }.  at 
line 35 when I say \usepackage[spanish]{babel}?


Works well with [english]

Bye,
--
Jean-Pierre\documentclass[12pt,twoside]{article}
\usepackage{a4}
\usepackage{musixtex}
\usepackage[spanish]{babel}

\newcommand{\twoextr}[2]
{\let\extractline\hbox
\hbox to \hsize{
\hfill
\startextract #1
\zendextract\hfill
\startextract #2
\zendextract
\hfill}

\let\extractline\centerline}

\begin{document}
\startextract
\NOtes\qu{>c}\lna c\qu{^c}\qu{c}\lna c\qu{^c}\qu{c}\qu{^c}\qu{---
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Re: [Tex-music] LaTeXing a file using MusiXTex

2019-02-05 Thread Jean-Pierre Coulon

On Tue, 5 Feb 2019, coulon...@free.fr wrote:

The German and English versions compile well but the French one says No room 
for a new \dimen \ch@ck etc.


Now the French version works after I deleted \input musixps. The other 
versions don't have that one.


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Re: [Tex-music] LaTeXing a file using MusiXTex

2019-02-05 Thread Jean-Pierre Coulon

On Tue, 5 Feb 2019, Bob Tennent wrote:


with texlive-2018, all build using musixtex -l after
replacing some \newcommand definitions by \renewcommand
(or deleting them as musixtex.tex itself provides those
definitions).


Besides \zcn, \lcn and \ccn I don't see any redundant definition. Could you 
please be more precise than "some \newcommand"?


After deleting these 3 the problem remains.

Bye
--
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Re: [Tex-music] Volta positioning and maybe a bug with voltas combined with a line break and a meter change

2019-01-14 Thread Jean-Pierre Coulon

On Mon, 14 Jan 2019, Simon Feiler wrote:


My first question is, whether there is a possibility
to raise Voltas higher above the staffs than their
default position is.


Use \raisevolta. You can even change the heigth in the voltas.

Bye,
--
Jean-Pierre Coulon
\input musixtex
\generalsignature0
\def\notes{\vnotes1.7\elemskip}
\def\Notes{\vnotes2.4\elemskip}
\startpiece\addspace\afterruleskip%
\notes\ibbbl1k0\qb1{oj}\qb1p\tqb1j\en
\notes\ibbbl1l2\zq m\qb1{ktr}\tqb1p\en
\notes\ibbbl1l{-3}\qb1{ml}\qb1j\tqb1h\en
\Setvolta1%
\bar%
\notes\ibbbl1p{-2}\qb1{qpo}\tqb1n\en
\notes\ibbbl1l{-2}\qb1{mlk}\tqb1j\en
\notes\ibbbl1j0\qb1i\qb1{ij}\tqb1h\en
\endvoltabox%
%\def\raisevolta{9\internote}%
\rightrepeat\def\raisevolta{9\internote}\setvolta2%
\addspace{-\afterruleskip}%
\advance\barno by-1\bar%
\notes\ibbbl0i0\qb0i\qb0{hi}\tqb0k\en
\notes\ibbbl1n4\qb1{mpr}\tqb1t\en
\Notes\cl w\en
\bar%
\notes\ibbbl1l0\ibu2p0\zqb1k\qb2p\en
\notes\qb1{mk}\tqb1m\en
\notes\ibbbl1m{-1}\nbbu2\zqb2q\qb1{lm}\en
\notes\zqb1k\tqh2p\tqb1m\en
\notes\ibbbl1m0\ibu2o1\zqb2o\qb1{lml}\tqb1m\en
%\mulooseness=1%
\stoppiece
\end
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[Tex-music] Help about the sumatra pdf viewer, please

2018-12-19 Thread Jean-Pierre Coulon
I use sumatra with a 1366x768 screen. As you can see, the result is 
unpleasant because some lines have a 2-pixel width. Thiis does not happen 
with Acrobat reader. The result is perfect with a 2000x1600 screen.


Can I improve the result with the settings of sumatra?

Bye,

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Re: [Tex-music] Strange messages : malware ?

2018-11-06 Thread Jean-Pierre Coulon
Thanks for your constructive informations. Since our friends from 
https://www.mail-archive.com display my address like coulon...@free.fr perhaps

spammers try random characters between coulon and free.fr.

Bye,

--
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[Tex-music] Strange messages : malware ?

2018-11-04 Thread Jean-Pierre Coulon

Am I the only one in our list getting mails like this ?

From: TeX-Musim 
To: Jean-Piefre Coulon 
Subject: Holpim
Parts/Attachments:
   1.1.1 Shown~14 lines  Text (charset: windows-1252)
   1.1.2   OK~186 lines  Text
   2  6.2 KB Application


ZogpeshGlungskuh ZentskowStehslim


The attachment is an html file. Did the managers of our list sell our 
adresses to hackers?


Bye,

Jean-Pierre Coulon
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Re: [Tex-music] Using font-based slurs and ties with musixchar.

2018-10-09 Thread Jean-Pierre Coulon

On Tue, 9 Oct 2018, Don Simons wrote:


I can't image why you would want to do that.


