On 2002/11/21 02:30 AM or thereabouts, Don Hart <[EMAIL PROTECTED]>
intoned:
> Dear list,
>
> I apologize if this has been discussed before.
>
> I use the Mac edition of Outlook Express 5 version 5.02 (2106) and have the
> messages from this list exclusively routed into a separate folder. If my
Dear list,
I apologize if this has been discussed before.
I use the Mac edition of Outlook Express 5 version 5.02 (2106) and have the
messages from this list exclusively routed into a separate folder. If my
memory doesn't fail me the result of sorting the posts from this list by
subject used to (
On 2002/11/21 01:59 AM or thereabouts, Bob Florence <[EMAIL PROTECTED]>
intoned:
> Hi all:
>
> I have been using the JAZZ font for about 7 years. The installation
> instruction was to use the true type version if my printer didn't have
> 1200 dpi. I would like to switch to the postscript version.
Hi all:
I have been using the JAZZ font for about 7 years. The installation
instruction was to use the true type version if my printer didn't have
1200 dpi. I would like to switch to the postscript version. I am using
JAZZ font 3.7 on a Mac with Finale 2003. The 3.7 was e mailed to me
about a year
Hi
I'm scanning some music TIFF files using Fin2k2b MIDISCAN function on
the File menu. When Finale imports the scan it puts the music into a
US Letter page size. I've tweaked all of my Finale default files (eg
Maestro Font Default, SmartScoreDefault, etc) from US Letter to A4. I
thought the M
At 6:06 PM -0600 11/20/02, Robert Patterson wrote:
One piece of advice: always use the longest metric value as the base
(i.e., non-independent) time sig. That is, if you have 9/8 against
3/4, make the 9/8 the non-independent time sig. Otherwise, you won't
be able to position mid-measure clef c
Robert Patterson wrote:
>> grrr... this would have been real helpful on a recent project... grrr...
>
> Maybe. A friend of mine made extensive use of ind. time sigs in staff
> styles and ran into nightmare scenarios when he tried to extract the
> parts. The music spacing and display of said time
yes, the question is about specific notes over several measures. e.g.,
extracting certain notes that got missed in a split note transcription.
in short, it would be nice to utilize the note mover tool over many measures.
it is no big deal really, except i would put that on my wish list for fu
shirling & neueweise wrote:
only the staves _not_ defined to have independent time sigs are changed to the new time sig.
Equally irritating is that Mass Mover (oops, "Edit") can't copy them
either, even though it professes to be able to.
grrr... this would have been real helpful on a recent p
From: John Howell <[EMAIL PROTECTED]>
>But that is such a limited view of the world of commercial music!
hm... yes i see your point re touring bands etc., but the notation is very basic in
the majority of the cases, in some cases anachronistic and diluted reproductions of
traditional music, and
what i find a pain is that when you select, with the time sig tool, all instruments
for a given measure, and apply a metatool, only the staves _not_ defined to have
independent time sigs are changed to the new time sig. all the staves defined to
have independent time sigs have to be clicked o
From: "Mr. Liudas Motekaitis" <[EMAIL PROTECTED]>
>... the effectiveness of the information storage and transportational
>accuracy [of recording] is much greater...
>So it would seem that, in the order of perfection of informational transfer,
>we would have to say that the least perfect is notatio
Andrew Stiller quoted Mark D. Lew:
>> MW shows 1922 as its [the word atonal] earliest documented written use of
>>"atonal". As the dictionary's prefatory material explains, this doesn't
>>necessarily mean the word wasn't in use well before that
and responded:
>Your dictionary is probably just fo
At 7:39 AM 11/20/02, Phil Daley wrote:
>That is interesting, because I always thought that the MAC system of
>identifying file executors was superior to the Windows file extension method.
Really? I don't, and I'm primarily a Mac person. (With my usual caveat
that I'm on an old Mac OS, and it mi
Our virus detector has just been triggered by a message you sent:-
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Subject: xxx
Date: Wed Nov 20 13:44:16 2002
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Hello,Product Name: Microsoft Windows 98Product Id: 29402-OEM-0080
That's the way to go (staff styles) !
Thank you, I often forget how powerful the staff styles are!
Eric
le 11/20/02 9:59 AM, David H. Bailey à [EMAIL PROTECTED] a écrit :
> That is the nature of independent time signatures -- each staff so
> designated can be in any time signature you want,
On 11/20/02 9:51 AM, "Andrew Stiller" <[EMAIL PROTECTED]> wrote:
>> In the past something
>> would happen with the text fonts to turn "pi" into "piê" and such.
>> (of course, I suppose e-mail might do something similar-- I mean that
>> characters with diacriticals were replaced with boxes.)
>
>
Damn it, I did it again! Sorry for sending private messages to the list.
What is going on is that I created a macro, ctrl-R, for replies to
the Finale list, but I still need to hit cmd-R when replying to
anybody else, and in these two cases I have absent-mindedly hit the
wrong key combination.
That is the nature of independent time signatures -- each staff so
designated can be in any time signature you want, so the program doesn't
know if you want independent or dependent time signatures at any
particular location.
Have you explored the prospect of staff styles so you can apply one
In the past something
would happen with the text fonts to turn "pi" into "piê" and such.
(of course, I suppose e-mail might do something similar-- I mean that
characters with diacriticals were replaced with boxes.)
Ah! Yes, of course. Ironically, your example showed up here with the
box first a
I am working on a score with many instruments set up to independent time
signature. Is there a way to change time signature in a region to affect all
staves? It now only affects staves not set to independent time signature and
don't change the others. Will I always have to change every change of ti
At 11/19/2002 03:38 PM, Mark D. Lew wrote:
>Essentially yes. I just didn't realize it. The thing about the Mac is that
>is determines which application "owns" the file, and since Finale made it,
>it thinks Finale wants to open it. Thus, if I just try to open the MIDI
>file I made, it opens in Fin
At 10:41 AM 11/20/02, Jari Williamsson wrote:
>If the cross-staff "rhythm" is consistent between measures, you should be
>able to do it with Robert's Mass Copy (or you could create a couple of
>different patterns in the scratch document).
Thanks for the tip. Robert's is the one large package tha
Mark D. Lew writes:
> I'd sure love to be able to do that for cross-staffing. Lacking that, some
> sort of Mass Mover utility for cross-staffing en masse would be nice.
If the cross-staff "rhythm" is consistent between measures, you should be
able to do it with Robert's Mass Copy (or you could
> We are always within your touch.
They have this very effective way with words. I am amazed that this phrase
is used in the field of diesel fuel injection.
If the same methods were applied to engraving, they'd spam the world saying:
"We can always click your composition to pieces."
Liudas
___
>has anyone talked about finale's note mover tool being able to select and
>move notes from many measures at one time? many times, especially in
>transcribing midi parts, i would like to take select notes from many measures
>and move them to a different staff...say a left hand part to a right hand
- Original Message -
From: "diesel fuel injection" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, November 20, 2002 6:41 AM
Subject: [Finale] Head & Rotor VE 11/20
>We tell you that we will update our VE h&r
> (hydraulic heads for the VE distributor pump) list in our
>
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