At 01:35 PM 12/4/2003, Darcy James Argue wrote:
On 04 Dec 2003, at 08:29 AM, Christopher BJ Smith wrote:
At 6:26 PM -0500 12/03/03, Darcy James Argue wrote:
I don't mean to pile on, but this struck me as odd as well. While I
know a number of people who are able to circular breathe on
woodwinds
Time Warner Cable has just dealt a serious blow to those of us who live
and work away from a metropolitan area and want to stay connected to
civilization.
For those, like myself, who live in the Hudson Valley of New York State,
north of New York City, we depend on cable not only for basic telev
On Thursday, December 4, 2003, at 06:05 AM, Aaron Sherber wrote:
In order to make this legible, I've been going into Speedy and
manually moving the noteheads on the odd-numbered quavers away from
each other. Is there some automatic spacing thing I'm missing?
I've used Special Tools to rectify t
Hi all,
Is there some easy way -- via plugin or otherwise -- to tell Finale to
find all instances of rhythm X (say dotted half tied to eighth +
eighth) and replace them with rhythm Y (double-dotted half + eighth)?
- Darcy
-
[EMAIL PROTECTED]
Brooklyn NY
___
At 03:06 PM 12/4/2003, David H. Bailey wrote:
>Perhaps if you simply placed one of your parts into a different layer,
>then selected SHOW ACTIVE LAYER ONLY in the View menu, and simply used
>mass mover to copy the parts yourself you would end up with exactly what
>you want -- 2 separate trumpet par
Tape, shmape.
Trumpet soloist Sergei Nakarjakov puts some amazing circular breathing in
fast passages in his performances of his transcription of the Mendelssohn D
Minor Violin Concerto. He did it with us last year, and has recorded it.
In his performance, during extended slurred rapid 16th note
At 1:35 PM -0500 12/04/03, Darcy James Argue wrote:
Hmm... I always expected that circular breathing would be easier on
a digeridoo -- maybe because the bore is so much wider than a brass
mouthpiece?
Anyway, my friend Josh Sinton, a great multi-woodwind player, first
learned to circular breathe
Perhaps if you simply placed one of your parts into a different layer,
then selected SHOW ACTIVE LAYER ONLY in the View menu, and simply used
mass mover to copy the parts yourself you would end up with exactly what
you want -- 2 separate trumpet parts on one staff.
Aaron Sherber wrote:
At 08
On 04 Dec 2003, at 08:29 AM, Christopher BJ Smith wrote:
At 6:26 PM -0500 12/03/03, Darcy James Argue wrote:
I don't mean to pile on, but this struck me as odd as well. While I
know a number of people who are able to circular breathe on
woodwinds, my impression is that it is considerably more d
On Thursday, December 4, 2003, at 10:13 AM, Christopher BJ Smith wrote:
Remove Optimisation, perform your group name edit, then re-optimise.
Now all systems will have the edit.
This wouldn't make much sense if the Optimisation has been utilized
(e.g. staves had been moved on individual systems)
John.Howell:
The Weimar cantatas like No. 106 are a problem all
their own because of the the difference in pitch standards between
the court organ and the court's woodwinds.
When I performed this, I transposed it a whole step higher, from Eb to
F, and used recorders.
Andrew Stiller:
When I played
At 11:22 AM -0500 12/04/03, Phil Lehman wrote:
I was working on a project this week and I wanted to remove the
group staff names from the score for printing. Document set up with
setup wizard. Finale 2003 - Mac.
Problem when I unchecked display group name it only did it for the
first system. I h
I don't mean to pile on, but this struck me as odd as well. While I
know a number of people who are able to circular breathe on
woodwinds, my impression is that it is considerably more difficult
to do on brass instruments, especially trumpet. In fact, I don't
think I've ever heard anyone circ
John.Howell:
The Weimar cantatas like No. 106 are a problem all
their own because of the the difference in pitch standards between
the court organ and the court's woodwinds.
When I performed this, I transposed it a whole step higher, from Eb to
F, and used recorders.
When I played it, we used tenor
On Wednesday, December 3, 2003, at 01:32 PM, Andrew Stiller wrote:
the last note my first trumpet is playing is very long one. about
50 seconds long, for which he will need the circular breathing >>
technique.
What I would do is this:
after the first fermata: "circular breathing!"
I was under
At 11:22 AM 12/4/2003, Phil Lehman wrote:
>Problem when I unchecked display group name it only did it for the
>first system. I had to go through the piece and remove the name for
>each system. Is there a global way to do this? I did this is both page
>view and scroll view.