Simply because in my view very short ties heve become thinner with 
musixps.


I found a trick in the attached file. I still have horizontal tweaks to 
do. I can make them still thicker if I say scaled more than 1000 in my

font defintion.

Bye,

Jean-Pierre Coulon\input musixtex
\nostartrule
\font\mytiefont=xslz20 scaled 1000
\nobarnumbers

\makeatletter
\def\set@mynotesize{\let\musixfont\mytiefont}
\def\mytie{\set@mynotesize\comput@specifics
   \let\curr@ntsiz@\mynotesize}
\makeatother

\def\zcn{\zcharnote}
\startextract
\NOtes\zcn a{\mytie\kern5mm\musixchar0}\nq a\nq a\zcn a{\mytie\musixchar1}\nq 
a\en
\bar% 
\NOtes\zcn b{\mytie\kern5mm\musixchar2}\nq b\nq b\zcn b{\mytie\musixchar3}\nq 
b\en
\bar
\NOtes\zcn c{\mytie\kern4mm\musixchar54}\nq c\nq c\zcn c{\mytie\musixchar55}\nq 
c\en
\bar
\NOtes\zcn d{\mytie\kern5mm\musixchar56}\nq d\nq d\zcn c{\mytie\musixchar57}\nq 
c\en
\endextract
\end

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Re: [Tex-music] PMX: Segno or Coda sign within dynamic text

2018-10-04 Thread Jean-Pierre Coulon

Say e.g. \newcommand{\mycoda}{\raise.5ex\hbox{\musixchar85}\kern.25em}
and put \mycoda into your LaTeX file. Adjust raise and kern if necessary.

Segno is \musixchar86.

Bye,
--
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Re: [Tex-music] more staff crossing beams

2018-09-18 Thread Jean-Pierre Coulon

At which page and measure of the Anglès edition do you have this?

On Tue, 18 Sep 2018, Don Simons wrote:

I’ve more or less finished the Soler quintet transcription so now I’m 
looking into this. But so far I’m hung up, because PMX needs to insert the 
\tbbl1 before the 1/16 note just before the staff jump, so it would somehow 
have to look into the future to know that the multiplicity of the beam was 
going to decrease right at the jump. It’s probably possible, but tricky. 
After all, PMX has no trouble decreasing multiplicity when needed within a 
non-staff jumping beam. So it must look ahead there, although it is in the 
same voice. I’ll have to review that logic.




--Don



From: Don Simons [mailto:dsim...@roadrunner.com]
Sent: Thursday, September 06, 2018 5:36 PM
To: 'Werner Icking Music Archive' 
Subject: RE: [Tex-music] more staff crossing beams



Andre, thanks very much for the report. I’ve compiled this with PMX 2.87 and 
see that only minor corrections are needed to make it come out OK (see 
attachment). I’ll definitely put this on my PMX to-do list but I won’t be able 
to get serious about it until next week…I’m working on transcribing a Soler 
quintet for strings+harpsichord into a 2-harpsichord version, and I have 
another harpsichordist coming over on Saturday to play thru the first draft.



--Don



From: TeX-Music [mailto:tex-music-bounces+dsimons=roadrunner@tug.org] On 
Behalf Of Andre Van Ryckeghem
Sent: Thursday, September 06, 2018 5:28 AM
To: Werner Icking Music Archive mailto:tex-music@tug.org> >
Subject: [Tex-music] more staff crossing beams



Hi all,



I know, we already discussed this, but perhaps this problem can be solved?

In each bar in the example, the last note of the staaf crossing beam should be 
an 8th. It happen only in the 1st bar.



Andre

===

2 2 3 8 3 8 0 0

1 1 20 0





bt

.\

Abpe

w5i

[l+14 g1- cs ]j rb4 | [ d1 d+ ]j  rb4 | [u a1 za- ]j rb rb4 /

rb8 [ju g1+ g zb g8 ] | rb8 [ju d8 zf ] rb |  rb1 [ju e c8 ze ] rb //

r4d r4d r4d /

===




--
Jean-Pierre

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Re: [Tex-music] MusiXTeX or Tex bug or feature?

2018-06-13 Thread Jean-Pierre Coulon

On Tue, 12 Jun 2018, Bob Tennent wrote:


Please do  not send html mail to the list.


Hum, but you're doing so! ;-)

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Re: [Tex-music] MusiXTeX or Tex bug or feature?

2018-06-10 Thread Jean-Pierre Coulon

CTRL-X is rarely the command exit anything - CTRL+C should terminate
TeX, unless something's really broken.


Yes. I typed this mail too fast!


I've more commonly seen this using OpusTeX - it's usually a sign that
either the .mx2 file is out-of-sync with the .mx1 file, as Bob noted.
Deleting the .mx1 *and* .mx2 file should clear it, otherwise there's a
bug.


I am unable to reproduce the bug with the file I was using yesterday.
Next time I will attach it with the .log and .mx? files.

Can't say at which of the 3 passes this was. :-(

Jean-Pierre Coulon
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[Tex-music] MusiXTeX or Tex bug or feature?

