For enveloping sound effects coming out of only two speakers you could
try (text pasted from the SlimServer page):
6. Speedway (Theme From Fastlane) from Music For The Jilted Generation
by Prodigy
Caveat: Since I don't listen in an anechoic room I can't say for sure
that the effects will remain
I have a DFI Lan Party nF4 Ultra D mother board that uses something
called a Karajan audio module. It has a Realtek ALC850 chip set.
Looking here:
http://www.realtek.com.tw/products/productsView.aspx?Langid=1PFid=31Level=5Conn=4ProdID=59
indicates that it does indeed run at 48 ksps.
Further
Regarding soundstage width i was talking about a sample that has
something special in another thread.
I uploaded a 14sec. sample here.
http://rapidshare.com/files/10059048/06.__T_aint_No_Sin_-_Sample.zip.html
It should be enough to judge it and should be on the total legal side
to offer.
--
There is a little trick for identifying early reflection points using a
mirror. If the mirror is between the listening seat and the speakers on
the wall/floor/ceiling, and you can see the speaker in the mirror while
in the seat, that is an early reflection point and a place you should
put
The Ambiophonics site has some apps filters you can play with to
create a very wide soundstage. If you like moving speakers and
experimenting, it's well worth a try.
(http://ambiophonics.org/Ambiofiles.htm)
--
inguz
I've got the loop-through on my sound card working. I play a .flac file
in foobar, send it through the C9, then record the result with Audacity.
I export the result as a .wav file then run flac to compress it. I
play back using my SB3 and it doesn't sound right. I think there is
some problem
tyler_durden wrote:
I've got the loop-through on my sound card working. I play a .flac file
in foobar, send it through the C9, then record the result with Audacity.
I export the result as a .wav file then run flac to compress it. I
play back using my SB3 and it doesn't sound right. I think
The effect of using a speaker cross-talk canceller is critically
dependent on room reflections, and the way the audio is recorded/mixed,
but so is normal stereo listening. That is why speakers and the room
make up 9X% of the sound you get from your stereo, and the source, amp,
and cables make up
tyler_durden;166390 Wrote:
...If people are interested I can record a few songs looped through my
C-9, switching it on and off and post it to a web page for DL so you
can play it back and try it out. It will have to be digitized by my
sound card which isn't top of the line, but you'll still
NewBuyer;166426 Wrote:
Tyler this is really interesting stuff. The thing I believe that keeps
most people from trying the absorbers idea, is a complete lack of
knowledge of what they are, what product specifically to buy, where to
place them, etc (speaking only from my own experience here).
Thank you Tyler! This is great information, I will try it all, and I
really appreciate it.
P.S. Happy New Year!
--
NewBuyer
NewBuyer's Profile: http://forums.slimdevices.com/member.php?userid=7862
View this thread:
This is all interesting. However, the picture I'm getting here is that
these kinds of recordings are the exception, not the rule. Moreover,
it has to do with a perceptual trick and not the actual physics of how
point source sound waves hit your ears.
Still, I was unaware of these recording
lafayette;166146 Wrote:
This is all interesting. However, the picture I'm getting here is that
these kinds of recordings are the exception, not the rule. Moreover,
it has to do with a perceptual trick and not the actual physics of how
point source sound waves hit your ears.
But Stereo
lafayette wrote:
This is all interesting. However, the picture I'm getting here is that
these kinds of recordings are the exception, not the rule. Moreover,
it has to do with a perceptual trick and not the actual physics of how
point source sound waves hit your ears.
Snarly beat me to it,
lafayette;166146 Wrote:
..in my experience, and from what i have learned, the rule and not
the exception is that good stereo imaging pretty much happens between
the speakers. The stuff you beyond that is artifice (as above) or
reflection.
But (to augment SnarlyDwarf's and Pat
lafayette,
This phenomena requires the preservation of phase coherence. You are
quite right that the reflections coming from objects in and walls of
the room will diminish or destroy the regular stereo, as well as this
interesting phase, effect.
Air's Carmel Prisoner on the album 10,000 Hz
Pat Farrell;165528 Wrote:
Pot, hemp, weed, MJ, Acapulco Gold, etc.
OH. You mean... (looks around furtively)... -Mary Jane!-
--
Mike Anderson
'FREE RADICAL
RADIO!' (http://nvo.com/cd) Hours of free radical MP3s.
Behringer made a 1U rack box called the Edison that let you manipulate
width and depth - it was fun...with practice you could whirl a track
(within a mix) around the listener
--
Phil Leigh
Phil Leigh's Profile:
Here's some good stuff on 3D sound fields. There is some good stuff on
loudspeaker crosstalk cancellation.
http://www.jvrb.org/3.2006/589
TD
--
tyler_durden
tyler_durden's Profile:
grasshead?
--
JJZolx
Jim
JJZolx's Profile: http://forums.slimdevices.com/member.php?userid=10
View this thread: http://forums.slimdevices.com/showthread.php?t=31050
___
pothead, i think he means
Though for fun stereo abuse, The Residents' High Horses (a simulation
of taking LSD in Golden Gate Park by the Carousel) takes the cake.
Though it isnt technically correct: they were trying to get the sound
of going -around- the carousel mechanism, but it is more
JJZolx;165525 Wrote:
Too funny.
I wasnt kidding. :P
http://residents.com/C1016472556/E20061214071458/index.html
http://residents.com/bh/HIGHH.htm
--
snarlydwarf
snarlydwarf's Profile:
JJZolx wrote:
grasshead?
Pot, hemp, weed, MJ, Acapulco Gold, etc.
Not that I'd know anything about that kinda stuff.
--
Pat Farrell PRC recording studio
http://www.pfarrell.com/PRC
___
audiophiles mailing list
I think Pink Floyd's A Momentary Lapse of Reason is recorded in Q
sound.
You can get a similar effect from nearly any stereo source by using a
speaker cross-talk canceller such as the Carver C-9 sonic hologram
generator, or any of a number of similar devices that you can build
yourself with a
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