I. remember dancing on mantronix 15 years agoSimpleSimon is one of
those songs I got a 'past' emotion on.
What happened to Joyce 'Come in to my life' Sims?
PdB
Original Message -
From: "Dr. Nutcracker" <[EMAIL PROTECTED]>
To: <313@hype
> definatly a good take on this whole subject...but i have always believed
> that larry heard should be in this conversation almost as much as ron
> hardy
TRUE! Larry Heard... breaks my heart, when I think about the conversation we
had on his illegal album being re-released last year. Being ro
Can't agree with you more Marc!
It's def. not about categorical definitions at all... though I need to.
because of my reviews.
Imo most of these 'styles' are just simular, because of choice of
technology... But at the end it's all about the soul within.
I also like to neglect my personal emotiona
"Techno City" was 1984. The term was in use long before
Neil Rushton used it as a marketing hook, but it was a
different kind of descriptive than "house." Techno tends
to be more instrumental, and the vocals are often consciously
machine-like (Kraftwerk and Model 500 certainly share
that approach
Dr. Nutcracker wrote:
So can we conclude then... that in early stages a lot of so called 'Detroit
Techno' classics are at
least very simular to Chicago House?
first time i heard fingers inc - distant planet, i thought it was some early
rhythim is rhythm [adventurous drum programming] derrick
ad thing initially because it allows people to communicate. It's
> when those who are cashing in on a 'movement' that really do the music and
> the word harm.
>
> MEK
>
>
>
> "Dr. Nutcracker"
> <[EMAIL
On Fri, 24 Oct 2003, marc christensen wrote:
> The canonical history holds that it was indeed out of the marketing
> of the Ten Records Techno comp that the term "techno" first came to
> be used to describe the 313 sound and differentiate it more
> concretely from the sounds of Chicago's scene. B
>Damn Marc!
>You've got footnotes in there too...
>Seriously though, I like what you've said.
yeah me too. quality post.
really learning quite alot here, cool thread.
_
- End of message text
<[EMAIL PROTECTED]>
cc: 313@hyperreal.org
10/24/03 11:14 AM S
l.org
cc:
10/24/03 10:07 AMSubject: RE: Re: (313) 'Tech
chno"? If people had always just thought of it as "Detroit
house", would it have still developed into what it is today?
Brendan
> -Original Message-
> From: marc christensen [mailto:[EMAIL PROTECTED]
> Sent: 24 October 2003 17:14
> To: Lester Kenyatta Spenc
CTED]To: <313@hyperreal.org>
ty-072.com> cc:
Subject: Re: Re: (313)
'Techno' Music
The canonical history holds that it was indeed out of the marketing
of the Ten Records Techno comp that the term "techno" first came to
be used to describe the 313 sound and differentiate it more
concretely from the sounds of Chicago's scene. But there's more than
one example of May in particu
>I can think of at least one exception Alex: 'e2-e4/Sueno Latino'
heh heh, theres always one...!
yeah, I guess theres a few. No, I was just thinking in general, 'of the
scene' if you know what I mean.
and I was kind of musing out loud. but, I've never been to chicago,
detroit or jamaica, or
On Fri, 24 Oct 2003, Dr. Nutcracker wrote:
> > >I always thought that Juan coined the term by taking the phrase from
> > Toffler's book when he made 'Techno City' . It was Rushton who jumped on
> it
> > and pushed it as a genre name to try and differentiate thier music from
> > Chicago House.
>
>
I can think of at least one exception Alex: 'e2-e4/Sueno Latino' :-)
k
>-Original Message-
>From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
>Sent: Friday, October 24, 2003 3:33 PM
>To: 313@hyperreal.org
>Subject: Re: Re: (313) 'Techno' Music
>
>that in early stages a lot of so called 'Detroit Techno' classics are at
>least very simular to Chicago House?
I guess a bit
I always thought that maybe Chicago kind of had similarities with Jamaica
(slightly).
In that, both Chicago and jamaican producers took records from other
'scenes', r
> >I always thought that Juan coined the term by taking the phrase from
> Toffler's book when he made 'Techno City' . It was Rushton who jumped on
it
> and pushed it as a genre name to try and differentiate thier music from
> Chicago House.
And that's exactly what these heads were doing in the beg
>Don't forget that Kraftwerk had a tune named "Techno Pop" on Electric Cafe
>in 1986, as well.
aha, yes. when was juan's techno city out? was it '85 time?
check this YMO discography too..
http://www.algonet.se/~jonwar/YMO-discog.html
technopolis - 1979, technodelic - 1981.
I also saw another
Don't forget that Kraftwerk had a tune named "Techno Pop" on Electric Cafe
in 1986, as well.
Dennis
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Friday, October 24, 2003 8:34 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: Re
>I always thought that Juan coined the term by taking the phrase from
Toffler's book when he made 'Techno City' . It was Rushton who jumped on it
and >pushed it as a genre name to try and differentiate thier music from
Chicago House.
aha, thats more than likely.
my head tends to get muddled a
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