I love the electronics-only side too, I just think he could have used a
little editing. It just seems to come alive when the guitar parts
bounce off the beat.
Or maybe I'm getting soured on repetition in my old age.
-d
On Wednesday, December 4, 2002, at 09:00 AM, Sean Creen wrote:
I love
>I love the track too, but IMHO it's at its most interesting when the
guitar comes in halfway through.
Really? It's just the opposite for me - I hardly ever listen to side two; it
all just gets a bit too prog-rock and noodly for my liking, but side one is
genius...
Sean.
On Tuesday, December 3, 2002, at 04:50 PM, Adam wrote:
I remember a Craig interview where he cites May playing it at the
music institute and being totally blown away. I think he mentioned
May getting it from either Mojo or on of his trips to Chicago, and
getting it from Lil Louis.
http://
Right ... I'm just saying I don't think it influenced more than a
couple of people.
Then again, maybe Disco Circus was one person's jam, YMO's
"Firecracker" another, etc.
-d
On Tuesday, December 3, 2002, at 03:25 PM, techno wrote:
I'm not a techno music historian but I do remember reading
o: Tristan Watkins <[EMAIL PROTECTED]>
CC: 313@hyperreal.org
Subject: Re: (313) E2-E4 Manuel Goettsching
Date: Tue, 03 Dec 2002 10:36:19 -0500
I'm not sure how many people were actually hip to this record in Detroit
outside of Carl and maybe Derrick ... it wasn't something
o: Tristan Watkins <[EMAIL PROTECTED]>
CC: 313@hyperreal.org
Subject: Re: (313) E2-E4 Manuel Goettsching
Date: Tue, 03 Dec 2002 10:36:19 -0500
I'm not sure how many people were actually hip to this record in Detroit
outside of Carl and maybe Derrick ... it wasn't something
I remember a Craig interview where he cites May playing it at the music
institute and being totally blown away. I think he mentioned May
getting it from either Mojo or on of his trips to Chicago, and getting
it from Lil Louis.
http://www.deephousepage.com/mixes12.htm
Lil Louis live at the bi
I'm not a techno music historian but I do remember reading an Carl Craig
interview where he talks about the song being an inspiration going back to
1988, E2E4 was one of those remixes he had on acetate and
he wanted to release it so he got Manuel Gottsching permission, it was put
out on the Paper C
used bin..recordtime..always wondered who it belonged to first
-k
Original Message:
-
From: Grammenos, Peter [EMAIL PROTECTED]
Date: Tue, 3 Dec 2002 13:02:18 -0500
To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org
Subject: RE: (313) E2-E4 Manuel Goettsching
you
anuel Goettsching
for the vinyl-impaired there's also a cd
-k
Original Message:
-
From: Dan Sicko [EMAIL PROTECTED]
Date: Tue, 03 Dec 2002 10:36:19 -0500
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: (313) E2-E4 Manuel Goettsching
I'm not sure how many people were
for the vinyl-impaired there's also a cd
-k
Original Message:
-
From: Dan Sicko [EMAIL PROTECTED]
Date: Tue, 03 Dec 2002 10:36:19 -0500
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: (313) E2-E4 Manuel Goettsching
I'm not sure how many people were actua
PROTECTED]
> Sent: Tuesday, December 03, 2002 11:23 AM
> To: John Bush; Dan Sicko; Tristan Watkins
> Cc: 313
> Subject: Re: (313) E2-E4 Manuel Goettsching
>
>
> yeah, speaking of coming-down brits, I'm pretty sure I've heard alex
> patterson drop E2-E4.
>
> also,
03, 2002 10:36 AM
>> To: Tristan Watkins
>> Cc: 313@hyperreal.org
>> Subject: Re: (313) E2-E4 Manuel Goettsching
>>
>>
>>
>> I'm not sure how many people were actually hip to this record in
>> Detroit outside of Carl and maybe Derr
down in the mid-'80s.
John
> -Original Message-
> From: Dan Sicko [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, December 03, 2002 10:36 AM
> To: Tristan Watkins
> Cc: 313@hyperreal.org
> Subject: Re: (313) E2-E4 Manuel Goettsching
>
>
>
> I'm not sure
I'm not sure how many people were actually hip to this record in
Detroit outside of Carl and maybe Derrick ... it wasn't something that
everyone heard on the radio -- or did I fall asleep listening to Mojo
one night?
-d
Most would probably not argue that it is one of the most influential
Flaccid house! brilliant.
On Tuesday, December 3, 2002, at 09:01 AM, Tristan Watkins wrote:
You can call it Progressive House or flacid tech house
PROTECTED]
| Sent: 03 December 2002 13:24
| To: Tristan Watkins; Fabrizio Nahum; 313@hyperreal.org
| Subject: RE: (313) E2-E4 Manuel Goettsching
|
|
| > I almost gagged the other day when
| > I heard a progressive mix of this on TV.
|
| Hmmm, progressive house or trance? Maybe this is
- Original Message -
From: "John Bush" <[EMAIL PROTECTED]>
To: "Tristan Watkins" <[EMAIL PROTECTED]>; "Fabrizio Nahum"
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Tuesday, December 03, 2002 1:23 PM
Subject: RE: (313) E2-E4 Manue
> I almost gagged the other day when
> I heard a progressive mix of this on TV.
Hmmm, progressive house or trance? Maybe this is something different, but
don't forget Sueno Latino, who had a European hit in the late '80s with what
was basically a cover of E2-E4; Gottsching even played guitar on t
- Original Message -
From: "Fabrizio Nahum" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Tuesday, December 03, 2002 11:58 AM
Subject: (313) E2-E4 Manuel Goettsching
> Hi, sorry if this has been covered already.
>
> yesterday a friend had me listen
Hi, sorry if this has been covered already.
yesterday a friend had me listen to this (fantastic) record and stated that
it was fundamental in defining and inspiring detroit techno. How true is
this?
thanks
fab.
21 matches
Mail list logo