2018-06-09 Thread Jean-Pierre Coulon
When I musixtex a file I obtain the message \inline= and I am unable to 
enter any character.  X gives nothing. All I can do is to kill the 
command prompt window I was working with.


Any other solution?

Bye,

Jean-Pierre Coulon
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Re: [Tex-music] Bar lines height

2018-03-08 Thread Jean-Pierre Coulon

Am I close to your request?

Jean-Pierre Coulon\input musixtex 
\setlines11
\startextract
\NOtes\zcharnote g{\musixchar16\raise1.5\Interligne\hbox{\musixchar16}}\nq i\en
\NOtes\zcharnote i{\musixchar16\raise1.5\Interligne\hbox{\musixchar16}}\nq j\en
\NOtes\zcharnote k{\musixchar16\raise1.5\Interligne\hbox{\musixchar16}}\nq i\en
\endextract

\end
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Re: [Tex-music] Shortening the final staff

2017-12-10 Thread Jean-Pierre Coulon

Search "leavevmode" in the attched file.

On Sun, 10 Dec 2017, Christian Mondrup wrote:


Could someone help me with an inline musixtex expression (in pmx/mtx)
that will shorten the final staff of a score. The last bar must end with
an ordinary barline. I need the empty space after the staff for
displaying text information.

Greetings



Jean-Pierre Coulon\input musixtex
\input musixps
%\input musixadd
\input coulhack

\voffset-1in\advance\voffset10mm\vsize297mm\advance\vsize-15mm\advance\vsize-24pt
\hoffset-1in\advance\hoffset10mm\hsize210mm\advance\hsize-20mm

\font\musicmyfont=musix20 at  10pt

\font\auteur=cmb10 at 38pt
\font\dates=cmcsc10 at 22pt
\font\titre=cmbxti10 at 22pt
\font\registra=cmb10 at 10pt
\font\revis=cmb10 at 14pt
\font\mypied=cmr10 at 10pt

\musicparskip%

\def\writebarno{\eightbf\the\barno\barnoadd}
\def\notesss{\vnotes1.4\elemskip}
\def\notess{\vnotes1.6\elemskip}
\def\notes{\vnotes2\elemskip}
\def\notesp{\vnotes2.45\elemskip}
\def\Notes{\vnotes3\elemskip}
\def\Notesp{\vnotes3.7\elemskip}
\def\NOtes{\vnotes4.5\elemskip}
\def\NOtesp{\vnotes5.55\elemskip}
\def\NOTes{\vnotes7\elemskip}
\def\NOTesp{\vnotes8.3\elemskip}
\def\NOTEs{\vnotes9\elemskip}
\def\writezbarno{...}
\def\mit{\medtype\it}

\def\bare{\bar\hardspace{5pt}}
\def\baree{\bar\hardspace{8pt}}
\def\bareee{\bar\hardspace{11pt}}
\def\monte#1{\raise#1\Interligne}%
\def\appog{\multnoteskip\tinyvalue\tinynotesize}


\def\pp{\ppfftwentyfour pp}
\def\p{\ppfftwentyfour p}
\def\f{\ppfftwentyfour f}
\def\ff{\ppfftwentyfour ff}
\def\mgfa{\setclef1{\bass\treble}\zchangeclefs}
\def\mgsol{\setclef1{\treble\treble}\zchangeclefs}%

\def\entreport#1{\def\atnextline{\interstaff{#1}}}%
\def\zcn{\zcharnote}
\def\ccn{\ccharnote}
\def\lcn{\lcharnote}

%   les << petites notes >> : s'emploient avec \znotes

% avance un peu.
\def\appogr#1{\def\myhlthick{.75\lthick}\longledgerlines%
\off{-1pt}\tinynotesize\grcu{#1}\off{10pt}%
\autoledgerlines\def\myhlthick{1.1\lthick}}

\def\appocu#1{\def\myhlthick{.75\lthick}\longledgerlines%
\off{1pt}\tinynotesize\zcu{#1}\off{10pt}%
\autoledgerlines\def\myhlthick{1.1\lthick}}

%N'avance pas

\def\zappogr#1{\def\myhlthick{.75\lthick}\longledgerlines%
\off{-10pt}\tinynotesize\grcu{#1}\off{10pt}%
\autoledgerlines\def\myhlthick{1.5\lthick}}

\def\zappocu#1{\def\myhlthick{.75\lthick}\longledgerlines%
\off{-10pt}\tinynotesize\zcu{#1}\off{10pt}%
\autoledgerlines\def\myhlthick{1.5\lthick}}


\instrumentnumber1
\bigaccid
\def\myhlthick{1.5\lthick}
\setclef1{\bass\treble}
\autoledgerlines
\setstaffs12
\afterruleskip=5pt
\parindent=15mm
\nobarmessages\nolinemessages%
\nobarnumbers

{\nopagenumbers
\centerline{~}
\vskip190pt
\centerline{\auteur GIUSEPPE GARIBALDI}
\vskip12pt
\centerline{\dates (1819 - 1908)}
\vskip3cm
\centerline{\titre VERSETTI PER ORGANO}
\vskip7cm
\centerline{\revis Transcription et r\'evision de Jean-Pierre Coulon}
\vskip.5cm
\centerline{d'apr\`es le manuscrit de la collection Michelle Bernard.}
\vskip.5cm
\centerline{\revis Notice de Michelle Bernard}
\vskip2cm
\centerline{\tt http://imslp.org}
\eject}


