Re: [TeX-music] triplets in pmx

2006-04-06 Thread tamston

Thanks Don,
your solution works brilliantly!
I hesitated using \ast, but still I didn't know it better.

You way should go to the tricks of the trade list.

Sonja

Don Simons wrote:

That's a pretty good start. But there are two things I wouldn't do. One is
use \ast as inline TeX. It could cause spacing that PMX doesn't know about,
and that could mess up things like accidental spacing elsewhere in the
system. The other is that you used letters to denote pitches in the inline
TeX. As I wrote twice during the past week, that's not a good idea either,
because it could introduce octave changes that PMX won't know about. It may
not have caused a problem here (I had to guess what octave and clef to
assign since you didn't tell me) but it's still not a good idea, assuming
you won't want to transpose sometime later. Better to use numbers.

I thought about this for quite a while. I think the following comes pretty
close to spacing that PMX would use if it could handle the wierd triplet.


4 4 6 4 6 4 0 0
1 1 20 0





.\
\\let\qut\qu\
\\def\huforqu{\def\qu##1{\hu{##1}\let\qu\qut}}\
%
c25 g0 |
  c-2x3nf f g
\huforqu\xnum{2.31}93\ovbkt{14}{2.00}{-4}\ a4 rb1 X-1 gd8x2n f
g2x3nf eD /
e24 d0 | c2 a4 b2 c4 /
rp | rp /
g44 c d b.a b | c2.b g2 /


It sure would be easier if PMX could handle this :-)

--Don Simons



-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] Behalf Of
[EMAIL PROTECTED]
Sent: Wednesday, April 05, 2006 2:12 PM
To: Typesetting music with TeX
Subject: Re: [TeX-music] triplets in pmx


Alright, here the first result of my thinking:
It's right, that inline TeX is the much better way to correct things.
Still, it isn't easy.
To make pmx thinking the bar would be full, I inserted an invisible
break. Then I had the problem, that even if the break isn't visible it
still needs space. With three other lines, I cannot afford giving that
space. So I tried to correct the trouble. Neither X nor XS would help
for that, it's still causing weird spaces in the other voices.
Usually pmx is doing a great job in sorting the space. How to trick it?

On the end I used \ast - although I don't think it is an optimal
solution. In the context it looks like that, if somebody needs something
similiar:

c2 g0 | c-2x3nf f g r2b \ast{-5.4}\xnum{2.31}{n}3\ovbkt{s}{2.00}{-5}%
\hu h\Dqbu gf\ g2x3nf eD /
e2 d0 | c2 a4 b2 c4 /
rp | rp /
g4 c d b.a b | c2.b g2 /

I gave you the other lines, too. So you have a better overview. It is
about an renaissance mess and best would be a meterchange in only one
voice. Realization of that with pmx seems to me even more complicated.

The interesting bit is
r2b \ast{-5.4}\xnum{2.31}{n}3\ovbkt{s}{2.00}{-5}\hu h\Dqbu gf\


If one of you knows a better way, please let me know. I like things
really good and I am not satisfied with what I did. The output doesn't
has an optimal layout. And the digits you have to correct by hand.

So far from my side.

Sonja

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RE: [TeX-music] triplets in pmx

2006-04-05 Thread Christof Biebricher
On Tue, 4 Apr 2006, Don Simons wrote:

 Sonja--
 
 If you are using PMX, then at all costs, you should avoid doing anything
 that requires you to edit the TeX file directly. The reason is that every
 time you want to change or edit ANYTHING in the PMX, you'll then have to
 re-edit the TeX file. That's why I went to the trouble of enabling four
 different ways of entering inline TeX into a PMX file. Please try to figure
 out a way to do what you want from within the PMX file.
 
Sometimes it is not possible. I admit that I have used post-editing TeX files
quite often. While I agree that it is important not to use it while creating
the raw music, I rename the pmx file after it has done its duty to avoid
an accidental overwriting of the TeX-file and edit then the tex file.
Goudimel's psalter in WIMA has been typeset in this way.

Christof
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Re: [TeX-music] triplets in pmx

2006-04-05 Thread tamston

Alright, here the first result of my thinking:
It's right, that inline TeX is the much better way to correct things. 
Still, it isn't easy.
To make pmx thinking the bar would be full, I inserted an invisible 
break. Then I had the problem, that even if the break isn't visible it 
still needs space. With three other lines, I cannot afford giving that 
space. So I tried to correct the trouble. Neither X nor XS would help 
for that, it's still causing weird spaces in the other voices.

