On Sat, 23 Sep 2006, Anthony Susan wrote:
Do you even play records? don't bother letting me know about the best
timecode joints this summer.thanks
Anthony
cute.
hey
can anyone recommend any verbal or theoretical looks at the deeper dubbier
side of techno? i was chatting with my flatmate last night (she's a
musician but doesn't much listen to electronic music) and we realised that
there were very little in the way of words or ideas that we could use
the UK magazine The Wire has had some articles about Basic Channel
such, but a few minutes with google turned up not much. If you're in
New Zealand, I imagine getting copies of The Wire is expensive, and
finding an archive of back issues to search through pretty much
impossible.
Honestly
kent williams wrote:
Of course, once you start doing any academic work on popular music you
have to overcome resistance from the established community who don't
think popular music is worth considering as art. The people in the
composition department at our local University get mad if
Hah, well the University of Iowa is about as scary as Midwestern
Universities get...
And to clarify where I got my impression of the academic attitudes
towards pop music, it was from the Electro Acoustic composers gang, a
fair number of whom I got to meet at SEAMUS a few years ago.
If you want
On Sep 24, 2006, at 7:33 AM, kent williams wrote:
This has eff all to do with techno though. Someone talk about
records ;-)
In a sense, though, this does have a fair bit to do with techno. A
part of the story of techno (and IDM, for that matter) has been the
effort to get respect for
-Original Message-
From: Luis-Manuel Garcia [mailto:[EMAIL PROTECTED]
Sent: 24 September 2006 11:45
Cc: list 313
Subject: Re: (313) techno mentalism
On Sep 24, 2006, at 7:33 AM, kent williams wrote:
This has eff all to do with techno though. Someone talk
about records
;-)
On 9/24/06, Luis-Manuel Garcia [EMAIL PROTECTED] wrote:
Also, in a fit of self-promotion, I could recommend an article I
wrote a years ago, called On and On: Repetition as Process and
Pleasure in Electronic Dance Music. It's in Music Theory Online,
Volume 11/4, at:
In a sense, though, this does have a fair bit to do with
techno. A part of the story of techno (and IDM, for that
matter) has been the effort to get respect for the genre,
which raises questions about whether it needs respect, whose
respect really counts, whether disrespect from certain
Hello folk
I'm at the Academy now, it's bloody brilliant. There are daily updates
to http://www.redbullmusicacademy.com/ and I'm also keeping a blog at
http://blogs.inthemix.com.au/simonfromuk - photos will come soon.
On a 313 note, we have Todd Osborne and Mark Pritchard here for the full
time
there are a lot i haven't heard and i'm looking to catch up
looking for some reccomendations, like top5's or something..
thanks
I adore MG records and here is my top 5:
1. Cool Peepl - Sharevari
(http://www.discogs.com/release/247184) - OMG Can't say more 'bout
this recrod :)
2. Andr Lodemann - E - Movement
(http://www.discogs.com/release/284831) - A1 is my fav
3. Alton Miller - Soundscapes Vibes
On 9/24/06, J.T. [EMAIL PROTECTED] wrote:
there are a lot i haven't heard and i'm looking to catch up
looking for some reccomendations, like top5's or something..
im mainly into the earlier ones.
KDJ: http://www.discogs.com/release/710
theo: http://www.discogs.com/release/8363
rick wade:
Tristan Watkins wrote:
The only extent to which I agree with this is that *some* techno musicians
may be concerned about it while they compose. Most don't care at all though.
Why on earth should a detached subculture look to established arts for
guidance or approval? It's mad. I mean it's cool
lucky geezer
the theo mix is first aired tomor at 10pm GMT by the looks of it
its a stream only fairly lo q. at that
still - be worth a listen, though they do repeat them if you miss it
one bonus is, the tracklist is up!:
Mr. Fingers - What About This Love - Alleviated
Aaron Carl - Sky -
On Sep 22, 2006, at 8:00 PM, J.T. [EMAIL PROTECTED] wrote:
So where is the black nation crew these days?
i forget but jay, fanon, and d knox are all on myspace..
And since both Diana and Fanon are on my MySpace Friends list,
she can find him there, too :-)
Fanon's living in the San
The Acoustica album was interesting and worthwile for a number of
reasons, but the most interesting reason was that it directly
connected the virtuosity of human musicians to the machine's ability
to play music well beyond the physical constraints of human
performance. The arrangers took music
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