%\voffset-1in\advance\voffset10mm\vsize297mm\advance\vsize-20mm\advance\vsize-24pt
%\hoffset-1in\advance\hoffset10mm\hsize210mm\advance\hsize-20mm

\def\mataille{12pt}
\font\mycmr=cmr10 at \mataille  % normal
\font\myit=cmsl10 at \mataille  % italique
\font\mycmbx=cmbxti10 at \mataille  % italique pour nuances
\font\mybf=cmbx10 at \mataille  % gras
\font\myitbf=cmbxsl10 at \mataille % italique *et* gras
\font\mybsc=cmbcsc10 at \mataille  % small caps 
\font\mytt=cmtt10 at \mataille  % machine � �crire

\def\expo#1{\raise1.5mm\hbox{\smalltype\tt#1}}

% French quotation marks that work even with CM fonts:
% (Lachant-Robert, la maitrise de Tex et LaTeX, Masson ed.)
%\def\go{\leavevmode\raise.3ex\hbox{$\scriptstyle\langle\!\langle\,$}%
%~\ignorespaces}  % adds too much spacegle\!\langle\,$}%
\def\go{\leavevmode\raise.3ex\hbox
{$\scriptscriptstyle\langle\!\langle\,$\kern-.1em}%
\ignorespaces}
\def\gf{\relax\ifhmode\unskip~\else\leavemode \fi
\raise.3ex\hbox{\kern-.3em$\scriptscriptstyle\rangle\!\rangle\,$}}
  
\def\myfoot{~}
\nopagenumbers
\parskip=0pt % les simples sauts de ligne
\def\myparskip{\vskip4pt} % les s�parations entre paragraphes. 

\xspaceskip = 5pt % distance entre '.' et prochain caract�re
\parindent=0mm

\centerline{~}

\hbox to 0pt{\kern1cm\vbox{\hsize=17cm

\centerline{\mybsc  NOTICE.}
\myparskip 

{\mycmr 
Non, le h\'eros de la lib\'eration de l'Italie n'\'etait pas organiste ! 
Mais notre \hbox{compositeur} \'etait peut-\^etre un lointain cousin, car \`a 
Cipressa, son village natal pr\`es de San Remo (Ligurie), pr\`es du tiers 
des familles se nommaient Garibaldi. Notre Giuseppe est n\'e en 1819 
(le registre contenant son acte de naissance a disparu) et mort 
\`a Cipressa le 25 mai 1908. Il menait une double vie : propri\'etaire 
agricole ais\'e et organiste-pian

Re: [Tex-music] How can I say \generalmeter with a single number?

2017-11-22 Thread Jean-Pierre Coulon

On Wed, 22 Nov 2017, Bob Tennent wrote:


>|e.g. only a big "3" instead of a fraction.

\generalmeter{\raise2\internote\hbox{\meterfont3}}


Works fine, thanks!

--
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Re: [Tex-music] Proprietary encodings

2017-11-17 Thread Jean-Pierre Coulon
Perhaps this table my help: 
http://imslp.org/wiki/IMSLP:Typeset_Music_formats


Bye
Jean-Pierre Coulon
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Re: [Tex-music] system split vertically (see attacjment)

2017-10-14 Thread Jean-Pierre Coulon

My name doesn't even show up in this archive posting.

On Sat, 14 Oct 2017, Don Simons wrote:


Jean-Pierre Coulon wrote

But I am not the author of this solution!


I don't understand. The link you posted took me to a mail archive, showing a
copy of a posting signed by you and containing a MusiXTeX source with the
example. If not you, who created the example?


Not researched: are you able to write something in the white area with
statements below the psframe line? There was something in Dieter's png.


I check that you can, using \zcharnote in the next bar after the gap.

--Don Simons



On Sat, 14 Oct 2017, Don Simons wrote:


I had wondered all along if there was a "white paint" solution. THANK
YOU, JEAN-PIERRE! Some modernists will object to requiring dvips, but
I'm "old school" and this makes me very happy. Plus, the coding is
infinitely simpler, although it does still requcire trial and error to
get the dimensions of the painted block exactly right. See the
attached for the results.

--Don Simons


-Original Message-
From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Jean-
Pierre Coulon
Sent: Friday, October 13, 2017 10:23 PM
To: Werner Icking Music Archive 
Cc: 'Werner Icking Music Archive' 
Subject: Re: [Tex-music] system split vertically (see attacjment)

Or perhaps a solution with "white paint"? See https://www.mail-
archive.com/tex-music@tug.org/msg02177.html

Bye,

Jean-Pierre Coulon
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Re: [Tex-music] system split vertically (see attacjment)

2017-10-14 Thread Jean-Pierre Coulon

But I am not the author of this solution!

Not researched: are you able to write something in the white area with 
statements below the psframe line? There was something in Dieter's png.