Usually pmx is doing a great job in sorting the space. How to trick it?

On the end I used \ast - although I don't think it is an optimal 
solution. In the context it looks like that, if somebody needs something 
similiar:


c2 g0 | c-2x3nf f g r2b \ast{-5.4}\xnum{2.31}{n}3\ovbkt{s}{2.00}{-5}%
\hu h\Dqbu gf\ g2x3nf eD /
e2 d0 | c2 a4 b2 c4 /
rp | rp /
g4 c d b.a b | c2.b g2 /

I gave you the other lines, too. So you have a better overview. It is 
about an renaissance mess and best would be a meterchange in only one 
voice. Realization of that with pmx seems to me even more complicated.


The interesting bit is
r2b \ast{-5.4}\xnum{2.31}{n}3\ovbkt{s}{2.00}{-5}\hu h\Dqbu gf\


If one of you knows a better way, please let me know. I like things 
really good and I am not satisfied with what I did. The output doesn't 
has an optimal layout. And the digits you have to correct by hand.


So far from my side.

Sonja

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RE: [TeX-music] triplets in pmx

2006-04-05 Thread Don Simons
That's a pretty good start. But there are two things I wouldn't do. One is
use \ast as inline TeX. It could cause spacing that PMX doesn't know about,
and that could mess up things like accidental spacing elsewhere in the
system. The other is that you used letters to denote pitches in the inline
TeX. As I wrote twice during the past week, that's not a good idea either,
because it could introduce octave changes that PMX won't know about. It may
not have caused a problem here (I had to guess what octave and clef to
assign since you didn't tell me) but it's still not a good idea, assuming
you won't want to transpose sometime later. Better to use numbers.

I thought about this for quite a while. I think the following comes pretty
close to spacing that PMX would use if it could handle the wierd triplet.


4 4 6 4 6 4 0 0
1 1 20 0





.\
\\let\qut\qu\
\\def\huforqu{\def\qu##1{\hu{##1}\let\qu\qut}}\
%
c25 g0 |
  c-2x3nf f g
\huforqu\xnum{2.31}93\ovbkt{14}{2.00}{-4}\ a4 rb1 X-1 gd8x2n f
g2x3nf eD /
e24 d0 | c2 a4 b2 c4 /
rp | rp /
g44 c d b.a b | c2.b g2 /


It sure would be easier if PMX could handle this :-)

--Don Simons


 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] Behalf Of
 [EMAIL PROTECTED]
 Sent: Wednesday, April 05, 2006 2:12 PM
 To: Typesetting music with TeX
 Subject: Re: [TeX-music] triplets in pmx


 Alright, here the first result of my thinking:
 It's right, that inline TeX is the much better way to correct things.
 Still, it isn't easy.
 To make pmx thinking the bar would be full, I inserted an invisible
 break. Then I had the problem, that even if the break isn't visible it
 still needs space. With three other lines, I cannot afford giving that
 space. So I tried to correct the trouble. Neither X nor XS would help
 for that, it's still causing weird spaces in the other voices.
 Usually pmx is doing a great job in sorting the space. How to trick it?

 On the end I used \ast - although I don't think it is an optimal
 solution. In the context it looks like that, if somebody needs something
 similiar:

 c2 g0 | c-2x3nf f g r2b \ast{-5.4}\xnum{2.31}{n}3\ovbkt{s}{2.00}{-5}%
 \hu h\Dqbu gf\ g2x3nf eD /
 e2 d0 | c2 a4 b2 c4 /
 rp | rp /
 g4 c d b.a b | c2.b g2 /

 I gave you the other lines, too. So you have a better overview. It is
 about an renaissance mess and best would be a meterchange in only one
 voice. Realization of that with pmx seems to me even more complicated.

 The interesting bit is
 r2b \ast{-5.4}\xnum{2.31}{n}3\ovbkt{s}{2.00}{-5}\hu h\Dqbu gf\


 If one of you knows a better way, please let me know. I like things
 really good and I am not satisfied with what I did. The output doesn't
 has an optimal layout. And the digits you have to correct by hand.

