From http://www.tranzfusion.net/shownews.asp?newsid=923 :
Now, 15 years on, Transmat is celebrating it's 15th Anniversary. An
anniversary of techno you may call it. In the year 2002 Transmat is set to
release whole new era of producers and up and coming DJ's, including
Australia's very own
i think no matter how good a live PA is, it often stil lacks the dynamics
of a good dj set. its like, why listen to the top ten tracks by one artist
when a dj can give you the absolute best track from ten different artist.
i think it really comes down to how familiar you are with an artist work.
- Original Message -
From: Cyborg K [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Friday, March 15, 2002 4:55 PM
Subject: Re: [313] Techno DJs VS Techno Live PAs
1 First of all, I'd like to say that live PAs can include improvisation,
I
have been playing totally
my wife just won me a copy of 303 Made in Vienna on eBay for $5.00
jeff
-Original Message-
From: Trevor Wilkes [SMTP:[EMAIL PROTECTED]
Sent: Friday, March 15, 2002 1:29 PM
To: 313
Subject: Re: [313] m-plant
301 - The Protein valve I saw at Hardwax recently, I myself
- Original Message -
From: [EMAIL PROTECTED]
To: Kent williams [EMAIL PROTECTED]
Cc: 313 list 313@hyperreal.org
Sent: Friday, March 15, 2002 7:08 PM
Subject: Re: [313] Techno DJs VS Techno Live PAs
i think no matter how good a live PA is, it often stil lacks the dynamics
of a good dj
Taken from the ADULT. interview on www.technotourist.org
ADAM: We have written a new, exclusive track for the label. Sovent from the
Suction label has remixed it, then Phoenecia from Schematic is remixing that
without hearing our version and finally Alder Elius from Skam are going to
remix
Sony Japan did a limited edition run of a 2 CD version. Mine says Sony
Japan 1997 01-488290-11.
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Matthew KANE
Sent: Thursday, March 14, 2002 4:57 AM
To: 313@hyperreal.org
Subject: [313] takkyu ishino - ghost
uh...
A DJ can play the best music from many artists for a long bloody time, a
LIVE artist can only play a couple of their good tracks and a bunch of
their boring stuff for two hours MAX... *you* decide what you want to
pay for.
Tiga makes me guile.
Tosh
--
Twelve Hundred Group
- Original Message -
From: Brian Dillard [EMAIL PROTECTED]
To: 313 (E-mail) 313@hyperreal.org
Sent: Friday, March 15, 2002 1:08 PM
Subject: [313] nouveau electro vs. broken beat
i don't understand why all the new-school electro-pop gets so much
criticism
but so much new-school
Two mixes of To Be or Not to Be on the double CD pack: Off the Cuff
Mix (May) The Mix of a Mix Mix (Atkins May). Two Brother From Another
Planet tracks as well (C. Young): Ishikawa Surfs the System Section 9
Theme. I still see it round at places like HMV; great poster too!
Wes
On Fri, 15 Mar
You must not have heard the right Live PA's. To lump all of them as
boring is short sighted. There's plenty of DJ's that can also play boring
stuff for a long time. I'd rather pay to see someone that is fresh and
creative, no matter if it's live or not.
Kevin
http://www.mp313.com
-
- Original Message -
From: Tosh Cooey [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Friday, March 15, 2002 9:24 PM
Subject: [313] live vs. dj
uh...
A DJ can play the best music from many artists for a long bloody time, a
LIVE artist can only play a couple of their good tracks and
This was released on vinyl also, as this is the copy i have.
Quest Pond
-Original Message-
From: Wes [mailto:[EMAIL PROTECTED]
Sent: 16 March, 2002 16:10
To: LR2
Cc: 'Matthew KANE'; 313@hyperreal.org
Subject: RE: [313] takkyu ishino - ghost in the shell
Two mixes of To Be or Not to Be
Hey 313
All the recent talk and planning of 313 parties in the UK and abroad has really
highlighted how much enthusiasn as well as talent and togetheness there is on
this group, despite the occasional blow up over more complex issues. Its given
me an idea to put something together to celebrate
Original Message
Subject: JP-8000 for sale
Date: Fri, 15 Mar 2002 13:38:05 EST
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Roland JP-8000 for sale. The big blue Sean Deason Razorback machine. I used
it on Progress (one track). I paid $1100 for it used, asking $400 plus
Here's the 411:
Tonite: March 16, 2002
Peroxide presents
DISCO NOUVEAU
Club 56, 56 Kensington Ave., Toronto
$7 at the door - doors open at 10 PM - 19+
a release party for the new Ghostly International compilation Tangent
2002: Disco Nouveau with DJs SOLVENT, LOWFISH BMG (aka ECTOMORPH)
That argument is just absurd... Are you saying that a skilled musician
can't play good music for one or two hours? I wonder what Duke Ellington,
Miles Davis, John Coltrane, Charles Mingus, or Gustav Mahler would think
about that idea? (All of whom had plenty of extended pieces/performaces
My question is - did electro really ever die?
and my impression was, and i only remember this
because i was a teen in the '80's, that electro had
come before techno (proper) and laid the foundation
for techno - am i wrong about this?
not so much a death- i think it just got overshadowed by
I havent been following this thread too closely- but- I know one of the
big criticisms of live techno is lack of stage presence. Some would
say stage presence is not required when the only goal is to get people
dancing, but people inevitably have expectations and preconceived notions
of what live
i think it is a great idea.. and will suport it the can..
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, March 16, 2002 5:41 AM
Subject: [313] 313 compilation?
Hey 313
All the recent talk and planning of 313 parties in the UK and abroad has
really
I loved Wireless (some of it reminded me of the kind of music you hear - or
should hear - on space documentaries) but I am not feeling the new single
either - it sounds like the kinda ravey stuff you heard in the mid-90s with
a vocal tacked on. We have a guy in Australia who does the same kind of
Since most bigger DJs get bookings based on their record releases, wouldn't
we rather see producers who don't dedicate their time to DJing perform as
PAists, rather than stumbling through a DJ set? If the records are getting
the hype, the performer is gonna get booked. How do you want to see them?
Which 80s band do Adult sound like, for example?
Hmmm, listened to any Chris and Cosey lately?
Sean.
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It's always easier to get people involved in a live set if there's a vocalist.
I find that even some banter on the mic can help draw people in.
As for stage presence, when you talk about other genres -- jazz comes to mind
-- someone like Diane Krall is a bigger draw than an all instrumental
Hot On the Heels Of Love by Throbbing Gristle?
Which 80s band do Adult sound like, for example?
Hmmm, listened to any Chris and Cosey lately?
Sean.
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maybe old but I found a nice recent carl craig mix online
cheers
http://www.paxahau.com/sounds/2001/adecember/12-31-01_carlcraig_1_panacea.ra
m
_
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