On Sat, 14 Oct 2017, Don Simons wrote:


I had wondered all along if there was a "white paint" solution. THANK YOU,
JEAN-PIERRE! Some modernists will object to requiring dvips, but I'm "old
school" and this makes me very happy. Plus, the coding is infinitely
simpler, although it does still requcire trial and error to get the
dimensions of the painted block exactly right. See the attached for the
results.

--Don Simons


-Original Message-
From: TeX-Music [mailto:tex-music-boun...@tug.org] On Behalf Of Jean-
Pierre Coulon
Sent: Friday, October 13, 2017 10:23 PM
To: Werner Icking Music Archive 
Cc: 'Werner Icking Music Archive' 
Subject: Re: [Tex-music] system split vertically (see attacjment)

Or perhaps a solution with "white paint"? See https://www.mail-
archive.com/tex-music@tug.org/msg02177.html

Bye,

Jean-Pierre Coulon
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Re: [Tex-music] system split vertically (see attacjment)

2017-10-13 Thread Jean-Pierre Coulon
Or perhaps a solution with "white paint"? See 
https://www.mail-archive.com/tex-music@tug.org/msg02177.html


Bye,

Jean-Pierre Coulon
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Re: [Tex-music] system split vertically (see attacjment)

2017-10-11 Thread Jean-Pierre Coulon

I have a similar example but it is in MusiXTeX. Hope you can adapt it.

Bye,

Jean-Pierre Coulon\input musixtex
\voffset-1in\advance\voffset10mm\vsize11in\advance\vsize-20mm\advance\vsize-24pt
\hoffset-1in\advance\hoffset10mm\hsize210mm\advance\hsize-20mm
\musicparskip%
\font\bidon=ecrm1000 scaled 5000
{\nopagenumbers
\centerline {~}
\bigskip\centerline{\bidon JEAN L\'EV\`EQUE}
\bigskip%
\centerline{\Bigtype d'apr\`es Scarlatti, Alessandro}
\smallskip
\centerline{\Bigtype Sinfonie n$^o$ 5, 1$^{er}$ mvt.}
\smallskip
\centerline{\BIGtype VARIATION JAZZY}
\smallskip
\centerline{\Bigtype sur les mes. 18 \`a 24}
\bigskip
\centerline{\ppfftwentynine A Camille et Jean-Pierre}
\smallskip
\centerline{\ppfftwentyfour en toute complicit\'e.}
\eject}
%
\def\myhlthick{1.5\lthick}
\makeatletter
\def\h@linei{%
  \y@ii\n@v\internote
  \y@iii\y@ii
  \advance\y@ii\myhlthick
  \advance\y@iii-\myhlthick
  \y@vi\noteskip% noteskip
%-\ifnum\y@vi=\z@ \y@vi\maxdimen\fi % (or maxdimen if noteskip = 0)
  \advance\y@vi-\y@v% - notewidth
  \y@vi0.7\y@vi % this may be eaten =: additional length
  \y@iv\h@lf\qn@width\ifnum\y@vi>\y@iv \y@vi\y@iv\fi % not more than 0.5 
qn@width
  \y@iv0.2\qn@width  \ifnum\y@vi<\y@iv \y@vi\y@iv\fi % not less than 0.2 
qn@width
  \y@iv\y@v % notewidth
  \advance\y@iv\y@vi% + additional length =: total length
  \kernm\h@lf\y@vi  % center the ledger line
%-\message{noteskip = \the\noteskip, length = \the\y@iv, notewidth = \the\y@v}%
  \vrule\@height\y@ii\@depth-\y@iii\@width\y@iv
  \kernm\y@iv\kern\h@lf\y@vi}
\makeatother


\instrumentnumber{1}
\setstaffs1{2}
\setclef1\bass
\def\ppp{\ppfftwentyfour ppp}
\def\pp{\ppfftwentyfour pp}
\def\p{\ppfftwentyfour p}
\def\mf{\ppfftwenty m\ppfftwentyfour f}
\def\f{\ppfftwentyfour f}
\def\ff{\ppfftwentyfour ff}
\def\rf{\ppfftwenty r\ppfftwentyfour f}
\def\sf{\ppfftwenty s\ppfftwentyfour f}
\def\fz{\ppfftwentyfour f\ppfftwenty z}
\def\sfz{\ppfftwenty s\ppfftwentyfour f\ppfftwenty z}
\def\fp{\ppfftwentyfour f\ppfftwentyfour p}
\def\mysk{\off{.4\elemskip}}
%
\def\zds{\ds\bsk}
\def\sns{\tinynotesize}
\def\bassten#1{\roffset{1.1}{\zwh#1}}
\def\mgfa{\setclef1{\bass\treble}\zchangeclefs}
\def\mgsol{\setclef1{\treble\treble}\zchangeclefs}%
\def\debutoct#1{\loff{\ioctfinup {#1}}}
\def\findoct{\roff{\toctfin}}
\def\bigpause{\def\atnextbar{\znotes\centerpause\en}}%