There is a plugin called
I was working on a project this week and I wanted to remove the group
staff names from the score for printing. Document set up with setup
wizard. Finale 2003 - Mac.
Problem when I unchecked display group name it only did it for the
first system. I had to go through the piece and remove the name
Although it's now a long way away from the original question - circular
breathing can be learnt with a bit of patience and practice, just like any
other technique on a wind or brass instrument. Although it's also an
entertaining party trick there's nothing magical to it - the tongue and soft
palate
From: "David H. Bailey" <[EMAIL PROTECTED]>
You can insert a short measure (messes up measure numbers and playback
but you can make the layout look proper) just before the measure you
want to look like there is a repeat to. Make it something like 1/8 or
shorter, set the time signature to alwa
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At 09:37 AM 12/4/2003, Christopher BJ Smith wrote:
>Save it under a
>new name (I add "Parts" to the name) and then run Tobias Geisen's TG Tools
>plugin "Smart Distribution of Multipart Staves."
You don't need to tell me about the virtues of TGTools -- it's the first
place I turn for any problem I
Implode and Explode Music are essentially useless because they always requantize the
music. This is a long-standing problem about which I have bitterly complained for many
years (since v1.0.)
You are correct that this is a prime consideration for a plugin. (Lightbulb going off
in head.)
Title: Re: [Finale] Combining staves
At 8:22 AM -0500 12/04/03, Aaron Sherber wrote:
Hi all,
I've got two trumpet staves which I'm combining into one Tpt 1/2
staff. When the two parts are written in such a way that what I want
is layer 1/layer 2, the process of moving things around is very
easy.
Hi all,
I'm looking for suggestions for music printing and reproduction services. I
know that some of my local copy and printing shops may be able to do these
things, but I'm interested also in shops that specialize in music.
I need a place that can make parts on 9x12 heavy off-white stock, fol
Hi all,
http://files.aaron.sherber.com/overlap.gif shows a kind of problem I've
been having lately.
In order to make this legible, I've been going into Speedy and manually
moving the noteheads on the odd-numbered quavers away from each other. Is
there some automatic spacing thing I'm missing?
At 08:26 AM 12/4/2003, David H. Bailey wrote:
>In the quantization settings you need to look at the Soften Syncopations
>setting (I think you have to click the More Options button to get to
>this screen). If it's checked, then uncheck it. If it's unchecked,
>then it should be checked. I can neve
At 08:24 AM 12/4/2003, David H. Bailey wrote:
>So unless the liner notes state specifically that Marsalis did it with
>circular breathing, or you have seen him perform that work in public and
>actually saw him use circular breathing, I would remain skeptical about it.
When the recording came out (1
In the quantization settings you need to look at the Soften Syncopations
setting (I think you have to click the More Options button to get to
this screen). If it's checked, then uncheck it. If it's unchecked,
then it should be checked. I can never remember which setting does
what, but I do k
At 6:26 PM -0500 12/03/03, Darcy James Argue wrote:
I don't mean to pile on, but this struck me as odd as well. While I
know a number of people who are able to circular breathe on
woodwinds, my impression is that it is considerably more difficult
to do on brass instruments, especially trumpet.
Hi all,
I've got two trumpet staves which I'm combining into one Tpt 1/2 staff.
When the two parts are written in such a way that what I want is layer
1/layer 2, the process of moving things around is very easy.
But when the two parts are, for example, moving jointly in thirds, I have
not yet
There was an interesting exchange regarding circular breathing between
Robert J. Lurtsema and James Galway concerning Galway's recording of a
perpetual motion work (can't remember if it was Paganini's, but the
specific work isn't important.)
Robert J. was recounting to Galway how he had aired t
Darcy James Argue wrote:
> I don't mean to pile on, but this struck me as odd as well. While I
> know a number of people who are able to circular breathe on woodwinds,
> my impression is that it is considerably more difficult to do on brass
> instruments, especially trumpet. In fact, I don't thi
Keith, You don't get it to play -- it's a PDF file, not a finale file.
Just an electronic representation of a printed piece of music, not a
real file full of computer instructions to make sounds from.
And it is a wonderful Christmas gift, thanks, Hal!
David Bailey
helgesen wrote:
Thanks Har
And if it's written for a specific individual, he/she won't need to be
told when to circular breathe -- that will be done as needed, dictated
by the phrasing on the page.
Darcy James Argue wrote:
I don't mean to pile on, but this struck me as odd as well. While I
know a number of people who a
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