thing
about.
-dina
- Original Message -
From: Eric Scuccimarra <[EMAIL PROTECTED]>
To: Tristan Watkins <[EMAIL PROTECTED]>; henrique casanova
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Monday, October 14, 2002 8:26 AM
Subject: Re: (313) Metro Area interview
&g
I was at Oberlin for one year with Morgan.
Kym and Dave of the now-defunct Spelunk Records were also there at the
time. They now spin electro in and around NYC and I'm sure they are still
producing though I don't know that they have released anything recently.
There were actually a bunch of g
> for the a-side we are told to listen at 45rpm, which sounds right, but
> then the b-side sounds way more like it's supposed to be played at 33.
That'll be because it is supposed to be played at 33... :)
> Is it possible to make vinyl in such a way that one side is 45 and the other
> 33?
Yeah -
Another new MA interview at http://www.inthemix.com.au
Cheers
Benn
--
Benn Glazier
[EMAIL PROTECTED]
http://www.royaltech.net
--
http://fastmail.fm/ - Access your email from home and the web
speaking of, i just got metro area #4 and i'm floored. My favorite of
theirs yet, though i still havent' heard #1.
but i have a question:
for the a-side we are told to listen at 45rpm, which sounds right, but
then the b-side sounds way more like it's supposed to be played at 33. Is
it possible
yeah i know lots of people who still prefer morgan's earlier techno stuff..i
like it as much as anything else he's done.
that some producers could've made a career out of; unfortunately, except
for
some of the other Environ material, it looks to have been a bit of a
one-off. Maybe I'm just a
Yeah the driving memoirs is really nice ... but I'm talking about
the old school cassette releases from way before Morgan had any records
out ...
There's something really haunting and affecting about this music. Metro Area
is much more for the dancefloor, that explores where disco was heading
befo
lifts its lonely ears to you.
-Original Message-
From: Kent williams [mailto:[EMAIL PROTECTED]
Sent: Saturday, October 12, 2002 11:12 AM
To: J. T.
Cc: 313@hyperreal.org
Subject: Re: (313) Metro Area interview
Morgan used to be one of that huge cadre of net-kiddies who made tracks.
I can
I don't know which tracks you're talking about, but his Clear LP from 1997
(The Driving Memoirs) is an absolute masterpiece in my book, though very
much in the minimalist, jazzy vein described (dismissed? ;> ) below. There
are so many great ideas on that album, at least three or four per track,
th
Completely off-topic, but I got a CDR in the mail the other day from a guy who
taped me singing and playing guitar in a hippy coffee house in 1978. Now
THAT is stone cold blackmail material. Allman Brothers' "Melissa"? *shudder*
I think I would pay to hear that material.
Next Cornwarning rele
Morgan used to be one of that huge cadre of net-kiddies who made tracks.
I can't find the cassette from 1995/96 -- a net compilation -- that morgan
had a track on... what I remember about it was that it sounded a lot like
early Todd Sines, another guy just starting out in Ohio at the time ...
It w
Hmm... I read it a little differently. I thought he was just saying that he
isn't feeling the current techno output, not that he's not influenced by
techno at all.
i think that's much more accurate!! of course morgan used to make techno so
of course its an influence just not as strong as it use
- Original Message -
From: "henrique casanova" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, October 11, 2002 8:43 PM
Subject: Re: (313) Metro Area interview
> man it is amazing the fact that techno is not an important style on morgan
> geist
;Kent williams" <[EMAIL PROTECTED]>
To: "henrique casanova" <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, October 11, 2002 4:27 PM
Subject: Re: (313) Metro Area interview
> Not that unusual though. Between producing techno, performing it, DJ'
Not that unusual though. Between producing techno, performing it, DJ'ing,
and listening to other DJs while you're waiting to get paid, I think many
producers get their fill and look elsewhere for leisure listening.
I've heard this from more than one techno producer. Jazz is popular, as
is classic
man it is amazing the fact that techno is not an important style on morgan
geist home listening. this really surprised my. how can he touch the souls
of techno lovers so much without having this influence..
what a surprise..
- Original Message -
From: "Hans Veneman" <[EMAIL PROTECTED]>
To:
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