\bigaccid
\def\writebarno{\eightbf\the\barno\barnoadd}
\def\notes{\vnotes2\elemskip}
\def\notesp{\vnotes2.45\elemskip}
\def\Notes{\vnotes3\elemskip}
\def\Notesp{\vnotes3.7\elemskip}
\def\NOtes{\vnotes4.5\elemskip}
\def\NOTes{\vnotes6\elemskip}
\def\NOTEs{\vnotes9\elemskip}
\def\monte#1{\raise#1\Interligne}%

\afterruleskip=5pt
\def\bare{\bar\hardspace{5pt}}
\interstaff{11}
\def\appog{\multnoteskip\tinyvalue\tinynotesize}
\def\ptitnotes#1#2#3{\multnoteskip\tinyvalue\tinynotesize%
\ibbu2{#1}{#3}\qb2{#1}\tqh2{#2}}
%
\def\mit{\medtype\it}
\def\zcn{\zcharnote}
\def\ccn{\ccharnote}
\def\lcn{\lcharnote}
\def\tns{\tinynotesize}
%
\def\rampone#1{\def\atnextline{\vskip-#1\Interligne}}%
\def\peda{\loffset1{\zcn{``G}{\Ped}}\zcn{!E}{~}}%
\def\pedc{\loffset1{\zcn{`C}{\Ped}}\zcn{!E}{~}}%
\def\pede{\loffset1{\zcn{`E}{\Ped}}\zcn{!E}{~}}%
\def\depa{\zcn {``G}{\Dep}\zcn{!E}{~}}%
\def\depc{\zcn {`C}{\Dep}\zcn{!E}{~}}%
\def\depe{\zcn {`E}{\Dep}\zcn{!E}{~}}%
\def\queueslur#1{\loffset3{\isluru5#1}\tsslur5#1}
\def\textincl#1#2{\zcn#1{\epsffile[140 693 150 710]{marinex/#2.ps}}}%
\startbarno=0%
\setname1{~}
\parindent=20mm
\generalmeter{\meterfrac34}
\generalsignature{-1}
\nobarnumbers
\startpiece
\Notes\zcn e{\mf}\ds|\zcn q{\metron{\qu}{132}}\cu{^N}\en
\bar% a
\Notes|\ibu2g0\qb2{defgh}\tqh2a\en
\bigpause%
\bar% b
\notes|\appog\islurd2f\grcu f\en
\NOtes\lfl L\zh{=N}\hl L|\tslur2e\lsh c\zh c\hu{_e}\en
\Notes\qp|\ds\cu{=b}\en
\bar% c
\Notes|\ibu2i0\qb2{fg_h_i=j}\cna c\tqh2c\en
\bigpause
\alaligne%\bare% d
\notes|\appog\islurd2h\grcu{_h}\en
\NOtes\zh b\hl{_N}|\tslur2g\loff{\cna e}\zh e\hu{_g}\en
\Notes\qp|\ds\cu{^c}\en
\bare% e
\Notes\hp|\zcn a{\icresc}\ibu2h2\qb2{=g=h_i}\tqh2{=j}\en
\Notes\lsh f\loffset2{\fl a}\lq c\zq{fd}\ql a|\zcn a{\tcresc}\zqu 
k\monte{-1}\ds\cl{_h}\en
\generalmeter{\meterC}\Changecontext%
\systemnumbers%
\barno=1%
\Notesp\ibl0M0\qbp0N|\zcn z{\metron{\qu}{144}}\zhl k\ibu3q0\ibsluru3p\qbp3p\en
\notes\tbbl0\qb0g|\tbsluru3p\tbbu3\qb3q\en
\Notesp\qbp0M|\ibsluru3p\qbp3p\en
\notes\tbbl0\tqb0f|\tbsluru3p\tbbu3\tqh3q\en
\notesp\ibl0K0\qbp0L|\zql j\triolet x\ibu3p1\qb3{p=p}\en
\notes\qsk\tbbl0\qb0e|\tqh3q\en
\notesp\qbp0J|\zql l\triolet x\ibu3p1\qb3{_p=p}\en
\notes\qsk\tbbl0\tqb0c|\tqh3q\en
\alaligne% \bar% 2
\notes|\appog\islurd2n\grcu{^n}\en
\Notes\ibl0M0\qbp0M|\tsslur2o\cl o\en
\Notes\qsk\tbbl0\qb0f|\ust t\zqp t\qlp m\en
\Notesp\qbp0L\en
\notes\tbbl0\tqb0e|\zq h\ccl f\en
\Notes\zcn h{\mit simile}\ibl0J0\qb0{Kd}|\ds\isluru3p\ibl2l0\qb2{=p}\en
\Notes\q

Re: [Tex-music] Strange "#" symbol

2017-08-29 Thread Jean-Pierre Coulon

On Tue, 29 Aug 2017, Bob Tennent wrote:


>|> P.S. jpg isn't a good format to use for line-oriented images.
>|> I've attached a png image generated using
>|
>|Does anybody see anything other than a black surface?

Works for me on Windows 7.  Perhaps 600 dpi was overkill.


Is black with Irfanview, but OK with Firefox. The sharp is OK.

Bye,
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Re: [Tex-music] Strange "#" symbol

2017-08-29 Thread Jean-Pierre Coulon

If I print the pdf the sharp is strange.

