So ... I don't know if anyone else watches the netnews binary groups
but ... more than one someone's been a busy bee. In the last couple
weeks on alt.binaries.sounds.mp3.electronic:
1. Nearly every Chain Reaction title
2. Nearly every Basic Channel title
3. Nearly every Eevo Lute title
4. Nearly
On Jan 5, 2005, at 1:14 AM, Kent Williams wrote:
So ... I don't know if anyone else watches the netnews binary groups
but ... more than one someone's been a busy bee. In the last couple
weeks on alt.binaries.sounds.mp3.electronic:
1. Nearly every Chain Reaction title
2. Nearly every Basic
I think im missing lots of emails..i hate my mail server provider
fab.
On Jan 5, 2005, at 2:38, Ian wrote:
So, let's discuss how many of these items are widely available on CD
(amazon/tower/etc. in the US) or as legal/paid digital downloads.
Indeed, where DO I find that Mayday mix CD?
--
matt kane's brain
http://hydrogenproject.com
aim - mkbatwerk || mkbwriu
3. Nearly every Eevo Lute title
the records, not just the cd's?
I was pretty much amazed. Strictly as an observer, of course. I
support artists by buying CDs and records, whenever possible.
well i hope you grabbed the eevo lute ones because you'll have a heck of a time
finding the original
since it's banging over the 100th time already thrugh my home over the last
months (a re-discovery),
i thought, maybe more people want to grab that kenny larkin' azimuth album
again, to play loud loud loud
that track called 'Q'
*If* you can find it - which is not very easy, although not quite
impossible (yet)!
k
-Original Message-
From: Marsel // Nomorewords.net [mailto:[EMAIL PROTECTED]
Sent: 29 December 2004 14:10
To: 313
Subject: (313) Q
since it's banging over the 100th time already thrugh my home over
Q has always been my favorite track on that album. I've played it more
than any other track in the years that I've owned that CD.
-Original Message-
From: Marsel // Nomorewords.net [mailto:[EMAIL PROTECTED]
Sent: Wednesday, December 29, 2004 7:10 AM
To: 313
Subject: (313) Q
since it's
http://detroitmovementguide.com/ElectricAvenue/Flyers/jan14.jpg
spread the word
Q isn't on the vinyl LP but it is on the 7 that came with it. I think
it's a different mix than the one on the CD. You also get the track
Wondering which is not on the CD.
MEK
robin
None of these items are particularly easy to find. A copy of the 2x12
LP *with* the complimentary 7 single which was originally included,
must be all but impossible. The cd would appear to be the most likely
option so I'll look out for that, especially given my new-found penchant
for digitally
Who designed the DEMF 2000 flyer? Google has not been nice to me so far.
Thanks
-m
How does it look like :)
- Original Message -
From: MikeD [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, January 05, 2005 4:17 PM
Subject: (313) DEMF 2000 FLyer question
Who designed the DEMF 2000 flyer? Google has not been nice to me so far.
Thanks
-m
I'm reading 'Energy Flash' by Simon Reynolds published by Picador (1998). In
this book and more specific in chapter eight entitled 'The Future Sound Of
Detroit' I read some 'interesting' viewpoints for discussion. Here's the entire
last part of the chapter:
KEEPING THE FAITH
Jeff Mills
Here's the entire last part of the chapter:
Indeed, there it is...slow day at the office?
;)
MEK
on 1/5/05 10:17 AM, MikeD at [EMAIL PROTECTED] uttered these words:
Who designed the DEMF 2000 flyer? Google has not been nice to me so far.
Thanks
-m
my guess would be Gary Arnette (the designer of the infamous Made In Detroit
logo) he designed the DEMF logo as well.
sean
i'd hazard a guess that the cd would be easier to find than the vinyl,
and the cd is where you'll find Q. don't think it was on the vinyl.
the cd comes up all the time on ebay and gemm and shouldn't really set you back
more than £10 or £15, the vinyl on the other hand, as Ken said, is a bit
On Jan 5, 2005, at 9:44 AM, Simon Vrebos wrote:
I'm reading 'Energy Flash' by Simon Reynolds published by Picador
(1998). In this book and more specific in chapter eight entitled 'The
Future Sound Of Detroit' I read some 'interesting' viewpoints for
discussion.
simon's been drinking his
On 5 Jan 2005, at 15:57, Matt MacQueen wrote:
European neo-Detroit techno-phunk is music that feels anal and
inhibited, crippled by its fear of heterodoxy. Its ‘radicalism’ is
defined by its refusals, by what it denies itself –
I wish this book would just kind of expire -- like Simon's
On 5-jan-05, at 16:49, M : A : T : R : I : X wrote:
on 1/5/05 10:17 AM, MikeD at [EMAIL PROTECTED] uttered these words:
Who designed the DEMF 2000 flyer? Google has not been nice to me so
far.
Thanks
-m
my guess would be Gary Arnette (the designer of the infamous Made In
Detroit
God, that's even worse than I remember. It's not only pretentious and poorly
articulated, it's just plain wrong.
