On Fri, 24 May 2002, Phil Taylor wrote:
What is the significance of the two different note heads?
Standard... It seems that everybody is using x'ed noteheads for cymbals
and hihats, so if you just write it with regular noteheads it's gonne look
real funny to a drummer.
If you want percussion
On Fri, 24 May 2002, Jack Campin wrote:
The point of ABC is to notate music, not music notation.
Sorry, to interrupt, but why did you propose the i and j modifiers then?
That to me would be music notation and not notating music...
--
love, peace harmony
Atte
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Atte Andre Jensen [EMAIL PROTECTED] wroteI don't care how my abc playes,
and looking back on the descussion about ^f-|f a couple of months ago
obviously abc2midi is only to be considered a toy, so I guess the rest of
the comunity feels the same as me...
polite cough
abc2midi is not the only
Paul Musgrave [EMAIL PROTECTED] wrote :
Hi All! I'm way up on the learning curve for abcs, but having fun. Can
anyone point me to a good tutorial for Abc neophytes?
Clears throat, shuffles forward, blows own trumpet :
http://www.lesession.demon.co.uk/abc/abc_notation.htm
Takes you right from
In message [EMAIL PROTECTED], Toby Rider
[EMAIL PROTECTED] writes
I love it when people ignore my administrative messages :-)
Thanks for that, I laughed until I stopped.
It happened because I wasn't sure which variant of the email address I
was subscribed from. When you're next doing
On Sat, 25 May 2002, Laurie (ukonline) wrote:
Atte Andre Jensen [EMAIL PROTECTED] wroteI don't care how my abc playes,
and looking back on the descussion about ^f-|f a couple of months ago
obviously abc2midi is only to be considered a toy, so I guess the rest of
the comunity feels the same
Atte == Atte Andre Jensen [EMAIL PROTECTED] writes:
Atte On Sat, 25 May 2002, Laurie (ukonline) wrote:
Atte Andre Jensen [EMAIL PROTECTED] wroteI don't care how my abc playes,
and looking back on the descussion about ^f-|f a couple of months ago
obviously abc2midi is only to
On 25 May 2002, Laura Conrad wrote:
abc2ly enables you to get both printed and played music from abc. I
haven't fixed the ^F-|F problem yet, although it's on my list, but it
certainly doesn't have the F F problem.
Hmm. I looked at your page quite some times, and thought what you do made
Atte == Atte Andre Jensen [EMAIL PROTECTED] writes:
Atte I even ran lily (prior to knowing about your stuff) but the
Atte wildly hacking of Han-Wen, and the resulting unstability of
Atte the language made me put that on hold.
I understand the feeling. I have been sticking with the
Laura wrote:
abc2ly enables you to get both printed and played music from abc. I
haven't fixed the ^F-|F problem yet, although it's on my list, but it
certainly doesn't have the F F problem.
What's the F F problem? Is that due to abc2midi misinterpreting
R:Hornpipe to mean some other split
Phil == Phil Taylor [EMAIL PROTECTED] writes:
Phil Laura wrote:
abc2ly enables you to get both printed and played music from abc. I
haven't fixed the ^F-|F problem yet, although it's on my list, but it
certainly doesn't have the F F problem.
Phil What's the F F
Atte wrote:
| On Fri, 24 May 2002, Jack Campin wrote:
| The point of ABC is to notate music, not music notation.
|
| Sorry, to interrupt, but why did you propose the i and j modifiers then?
Hey, i was my suggestion; Jack only gets credit/blame for j. ;-)
| That to me would be music notation
John Chambers wrote:
Atte wrote:
| On Fri, 24 May 2002, Jack Campin wrote:
| The point of ABC is to notate music, not music notation.
|
| Sorry, to interrupt, but why did you propose the i and j modifiers then?
Hey, i was my suggestion; Jack only gets credit/blame for j. ;-)
|
Frank Evil Grin Nordberg challenged Can anybody come up with a clear and
consise definition (in twenty words
or less) of the difference between musically relevant and purely notational
features?
A difference between two pieces of notation is musically relevant if and
only if it means they should
My vote is
1. Deprecated
2. Transfer fixed time to keep total constant (sorry Phil)
I have no idea what Muse does - I kinds hope it screams murder!.
L.
- Original Message -
From: Phil Taylor [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, May 25, 2002 2:13 PM
Subject: [abcusers]
On Sat, 25 May 2002, John Chambers wrote:
Isn't this slicing your baloney rather thin?
I don't get it...
--
love, peace harmony
Atte
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Phil Taylor escreveu:
Another problem I've come across with broken rhythms is that when you
use it between notes of different lengths the result seems to be
different in different programs. BarFly follows the standard by
dotting one note and halving the other, but this gives a different
Laurie wrote:
Frank Evil Grin Nordberg challenged Can anybody come up with a clear and
consise definition (in twenty words
or less) of the difference between musically relevant and purely notational
features?
A difference between two pieces of notation is musically relevant if and
only if it
Laurie (ukonline) wrote:
A difference between two pieces of notation is musically relevant if and
only if it means they should sound different.
(20 words)
Nice one, Laurie :-)
Except, I think it ought to be will sound different rather than
should sound different, that is, what matters in
From: Laurie (ukonline) [EMAIL PROTECTED]
Date: Sat, 25 May 2002 17:34:58 +0100
Thus writing in a different key and inserting accidentals to correct is not
musically relevant.
I disagree. Writing __B instead of A, for instance, gives an indication
of the chord or chord progression that the
Atte wrote:
On Sat, 25 May 2002, John Chambers wrote:
Isn't this slicing your baloney rather thin?
I don't get it...
In English (well, American English, at any rate), in addition to
referring to the sliceable deli meat formally known as Bologna
Sausage, the word baloney is a euphemism
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