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Re: [Tex-music] Strange "#" symbol

2017-08-29 Thread Jean-Pierre Coulon

On Mon, 28 Aug 2017, Bob Tennent wrote:


P.S. jpg isn't a good format to use for line-oriented images.
I've attached a png image generated using


Does anybody see anything other than a black surface?

AFAIK the png format describes pixels like jpg. It is not vector graphics like 
pdf or PostScript.


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Re: [Tex-music] Strange "#" symbol

2017-08-28 Thread Jean-Pierre Coulon

On Mon, 28 Aug 2017, Don Simons wrote:


I don't know what governs the resolution in the conversion. But the PDF
(attached) has the same appearance on screen regardless of the screen
resolution, with white where the lines cross within the "#" symbol.


Strange :I see a regular sharp with Acrobat reader if I zoom the pdf a lot, 
but the sharp is strange if I zoom it moderately. See the screen captures 
attached. The sharp is always OK with Sumatra.


The sharp is OK if I say magick palms.pdf -density 300 palms.jpg

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Re: [Tex-music] Strange "#" symbol

2017-08-28 Thread Jean-Pierre Coulon

On Mon, 28 Aug 2017, Don Simons wrote:


I don't know what governs the resolution in the conversion. But the PDF
(attached) has the same appearance on screen regardless of the screen
resolution, with white where the lines cross within the "#" symbol.


Thanks. Perhaps a feature of this funny font? What is its name? Can you try a 
good old font?


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Re: [Tex-music] Strange "#" symbol

2017-08-28 Thread Jean-Pierre Coulon

On Sun, 27 Aug 2017, Don Simons wrote:


The image below is from a PDF. When I print it out, the "#" symbol looks
normal !?


What governs the resolution of the jpg in the conversion? Can't you attach the 
pdf?


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Re: [Tex-music] Half a tone transposition

2017-08-16 Thread Jean-Pierre Coulon
Say \relativeaccid and note that \fl b will lower B's by half a tone "with 
respect to its normal value according to the current signature"


Do you have a short example ?

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Re: [Tex-music] autosp-2017-07-14

2017-07-17 Thread Jean-Pierre Coulon
autosp has added a tqsk line 18 although we are in \Notes and there is 
less spacing demand.


Bye,

Jean-Pierre Coulon\input musixtex
\input musixps

\bigaccid
\setstaffs12
\setclef1{\bass\treble}
\generalsignature3
\def\bare{\bar\hardspace{3pt}}
\afterruleskip=5pt

\def\tqsk{\off{2\elemskip}}

\startpiece
\anotes\ibu1F1\qb1F|\zq{oj}\ql h\en
\anotes\nbbu1\qb1G\tbu1\qb1H\en
\anotes\ibbu1I1\qb1{IJ^K}\tbu1\qb1{^L}|\qp\en
\anotes\ibu1L{-2}\qb1M\lpz J\qb1{^J}|\qp\en
\anotes\lpz H\qb1H\lpz F\tbu1\qb1F|\zq{qom}\ql j\en
\bare% 140
\anotes\ibu1D2\qb1C|\zq{qn^l}\ql j\en
\anotes\nbbu1\qb1{^D}\tbu1\qb1{^E}\en
\anotes\ibbu1F1\qb1{FG^H}\tbu1\qb1{^I}|\qp\en
\anotes\ibbu1I0\qb1{J^KJ}\tbu1\qb1I|\hpause\en
\anotes\ibbu1I0\qb1{JKJ}\tbu1\qb1I\en
\bar% 141
\anotes\qu J|\qs\ibbu3d1\qb3{c^d}\tbu3\qb3{^e}\en
\anotes\qp|\ibbu3f1\qb3{fg^h}\tbu3\qb3{^i}\en
\anotes\hpause|\ibbu3i0\qb3{j^kj}\tqh3i\en
\anotes|\ibbu3i0\qb3{jkj}\tqh3i\en
\bar% 142
\anotes|\ibbl2i0\qb2{j^lg}\tbl2\qb2{^i}\en
\anotes|\ibbl2i0\qb2{jlg}\tqb2i\en
\anotes|\ibbl2i0\qb2{jlg}\tqb2i\en
\anotes|\ibbl2i0\qb2{jlg}\tqb2i\en
\linegoal1%
\stoppiece
\end
%  Generated by autosp (2017-07-14).
\input musixtex
\input musixps

\bigaccid
\setstaffs12
\setclef1{\bass\treble}
\generalsignature3
\def\bare{\bar\hardspace{3pt}}
\afterruleskip=5pt