I mean, most Detroit is about good plain fun, as opposed to a lot of the chin
stroking madness these days (which I actually often like, but that's another
discussion). It's as if
At 11:31 AM 1/5/2005, [EMAIL PROTECTED] wrote:
In Simpsons comic book guy voice: Worst... music 'criticism'... ever...
What's sad is how many of friends consider Reynolds (and guys like
pitchfork) inspiration/hero/grand influence/whatever.
Sorry, Ryan.
--
unsigned short int to_yer_mama;
-- Original Message --
From: Dan Bean [EMAIL PROTECTED]
there's a moral here...never lend anyone any records or CDs. Even
if they return them, their bound to be in worse nick that when you
lent them, which can only lead to resentment (if that's not too
-Original Message-
From: matt kane's brain [mailto:[EMAIL PROTECTED]
Sent: 05 January 2005 16:33
At 11:31 AM 1/5/2005, [EMAIL PROTECTED] wrote:
In Simpsons comic book guy voice: Worst... music
'criticism'... ever...
What's sad is how many of friends consider Reynolds (and guys
On 5-jan-05, at 16:49, M : A : T : R : I : X wrote:
on 1/5/05 10:17 AM, MikeD at [EMAIL PROTECTED] uttered these words:
Who designed the DEMF 2000 flyer? Google has not been nice to me so
far.
Thanks
-m
my guess would be Gary Arnette (the designer of the infamous Made In
Detroit
We have discussed his insights at numerous points over the
years. Basically, any music that doesn't fit his definition of
hardcore (a somewhat malleable concept) is only fit for
excision and derision.
All I can say about his dis on Jeff Mills is, every time I drop
a Mills track in a set, the
That Q track was on a 12 promo on warp (with 5 other tracks from the
album). I sold it for 6 euro last month...
Yes. I am insane.
Cheers,
Maarten
On Jan 5, 2005, at 11:42 AM, Maarten Baute wrote:
That Q track was on a 12 promo on warp (with 5 other tracks from the
album). I sold it for 6 euro last month...
i can't remember what was on the bonus 7 that came with the Metaphor
LP... anyone? I kept losing it.. hope i still have it
On Jan 5, 2005, at 11:42 AM, Matt MacQueen wrote:
On Jan 5, 2005, at 11:42 AM, Maarten Baute wrote:
That Q track was on a 12 promo on warp (with 5 other tracks from
the
album). I sold it for 6 euro last month...
i can't remember what was on the bonus 7 that came with the Metaphor
LP...
i can't remember what was on the bonus 7 that came with the Metaphor
LP... anyone? I kept losing it.. hope i still have it tucked in there
somewhere.
I am talking about this record: http://www.discogs.com/release/128251
It's a promo 12.
Cheers,
Maarten
Jamie LaTondresse (sp?) designed the flyer and the majority of the marketing
materials. He was working at C-Pop at the time. I know he has his own
gallery of sorts somewhere in the Detroit area - not exactly sure
what/where. The painting image used on some of the marketing materials was
done by
The cpop (http://www.cpop.com) website doesn't work...?
You can try this:
http://www.jamielatendresse.com/design/cpop01.html
Ken
- Original Message -
From: Barbara Deyo [EMAIL PROTECTED]
To: MikeD [EMAIL PROTECTED]; 313 List 313@hyperreal.org
Sent: Wednesday, January 05, 2005 6:58 PM
Wondering and Q (Right Brain Mix) as I mentioned just a few hours ago
MEK
Matt MacQueen
[EMAIL PROTECTED]
hey! barbara's alive!
On Wed, 5 Jan 2005, Barbara Deyo wrote:
Jamie LaTondresse (sp?) designed the flyer and the majority of the marketing
materials. He was working at C-Pop at the time. I know he has his own
gallery of sorts somewhere in the Detroit area - not exactly sure
what/where.
I've not enough time to do a line-by-line consideration of what's been
presented here, but *based solely on the short excerpt given here* and
being what I consider to be an open-minded person, who nevertheless
relishes an intellectual punch-up, I'd challenge anyone to defend most
of what he
Yep all the best gang, let's keep the techno rolling in 2005.
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: 03 January 2005 14:17
To: 313@hyperreal.org
Subject: (313) Happy New Year 313
All the best to everyone, here's to a very techno 2005!
Martin
--
No
On Jan 5, 2005, at 3:40 PM, Ken Odeluga wrote:
Having said all that, one thing which I can resonate with is the need
to cull excessive reverence toward any type of movement in music. To
me, that's pretty superfluous too.
I agree with that thought, but provided the author doesn't replace the
It can be interesting to read books about music (or any form of art for
that matter), you can think up interestingn concepts, made up some
really interesting concepts on why music is music or whatever, or have
a good track because you sampled 2 goldfishes having sex in the end
it all comes
kj at technotourist dot org wrote:
No theory or whatever made me hate a track i used to like. So i never
took these things that seriously.
I'd say a sign that a theory is interesting is if it makes you like
tracks you used to hate. THAT's much more powerful, imo.
In the end, though, it's
Actually i am sitting here looking at my 2x12 vinyl copy and it has Q on
it, its on the same side as wires. it has always been one of my
favoritesand i play it out alot.the 7 has the same track on the A
and B side.but different mixes of the same tracki believe thats
the wondering
40 matches
Mail list logo