 So far from my side.

 Sonja

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Re: [TeX-music] triplets in pmx

2006-04-04 Thread tamston
Alright, I live with it and change the tex-file afterwards. That isn't a 
pretty solution, still, it works.

Thanks a lot
Sonja


Cornelius C. Noack wrote:

On Mon, 3 Apr 2006, [EMAIL PROTECTED] wrote:

That's a very good question. It's not a situation I ever considered, 
and I'm afraid the only approaches I can think of right now would use 
inline TeX. Maybe some of the list's master TeXnicians/PMXperts can 
come up with something more clever.


--Don Simons

 [EMAIL PROTECTED] wrote:

Hi there,

I cannot find anything in the pmx documentation about a special triplet
with for example a 2 followed by two 8s . There is written about the D
and F possibilities. But not about the simple case, that there may
follow quicker notes than the biginning one. Is there a way to write
that in pmx or do I have to insert MusiXTeX?

a2x3D g
How do I put two 8s instead of the last 4 g?

Thanks a lot
Sonja



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There is nothing to add to Don's commentary, except that you are
not the first to notice this problem with PMX: compare what W.A.M.
has to say about it:

   http://icking-music-archive.org/software/pmx/pmxccn.pdf
 [ Chapter B.4.6   (p.30) ].

Note that there I said: traditional xtuplets   :-(

ccn.


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RE: [TeX-music] triplets in pmx

2006-04-04 Thread Don Simons
Sonja--

If you are using PMX, then at all costs, you should avoid doing anything
that requires you to edit the TeX file directly. The reason is that every
time you want to change or edit ANYTHING in the PMX, you'll then have to
re-edit the TeX file. That's why I went to the trouble of enabling four
different ways of entering inline TeX into a PMX file. Please try to figure
out a way to do what you want from within the PMX file.

==Don Simons

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED] Behalf Of
 [EMAIL PROTECTED]
 Sent: Tuesday, April 04, 2006 4:50 AM
 To: Typesetting music with TeX
 Subject: Re: [TeX-music] triplets in pmx


 Alright, I live with it and change the tex-file afterwards. That isn't a
 pretty solution, still, it works.
 Thanks a lot
 Sonja


 Cornelius C. Noack wrote:
  On Mon, 3 Apr 2006, [EMAIL PROTECTED] wrote:
 
  That's a very good question. It's not a situation I ever considered,
  and I'm afraid the only approaches I can think of right now would use
  inline TeX. Maybe some of the list's master TeXnicians/PMXperts can
  come up with something more clever.
 
  --Don Simons
 
   [EMAIL PROTECTED] wrote:
  Hi there,
 
  I cannot find anything in the pmx documentation about a
 special triplet
  with for example a 2 followed by two 8s . There is written about the D
  and F possibilities. But not about the simple case, that there may
  follow quicker notes than the biginning one. Is there a way to write
  that in pmx or do I have to insert MusiXTeX?
 
  a2x3D g
  How do I put two 8s instead of the last 4 g?
 
  Thanks a lot
  Sonja
 
 
 
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  There is nothing to add to Don's commentary, except that you are
  not the first to notice this problem with PMX: compare what W.A.M.
  has to say about it:
 
 http://icking-music-archive.org/software/pmx/pmxccn.pdf
   [ Chapter B.4.6   (p.30) ].
 
  Note that there I said: traditional xtuplets   :-(
 
  ccn.

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Re: [TeX-music] triplets in pmx

2006-04-03 Thread dsimons
That's a very good question. It's not a situation I ever considered, and I'm 
afraid the only approaches I can think of right now would use inline TeX. Maybe 
some of the list's master TeXnicians/PMXperts can come up with something more 
clever.

--Don Simons

 [EMAIL PROTECTED] wrote: 
 Hi there,
 
 I cannot find anything in the pmx documentation about a special triplet 
 with for example a 2 followed by two 8s . There is written about the D 
 and F possibilities. But not about the simple case, that there may 
 follow quicker notes than the biginning one. Is there a way to write 
 that in pmx or do I have to insert MusiXTeX?
 
 a2x3D g
 How do I put two 8s instead of the last 4 g?
 
 Thanks a lot
 Sonja
 
 
 
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 TeX-music@icking-music-archive.org
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