\def\tqsk{\off{2\elemskip}}

\startpiece
\Notes\ibu1F1\qb1F|\zq{oj}\ql h\en%
\notes\nbbu1\qb1G\tbu1\qb1H|\hqsk\en%
\notes\ibbu1I1\qb1{I}\qb1{J}\tqsk\qb1{^K}\tqsk\tbu1\qb1{^L}|\qp\sk\tqsk\sk\tqsk\sk\hqsk\en%
\Notes\ibu1L{-2}\qb1M\tqsk\lpz J\qb1{^J}|\qp\tqsk\sk\en%
\Notes\lpz H\qb1H\lpz F\tbu1\qb1F|\zq{qom}\ql j\sk\en%
\bare% 140
\Notes\ibu1D2\qb1C|\zq{qn^l}\ql j\en%
\notes\tqsk\nbbu1\qb1{^D}\tqsk\tbu1\qb1{^E}|\tqsk\tqsk\hqsk\en%
\notes\ibbu1F1\qb1{F}\qb1{G}\tqsk\qb1{^H}\tqsk\tbu1\qb1{^I}|\qp\sk\tqsk\sk\tqsk\sk\hqsk\en%
\notes\ibbu1I0\qb1{J}\tqsk\qb1{^K}\qb1{J}\tbu1\qb1I\hqsk|\hpause\tqsk\sk\sk\sk\hqsk\en%
\notes\ibbu1I0\qb1{J}\qb1{K}\qb1{J}\tbu1\qb1I|\hqsk\en%
\bar% 141
\notes\qu 
J\sk\tqsk\sk\tqsk\sk|\qs\ibbu3d1\qb3{c}\tqsk\qb3{^d}\tqsk\tbu3\qb3{^e}\hqsk\en%
\notes\qp\sk\tqsk\sk\tqsk\sk|\ibbu3f1\qb3{f}\qb3{g}\tqsk\qb3{^h}\tqsk\tbu3\qb3{^i}\hqsk\en%
\notes\hpause\tqsk\sk\sk\sk\hqsk|\ibbu3i0\qb3{j}\tqsk\qb3{^k}\qb3{j}\tqh3i\hqsk\en%
\notes|\ibbu3i0\qb3{j}\qb3{k}\qb3{j}\tqh3i\hqsk\en%
\bar% 142
\notes\tqsk\tqsk|\ibbl2i0\qb2{j}\tqsk\qb2{^l}\qb2{g}\tqsk\tbl2\qb2{^i}\hqsk\en%
\notes|\ibbl2i0\qb2{j}\qb2{l}\qb2{g}\tqb2i\hqsk\en%
\notes|\ibbl2i0\qb2{j}\qb2{l}\qb2{g}\tqb2i\hqsk\en%
\notes|\ibbl2i0\qb2{j}\qb2{l}\qb2{g}\tqb2i\hqsk\en%
\linegoal1%
\stoppiece%
\end
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Re: [Tex-music] autosp-2017-07-14

2017-07-17 Thread Jean-Pierre Coulon

On Mon, 17 Jul 2017, Bob Tennent wrote:


Sorry Jean-Pierre. It's in my local (but not yet
distributed) version of musixtex.tex:

\def\tqsk{\off{0.7\elemskip}}

Of course you can re-define it as you wish.


Thanks. But then I dream of package that would count the accidentals at 
each line and compute the best \tqsk for this line.


Often I make a first version with tqsk=.5\elemskip, I put \alaligne at the 
line breaks I obtain and adjust the tqsk at each line afterwards. 
Otherwise the situation would be inextricable because the \tqsk influence 
the line breaks. Perhaps your package could adjust \tqsk at this step.


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Re: [Tex-music] autosp-2017-07-14

2017-07-17 Thread Jean-Pierre Coulon
Thanks. What is the definition of \tqsk? Is it in a version of 
musixtex.tex I missed?


The output file works if I say e.g. \def\tqsk{\off{1.5\elemskip}}. Am I 
supposed to adjust it myself?


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Re: [Tex-music] autosp 2017-06-14

2017-06-15 Thread Jean-Pierre Coulon

On Thu, 15 Jun 2017, Bob Tennent wrote:


>|autosp does not take accidentals into account. Could this be
>|improved?

The "automatic" spacing is determined by the beaming (\ibb...),
and can't be affected by subsequent accidentals [...]


Personnally I say e.g. \def\mysk{\off{.6\elemskip}} and replace your \Qsk with 
\mysk. With a few adjustments I obtain the best \mysk for each line.


A remark from a user of Finale: avoiding collisions is trivial programming for 
the developer of a music typesetting program!  So it's difficult to explain 
why I do adjustments with MusiXTeX. :-)


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Re: [Tex-music] autosp 2017-06-14

2017-06-15 Thread Jean-Pierre Coulon
Thanks but autosp does not take accidentals into account. Could this be 
improved? I always correct this manually.


Bye,
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Jean-Pierre\input musixtex
\hsize120mm
\nostartrule
\bigaccid

\startpiece
\anotes\hu{cd}\qu{cdef}\ibu3d1\qb3{cde}\tqh3h\ibu3d1\qb3{_c^d_e}\tqh3{^h}\en
\bar% 1
\anotes\ibbu3d1\qb3{cde}\tqh3h\ibbu3d1\qb3{_c^d_e}\tqh3{^h}\en
\linegoal1%
\stoppiece
\end
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Re: [Tex-music] \stemlength is overridden in high notes.

2017-03-29 Thread Jean-Pierre Coulon

On Wed, 29 Mar 2017, Andre Van Ryckeghem wrote:


Use \stdstemfalse before each note (section 18.6 ofmusixdoc.pdf).


OK, thanks. :-)

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